Retro mechanical keyboards offer a tactile experience to inspire creativity

We’ve all been there, staring at a blank page at a complete loss on how to get started on a written project. The dreaded writer’s block makes it feel like our brains are all dried up, but all it really needs is a little nudge to get the creative juices flowing again. That can sometimes come from a fidget toy or, more often than not, a favorite tool that stimulates our senses, especially our sense of touch. That’s the kind of experience that this retro-style keyboard wants to offer, presenting a modern keyboard that looks like a classic typewriter yet also has the elegance of a luxury item, giving both your eyes and your fingers a feast to get that brain running again.

Designer: AZIO

There’s actually no shortage of computer keyboards that lay claim to the title of “retro” or “classic, but many of them heaps on embellishment after embellishment to the point that the design becomes showy and distracting. The keyboards become more like decorative pieces to show off rather than functional tools to help you get the job done with as little friction as possible.

AZIO’s new collection of retro mechanical keyboards tries to strike the balance between minimalist design and detailed retro aesthetics. Inspired by the design of classic typewriters, it shaped the keys into concave circles encased in what looks like polished metal. The keys have a rather sizable gap between them, allowing the backlight underneath to shine through the spaces and give the keyboard a distinctive yet gentle glow.

The retro keyboard, however, goes beyond simply trying to mimic a typewriter. AZIO opted to use premium materials for both the frame as well as the surface of the keyboard itself, mixing aluminum with wood or leather. These materials are already a sight to behold, but their textures can also stimulate the skin. You don’t need to reach for a fidget toy or any other object when you can just glide your finger across the luxurious materials of the keyboard instead.

Of course, this is a mechanical keyboard, so it comes with all the benefits that this kind of device entails, from a solid, tactile typing experience to the satisfying clicky sounds that each key makes. The overall design is distinctive yet subtle, giving your eyes something nice to look at without taking your mind off the task at hand. It’s a tool that is a pleasure to see, touch, and use and doesn’t get in the way of you creating your next big writing masterpiece.

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Handheld e-ink reader helps you pick up and practice new languages

Dubbed the Paperang Q1, this portable ‘vocabulary card’ works better than Duolingo, allowing you to take quizzes, access flash cards, and quickly pick up new phrases. It’s smaller than a Kindle, and does a much better job of teaching you a new language than those translator apps that only focus on short-term gains. And unlike other e-ink readers, this comes with a speaker too, enabling audio-based learning.

Designer: Zuoyebang Education Technology (Beijing) Limited

The Paperang Q1 comes with a 3.9-inch e-ink display with touch input, along with a home button on the side and a record button on the top. Its staggered design gives it a distinct aesthetic that makes it instantly recognizable, with its quadrilateral forms intersecting each other to give you an overall rectangle that still feels different. Except, what you’d expect to be a camera bump is, in fact, the speaker unit that pumps out rich audio. The bump also gives your fingers a place to rest as you’re holding the device.

The Paperang Q1’s simplistic design opens it up to a lot of visual exploration. The two forms can be paired in distinct colors, creating a fun and funky palette.  The device itself comes in black and white variants, although it does feature replaceable metal backplates that add a touch of color to the overall gadget, allowing users to choose between classic or vibrant color schemes.

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Bench Architecture tops Brooklyn brewery with tile-lined pizzeria

Grimm pizzeria Brooklyn oven

Local architecture studio Bench Architecture has topped a Brooklyn brewery with a pizzeria and bar outfitted in a “colourfully tactile palette” including a wall of aqua-blue tile.

In East Williamsburg, Lala’s Brooklyn Apizza shop is located above the Grimm Artisanal Ales brewery – a converted automobile shop that opened in 2018 and was also designed by Brooklyn-based Bench Architecture.

A brewery in Brooklyn
Local studio Bench Architecture has topped a brewery with a pizzeria in Brooklyn

The second-floor pizzeria consists of a large open space flanked on either side by a pizza kitchen and terracotta-clad bar, while a series of bi-fold doors lead out onto a rooftop terrace.

“A colourfully tactile palette was used to frame two poles of the space,” the studio said.

Interior space with blue tilesThe space sits on top of a converted autobody shop

At one end of the interior space, a pizza oven is surrounded by light green Portuguese tile, while a white mosaic tile was used to clad the oven itself.  A bar counter topped with moonstone and wrapped in corrugated wood frames the oven, with a small service window lined with the same moonstone placed to the side.

Across the space, a service bar was wrapped in fluted terracotta tiles and topped with a dark grey Mexican Cantera stone counter.

Pink curtain
The studio organized the interior into “nodes”

A wall of aqua-blue concrete tile sits behind the bar, extending along the space and outside onto the terrace.

Magenta-pink curtains line the back wall and a wood-slatted ceiling connects these two bars, which the studio refers to as “nodes”. The two countertops were designed to have contrasting materiality.

Pizza oven in corner
Wood and terracotta-clad bar counters on either end of a dining space

“These ‘rough’ and ‘polished’ nodes are unified by a curved wood-slat ceiling and magenta curtain which accent primary surfaces as well as soften the acoustics of the space,” said the studio.

An angled mirror was placed above the curtain and spans its width to visually connect the interior space to the terrace, according to the studio.

Outside, the terrace is flanked on both sides by walls of light pink and blue tile, with a Cantera stone floor covering the entirety of the space.

Simple wooden picnic tables populate both the interior dining area and outdoor space, with shelving and a rack of firewood dispersed around them.

A terracotta clad bar
Colourful tile was used to line the interior and exterior walls

Bench Architecture expanded upon similar themes it used for the brewery and taproom on the ground floor below, which opened in 2018.

Similar red-hued curtains line the space and a corrugated metal-clad bar was placed along the building’s front windows to provide space for brewery production.

A terrace with people
The space opens onto a terrace through a series of bi-fold glass doors

A series of pendants hang from the ceiling, which marks an original mezzanine design for the space.

“A grid of hanging pendant lights create a ‘ceiling’ to the space, which outlines the extent of the original mezzanine design for the room, which was superseded by the rooftop extension,” said the studio.

Bench Architecture is a Brooklyn-based architecture studio founded by David Bench in 2020 that specializes in residential, retail and event spaces.

Other interior projects recently completed in the Williamsburg area include a residential loft that doubles as a performance space and a Kith store featuring a brick silo at its centre.

The photography is by Nicholas Venezia


Project credits:

Architecture and interiors: Bench Architecture
Construction manager: Bench Architecture
MEP: ABS Engineering
Structural: Becker

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Dezeen Debate features Snøhetta library with a "feeling of extravagance"

Beijing city library by Snohetta

The latest edition of our Dezeen Debate newsletter features Beijing City Library in China by SnøhettaSubscribe to Dezeen Debate now.

The Beijing City Library in China, designed by Norwegian studio Snøhetta, features a glass-lined structure punctuated by towering tree-like columns and rooms disguised as hills.

Commenters analysed the structure closely, with one characterising it as having a “feeling of extravagance” while also criticising it by suggesting: “It can only mean massive expenditure.”

Another observer perceived it as “borrowing heavily” from Frank Lloyd Wright’s SC Johnson Wax HQ.

Space Perspective completes capsule for balloon-powered “journey to the edge of space”

Other stories in this week’s newsletter that fired up the comments section included space tourism company Space Perspective’s test capsule for its Neptune spacecraft, a high-protein food by scientists from South Korea’s Yonsei University and Portuguese architect Álvaro Siza’s extension of his 1999 Serralves Museum project in Porto.

Dezeen Debate

Dezeen Debate is sent every Thursday and features a selection of the best reader comments and most talked-about stories. Read the latest edition of Dezeen Debate or subscribe here.

You can also subscribe to our other newsletters; Dezeen Agenda is sent every Tuesday containing a selection of the most important news highlights from the week, Dezeen Daily is our daily bulletin that contains every story published in the preceding 24 hours and Dezeen In Depth is sent on the last Friday of every month and delves deeper into the major stories shaping architecture and design.

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Honda UNI-ONE wheelchair finds innovative use in VR worlds as extended reality mobility experience

Honda introduced the UNI-ONE personal mobility chair for people with lower limb immobilization at the end of 2022. The Segway-like version for people who want an advanced electric wheelchair contraption with flexible movement capabilities will officially debut at South by Southwest (SXSW) in Austin, Texas, next month, with a VR application twist.

The Japanese automaker will leverage the self-balancing personal mobility device (mostly intended for the disabled) for a seamless virtual reality world, which they are calling the “Honda Extended Reality (XR)” experience. The idea of fusing the real-world riding on the UNI-ONE with the virtual world environment sounds like a winning proposition, and Honda doesn’t want to let go of the opportunity.

Designer: Honda

The SXSW attendees will get the opportunity to get first-hand exposure to this unique VR experience from 10-13 March at Honda’s booth #729 at the SXSW Creative Industries Expo at the Austin Convention Center. This amalgam of two different technologies is directed towards solving the hardware limitation of a comprehensive metaverse reality that is otherwise only limited to the visual input and confined to a limited space. According to Hirokazu Hara, vice president of New Business Development, at American Honda Motor this will expand the “joy and freedom of personal mobility into entertainment applications.”

Hirokazu further added that the never-before thought of combination will elevate the multimodal immersive experience three-fold. The self-balancing tech dubbed Honda Omni Traction Drive System (HOT Drive System) and the advanced sensors on the 154 pounds UNI-ONE (permitting movement and tilt in any direction) will leverage a new VR and AR entertainment. This will shoot the extended reality technology and application development possibilities to another level, inducing the interest of early adopters more than ever before.

For instance, racing through a track on a virtual planet with lesser gravity than on Earth will be possible on a hands-free device capable of going at a top speed of 3.7 mph. The rig will combine the visual input from a VR headset and the freedom of movement to make the user feel as if racing on a real track in an alien landscape. The fact that Honda is vesting so much interest in this possibility with the UNI-ONE speaks a lot about how the future is going to pan out in the Metaverse world. According to Honda the extended reality (XR) technology will be perfect for malls, theme parks, or any other indoor or outdoor entertainment hubs with a lot of open space to move around.

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PlayLab Inc creates "surreal" pyramidal skate ramp for LA art week

PlayLab vans bright installation LA

Californian design studio PlayLab Inc has constructed a massive skateable pyramid in Downtown Los Angeles in collaboration with footwear brand Vans.

The bright-yellow skate ramp was placed between two buildings in an industrial district near the LA River as part of the city’s art week – centred around the Frieze, Felix and Spring/Break art fairs.

Skateboarded on bright neon ramp
PlayLab Inc and Sterling Ruby have created a skateable installation in Downtown LA

PlayLab Inc designed the installation in collaboration with American artist Sterling Ruby to mark the release of his Clash the Wall skate shoe for Vans.

The 12-foot-tall (3.5 metres) split-level pyramid was constructed from materials gathered from previous skate installations built by PlayLab Inc, such as the plexiglass skate ramp the studio created for Vans during Paris Fashion Week Mens last summer.

Man grinding on neon skate pyramid
It has a split-level pyramidal form and a large backing wall

Among the salvaged materials were scaffolding and Skatelite – a durable paper composite used for the surface of many skateboarding ramps, which in this case was painted a bright neon yellow. The design was meant to emulate the “hills” found in many California skateparks.

“We wanted to take an iconic form in skate culture, the hill, and interpret it into a surreal sculpture,” PlayLab cofounder Archie Lee Coates IV told Dezeen.

“At the center of the installation is a pyramid, split and shifted to create angles and edges for skaters to play off of,” he added. “This pyramid is placed within a massive cyc wall, which serves both as a skate feature and an immersive visual color field.”

Man on vertical wall with skateboard
It was informed by California skate culture

The “cyc wall” in question is almost completely vertical with a lip on the bottom, much like the cycloramas used as backdrops for stage sets and photoshoots.

In this case, the wall creates a colourful background for the pyramidal form in the middle of the installation.

The ramp was created to celebrate the launch of the new skate shoe that Ruby’s clothing design studio SR Studio has designed for OTW by Vans – the company’s experimental design arm.

Much like the Clash the Wall shoe, Coates says the bold colour and form of the installation were meant to clash with the urban fabric, utilising the same neon hue as the shoe.

Siloutte of skater on vertical skate wall
It was constructed using materials from PlayLab’s previous skate installations

According to Coates, the materials from the installation will be disassembled and many will be reused for future installations

Other installations during this year’s LA art week include an exhibition of black cars arranged around furniture by Willo Perron and USM, curated by LA-based design studio Sized.

The photography is by Atiba Jefferson.

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Five roles in furniture and product design featured on Dezeen Jobs

Amelia lounge chair by Boss Design

We’ve selected five job roles in furniture and product design available on Dezeen Jobs this week, including positions at Boss Design, Kibre and A Work of Substance.


Neutral-toned living and dining room

Senior FF&E designer at Kibre

Kibre has a vacancy for a senior FF&E designer with experience in project management to join its London design studio.

The role’s key responsibilities include the creation of design concepts and the ability to present clearly to clients and investors, as well as overseeing the procurement of all furniture, fixtures and equipment (FF&E).

View more jobs in London ›


FF&E assistant at Nebihe Cihan Studio

Nebihe Cihan Studio is hiring an FF&E assistant with proficiency in AutoCAD and Adobe software to join its studio in London.

Design talent and knowledge of materials, products and suppliers are essential assets for this role.

View more jobs in FF&E design ›


Red chair in a concrete room

Graduate furniture development role at Boss Design

Boss Design has a vacancy for a graduate furniture development role for its team in Dudley, UK, on a three-month paid internship with the possibility of progressing into a permanent full-time position.

The studio’s portfolio includes the Atom office furniture collection, which was created by designer Simon Pengelly to be used in flexible workplaces.

View more jobs in furniture design ›


Senior product stylist at Kingfisher

Kingfisher is looking for a senior product stylist to join its team in Templemars, France.

Besides being fluent in English and French, the perfect candidate would have an educational background in design and have a good eye and knowledge of product colours and materials.

View more jobs in product design ›


Wooden spiral staircase in a living room

Product designer/industrial designer at A Work Of Substance

A Work Of Substance is seeking a product designer/industrial designer with experience working with raw and natural materials to join its team in Hong Kong.

The firm was shortlisted for interior designer of the year in Dezeen Awards China 2023. Its recent projects include a residential landmark called the Ravine and a sustainable logistics centre for Goodman Westlink.

View more jobs in Hong Kong ›


See all the latest architecture and design roles on Dezeen Jobs ›

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Baby roach mechanical experiment may be your next cute pet (or nightmare)

Some of the most popular (not necessarily best) memes are of people who seem to be brave on the outside but are reduced to screaming messes when faced with a cockroach. We’re talking both men and women here and seeing them freak out over these insects is apparently funny to some people. So this concept for a robotic cockroach may be the stuff of nightmares for some or a fascinating experiment for those who are curious.

Designer: Luis Lopez

Baby X-Roach is a concept or experiment into creating a robotic creature that is usually a source of disgust or fright. In his description of this creature he created, he says that she has a huge and kind heart with her curiosity keeping her alive even if most people don’t see it. It is designed to have a high tech aesthetic even though it is a low poly creation (small number of polygons in 3D computer graphics).

Based on the animations the designer included, the structure of the Baby X-Roach seems to be based on the actual cockroach’s look but with a high tech aesthetic. It may actually look right at home in a Tesla facility as per the creator. It can also be part of the Into the Spiderverse animated universe as it looks like it may be insect cousins with the spider that bit Miles Morales, with its red and black colors and mechanical movements.

This insect doesn’t seem to have any other function except to be a cute, mechanical pet. Well, that is, if you’re not afraid of roaches. If you are, you just might squish it if you see it scurrying across to you, which would be a shame for this baby roach.

The post Baby roach mechanical experiment may be your next cute pet (or nightmare) first appeared on Yanko Design.

The Mac Pro Bench

Turns out, you can make a nifty bench out of just a single slab of aluminum…and two discarded Mac Pro towers.

The Mac Pro Bench, by the subversive creative collective Caliper, was created for a pop-up in Manhattan for clothing brand Hidden. It is, obviously, a one- or two-off.

If anyone has a line on where to pick up discarded Mac Pros, do tell.

Using Art and Design to Advance Movements for Liberation

The 2024 Core77 Design Awards Design for Social Impact Category, led by Sabiha Basrai, Co-Owner Design Action Collective, features projects designed to directly benefit social, humanitarian, community or environments. Examples of social impact work include community or environmental impact initiatives, products for underrepresented communities, distribution systems, disaster relief, responses to the COVID-19 pandemic, the fight for racial justice, humanitarian efforts related to war and refugees, and others.

Sabiha Basrai, Co-Owner, Design Action Collective

Sabiha Basrai’s cemented her deep commitment to social impact through design early in her career. Sabiha was in the midst of her undergraduate graphic design studies when the attacks of September 11, 2001 happened, followed by what she calls a “heightened culture of fear and racism that I had to contend with as a young Muslim woman.”

Sabiha found her voice in the anti-war movement and began using her design skills to serve grassroots and social justice efforts. More than two decades later, Sabiha remains “motivated by the relentless activism of BIPOC communities and grateful that I can be part of an ecosystem of culture workers using art and design to advance movements for liberation.”

In her role as Co-Owner of Design Action Collective, a worker-owned, anti-capitalist design firm dedicated to serving social justice movements with art, graphic design, and web development, Sabiha continues working toward those goals. She also serves as co-coordinator of the Alliance of South Asians Taking Action, as an affiliate trainer with Race Forward, a faculty member of the University of San Francisco’s Department of Art and Architecture, and a member of the Center for Political Education’s advisory board.

Website design for Media Justice, by Design Action Collective

As someone who has dedicated her career to social justice, Sabiha is glad to see a growing number of designers getting involved in progressive movements and using their platforms as media makers to respond to issues like the rise of white supremacist violence, fascist ideologies, and the climate crisis. However, she advises that in the effort to contribute to solutions, designers make every effort to “ask the right questions and seek out enough feedback to ensure that we are following the leadership of those most impacted people and centering the knowledge of those communities.” Sabiha believes that finding ways to give and receive that feedback is a critical step in ensuring that designers are accountable to the communities they are serving.

Her other advice to designers operating in this space? “Make sure you have always done a power analysis and can name the impacts of structural oppression. When we fail to do so, we run the risk of offering individual or interpersonal solutions to systemic problems.” She believes that this approach can cause more harm – and undermine good intentions in the process.

2023 Design for Social Impact winner Ci3 at the University of Chicago for Hello Greenlight by Ci3

The winner in the 2023 Core77 Design Awards Design for Social Impact category was The Center for Interdisciplinary Inquiry and Innovation in Sexual and Reproductive Health (Ci3) at the University of Chicago for their development of contraceptive counseling resources for adolescents that present information about a range of birth control methods in a clear, step-by-step manner, in the context of whole and varied bodies and in the context of use.

Is your work making a positive difference in society? You might be this year’s Design for Social Impact winner. Enter your most impactful project today!