This Beach House In Denmark Is A Symbol Of Their Local Culture

Nestled at the northernmost point of Denmark in the picturesque town of Skagen, the Skagen Klitgaard Beach House stands as a testament to architectural homage, familial togetherness, and seamless integration with the natural surroundings. Designed by PAX Architects, this stunning summer retreat draws inspiration from Skagen’s Black Period, incorporating the historical use of burned shipwreck wood into its distinctive exterior and thatched roof.

Designer: PAX Architects

The exterior of the Skagen Klitgaard Beach House pays homage to the historical legacy of Skagen. The black-painted timber exterior and thatched roof evoke the charm of houses built during the Black Period, where charred wood from shipwrecks was a common building material. This architectural choice creates a connection to the town’s history while establishing the house as a visual delight against the coastal landscape.

The architectural concept revolves around the central theme of fostering togetherness, especially among three generations of occupants. The house is designed to accommodate various needs, from communal gatherings in the centrally located kitchen to more secluded areas for moments of solitude. Despite the diverse purposes of each space, a continuous pitched roof unifies the entire house, emphasizing the idea of ‘being under one roof.’

Special attention is given to inclusivity within the Beach House. The architects incorporated an acoustic ceiling to mitigate noise levels, creating an environment conducive to both family life and individual retreats. Fluid zones within the layout allow for visual connectivity between different areas while maintaining a strong sense of connection to the surrounding landscape.

Recognizing the importance of family mealtime, the kitchen is positioned centrally, acting as the heart of the house. Thick oak mullions frame large glass panels, creating a seamless transition between indoor and outdoor spaces. This design choice not only blurs the boundaries but also brings the beauty of the landscape indoors, enhancing the overall living experience.

To cater to the diverse needs of its occupants, the ceiling heights vary in different spaces. Lower ceilings in intimate zones, such as the multi-purpose room behind the kitchen, create a contrast with the open and social areas, offering a variety of atmospheres within the house.

The interior design, characterized by muted colors and extensive use of sustainable Douglas fir, seamlessly blends with the natural surroundings. The tactile qualities, scent, and soothing sounds of wood contribute to a warm and inviting atmosphere, aligning perfectly with the vision of the house being an integral part of the natural environment.

The collaboration with Danish company Dinesen reflects a commitment to quality and precision. Responsibly sourcing timber from forests in France and Germany, the architects ensured not only a visually stunning but also a sustainable and enduring home.

The post This Beach House In Denmark Is A Symbol Of Their Local Culture first appeared on Yanko Design.

"Beautiful structure in the perfect location" says commenter

Café pavilion with silver roof reflected onto pond

In this week’s comments update, readers are discussing a mirrored cafe pavilion and courtyard at the site of The Old War Office in Whitehall, London.

Designed by DaeWha Kang Design, the circular pavilion has a glass facade and mirrored stainless-steel roof panels.

Mirrored stainless steel roof of pavilion by DaeWha Kang Design
“Unashamedly contemporary” pavilion designed for Old War Office site in London

“A modern addition to an ancient classic”

Readers were divided. Some were in awe of the design, with Ken Steffes describing it as a “beautiful structure placed in the perfect location”. JZ agreed, calling it a “fantastic intervention”.

“Aside from the jarring interior furniture and carpet, this is wonderful,” wrote Gytis Bickus. “A modern addition to an ancient classic,” they continued. Meanwhile, Design Junkie found it to be a “beautiful little jewel box”.

Souji felt the modern design was “out of context” with its surroundings.

Bob Richmond was far less generous in their assessment. “Hideous – utterly hideous – and it will be dated upon completion, another example of tawdry bling come to town”.

Hideous or beautiful? Join the discussion 

Vineyard beside aeroplanes at Florence airport
Rafael Viñoly Architects unveils plans for vineyard-covered airport terminal

“I detect notes of kerosine in this lovely Chianti”

Also sparking debate in the comments section this week was the news that Rafael Viñoly Architects has unveiled plans for an international terminal at Florence Airport in Italy that will be crowned by a vineyard.

Some commenters were unconvinced by the rationale. “Is it architecture to combine two things that have no relation to each other?” asked commenter Rd.

Concerned reader Anon wondered “won’t the wine be dosed with aviation and vehicle fuel residue?”

Others were also intrigued about how the vineyard’s location might have an impact. “Mmm, I detect notes of kerosine in this lovely Chianti…” joked Noirmout.

“Can’t wait to pour myself a glass of Château-Control-Tower” quipped in Jean-Yves Rehby.

What do you make of the airport-vineyard’s prospects? Join the discussion ›

Neom wildlife resort by OMA
OMA arranges trio of hotels around “exclusive sanctuary resort” at Neom

“Superficial formalistic gimmickry” 

Another story that got readers talking this week was news of plans for the latest region in the Neom development – Dutch studio OMA’s design for a wildlife park surrounded by three hotels and a visitor centre.

Commenters were largely unimpressed. “It’s disappointing to see that OMA is involved in this sham,” wrote Leo. This sentiment was echoed by Dixie Normous, who also found it “disappointing to see real offices do this nonsense”.

Dac-attack was astounded at the implausibility of the project, writing “I can’t believe they think any of this is feasible”.

“Wow, our best and brightest have now stooped to the level of lazily building dystopian sci-fi sets,” wrote Architect Incognito.

Walter Astor didn’t hold back, and called the design “superficial formalistic gimmickry and visual nonsense”.

Do you agree? Join the discussion ›

Comments Update 

Dezeen is the world’s most commented architecture and design magazine, receiving thousands of comments each month from readers. Keep up to date on the latest discussions on our comments page and subscribe to our weekly Debate newsletter, where we feature the best reader comments from stories in the last seven days.

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Seven architecture and design events in February from Dezeen Events Guide

Photo of table and seating

Madrid Design Festival and Unravel: The Power and Politics of Textiles in Art are among the architecture and design events featured in Dezeen Events Guide this February.

Other events taking place during the month include design festivals Design Doha and Stockholm Design Week, and fairs Frieze Los Angeles, Seoul Living Design Fair and Object Rotterdam.

Object Rotterdam
2 to 4 February, The Netherlands

Object Rotterdam is an annual design fair that takes place in the Dutch port city, spotlighting emerging and established designers from across The Netherlands.

The fair includes art, design, architectural pieces, fashion and examples of traditional crafts from over 140 exhibitors.

Object Rotterdam invites interior, art and design professionals and enthusiasts to the warehouse and office building HAKA-gebouw for three days.

Illustration of two people walking in snow
Stockholm Design Week takes place in February each year. Illustration is by Rima Sabina Aouf. Photo above is by Teresa Piensos Gomez

Stockholm Design Week
5 to 11 February, Sweden

The 22nd edition of Stockholm Design Week takes place this year, with open showrooms, exhibitions, product launches, design fairs, workshops and parties taking place across seven days in February.

The programme of events is located across the city, with the majority located in central Stockholm.

Stockholm Furniture Fair is one of the largest events of the festival, showcasing 200 exhibitors from 6 to 10 February. The 2024 edition’s guest of honour is Italian design duo Formafantasma, who have made an installation for the event.

Dezeen has launched its digital guide to Stockholm Design Week 2024.

Photo of seating by Sara Regal
Designer Sara Regal is taking part in the festival. Photo is by Cecilia Diaz Betz

Madrid Design Festival
8 February to 17 March, Spain

Spain‘s capital city celebrates the seventh edition of its design festival, with more than 170 brands and institutions taking part in the events.

More than 50 exhibitions and installations form Madrid Design Festival‘s schedule, alongside workshops, open showrooms, awards, film screenings, talks and tours.

While events take place across the city, the festival’s hub is Fernán Gómez Centro Cultural de la Villa, a cultural centre in Madrid‘s Salamanca district.

Photo of art at Barbican exhibition
Hammock (part of 4 Hammocks), 1999-2003 by Solange Pessoa is on display at the exhibition. Photo is courtesy of Rubell Museum, Miami and Washington, DC. Photo is taken by Chi Lam.

Unravel: The Power and Politics of Textiles in Art
13 February to 26 May, UK

London’s Barbican Centre presents the Unravel: The Power and Politics of Textiles in Art exhibition, exploring textiles as a representation of societal issues and human emotions through the work of over 50 artists.

Addressing the use of textiles, threads and fibres, the exhibition showcases hand-crafted designs and large-scale installations.

The pieces on display are informed by themes of violence and imperialism, as well as resilience and hope.

Seoul Living Design Fair
22 February to 3 March, South Korea

Seoul‘s annual design fair, which welcomes more than 100,000 visitors each year, highlights the latest trends in the lifestyle design industry.

The 11-day fair displays acoustic, kitchen and tableware, office and lighting products, as well as furniture, art, textiles and fashion.

Alongside the exhibition, the event hosts a series of talks and seminars and an awards ceremony at the COEX Convention and Exhibition Center.

Photo of table and seating
Design Doha hosts a programme of exhibitions, awards, talks and workshops. Photo is courtesy of Design Doha

Design Doha
24 February to 5 August, Qatar

Design Doha is a new biennial festival taking place in Qatar‘s capital city, predominantly located in Doha Design District, in the Msheireb neighbourhood.

Hosting its first edition, Doha aims to celebrate the best of design in the Middle East and North Africa (MENA) region through exhibitions, awards, talks and workshops.

Dezeen is a media partner for Design Doha 2024.

Photo of building by Newsha Tavakolian
Photography by Newsha Tavakolian is on display at the fair

Frieze Los Angeles
29 February to 3 March, USA

Frieze hosts its fifth art fair in Los Angeles in February and March, returning to Santa Monica airport this year after its relocation in 2023.

The event spotlights works by around 100 global galleries, organisations and institutions across four days, exploring a range of contemporary art mediums.

Other global editions of Frieze Art Fair take place in New York City, Seoul and London.

About Dezeen Events Guide

Dezeen Events Guide is our guide to the best architecture and design events taking place across the world each year. The guide is updated weekly and includes virtual events, conferences, trade fairs, major exhibitions and design weeks.

Inclusion in the guide is free for basic listings, with events selected at Dezeen’s discretion. Organisers can get standard, enhanced or featured listings for their events, including images, additional text and links, by paying a modest fee.

In addition, events can ensure inclusion by partnering with Dezeen. For more details on inclusion in Dezeen Events Guide and media partnerships with Dezeen, email eventsguide@dezeen.com.

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Dezeen's top five houses of January 2024

Lowater in Marlow, UK by Fletcher Crane Architects

Dezeen’s top five houses of the month for January include an “unyielding” travertine-clad holiday home on the Danish coast and a fluted concrete villa built into a Spanish hillside.

Also featured in this roundup is a house with clustered red-brick volumes overlooking the River Thames and a cube-shaped holiday home in Chile with an expansive rotated terrace.

This is the latest in our houses of the month series, where we select five of the most popular residences featured on Dezeen in the past month from all around the world.

Read on to find out more about Dezeen readers’ favourite houses this month:


Vollerup Atrium House in Denmark
Photo by José Campos

Vollerup Atrium House, Denmark, by Jan Henrik Jansen Arkitekter and Studio Marshall Blecher

Architecture studios Jan Henrik Jansen Arkitekter and Studio Marshall Blecher designed this monolithic travertine home in Denmark to age gracefully within the landscape, organising the pavilion-like residential spaces around a central atrium with trees and a reflection pond.

“The site is on an exposed and windswept stretch of Danish coastline and the monolithic atrium provides a solid and unyielding refuge from the elements,” Marshall Blecher, founder of the eponymous studio, told Dezeen.

Find out more about Vollerup Atrium House ›


Garden Laneway House
Photo by Scott Norsworthy

The Garden Laneway House, Canada, by Williamson Williamson

This solid, brick-clad family home in Toronto‘s West End was designed by Williamson Williamson to amplify the size, functionality and aesthetic of a typical laneway house.

“The house was designed to feel like a primary home, not like the wood- and shingle-clad garages that are typical of the laneways,” said local studio Williamson Williamson.

“This is not a utilitarian building on a laneway, but one that has presence and enlivens the laneway as a traditional home does a street.”

Find out more about The Garden Laneway House ›


Lowater in Marlow, UK by Fletcher Crane Architects
Photo by Lorenzo Zandri

Lowater, UK, by Fletcher Crane Architects

UK Studio Fletcher Crane Architects designed this house in Buckinghamshire to blend with the vernacular architecture of the surrounding conservation area.

A group of interconnecting spaces feature traditional red-brick facades with perforated openings and gabled roofs, contrasted against contemporary interior finishes and connected by a series of bisecting pathways.

“[Lowater] seeks to forge a relationship between the local church and a quality historic property to evolve an architecture of red brick, pitched roof forms and courtyard gardens in a relevant and respectful manner,” project architect Carmine Bassi told Dezeen.

Find out more about Lowater ›


Shift House by Nomo Studio
Photo courtesy of Nomo Studio

Shift House, Spain, by Nomo Studio

Located on the Spanish island of Menorca, Shift House by Nomo Studio was formed by displacing and stacking a series of rectilinear volumes into the hillside.

Alternating bands of glazing and fluted concrete wrap the four-storey home, with the studio intending for the facade to develop a natural patina over time.

“Shift House has a clear will to maximise sea views and outdoor spaces,” Nomo Studio founder Karl Johan Nyqvist told Dezeen. “The location and its direct surroundings dictate everything from shape to choice of materials, colours and textures,”

Find out more about Shift House ›


Casa Lagunita in Santiago by Croxatto y Opazo Arquitectos
Photo by Cristóbal Palma

Casa Lagunita, Chile, by Croxatto and Opazo Architects

A wedge-shaped terrace protrudes from this white-washed concrete home by Croxatto and Opazo Architects outside Santiago, Chile.

Built into the sloping site to make full use of the terrain, Casa Lagunita is split into three distinct platforms connected by a series of internal and external wooden staircases next to generous floor-to-ceiling glazing.

Find out more about Casa Lagunita ›

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Moooi furnishings "tell a different story on every floor" of Art Legacy Hotel says Rebelo de Andrade

Lobby of Art Legacy Hotel in Lisbon

Father and son architect duo Luís and Tiago Rebelo de Andrade explain how they furnished Lisbon’s Art Legacy Hotel entirely with Moooi products in this video produced by Dezeen for the Dutch furniture brand.

Lisbon practice Rebelo De Andrade designed the interiors of the five star Art Legacy Hotel, located in the Baixa-Chiado district in the city’s centre.

The hotel is notable for its exclusive use of Moooi products and rooms with bold primary colour schemes.

A suite with a yellow colour scheme in the Art Legacy Hotel in Lisbon
Art Legacy Hotel is a five star hotel in Lisbon

“Hospitality is always about image and stories,” said Luís Rebelo De Andrade, founder of the studio, in the exclusive Dezeen video interview. “We wanted the guests, when they come to this hotel, to have a completely unexpected experience.”

“So, we proposed to our client that we make a hotel with only Moooi products, to give it a very strong identity.”

Moooi’s products were used throughout the hotel, including carpets, furniture, lighting, wall coverings and art pieces.

“Moooi is everywhere in the building,” said Tiago Rebelo De Andrade, who is partner and principal architect at the studio and Luís Rebelo De Andrade’s son. “When you enter the hotel, all the colours, all the textures, all the furniture from Moooi helps us to tell a different story in every floor.

A room with a red colour scheme and Moooi lighting in the Art Legacy Hotel
Rebelo De Andrade furnished the Art Legacy Hotel entirely with Moooi products

The project is a renovation of a historical office building. Alongside overhauling the hotel’s interior, Rebelo De Andrade also redesigned its facade.

According to Tiago Rebelo De Andrade, Moooi’s blend of modernity and classical references suited the studio’s approach to designing the hotel’s interiors.

“Moooi is classic but in a way that can also be modern,” he said. “It’s a modern-classic building.”

The facade of Art Legacy Hotel
Art Legacy Hotel is a renovation of a historic building in Lisbon’s centre

Luís Rebelo De Andrade decided to partner with Moooi on the hotel’s interiors after visiting the brand’s Museum of Extinct Animals exhibition at Milan design week in 2018.

Each room in the Art Legacy Hotel has either a blue, red, yellow or green colour scheme, with matching wall coverings, furniture and tiling in the bathrooms.

“When I first met Moooi’s products, I felt that it uses a lot of primary colours,” he said. “So I used primary colours in a very strong way in the hotel. They are colours that provoke you.”

Lobby of Art Legacy Hotel in Lisbon
Moooi’s lighting, furniture, wall coverings and carpets are used throughout Art Legacy Hotel

In the video interview, the duo also discussed their working relationship.

“My son, he provokes me,” said Luís Rebelo De Andrade. “We had to educate ourselves on how to work together.”

“I offer my experience, he offers his youth in projects,” he continued. “So I think it’s a good mix.”

A room with a blue colour scheme and Moooi furnishings in Lisbon's Art Legacy Hotel
Rebelo De Andrade used primary colour schemes in Art Legacy Hotel’s rooms

“It’s difficult because it’s a father and son relationship,” added Tiago Rebelo De Andrade. “We are always arguing, but at the end of the day, we drink a bottle of wine so that we can make peace with each other.”

Other recent projects from Moooi include the IDEO-designed Pallana suspension lamp, made up of adjustable ring lights, and the rope-like Knitty Chair designed by Nika Zupanc.

The photography is by João Guimarães.

Partnership content

This video was produced by Dezeen for Moooi as part of a partnership. Find out more about Dezeen’s partnership content here.

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Food waste dyes bring colour to mycelium leather in Sages and Osmose project

Photo of swatches of mycelium dyed in different deep colours

Two British materials companies, Sages and Osmose, have collaborated to dye sheets of mycelium with natural food waste, mimicking the appearance of tanned leather and suggesting a colourful future for the biomaterial.

Osmose is a company making a leather alternative from mycelium – the fibrous underground root network of mushrooms – while Sages makes natural dyes from food waste such as avocado pits, blueberries, red cabbages and onion skins, which are normally applied to textiles.

The two believe they’ve achieved a world first with their collaboration, combining two emerging areas of sustainable material development to colour mycelium without resorting to petroleum-based synthetic dyes, thereby keeping the product non-toxic and able to biodegrade safely in soil.

A small square piece of leather-like material, in a mottled hue of caramel brown
Sages and Osmose have developed a natural dying process for mycelium leather

“There are lots of different types of vegan leather alternatives to traditional leather but the majority of them use either synthetic colourations or they use plasticisers, so they’re non-biodegradable,” said Sages CEO Emily Taylor.

“We wanted to explore an option where we could have a fully biodegradable leather that has also been coloured in a biodegradable and sustainable manner,” she continued.

Companies that prioritise biodegradability have offered mycelium in its natural shades of white and brown or black, which Osmose CEO Aurelie Fontan says is much easier to achieve naturally.

“I think the challenge for mycelium leather was that the offering just wasn’t there in terms of aesthetic,” she said. “When you’re presenting for brands and you’re like ‘we can only do brown’, it’s a little bit boring for them.”

Photo of swatches of mycelium dyed in different shades of tan, pale violet and mulberry
The companies experimented with different food wastes in the dyeing process

“The colour sector is somewhere where you can develop your USP, essentially, which is why working with Sages is so interesting,” Fontan added.

Osmose and Sages have created tan-coloured mycelium sheets using avocado waste, which Sages sources from an importer and guacamole factory in Milton Keynes, where tens of tonnes of leftover pits and skins are produced each week.

It was a new area for both companies, as the food waste dye takes differently to mycelium leather than it does to the usually cellulose-based textiles that Sages has worked with.

The duo collaborated with materials science researchers at the UK’s Cranfield University on the project, for which the researchers focused on how to transfer and fix the dye to the material using “green chemistry” – an area of chemistry that aims to cut out hazardous substances.

In this case, the researchers sought to replace the formic acid and fluorinated acids that are often used in tanning to dissolve the polymers of the leather so it can be infused with dye. Instead, the team developed a method, which they say is significantly less toxic.

After working with Cranfield University, Sages and Osmose expanded the experiment and trialled other waste streams such as blueberries and onion skins to see what colours they could get, producing mycelium swatches in shades of violet and bordeaux.

Taylor and Fontan say they are trying to develop a process for mycelium that is akin to leather tanning, where both colour and durability properties are added in one or two steps. Their equivalent, they say, would be to dye and waterproof the material at the same time.

Close-up of vegan mycelium sheet showing its similarity to the texture of tanned leather
The tan colour was created by using waste avocado pits and skins

Osmose’s focus now is on developing a waterproof coating for their mycelium that, like the dye, is bio-based, non-toxic and able to biodegrade safely in soil. This is notoriously a challenge for plant-based leather alternatives, which almost always rely on a protective synthetic coating.

“It’s really hard to design a solution that fits all materials, which is basically what everyone is struggling with,” said Fontan. “Someone might have pineapple leather and they have their own coating but it doesn’t mean it’s going to work on mushroom and so on.”

Unlike some companies, however, Osmose says it does not want to bring a product with a non-biodegradable coating to market.

“If you’re doing a composite, it will not biodegrade at the end of life, which is compromising all the good work that you’ve been doing before that step,” Fontan said.

Mycelium is one of the most popular emerging leather alternatives. It has already appeared in luxury goods such as a bag by Hermes, clothing by Stella McCartney and trainers by Adidas.

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Brooks + Scarpa wraps Florida sports complex building in concrete shell

Brooks + Scarpa Florida Fieldhouse

California architecture studio Brooks + Scarpa has created a central structure for a sports complex in Florida with a sloped concrete shell designed to “make a spectacle of rainfall”.

The Field House at Pompano Beach’s Youth Sports Complex is a 4,100-square-foot (380-square-metre) structure that holds concessions and offices for the surrounding sports fields. It also features signage for the sports complex and has storage for the various facilities.

Concrete building with yellow lattice facade
Brooks + Scarpa has created a concessions building for a sports complex in Florida

The Field House consists of a glass building wrapped with a board-formed concrete shell, which forms a wrap-around porch with a yellow-painted metal lattice on the north elevation.

The concrete shell protects the internal glass structure – where the offices and storage are located – and the outdoor spaces around it.

Concrete building with cutaway corners
It consists of a glass building covered by a concrete pavilion

Described as “playful and sculptural” by Brooks + Scarpa, the shell slopes down towards the ground at points with large openings formed between the ground linkages.

The roof of the shell slopes down gently towards a central point, from which water is funneled by gutters into an adjacent rain garden, to capitalise on the heavy precipitation in Pompano Beach, a municipality north of Fort Lauderdale.

Concrete pavilion with yellow underside
It slopes downwards towards a central point where rainwater is collected

“The roof is sloped in a way to make a spectacle of rainfall from the scupper,” said Brooks + Scarpa.

“The rain cascades from the roof into a rain garden where the water is infiltrated back into the aquifer.”

Yellow corrugated walls
A bright yellow colour was used to decorate the interior and lattice wall at the front of the building

The metal lattice at the north elevation has been painted yellow. It forms an undulating pattern as it connects with the ground and is suspended above at parts, creating a curtain-like entry to the porch area.

Small metal tabs were affixed to the poles of the lattice to form the letters “YSC”, creating a welcoming sign for the complex when viewed from afar.

A concrete bench wraps around the lattice.

The yellow of the lattice is carried inside, on the ceilings of the porch overhang and some of the interior structure’s facades, both of which are clad in corrugated metal panels.

Large blue fans hang from the ceiling of the porch to provide an area of respite from the Floridian heat. The porch area was oriented to provide clear views of the fields and the adjacent parking lot.

A wavey metal lattice wall
The front porch area is oriented towards the surrounding fields

“A concession area and office space provide clear views of the fields and parking areas to create a safe and attractive event space,” said the studio.

“The design is made of highly durable and cost-efficient materials.”

A building with a concrete shell that slopes downwards at the middle
Openings along the shell provide access to the central building

“Low-impact” landscape design was included to take advantage of the water-gathering system on the roof of the structure. This includes gardens with rocks and shrubs, interspersed by patches of grass and circulation paths leading away from the Field House towards the other facilities on the complex.

The Youth Sports Complex covers 10 acres and holds fields for soccer, football and lacrosse.

Brooks + Scarpa won the prestigious AIA Gold Medal in 2022. It has offices in California and Florida and its recent work includes a housing block with a curving aluminium screen in Los Angeles.

The photography is courtesy of Brooks + Scarpa.


Project credits: 

Architecture: Brooks + Scarpa
Structural, mechanical and electrical engineering: RGD
Landscape design and civil engineer: KEITH

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Oskar Kohnen fills "well-curated" London office with mid-century modern furniture

Crosstree Real Estate office

London studio Oskar Kohnen has outfitted a Mayfair office with mid-century modern furniture and contemporary pieces, which “are so well curated that no one would ever dare to throw them away”.

Spread across three floors, the office is housed within a rectilinear building in London’s Mayfair neighbourhood with a gridded facade.

Mayfair office by Oskar Kohnen
Oskar Kohnen designed the office in London’s Mayfair area

“It has a townhouse feeling,” studio founder Oskar Kohnen told Dezeen of the office, which he designed for developer Crosstree Real Estate.

At its ground level, Kohnen clad the entrance hall with dark-stained wooden panels and added sconce lights to subtly illuminate the space.

Djinn sofa by Oliver Mourge
A cream Djinn sofa was placed in the entrance hall

An amorphous Djinn sofa, designed by industrial designer Olivier Mourge in 1965, was placed in one corner.

“We worked a lot with vintage furniture, and as for the new pieces we sourced, we hope they are so well curated that no one would ever dare to throw them away,” said Kohnen.

Living room-style space with an L-shaped sofa
The first floor features a living room-style space

“Warm and inviting” interiors characterise a living room-style space on the first floor, which was created in direct contrast to the industrial appearance of the exterior.

An L-shaped velvet and stainless-steel sofa finished in a burnt orange hue was positioned next to white-stained brise soleil screens and a bright resin coffee table.

Kitchen with terrazzo worktops
Terrazzo accents were chosen for the kitchen

“The social spaces have an earthy and calm colour palette – yet they are lush and dramatic,” explained Kohnen.

A pair of low-slung 1955 Lina armchairs by architect Gianfranco Frattini also features in this space, while floor-to-ceiling glazing opens onto a residential-style terrace punctuated by potted plants.

Bright gridded ceiling in a meeting room
Oskar Kohnen added a bright gridded ceiling to one of the meeting rooms

Similar tones and textures were used to dress the rest of the rooms on this level.

These spaces include a kitchen with contemporary terrazzo worktops and a meeting room with a red gridded ceiling that was set against cream-coloured panels and modernist black chairs.

The second floor holds the main office, complete with rows of timber desks and an additional meeting room-library space characterised by the same reddish hues as the low-lit entrance hall.

“The idea was to create an office space that had soul to it and would offer a more personal take on a work environment, rather than the usual corporate spaces we are so familiar with in London,” Kohen concluded.

Desks within the main office area
The second floor holds the main office

Founded in 2011, Kohnen’s eponymous studio has completed a range of interior projects, including a mint-green eyewear store in Berlin and a pink-tinged paint shop in southwest London.

The photography is by Salva Lopez.

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This Dual Touchscreen Monitor is the biggest productivity upgrade your Laptop can get in 2024

Everyone deserves the opportunity to multitask, but not everyone has $3500 for an Apple Vision Pro headset. The metaverse’s biggest feature-push has been its ability to let you host multiple screens in your virtual space, allowing you to work on simultaneous projects or even keep dedicated displays for work/entertainment/inspiration. However, an obvious alternative to strapping glasses to your face is to simply have multiple screens in the real world! You could opt for a bulky, non-portable monitor… or something as sleek as the FlipGo from JSAUX. Designed to look like a super-slim laptop, the FlipGo is, in fact, a dual-monitor setup that connects to your laptop or PC with a single cable. In mere seconds, it gives you three screens instead of one, with a variety of mounting/docking accessories like folio cases, stands, and VESA mounts, along with two screen sizes to choose from, depending on your needs and requirements. When you’re done, just shut the FlipGo like you would a laptop. It’s that simple… and frankly, it’s a lot better than having a massive VR block strapped to your head. And at $329, it’s a lot cheaper too.

Designer: The JSAUX Team

Click Here to Buy Now: $329 $559 (41% off). Hurry, only 50 left!

What stands out immediately with the FlipGo is its design, balancing the fine line between screen size, portability, and sheer sleekness. Available in two sizes (13.5 inches and 16 inches), it manages to provide ample screen space without feeling bulky. The 13.5-inch model weighs 1.1 kg, while the 16-inch variant is slightly heavier at 1.6 kg, underscoring its portability. But it’s not just about the size and weight; the display quality is a visual treat. With resolutions of 2256×1504 (2.2K) for the smaller model and 2560×1600 (2.5K) for the larger one, and a 100% sRGB color gamut, the FlipGo promises vibrant and crisp visuals. The 60Hz refresh rate, although standard, contributes to the smoothness of the display.

Magnetic Design

The FlipGo isn’t just versatile in its physical design; its functionality is equally adaptable. Switching between UltraView (dual-screen) and DuoViews (triple-screen) modes is effortless, which is a big plus for those who value productivity without technological complexity. The FlipGo is also accompanied by a variety of stands and mounting accessories, giving you everything from a portable folio case/stand to a much more comprehensive magnetic VESA Stand attachment that gives you full freedom to orient and use your dual-screen setup however you see fit… and even adapt between mounting styles depending on your needs. This allows the FlipGo to cater to a wide range of users – from professionals who need extra screen space for spreadsheets and presentations, to designers and coders who thrive with a broader canvas for their creative and technical work.

Connectivity is another area where the FlipGo shines. It’s equipped with an array of ports, including USB-C and Mini HDMI, catering to various devices and preferences. The inclusion of DisplayPort MST for Windows and DisplayLink for Macs, albeit requiring software installation for the latter, shows JSAUX’s commitment to versatility. The ergonomic design of the FlipGo also deserves mention, featuring multiple stand options like the Flex Folio, Snap Stand, Stand Holder, and Snap VESA Adapter, allowing users to easily magnetically snap on or off their dual-screen gadget onto a variety of stand options, allowing users to find their perfect viewing angle.

The two sizes are split across Pro and Standard tiers, offering a variety of features unique to each tier. The Pro variants offer the aforementioned UltraView mode (a single-cable dual-screen experience), along with DisplayLink support, whereas Standard tier users can skip on Pro features but even get an optional upgrade to include touchscreen input, turning your FlipGo into a portable tablet for your workstation! The visual clarity, resolution, and color reproduction remain standard across all tiers, regardless of whether you opt for Pro or Standard variants. The FlipGo starts at $329 for the 13.5-inch model, while the larger 16-inch model starts at $479. Both models come with a 12-month warranty, lifetime support, and international shipping beginning May 2024.

Click Here to Buy Now: $329 $559 (41% off). Hurry, only 50 left!

The post This Dual Touchscreen Monitor is the biggest productivity upgrade your Laptop can get in 2024 first appeared on Yanko Design.

10 Best E-Bikes For Automotive Lovers Who Want A Dash Of Speed + Eco-Friendly Design

Electronic bikes have taken the automobile industry by storm! Living a more sustainable and conscious life has become imperative, with life on Earth getting more and more difficult. Curbing fuel consumption, and reducing automotive emissions has become critical, and e-bikes are an environment-friendly option, encouraging these practices. With the e-bike craze gaining momentum, designers have been coming up with innovative and super cool e-bike designs, and we’ve collected a few for you. Dive in!

1. Diode

Designed by Tien Hung, this e-bike concept is called the Diode, and it features a neo-minimalistic design that pays tribute to the future of the electric power train. The form of the bike is practically invisible, except for one singular horizontal pillar that smoothly runs from the dashboard to the taillight and a massive battery module that is nestled underneath it. It also features a powerful rear-wheel drivetrain and a comfy set.

2. MOQBA

Dubbed the MOQBA, this concept design is an e-scooter/bike that can climb stairs! It is designed to be a next-generation mobility ride for those who often face difficulty in mobility. It is not intended to be a two-wheel wonder, rather it rides on four independent legs with wheel extensions. It can be categorized as an innovative mini mecha for the future! Although at the moment, it does seem a bit far-fetched, it could have valuable utility in the future.

3. Mimic E-bike

The MIMIC e-bike is a powerful electric power that looks like a crouching jungle cat of a bike and was designed by Roman Dolzhenko. It is outfitted with a body that looks more like armor and comes with a rounded Tron Light Cycle-inspired form that is outfitted with rounded elements, and an overall absence of straight lines or sharp edges.

4. Pro.Zui

The Pro.Zui is something between a scooter, a moped, and an e-bike. Designed to be a daily commuter, it features a sleek design aesthetic amped up by cutting-edge technology, providing users with an incredible riding experience. It can cover a range of 120 kilometers on a single charge from an advanced electric battery. It utilizes state-of-the-art battery technology, supporting a reliable and long-lasting journey.

5. Porsche 619 Concept

Designed by Jackson Zhang, the Porsche 619 electric concept is an exciting response to Porsche’s plans to go electric by 2030. The 619 is the first proper electric motorcycle we’ve seen, and it features a unique design, putting Porsche’s automotive DNA in the backseat, while also creating something minimalist, geometry-driven, and iconic! It features a segmented LED matrix headlight like the one seen in the Taycan, while the seat features the word “Porsche” on the outer cover.

6. The Project M³ Concept Motorbike

Called the Project M³ concept motorbike, this automotive is designed by Richard Huang and features an ingrained biomimicry for motorheads. It has a head inspired by the dolphin, and the electric motor onboard is charged using a blowhole-like nose, imparting a lifelike presence to it. The dolphin is mirrored on the toothed wheel rims,  and the front headlights section too.

7. The Mantis

Named the Mantis, and called a MiniBike, this compact little two-wheeler is an urban commuting dream. It seats one person and lets the rider easily and swiftly cover distances. It features a unique, horizontal frame with a seat and handlebars at the same level, and it also features a detachable and replaceable battery that can be packed right underneath the seat.

8. BMW G7 Scrambler

Coined the BMW G7 Scrambler, this electric bike with a Z-shaped frame, a bottom-heavy design, a cantilever seat, and a stunning headlight, is truly the words “if looks could kill” come to life! It is a unique-looking concept that comes with a choice between a fuel-based and electric powertrain, although both variants look identical on the outside.

9. Colibri M22

Petre Georgescu designed an electric bike that can reach the farthest on a single charge! Called the Colibri M22, this foldable electric moped can get you as far as 200km without having to recharge. Once you’re done commuting, you can easily fold and store the e-bike somewhere, for example under stairways, or in a storage area as it features compact mechanisms that can be neatly folded away.

10. 2029 E-Bike

Inspired by the revolutionary design of the 1929 Majestic built by George Roy, this 2029 e-bike combines art-deco and automotive design to build an innovative design that features clean-cut geometric shapes that are created by sheet-metal fabrication, alongside bone-inspired generative-design details that have been 3D printed in metal.

The post 10 Best E-Bikes For Automotive Lovers Who Want A Dash Of Speed + Eco-Friendly Design first appeared on Yanko Design.