Microsoft Xbox just released an Official Limited Edition wristwatch for $80

I’m pretty sure there’s some sort of overlap between the gaming community and the watch-lover community. How else would you explain Tag Heuer collaborating with Mario Kart, or Anicorn partnering with Hideo Kojima over this 2022 Metal Gear timepiece… or even the fact that Casio has a League of Legends edition of their G-Shock collection. The collabs don’t stop there because Microsoft just teamed up with Meister Watches to debut an Xbox-themed limited-edition timepiece. The exclusive watch, limited to just 250 units, comes with a gorgeous Stormtrooper color aesthetic, and the Xbox logo emblazoned across the watch’s face, making the collaboration pretty evident.

Designer: Microsoft Xbox & Meister Watches

Dubbed rather simply the XBOX watch, the timepiece comes in a colorway Meister calls “Crystal White”, as an homage to the limited edition transparent plastic ‘Crystal’ Xbox consoles back in the day. Aside from the massive Xbox logo on the dial as well as the crown, the watch sports topographical details on the face as well as the strap, a flair from Meister’s end that tries to bring about visual depth to the timepiece. That is, if you exclude that chunky outer body.

At the core of this watch lies a reliable Japanese 3-hand quartz movement, ensuring accuracy and longevity. The movement also supports features like the watch’s day and date functions, visible through the day and date windows at 3 and 12 o’clock respectively. You’ve even got water resistance of up to 50 meters, which, coupled with that rubber/silicone strap, means you can easily take a dip in a pool or go surfing without worrying about the water affecting your watch. Luminous markings on the hands allow you to read time at night or even under the water, although don’t expect this to serve as a dive watch.

The limited edition watch is already sold out as of writing this piece, but if you were one of the lucky ones to snag this up, it cost a mere $80, making for a pretty nifty keepsake. To add to that, the watch also shipped in a collector’s box that resembles a miniature Xbox Series S, adding to its appeal as a piece of gaming memorabilia.

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Reader Submitted: This Card Game Helps You Turn Bad Ideas Into Better Ones

Bad Ideas (lead to better ones) is a card game that develops creativity through play. The game consists of 75 cards with 3 categories: users, goals, and constraints. When the cards are combined together, they create a randomized problem to solve. Then it’s up to you and the other players to think of the most inventive solution. The game can be used in an educational or a home setting, and is available now for pre-order.

View the full project here

La Base Studio wraps glass Buenos Aires house with shading screen

Casa Mendoza by La Base Studio

Local architecture firm La Base Studio has renovated a glass and concrete home, wrapping it in a delicate privacy and shading screen on a lush site in Buenos Aires, Argentina.

Known as Casa Mendoza, the 2,150-square foot (200-square metre) residence was completed in 2022 on a 3,350-square foot (330-square metre) lot at the connection of an urban grid and private neighbourhood.

La Base Studio designed the project in Buenos Aires

The site falls at an intersection of a busy cosmopolitan street and an elevated railway infrastructure where the roads dead end into green slopes. The location exposes the home to onlookers, so the design responds to views differently between the levels.

The home was first constructed in the mid-1970s by a civil engineer, and La Base Studio demolished part of it for its current iteration.

Kitchen at Casa Mendoza
The architects stripped the house back to its structure

Originally enclosed in traditional masonry walls, the team stripped the house back to its structure and preserved only the reinforced concrete slabs, columns, and beams.

The existing service space was also demolished and rebuilt underground – within a 430-square-foot (40-square metre) subterranean library and study.

Wooden kitchen within Casa Mendoza by La Base Studio
A kitchen features on the ground floor

The underground storey also features a half-level patio with mirror-coated walls that reflect the Japanese cherry tree and ferns above.

The ground floor – open to the garden with 360-degrees of floor-to-ceiling glazing – contains the entry, kitchen, dining space, and living room in different quadrants.

Sliding glass doors at Casa Mendoza
Sliding glass doors open to the garden

The sliding glass doors open to the garden and pool deck, blurring the interior and exterior relationship.

“These decisions reinforce the desire to convert this space into a large semi-covered space, almost as a gallery, where the true visual and physical limits are the wooden planks of the fence or the walls vegetated by native species,” the studio told Dezeen.

Suspended staircase with open wooden treads
A suspended staircase with open wooden treads rises to the upper level

The kitchen walls float like wooden objects in the space, holding up marble counters and sink. Speckled granite floors are juxtaposed by white ceilings.

“All materials are shown in raw finish, without coatings or paints.”

Floor-to-ceiling glazing and vegetation
Vegetation planted between the glazed enclosure and the screen helps isolate the house at night

A delicate, suspended staircase with open wooden treads rises to the upper level, which prioritizes privacy and seclusion in an environment that protects from sight and sound.

A lounge space comprises half of the floor plate, while three bedrooms and a bathroom are stacked on the other side.

Set in from the perimeter of the house, the upper story has a wraparound patio that serves as a transitional space with a light wood, lattice-like screen.

“It is an abstraction of the context, an idealisation of nature, a contained universe,” the team said. “Almost like a nest or a basket, which allows sunlight and wind to pass through, but also protects from direct contact with the surroundings.”

Wood-clad bedroom
The bedrooms are housed in a mid-toned wooden box

The bedrooms are housed in a mid-toned wooden box.

They pass from the lounge space to the patio that ends in a white tiled wall that bounces light back into the space.

White tiled wall by La Base Studio
Bedrooms stretch from the lounge space to the patio that ends in a white tiled wall

Residents can see out of the upper level, but no one can see in, and vegetation planted between the glazed enclosure and the screen helps isolate the house at night.

“The opposition of exposure and protection is the common thread of the entire project.”

Other recent renovations in Buenos Aires include a modernist white house by Adamo Faiden and a 1930s brick home by Torrado Arquitectos.

The photography is by Cristóbal Palma.


Project credits:

Architecture: La Base Studio
Collaborators: Ceclia huberman, Sol Barcan, Lilian Kartashian, Camila Moncarz
Furniture: La Base Studio
Landscape: Per Estudio
Equipment: Helmut Muebles, Huup Iluminación, Awanay Rugs
Art: Luna Paiva, Amour Leopard, Michelle Dabul, Nahuel Vacino

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Recycled Swedish rugs get transformed into furniture that honors the textile’s legacy

The timeless craft of Swedish rag rugs, a cherished tradition spanning over 150 years, finds a contemporary reinterpretation in the hands of Stockholm-based designer Lars Hofsjö. Rooted in a rich cultural heritage, these rugs have been woven by generations of women using worn-out clothes, curtains, sheets, and upholstery. The process transforms leftover fabrics into intricately patterned, durable rugs, celebrated for their strength and firm structure, a testament to the adaptive re-use of materials.

Designer: Lars Hofsjö

Lars Hofsjö, the creative force behind the Swedish furniture brand Rumbler, has skillfully reimagined these traditional rag rugs into a unique collection of furniture pieces. His approach involved scouring markets, antique shops, and the countryside to handpick rag rugs, chosen specifically for their thinness, tightness, and color. These selected fabrics are then meticulously wrapped around aluminum shapes, crafting plush side tables that blend the rustic charm of the rugs with modern design sensibilities.

The ‘Torp’ series, characterized by its rectangular shape, is a limited numbered edition, with each piece distinct in quality, palette, and characteristics. Contrasting this, the ‘Dunker’ collection features hexagonal units, accentuated with diverse materials like leather, stone, and wood, harmonizing with the texture of the rag rugs. This blend of materials not only adds a tactile dimension to the pieces but also pays homage to the multifaceted nature of Swedish design, where tradition and innovation coexist harmoniously.

Through his innovative approach, Hofsjö offers a fresh perspective on sustainable design. By repurposing these historical textiles, he not only preserves a vital part of Swedish heritage but also provides a contemporary relevance to the rag rugs, demonstrating their versatility beyond their original, utilitarian purpose. The tables stand as a testament to the enduring beauty of Swedish crafts, bridging the gap between historical craftsmanship and modern living spaces.

Hofsjö’s work is a remarkable example of how design can be both a custodian of tradition and a catalyst for innovation. It highlights the potential of traditional crafts to inspire contemporary design solutions, underscoring the importance of sustainability in design. By breathing new life into these age-old textiles, Hofsjö not only honors the legacy of the countless unnamed weavers who have kept this tradition alive but also points the way forward for future generations of designers to explore and reinvent.

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Neom unveils plans for hexagonal-pillar hotel on the Gulf of Aqaba

Siranna Neom

Saudi mega project Neom has unveiled images of a development named Siranna that will contain apartments and a hotel within a hexagonal structure designed to “blend into the adjoining mountain”.

The latest region to be announced as part of the Neom development in the north west of Saudi Arabia, Siranna will be located on a bay on the Gulf of Aqaba that will only be accessible from the sea.

Pillar hotel near mountains for Neom
Neom has announced plans for a hotel on the Gulf of Aqaba in Saudi Arabia

Described as an “ultra-luxurious destination” the development will contain a 65-room hotel along with 35 private residences.

They will be housed in a rock-like structure that has a hexagonal form similar to a basalt column formation. According to the development it was designed to blend into the mountain it is being built alongside.

Hexagonal pillars and protruding ammenties on the ocean
Its form will be based on those found in basalt formations

“The destination offers uninterrupted views of the Red Sea, with its tiered design offering diverse views and perspectives,” said the developer.

“Emerging from the rugged coastal terrain, the hexagonal pillars are distinctive, yet complementary to the surrounding mountains and flora,” it continued.

“The architecture will pay homage to the heritage of the local area and seamlessly blend into the adjoining mountain and wadi.”

Neom hotel with views of the red sea
It will house hotel rooms and amenities with views of the surrounding mountains and the Red Sea

Along with the accommodation, the development will contain several restaurants, beach clubs, spas and wellness facilities.

Siranna is the seventh region to be announced as part of the Neom project, which includes the controversial 170-kilometre-long city called The Line.

It follows the unveiling of Epicon – a luxury tourist development containing a pair of jagged skyscrapers for a luxury resort on the Gulf of Aqaba and a trio of “luxury boutique hotels” named Leyja, earlier this month.

The Neom project will contain 10 regions in total, including an octagon-shaped port city named Oxagon, the mirrored mega-city The Line and an island resort called Sindalah.

Cavernous interiors of Siranna hotel for Neom
It was designed to blend into the adjacent mountains

The project has been criticised on human rights grounds, including by human rights organisation ALQST which reported that three men were sentenced to death after being “forcibly evicted” from the Neom site.

Earlier this year experts from the UN Human Rights Council expressed “alarm” over the imminent executions. Saudi Arabia responded to the UN by denying abuses had taken place.

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Saudi Arabia set to host 2030 World Expo in Riyadh

Riyadh skyline

Saudi Arabia‘s capital Riyadh has won the competition to host the 2030 World Expo, becoming the second Middle Eastern city to host the international event after Dubai in 2020.

The Riyadh Expo 2030 won the bid after 119 out of the 182 members of the Paris-based Bureau International des Expositions (BIE), the World Expo supervisor, voted in its favour.

The news was announced yesterday and described by Riyadh Expo 2023 organisers as a “historic achievement” on X, the platform formerly known as Twitter.

Other cities bidding to host the event, which takes place every five years, were Rome in Italy and Busan in South Korea. Ukraine had also put in a bid for Odesa, but this was ruled out due to the Russian invasion.

Event coincides with “crucial year” for Saudi Arabia

The Riyadh Expo 2030 will take place between 1 October 2030 and 31 March 2031 and will be curated under the title The Era of Change: Together for a Foresighted Tomorrow.

Details of the studio that will lead the masterplan are yet to be disclosed, but the event will be divided into three sub-themes called A Different Tomorrow, Climate Action and Prosperity for All.

Saudi Arabia’s crown prince Mohammed bin Salman said the event will coincide with “a crucial year for the realization of the goals and plans outlined in Saudi Vision 2030” – a plan to diversify the country’s economy and reduce its dependence on oil.

“The Kingdom’s selection as the host of the World Expo 2030 underlines its influential and leading role, and the international confidence it enjoys,” said the crown prince.

“Saudi Arabia has become an ideal destination for hosting major international events, including the esteemed World Expo,” he continued.

“This Expo represents a remarkable opportunity to share with the world the lessons learned from our unprecedented journey of transformation.”

Expo latest major event to be held in Saudi Arabia

The Riyadh Expo 2030 will be located a five to ten-minute drive away from King Khalid International Airport, which is being constructed by Foster + Partners. With six runways, it is set to become one of the world’s largest airports.

It is the latest major event to be held in Saudi Arabia. Last year, it was revealed that the country would host the 2029 Asian Winter Games at its Trojena resort. Trojena forms will form part of Neom, a new region in Saudi Arabia being developed for the Saudi Vision 2030 plan under the direction of the crown prince.

Neom will contain numerous cities, resorts and other developments, such as The Line megacity, and is arguably the world’s most controversial architecture project having been widely criticised on human rights grounds.

Last year, human rights organisation ALQST reported that three men were sentenced to death after being “forcibly evicted” from the Neom site.

The Riyadh Expo 2030 is also the latest in a string of international events to be held in the Persian Gulf, following the 2022 FIFA World Cup Qatar and the Dubai Expo 2020.

Dubai Expo 2020, which actually took place in 2021 due to the coronavirus pandemic, included pavilions designed by architects including Foster + Partners, WOHA and Santiago Calatrava.

The upcoming international fair is Osaka Expo 2025, due to take place on the artificial island Yumeshima in Osaka Bay with a masterplan developed by Japanese architect Sou Fujimoto.

Elsewhere in Riyadh, the Saudi Arabian government is also developing plans to build a 400-metre-high cube-shaped skyscraper named Mukaab.

The photo is by Tom Ravenscroft. 

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Puma reveals results of Re:Suede experiment to make a biodegradable shoe

Puma Re:Suede experiment

Sportswear brand Puma has said it is a step closer to launching a truly biodegradable shoe, following a trial in which a specially made version of its Suede sneakers decomposed under strict conditions.

In the Re:Suede experiment, 500 shoes were sent out to testers for six months of wear. Of those shoes, 412 were returned to Puma and sent to an industrial composting facility in The Netherlands, where they were mixed with other green waste and left to biodegrade.

After around three and a half months, a large proportion of the leather trainer had broken down sufficiently to be sold in The Netherlands as Grade A compost – a high-quality compost typically used on gardens and landscapes.

Slowing things down was the sole, which in the Re:Suedes was made of thermoplastic elastomer (TPE-E), a type of rubber. It took longer than the other components to break down into small enough pieces to be classified as compost, around six months.

Close-up of the tongue of Puma's Re:Suede sneaker showing a fuzzy cream-coloured suede leather upper with an embossed Puma logo and off-white hemp laces
The Re:Suede shoe was designed with biodegradable materials

Puma is calling the Re:Suede experiment “successful” – with caveats. The longer timeframe required for the soles to break down is a deviation from standard operating procedures for industrial composting, so the shoes could not just be thrown into a household food waste collection.

However, Puma is hoping to launch a commercial version of the sneaker next year, incorporating a takeback scheme that would see it compost the shoe using its tailor-made process.

“While the Re:Suede could not be processed under the standard operating procedures for industrial composting, the shoes did eventually turn into compost,” said Puma chief sourcing officer Anne-Laure Descours.

“We will continue to innovate with our partners to determine the infrastructure and technologies needed to make the process viable for a commercial version of the Re:Suede, including a takeback scheme, in 2024.”

Photo of Puma's Re:Suede biodegradable sneaker showing a cream-coloured version of the common Suede sneaker
Its leather upper was found to decompose under industrial composting conditions

In a report of the experiment’s findings, Puma said it would pursue a “new business model in composting” that could support the decomposition of the shoe.

“The soles slow the process down, resulting in more composting cycles required to turn the shoe into Grade A compost, meaning they can’t be processed using today’s standard industrial composting operating procedures,” said the report.

“But with a new business model in composting and a higher volume of input into it, those standard operating procedures can change,” the report concluded. “There is a future for Re:Suede. To get there, we need more scale.”

Puma’s Re:Suede shoe is made of Zeology suede, which is tanned using a process based on zeolite minerals and free of chrome, aldehyde and heavy metals. Padding and laces are made of hemp, while the lining is made of a hemp-cotton blend.

For the composting process, Puma partnered with Dutch waste company Ortessa. The procedure involved shredding the shoe and placing the pieces into a composting tunnel – a unit where the temperature, humidity and oxygen levels are kept at optimal levels for bacteria to break down organic matter.

For the decomposing shoe granules to be considered small enough for compost, they had to be under 10 millimetres in size.

Those granules were periodically filtered out and sold as compost in The Netherlands.

The leftover pieces, 10 to 40 millimetres in size, became part of the “compost starter mix” and were combined with more green waste to continue decomposing. Ortessa estimated that the full shoe was turned into compost within approximately six months.

Close-up photo of the beige-coloured rubber outsole of Puma's Re-Suede biodegradable sneakers, showing tread and a Puma logo
The rubber outsole took longer to break down into compost

Re:Suede is Puma’s second attempt at launching a compostable shoe, with the first coming over a decade ago in the form of 2012’s InCycle collection.

Its Basket sneaker, which Puma said was fully compostable through industrial composting, was made of organic cotton and linen with a sole composed of a biodegradable plastic called APINATbio. The range was discontinued in 2014 and its failure blamed on poor consumer demand.

While several shoe designs have been marketed as biodegradable in recent years, the strict conditions required for them to actually break down are often not specified or the infrastructure not available. This can be seen as a kind of greenwashing.

Brands that have launched footwear described as biodegradable include Bottega Veneta with its sugarcane and coffee boots and Adidas with the uppers of its Futurecraft trainers.

A more experimental composition came from German designer Emilie Burfeind, whose compostable sneakers are made with a mushroom mycelium sole and a canine hair upper.

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The University of Kansas presents ten architecture projects

Photographs showing a sculptural form made from a transparent cube with matches inside it

Dezeen School Shows: a sculptural object that symbolises Kansas‘s prairies is included in Dezeen’s latest school show by students at the University of Kansas.

Also included is an airport perched on the Hudson River in New York and a prototype house built as part of the work of Studio 804.


University of Kansas

Institution: University of Kansas
School: School of Architecture and Design

School statement:

The Department of Architecture at the University of Kansas (KU) emphasises design education through diverse experiences which include learning through making, collaborative research and community engagement.

“We are committed to finding innovative, creative and forward-thinking ways of bringing together our students and faculty with our community and industry partners.

“All of our students are required to complete a hands-on designbuild experience and study abroad experience.

“KU’s Department of Architecture offers the Bachelor of Science in Interior Architecture (CIDA Candidacy) and NAAB-accredited Master of Architecture for high school applicants and the postgraduate Master of Architecture degree for students who have earned a bachelor degree.

“The final year of the MArch programme offers several unique specialised areas, including designbuild, health and wellness design, sports and entertainment design, urban design, social entrepreneurship, the Paris exchange programme and the Gensler/Gastinger Walker Co-op programme.

“The selected student work contains projects from the MArch final year options studios, the fourth-year integrated design studios (ARCH 609), the third-year designbuild studios (ARCH 509) and the interior architecture capstone studio.”


Photograph of a small house

Haven Studio by students taking part in the Dirt Works Studio

“Haven Studio is a small, solar-powered, net-zero energy, bio-based, low-carbon demonstration home wrapped in a well-insulated and air-tight envelope utilising innovative continuous timber board insulation and quad-pane windows, with a simple, iconic and familiar form.

“Designed and built by students, Haven Studio’s naturally-lit footprint reduces artificial lighting. The glazed south facade is protected by an overhang, enabling passive solar heating without overheating in the summer.

“The prefabricated floor and walls maximise construction precision and minimize waste.

“These strategies are complemented by a mini-split heat pump and ERV, enabling twelve solar panels to produce more energy, annually, than the home consumes.”

Course: Arch 509 Designbuild Studio
Tutor: Chad Kraus


Architectural drawing showing school

River Rock Elementary School for Visually Impaired by Liz Putman and Bridgett Espino

“The visually impaired population is forced to navigate through a world designed for the sighted people, facing unique daily challenges foreign to the rest of the world.

“Yet, despite the challenging circumstances, they are able to carve a beautiful path through their lives – this project presents a school that will assist them on their journey.

“The school emphasises reliance on the other four senses and is inspired by the many different landscapes that shape Colorado. The use of colour, texture, light and materiality will create wayfinding strategies to help the user navigate throughout the spaces.”

Students: Liz Putman and Bridgett Espino
Course: ARCH 609 Integrated Design Studio
Tutor: Nilou Vakil


Visualisation showing swimming pool, gym and basketball court

Link KC: Restoration, Revitalisation and Recreation by Aaron Michalicek

“Kansas City once had one of the largest streetcar systems in the country. Today, only a single line exists, leaving KC, Kansas, and KC, Missouri separated via public transit.

“Link KC explores the socioeconomic impacts of connecting KCK and KCMO with an Aerial Lift across the West Bottoms, a flood-prone industrial neighbourhood that divides the two cities.

“Given the economic challenges involved with traditional streetcar infrastructure and the topographical challenge of traversing the adjacent bluffs, the aerial lift provides a cost-effective way of reimplementing the city’s public transit backbone while the interchange station provides recreational amenities to the envisioned future neighbourhood.”

Student: Aaron Michalicek
Course: Arch 806 Sports and Entertainment Capstone Studio
Tutor: Andrew Moddrell


Visualisation showing healthcare centre

Vitality: Innovative Design for Stroke Survivors’ Rehabilitation and Recovery Centre by Madeline Bradley and Bridgett Espino

“Health and Wellness design programme is one of the final year options of KU’s Master of Architecture programme.

“This project aims to establish an evidence-based design for rethinking how stroke rehabilitation facilities are designed and integrated into new models of care and redevelop and protect stroke survivors’ health and wellbeing.

“Rehabilitation offers many stroke survivors the opportunity to learn how to adapt to the challenges due to brain injury, including problems with speaking, thinking, moving, planning, etc.”

Students: Madeline Bradley and Bridgett Espino
Course: Arch 808: Health and Wellness Design Capstone Studio (Master of Architecture)
Tutor: Hui Cai, PhD


Board consisting of visualisations and floor plans of hotel

Hospitality for Holistic Wellness by Laura Aykroyd and Isiah Gallegos

“Just as the culture of Seoul is built in harmony, this luxury hotel provides a culture-based healing journey that balances the guest’s energy, essence and spirit.

“As users travel through the bottom floors, the colliding/flowing convergence of traditional Korean and modern minimalist design, energetic and restful spaces, and physical and mental resources, they are able to tangibly experience the bright and dark, good and difficult, and predictable and unexpected moments of their healing journey.

“Harmony in one’s person is not just supported by the calming, natural aesthetics and guiding light paths, but is also found in the respect and acceptance of all experiences towards holistic wellness.”

Students: Laura Aykroyd and Isiah Gallegos
Course: Interior Architecture (IA) 509 – 609 (Vertical Studio)
Tutors: Mohammad R. Dastmalchi, Ann Hossler, Herminia Machry


432 Indiana Street House at Pinkney Neighborhood DesignBuild by Studio 804

“Studio 804 is one of the final-year options for the KU Master of Architecture. Students work on all aspects of the design and the construction process over the course of a nine-month academic year.

“This includes all systems, construction documents, estimates, working with zoning and code officials, site layout, placing concrete, framing, roofing, siding, setting solar panels, landscape and more.

“In 2023, Studio 804 designed and built a house in the Pinkney neighbourhood – one of the oldest in the City of Lawrence.

“The scale of the house and its gabled forms fits the neighbourhood. The house has incorporated several sustainable design features and is expected to achieve LEED Platinum certification.

“Studio 804’s 2023 project aligns with the long-term mission of the City of Lawrence to support sustainable development as part of creating a sustainable community for the future.”

Course: Studio 804: DesignBuild
Tutor: Dan Rockhill


an architecture with an organic form by students at University of Kansas

The Dancing Tower by Christian Hunn and Julia Gillman

“The Paris programme is one of the final year options for KU Master of Architecture programme.

“This programme enables students to complete studio coursework under the tutelage of Professor Pierre Engel at the Ecole Nationale Superieure D’Architecture Paris Val-de-Seine and Professor Steve Padget of the University of Kansas, as well as engage in a part-time, academic internship with one of Europe’s most prestigious practices.

“This project ‘Dancing Tower’ is a tiered building that serves as private student apartments, library and study space, floating green space, and a rooftop restaurant and bar.

“Highlighted throughout the levels is the steel structure, running along the curving layers, supporting the rotated platforms in a crossbracing pattern.

“Steel cores offer rigidity and support, continuing from the base of the addition to the cantilevered greenspace, a focal point stabilised by the dual structures working in tandem.”

Students: Christian Hunn and Julia Gillman
Course: ARCH 810_Paris Programme
Tutors: Pierre Engel and Steve Padget


Visualisation showing airport beside river

Skyport New York by Jackson Bontty and Ashlyn Reece

“Nestled gracefully within New York’s Hudson Yards, Skyport New York stands as a vital and visionary transportation hub.

“Reshaping transit between New York, Washington, Philadelphia or Boston with unprecedented efficiency, a vertiport caters to diverse travellers seeking quick connections.

“Additionally, the vertiport plays a pivotal role in addressing the long-standing transportation gap, connecting Manhattan to nearby airports and fostering interconnectivity between all five boroughs.

“As a result, the city’s mobility is enhanced and the communities are drawn closer together.”

Student: Jackson Bontty and Ashlyn Reece
Course: ARCH 609: Integrated Design Studio
Tutor: Kapila D Silva, PhD


Photographs showing a scultpural form made from a transparent cube with matches inside it

Prairie in the Wind by Brookelyn Vittitow, Isaac Decker, Louis Cobb and Kevin Bainter

“Prairies are contrived of thousands of individual plants but through gusts of wind, they become a uniform entity.

“The golden prairies of Kansas are covered in wheat that freely flows with every breeze that passes through the fields creating art through motion.

“This project takes the challenge that simulates the mechanism of prairies in architectural application by fabricating a three-dimensional surface which is defined by the tips of hundreds of individual wood members, just like prairies.

“A mutual relationship between two materials is defined.”

Students: Brookelyn Vittitow, Isaac Decker, Louis Cobb and Kevin Bainter
Course: ARCH509 Design Build Studio
Tutors: Dr Tzu-Chieh Kurt Hong, Matthew Hufft, Josh Ogren


Visualisation showing mass timber structure

Solport-SkyHive by Alex Lamoureux and Ethan Overland

“Solport-Skyhive in Jungu-gu, Seoul, is South Korea’s inaugural vertiport, seamlessly integrated into the city’s robust transportation system.

“This groundbreaking structure is set to revolutionise transportation in a city known for its efficient public transit.

“Named after the Korean word for pine trees – ‘sol’ – it’s a towering symbol of sustainable construction, marking the country’s first mass timber skyscraper.

“Drawing inspiration from the Korean red pine, the vertiport features a modular design that mimics the natural growth of a flourishing tree, enabling it to adapt and expand in response to evolving needs, much like the branches of a tree adjusting to their surroundings.”

Students: Alex Lamoureux and Ethan Overland
Course: ARCH 609: Integrated Design Studio
Tutor: Kapila D Silva

Partnership content

This school show is a partnership between Dezeen and University of Kansas. Find out more about Dezeen partnership content here.

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Smart belt with haptic feedback can replace white canes for visually impaired

For those that do not have any visual impairments or don’t know have anyone close to them that has this condition, the simple act of walking down a street is something that we probably take for granted. Being aware that not everyone will have that privilege is something that we should occasionally remind ourselves. There are brands and product designers that are constantly working to develop gadgets and tools that can help those that need assistance living their every day lives.

Designer: AI Guided

GUIDi is a concept for a device that can replace the white cane that a lot of visually impaired individuals use to navigate their way through busy streets. It is a device that the user wears on their waist and includes camera and microprocessor modules, and haptic feedback units that will assist them as they walk. There are two 8-megapixel cameras that are forward-facing and will scan the environment as they are walking. The images captured will be analyzed by AI-based software which will be able to identify things like trees, trash cans, sign posts, and other items that the user may face on the street or sidewalk.

The haptic feedback units will vibrate to alert the user that there may be some obstruction in their direction. It will even be able to detect things like branches, wires, and other overhanging items that a regular cane may miss since it’s basically on the ground. The device can also be connected to an app on their smartphone through Bluetooth connectivity where they can choose a specific location and they will be guided by GUIDi accordingly. The battery life is around 8-10 hours on a single charge.

Design wise, it’s pretty much a no-frills device that you can wear on your waist and should not be that obstructive or uncomfortable. The two haptic feedback units on each side should be enough to give the user signals on possible obstacles but also not give sudden vibrations that might surprise the user. The GUIDi is not yet in production but those who are interested can try joining the free trial that the company is offering.

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Studio 7.5 and Herman Miller co-create four cutting-edge office chairs

Herman Miller chair

Promotion: since the early 2000s furniture design brand Herman Miller has collaborated with Berlin-based design firm Studio 7.5 on a range of ergonomic workplace seating solutions, including the Cosm and Setu chairs.

Studio 7.5 says it places emphasis on developing furniture in three dimensions as opposed to relying solely on digital modelling programmes, in order for practical experimentation to occur.

The studio’s collaborations with Herman Miller have resulted in the design of four distinctive seating solutions – the Zeph Chair, Setu Chair, Cosm Chair and Mirra 2 Chair.

According to Studio 7.5, its furniture aims to bring a sense of playfulness and colour to workplace environments, which often prioritise functionality and efficiency over dynamic interior design schemes.

“As designers, we strive to do good work: creating something meaningful, that contributes to the wellbeing of people,” said co-founder of Studio 7.5 Carola Zwick.

 Studio 7.5 team holding chairs
Since the early 2000s Herman Miller has collaborated with Studio 7.5

Cosm designed by the studio has an in-built tilt mechanism that automatically adjusts to the sitter’s posture.

The tilting of traditional office chairs has to be fine-tuned by hand, manually making alterations to various knobs and levers. Studio 7.5 sought to eradicate this need to create a smoother experience for the user.

Close up of grey Herman Miller chair
Leaf Arms cradle the sitter’s elbows

Cosm‘s design process involved the creation of hundreds of prototype segments – some hand-sculpted and others 3D-printed – resulting in refined features such as the chair’s gently inclined Leaf Arms, which provide a cradle that supports the elbow.

The chair has won various awards since its launch, including a Red Dot Best of the Best Product Design Award in the Office Chairs category in 2019, and was listed by TIME as one of the 100 Best Inventions of the same year. In 2020, it also received an iF Gold Award in the Office and Industry category.

Cosm chair
Studio 7.5’s Cosm chairs were designed with a plethora of high-performance details

The design of Studio 7.5’s Setu chair was informed by the studio’s observations of how people work throughout the day in the modern world.

The studio identified that people work more collaboratively across a variety of settings, but spend less time in each spot, calling for a chair that can “adapt to the needs of a variety of users over the course of a working day”.

For example, according to Herman Miller, post-pandemic workspaces need more collaborative spaces for interaction, including seating solutions that are adaptable to changing tasks and “flexible layouts for employee numbers in flux”.

The brand says this is due to hybrid working organisations facing a “constant change in the number of people working across spaces in the office” and its chairs – such as Setu – are not only designed for various tasks but also to adapt to different body shapes and heights.

Setu chairs in an office
Setu chairs can be used in a variety of settings

Setu is equipped with a flexible segmented aperture that supports the chair and bends and flexes to provide immediate comfort.

The seat and back are formed of one piece of elasticated material, which has a taut suspension that provides both support and aeration and adapts to the natural movements of the body.

Herman Miller chair
The chairs support users of all sizes

Cosm and Setu, alongside the other chairs in Herman Miller’s catalogue, can be used in a range of environments for a variety of purposes.

While Cosm and Mirra 2 are especially well-suited to desk use – where people sit for an extended period of time when working – Zeph and Setu can be used across other areas of offices, such as in breakout areas and meeting spaces.

Setu can also be used in hospitality settings, such as corporate rooms in hotels where individuals attend long training sessions or formal meetings.

The chairs can be specified in a range of colours and finishes to fit seamlessly into established interior design schemes.

Herman Miller and Studio 7.5’s partnership began with the launch of Mirra in 2003. Studio 7.5’s co-founders Burkhard Schmitz and Carola Zwick launched the practice in Berlin in 1992 and they say their work is informed by US designers Ray and Charles Eames.

To view more of Herman Miller’s products, visit its website.

Partnership content

This article was written by Dezeen for Herman Miller as part of a partnership. Find out more about Dezeen partnership content here.

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