Ten tranquil pool houses that add luxury to gardens

Aerial view of Surrey pool house by Surman Weston

Pool houses that nestle into gardens of homes around the world are the focus of this roundup, which includes a semicircular pavilion in the UK and a pink-concrete shelter in Belgium.

Pool houses are typically free-standing buildings designed to accompany swimming pools, providing swimmers with changing facilities and creating an architectural focal point in a garden.

Ranging from simple shading devices to more extravagant structures for resting, cooking and socialising, they vary in size and style and offer users the feel of a luxury summer retreat just by stepping outside.

Read on for 10 tranquil pool houses that add luxury to gardens:


Brick pool house by Knox Bhavan buried under a grass mound in the garden of a Kent home
Photo by Knox Bhavan

Pembury Pool House, UK, by Knox Bhavan

Disguised as a brick garden wall, this pool house was designed by Knox Bhavan to be “virtually invisible” within the grounds of a Georgian home in Kent.

To achieve this, the building takes advantage of an existing slope and retaining wall on the site. A short colonnade shelters a seating area and leads into a skylit shower, storage area and plant room, while steps on either side lead up to a walk-on roof.

Find out more about Pembury Pool House ›


The Refuge pavillion and pool house by NWLND Rogiers Vandeputte
Photo by Johnny Umans

Refuge, Belgium, by NWLND Rogiers Vandeputte

Coloured concrete forms the walls of this sculptural pavilion, which can be found beside a pool of water in a wooded garden in Flanders.

Intended to contrast the verdant surroundings, the pink walls also extend out around the swimming pond – a type of pool that uses a natural filtration system.

Find out more about Refuge ›


The Pool House, Canada, by MacKay-Lyons Sweetapple Architects
Photo by James Brittain

The Pool House, Canada, by MacKay-Lyons Sweetapple Architects

Mies van der Rohe‘s seminal Barcelona Pavilion informed the design of this pool house, which MacKay-Lyons Sweetapple Architects created for a home in southern Quebec.

The minimalist structure features a material palette of concrete, glass and wood and incorporates a shaded terrace, gym and areas for changing and bathing.

Find out more about The Pool House ›


Modern Pool House, Spain, by Roz Barr Architects
Photo by John Maclean

Modern Pool House, Spain, by Roz Barr Architects

Stone walls and trees surround this rustic poolside shelter, which Roz Barr Architects created on the grounds of a farmhouse in the Sierra Nevada region.

It has a whitewashed-concrete structure, built with vernacular construction techniques chosen by the studio to “respect both the local craftspeople and means of construction as well as the landscape and climate”.

Find out more about Modern Pool House ›


La Grange Pavilion exterior by Murray Legge Architecture
Photo by Leonid Furmansky

La Grange Pavilion, USA, by Murray Legge Architecture

In Texas, Murray Legge Architecture designed a pavilion around the trunks of oak trees in the yard of a hillside house. Holes in its wooden canopy also allow branches to pass through it.

The structure shades an outdoor lounge and a dining space that stretches out across a single horizontal plane.

Find out more about La Grange Pavilion ›


Pool House, India, by 42mm Architecture
Photo by Ravi Kanade

Pool House, India, by 42mm Architecture

This concrete pool house in the garden of a New Delhi house has a smooth, curved shell that its architect designed to evoke “a pebble in the grass”.

“Asserting its presence with a singular, bold and robust frame, this house sits impressively within its surroundings,” said Indian studio 42mm Architecture.

Find out more about Pool House ›


Aerial view of Surrey pool house by Surman Weston
Photo by Jim Stephenson

Heathside Poolhouse, UK, by Surman Weston

Heathside Poolhouse is a semicircular pavilion elevated on a round plinth in the gardens of a home in Surrey. It is lined with full-height sliding doors and crowned by a roof made of corrugated metal.

The curved form of the building juxtaposes the long, linear shape of the pool and contains space for a kitchen and seating area, a bathroom and storage, which Surman Weston framed with exposed Douglas fir.

Find out more about Heathside Poolhouse ›


Poolhouse O, Belgium, by Steven Vandenborre
Photo by Tim Van de Velde

Poolhouse O, Belgium, by Steven Vandenborre

Steven Vandenborre opted for a chunky concrete structure and frameless glazing for this poolside building, which forms part of a house in Bruges.

The pavilion, which has a deliberately simple design, occupies a spot at the far end of the client’s large garden, nestling in amongst the surrounding plants so that it is hidden from view.

Find out more about Poolhouse O ›


Shelter Island Pool House, USA, by General Assembly
Photo by Joe Fletcher

Shelter Island Pool House, USA, by General Assembly

Blackened wood clads the exterior of this cabin, which is designed as a garden retreat for the owners of a remote residence at the eastern end of Long Island.

The structure was divided into two volumes that are punctured by expanses of glass and linked by a central pergola and an external terrace that runs along its front elevation.

Find out more about Shelter Island Pool House ›


San Lucas Pavilion, Spain, by FRPO
Photo by Miguel de Guzmán

San Lucas Pavilion, Spain, by FRPO

Architecture studio FRPO designed this Spanish pool house to accompany a group of residences on the outskirts of Madrid.

While providing shelter for swimming, the gridded concrete structure also contains white-tiled counters for food preparation and cooking.

Find out more about San Lucas Pavilion ›

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"Plastic has an image problem" says Danish Plastics Federation CEO

Plastic Pavilion in Copenhagen

Plastic has a crucial role to play in the battle against climate change, according to Thomas Drustrup, managing director of the Danish trade association for plastics.

Speaking to Dezeen in Copenhagen, the Danish Plastics Federation CEO said that people need to understand that plastics can have a positive impact on the planet if used correctly.

“Plastic has an image problem,” he told Dezeen. “Plastic is a great material, but we need to make sure it doesn’t end up in nature.”

“We need to make sure we use it in the right places,” he added.

Plastic Pavilion in Copenhagen
The Danish Plastics Federation showcased positive uses of plastic in Plastic Pavilion

Drustrup points to plastic’s role in the shift toward green energy as a key example.

He said the material is essential in the development of wind and solar power solutions, which can enable a move away from using fossil fuels for energy.

“When we look at most oil consumption, it’s for heating, energy and transportation, which together accounts for around 80 to 90 per cent,” he stated.

“We want to move in a sustainable direction with wind power and solar. To do that, we need plastics,” he continued.

“You can’t build an effective windmill without fibreglass wings, for example.”

Use plastic “where it makes sense”

The Danish Plastics Federation, also known as Plastindustrien, represents 270 plastic-producing companies including toy brand Lego and medical manufacturer Coloplast.

Dezeen spoke to Drustrup during the UIA World Congress of Architects, a conference centred around how the building industry can combat climate change, increase biodiversity and promote social inclusion.

Plastic Pavilion in Copenhagen by Danish Plastics Federation and Terroir
The pavilion was installed in Copenhagen during the UIA World Congress of Architects

The Danish Plastics Federation’s contribution was the Plastic Pavilion, one of 15 SDG Pavilions built in Copenhagen to demonstrate sustainable construction practices.

Designed by architects Terroir, the pavilion was built almost entirely out of plastic, and mostly recycled plastic. Inside, it showcased applications where the Danish Plastics Federation believes plastic is the most suitable material.

These include for the medical industry, construction and food packaging.

“We want to tell a story about where plastic does make sense,” Drustrup said.

“If we design it right, we have a great material that can be reused and recycled. What we don’t need is products that we just make for convenience or to just use plastic without thinking because it’s cheap.”

“There are a lot of possibilities”

The demountable Plastic Pavilion was framed by I-beams made from glass-reinforced plastic, also known as fibreglass. These sat on 3D-printed “feet” made from a mix of recycled plastic and wood, filled with stones that weighed them down.

“There are a lot of possibilities that we want to show architects,” said Drustrup.

“Fibreglass is stronger than steel, much more lightweight, and much more flexible in its use, so it’s easier to reuse.”

Drustrup is sceptical about the potential of bioplastics to replace oil-based plastics, highlighting claims that bioplastics could potentially be worse for the environment than conventional plastics.

He believes that advocating for bioplastics can have a negative impact, as it encourages people to treat the material as disposable.

Plastic Pavilion in Copenhagen by Danish Plastics Federation and Terroir
The demountable structure was built almost entirely out of plastic

Instead, he is optimistic that advancements in chemical recycling will make it increasingly easier to recycle oil-based plastics, reducing the need to extract oil from the ground.

“I don’t think it will be in my lifetime that we’ll be making plastics fossil-free,” he said, “but we are going to get there.”

Pandemic proved need for plastic

Drustrup highlights the Covid-19 pandemic, when plastic enabled the production of billions of test kits worldwide, as a turning point in proving plastic’s ongoing importance to society.

The claim comes in spite of the estimated 26,000 tonnes of plastic waste that ended up in the world’s oceans as a result of the coronavirus response.

The problem, Drustrup argues, is not the material itself but the systems in place for dealing with it after use.

The Danish Plastics Federation recently published a strategy document titled Responsible Plastics Production, which outlines how the plastics industry can tackle the issue of plastic waste.

“We as a society need to pay attention to how we use our resources,” he concluded.

“As someone said to me, plastic doesn’t have feet, arms or wings. So if it ends up in nature, it’s probably because we put it there. The challenge for us is to make sure that doesn’t happen.”

Plastic Pavilion was on show from 19 June to 14 July 2023. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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Five key projects by industrial designer and Dezeen Awards China judge Min Chen

Industrial designer Min Chen has joined Dezeen Awards China 2023 as a judge. Here he selects five projects that best reflect his work.

Chen’s Hangzhou-based practice Chen Min Design Office has worked with a variety of brands, including jewellery retailer Swarovski, sports brand Nike, fashion brand Loewe and coffeehouse chain Starbucks.

“I consider design as a language, which has its origins, depth, and history,” Chen told Dezeen. “It stays open and evolves over time.”

“My goal is to find the Chinese language in the world of design and establish innovative relations between tradition and modernisation,” he added.

Currently, Chen is working on several projects for clients in Europe, Japan and the US, as well as curating the program for Design Shanghai‘s 2024 Neooold show.

Min Chen among Dezeen Awards China 2023 judges

Dezeen Awards China 2023 launched in June in partnership with Bentley Motors. It is the first regional edition of Dezeen Awards, celebrating the best architecture, interiors and design in China.

We have announced 10 out of 15 Dezeen Awards China judges, including architects Ma Yansong and Ting Yu, interior designers Ilse Crawford and Andre Fu, as well as industrial designer Michael Young, who will be joining Chen on the design judging panel.

Entries close on Thursday 24 August. Submit your entry before midnight Beijing time on 24 August to avoid late entry fees.

Read on to find Chen’s views on the five projects that best represent his work.


Dezeen Awards China 2023 design judge Min Chen
Photo by Lewis Ronald

Hangzhou Stool

“Using traditional handcraft techniques combined with modern design theories, the Hangzhou Stool brings out the weight-bearing and flexible characteristics of the bamboo material itself, creating a serene and dynamic design language while expressing the relaxed and free urban atmosphere of Hangzhou.

“Hangzhou Stool was included in the permanent collection of Centre Pompidou in 2021.”


Dezeen Awards China 2023 design judge Min Chen

CC mug

“CC is a playful thermos mug. The mug lid displays internal liquid temperature when it is inverted, increasing the safety of consuming hot liquid.

“Every mug is attached with three different filters for brewing tea, fruits or eggs.”


Dezeen Awards China 2023 design judge Min Chen

Suit Chair

“Suit is a very sporty and healthy office chair. Its structure is informed by swimsuits.

“While providing a full range of health support for the body, it highlights the support of shoulders, increasing the safety of the office chair when tilting synchronously backwards.

“The smooth lines of the back similar to the drifting belt in Dunhuang [buddhist] fresco is a breakthrough in the study of domestic ergonomic chair form.”


Dezeen Awards China 2023 design judge Min Chen

Embodiment

“The form of the window in traditional Chinese architecture is transformed into lighting through modern techniques and materials, replicating light reflecting into the interior through the window.

“The series includes some common shapes in Jiangnan gardens, which can be put on the wall or leaned against, and can change the light atmosphere of the space, making it a flexible lighting.”


Dezeen Awards China 2023 design judge Min Chen

Neooold

“Neooold is a permanent exhibition which was commissioned by Design Shanghai in 2019.

“Based on the abundant resources of traditional crafts and materials, it invites creatives worldwide to inherit and carry forward the essence of life. It is deeply rooted in the Chinese culture and tradition.”

The photography is courtesy of Min Chen unless stated otherwise.

Dezeen Awards China 2023

Dezeen Awards China is the first regional edition of Dezeen Awards, to celebrate the best architecture, interiors and design in China. The annual awards are in partnership with Bentley Motors, as part of a wider collaboration that will see the brand work with Dezeen to support and inspire the next generation of design talent in China.

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Momma's Kit aims to cut maternal mortality rates among Black women

Momma's Kit by Leadoff Studio for Spora Health

With the goal of reducing Black maternal mortality rates, design firm Leadoff Studio has worked with Spora Health to create the Momma’s Kit – a health monitoring system with a focus on attention-grabbing graphics and packaging.

The kit is the product of Spora Health, a subscription-based primary care provider for people of colour in the USA that aims to improve health outcomes and redress experiences of alienation that patients might have experienced in the country’s mainstream healthcare system.

Photo of a cardboard box opened at the top to reveal the lavender-coloured Momma's Kit tin. Text printed on the cobalt blue interior of the box reads 'healthy momma, healthy baby'
The Momma’s Kit is designed to cut Black maternal mortality rates

With the Momma’s Kit, the company is targetting maternal mortality rates, which in the US are three times higher for Black women than for white women. But Spora Health found that huge inroads could be made if mothers monitored vital signs daily with a blood pressure cuff and pulse oximeter.

As much as 80 per cent of the most common conditions that contribute to maternal mortality for Black people could be caught in this way, Spora Health’s research suggests.

In response, the company created a dedicated health monitoring system, which ultimately became the Momma’s Kit, and brought in New York-based Leadoff Studio to develop the design.

Photo of Spora Health's Momma's Kit unboxed showing the tin next to a oximeter, blood pressure cuff and instruction cards
The kit contains a pulse oximeter and a blood pressure cuff

The designers’ vision for the kit was one where the graphic design and packaging would create positive feelings and a memorable unboxing experience. At the same time, they needed the kit to be intuitive and easy to use.

Users of the Momma’s Kit need to keep up the monitoring routine for a total of six months – the three months of the third trimester and the three months after birth, sometimes called the fourth trimester.

Leadoff CEO and creative director Jordan Diatlo told Dezeen that the studio did extensive interviews with Black patients, doulas, doctors and physician assistants, focused on understanding the “underlying emotions” of this process while letting the subjects take the lead.

Flatlay photo of all the elements in Spora Health's Momma's Kit
The unboxing process is meant to trigger positive feelings

“I think empathy is one of the most critical tools a designer needs, and that has never been more apparent to me than on this project,” he said.

“The inherent biases that Black people go through when they are just trying to get healthcare is an experience and feeling that I think is borderline impossible to understand unless you’ve gone through it yourself,” he added.

“Some of the people on the Leadoff team have felt this bias firsthand, but especially for those of us on the project outside of the demographic, it was critical to be open and listen.”

Diatlo said that one of the most important insights came from speaking to new mothers from the fourth-trimester group, which reminded those on the team with kids of just how limited their time and mental energy were during this period.

“As a result, we developed a strategy of not communicating through text that needed to be read but rather making all information easily absorbable,” he said. “This meant large photography showing the products in use and important text expressed in bold colours with as few words as possible.”

“Even the directions for how to use the products were paired down to brief phrases, with as few steps as possible.”

Photo of an instruction card from the Momma's Kit with a full-page colour photo of a Black pregnant woman on the left and a close-up of a hand with a pulse oximeter place on the end of the index finger on the right
Correct use is demonstrated through photography

As the photos feature Black women, they also serve the dual purpose of creating a feeling of inclusion that is often missing from their experiences of healthcare, which Diatlo hopes will promote trust and adherence.

“Showing Black pregnant bodies throughout the kit was critical,” he said. “Because they don’t see themselves represented in media, it quickly shows to our intended audience that this is for them.”

The Momma’s Kit comes in a tall, lavender-coloured metal tin that Leadoff Studio says is designed to stand out in the home, so it will act as a “beacon” to remind users to test daily. At the end of the monitoring period, the tin can be reused or recycled in the curbside collection.

Photo of a hand scribbling in a notebook while in front of her a phone sat upright in a stand shows the face of a Black female doctor in a lab coat with a stethoscope around her neck. Medical gadgets also sit on the table beside the phone.
The kit includes a phone stand for telehealth appointments

The cuff and oximeter can be returned to Spora for refurbishing and reuse while all the other parts – including a phone stand for telehealth appointments – are paper-based and recyclable.

Leadoff Studio was founded in 2016 by Diatlo and his wife Jessica. Previous product designs from the practice include the packaging for a traditional miswak teeth-cleaning stick, which comes with an integrated twig cutter.

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This charming tiny cylinder can turn anything into a lovely Ikebana vase

Flower vases are not an uncommon product in interior spaces, but the majority of them are designed for a single style of flower arrangement. This style often involves a handful of flowers surrounded by rich foliage that create an almost bulbous shape, bringing a splash of color to any area. Of course, that isn’t the only way to arrange flowers, but the standard shape and size of vases put a heavier emphasis on the flowers themselves, using leaves as a background and their stems as invisible scaffolding. Sometimes, however, you can have an even more striking presence with just a single flower and a stem with just a few small branches, and this small metal vase provides not only the support but also the flexibility to embrace that minimalist design, using whatever you may have as the base for such an enchanting floral arrangement.

Designer: W DESIGN for Takeda Design Project

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The Japanese Ikebana style of arranging flowers is almost a stark contrast to what most see on vases. Where typical arrangements bundle a bunch of flowers that are mostly in full bloom, Ikebana might sometimes present a bud that slowly opens up over time, much to the viewer’s delight. Just like with many Japanese designs and philosophies, every aspect of the flower comes from a thoughtful decision, including the length of the stem, the cuts made, or the number of pieces used. A regular tall vase that hides those intentional details, however, isn’t cut for such an arrangement, which is where the HANAKUBARI vase comes in.

Named after the Japanese words for “flower” and “twig,” this small metal barrel looks nothing like a vase. Its size can hold just enough water to keep the flower alive, and its short stature means that it will only cover up a few centimeters of the stems, putting the focus on the minimalist arrangement rather than calling attention to itself. Despite its small size, however, it won’t topple over because the center of gravity is maintained by the main body’s 197g weight. There’s also a small 10g adapter that fits inside, allowing the vase to hold thinner stems.

This cute flower vase, however, isn’t meant to stand alone, although it can definitely function that way. Thanks to that diminutive size, you can place the vase on top of or inside anything, turning that thing into an Ikebana vase. You can, for example, put it on a ceramic plate with an oriental design or place it on top of a metal dish to complement the vase’s stainless steel body. You can even place it inside a transparent plastic or glass container to add some visual accent without detracting from the stem’s natural beauty.

Most flower arrangements are made to dazzle and excite, and their large vases are designed to support their weight and even embellish the image. This tiny yet elegant stainless steel vase, in contrast, encourages a more thoughtful, almost meditative, way to make a delightful arrangement, allowing even a singular flower and its stem to enchant the beholder with its natural beauty.

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Micro-Apartment In Bangkok Is Inspired By Japanese Inns And Embodies Japanese Minimalism + Zen

Major cities are vortexes of commotion, hustle, and bustle, and the city of Bangkok in Thailand is no exception to this. Finding peace and tranquility in such cities can often be a pain and a complete rarity. However, there is supposed to be a 90 percent increase in population in cities of developing countries, which is definitely something to note, and policymakers and citizens will have to reimagine and revamp how to live comfortably in these modern cities. In Bangkok, Thailand, city officials are increasing the amount of green space per capita, while also lowering the city’s carbon emissions. And local designer Mae Prachasilcha of La Tarta Piccola has created a sustainable and small living space in such circumstances.

Designer: Mae Prachasilcha of La Tarta Piccola

The interior designer completely transformed a 355-square-foot condo, converting it into a zen-like and peaceful haven for her brother and sister-in-law. The home was originally quite boring and cramped but is now a multifunctional minimalist space. The designer took inspiration from traditional Japanese inns that are similar to bed and breakfasts and often include traditional architectural components such as shoji (paper screen doors), and modular tatami mats. Mae utilized these elements to maximize the small condo, and to create a living space that felt calm and spacious.

“The design idea was to optimize the use of limited space by overlapping functional spaces. The design was inspired by the calm and peaceful vibes of Japanese ryokans, or hot spring inns. We wanted to use Japanese shoji doors to give the space a softer look and to also allow for flexibility. In doing so, we were able to create two multifunctional areas that expand the living area from 7 to 17 square meters (75 to 183 square feet),” said the designer. As you enter the home, you are welcomed by a space with integrated storage, and built-in cabinets floating over the floor, creating a cozy nook for storing shoes. The kitchen can be found behind a sliding door and is quite functional with loads of storage space. The main living room is adorned with a couch and a custom-made media center.

The star and focal point of the home is a set of large sliding shoji doors, which open up to living and sleeping spaces, as well as the couple’s wardrobe. The sleeping area is inspired by tatami modules and is multifunctional. You can sit, work, read, or sip on some tea there. Below the tatami, there are integrated storage cubbies to store the low table or the futon.

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Nintendo Switch 2 Console Renders Hint At Smaller Bezels and Redesigned Joy-Cons

Even when the folks at Nintendo don’t say anything, they say a lot! The rumor mill has been ABUZZ with speculation about the Nintendo Switch 2, which many people close to the matter say should arrive in 2024. While Nintendo has been extremely tight-lipped about the release of its highly-anticipated next-generation handheld console, it’s rumored that multiple studios have gotten access to the developer kit, confirming that the Switch 2 is, in fact, coming. This would be big for Nintendo too, as they’ve never released a ‘2nd edition’ of any of their consoles – the name has always changed ever so slightly, but the number 2 hasn’t featured in this new name. Take the Wii and WiiU for example, or the Nintendo DS and 3DS, or the Game Boy and Game Boy Advance if you want to look even further back.

The Switch 2’s reputation precedes it, following a 1st gen console so infamous, it remained sold out through multiple production runs and still is the most popular handheld console today, even though it was first unveiled six years ago. This Switch 2 concept, designed and envisioned by Salvo Lo Cascio and Riccardo Cambò Breccia, embodies everything we fans expect from Nintendo, peppered with a few healthy leaks and rumors. Let’s dive in!

Designers: Salvo Lo Cascio & Riccardo Cambò Breccia

Outwardly, the Nintendo Switch 2 concept embraces and really highlights its predecessor’s black, red, and blue color scheme. The format remains entirely the same too, with a few pretty visible tweaks, but all in all, it’s as unabashedly Nintendo as it gets.

We start with the Joy-Cons, which now sport a slightly chunkier, more rounded design that has a playful appeal to it. The controllers are a pleasure to hold as a part of the console as well as independent units, and come with a sliding panel built into its design – but more on that later. The main unit, on the other hand, is significantly different too, with drastically slimmer bezels than on the original Nintendo Switch. Rounded corners give the display unit a cutting-edge tablet appeal, although the only thing missing to make it a tablet is the presence of cameras!

A comparison between the old and new Joy-Con design

The new Joy-Cons’ strange sliding panel has an incredibly clever utility to it. Although designed to be used as a standalone unit, the Switch originally boasted of being able to handle two-person gaming too. All you needed to do was pop the Joy-Cons out and they would transform into dedicated handheld controllers. The problem was that these controllers weren’t designed to be symmetrical when held horizontally. Salvo and Riccardo’s clever design workaround fixes that problem entirely, creating a set of handheld controllers that feel ergonomic and comfortable to use even when held on their own. The GIF below explains how this works.

The designers also hid an easter egg in the Nintendo Switch 2’s speaker grill by shaping it into the waveform of the iconic Super Mario Bros. theme!

The rumor mill has been going on and on about Nintendo probably launching two Switch 2 models together. The second, according to Bobby Kotick (CEO of Activision) is suspected to be as powerful as a PS4, shattering through all benchmarks to make this new Switch model Nintendo’s most capable one yet. Dubbed the Nintendo Switch 2 MAX, Salvo and Riccardo gave this a significantly upgraded design too, in the form of an all-black colorway, and a larger screen sans the lower chin seen in the Switch 2. According to Kotick, the developer kit of the Switch 2 MAX was allegedly powerful enough to handle Triple-A games without breaking a sweat. Most Switch users have complained that the console’s graphics are its biggest limitation, and the Switch 2 MAX may just be exactly what they need.

The Nintendo Switch 2 MAX has a much larger, edge-to-edge display

The all-black controller on the Switch 2 MAX is a deviation from Nintendo’s Blue and Red color-way, but after all, a beast needs its camouflage! The Switch 2 MAX controller also has backlit XYAB keys, allowing for low-light high-octane gaming.

The last part of the Nintendo Switch 2 to receive a redesign is the hub, which docks the screen. Designed to both charge as well as work as an HDMI pass-through for the console, this new dock has an almost smart-home-like quality to it. Its design is soft and pebble-like, and accepts the Switch 2’s screen with absolute ease, mirroring its display onto a larger screen like a television, monitor, or projector.

Salvo and Riccardo’s design couldn’t come at a better time, with gaming technology in a bit of a lull given the uncertain future of E3 (Electronic Entertainment Expo), the biggest exhibition in gaming. Although the actual device isn’t due till next year, this concept feels like a perfect culmination of fan requests and legitimate rumors. Let’s hope Salvo and Riccardo’s design is on the money, because if the Switch 2 looks anything like this, it’s sure to be a winner!

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