FGMF Architetos covers Brazilian house in translucent shell

FGMF Architetos covers Brazilian house in translucent shell

Local studio FGMF Architetos has used translucent screens and metallic panels to enclose a residence on a sloping site near São Paulo.

Located in the town of Campinas, Casa Brisa stands within an expansive shell-like structure that protects the residence from inclement weather and the high temperatures of the area.

“It is an investigation into the inside and outside, the covered and open, the union between gardens and architecture in a quiet way, using simple materials in an unconventional way,” said FGMF Architetos partner Fernando Forte.

House with pool and white metal trellis
A shell-like roof protects the inner structure from weather and heat

The two-storey, concrete home, stands underneath an independent steel structure that supports a flat, corrugated metal roof and sides made from perforated metal screens.

It has various openings to accommodate growing trees and allow light into the home and gardens below.

Large windows, screens and sliding glass doors throughout the home open the residence to the outdoors.

A house in Brazil with screened walls made of metal
The home is buried in a sloping site

The designers integrated the home into its site by burying the ground floor into the slope, with the entrance and second floor at street level.

The house extends the length of its hilly site with a linear floor plan that incorporates semi-open gardens and concludes with an outdoor living and pool area.

A person walking in front of a contemporary white, residence in Brazil
The home’s entrance is at street level

On the ground floor, utility spaces like storage and a small bathroom are underneath the entrance to the home, which is tucked into the steepest part of the site. A hallway expands into the main living area and is surrounded by the first garden at the home.

The main living space contains a seating area, a dining room, and kitchen that can be opened using large sliding glass doors.

A second garden containing trees and native plants surrounds the space. Both gardens will expand and grow over time to create an additional layer of privacy. A pool and lounge area completes the living space.

Upstairs, three bedrooms are equally open to the surroundings with large windows and metal screens that slide open or close.

Casa Brisa by FGMF Architetos
An exterior screen allows for views of the surrounding countryside

Masonry details like a decorative fence at the entrance of the home were designed to create softness in the inner layer of the structure, while the outer shell is more industrial, with a structure made of steel and metal.

Solar panels integrated into the outer shell provide water heating and power for the residence.

A contemporary, angular structure at night
It features an expansive outdoor living area

During the day, the home appears rigid and monolithic from afar. At night, its translucent layers expose the interior structure.

FGMF Architetos has completed several buildings in the São Paulo area, including a multi-use skyscraper with a central atrium, and another countryside home that features block-like volumes.

The photography is by Fran Parente.

The post FGMF Architetos covers Brazilian house in translucent shell appeared first on Dezeen.

Non-Rectangular Notebooks

I can’t fathom why, but a company called Triangle Notebook makes, well, guess.

The hardcover notebook has 160 ruled pages and runs $33.

Even more bizarre is this Sidekick Notebook they offer:

It’s also hardcover, but features 160 dot-grid pages and runs $24. I guess it would come in handy for sketching, if you’re designing boomerangs.

A Driveable Formula E Car, Made Entirely of E-Waste

This week British Formula E team Envision Racing unveiled the Recover-E, a driveable Formula E car made entirely out of electronic waste. “Annual e-waste production is on track to reach a staggering 75 million tonnes by 2031, with the UK generating the second largest amount of e-waste as a country in 2022,” the team writes. “Items thrown away include disposable vapes, mobile phones, laptops, MP3 players, plug and batteries themselves. The growing phenomenon of single-use vapes means 1.3 million of them are thrown away every week in the UK.”

“To highlight this urgent issue, Envision Racing partnered with British artist and designer Liam Hopkins to design and build the car entirely of donated electronic products by the UK tech business, Music Magpie and school children. Through this campaign, the team wants to increase awareness of the human impact of e-waste and the need to reuse and recycle old electrical products.”

“Hopkins said, ‘Unfortunately today we choose to discard and replace electronics instead of repairing and recycling them leading to a global e-waste crisis. Through design and creativity, we want to show the issue of e-waste and its potential to accelerate the creation of a circular economy.'”

The Recover-E was unveiled at London’s ExCel exhibition hall in advance of the London e-prix, the final race of the Formula E season. Here’s a video look at the car:

“If the millions upon millions of Lithium batteries that are found in vapes and other products are recycled, it will dramatically reduce both the need for rare earth mineral mining and the large energy needed to create the batteries from scratch,” said Sylvain Filippi, Envision Racing’s Managing Director and CTO. “We want to increase awareness of e-waste and help build a ‘circular economy’ where electrical products are reused or recycled, not thrown away.”

Jennifer Guidi’s Meditative “Mountain Range” Exhibition at Château La Coste

Colorful vistas painted from sand, inside the cantilevered Richard Rogers Gallery

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Jennifer Guidi’s Meditative “Mountain Range” Exhibition at Château La Coste

Colorful vistas painted from sand, inside the cantilevered Richard Rogers Gallery

A metaphoric telescope pointed toward the hills of Provence, the Richard Rogers Gallery is cantilevered from a perch high above the sprawling, art-filled acreage of Château La Coste. The spectacular gallery space was the last structure designed by the late star architect Richard Rogers, known for his collaborative work on the Pompidou Centre in Paris and other works of audacious imagination. This pavilion is but one mesmeric vessel speckling the 600 acres of Château La Coste, an otherworldly arts destination and world-class winery in the South of France. Through 3 September, the Richard Rogers Gallery houses the joyfully expressive works of LA-based artist Jennifer Guidi. This solo exhibition, entitled Mountain Range, converses with the enveloping landscape beyond the gallery’s picture window. Further, each piece within the show invites viewers into a meditative experience awash with emotion.

Mountain Range by Jennifer Guidi, photo credit Frédéric Desimoni, Courtesy of Château La Coste

The exhibition was organized by Château La Coste owner Paddy McKillen in collaboration with Gagosian curator Georgina Cohen. “Last year, Georgina started talking to me about the possibility of exhibiting in the Richard Rogers Gallery,” Guidi tells COOL HUNTING. “I had never been to Provence before and I was very motivated by the beauty of the landscape and the architecture of Château La Coste so I began working on a show specifically for the Richard Rogers space.”

Mountain Range by Jennifer Guidi, photo credit Frédéric Desimoni, Courtesy of Château La Coste

Guidi’s colorful, textured landscape pieces feel right at home in the gallery and, specifically, exactly where they’ve been placed. They act as painted portals elsewhere—inviting dreamscapes that viewers wish they could step into. Guidi did not visit the pavilion until installation, so she worked from a scale model to map out where the works would go in advance. “I planned everything by working with a maquette and looking at photographs and videos of the gallery,” she says.

When you arrive to it, you leave everything at the threshold. You are leaving the ground—you are floating when you go into the space

Jennifer Guidi

Her first reaction to the spotting the Richard Rogers Gallery is understandable. “It’s hard not to be overwhelmed by the beauty of the pavilion,” she continues. “When we first drove onto the property, we could see it from afar. You can see the orange metal peeking through the mountain. When you arrive to it, you leave everything at the threshold. You are leaving the ground—you are floating when you go into the space. Having to take your shoes off, or put booties on over them, it slows you down before you walk in. I liked the whole idea of the space.”

Mountain Range by Jennifer Guidi, photo credit Frédéric Desimoni, Courtesy of Château La Coste

Guidi directed the installation process herself; as such, the entire exhibit is her own vision. “When I work on an exhibition, I already have an idea of what I want it to feel like—the flow of it and how the viewer will interact with it. The hard part of that building was that when you walk in, you immediately see the view at the end,” she says. “The gallery is eighty-feet long. To do an exhibition in a long, narrow space is difficult, especially if you see that view at the end. Anyone who enters will want to walk through and get to the far balcony and look at the mountain outside.” To interrupt that innate desire and anchor people with her artworks, Guidi suspended two pieces from the ceiling—in essence replacing the Provence landscape with her own.

Mountain Range by Jennifer Guidi, photo credit Frédéric Desimoni, Courtesy of Château La Coste

In her work, Guidi strikes a balance between what some may internalize as soothing, serene colors and those that spark joy. “I like to exaggerate color,” she says. “I use very bright colors and fluorescents. I think, mostly, I do this because of how they make me feel when I am working on my paintings in the studio. I want to come in and be greeted by color. When we experience certain colors, we do feel joyful. That’s my intention and I use that as a way to connect with people.”

Mountain Range by Jennifer Guidi, photo credit Frédéric Desimoni, Courtesy of Château La Coste

Upon closer inspection, the grainy materiality of Guidi’s work comes into focus. She’s worked with sand as a material for about ten years. “I mix sand with paint and acrylic polymers,” she says. “It’s almost like cement when it’s wet. I am very drawn to the texture of it and the armature that I can make for my paintings.” The surface structure of each painting lends it a sculptural sensibility. This unexpected quality also pulls viewers further in.

Mountain Range by Jennifer Guidi, photo credit Frédéric Desimoni, Courtesy of Château La Coste

“There’s a specialness to seeing art in person,” Guidi adds. “I know everyone cannot see every show in person because of where it might be, but it’s important to enter a space and take time to look at work and get outside of ourselves.” Though Guidi’s exhibit entices and envelops, it does not exist alone at Château La Coste. Rather, it’s one facet in a profound experience for art lovers—not far from a Louise Bourgeois spider tip-toeing across a reflecting pool, beside a Tadao Ando structure, a trek from a Prune Nourry installation. And that’s only a sliver of what can be viewed during the hours on-site.

Top 10 Automotive Designs That Spun Our Heads This Summer

We’ve been seeing a torrential and exciting downpour of automotive designs at Yanko Design for the past few months. Each automotive was innovative, bringing to us something we had never seen nor experienced before. From killer speed to dashing good looks, to impenetrable safety standards, every automotive we featured at YD broke some design barrier for us, and hopefully, they did the same for you as well. Hence, we’ve curated a collection of automotive designs that we feel were the best of the lot. From a wheel-less bicycle to a sleek shape-shifting bike – each of these drool-worthy automobiles is mercilessly pushing the boundaries of the automotive industry. Automotive enthusiasts will be itching to get their hands on them, and take them for a spin on the streets!

1. Wheel-less Bicycle

US-based YouTuber The Q recently unveiled the wheel-less bicycle, which quite literally doesn’t have any wheels, and depends on rotating elements to help push it forward. The bicycle quite literally works like a tank and features a rotating wheel belt that drives it forward, while ditching the usual large rubberized wheels. Given how small the wheel belt’s curved radius is, you can’t expect the bike to be super fast, but that is quite understandable.

2. Lamborghini Centenary Tractor

Ferruccio Lamborghini started off by building tractors way back in the late 1940s, and hence the company hand-built a limited-edition tractor to commemorate the memory of the Italian craftsmen. The 1960 Lamborghini Centenary limited-edition tractor is a fully-operational tractor being an amalgam of the 60s builds – the DLA and 2R DT, bears a rustic look, amplifying the nostalgic feel for someone who’s witnessed the era in question.

3. The Project M³ Concept Motorbike

Designed by Richard Huang, the Project M³ concept motorbike has an ingrained biomimicry principle for motorheads, and has a body inspired by the dolphin. The electric motor onboard is charged using a blowhole-like nose, providing it with a very lifelike presence. The dolphin is mirrored on the toothed wheel rims,  and the front headlights section too.

4. ECHO

Called ECHO, this self-driving concept trike features a trio of hubless wheels – with the two on the front reinforced with massive suspension systems to take on any bump on the road. The trike doesn’t have a rider seat, and it is a stark view of sophistication level 5 autonomy will bring to the fore. Can you imagine this automotive marching forward along with a herd of Spot the Dog robot and an army of Atlas humanoids?!

5. The Fiat Topolino

The Fiat Topolino measures 2.53 meters and is an all-electric city EV that features a 7.2-meter turning radius and can shimmy around in small tight spaces where standard cars usually get stuck. The car has a 5.5kWh battery which churns out a range of 47 miles, and a top speed of 28mph, which is suitable for short-range mobility in urban areas.

6. The Lamborghini Vision Event Horizon

Designed by LYC.Design, the Lamborghini Vision Event Horizon is a stunning car that amps up the Italian marque’s design language in an attempt to differentiate itself from the company’s older, ICE cars. What stands out with this car is the headlight and taillight treatment, which feels slightly different from other Lamborghinis. The front of the car gives me Acura NSX GT3 Evo vibes, albeit with crowbar-shaped LED-strip headlights.

7. Gordieiev’s Bicycle with Square Wheels

Sergii Gordieiev created a bicycle with square wheels! The wheels on the bicycle don’t actually roll, but instead, the rubber on the conveyor belt-like platform rotates once you hit your foot on the pedal. If you want to really imagine the bicycle, just simply imagine a war tank moving on its metal tracks without any wheels, but it’s a bicycle with square-shaped wheels!

8. Aston Martin Valour

The Aston Martin Valour was created to celebrate the marque’s 110th anniversary. The Valour features a 5.2L twin-turbo V12 engine that produces 705hp and 555 lb-ft. of torque. It is a retrofuturistic beast, that pays tribute to not the future, but the past, by rejecting the modern, and completely embracing the muscle!

9. The Lamborghini Diablo Restomod

The Lamborghini Diablo restomod is inspired by the track-focused GTR model. This is viewed in extreme proportions such as the streamlined front grille section, side skirting, and the 3D-printed titanium rear grille with subtle detailing. This is also accentuated by the massive rear vents overshadowing the radiators.

10. The WAYRA EV-03

The WAYRA EV-03 electric cruiser motorcycle is a 100 percent no-gimmick concept that’ll please every kind of rider – be it a cruiser enthusiast, performance lover, or off-roading fanatic. WAYRA EV-03 is a bike high on personality, created keeping in mind the heritage of fat-bikes and cruiser-length bikes, while also having those minimal eye-catchy modern touches to create visual appeal.

The post Top 10 Automotive Designs That Spun Our Heads This Summer first appeared on Yanko Design.

Great Industrial Design Student Work: An Open-Source Wheelchair Designed from Cast-Offs

This Unimo project was done by Winson Cheng, while studying Product Design at Australia’s UTS (University of Technology, Sydney). It’s not so much a singular design as a concept for how to provide wheelchairs to underprivileged people in remote areas.

“Unimo (Universal Mobility) conceptualises an all-terrain mobility device for disabled communities in rural areas. Targeted to fulfill unmet disability needs through open-source manufacturing, Unimo takes advantage of readily available waste material to showcase a package with unique aesthetics.”

“The reuse of parts from bicycle scrap, used office chair waste and shopping carts dumped in rural areas visibly emphasises the theme of resourcefulness.”

“Production and technical simplicity allow it to be assembled by volunteers from a wide knowledge background.”

“Experiments with various attachment configurations helped achieve a minimal amount of parts while retaining a safe, rigid structure.”

“The design is inspired by the ‘form follows function’ philosophy with consideration of ergonomics and safety standards at the forefront, and a stylish look that will empower its users.”

8bitDo Retro Mechanical Keyboard turns an old iconic console design into a fun-looking keyboard

When you talk about video games, most people will probably think of game controllers immediately, even if a large chunk of these aren’t played that way. Even disregarding mobile games that only use touch screens, many are actually played with good, “old-fashioned” keyboard and mouse. There are, of course, keyboards made for gaming, with noisy mechanical switches and bright RBG lights, but most of these are designed to match the aesthetics of most computers, which is to say they almost always come in black, a few in off-white. Nothing screams “gaming,” however, more than a keyboard that’s designed to look like a gaming console. Ever the masters of making old things new, 8bitDo is coming out with its very first keyboard, one that pays homage to a gaming classic in an endearing and tasteful way.

Designer: 8bitDo

8bitDo is a brand best known for its multitude of game controllers catering not just to console owners but also to PC gamers. Although many of these look like your typical gamepads, the company has a penchant for applying the design language of past gaming controllers to present products, giving an ode to the rich history of video games. Its portfolio, however, has been growing recently to cover other accessories and gadgets, including a wireless charging pad, a wireless speaker, and a computer mouse. For the first time, it’s dipping its toes into keyboard territory, and what better way to start that venture than with one of the most iconic consoles in history?

Launched in the 80s, the Nintendo Entertainment System or NES, which was called the Family Computer or Famicom in Japan, kickstarted Nintendo’s own journey from making playing cards to the gaming giant it is today. Although it is hardly the first home gaming console to be launched to the masses, it is one of the few to have gained worldwide acclaim to the point of being an icon. The new 8bitDo Retro Mechanical Keyboard pays tribute to this landmark gaming device but does more than just get a paint job to match the gray or red themes of the NES and Famicom, respectively.

The retro keyboard is filled to the brim with details that will really give you that old-school vibe, from the fonts used on the keycaps to the analogy dials for volume and for switching between Bluetooth or Wireless modes. There’s even a classic power light that thankfully uses a more modern LED. The package also includes two giant programmable red buttons in the style of the A and B buttons of the original NES controller. You can connect up to four of these pairs via a 3.5mm headphone jack, which is a pretty old-school connector by now.

As for the keyboard itself, it’s a tenkeyless keyboard, which means you don’t get a numeric keypad on the side. Like with many mechanical keyboards, you have the option to change not only the keycaps but even the switches to your liking. It can connect via Bluetooth, the included wireless RF receiver, or a USB cable. Unlike most gaming keyboards, however, there is no backlighting at all. The 8bitDo Retro Mechanical Keyboard costs $99.99 and will ship starting in September. If you really dig the NES motif, you might be tempted to also grab the brand’s N30 wireless mouse which was also inspired by the classic console.

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Iksoi Studio celebrates functionality with exposed concrete grid in Indian factory

Photo of Mallcom Factory

An exposed concrete structure adds a sense of rhythm to Mallcom Factory, a PPE factory designed by Indian practice Iksoi Studio.

Built on the site of an old textile mill in Ahmedabad, the garment-stitching factory was designed for personal protective equipment (PPE) company Mallcom and features a steel and concrete structure.

A rigid concrete grid decorates the building’s exterior walls and interior spaces, expressing its functionality.

Exterior photo of Mallcom Factory
Mallcom Factory was designed by Iksoi Studio

“On the outside the factory wears its toughness with pride,” studio founder Dhawal Mistry told Dezeen.

“Within the unyielding fortress, we aimed to design a place of solace and wonder, where light and architecture coalesce in a mesmerising display of softness and strength.”

Driven by functionality, Iksoi Studio left the materials and structural elements exposed and unfinished across the factory’s exterior and interior, aiming to create an efficient facility that celebrates raw materials.

Photo of Mallcom Factory
The building is located in Ahmedabad

“The use of simple and robust materials, such as steel and concrete, create a sense of honesty and authenticity,” said the studio. “As such, the design prioritises functionality, creating a space that is efficient, safe, and conducive to the production process.”

Comprised of concrete beams and columns, the structure was divided into four structurally independent areas that wrap around a central atrium, where a skylight covered with a steel frame lets light into the spaces below.

Photo of the interior of Mallcom Factory
It was constructed from concrete

“Each volume is structurally independent, resulting in shorter spans and simpler structure,” said the studio. “Skylights running along the roof mark the circulation spaces on the floor and act as roof monitors, allowing hot air to escape through them.”

Administration spaces feature on the ground floor of Mallcom Factory, along with production facilities such as fabric cutting areas and storage spaces for raw materials and finished goods.

Most of the factory’s work areas are located on the upper level, including stitching and finishing lines as well as areas for product packaging and staff training.

Throughout the interior, rooms and corridors are punctuated by a series of concrete columns. A polished concrete floor extends through the factory’s interior.

Photo of the factory
The structure was left exposed throughout

Around the atrium, the gaps between the columns have been left open, with metal railings stretching across the openings to create balconies that overlook the level below. In other places, the gaps have been filled with concrete walls.

“Neat geometry is a constant aspect maintained throughout the structure, influencing both its aesthetic qualities and structural integrity,” said the studio.

“The repetition of the columns and beams helps create a sense of rhythm, order and symmetry, evoking feelings of calmness and tranquility.”

Photo of the concrete factory
Skylights punctuate the ceiling

Other factories recently featured on Dezeen include a Canadian mass timber factory clad in cedar battens and a colourful factory built within the skeleton of a Pittsburgh steel mill.

The photography is by Atik Bheda.

The post Iksoi Studio celebrates functionality with exposed concrete grid in Indian factory appeared first on Dezeen.

Büro Ziyu Zhuang designs Longquan Mountain Observatory to resemble "spaceship or alien form"

Longquan Mountain Observatory by Büro Ziyu Zhuang

German-Chinese architecture practice Büro Ziyu Zhuang has completed a restaurant and viewpoint with sweeping roofs designed in response to the natural landscape in Chengdu, China.

The multifunctional building is situated in a natural forest on top of Longquan Mountain, which is the highest point in Chengdu and overlooks the city. It houses a restaurant, bar and tea house, as well as a reflecting pool and a rooftop observation deck.

Longquan Mountain Observatory by Büro Ziyu Zhuang
The observatory sits among the green forest of Longquan Mountain

According to the studio, the 4,200 square-metre building was designed in direct response to the natural landscape of the city, with its enormous scale created to encourage interaction between man-made and natural forms.

The result is a sprawling building made from undulating forms that are connected at various heights, creating the impression that they are a part of the rising surface of the mountain.

Longquan Mountain Observatory by Büro Ziyu Zhuang
The structure is comprised of a series of connected undulating forms

“The architecture has a strong character and identity, resembling a spaceship or alien form if seen from some angles, ready to launch,” explained Büro Ziyu Zhuang.

“At the same time, it is subdued enough that it does not threaten or contradict the existing natural environment, like a fold in the ground or a flying bridge in the forest, hidden from view,” it continued.

Longquan Mountain Observatory by Büro Ziyu Zhuang
Concrete pillars support the roofs and multiple functional spaces

A series of pillars support the main structure’s meandering roofs, underneath which sit a restaurant, a tea house and an infinity pool. Other supporting functions, such as logistic areas, are hidden below the site.

The fluid form of the building was informed by the Eastern philosophical concept of mountains that constantly shift.

“From an Eastern viewpoint, the permanence of mountains is substituted by fluidity, like water and clouds, through billions of years of change in space and time,” said the studio.

Longquan Mountain Observatory by Büro Ziyu Zhuang
The roof also serves as a viewing platform

The entrance of the building is located at the centre of the structure, where the roof starts to separate into two. An infinity pool on the right-hand side presents a mirror reflection of the sky and surrounding nature.

Following the steps that lead down from the entrance to a courtyard opening, visitors are able to walk into the forest via a garden pool with stepping stones.

Longquan Mountain Observatory by Büro Ziyu Zhuang
The infinity pool reflects the sky and surrounding nature

A two-storey restaurant underneath the left-hand side of the roof extends further into the mountain, with a suspended dining and viewing area at the end of the top floor.

The introduction of lattice elements breaks the continuous horizontal glazed facade of the building and establishes a direct connection between the interior and exterior of the building.

The sweeping roof also serves as a viewing platform that is accessible to visitors. This was paved with natural stones of various sizes, which over time will allow the building to further submerge into its natural surroundings, with green plants growing between the gaps.

GRC concrete panels were selected for the main body of the building, as their grayish tones help it to better integrate into the surrounding environment.

Longquan Mountain Observatory by Büro Ziyu Zhuang
The glazed facade of the restaurant adds views to the dining experience

Founded by architect Ziyu Zhuang in 2016, Büro Ziyu Zhuang now has partners in Berlin, Beijing and Shanghai, lending its projects a design vocabulary that fuses Asian and European influences. It was longlisted for Dezeen Awards 2022 emerging architecture studio of the year.

Previously, the studio has created a church in China with walls and a tower made from dozens of spaced-out aluminium ribs.

The photography is by Schranimage.


Project credits:

Principal designer: Ziyu Zhuang, Zhengdong Qi, Na Li
Architectural team: Wei Zhao, Yi Shi, Yintong Li, Yu Zhao, Jing Li, Hongyu Fan
Interior team: Xin Zhao, Wutian Sun, Wei Cai, Chen Liang, Zhujing Ding, Jiatong Xu
Structure consultant: Peter Li
Soft decoration consultant: Jiatong Xu
Construction drawings: China Southwest Architectural Design and Research Institute Co., Ltd.
Construction: 3rd Construction Co., Ltd. of China Construction 5th Engineering Bureau
Drawings and diagrams: Mengzhao Xing, Mengdi Wu, Xuantong Qiao, Wei Zhao

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Era 300

Sonos pioneered the world of premium wireless home audio systems over 20 years ago and has been iterating through their innovations ever since. Released earlier this year, the Era 300 is a huge leap forward as it renders truly immersive sound in even the most awkward spaces. Six amps power four tweeters and two woofers to send music up, forward, left and right and after using the Sonos app’s Trueplay feature the output of each driver is adjusted for the room it’s placed in. Our tests have been in a loft environment with high ceilings and hard surfaces that usually swallow the nuances of any type of music. The Era 300 has been extremely impressive with any streaming source, but the spatial audio experience when listening to tracks mastered in Dolby Atmos is unbelievable. Equipped with Bluetooth and Wifi and compatible with Apple’s AirPlay, Era 300 offers plenty of flexibility for playback beyond what’s available in the (extensive) Sonos app.