Dorschner Kahl and Heine Mildner arrange multi-generational housing around communal garden

Andreasgaerten multi-generational housing in Germany by Dorschner Kahl Architects and Heine Mildner Architects

German studios Dorschner Kahl Architects and Heine Mildner Architects have collaborated on Andreasgärten, a multi-generational housing scheme in Erfurt that integrates assisted living for the elderly with the wider community.

Situated next to the fortress town of Zitadelle Petersberg in the city of Erfurt, Germany, the Andreasgärten housing development consists of a trio of three-storey rectangular buildings arranged around a communal garden.

Andreasgaerten multi-generational housing in Germany by Dorschner Kahl Architects and Heine Mildner Architects
Covered walkways wrap the buildings

Social-welfare organisation Johanniter Unfallhilfe commissioned Dorschner Kahl Architects and Heine Mildner Architects to design a housing project with living arrangements that would suit people of all ages.

Andreasgärten includes 65 one-bedroom, 24 two-bedroom and three three-bedroom apartments spread evenly across the three buildings, as well as two assisted living communities on the ground floors of two buildings and a kindergarten in an existing building.

Trio of three-storey buildings around a garden with verandas
The three buildings are placed around a communal garden

The studios also added a therapy centre that provides social and medical services, a multipurpose community room and a chapel to encourage interaction between the residents.

“The neighbourhood provides spatial and programmatic conditions for coexistence and social exchange among people of different ages and social backgrounds,” Dorschner Kahl Architects co-founder Adrian Dorschner told Dezeen.

“The kindergarten and assisted living community cover a whole life span – essentially, it is possible to live in the Andreasgärten at all stages of life, from childhood to old age.”

Residential building with perimeter walkways
The project includes two assisted-living communities

Entrances to the buildings were placed on the elevations facing the communal garden to promote communication between residents, while covered walkways wrap the perimeter of each floor level.

“The veranda defines the architectural expression of the three residential buildings and serves as a link between private living spaces and the semi-public courtyard of the multigenerational neighbourhood,” said Dorschner Kahl Architects and Heine Mildner Architects.

“It also acts as a communication space between the buildings across the courtyard, extending the interior space outward.”

Covered walkways on a three-storey residential building
Andreasgärten was designed to promote social interaction between residents

The assisted living communities contain 10 rooms designed as private retreats for the residents, which they can personalise with their own choice of furnishings.

Communal spaces, a shared kitchen and an assigned outdoor area for the assisted living communities provide space for socialising.

Andreasgaertan housing by Dorschner Kahl Architects and Heine Mildner Architects
It is located next to a fortress town

“Assisted living and elderly individuals no longer have to live alone,” said Dorschner. “In these communities, several people of similar age live together in a shared setting, requiring care but still valuing privacy and independence.”

“As part of the larger Andreasgärten project, the assisted living communities are integrated into the community’s everyday life, rather than being isolated, making them an integral part of living and thriving in Andreasgärten,” he added.

Built on top of an underground car park, the three residential buildings have a hybrid construction of reinforced concrete cores with masonry on the ground floor and cross-laminated timber walls.

“Only the areas necessary for fire safety and structural reasons, such as the ground floors and staircases, were designed with solid materials, while the upper floors were constructed using wood,” Dorschner said.

“This led to a significant reduction in weight, allowing for substantial material savings in the floor slab above the underground garage on which the buildings are situated.”

Grassy garden with a tree in a multi-generational housing complex
The housing project was designed for all ages

The architecture studios also transformed a former carriage house next to the Zitadelle Petersberg fortress wall into a kindergarten for 111 children.

The brick building was given a wooden extension, with a veranda designed as an “architectural mediator” between the existing structure and the new residential buildings.

“The adaptive reuse of the historic building honours both the sustainable approach of the new neighbourhood and the history of the location,” said Dorschner.

Andreasgaertan multi-generational housing with communal garden
Cross-laminated timber covers the walls

Dorschner Kahl Architects and Heine Mildner Architects worked with landscape architect Michael Simonsen on the project’s landscaping.

The communal garden at the centre of the housing scheme is connected to existing pedestrian paths, creating a semi-public space planted with fruit trees, large shrubs and perennials.

Glass doors opening onto a covered walkway in a multi-generational housing project
Verandas look across to the neighbouring buildings

According to Dorschner, since the residents have moved into the development the verandas and the communal garden have become popular meeting spaces for neighbours.

“I noticed many interactions among the residents in the garden and between the houses through the loggias, which were intentionally designed without physical barriers between the apartments,” he said.

Room with cross-laminated floor and ceilings in a multi-generational housing project
Andreasgärten contains one-, two- and three-bedroom apartments

“It’s heartwarming to witness how the residents of the assisted living communities actively participate in social life despite limited mobility,” Dorschner added.

“Their ground-floor living spaces directly connect to the garden through floor-to-ceiling windows, where they sit and engage in conversations with other residents or passersby.”

Other social housing projects featured on Dezeen include a low-cost housing project in Los Angeles with scalloped facades and social housing in Amsterdam with stepped balconies overlooking the waterfront.

The photography is by Philip Heckhausen.

The post Dorschner Kahl and Heine Mildner arrange multi-generational housing around communal garden appeared first on Dezeen.

Oversized red roof shelters Patagonian Shadow Cabin in France

Le Festival des Cabanes' Patagonian Shadow Cabin

An oversized roof and wooden structure define this pavilion by Chilean studio DRAA, which aims to bring “a piece of Patagonian shade” to Le Festival des Cabanes in France.

Aptly named Patagonian Shadow Cabin, the pavilion is designed by DRAA architects Nicolas del Rio and Felipe Camus to offer individuals a shaded space to enjoy views of a nearby lake.

Interior of Patagonian Shadow Cabin
DRAA has designed Patagonian Shadow Cabin

According to the duo, the structure takes cues from buildings in the region of Patagonia in South America – specifically those with “simple, seemingly useless roof structures”.

Instead of covering the top of a building and protecting it against the weather, these roof structures are used to provide shade and serve as signposts or indicate property.

Pavilion with oversized roof
The pavilion is informed by Patagonian architecture

“Apparently useless or at best over-designed single roof structures become milestones, indicate ownership or road signs,” said DRAA.

“Many times, they cover nothing, they just provide shade,” it continued. “While directing the view towards the alpine landscapes, our wish is to offer a piece of Patagonian shade.”

View up to Patagonian Shadow Cabin
It has a wooden structure with an oversized roof

Patagonian Shadow Cabin was designed for Le Festival des Cabanes, an annual event in Annecy also known as The Cabin Festival, which presents a series of competition-winning wooden pavilions.

It comprises a wooden structure sheltered by an oversized red-vinyl roof and is designed to be occupied by one person at a time.

DRAA-designed pavilion in France
It was created for Le Festival des Cabanes

Patagonian Shadow Cabin’s structure is formed of a pod-like shelter that rests on an off-centre pillar, which is supported by buttresses.

DRAA said this design is intended to create the illusion that the pavilion is “resting” on the landscape and avoids the need for four support columns.

Patagonian Shadow Cabin at Le Festival des Cabanes
Patagonian Shadow Cabin rests on an off-centre column

The use of wood for the structure is also a reference to buildings in Patagonia, such as those developed by European settlers who travelled there in the 19th century.

“North Patagonia was developed mainly by German settlers at the end of the 19th century, who found nothing but timber to build their structures in central European style,” DRAA told Dezeen.

Pavilion with red-vinyl roof
It is designed for one person to use at a time

“In the nearby island of Chiloe, they found skilled carpenters who had been building their particular ships and Jesuit churches entirely out of wood, with elaborate timber joinery,” added the studio.

“Both groups benefited from their previous backgrounds and came to be a school of carpentry that built many structures in this fashion.”

Approximately 13 cabins are displayed at Le Festival des Cabanes each year, after being selected through a competition process.

The contest is open to qualified architects and aims to explore the relationship between architecture and nature. Each winning structure is made from wood found in the surrounding forests.

Close up of red rooftop vinyl material
Patagonian Shadow Cabin’s roof is formed of red vinyl

DRAA is an architectural studio founded by del Rio in 2012 in Santiago, Chile. Its other recent projects include an A-frame house designed for a Chilean ski resort and a charred timber cabin in Chile that is raised over a mountainous hillside.

Other pavilions recently featured on Dezeen include a the 12-metre-high Wedding Cake by Portuguese artist Joana Vasconcelos and another made from mycelium at Glastonbury festival 2023 by set designer Simon Carroll.

The photography is by Felipe Camus.

The post Oversized red roof shelters Patagonian Shadow Cabin in France appeared first on Dezeen.

Viruta Lab blankets former fisherman's house in Valencia with chequerboard tiles

Casa Cabanyal in Valencia by Viruta Lab

Spanish interiors studio Viruta Lab has renovated a compact house in El Cabanyal, Valencia‘s traditional fishing neighbourhood, using geometric blue-and-white tiling for an understated nautical aesthetic.

Built in 1946, the humble two-storey building once belonged to the grandparents of the current owner but had been boarded up for many years.

Entrance of Casa Cabanyal
Viruta Lab has renovated a former fisherman’s house in Valencia

Viruta Lab was brought on board to transform the small 85-square-metre home into a modern holiday residence while respecting its great sentimental value to the family.

“Emotion was a very important starting point,” the studio told Dezeen.

Kitchen of Valencia house by Viruta Lab
The interior is dominated by chequerboard tiles

“The house is a family legacy and the image they have of it is very deep, so it was necessary for any intervention to be as respectful as possible and with a language that they understood and took as their own,” Viruta Lab continued.

“We understood that the architecture already had a value, that we only had to beautify it, preserve it.”

Dining area of Casa Cabanyal
Green upholstery provides a contrast with the blue-and-white colour scheme

Viruta Lab uncovered the building’s original brick walls from under layers of peeling paint and carefully repaired the pre-existing mouldings “to give height and nostalgic value to the interior design”.

Liberal chequerboard tiling provides a contrast to these traditional design details, featured throughout all the rooms from the kitchen to the sleeping quarters.

Mouldings inside house in Valencia by Viruta Lab
Viruta Lab restored the home’s original mouldings

In a suitably nautical palette of navy and off-white, the tiles reference the great variety of tiled facades found in the El Cabanyal neighbourhood.

“The dominant colours on the facades of the Cabanyal are white, blue and green, which are associated with a lifestyle linked to the resources offered by the sea,” the studio said.

“It was clear that we had to respect the local traditions, the architecture and the essence of the house and give it a maritime aesthetic, reinterpreting the Mediterranean style to adapt it to the tradition of the neighbourhood using its own materials.”

Green shows up throughout the interior in the form of simple upholstered furniture – including a sofa, pouffe, benches and stools – all custom-designed by Viruta Lab for this compact space.

Bathroom inside Casa Cabanyal
European oak was used to form joinery details

The interior woodwork in European oak was stained to resemble Canaletto walnut, matching the tones of the two remaining original interior doors that were painstakingly restored and repurposed as sliding doors.

“We wanted the woodwork to provide a quality counterpoint to the cold tones of the blues and greens, with an imprint and weight,” the studio said.

Bedroom inside house in Valencia by Viruta Lab
The remaining interior doors were restored and repurposed as sliding doors

Another key local material – esparto grass fibre – is less noticeable than the tiles but pops up throughout the house to add textural interest.

Traditionally used to make ropes, baskets, mats and espadrille sandals, the flexible natural material was repurposed to form headboards and backrests, and even clad the suspended ceilings in the bathrooms.

Bedroom inside Casa Cabanyal
Esparto grass was used to from headboards and backrests

“This material has been used because of its roots in the traditions and life in the Mediterranean area, especially in the Valencian community,” the studio said.

“For Viruta Lab, the legacy comes from its use by men of the countryside and the sea, by the original residents of the Cabanyal, those men who used to wear espadrilles.”

Courtyard inside house in Valencia by Viruta Lab
The house has a shaded outdoor dining area on the roof

As well as a clay-tiled roof terrace with a shaded outdoor dining area, the house also features a sensitively restored inner courtyard, complete with a stone water trough where the owner’s grandfather once dried his fishing nets at the end of a day’s work.

Other projects that celebrate Valencia’s historic architecture include a 1920s penthouse that was renovated to celebrate its original mosaic floors and an octogenarian home in El Cabanyal that was updated using traditional construction techniques and local materials.

The photography is by David Zarzoso.

The post Viruta Lab blankets former fisherman’s house in Valencia with chequerboard tiles appeared first on Dezeen.

How To Attend The 2023 International Design Conference And Level Up Your Skills + Network

Mark your calendars for the biggest event in Industrial Design! The highly anticipated International Design Conference & IDSA Education Symposium (IDC) will take place in New York City from August 23rd to 25th, 2023. Prepare to be inspired, connect with industry professionals, and be a part of the most significant movement shaping the future of design. This three-day event, which also includes the IDSA Education Symposium, will feature captivating keynotes, engaging workshops, and prestigious awards. While the program will primarily be held in person, designers, students, and entrepreneurs from all corners of the globe can also participate virtually. Here’s what’s in store for this year’s 2023 International Design Conference…

Click Here to visit the IDC Website and Book your Tickets

This year’s International Design Conference explores the theme of “Resilience”, with a close look at how design empowers organizations to adapt, iterate, and respond effectively to evolving conditions in an era of constant uncertainty around all-pervasive themes like the climate crisis, the pandemic, and geopolitical tensions. The three-day conference serves not just as a community-building event for the design industry, but also as a call-to-action for designers from all walks of life to participate in some of the most demanding and urgent requirements of our times.

“Design for resilience has never been more crucial than in today’s volatile landscape. As leaders, we must embrace the design process to reimagine our approaches and create exceptional solutions for the future’s challenges,” says Lindsey Maxwell, IDSA’s Board Chair and Vice President of Teague’s Aerospace Design Studio. “The theme of resilience at IDC reflects our commitment to equipping designers with the tools and strategies they need to navigate an uncertain world and drive meaningful change.”

Over the span of three days, the International Design Conference will include interactive workshops covering accessibility, the future of 3D renderings, human-centered design, wearable technology, etc.; along with live-streamed mainstage keynotes on wide-ranging topics like business strategy, technology, mobility, industrial design, software design, and innovation; and finally Brooklyn design studio tours for in-person attendees. The event will include the IDEA and the IDSA Awards ceremony, the IDEA Gala, and finally, the IDSA Education Symposium, which aims at delving into deep discussions that challenge the notions of design and help shape the future of design education.

The 2023 International Design Conference will be hosted by esteemed industrial design professionals, Laura Silva, inclusive design lead at Bank of America, and Meghan Preiss, innovation strategist at Delta Airlines, along with a stellar roster of design luminaries and IDSA members spread across a diverse gamut of industries. This is an event you DON’T want to miss!

The conference welcomes attendees from all design disciplines, including non-designers. By exchanging ideas, you will gain a new outlook and practical insights that can be applied to your own work and industry. Attendees have the option to purchase in-person tickets (with a discount for IDSA members) or a virtual viewing pass. Secure your tickets now!

Click Here to visit the IDC Website and book your tickets

Click Here to visit the IDC Website and Book your Tickets

The post How To Attend The 2023 International Design Conference And Level Up Your Skills + Network first appeared on Yanko Design.

How To Build A Self-Sustaining Kitchen Garden Without Any Space Or Effort

I find it hilarious when I walk into a grocery shop and I see the term ‘fresh’ put before fruits or vegetables. Chances are, this ‘fresh’ produce was harvested a week ago, stored in a warehouse where it was probably artificially ripened with ethylene gas, and then shipped to a grocery shop where the term “organic” or “farm fresh” was slapped onto it. Your fresh food isn’t fresh unless it was plucked off a tree or harvested right in front of you… and owning a farm or going to a farmer’s market every alternate day isn’t particularly feasible, maintaining a self-sustaining kitchen garden is increasingly becoming easier and easier. Meet Nutraponics, a vertical garden that autonomously grows all your food for you, so you always have access to the “freshest” ingredients!

Designer: Tilden Cooper (Assoc. AIA)

Click Here to Buy Now: $799 $1,599 ($800 off). Hurry, exclusive deal for YD readers.

Built around the very idea of letting you grow the freshest produce right in the comfort of your home, Nutraponics is an advanced vertical gardening system that lets you grow as many as 100 fruits, vegetables, and herbs at home. No larger than a mid-size refrigerator, the 3 or 5-tiered tower is an autonomous garden that cultivates seeds into plants with little to no effort. Each tier holds as many as 20 different plants, giving you a miniature farm in the smallest form factor.

The built-in hydroponics system waters and supplies nutrients to each plant, while internal sensors monitor temperature, pH levels, and your plant’s nutrient absorption and requirements. Self-regulating LED lights also mimic the power of the sun, catalyzing the process of photosynthesis so your plants blossom perfectly no matter what their growing conditions are. All you really need to do is place your Nutraponics tower in your kitchen or living room, plug it in, and fill the reservoir with water and nutrients and the self-sustaining vertical garden does the rest.

While the idea of cultivating a kitchen garden isn’t everyone’s cup of tea, Nutraponics makes the endeavor easy by drastically reducing the pain-points involved in the process. The tower stands vertically, occupying a fraction of the space it would otherwise take to grow 100s of plants, but it’s also designed to be self-sustaining, all the way down from watering to even illuminating itself so that your Nutraponics tower doesn’t need access to natural sunlight.

The Nutraponics device operates on the concept of hydroponics or aquaponics, which uses water as a growth medium instead of soil. Nutrient-rich water is periodically sprayed on the plant’s roots through a patent-pending water delivery system, helping it grow fast while reducing chances of bugs and diseases. All you have to do is fill up the Nutraponics’ water reservoir and add the nutrients to it and the tower does the rest. It monitors the water levels, the nutrient pH, and the nutrient mix temperatures, ensuring the perfect growth conditions for each plant. A set of LED ring lights surround the tower, providing full-spectrum light to your plants just like the sun would. Built-in sensors monitor each plant’s needs, automatically activating the water supply or toggling the lights to ensure the plant grows perfectly. All you do is watch and then harvest!

The vertical tower system comes in 3 and 5-tier formats, depending on how many plants you want to cultivate. Although designed for fruits, veggies, and herbs, you can pretty much use Nutraponics to cultivate anything including even flowers, ferns, and other kinds of plants. Just add the seeds to the pod and adjust the settings accordingly based on the plant’s sun and water requirements. A touch-sensitive panel on the Nutraponics lets you toggle its features, but the tower is best controlled using its companion smartphone app, which lets you remotely set parameters and monitor your plant’s progress… and when it’s time to harvest your yield, either trim or pluck parts of the plant off, or remove the pod from its tier and begin cooking with the ‘freshest’ ingredients you can ever get your hands on!

Click Here to Buy Now: $799 $1,599 ($800 off). Hurry, exclusive deal for YD readers.

The post How To Build A Self-Sustaining Kitchen Garden Without Any Space Or Effort first appeared on Yanko Design.

This A-Frame Home In Mexico City Has An Underground Floor With Submerged Bedrooms

Designed by local studio Pérez Palacios Arquitectos Asociados, this wooden A-Frame house is located in a forested area outside of Mexico City. The home features unique underground bedrooms and is surrounded by greenery on all sides, in the forest of Valle de Bravo. The expansive home includes two volumes stacked on top of each other, with the public living spaces located above, and the private living spaces located below.

Pros:

  • Built using pre-fabricated elements
  • The pitched roof is used for rainwater harvesting, filtering light, and passively ventilating the home

Cons:

  • The home is quite open and expansive with large windows, which could create a privacy issue
  • It could be tricky to move furniture between the two floors

Designer: Pérez Palacios Arquitectos Asociados 

The A-Frame House has a large ground level featuring a semi-open living and dining room, kitchen, and family room. These spaces have a minimal footprint to create adequate space for a terrace. Pre-fabricated elements were brought to the site, and put together to build the A-Frame structure. The top and sides of the home have been covered in glass, including the space at the back. The terrace holds an outdoor pool and lounge area to allow residents to feel closer to the natural surroundings of the home.  “The main goal of this project was to give more importance to the surroundings present and to the open space given, embracing the idea of emptiness even with the possibility of having the architecture disappear,” said Pérez Palacios Arquitectos Asociados (PPAA) founder Pablo Pérez Palacios.

Quite interestingly, a submerged staircase on the terrace grants access to the lower level which accommodates three bedrooms with private baths, and a small study. The sleeping sections have been artfully concealed into the ground, with surrounding trees providing an ample amount of privacy. “This design method gives you the possibility to really disconnect while enjoying your own solitude in the surrounding nature, gently forcing you to have that moment of relationship with the site, even if you’re just going to bed,” said Pérez Palacios.

The exterior of the home has a black finish accentuated by dark roof tiles, whereas the interiors are quite minimal and warm, highlighted with natural materials in neutral tones, and certified wood on the walls. The pitched roof of the A-Frame house isn’t just for aesthetic purposes, it also collects rainwater which is then transferred to an open water deposit for reuse.

The post This A-Frame Home In Mexico City Has An Underground Floor With Submerged Bedrooms first appeared on Yanko Design.

PSP Pro concept is what Sony’s Project Q Lite should aspire to be

Sony’s PlayStation Portable became a huge hit when it was released way back in 2004. Although it saw just a decade of lifecycle, the handheld portable revolutionized the mobile gaming landscape and perhaps the console gaming era too!

With more demanding games requiring huge reserves of portable battery power, Sony tilted in favor of a full-size console compared to a handheld gaming device. But De-ja-vu could happen again as rumors of a PSP resurrection is on the cards. Codenamed “Project Q Lite” the streaming PSP handheld capable of PlayStation Remote Play is expected to make an appearance by the end of this year.

Designer: Thiago Goulart

Since the remote play gadget will not be a standalone gaming device, not even a cloud gaming handheld gadget for that matter. Rather a platform to stream your PS5 games. That part, of course, we don’t vouch for as of now. A standalone device gives the users much more freedom and whatever Sony has up its sleeve. The gadget will be better served if the next-gen PSP has those capabilities.

That gives us one more reason to feature another PlayStation portable handheld that’s good enough to be fancied by finicky gamers who like everything 100 percent to their preference. This concept render goes for a more contoured body form as compared to the original PSP’s edgy character. The button placement to the upper proximity is great for large-handed gamers but might be a bit uncomfortable for small-handed ones. Those curvy trigger buttons should however be ergonomically comfy for both I must say.

The PSP was a powerful handheld console for its time, but it would be nice to see a new PSP Pro with even more power. This would allow games to look and play better, and it would also make the console more future-proof. The new PSP will benefit from a higher-resolution display, 1080p or even more, so that games look even better. A new PSP Pro would ideally have a battery life that allows you to play for several hours without having to recharge. Backward compatibility with PSP and PS Vita games will also come in handy if there’s an option. This would be a great way to let people enjoy their old PSP and PS Vita games on a new console.

The post PSP Pro concept is what Sony’s Project Q Lite should aspire to be first appeared on Yanko Design.

This Apple Watch powerbank charges it right on the wrist to face the day once more

In a world dominated by smartwatches, few have captivated the fans quite like the Apple Watch. This ingenious timepiece has won the hearts of millions with its combination of style, functionality, and convenience. Whether you’re heading to a business meeting or embarking on an adventure, the Apple Watch seamlessly complements your attire and lifestyle.

However, like any masterpiece, Apple Watch – in its eighth edition still – has its limitations; chiefly, its battery life. But fear not! A game-changing solution has arrived. The Mark_B_CASE, an innovative Apple Watch powerbank – you can wear direction as the watch case on the wrist – is designed to extend your Apple Watch’s endurance and redefine your wearable experience.

Designer: Mark&Draw Design

With the release of the Apple Watch Series 8, a promise of an “all-day battery” emerged. It was a significant leap forward in addressing the battery life challenges. This latest iteration boasts a commendable 18 hours of usage between charges. Yet, for those who crave even more endurance, the Apple Watch Ultra ups the ante with an impressive 36-hour lifespan on a single charge. Despite the improvement, the reality remains that most users find themselves charging their watches more than once a day.

Since The Apple Watch isn’t just a stylish accessory; it’s a lifeline for long-term tracking, fitness monitoring, and measuring sleep productivity, and its need to collect and retain information perpetually remains imperative. This is where the Mark_B_CASE enters the picture, ensuring that your connectivity remains uninterrupted even during extended periods of activity or slumber.

The Mark_B_CASE is designed to keep your Apple Watch powered and functioning without missing a beat. It comes equipped with a 450mAh battery, extending your Apple Watch’s usability by up to three times its normal duration. This patented Apple Watch Powerbank case is more than just a battery pack; it’s a masterpiece that seamlessly integrates with your Apple Watch as a case.

Crafted with precision, the silicon case not only matches Apple’s design language flawlessly but also offers robust protection against the elements. Its form-fitting structure cradles both the battery pack and the Apple Watch body, ensuring a secure and stylish fit. You can effortlessly attach the Mark_B_CASE when your watch’s battery is on the brink of depletion, and watch your device rejuvenate, ready to face the day once more.

Mark_B_CASE’s wider, more distinctive case design sets it apart from the crowd, but the bulk on the wrist is always going to be a point of contention for many minimalist users.

The post This Apple Watch powerbank charges it right on the wrist to face the day once more first appeared on Yanko Design.

This Hybrid Reusable Toothbrush is Paving the Way for Sustainability in Hospitality

The hospitality industry, known for its opulence and luxury, has often been criticized for its unsustainable practices and excessive waste generation. From daily toiletry replacements to the use of single-use plastics, the industry’s environmental impact is significant. However, a revolutionary product called the Promo Toothbrush, developed by Asahi Industries Co. Ltd., is set to transform the industry’s approach to sustainability.

Designer: Doogdesign. Inc.

In the quest for providing premium service, hotels often replace toiletries daily, even though guests typically stay for no more than a week. This results in a tremendous amount of waste, particularly when it comes to items like plastic toothbrushes. Designed for two months of use, these toothbrushes are needlessly discarded every day or every two days, depleting valuable resources.

The Promo Toothbrush offers a sustainable alternative. This hybrid reusable toothbrush is crafted with 50% less petroleum-based plastic compared to conventional products. Its lightweight design and utilization of naturally derived materials, such as rice husks, contribute to a significant reduction in petroleum-derived plastics. Guests can now take the toothbrush home for reuse, promoting a more mindful and sustainable approach.

Rice husks, often seen as byproducts of rice processing, have found a valuable application in the creation of the Promo Toothbrush. These hard coverings of rice grains have versatile uses, ranging from fertilizers and insulation materials to fuel and even building materials. Incorporating rice husks into the toothbrush’s design not only reduces plastic waste but also taps into the potential of this abundant and renewable resource. As great a breakthrough as it is to explore new material in the sphere of sustainability, toothbrushes made out of cornstarch can be considered too, as they are 100% biodegradable and contain no amount of plastic at all.

Hotels often prefer to brand the items they provide to their customers. The Promo Toothbrush offers an excellent platform for hotel branding, as its surface can easily accommodate custom printing to personalize and enhance luxury. However, the capacity of the material to sustain print can be explored, as its texture is moist. While white has traditionally been favored for a cleaner look, the emerging trend of sustainability allows for a broader color palette that can make a powerful statement on behalf of the hotel’s commitment to eco-conscious practices. The chamfered edges of the toothbrush ergonomically aid the grip and make your morning brushing experience satisfying and easy. The toothbrush can be easily stored or hung by the cavity at the bottom.

In a lesser-known practice, hair transplantation has been used historically in toothbrushes and hairbrushes. This cultural approach provides a sustainable alternative to conventional products. By utilizing hair as a natural bristle material, the Promo Toothbrush aligns itself with traditional, eco-friendly practices while maintaining a high aesthetic value.

The Promo Toothbrush represents a significant step forward in promoting sustainability within the hospitality industry. By offering a reusable solution and incorporating environmentally friendly materials like rice husks, this toothbrush aims to reduce plastic waste and raise awareness of more sustainable alternatives. Additionally, its customizable branding options and nod to the traditional use of hair bristles enhance its appeal in both aesthetic and ecological realms. As hotels adopt such innovative products, they demonstrate a commitment to mindful consumption and pave the way for a more sustainable future.

The post This Hybrid Reusable Toothbrush is Paving the Way for Sustainability in Hospitality first appeared on Yanko Design.

Hotel Genevieve in Louisville features colour-coordinated guest rooms

Room types are organized by bold colours at this hotel in Louisville, Kentucky, which was designed by US hospitality group Bunkhouse and Philadelphia-based design studio Rohe Creative.

Located in Louisville’s East Market district, also known as NuLu (New Louisville), Hotel Genevieve occupies a new six-storey, black-brick building that’s within walking distance of some of the city’s biggest tourist attractions.

Lobby with pink terrazzo floor and matching plaster walls
In the hotel’s lobby, pink terrazzo flooring matches the plasterwork behind the reception desk

The hotel takes its name from a regional type of limestone, Saint Genevieve, which is a key ingredient in local bourbon production and also prevalent in Texas, where operator Bunkhouse is based.

The company collaborated with Rohe Creative on the interiors, which are intended to reference Louisville’s history.

Dark bar lounge with a vaulted golden ceiling
Communal spaces for guests include a speakeasy-style bar with a golden vaulted ceiling

In the lobby, pink tones of terrazzo flooring are echoed in the plasterwork behind the reception desk, surrounding an equestrian-themed mural.

Artworks are displayed on white walls and in front of red velvet curtains to form a gallery around the lobby seating areas and corridors.

Blue guest bedroom with large bed
The rooms are coloured by type and the smaller spaces feature a blue palette

The adjacent all-day restaurant, Rosettes, serves food made with local ingredients and is influenced by al fresco Parisian cafes and chef Ashleigh Shanti’s Southern background. This bright, brasserie-like space combines green-tiled floors with colourful dining chairs and retro light fixtures.

“Richly decorated, each design accent tells a story, from bold usages of colour to a playful mix of vintage and modern furniture, and a vivacious art program featuring local talent,” said the hotel team.

View through an arched opening into a blue bedroom
The chosen colour in each room extends across the wall and ceiling, as well as into the bathrooms

A mini market on the ground floor, which is “part convenience store, part pop art installation”, sells locally sourced provisions, handmade artisanal goods, and coffee and snacks to go.

There’s also a dark and moody speakeasy-style bar with lounge seats and a golden vaulted ceiling.

Terracotta-coloured hotel room with two queen beds
Double Queen rooms are decorated in a terracotta hue

“Luxurious and feminine architectural details bring life to the space and reference the city’s namesake, King Louis XVI, heavily featuring Louisville’s vibrant local flora and fauna, with goldenrod [plants] shining throughout the suites and ground-floor restaurant,” said the hotel team.

The hotel’s 122 guest rooms are each painted a distinct colour that correlates with their size or type. These hues cover the walls and ceilings, and also extend into the bathrooms via floor and shower tiles.

Yellow-coloured living room within a hotel room
Four Suite Genevieve rooms have a separate living room and are coloured yellow

Smaller rooms, including the King Louie and Petite King categories, feature a blue palette, while the slightly larger Double Queens are decorated in a terracotta hue.

Four Grand King rooms accommodate a seating area and are also painted blue, while an additional four Suite Genevieve rooms have a separate living room and are coloured yellow.

All of the rooms boast custom features and fittings by ROHE, as well as paintings and prints by Kentucky-born artist John Paul Kesling.

The rooftop venue, Bar Genevieve, serves cocktails and French-Mediterranean food from an indoor space that opens to the outdoors.

Spacious bar area with teal accents
Bar Genevieve on the top floor features teal accents and can be hired for private events

The bar area is accented with deep teal colours across the counter, stool seats, arched window frames and floor-to-ceiling velvet curtains that can be used to divide up the room.

Hotel Genevieve has also partnered with local organisations Black Soil Kentucky, Louisville Orchestra, and the Olmsted Parks Conservancy for programming across its varied communal spaces.

Exterior view of black-brick building
The hotel occupies a new black-brick building in Louisville’s East Market district

Kentucky draws visitors for its bourbon production and horse racing heritage, and demand for high-end accommodation in the state appears to be on the rise: a new five-star hotel called The Manchester also recently opened in Lexington.

Bunkhouse operates multiple properties across North America, including the Austin Motel and nearby Hotel Magdalena, Phoenix Hotel in San Francisco and Hotel San Cristóbal in Los Cabos, Mexico.

The photography is by Nick Simonite.

The post Hotel Genevieve in Louisville features colour-coordinated guest rooms appeared first on Dezeen.