Bak Gordon inserts green-tiled concrete house on sloping street in Lisbon

Concrete house decorated in green tiles in Lisbon by Bak Gordon Arquitectos

Portuguese studio Bak Gordon Arquitectos has designed two concrete structures separated by a courtyard for a house on a narrow plot in Lisbon.

Wedged between two buildings, Bak Gordon Arquitectos designed the street-facing facade of the home to integrate with the neighbouring architecture, aiming to use similar facade proportions.

Concrete house decorated in green tiles in Lisbon by Bak Gordon Arquitectos
Handmade tiles cover the facade of the home

The facade on the upper levels is covered in green handmade tiles that match the colour of doors and window shutters on the surrounding buildings.

The ground floor has a wooden grid garage door and front door slightly set back from the street.

Courtyard in a concrete house with planting by Bak Gordon Arquitectos
A courtyard lets natural light and ventilation into the home

“The main facade is integrated into a row of small buildings, with similar proportions, settled in a slopping street,” Bak Gordon Arquitectos architect Nuno Tavares da Costa told Dezeen.

“Despite some minor variations, most of the buildings keep the Portuguese ‘traditional’ plastered or tiled facade with openings,” Da Costa added. “The tiles attenuate the concrete presence and act on continuity with the surroundings.”

Courtyard in a concrete house with green-tiled loggia by Bak Gordon Arquitectos
The same green tiles on the home’s facade were used to decorate the loggia

The narrow site, measuring seven by 26 metres, originally had a building at the street front and a separate workshop at the rear of the plot, which determined the layout of Bak Gordon Arquitectos’s design.

On the street side of the site, the studio designed a three-storey building with a basement containing the home’s social spaces – the kitchen, dining room, living room and office.

A courtyard with a loggia decorated in green handmade tiles was added on the basement level, which leads to a two-storey building at the end of the plot where two bedroom suites are situated.

“The small functional patio allows for natural light and cross ventilation as well as a permanent natural garden presence,” said Da Costa.

Bedroom with glazed patio doors leading to a courtyard
Bedrooms were placed in the two-storey building at the rear of the site

The two concrete structures are connected by a corridor over the courtyard loggia, which leads from the street-level floor of the front building to the upper level of the rear building.

Residents can walk over the roof of this corridor, accessed from the open-plan kitchen-dining room on the first floor, to reach a roof terrace over the rear building.

Living room with wood flooring, exposed concrete ceiling and flower window box
A flower box on the top floor was set behind the building’s facade

On the top floor of the taller building, the living room features a flower box set behind the building’s facade with three windows surrounding it, and a staircase leads to the rooftop with views of the Tagus River.

A concrete spiral staircase leads from the ground floor to an office in the basement, which has access to the courtyard through the loggia.

The board-formed concrete structure was left exposed in the ceilings throughout the home and on the courtyard-facing facades.

Exterior of a concrete house in Lisbon with green-tiled facade by Bak Gordon Arquitectos
The home was designed to integrate with its neighbouring buildings

“In a kind of promenade, the house reveals itself in multiple directions, whether horizontally between the more private bedroom and office spaces or vertically through the social spaces, until reaching the roof and enjoying the magnificent panoramic views over the Tagus River,” said Bak Gordon Arquitectos.

“The combination of exposed concrete in the facades and ceilings, as well as the green handmade tiles, the anodized aluminium frames or the thermo modified wood in the main facade, give the building an important personality and contribute to the atmosphere of the place,” it added.

Other projects by the Lisbon-based studio include a home covered with pigmented lime mortar in Portugal’s Alentejo region and a concrete garden annexe that was added to a house in Porto.

The photography is by Francisco Nogueira.

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Ten modern barn houses from Dezeen's Pinterest

Potato shed by Julius Taminiau

Dezeen’s Pinterest followers searched for “modern barn house” 13 times more than normal in the last few weeks. We round up 10 of the most popular barn conversions and houses informed by barns from Pinterest.

Architects have found innovative ways to convert dilapidated barns into holiday homes and residences for families by making use of reclaimed materials.

In this roundup, studios including Sandy Rendel Architects and Julius Taminiau Architects repurposed old and unused farm buildings into modern houses. We also feature a trio of new structures whose design has been informed barns.

Scroll down to see ten projects from our popular modern barn house Pinterest board.


Wraxall yard

The Wraxall Yard holiday homes, England, by Clementine Blakemore Architects

A series of dilapidated 19th-century stone and brick barns in Dorset were renovated to create the Wraxall Yard holiday homes.

Each holiday home contains a bathroom, kitchen, dining space and one or two bedrooms. The studio implemented features such as turning circles which help to accommodate guests with varying forms of disabilities.

Find out more about the Wraxall Yard holiday homes ›


Sandy Rendel Architects barn house in West Sussex

Dutch Barn, England, by Sandy Rendel Architects 

UK studio Sandy Rendel Architects transformed a Dutch barn in West Sussex, England, into a three-bedroom home.

The studio reclad the barn in black corrugated steel and divided it into two by adding a first floor.

Find out more about the converted Dutch barn ›


Ahof Barn

Barn at the Ahof, the Netherlands, by Julia van Beuningen

Architectural designer Juila van Beuningen converted this thatched barn in the Netherlands into a home with four bedrooms and a large open-plan living area.

The 19th-century building has a thatched roof and red brick walls. Inside the home, the walls are made from flax and lime plaster.

Van Beunigen also incorporated a plywood spiral staircase and a wood-burning stove in the lounge.

Find out more about Barn at the Ahof ›


Half Barn by Hashimoto Ryuichi and Ashizawa architecture

The Half Barn in Hashimoto, Japan, by Ryuichi Ashizawa Architects

Ryuichi Ashizawa Architects created a half-interior, half-exterior single-family residence in Japan. The studio used a simple form with a gabled roof and straightforward timber-frame construction to create “a space where humans and nature confront each other”.

One half of the timber frame contains the home’s interior and the other half is left open as a semi-outdoor space.

Find out more about the Half Barn in Hashimoto ›


Redhill Barn

Redhill Barn, England, by TYPE

Architecture studio TYPE transformed the run-down Redhill Barn in Devon, England into a home. Amongst the renovations, TYPE added an aluminium roof to the 199-square-metre home which was originally built in 1810.

With the aim of preserving the building’s original design, the studio used a material palette throughout the home which complements the original stone and lime plaster walls and columns.

Find out more about Redhill Barn ›


Big Barn by Faulkner Architects

Big Barn House, USA, Faulkner Architects 

Big Barn House is a holiday home, located in the town of Glen Ellen in Sonoma Valley, that features an asymmetrical roof and facades wrapped in weathering steel and salvaged wood.

Inside the property, Faulkner Architects used natural finishes such as oak inspired by the home’s surroundings.

Find out more about Big Barn House ›


The bard

The Barn, England, by Pad Studio

Architecture practice Pad Studio used recycled wood from an old barn to cover this home in Hampshire, England.

The studio used a range of muted and natural tones for the home’s interior and incorporated frameless picture windows.

Find out more about The Barn ›


Country home in Chievo

County home in Chievo, Italy, by Studio Wok

Studio Wok renovated a neglected barn in Italy turning it into a new country home. The studio stripped the plaster from the home’s exterior revealing the pebbles underneath.

Inside the home, Studio Wok added a brick fireplace and inserted skylights into its roof.

Find out more about the county home in Chievo › 


Potato shed by Julius Taminiau

The Potato Shed, the Netherlands, by Julius Taminiau Architects

The Potato Shed is an old cowshed that Julius Taminiau Architects rebuilt into a home. The home is clad in thin timber slats and located on the site of a former farm in the Netherlands.

Doors and openings in the home have been concealed behind the timber cladding to filter in light and air.

Find out more about The Potato Shed ›



Faulkner Architect

Tack Barn, USA, by Faulkner Architects

US studio Faulkner Architects turned an old building into a residence clad in salvaged redwood and weathering steel.

The studio retained the home’s original structural frame, which is made of Douglas fir and covered the Californian home’s roof in weathering steel.

Find out more about Tack Barn ›

Follow Dezeen on Pinterest

Pinterest is one of Dezeen’s fastest-growing social media networks with over 1.4 million followers and more than ten million monthly views. Follow our Pinterest to see the latest architecture, interiors and design projects – there are more than four hundred boards to browser and pin from.

Currently, our most popular boards are chairs and Chinese architecture.

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Generative AI boom "could come to a fairly swift end"

AI expert Gary Marcus

Predictions about the potential impacts of generative AI may be overblown due to “many serious, unsolved problems” with the technology according to Gary Marcus, one of the field’s leading voices.

In a recent blog post, scientist and entrepreneur Marcus said generative artificial intelligence (AI) such as ChatGPT “probably isn’t going to have the impact people seem to be expecting”.

The New York University professor and Center for the Advancement of Trustworthy AI co-founder warned that governments could be making a mistake by gambling on “the premise that generative AI will be world-changing”.

Issues with no imminent solution

Generative AI refers to systems that can create different types of content, including text, images and code, by extrapolating from patterns learned from being trained on vast swathes of data.

Interest in the technology has rocketed over the past year following rapid advances in the capabilities of models including ChatGPT and image generator Midjourney.

The Organisation for Economic Co-operation and Development recently said that major economies are on the brink of an “AI revolution which could fundamentally change the workplace”.

Investment bank Goldman Sachs predicted that adoption of generative AI could increase annual global GDP by seven per cent but also replace 300 million jobs, with architecture and engineering among the most-exposed industries.

But Marcus warned that “the whole generative AI field, at least at current valuations, could come to a fairly swift end”, used only to produce code and marketing copy.

He argued that generative AI faces major, potentially insurmountable technological issues that could end up limiting its usefulness.

“We have not one, but many, serious, unsolved problems at the core of generative AI — ranging from their tendency to confabulate (hallucinate) false information, to their inability to reliably interface with external tools like Wolfram Alpha, to the instability from month to month (which makes them poor candidates for engineering use in larger systems),” he wrote.

“And, reality check, we have no concrete reason, other than sheer technoptimism, for thinking that solutions to any of these problems is imminent.”

These shortcomings not only mean that the generative AI economy “could see a massive, gut-wrenching correction”, but also “that we are building our entire global and national policy on the premise that generative AI will be world-changing in ways that may in hindsight turn out to have been unrealistic”, Marcus added.

Governments taking risks over AI “mirage”

He suggested that the US is risking heightening tensions with China and failing to introduce important AI regulation on privacy, bias, data transparency and misinformation in a bid to encourage rapid development “over a mirage”.

“If hallucinations aren’t fixable, generative AI probably isn’t going to make a trillion dollars a year,” he said.

“And if it probably isn’t going to make a trillion dollars a year, it probably isn’t going to have the impact people seem to be expecting,” he continued.

“And if it isn’t going to have that impact, maybe we should not be building our world around the premise that it is.”

Dezeen’s AItopia series has explored the potential impact of AI on architecture and design, including whether it could take architects’ jobs and the most significant AI models for the creative industries.

The photo is by Piaras Ó Mídheach/Web Summit via Sportsfile.


AItopia
Illustration by Selina Yau

AItopia

This article is part of Dezeen’s AItopia series, which explores the impact of artificial intelligence (AI) on design, architecture and humanity, both now and in the future.

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Last chance to enter Dezeen Awards China!

There are only three days left to enter Dezeen Awards China in partnership with Bentley Motors.

With a raft of existing buildings currently being converted in China, we celebrate this growing trend by looking at five outstanding Chinese industrial heritage projects that were longlisted and shortlisted in Dezeen Awards 2022.

If you have designed an inspirational project in China, submit your project before the entry deadline at midnight Beijing time this Thursday 24 August for your chance to win.

Read on for our pick of five industrial heritage interventions by Chinese architects.


XC273, Shanghai, China, by Dongqi Design

Dongqi Design turned a former state-owned towel factory in the heart of Shanghai into a multi-brand fashion and lifestyle store, adding marble and metal surfaces to its exposed concrete shell.

The renovation presents itself as an industrial ruin, where the raw framework is either left naked or amplified through contrast with the contemporary slick interventions.

Set across three floors, the XC273 retail space houses designer showrooms and pop-ups alongside a small cafe, as well as providing spaces for temporary exhibitions and events.

Read more about XC273 ›


ZIIN Beijing Store, Beijing, China by Atelier Tao+C

Atelier Tao+C designed the Ziin Beijing Store, transforming a 1960s textile warehouse into a new luxury showroom for local furniture brand Ziin.

The architects placed two intersecting frameworks inside the pre-existing pitched-roof warehouse, rotated from the original plan, forming independent nested buildings within the space.

The architects created a skeletal interior by using a bare structural framework of timber and corrugated polycarbonate panels.


Pearl River Brewery Phase II, Guangzhou, China, by Atelier cnS

Studio Atelier cnS created an office building for the Zhujiang Brewery Group in the former Zhujiang Brewery, a key player in Guangzhou’s recent history and development.

Interventions include a multi-level pedestrian system that introduces new viewpoints and walking experiences throughout the site.

The project also focused on opening up the public areas around the building along the riverfront, inviting the wider public to visit and appreciate this historical and cultural landmark of Guangzhou.


Minhang Riverfront Regeneration, Shanghai, China, by Spark Architects

The regeneration of the Minhang riverfront is the initial phase of Spark Architects’ masterplan for upgrading Shanghai’s Minhang district.

Formerly an overgrown waterway fronted by low-grade industrial warehouses and disused utilities, the riverfront’s focus is now recreational with a vibrant mix of commercial, technology and institutional uses.

The 750-metre-long regenerated riverfront was created by continuous green ribbons for walking, jogging and cycling combined with three new pedestrian bridges that connect the residential, educational and business communities together.


The Revitalisation of the Shenyang Dongmaoku Warehouse, Shenyang, China, by Urbanus

Chinese firm Urbanus designed the Revitalisation of the Shenyang Dongmaoku Warehouses in Shenyang, China.

In 2020 the government decided to preserve seven warehouses in Dongmaoku. Urbanus was invited to complete the non-housing part of this project. With the completion of the first phase of the Dongmaoku renovation, a new and energetic community space was created.

The studio connected two identical 90-metre-long warehouses with a white wedding chapel and transformed the site into a public library and exhibition centre. The entry bay of each warehouse is designed as a greenhouse suitable for community life in the cold northern area.

The wooden structure is elaborately replaced by a steel supporting system for complying with code requirements and introducing daylight to energise the spaces.

Enter now!

Entries close at midnight Beijing time this Thursday 24 August, so start your entry now!

If you have any questions or need help, please email awardschina@dezeen.com and subscribe to our newsletter for the latest news.

Dezeen Awards China 2023

Dezeen Awards China is the first regional edition of Dezeen Awards, to celebrate the best architecture, interiors and design in China. The annual awards are in partnership with Bentley Motors, as part of a wider collaboration that will see the brand work with Dezeen to support and inspire the next generation of design talent.

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The Act of Quad converts Mumbai shed into studio with see-through facade

The Act of Quad studio in Mumbai

The Act of Quad founders Priyanka Itadkar and Falguni Bhatia have built their own interior design studio, The Light Box, by transforming a 58-year-old former library in Mumbai, India.

Itadkar and Bhatia have reimagined the shed, which was originally built as a micro-library in 1965 but had been abandoned for over 30 years.

The Act of Quad studio in Mumbai
The building was originally built as a micro-library

The humble structure was dismantled and partially rebuilt, creating a small studio with an all-white exterior and a see-through facade.

The Light Box, as it is now known, gives The Act of Quad its first dedicated studio since Itadkar and Bhatia founded the office in 2019.

The Act of Quad studio in Mumbai
The Act of Quad has transformed the building into a studio

The pair describe it as “our space for creative incubation, a space that responds to and reflects the nature of the work we do and a space to dream”.

“The studio space becomes a sensorial oasis in a saturated, digitised environment,” they said.

Perforated metal screen wall with courtyard behind
Perforated metal gives the building a see-through facade

The Act of Quad founders came across the property while working on another renovation project nearby.

The owner asked whether they could convert it into a commercial storage unit. But when the duo discovered the building’s back story, they suggested that they take it on themselves.

“We were so awestruck by the history,” they said.

Perforated metal screen wall
A courtyard is positioned behind the screen walls

The renovation involved stripping the building back to its bare structure and replacing some of the original wall sections.

The roof was then reinstalled in a higher position, to increase ceiling height, and extended outwards to cover the entire building footprint.

Inside The Act of Quad's studio space, with white furniture and a blue floor
The building is primarily white, apart from a blue vinyl floor

The original layout was maintained, including the position of the doorways.

The only real change was the addition of a WC.

The Light Box gives The Act of Quad a studio space that can double as a meeting room, plus a semi-private courtyard that serves as a break-out space.

It is this second space that features see-through walls, thanks to a perforated metal screen.

The Act of Quad founders Priyanka Itadkar and Falguni Bhatia in their studio
The windows are an assortment of squares and rectangles

Itadkar and Bhatia chose to paint the entire building white, both inside and out, and filled it with white furniture. The only splash of colour comes from the blue vinyl floor.

“The stark white scheme was intended as a blank canvas, to visualise materials and projects,” said the pair.

“The light, instead of being drawn in great waves, is artfully framed and focused, and the striking contrast of the blue floor becomes the most colourful element one could imagine.”

Gallery wall with objects and artworks, with cupboards in the background
Objects and artworks are displayed across a gallery wall

One of the studio walls has been turned into a display space. An assortment of objects and artworks are either wall-hung or displayed on the shelves and window sills.

Other playful details include asymmetric cupboards and an assortment of square and rectangular windows, which feature in addition to a skylight.

The Act of Quad studio with Priyanka Itadkar and Falguni Bhatia reflected in a mirror
A skylight brings plenty of daylight in

“The direct light is an inherent part of the studio, functioning as an additional element that varies from being fragile, changing, mobile, unstable, dominating or vanishing with a desire to connect with the natural environment,” added Itadkar and Bhatia.

The design is completed with a landscape scheme featuring white pebbles and plants in terracotta pots.

Other projects by The Act of Quad include an apartment with cobalt blue accents and a multi-generational home filled with spherical shapes.

The photography is by Ishita Sitwala/The Fishy Project.

The post The Act of Quad converts Mumbai shed into studio with see-through facade appeared first on Dezeen.

Why This Tactical ‘Out-The-Front’ Switchblade NEEDS To Be A Part Of Your EDC Collection

Most people think that with EDC knives, if you’ve seen one you’ve seen them all… I guarantee you those people haven’t seen an OTF knife.

Designed to look and function quite different from your standard flipper/folder or your butterfly knife, the OTF knife (popularized by the folks at Tekto) is a visual and engineering delight. The blade sits within the handle, and pops out of the front instead of swiveling out through the side. The mechanism is actuated with a trigger-switch, and the blade gets locked in place so it doesn’t accidentally slide back in while you’re using the knife. OTF knives are easily some of the most exciting personal knives you can own and use… and if you’re on the market for one, there’s none better and more versatile than Tekto’s A5 Spry.

Designer: Tekto Design

Click Here to Buy Now: $212.50 $249.99 (15% off with coupon code “YANKO”). Hurry, deal ends in 48 hours!

Tekto calls the A5 Spry their most tactical knife. It comes armed with a precision-contoured handle and a high-end S35VN steel blade, available in sword-point, drop-point, or tanto styles. The blade sits within an aluminum handle, and can be deployed using a reliable sliding thumb-switch that feels almost like pulling the trigger on a gun. Your hand feels the sudden ‘recoil’ of the blade as it shoots out, and in just milliseconds, you go from zero to EDC paradise.

The A5 Spry measures 4.9 inches when closed, opening to 8.6 inches when the blade is deployed. Unlike Tekto’s other knives, the A5 Spry comes with a higher-end S35VN steel blade, offering remarkable toughness and superior edge-retention as compared to the company’s other D2-steel blades.

The A5 Spry also gives consumers the option of choosing the type of blade they want in their knife. A sword-point ‘dagger’ blade is perhaps the best choice for tactical use. It boasts of a double edge (like the sword), making it great for forehand and backhand swings, and the pointed tip effortlessly pierces too. For the EDC-enthusiast looking for something less weapon-like, Tekto also offers the ability to choose a drop-point or a tanto blade. The drop-point is a classic format that has a glorious curved edge that’s great for cutting, whittling, slicing, etc. The tanto, on the other hand, is a katana-inspired blade that has a straight edge that sharply turns as it approaches the tip of the knife. This effectively gives it two edges – one for horizontal long cuts (like a regular knife), and another for diagonal running cuts (like a scalpel).

No matter what blade you choose, it sits within the A5 Spry’s ambidextrous, precision-contoured 6061-T6 aluminum handle. Armed with a grippy texture that makes the A5 Spry a pleasure to hold, the handle comes with a precisely engineered push-button mechanism that deploys the blade like a charm, creating an experience that most EDC knife enthusiasts will absolutely adore. The handle also comes with a glass-breaker located right at the bottom, making it easy to strike onto even reinforced glass to have it shatter in an emergency scenario.

Finally, a deep pocket clip on the side of the handle lets you comfortably carry the A5 Spry on your person wherever you go, with its lightweight 3.49oz (98g) build being just perfect for everyday carrying… whether it’s in your pocket or even in your backpack. Like all of Tekto’s knives, the A5 Spry is designed and manufactured in USA, and comes with a limited lifetime warranty and free US shipping.

Click Here to Buy Now: $212.50 $249.99 (15% off with coupon code “YANKO”). Hurry, deal ends in 48 hours!

The post Why This Tactical ‘Out-The-Front’ Switchblade NEEDS To Be A Part Of Your EDC Collection first appeared on Yanko Design.

Multifunctional ThermoBag: The Beverage Container that Fulfils Everyone’s Thirst At Once

In a world bustling with group activities and shared experiences, the ThermoBag emerges as a groundbreaking solution to a common problem: the struggle to carry and store a variety of beverages during indoor and outdoor gatherings. This innovative and ergonomic thermos design redefines the way we enjoy our favorite drinks during group outings, eliminating the need for multiple containers and extra bags.

Designer: Simge Vatansever

Research reveals a common dilemma faced by individuals participating in indoor and outdoor group activities. Traditional high-liter jug thermoses, while efficient for storing larger quantities, fail to accommodate the diverse beverage preferences of each group member. Imagine a scenario: a group of friends enjoying a picnic in the park, or colleagues collaborating on a project in the office. Each individual might have a different beverage preference – tea, coffee, or perhaps something cold to beat the heat. Conventional thermoses fall short of accommodating these diverse tastes. People are forced to compromise on their choice of beverage, which can lead to dissatisfaction and a lack of enjoyment during the activity.

Moreover, the existing thermos designs necessitate carrying multiple glasses and even an extra bag to store both the thermos and the glasses, adding unnecessary workload to the participants. The need for a solution that addresses these issues led to the conception of ThermoBag.

ThermoBag is not just another thermos; it’s a game-changer. At its core, ThermoBag embodies the principles of ergonomic design, multi-functionality, and customization. This innovative product bridges the gap between individual preferences and group activities by allowing each participant to carry their preferred beverage with ease. Whether it’s a cup of steaming hot coffee or a refreshing cold drink, ThermoBag has got you covered.

ThermoBag’s design is a marvel in itself, tailored to offer a seamless experience during group activities. The product consists of two individual thermoses, each with a generous 790 mL capacity, and an intermediate structure connecting them. This design caters to both small groups of 1-2 people (using one bottle) and larger groups of 2-4 people (utilizing both bottles). No more worrying about carrying extra glasses or bags – ThermoBag ensures that everything you need is conveniently stored in one place.

However, in case of groups larger than 5 people may have to carry an odd number of bottles, in which case it may get heavy and may have to carry an additional bottle, a modular twist to the design would definitely make it a complete package for activities of all kinds as well as for all permutations of the number of people it can serve.

ThermoBag’s attention to detail is evident in its thoughtful features:

Stainless Steel Insulation: The thermoses and lids are constructed from stainless steel, maintaining optimal heat retention for your beverages.

Glass Storage: A cylindrical tempered glass compartment beneath each thermos can store two 150 mL glasses. This transparent arrangement showcases the glasses and enhances the product’s appeal.

Secure Glass Slots: Rubber cup slots on the bottom lid keep the glasses steady during transportation, minimizing the risk of damage.

Double Locking System: The inner lid boasts a double locking mechanism to prevent heat escape, allowing the thermos to be used without fully removing the lid. This design innovation minimizes heat loss and ensures user convenience.

Effortless Usage: ThermoBag’s usage is straightforward – pour your desired beverage into the thermos, twist and lock the lid, place the thermos into its slot, and adjust the fabric handle. (The fabric handle at the center of the structure adds portability, one can just hang it on their arm even while carrying more things and making it an effortless experience.) The first lock position on the lid allows easy pouring, while the second lock position permits complete lid removal.

The ThermoBag offers both mental and physical comfort to users. Group members no longer need to compromise on their beverage preferences, enhancing the overall group experience. Moreover, the product’s thoughtful design reduces the physical workload associated with carrying multiple containers and glasses.

Ease of Use in Six Simple Steps

The ThermoBag’s advantages extend to both outdoor and indoor activities.

Outdoor Adventures: ThermoBag becomes an essential companion during outdoor gatherings. Whether it’s a picnic, a day at the beach, or a hike, participants can now enjoy their chosen beverages without compromise.

Indoor Collaborations: In office settings or indoor group activities, ThermoBag shines as a versatile solution. Working together with colleagues or spending quality time with friends becomes more enjoyable with customized beverage options right at your side.

The ThermoBag revolutionizes the way we approach group activities by addressing a common inconvenience with ingenuity and style. Its ergonomic and multifunctional design offers a solution that caters to individual preferences, eliminates the need for additional containers, and enhances the overall group experience. With its thoughtful features, durable construction, and commitment to user comfort, the ThermoBag stands as a testament to an innovative design that simplifies and elevates our shared moments. Don’t let futile compromises on beverage preference snatch the charm of your quality time!

The post Multifunctional ThermoBag: The Beverage Container that Fulfils Everyone’s Thirst At Once first appeared on Yanko Design.

Sandmarc’s gorgeous Titanium band for the Apple Watch Ultra is a design match made in heaven

It feels almost like destiny that Apple launches great products, but leaves the onus of designing great accessories to third parties. Sandmarc is one such company that’s benefitted greatly from this arrangement, rising to prominence for their pro-quality photography and videography accessories for the iPhone… but the company isn’t stopping there. After designing some of the best-in-class camera lenses and filming rigs for the iPhone, Sandmarc is giving the Watch Ultra something it truly deserves – a great complementary strap/band.

Not everyone who owns the Watch Ultra buys it because of its high-endurance sports and training features… so the idea of having a watch strap designed for trekking or deep-sea diving doesn’t really appeal to the average consumer who just wants to be able to flaunt their high-end smartwatch. In comes Sandmarc’s Apple Watch Ultra Band, an Oyster-style band made from grade-2 titanium with just the right color and finish to match the Watch Ultra perfectly. Slip the band on and it honestly looks like it was designed by Apple, and turns your extreme smartwatch into the luxurious-looking haute timepiece you need it to be! After all, who in their right state of mind would want to wear a silicone band into a boardroom meeting, am I right?!

Designer: Sandmarc

The luxurious Grade-2 titanium band quite literally turns your Apple Watch Ultra into a Rolex or Tag Heuer-style haute timepiece. Its finish matches the slight champagne color of the Watch Ultra perfectly, blending in so well you’d think Apple designed the band too.

The band’s wide body complements the Watch Ultra’s large-ish design perfectly too, doing a far better job of visually integrating with the timepiece than any of Apple’s own watches. After all, it isn’t purpose-built for function – it’s purpose-built for fashion.

Machined from grade-2 titanium with a scratch-resistant glass film coating, the watch band is lightweight, waterproof, and just as durable as the Watch Ultra. The entire band measures 190mm (7.48 inches) and weighs 2 ounces (57 grams), being nearly 40% lighter than its stainless steel counterparts. Each band relies on stainless steel connectors that allow you to attach it to the Watch Ultra, and the band also ships with an adjustment tool that lets you remove one of the Oyster-style links to fit your wrist perfectly.

The Sandmarc Grade 2 Titanium Watch Ultra Band starts at $199, which shouldn’t sound like much if you already splurged $799 on the smartwatch, to begin with. Each titanium band is also rigorously tested at a third-party lab for quality and chemical analysis, so the bands can endure everything the Apple Watch Ultra was designed for… whether it’s a lavish boardroom, the snowy tundras, a desert trek, or even the depths of the sea!

The post Sandmarc’s gorgeous Titanium band for the Apple Watch Ultra is a design match made in heaven first appeared on Yanko Design.

Top 10 Back-To-Design-School Stationery Supplies For Design Students

What really makes a desk stand out to me is the collection of stationery items placed on top of it (and also the manner in which they are placed). The true value and efficiency of your desk lie in the smart assortment of designs you adorn it with – these are after all the objects that are gonna help you get through your workday, and directly or indirectly affect your productivity. It’s imperative to have a collection that really lets you work easily, efficiently, and effectively. And, we’ve curated a collection of innovative and nifty stationery designs that you must own! From an everlasting all-metal pencil to minimal Japanese drawing pads – these are the modern stationery designs you need to meet your modern stationery needs.

1. The Everlasting Metal Pencil

The Everlasting Metal Pencil is almost like a Wacom stylus that has a tip that never needs to be replaced or sharpened. It’s an innovative pencil that enables you to focus completely on your creative process, and on the lead less.

Why is it noteworthy?

The octagonal shaft is made of aluminum and houses a special alloy core. Knowing that, you might think that all it will do is leave heavy grooves on your paper, but your mind might be blown away when it draws like a real pencil without seeing the tip wear down even after dozens of marks.

What we like

  • It has a metal core instead of clay or charcoal, so it wears down slowly, and may actually outlive you

What we dislike

  • It doesn’t smudge or smear the way normal graphite does. That might be disappointing for those who use smudging techniques

2. The Horizon Key®

The Horizon Helvetica® is an artist-oriented piece of EDC designed to replace conventional stationery kits. And this year it has a new companion – the Horizon Key®.

Why is it noteworthy?

The Horizon Key® is a keychain-friendly multitool that not only looks, but also functions as a scale, a hex wrench, a bottle opener, a basic protractor, a flat-head screwdriver, a mini-saw, and a wire ripper.

What we like

  • It lets you sketch, ideate, plan, and measure anywhere
  • Portable and easy-to-carry design

What we dislike

  • The tool only comes in metal as an option.

3. ONEBOX

This woodworking wonder is called the ONEBOX, and it combines multiple different tools into an intriguing interlocking Jenga-like structure, using the same traditional mortise and tenon jointing technique seen for centuries in large-scale buildings in ancient times.

Why is it noteworthy?

When assembled, the ONEBOX looks just like any ordinary wooden box. Pull the pieces apart and you discover that each piece is, in fact, a stationery tool or fidget toy.

What we like

  • It is meticulously crafted from solid wood, with flawless mortise and tenon joints and built-in magnets

What we dislike

  • The aesthetics are a bit unassuming and boring

4. Japanese Drawing Pad

This simple yet beautiful Japanese drawing pad is what you need to get those brilliant ideas flowing from your brain. The black canvas invites your mind to pour out ideas, while the physicality and texture of the paper serve as an anchor for your brain.

Why is it noteworthy?

It is perfect for sketching art, creating designs, and any other creative pursuit, accepting your ideas and your mistakes with the serenity and openness of a blank page.

What we like

  • Utilizes high-quality Japanese paper that is preferred by stationery connoisseurs

What we dislike

  • It does seem like an ordinary notepad from the looks of it

5. The Gravity Pen

The Gravity Pen is pretty intriguing since it puts the center of gravity closer to where your fingers are, making it easier to make agile strokes. The pen does that by having a grip that’s larger than the barrel, expanding the area of the grip for a more comfy hold.

Why is it noteworthy?

The faceted form of that grip also makes it easier to grip the pen, allowing for a more stable grip as well. It’s the ultimate ergonomic pen design, thanks to a smart application of physics and minimalist design principles.

What we like

  • Extremely ergonomic to hold and use
  • Durable and lightweight

What we dislike

  • Not available in different color options

6. The Note

Called the Note, this small desk whiteboard lets you take notes with the utmost efficiency. Except it’s no ordinary note taker, it has a few tricks up its sleeve and adds some fun and spice to your work.

Why is it noteworthy?

The “whiteboard” twists or rather flips over, giving you twice the space to write your notes down. One side can have a dotted grid surface to help with diagrams, while the other can be plain, or they can have the same design on both sides. As with any vertical slate, you can also place sticky notes on it, in case scribbling notes down on paper is quicker for you.

What we like

  • Features a multi-purpose vertical screen that allows you to view the time, calendar, and appointments synced with your phone

What we dislike

  • The screen doesn’t show videos, a function that some people may need for their work

7. The Oakywood Wooden Cubic Pot

Designed to be a stylish and elegant addition to your workdesk, the Oakywood Wooden Cubic Pot can easily and efficiently store your stationery, or be used to pot some greenery. It features a cup holder to pot a mini-plant!

Why is it noteworthy?

The unique dual-purpose design of the pot makes it a functional and excellent addition to your desk space. It features a stainless-steel insert to protect the wood from moisture and dirt. The surface of the pot has been coated with eco-wax oil, making it smooth to the touch.

What we like

  • Sustainable + fashionable design
  • Minimal product with maximum functionality

What we dislike

  • The aesthetics are a bit simple and unassuming

8. The Scissors with Base

The Scissors with Base is a pretty unique design since it features wide flat blades that mimic industrial tools and a black Japanese steel body that is super durable. The scissors perfectly combine minimalistic good looks with excellent functionality.

Why is it noteworthy?

The Scissors with Base are not a brutish tool that needs to be stowed away. Their simple design sets them apart from other desk items. The extruded part of one of the finger rings, or the “tang,” becomes a visual anchor that guides the gaze toward the scissors’ center, drawing attention to their sturdy blades.

What we like

  • Doubles up as a box cutter
  • Minimal + clean aesthetics

What we dislike

  • The scissor is showcased in only one colour, making it difficult to match all desk setups

9. The Forest Tidy

The Forest Tidy is a set of neat and sturdy containers and stands carved from rosewood, that brings a whole new level of organization to your desk while tying into the wooden nature of the furniture around you.

Why is it noteworthy?

By splitting your workspace belongings into different categories, the Forest Tidy organizational kit gives you space for stationery, tech, EDC, cables, and even a dedicated stand for your monitor along with a stowaway space for your keyboard and mouse.

What we like

  • The containers come in a variety of shapes and sizes, tailor-made to your tabletop belongings
  • There’s a dedicated phone stand that lets you dock your phone either in portrait or landscape

What we dislike

  • Unfortunately, the phone stand doesn’t come with a channel for a cable pass-through, which means it won’t function as a charging stand

10. The Levitating Pen 3.0

The Levitating Pen 3.0 is exactly what it sounds like! The pen looks like it is suspended in its holder at a 23.5-degree angle, and is intended to be a luxurious and grand writing instrument with a Schmidt ballpoint cartridge that makes the pen sturdy and easy to hold.

Why is it noteworthy?

When done writing, you close the pen’s magnetic cap with a satisfying click and position the pen in its holder that has been magnetized to keep the pen floating in that position. To add to the fun, a simple twist leaves the pen spinning in its place for a good 20 seconds, allowing you to interact with the pen on a whole new level!

What we like

  • Relatively easy to hold and write with
  • Spinning the pen in certain intervals can be a stress buster

What we dislike

  • We wonder how ergonomic or comfortable the pen would be to use for longer durations of time

The post Top 10 Back-To-Design-School Stationery Supplies For Design Students first appeared on Yanko Design.

"Fashion meets art and design" at Pittsburgh boutique by NWDS

Global team NWDS took a spontaneous approach to designing the Tons fashion boutique in Pittsburgh, which contains a mix of modest materials and iconic furniture pieces.

The Tons store in the city’s East Liberty neighbourhood occupies a long, narrow building with its shorter side facing the street.

Store with concrete breezeblock displays and metal cans on the ceiling
The Tons store features a variety of “mundane” materials, including concrete breezeblocks and metal cans

Formerly an atelier, the two-storey structure was reimagined by NWDS to create a light-filled destination “where high-end fashion meets art and design”.

“Inside is a spacious and light-filled interior that now hosts a multifunctional venue designed to meet the needs of a modern-day sartorialist equally interested in fashion, art, and culture,” said the group.

Seating area beside clothing display
In the lobby, new apparel collections are displayed below a tapestry-like artwork

Designing the interiors of the 400-square-metre space involved dividing up the floor plan into several distinct areas that all flow together, but serve different purposes.

Throughout the various retail and office areas, a selection of unexpected materials were combined and layered.

Walls splashed with white paint
Some of the walls are splashed or streaked with white paint

Immediately through the glass front door is a lobby where new collections are presented.

Here, product displays were built from concrete breeze blocks, while the upper walls above the clothing rails were dressed in transparent plastic curtains.

Glass panels partition different retail areas
Glass panels are used to partition different retail areas

The ceiling above was covered with metal tubes of different lengths and diameters, and gives way to a double-height space where tall tapestry-like artworks by Sasha Brodsky hang over opposite walls, and white paint was seemingly dragged across another.

“There was a lot of spontaneity and many design decisions taken on site: some surfaces were uncovered and left in an unfinished state, and some were splashed with white paint,” NWDS said.

Frank Gehry Wiggle Chair next to clothing displayed on rails
A selection of iconic furniture designs can be found around the store, including Frank Gehry’s Wiggle Chair

Further along, fitting rooms are lined up behind black and white streaked partitions to one side, facing a room defined by glass panels that hosts monobrand products.

Towards the back, a lounge area that also displays shoes is reached by descending a short flight of stairs, which run parallel to a raised, built-in seating area.

Built-in seating area in front of shoe display room
A built-in seating area at the back of the store overlook the sunken shoe room

The lower floor level in this space results in a higher ceiling, which NWDS took advantage of by extending a mural the full height behind a wall-mounted shoe display.

A staircase at the very back leads to the upper storey, where retail displays and office areas for store employees sit side by side, and a photography studio is in full view.

“Inside Tons, the client space and the workspace are blended,” said NWDS.

“Buyers and managers have their work desks right next to the sale rails on the first floor, and store visitors are welcome to take a peek at the fashion photo shoot happening right there at Tons.”

Upper-floor rooms partitioned by artworks and glass balustrades
The unfinished aesthetic continues across the upper storey, where retail and offices spaces are blended

Throughout the store are a selection of iconic furniture pieces that continue the theme of unexpected materials and functionality.

They include metal-mesh Hi Tech armchairs by Piero Lissoni, a Mate chair by (A+B) Dominoni, Quaquaro that doubles as shelving, and Frank Gehry‘s compressed cardboard Wiggle Chair for Vitra.

“An interior comprising modest materials is a backdrop for high-end Italian furniture pieces, a collection carefully curated by the NWDS team,” said the designers.

Photography studio viewed from across a double-height void
An open photography studio allows shoppers to watch shoots as they happen

NWDS was established in 2013 as a team of architects, designers, curators and researchers from cities including New York, Tbilisi, Moscow, Paris, Berlin, Yerevan, Lisbon and Dubai. The group’s projects span residential, retail, hospitality, culture, exhibition design and more.

Other recently completed boutiques that feature unusual materials include the Boyy flagship in Milan, which reveals layers of the store’s history, and a Parisian jewellery store featuring rippled sheets of acrylic.

The photography is by Ekaterina Izmestieva and Alexandra Ribar.


Project credits:

Design concept: NWDS
Supervision and project management: Brnz Bureau
Lighting design: Natalia Markevich
Art: Sasha Brodsky

The post “Fashion meets art and design” at Pittsburgh boutique by NWDS appeared first on Dezeen.