The Wired Chair, designed by Michael Young

Inspired by Harry Bertoia’s wire Side Chair, designed in 1952…

…veteran British industrial designer Michael Young developed a 21st-century take:

“This updated take on a classic piece is crafted from the same industrial material — steel wire, but in a matte finish — bent into organic shapes that suggest the veins of a leaf.”

Here’s the machined aluminum rig used to get the wire into shape:

The Wired Chair, which comes with three leg options, is in production by French design brand La Manufacture.

Top 10 Unique + Useful Products To Add To Your Bathroom ASAP

With our super hectic lives and chalked-up schedules, bathtime is probably the only time of the day when we get to truly relax and unwind. It’s that precious hour of the day when we can completely indulge in self-care, and pamper ourselves, hence it is my favorite time of the day.  Having a beautifully designed bathroom with thoughtful designs will only amplify this special time of the day. These products can make a huge difference in our everyday bathroom experience. They not only help us carry out our personal and grooming activities even more easily, but they also help us take care of ourselves and our washrooms a little better. From the world’s first flush toilet built from wood chips to an odor-free, absorbent, and quick-drying towel – these well-designed products are all you need to elevate your daily bathtime!

1. The Tandem Showerhead

Called the Tandem Showerhead, this intriguing showerhead can be directly attached to your existing showerhead and serves as an easy-to-install, no-plumber-required shower accessory that divides the shower into two separate streams. It is excellent for both couples and solo showers that provide a more luxurious experience.

Why is it noteworthy?

The Tandem Shower comes with an adjustable design, allowing it to fit in most bathrooms. It connects directly to your existing showerhead’s water inlet, which effectively distributes the water supply between the two showerheads. A valve on the Tandem Shower then lets you effectively switch between either of the showerheads or run both simultaneously.

What we like

  • You can angle-adjust your water flow as you would with the existing shower
  • The high-velocity setting in particular delivers nearly two times more force than standard showerheads

What we dislike

  • It’s an added installation, making it difficult for people living in rental apartments

2. one&done

With the one&done, Pelin integrates and combines a toothbrush and a candy dispenser. Inspired by a PEZ dispenser, the toothbrush features a convenient little storage space to hold toothpaste tablets, completely eliminating the need for toothpaste tubes.

Why is it noteworthy?

This allows you to carry your toothbrush and toothpaste in one compact form and prevents the mess that ensues with carrying and dealing with a tube of toothpaste.

What we like

  • Ensures that you use the right amount of toothpaste every day, something that isn’t easily achieved when you’re squeezing paste out of a tube

What we dislike

  • The toothbrush is pretty thick and may be difficult to brush with and carry out different motions to clean your teeth

3. The VEAU LED Mask

Designed by COZCORE, this new-age LED mask is meant to revolutionize skincare practices. The innovative product utilizes LED technology to offer users an effective and personalized skincare experience.

Why is it noteworthy?

The VEAU LED Mask is a premium facial mask that uses light therapy to improve the health and look of the skin. It has an ergonomic shape that fits the curves of the face gently, allowing for a relaxing and effective treatment.

What we like

  • Features multiple modes, so you can pick your favorite LED light colors based on your unique skincare needs
  • Can be folded, so users can wear it with ease and comfortably

What we dislike

  • We’re not fully aware of any side effects the mask could have on the skin

4. The Promo Toothbrush

The Promo Toothbrush is a sustainable alternative to toothbrushes in hotels that are discarded every day or every two days. It is a hybrid reusable toothbrush that is made from 50% less petroleum-based plastic as compared to conventional products.

Why is it noteworthy?

Its lightweight design and utilization of naturally derived materials, such as rice husks, contribute to a significant reduction in petroleum-derived plastics.

What we like

  • The toothbrush can be taken home or carried anywhere by the guests, promoting reuse

What we dislike

  • Since the texture of the material is moist, the capacity of it to sustain the print of hotel branding needs to be explored

5. K-25 Bath Towels

Cast aside your terrycloth napkins and towels, and say hello to the K-25 Bath Towel. Designed to be a large, absorbent, quick-drying, and odor-free towel, the K-25 Bath Towel features a waffle-weave fabric that is soft on the skin and absorbs water much faster than your regular ‘fuzzy’ towel.

Why is it noteworthy?

The large waffle texture of the towel is quite interesting and useful, as it gently exfoliates your skin at the same time, before distributing the absorbed water back into the air in minutes, ensuring you’re never left with a damp and smelly towel.

What we like

  • The square-shaped waffle pattern does a clever job of giving the towel much more surface area than it otherwise would – this allows for easier absorption as well as drying

What we dislike

  • No means to personalize the towel, especially in a bigger family

6. Bebo

Bebo is a line of bath essentials products for toddlers that pull double duty. They are, of course, primarily designed to be containers for personal hygiene products like shampoo, gel soap, powder, and lotion.

Why is it noteworthy?

These containers come in interesting shapes that resemble specific animals. In other words, these containers can become toys that these same toddlers can play with once they’re no longer in use.

What we like

  • Double up as containers for personal hygiene products, and toys for toddlers to play later
  • They’re designed to ensure that kids don’t accidentally open them up or squeeze out their contents even when they’re playing with them during bath time

What we dislike

  • It’s a concept!

7. Portable Washing Machine

Designed by Kai Xia, this portable washing machine may look like a collapsible cup, but it was designed for a specific purpose. It may have a deceptively simple appearance, but its functionality is quite unique and streamlined.

Why is it noteworthy?

Its low power consumption and limited capacity mean it can run at gentler speeds, providing the perfect settings for washing smaller clothes or ones made with sensitive material.

What we like

  • Designed specifically for single-person households that are trying to economize both space and expenditures
  • Doesn’t occupy too much space

What we dislike

  • May seem unnecessary to have another washing machine, if you already have one

8. Mimo

This revolutionary refillable toothpaste tube is called Mimo, and it pumps toothpaste into each tube from the bottom using an external refilling basin.

Why is it noteworthy?

Equipped with a refilling basin, Mimo fills each tube up from the bottom through a pressure pump that’s encased in each basin. The transparent bottom half of Mimo indicates the toothpaste level so over-filling won’t be an issue.

What we like

  • Portable and easy to carry
  • Reduces the wastage of toothpaste tubes

What we dislike

  • It is a tedious process, and it could be difficult to sustain on a long-term basis

9. Block

Say hello to the Block – toilet built completely from wood composite. Designed by Finland-based design company Woodio, wood composite was utilized to create everything – from the seat to the toilet.

Why is it noteworthy?

Wood composite is supposed to be a pretty sustainable material since it produces 99% fewer emissions in its production than ceramics. The toiled is called ‘Block’, and was built using a material that Woodio founder Petro Lahtinen developed himself.

What we like

  • The material is supposed to be 80 percent wood by volume and was created using locally sourced aspen and offcuts from the Finnish forest industry

What we dislike

  • Woodio claims that the material generates 99% lesser emissions as compared to ceramics, this claim does not involve any emissions from material sourcing or disposal, which do have a major impact on the complete footprint of a product

10. Jacqueline Tap

Dubbed the Jacqueline tap, this rather unique and good-looking tap is built entirely from segments of bamboo. It is crafted with immense precision, and attention to detail, much like the care and concern given to high-end fashion accessories while they are being manufactured.

Why is it noteworthy?

Bamboo is a sustainable, flexible, weather-resistant, and strong material that is a boon to the planet. It is a great alternative to the marble or concrete faucets we usually install in our bathrooms, hence making the Jacqueline tap a sustainable and eco-friendly fixture for your bathroom

What we like

  • Sustainable and eco-friendly
  • Extremely good-looking

What we dislike

  • There is not much information on how to maintain the tap and keep it in a good + clean condition

The post Top 10 Unique + Useful Products To Add To Your Bathroom ASAP first appeared on Yanko Design.

An Elegant Retreat at Hotel das Amoreiras, Lisbon

Close to bustling neighborhoods, this 17-room property overlooks a historic park

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An Elegant Retreat at Hotel das Amoreiras, Lisbon

Close to bustling neighborhoods, this 17-room property overlooks a historic park

Lisbon’s small but pretty Jardim das Amoreiras—a park founded in 1759 by the Marquis of Pombal when he planted 300+ mulberry trees, intending them to spur the silk industry—is framed by 18th century townhouses that were once the homes of silk workers. Two of those once-abandoned buildings have been converted into the charming Hotel das Amoreiras

courtesy of Francisco Nogueira

With 17 rooms and two attic suites, the space has been thoughtfully refurbished and designed by owners Pedro Oliveira and Alicia Valero. Oliveira designed many elements himself (including various pieces of furniture and light fittings) and works from the couple’s personal art collection adorn the walls. 

courtesy of Francisco Nogueira

Through design and decor, the property conveys a satisfying blend of private home and tastefully ritzy hotel. It may be close quarters, but it’s quiet and cozy—thanks in part to the carpeted hallways, heavy guest-room doors and thick windows. Bathrooms feature high-quality, robust fixtures and elegant Portuguese marble. All the expected amenities (plush robes, bathroom products, TV and USB ports) are included, alongside unexpected and thoughtful touches. From the bed linens to the light fittings, everything feels grand and luxe without being pretentious.

courtesy of Francisco Nogueira

Opening last year, the hotel (one of Small Luxury Hotels of the World’s 500 select properties) provides quiet respite from the bustling city, while being near neighborhoods like Príncipe Real and Bairro Alto, and with various bus and tram stops close by. If you’re walking up the steep hills back from the city center, there are plenty of places along Rua da Escola Politécnica for breakfast, snacks and pasteis de nata to fuel your journey. A stop at Imprensa Oyster and Cocktail Bar is an especially welcome reward. (Also not far are Restaurante Pica-Pau, BouBou’s and Magnolia Bistrot & Winebar.)

courtesy of Francisco Nogueira

But if you want to enjoy a drink after a long day at the hotel, the bar—with wicker stools, velvet banquettes, textured wallpaper and vintage movie posters—offers cocktails, wine, snacks and sweets until late. 

courtesy of Francisco Nogueira

When it comes to hotel breakfasts, Hotel das Amoreiras gets it right. Served from 8AM until noon, breakfast is made to order—and the dishes are impressive. On the menu, guests will find pastries, breads, granola and muesli available, as well as cheeses, cured meats, fruit, eggs served five different ways and fresh juices and coffee options. Weather permitting, breakfast and drinks can be enjoyed in the hotel’s sun-dappled courtyard—replete with cobblestones, cafe seating and gingham cushions. 

From the food to the fabrics and the employees’ approach, understated elegance abounds at this charming hotel.

Hero image courtesy of Francisco Nogueira

Eric Parry Architects staggers "cascade of garden terraces" down Singapore office block

Exterior of Wilmar HQ by Eric Parry Architects

Sweeping curves and planted terraces feature in this staggered office building which London-based studio Eric Parry Architects has created alongside a Singapore park.

Spread across seven floors punctuated by planted gardens and curving balconies, the office block was designed by Eric Parry Architects as the headquarters for Singaporean company Wilmar. It contains laboratories as well as 20,000 square metres of office space.

Exterior of Singapore office with planted terraces
Eric Parry Architects has created headquarters for Wilmar

Alongside the office facilities, the studio added a range of outdoor spaces and areas of planting. Additional amenities including an auditorium, staff cafeteria and a gym sit, while a jogging track was added to the rooftop.

“Landscape flows both above and beneath the building’s seven storeys, with a new garden square created by raising the main body of the building as well as a cascade of garden terraces that provide a continuation of the parkland environment up and over the building’s roof,” studio principal Eric Parry told Dezeen.

Aerial view of Wilmar HQ by Eric Parry Architects
The building features a cascade of garden terraces

Inviting visitors into the complex, a large double-height plaza spans the ground floor of the development. Featuring curving paths and smaller areas of planting, the plaza wraps around a large central garden topped with a skylight.

“The plaza leads directly from the public realm and offers a cool dry space for rest, relaxation and informal conversations,” said the studio.

“At various points throughout the day, the space will be lit by a dramatic shaft of sunlight coming through the oculus.”

Terraces of Singapore office building
It is one of many buildings in Singapore that combine architecture and greenery

Around the central garden, an arrangement of eight tree-shaped steel-coated columns supports the upper levels of the structure.

To one side of the plaza, the walls of the building’s lowest level comprise glass panels set within diamond-shaped frames, while the volume on the other side features bulging walls coated in glazed ceramic components.

Exterior of Wilmar HQ in Singapore
Branching steel columns supports the upper levels. Photo by Julian Ogiwara

A stretch of single-height glass walls stretches along the curved ground-floor walls, with a glass door added to the glazed portion to allow access to the double-height main reception.

Inside the reception, thick travertine panels line the double-height walls, reflecting the light from the various lighting fixtures throughout the space, including stretching strip lights and a hanging lampshade designed to resemble a flock of birds.

“For the reception area, we selected the interior finishes and lighting to produce a warm, luxurious glow, subtly suggestive of gold, a material favoured in the local culture,” said Parry.

Plaza of Wilmar HQ by Eric Parry Architects
A large double-height plaza spans the ground floor

Above the ground floor, the remaining levels of the building are gradually stepped back to create space for partially shaded terraces on each level.

“Singapore’s heavy rainfall has led to the use of covered walkways around buildings to protect pedestrians from intense sun and rain,” said the studio.

“The present design interprets this custom by having walkways around its periphery on each level, which are sheltered by the overhanging ceramic fins of the office floors.”

Shaded walkway in Singapore
Covered walkways protect pedestrians from intense weather

Filled with planting informed by traditional Chinese landscape design, the curving terraces feature smaller gardens and benches as well as offering views of the surrounding city and the neighbouring public park.

“The client has a passion for the contemporary interpretation of Chinese landscape traditions,” said Parry.

“Singapore has a varied flora and fauna, which in turn inspired the choice of biodiverse planting for Wilmar HQ.”

The upper levels of the building feature communal spaces and open-plan workspaces designed to allow for flexible arrangements.

Skylight at Wilmar HQ by Eric Parry Architects
A skylight illuminates the plaza

“The client has been responsible for fit out and division of facilities on each floor,” said Parry. “Our design envisages additional amenity space, such as an exhibition space and café in the north wing, and a generous office reception and auditorium in the south wing.”

“The clients’ fit-out includes a curved staircase between the office levels, reducing the dependence on lifts,” he continued.

Travertine-lined office reception
Travertine panels line the reception area. Photo by Nipek

The Wilmar headquarters is one of many buildings in Singapore that combine architecture and greenery after former Prime Minister Lee Kuan Yew planned for the city-state to become a “city in a garden”.

Other examples include the Jewel Changi Airport, a residential tower called Marina One and Heatherwick Studio’s EDEN housing.

The photography is by Fabian Ong unless stated otherwise.

The post Eric Parry Architects staggers “cascade of garden terraces” down Singapore office block appeared first on Dezeen.

Meyers Manx’s Restorer NEV electric buggy for off-road adventures has a detachable roof and trailer hitch

Last year we were awed by the Manx 2.0 EV inspired by the original dune buddy created by Bruce Meyers. Now, the electric buggy has graduated to being the Restorer NEV capable of any urban adventure or hill climbs you throw at it. The chick four-wheeler has got spacious interiors for a family of four and looks to turn eyeballs.

The guts of this zero-emission urban ride are powered by a twin-electric motor drivetrain fed by pouch-cell lithium-ion batteries. This makes it capable of reaching a top speed of 25 mph to meet the NEV (Neighbourhood Electric Vehicle) standards. Restorer was revealed during the motorsports gathering at The Quail.

Designer: Meyers Manx

As per Phillip Sarofim, Chairman of Meyers Manx, the Restorer NEV is their ticket to elevate the segment by “introducing an unparalleled, well-engineered vehicle with the timeless Meyers Manx aesthetic. Our blend of premium design, craftsmanship, and a commitment to fostering exploration of one’s surroundings sets Meyers Manx apart from the competition”

The all-new Meyers Manx dune buggy gets aluminum monocoque chassis foldable windshield (just like the classic Meyers Manx buggy) and detachable roof to enjoy the open-air skirmishes. The EV is going to boast a dual electric motor setup to make it possible to haul a tow trailer, climb hills with ease or go off-road without much fuzz. It’s fitted with a four-wheel independent wishbone suspension, regenerative braking system, power steering and the option to hook it onto to a trailer courtesy of the trailer hitch. On the inside, things are kept basic with a backlit center-mounted speedometer and toggle switches to toggle the features. There are standard electric air conditioning and heating to keep things comfy for the riders.

Pricing for the Restorer electric buggy by the Californian automaker starts at $49,000, as a $500 deposit secures your unit for delivery sometime in the future. That’s far less than the $74,000 Manx 2.0 that’s more oriented towards longer travel routes with a range of 300 miles with a bigger battery pack, power output of 202 horsepower and ability to go from 0-60 mph in just 4.5 seconds. Restorer on the other hand is more tailored for short exciting rides, so don’t expect a better range!

The post Meyers Manx’s Restorer NEV electric buggy for off-road adventures has a detachable roof and trailer hitch first appeared on Yanko Design.

Blue Dream and the Legacy of Modernism in the Hamptons: A House by Diller Scofidio + Renfro

From DelMonico Books, “Blue Dream and the Legacy of Modernism in the Hamptons: A House by Diller Scofidio + Renfro” is an inspiring, insightful chronicle of the creation of one extraordinary home. A collaboration between Robert and Julie Reyes Taubman, acclaimed architects Diller Scofidio + Renfro, builder Ed Bulgin, landscape architect Michael Boucher and designer Michael Lewis, the home—aptly named Blue Dream—reaffirms the avant-garde spirit of the Hamptons. The thoughtful text within the richly illustrated tome has been penned by renowned architecture critic Paul Goldberger.

"Like a box of matches over gravel" says commenter

Denis Joelsons juxtaposes linear house with circular garden terraces in São Paulo

In this week’s comments update, readers are discussing an “elegant” rectangular house with circular garden terraces in São Paulo, Brazil.

Designed by Brazilian architect Denis Joelsons and aptly named Casa dos Terraços Circulares – or the House of Circular Terraces – the linear dwelling is embedded in a forested lot in São Paulo‘s suburbs. The round terraces were constructed with the soil excavated for the foundation, reducing the need for concrete in the site’s landscaping.

Commenters marvelled at the architect’s lightness of touch.

Denis Joelsons juxtaposes linear house with circular garden terraces in São Paulo

“Deserving of a Golden Pencil”

“Crazy how light the structure feels.” wrote Bruno Lazaretti. “Like a box of matches over gravel. Plateaus remind me of coral reefs. Great project. Deserving of a Golden Pencil.”

Laura Belik was in the same boat, commenting “linear orthogonal plateaus inside – composing the floorplan design while embracing the natural geography of the terrain – and circular plateaus outside, shaping the garden’s original slope. Smooth play, good rhythm!”

Pa Varreon praised the project’s “peaceful modernity” and admired its “subtle, sober and admirable proportions”, while Camilo Gomide Cavalcanti Silva called it “simple, elegant and gorgeous”.

One of the few commenters who was unconvinced was John harhay, who questioned whether the landscaping helped or hindered the existing trees on the site.

“Given the importance of the trees, it seems that two important rules were ignored” they said. “Firstly, do not build walls or do any construction within the drip line of the tree. Secondly, do not alter the grade within the drip line of the tree,.”

They added: “it appears that one limb is dying. It won’t be long for the rest.”

Which camp are you in? Join the discussion ›

3D designer Charlotte Taylor in her apartment
“Not having architectural education makes you find different solutions” says Charlotte Taylor

“Zoomers are always looking for shortcuts”

A story that found less consensus among commenters this week was Dezeen’s interview with visualisation artist Charlotte Taylor, who argued that “not having architectural education makes you find different solutions”.

Taylor is the founder of 3D-design studio Maison de Sable, where she collaborates with other 3D designers on renderings of imaginary, fantastical interiors and buildings.

“I didn’t train in architecture at all,” the designer told Dezeen. “I’d like to think that there’s hope that you can get into building physical spaces through unconventional means.”

Commenters weren’t buying it.

“If you want to be an architect go back to school and become an architect,” wrote Whateverandeveramen. “Or sit the equivalency exams in your country. There’s more to it than making pretty pictures. Zoomers are always looking for shortcuts.”

“So not having an architectural [education] means you can re-render Lina Bo Bardi’s Glass House with superficial changes and pass it off as your own?” wrote Layla in reference to Taylor’s work.

“To be clear, I don’t think you need to be formally trained or licensed to be a great architect if you have the skills and clients. This is just a terrible example,” they added.

Other commenters, like Clichy, defended Taylor’s stance, positing that “the majority of projects presented on this site by qualified architects largely receive negative criticism from their peers”.

“How exhaustingly predictable that so many people (men) are threatened by left-of-centre-thinking, innovation and creativity,” wrote EB. “Opinions and comments such as ‘shortcuts’, ‘go back and study’ and ‘untrained’ are so indicative of why we need and celebrate designers like Charlotte.”

Have you weighed in on the great education debate yet? Join the discussion ›

John Friedman and Alice Kimm include dining room crane in Los Angeles house
John Friedman and Alice Kimm include dining room crane in Los Angeles house

“Like Bob the Builder invaded a Malibu Barbie fever dream”

Also on commenters’ radars this week was a “comical” hillside home in Los Angeles complete with a crane in the kitchen and a hot pink accessory dwelling unit.

Designed by architects John Friedman and Alice Kimm for their own family, the JArzm house – named using the first initial of every family member – takes the form of a white cement plaster envelope described as “neither box nor blob”.

Commenters thought it was “like Bob the Builder invaded a Malibu Barbie fever dream”.

“Throw every idea you’ve ever had into one building just because you can?” quipped AlfredHitchcock.

“It’s all so incongruous,” wrote Prado Sellinder. “Living here would drive me mad.”

Jim Angrabright reckoned it was allegorical: “the pergola in mid-fall atop the ADU is a reminder of the precarious nature of talent.”

ZZ, though, was able to see the project’s potential, commenting “just imagine the belly flops you could do dropping from the crane into the pool”.

What do you think? Join the discussion ›

Comments update

Dezeen is the world’s most commented architecture and design magazine, receiving thousands of comments each month from readers. Keep up to date on the latest discussions on our comments page and subscribe to our weekly Debate newsletter, where we feature the best reader comments from stories in the last seven days.

The post “Like a box of matches over gravel” says commenter appeared first on Dezeen.

"The design professions are not stepping up to address the wildfires problem"

As wildfires exacerbated by climate change wreak increasing havoc around the world, Greg Kochanowski argues it’s time for a different approach.


We now have scientific proof of the ways we have irrevocably changed the territories and climate of this world, putting us on a path where we cannot yet see the ultimate consequences. Wildfires and their negative effects on infrastructure and health are a clear example that more are experiencing worldwide all the time.

The design professions are not stepping up to address the wildfires problem, other than to call for fire-resistant building materials and defensible space. To be sure, these are necessary tactics to be included in any discussion of wildfire response, but are not substitutes for a broader conceptualization of innovative planning, typologies, and disciplinary strategies.

Architecture cannot solve this problem

Architecture cannot solve this problem. In fact, all the individual design professions are incapable of addressing the magnitude of sheer complexity of the climate crisis alone. As much as we need disciplinary expertise, the problem of wildfire, like other climate crises, requires levels of innovation that are not possible to achieve via a single disciplinary orientation.

Thus, what is needed is a new holistic, synthesized, design discipline fusing the ecological systems thinking of landscape architecture, the policy thinking of planning, the cultural and organizational synthetic thinking of architects, and the engineering prowess of civil and environmental engineers.

But this is not enough. Additionally, we need to conceive of a new global narrative or mythology that reinstates the interconnectedness of our planet and the irrelevance of human-centered boundaries, borders, or territories that govern our cultural framing and demarcation separate from the realities of the globe. All design is, or should be, a manifestation of a larger cultural narrative, or zeitgeist, and as such we need to establish a new narrative around the climate crisis that can permeate the human condition towards motivating real change.

Our current crisis has been driven by two main factors: the continued onset of extreme climate conditions and a housing-affordability crisis crippling millions of Americans, including local governments who, due to NIMBYism and local zoning, need to push new housing outside of city centers to comply with state mandates.

My family is not immune to this dynamic. My family lives in the Santa Monica Mountains, north of Malibu, CA, within what is called the Wildland Urban Interface (WUI) – a zone of transition between unoccupied land and human development where insurance companies are continuing to drop coverage for homeowners. With housing development continuing to extend into such areas, the WUI is the fastest-growing land condition in the United States, expanding at a rate of 2 million acres per year and containing 46 million homes in the United States at a value of $1.3 trillion.

Our area of Los Angeles has experienced wildfire for millennia, and its flora and fauna have adapted to these conditions over time. We love living amongst nature, and if we did not live in our community, we would not be able to afford the Los Angeles housing market. In 2018 we lost our home in the Woolsey Fire, along with 109 other homes in our community. We have since rebuilt.

We need to stop living in conflict with our environment

Typically, developing or rebuilding within areas of high risk is seen as irresponsible, and most discourse breaks down between binary questions of “retreat” or “remediation”.

“Retreat” from these environments has been defined as the responsible thing to do, both individually and societally. But this is tied to one’s own personal circumstances: can someone afford to leave? If they were to leave, what is the value of the property left behind, and can that value be recouped if the consensus is these environments should not be lived in?

Conversely, “remediation” is not really the right term to use in this situation, especially if we define it as “the act of reversing or stopping environmental change”. The dynamics of wildfire are not systems that can be reversed as much as we can reverse the trajectory of climate change. These are fire-adapted landscapes that have existed for centuries, so the idea of reversal is a misnomer, as there is no idealized state to go back to.

As such, the notion of managed retreat (moving people to areas of less risk) is disingenuous, and more of a political proposition than one based on the realities of the climate, the power of social infrastructure, and belief in the potential of design innovation. Yet, there is a tendency to blame or degrade people living in areas prone to disaster who then choose to rebuild following the destruction of their homes and livelihood.

Various questions arise, such as: where should these people go? Should we abandon our communities, small towns, and cities? Should we forgo living amongst natural environments for hyper-dense tabula rasa mega-structures (i.e. The Line) as a way of “protecting” ourselves from the extreme climate that we have wrought upon ourselves? This mindset reinforces Western civilization’s mythological separation of the human condition from the natural world, and the fallacy that we can continue to control natural forces to suit our needs without any consequence, and that there are places with no risk.

Instead, we need to stop living in conflict with our environment. Many cities in the West were born out of a harnessing of resources – the making of a place – instead of co-existing and adapting to found conditions. Indigenous Americans understood the symbiosis between wildlands and humans and, as such, were able to harness fire to their benefit in complex forms of land management and community organization. So too must we rethink the planning, development and stewardship of our built environment to be more symbiotic and adaptive.

This will require us to see natural forces as something to engage with rather than retreat from

Some of these are practical measures that go beyond the design profession’s purview but where we must keep engaging to advocate for innovation. We need more housing co-operatives and community land trusts which empower homeowners, establish resilient affordable housing and provide stronger incentives than commercial development to have proper adaptation and recovery strategies. We need innovative insurance models that create public-private consortiums to promote land stewardship and wildfire mitigation. We need planning policies that encourage clustered development surrounded by land and agricultural buffers rather than single-family houses lined up along roads directly adjacent to wildlands.

We need innovative soft infrastructures and development that work with our changing climate – even extreme versions of it. This will require us to see natural forces as something to engage with rather than retreat from, completely altering the way we occupy this planet and think about design. It will demand a rethinking of spatial, political, technological, and economic strategies at a broad range of scales, from the local to the global, as well as a reframing of priorities and how we consider the role of the designer.

The photography, showing a burned home in Lahaina, is by Zane Vergara via Shutterstock.

Greg Kochanowski is partner and design principal at architecture studio GGA+, founder of research lab The Wild, an adjunct professor in the University of Southern California’s School of Architecture and a senior lecturer at Otis College of Art and Design.

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The post “The design professions are not stepping up to address the wildfires problem” appeared first on Dezeen.

The Rome Edition opens in converted 1940s bank building

American entrepreneur Ian Schrager’s The Edition group has landed in Rome, opening a hotel in a converted bank that makes use of its soaring lobby, original marble staircases and hidden front courtyard.

The Rome Edition began welcoming guests earlier this year to the 91-room hotel, located a block away from Via Veneto – the street that was immortalised in the 1960 movie La Dolce Vita.

Bronze pergola covered in jasmine through plant-filled courtyard
Arrival to The Rome Edition is via a path under a bronze pergola that leads to the lobby

Schrager and his in-house team spearheaded the renovation of the grand building, utilising many of the original features including a cipollino marble staircase, central courtyards, statues and lamps.

“Built in the 1940s and formerly occupied by one of the main Italian banks, the building is a striking example of the rationalist style and was created by Cesare Pascoletti in collaboration with the famed architect Marcello Piacentini,” said The Edition team.

Sunken plant-filled courtyard with teak banquettes and furniture
The plant-filled, sunken courtyard acts as an all-day lounge and dining spot

Unusually for Rome, arriving guests are escorted through a sunken garden “piazza” – which acts as an outdoor lounge, restaurant extension and gathering place – before reaching the lobby.

Once inside, dramatic seven-metre-high ceilings, full-height windows and green curtains, and travertine floors and walls set the tone for The Edition’s signature brand of soft minimalism.

Travertine-lined lobby with tall ceiling and full-height green curtains
The dramatic hotel lobby features seven-metre-high ceilings and full-height green curtains

Symmetrical arrangements of custom white furniture and low coffee tables exaggerate the strict geometry of the architecture.

“The lobby is Edition at its most dynamic,” said the team. “It is a place to relax and make merry; a place to see and be seen or play a few games of pool on the custom-made table.”

Restaurant with wooden furniture and chartreuse-coloured upholstery
The Amina restaurant is divided into two dining spaces, one of which is accented with chartreuse-coloured upholstery and carpet

For the hotel’s signature restaurant, Anima, the team partnered with local chef Paola Colucci on a menu that puts a modern spin on family recipes and traditional Roman dishes.

Amber glass separates the kitchen from the two dining areas, one with chartreuse-toned accents across furniture and artwork, and the other blue.

Restaurant with blue artworks and upholstery
The restaurant’s second dining space is decorated with blue accents

The various bar areas on the lobby level each provide guests with a experience. The Punch Room is a concept borrowed from other Edition properties including another recent opening in Tampa and occupies a cosy room with warm wood panelling and deep red tones, for sharing bowls of punch – a 17th-century tradition that’s been given a contemporary spin.

A dark walnut bar, Rosso Levanto marble fireplace, dark pink velvet sofas, and custom armchairs in rosewood and dark brown leather all add to the cosy atmosphere in the dimly lit space.

Cosy bar with walnut panelling and dark pink velvet furniture
Off the lobby, The Punch Room bar is lined in walnut and includes dark pink velvet furniture

With space for just 10, the intimate Jade Bar features a rotating cocktail menu and is fully lined in deep green antique marble.

This small and dramatic room is furnished with emerald-hued velvet soft seating and satin brass and gold accents – including a wall-mounted sculpture influenced by artist Jeff Koons.

Bar decorated with antique green marble, emerald seating and brass accents
The Jade Bar is wrapped in antique green marble, with emerald seating and brushed brass accents

In the front courtyard, The Garden is filled with over 400 plants and lightly perfumed by the jasmine that climbs over the facade.

A bronze awning divides the outdoor space in two, with an al fresco dining area for Amina on one side, and an all-day casual terrace for cocktails and light bites on the other.

Teak banquettes and free-standing furniture are surrounded by “an Italianate arrangement of lanterns to give it the feel of a traditional Roman garden”.

The roof terrace on the seventh floor features a pool and bar area that offers sweeping views over the Eternal City’s rooftops.

Bright guest room with walnut panelling and beige furniture
Walnut wall panelling and herringbone floors feature in the bright guest rooms

In the bright guest rooms, walnut wall panelling and herringbone floors are paired with custom beige leather furniture.

Carrera marble basins and brushed brass fixtures stand out against the grey stone bathrooms, and frosted glass partitions are used to conceal showers and toilets.

Bathroom with Carrera marble sink and frosted glass panels
Carrera marble sinks contrast the dark grey stone in the bathrooms

The Rome Edition is the group’s 16th global property, following locations that include Times Square in New York, West Hollywood in Los Angeles, and Tokyo.

The Madrid Edition, designed with British minimalist John Pawson, was longlisted in the hotel and short-stay interiors category of Dezeen Awards 2022.

The photography is by Nikolas Koenig.

The post The Rome Edition opens in converted 1940s bank building appeared first on Dezeen.

Notan Office creates "micro-city" of housing on an industrial site in Brussels

Exterior of Duchesse in Brussels by Notan Office

Belgian studio Notan Office has completed Duchesse, a series of homes positioned around a communal garden on an old industrial site in Brussels.

Commissioned to create two houses and six apartments, Notan Office designed the complex to create the feeling of being in a small village or “micro-city”.

Duchesse’s design also aims to preserve the site’s historic significance by retaining existing elements while revamping others with new tiled volumes.

Exterior of Duchesse housing in Brussels by Notan Office
Notan Office has created a series of homes called Duchesse

“Since the site was almost entirely built before our intervention, we adopted a subtractive approach rather than construction,” studio founder Frédéric Karam told Dezeen.

“[This] led us to generate three distinct volumes, giving rise to the concept of a ‘micro-city’,” he continued.

The site, which faces an active public square, is home to a range of historic buildings and structures, including a typical late-1800s Brussels townhouse and a long industrial hall overlooking a shared courtyard.

Housing in old industrial site in Brussels
The homes are positioned around a communal garden

Notan Office’s intervention saw the renovation of the townhouse and the addition of two new volumes – one behind the hall’s brick facade and another to the rear of the site.

The volume positioned behind the existing brick facade is clad in crystalline white tiles and its form is reminiscent of the industrial hall it replaces. The second volume is clad in contrasting crimson tiles and features angled sawtooth roofs.

Terrace of Brussels housing by Notan Office
Duchesse transforms an old industrial site in Brussels

“The vertically placed red tiles resonate with the existing bricks of the walls and facade, forging a connection with the site’s history,” said Karam.

“Simultaneously, the white tiles complement the painted existing brick walls, establishing a dialogue between the old and the new,” he continued.

Housing in Duchesse development by Notan Office
Two new volumes have been added to the site

To reinforce the feeling of a “micro-city”, the studio designed several housing typologies of differing sizes to cater to various lifestyles. The townhouse and white building contain apartments, while the red building is split into two houses.

On entering the buildings, the ground floors are dedicated to shared activities and community spaces such as bicycle parking, an atelier and a communal garden.

Both internally and externally, materials and elements previously present on the site have been reused and reinterpreted, such as the doors to the apartments and a winding outdoor staircase.

Contemporary mint green metalwork on the windows, railings and steel beams sit comfortably alongside the historic features. These sensitive combinations of the old and the new help to respect the identity of the site.

Hallway with lilac details
Old and new elements have been combined

“The site exuded a sense of a microcosm, thanks to its industrial history and features,” Karam explained.

“We aimed to preserve and intensify this feeling by integrating and reinterpreting existing architectural archetypes, such as the outdoor staircase, annexe, industrial facade and curvy walls while respecting the site’s architectural vocabulary,” he continued.

Interior of Duchesse in Brussels by Notan Office
One new building sits behind a retained brick wall

Notan Office is a Brussels studio founded in 2014 by Karam. Elsewhere in Brussels, it created a roof extension with an Alvar Aalto-informed fireplace.

Other multi-unit residential projects featured on Dezeen include a multi-generational housing scheme in Erfut by Dorschner Kahl Architects and Heine Mildner Architects and a grey-brick courtyard housing block in London by Sergison Bates Architects.

The photography is by Stijn Bollart.

The post Notan Office creates “micro-city” of housing on an industrial site in Brussels appeared first on Dezeen.