Blobby sculpture functions as cash desk inside Rains' Aarhus boutique

Cash desk of Rains store in Aarhus, Denmark

Rainwear brand Rains has juxtaposed minimalist restraint with free-form contemporary artworks inside its revamped flagship store in Aarhus, Denmark.

The brand’s first-ever store, originally opened in 2016, was updated with the introduction of industrial touches such as graffiti and stainless steel hardware alongside custom works by local artists.

“We want to tickle the customers’ curiosity,” Rains‘ in-house design team told Dezeen.

Cash desk inside Rains store in Aarhus, Denmark
A blobby sculpture envelops the cash desk of this Rains store

At the centre of the store, Danish artist Jacob Egebjerg played with the convention of the cash desk by creating a vast sculptural element to envelop this functional area.

Carved from polystyrene foam, the sculpture resembles a cascade of liquid caught mid-splash, which tumbles from the recessed, illuminated ceiling down to the concrete floor in a nod to the brand’s waterproof rainwear.

Cash desk and stairs inside rainwear boutique in Aarhus, Denmark
The sculpture was created by Danish artist Jacob Egebjerg

“The store was the first Rains store ever and we really wanted to manifest that with an extraordinary installation,” the design team explained. “Egeberg was tasked with creating a work of art with an integrated desk that would attract the attention of passers-by.”

“It brings a contrast to the clean shapes and surfaces of our point of sale,” the team added. “Our products are very clean, so to add contrasts to our stores, we use shapes and surfaces to create this duality.”

Metallic walls and concrete floors in Rains store
It was carved from polystyrene foam

Allowing Egebjerg’s sculpture to take centre stage, the rest of the store is an exercise in cool, restrained minimalism.

Display cases are formed from industrial materials such as stainless steel and glass, chosen for its transparent qualities.

“Your eye can see the full room and isn’t blocked by a non-see-through material,” the team explained. “The products are just floating in the room.”

Echoing the qualities of the glass and steel, the Rains team used large-format concrete tiles for the floor, creating a “modern, refined but still simple base for the sculpture”.

Downstairs, in a rare concession to softness, the design team opted for a custom black carpet with a distressed patina effect – another nod to the industrial.

“The carpet was chosen to give the white room a contrast and some more depth, while also providing some great acoustic benefits,” the design team explained. “The raw ‘scratchy’ print has been chosen to match the raw expression in the walls and ceiling.”

Graffitied stairs in rainwear store in Aarhus, Denmark
Graffiti by Peter Birk covers the staircase

On this level, a futuristic black display plinth was carved from the same polystyrene foam as the sculpture on the ground floor.

Against a palette of greys and whites, colour leaps out in the form of another site-specific artwork: a graffiti-inspired piece that decorates the staircase, designed by Rains and realised by local artist Peter Birk.

“When we work with external artists, we also let them express themselves so their personal style shines through,” the brand explained.

Downstairs on Rains store with carpeted floor
Another styrofoam sculpture forms a display stand in the basement

Other sculptural shop interiors featured on Dezeen include a swimwear pop-up by SKIMS with a three-tiered diving board at its heart and an “otherworldly” moss-covered installation at a luxury bag store in Putrajaya, Malaysia.

The photography is by Rains.

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A DIYer’s remarkable mobile home redefines adventure for cyclists

DIYs and passion projects often remain hidden gems. Occasionally, one innovation breaks through and captures the imagination to become a marketable entity. Case in point, the Hupi trailer by Urpo “Upi” Merranmaa.

The visionary turned an ordinary e-bike into a remarkable mobile home with his ingenious creation: the Hupi trailer – born out of a desire for adventure! Back when Upi received an e-bike as a gift, he wanted to put it to some purpose, so he embarked on a multi-day journey. His days camping in a tent didn’t quite appeal to him, so he returned to build his own self-contained trailer he could tow behind his bike and rest up in on overnight halts.

Buy: Hyötyajoneuvokeskus

The fascinating Hupi trailer neatly combines the freedom of an e-bike with the comfort of caravan living. Unlike traditional trailers with modifiable setups, the Hupi has a fixed-roof design. Even though the headspace is not much, the single-person living unit is comfortable for sleeping and has a small dinette for your culinary requirements on the go.

The concept of bicycle campers has not really seen an outgrowth like the travel trailers and RVs, but Upi’s relentless to and fro over 5,000 hours to fully perfect the bike trailer makes it a solution worth putting your money on. If you think so, Hupi is available for purchase at a base price of €5,990 (roughly $6,700).

The trailer exterior is finished in aluminum with a thick urethane sheet running underneath for insulation. Hupi roof can be outfitted with a solar kit to power interior accessories and keep the e-bike fully charged and ready to go. On the inside a bed expands to fill the entire interior, providing a comfortable sleeping space for the solo cyclist. When not sleeping, the bed conveniently folds up against the front wall, transforming into a cushioned bench seat.

With its narrow frame, Hupi can be effortlessly pulled by any e-bike on bike paths, opening up a world of possibilities for adventure seekers within city confines. Besides the solar panel, the trailer also offers optional electrical systems, including an onboard battery, and an inverter for interior and exterior lighting and for keeping the towing e-bike charged for all adventures you throw at it.

 

The post A DIYer’s remarkable mobile home redefines adventure for cyclists first appeared on Yanko Design.

The 6-in-1 MagSafe Charging Dock for your iPhone, Watch, and MacBook We Wished Apple Made

I’m not really salty about the AirPower mat anymore, but what I do find a little irksome is that Apple just abandoned the idea of a consolidated charging solution entirely. Sure, they developed MagSafe charging for the iPhone and AirPods, but they didn’t really come up with any charger that works with multiple devices, or even a charger that is capable of being a hub for all your Apple gadgets. The idea holds immense potential, but it seems Apple dropped the ball there… and the folks at ESR picked it right up.

The world’s first Apple-Certified 6-in-1 MagSafe Charger from ESR is the charger we wish Apple had made years ago. Equipped with a GaN semiconductor, the sleek device doesn’t just charge your smaller Apple gadgets, but it can also deliver up to a staggering 100W of power to your MacBook too, making it an all-in-one solution for all your charging requirements. With three dedicated slots for your iPhone, AirPods, and Watch, as well as three output ports for charging your laptop, tablet, and power bank, ESR’s 6-in-1 MagSafe Charger makes a perfect addition to your workspace, solving all your charging woes without requiring an entire bundle of wires and charging bricks… pretty much like the future the AirPower mat had promised for us.

Designer: Sam Xu

Click Here to Buy Now: $154 $179 (14% off). Hurry, only 380/500 left! Raised over $130,000.

Designed to be an intuitive, reliable, and quick charging experience, the 6-in-1 charger comes with an Apple-certified design, which allows you to wirelessly charge your iPhone at 15W and your Watch at 5W, like Apple’s own chargers. The MagSafe feature lets you intuitively snap both your iPhone as well as Apple Watch into their dedicated charging zones, as they sit vertically or horizontally at a slight angle so you can still view their displays during use. A spot under the iPhone houses yet another coil to charge your AirPods or any other wireless charge-compatible TWS earbuds.

What makes the 6-in-1 charger such a tiny yet formidable beast is the GaN superconductor on the inside. Designed to deliver much higher power without the heavy charging brick, GaN or Gallium Nitride is dubbed as the future of silicon, making it perfect for the 6-in-1 charger. The charger offers ports with a max output of 100W that allows you to easily plug your USB-C-powered laptop into it, while still charging all your other devices simultaneously. The charger’s built-in power management system does a flawless job of managing power requirements for all devices, without heating up at all, thanks to the GaN in the chipset.

For the wireless charging coils that do tend to heat up ever so slightly, the 6-in-1 charger has a CryoBoost fan built into the rear of the charging coil, helping keep the coil as well as your smartphone cool as it charges.

While ESR’s 6-in-1 MagSafe Charger doesn’t compromise on features, it’s its design that wins my heart. There’s a level of elegance to it that makes it fit right into your Apple ecosystem, with the use of white plastic and anodized aluminum that complement your iPhone, AirPods, and Watch perfectly. The charger comes with an AC power input on the rear, and a single button on the front that allows you to toggle the CryoBoost fan as well as switch off the charging status lights, just in case you plan on leaving your gadgets charging overnight. The 6-in-1 MagSafe Charger starts at a discounted $154, with shipping commencing as soon as September 2023.

Click Here to Buy Now: $154 $179 (14% off). Hurry, only 380/500 left! Raised over $130,000.

The post The 6-in-1 MagSafe Charging Dock for your iPhone, Watch, and MacBook We Wished Apple Made first appeared on Yanko Design.

This sideboard swings at 90 degrees to form a work from home desk & function as a flexible storage solution

Are you still looking for the perfect desk? One that you can end hours working away on, without feeling uncomfortable and bored. One that also lets you eat your meals on it, and binge-watch on some Netflix as well. Well, so am I! And I’m sure that’s the case with most of us, since working from home became the new norm, and our home offices became our new hang-out spots. Having a great desk is extremely important. Simply a ‘good’ desk won’t do either. A great desk helps us work comfortably and effectively. It puts us in the right mindset, helping us achieve our daily productivity goals and checkmark all the tasks on our to-do list! Not only should our desks be clean, but they should also sport an ergonomic and functional design! And good looks are a bonus. And finding a desk that does all of the above can be a Herculean task. But worry not, I’ve found the ultimate desk for you – the Hideaway Swing Desk.

Designer: Bisley

Now, the Hideaway Swing Desk is no ordinary desk! Primarily because it’s not just simply a desk, it’s also a sleek and elegant sideboard. In its original state, the Hideaway Swing Desk functions as an excellent sideboard that is perfect for smaller homes. But when you move the furniture piece at a 90-degree angle, it transforms into a functional and sturdy workspace. The multifunctional design is intended to be a flexible storage solution that can solve a variety of problems in modern homes. Its dual functionality makes it unique and allows it to not only store your belongings but also serve as an efficient and effective work-from-home desk.

The Hideaway Swing desk features a matte velvety surface that instantly draws attention. The surface is amped with anti-fingerprint features and a sturdy coating that is resistant to abrasion, impact, and micro-scratches. It has a contrasting wood laminated desktop finished in – oak, maple, walnut, or shorewood. A hidden push-to-open drawer is smartly concealed in the desk, with a soft fabric lining to protect your precious personal items. The desk is also equipped with a built-in USB, pin plug, and cable management system.

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Award-winning housing design uses local materials and weaving traditions to bring access to clean water

Access to clean water is something that a lot of people in developed countries probably take for granted. But there are some places that this can be a challenge and has affected people’s quality of life and can also mean a matter of life and death. A design for a house with a water catchment feature using local materials and traditional weaving techniques has won an award and can be used to improve water sustainability in Africa and other countries with water problems.

Designer: Hong-En Lin

The main character in this house design is the roof which has a wooden structure and a weaving device to be able to collect the dew that passes through it and then turn this moisture into actual drinkable water. It is also able to harvest rainwater and as it passes through the same filtration system that the dew collection uses, it turns all the water into something that can be used for taking a bath, cooking food, and even drinking.

The materials used for this housing design is all locally available in Africa to keep it sustainable and cost-effective. It has also been able to integrate local weaving culture to add an aesthetic feel to the roof of the house but also creates a sense of community for the locals who will be involved in the creation of the materials and also the construction process. Plus, you also get a unique looking and picturesque house that can be a conversation starter.

This has of course garnered the attention of design award-giving bodies as it is able to incorporate green design into helping solve a major issue for a community. Hopefully this is a model that can be used not only in Africa but also in other parts of the world where access to clean water is a major issue.

The post Award-winning housing design uses local materials and weaving traditions to bring access to clean water first appeared on Yanko Design.

This Kinetic Sculpture Provides an Elegant Metaphorical Reflection on Environmental Impact through Dots

Our contemporary lifestyles have undeniably left a negative mark on the environment. Despite the ongoing discussions and awareness campaigns, it seems that these efforts have failed to significantly influence the lifestyle choices of the masses. “The Dots,” an interactive installation by Jack Lee, serves as a metaphorical representation, showcasing the undeniable impact of human activities on the environment and its related issues. Through the fusion of kinetic art and technology, this captivating artwork offers a thought-provoking visual narrative that urges viewers to reflect upon their responsibility towards the environment.

Designer: JACK LEE

At the heart of “The Dots” installation are meticulously arranged polarised panels, cleverly designed to create mesmerizing visual effects through physical manipulation. By employing servo motors and sensors, the transparency of these panels dynamically adapts to the proximity of the viewer, revealing a captivating visual story. Jack Lee’s creation exemplifies the essence of his “Matters” project series, catalyzing contemplation and encouraging viewers to consider their impact on the environment.

Global environmental issues often appear too vast, abstract, and disconnected from individuals’ daily lives. While the public is generally aware of their existence, it is challenging to establish a personal connection with these issues. However, the power to shape the Earth’s environment, whether positively or negatively, lies within the hands of each individual.

The polarising film used in “The Dots” plays a pivotal role in creating its visual effects. This film is applied to both the surface of the panels and the viewer’s face shield, creating a unified polarised environment. Polarisation is a property of light that describes the direction in which its waves vibrate. The film is specially designed to filter and manipulate the polarisation of light passing through it.

As the panels rotate, the relative angle between the polarised film on the panels and the viewer’s face shield changes. This change in angle alters the transmission of light through the panels, affecting their transparency. When the polarization angles align, the panels become more transparent, allowing more light to pass through. Conversely, when the polarisation angles are misaligned, the panels appear darker and less transparent.

This dynamic interaction between the viewer’s perspective and the polarised panels creates captivating visual transformations, enhancing the immersive experience and reinforcing the connection between the viewer and the artwork.

The installation consists of seven precisely arranged circular panels, forming an intriguing hexagonal grid. Guided by servo motors controlled by an Arduino board integrated with an Ultrasonic distance sensor, each panel gracefully comes to life. The panels’ surfaces are coated with a delicate layer of polarised film, similar to the material used in a specially designed face shield that the audience wears.

As the panels elegantly rotate, a mesmerizing metamorphosis unfolds. The transparency of each panel dynamically shifts, influenced by the relative angle between the viewer’s glasses and the panels themselves. This captivating interplay between movement and perception creates a visual symphony, where the degree of rotation echoes the distance between the audience and the installation.

“The Dots” installation serves as a significant initiative toward environmental awareness, but there is room for further development. Currently, viewers require additional equipment like the viewer’s glasses to fully experience the installation. While this adds an extra effort that may deter some individuals, it is crucial to consider inclusivity and accessibility. Finding ways to make the experience more easily accessible can ensure a broader reach and engage even the “lazy” population who might otherwise prioritize ease over environmental concerns.

Looking into the future, “The Dots” holds immense potential for engaging and inspiring audiences in various settings. Beyond its current artistic context, the concept and technology employed in this work can be extended to broader applications.

In public spaces, such as museums or interactive exhibitions, “The Dots” can serve as an immersive experience that encourages public engagement and dialogue. By inviting viewers to reflect on their individual responsibility for the environment, the installation prompts discussions and actions toward a more sustainable future.

Moreover, the technology and techniques used in “The Dots” can inspire innovations in architectural design and urban planning. By integrating similar interactive elements into buildings and public spaces, it becomes possible to create dynamic environments that respond to human presence and encourage eco-friendly behaviors.

Overall, the future application of “The Dots” extends beyond its current art form, presenting opportunities for environmental education, public engagement, and sustainable design solutions. By harnessing the power of interactive technology art, this installation has the potential to contribute to a more conscious and environmentally responsible society. It reminds us that our individual actions, no matter how small, can make a difference in shaping a better future for our planet.

The post This Kinetic Sculpture Provides an Elegant Metaphorical Reflection on Environmental Impact through Dots first appeared on Yanko Design.

Smith Hanes Studio brings "a sense of calm" to Carmel restaurant in Atlanta

Atlanta-based Smith Hanes Studio has used a palette of natural colours and materials to help diners at this restaurant imagine they’re beside a beach.

A laid-back, coastal vibe was the goal for the Carmel restaurant, located on a cobblestone street in Atlanta’s Buckhead Village.

U-shaped bar and suspended light fixture wrapped in rattan
The U-shaped bar at the entrance to Carmel is wrapped in rattan

Founder Tal Baum of Oliva Restaurant Group wanted to create a space that would transport guests to the casual seaside ambience, so she tasked Smith Hanes Studio with designing an environment that draws upon a variety of beachside communities.

“[Baum] wanted us to bring a sense of calm and expansiveness to Carmel, like you’d experience on the Mediterranean coast,” said studio founder Smith Hanes. “Our interior designer Janine MacKenzie accomplished that with a beautiful warm palette of naturals that coax us to remember the balmy indoor-outdoor breezes of Tulum or Puerto Escondido beach.”

Bar area with table seating and tall stools
Lime plaster covers the walls to evoke a coastal aesthetic

A variety of local artists and craftspeople were brought on to achieve the desired effect. Lime plaster was hand-applied to surfaces by Super Delicious Walls and custom fibre installations by Sonya Yong James were added as accents.

Meanwhile, upholstery and millwork were crafted by fabricators Hancock Surface Studio, Onemost Studio and Bjork Studio.

Dining room with warm lighting
In the dining room, woven pendant lights emit a warm sunset-like glow

Upon entering the establishment, a U-shaped bar is wrapped in rattan, matching a light fixture suspended above that follows the same shape.

Folding back a large wooden window opens the bar area to the street, where additional seating is built into the facade to serve cafe tables.

Dining tables beneath a fibre artwork
Contributions from local artisans include custom fibre installations by Sonya Yong James

The back bar is set against a wall of textured, square white tiles, and framed by an arch with curved pillars covered in similar but smaller reddish tiles.

“The rattan-wrapped bar, amber-tiled barback, glowing drink rail and sculptural lighting evokes a world of cabanas and parts of the Mediterranean where handwoven basketry is commonplace,” said the restaurant team.

Past the bar area, a deep arched opening leads into the 1,600-square-foot (149-square-metre) dining room.

Mossy green banquettes, wooden four-top tables and chairs, and sheer curtains are all washed in a warm glow, “as if the sun is setting low on the ocean’s horizon” according to the team.

Booth set in a niche carved from the walls
Booth seating is set into niches carved from the walls

The pendant lamps above the tables are woven from elephant grass and feature matte porcelain bulbs.

More tilework, this time in sage green, clads the area around the kitchen passover window, which is flanked by niches for booth seating on either side.

Carmel exterior with seating below an open window
A large window opens to additional seating along the restaurant’s exterior

Hanes founded his eponymous studio in 2004, and also opened an office in New York in 2020.

Focusing on hospitality interiors, the team has previously completed a bar and restaurant in Atlanta that’s decorated with floral installations, and the ground-floor eateries within a renovated hotel in Portland, Oregon.

The photography is by Tim Lenz.

The post Smith Hanes Studio brings “a sense of calm” to Carmel restaurant in Atlanta appeared first on Dezeen.

Ten architecture and design projects by students at IE University

Photograph of washing line with underwear on it with sky in background

Dezeen School Shows: a project detailing the cultural and agricultural importance of haystacks in Switzerland is included in Dezeen’s latest school show by students at IE University.

Also included is a city network that connects travellers and residents through food and a thesis that explores the environmental impact of pollution caused by the fashion industry.


IE University

Institution: IE University
School: IE School of Architecture and Design
Courses: Bachelor in Architectural Studies and Bachelor in Design
Tutors: Mariona Benedito and Edgar González

School statement:

“The Bachelor in Architectural Studies prepares students to transform the world and make meaningful environments.

“With a project-based approach to learning and a diverse body of faculty and students, the program synthesises creative, technical, environmental and social considerations, driven by a forward-looking and entrepreneurial spirit.

“We teach our students to master the essential tools and skills of the architect while simultaneously encouraging them to think broadly and creatively about how these tools and skills might be used in the future.

“Thanks to IE School of Architecture and Design’s international recognition, this bachelor’s degree has an exclusive internship programme that will allow you to gain invaluable work experience in some of the most prestigious studios worldwide.

“The Bachelor in Design is a comprehensive degree that seeks to challenge today’s physical, experiential, functional and emotional reality.

“Designed for flexible and audacious individuals seeking creative solutions for a better and more sustainable life, this degree uses a unique combination of a solid foundation in design, a demanding project-based methodology and a focus on real-life challenges.

“Rigorous scientific and creative aspects of design are combined with a business perspective, allowing you to transform and improve people’s daily lives.”


Visualisation showing haystack with figures around it

Guardians of Hay by Juana Mom

“The revolutionary advances in mechanisation and new technologies substituting human labour and pre-industrial techniques drove the fading image of agriculture, cultural heritage and material culture.

“This project highlights a specific and fundamental stage in the traditional farming technique of hay-hand making through one particular element: the haystack, a method of drying and storing hay after fresh cutting.

“An intensive research focuses on a specific haystack, called triste in Switzerland, practised passionately and with a predominant regional role in the landscape and feeding management.

“Nevertheless, given the present-day circumstances, the challenge persists in transmitting and documenting to the present and next generation the knowledge and beauty of an authentic coexistence between humans and nature.

“This project attempts to enhance the tradition, holding the existence of haystacks, re-integrating past perspectives and reshaping the rural image through festivity and cooperation.”

Student: Juana Mom
Course: Bachelor in Design


Visualisation showing overlapping ocean creatures and structures

The Ocean Nation by Francesca Norrington

“Today, less than eight per cent of the sea is protected – within that eight per cent, one per cent constitutes the High Seas, which refers to any marine territory beyond Exclusive Economic Zones.

“This project proposes redesigning ocean conservation by dismantling the hierarchy between humans and more-than-humans. The liberation of the oceans begins with empowering them socially and politically.

“This project aims to initiate a critical debate on the monetisation of the marine environment by drawing from two parallel narratives that explore the perception, extraction and conservation of the oceans throughout history.

“One perspective is rooted in art, literature, and philosophy, particularly the Blue Sublime.

“The other perspective examines the political and economic bias that has shaped supposed ‘conservation’ treaties and policies, ultimately facilitating extraction.”

Student: Francesca Norrington
Course: Bachelor in Design


Photograph of liquor bottle in front of cactus plant

Message in a Bottle by Maria Fernanda Soto

“This piece presents research findings about Cocuy – a distilled, fermented liquor – in Venezuela, highlighting its historical significance and cultural richness.

“It proposes a socio-economic reorganisation centred around Cocuy, aiming to create new economic opportunities for the industry and the country.

“Despite being marginalised in the past due to political agendas, Cocuy has gained popularity and interest among younger generations, representing decades of Venezuelan history.

“The project suggests rebuilding the relationship between cocuyeros (Cocuy producers) and the rest of the country, ensuring equitable remuneration for the communities involved in planting, harvesting, fermentation and distillation.

“In summary, this piece explores a promising economic opportunity for both the country and the cocuyeros community, seeking to reconcile two contrasting realities rooted in love for Venezuela and its identity.”

Student: Maria Fernanda Soto
Course: Bachelor in Design


Cover art showing model wearing mask with areas of their face pixellated

Metro Futures by María Roig

“Metro Futures is a research project investigating air pollution in underground systems, specifically inside Madrid’s Metro.

“Air quality depletion is a silent yet escalating problem caused by hazardous materials and inefficient resource management, with a concerning lack of data.

“To tackle this problem, this strategy aims to find a common interest between public and private stakeholders by visualising the future health, social and economic consequences of air pollution through speculative scenarios.

“From a transformational collaboration between all stakeholders to unilateral approaches descending into a dystopian reality, Metro Futures works as an interactive campaign that collects signatures to implement an air quality monitoring system inside the metro, allowing users to interact with the air they breathe on their daily commute.”

Student: María Roig
Course: Bachelor in Design


Visualisation of beach front area

The Inbetween Condition – Mente Cuerpo y Alma: Redefining the Fringe of Palma de Mallorca by Catarina Gill de Barros Leonel

“After years of development, layers of infrastructure have been added to the coastline of the city of Palma de Mallorca, particularly along the bay, creating a barrier between the neighbourhood of El Terreno and the water.

“Locals no longer have the beautiful connection they once had, as they are met with a wall of hotels, a six-lane highway and a marina filled with boats.

“This project is an opportunity to redefine the wall by reconfiguring the existing Tito’s Nightclub, with the primary focus of bringing the water back to the people.

“This is crucial at this time in history with the rising sea levels and the increasing temperature. This project aims to be a place for the locals to find comfort to exercise their mind, body and soul.

“The main scopes of the proposal are to physically and visibly connect the neighbourhood with the coastline, minimise the traffic while increasing pedestrian access, and introduce accessible and swimmable water as an urban programme, all incorporated in a garden-like atmosphere.

“The project stretches from the neighbourhood to the ocean while maintaining open space, an attempt at breaking the current barrier.”

Student: Catarina Gill de Barros Leonel
Course: Bachelor in Architectural Studies


Visualisation showing person drawing a tree inside former grain soli

La Catedral: Foundation for the Fututre of Agriculture and Food by Ludwig Hochleitner

“This project involves the re-use of a grain silo. Due to the agrarian history of the silo, its future will be related to agriculture and food.

“The project aims to explore alternative and unconventional ways of thinking about food production and focuses on two diverging relationships – that of art and science and that of old and young.

“It involves the story of seniors, especially in the evolution of the countryside in recent decades.

“On the one hand, it should be attractive to seniors that could be gardeners, volunteers and teachers, but also a place of interest for young talent looking to the future.

“The insights of seniors, including those that are retired farmers, could inform the future-oriented experiments of young researchers at the foundation.”

Student: Ludwig Hochleitner
Course: Bachelor in Architectural Studies


Visualisation showing 3D map of city block

El Refugio del Peregrino by Maria Dolores Lopez Ibarra

“The proposal embodies a reimagined concept of a senior living facility, where older adults and large groups of pilgrims coexist in a diverse community setting.

“Additionally, aligning with the project’s vision, there is a strong emphasis on actively engaging with the city’s vibrancy by creating open public spaces and offering a range of activities such as community workshops, theatre performances and informative lectures.

“In this design approach, the plot harmoniously integrates into the surrounding hill, merging with the natural landscape.

“By embracing this concept, the plot becomes an inviting space that implements a range of vibrant and inclusive public programmes that cater to the diverse interests and needs of the city’s residents and visitors.

“The construction systems employed in the project incorporate steel structures and terracotta facades that serve as a contemporary method of paying homage to the surrounding buildings, maintaining harmony with the existing architectural context.”

Student: Maria Dolores Lopez Ibarra
Course: Bachelor in Architectural Studies


Visualisation showing people on a dock

A New Tide: Reimagining Mollet by Javier Madero

“Historically, Palma has turned inward for defence and developing its inland economy – the coastline was virtually untouched.

“The first expansion into the sea came with industrialisation, which led to the coastline being occupied by ports, trade and industry.

“The next expansion of the coastline came with the touristic boom, and the necessary infrastructure to accommodate this new industry.

“Today, Palma has a disproportionate concentration of environmental degradation compared to the rest of the island and the country – the most significant forms are plastic waste and emissions from vehicles on land and sea.

“Contramuelle Mollet today is almost completely of restricted access and occupied by parking lots and roads – these barriers restrict civilian access to the sea for kilometres.

“This project aims to redefine new public spaces and transform the main dock into an element that reaches into the sea and creates opportunities for interaction with it.”

Student: Javier Madero
Course: Bachelor in Architectural Studies


Visualisation of people in kitchen area with terrazzo floor

El Receso: An Homage to the Ritual of Dining (Logroño, Spain) by Elvan Z Gurbuzturk

“The newest addition to Logroño’s urban network, El Receso, is situated by Parque del Ebro on a site previously occupied by Aparcamiento Revellin.

“Honoring Logroño’s rich history as a place of passage, it aims to bring together the pilgrims of Camino de Santiago, the locals of Logroño, and neighbours from surrounding towns through a shared passion for food.

“A traveller stops to eat and rest, the most significant break in the working day is the lunch break, and eating is the most valid excuse for pause.

“In a city where gastronomic activity holds great importance, the opportunity to increase contact points between the residents, neighbours and pilgrims through food should be taken advantage of.

“El Receso is a space where one can experience the entirety of the ritual of food, from buying local agricultural produce to cooking communally, eating communally and engaging in sobremesa (dessert) communally.”

Student: Elvan Z Gurbuzturk
Course: Bachelor in Architectural Studies


Photograph of washing line with underwear on it with sky in background

Dirty Business by Clara Batista

“Dirty Business is a detailed exploration of the textile industry’s obscured practices, the manipulation of our primal instinct of disgust and its application in material exploration and textile alternatives.

“It begins with the dissection of the innate emotion of disgust and its versatility with the socio-cultural constructs of ‘dirt’.

“This thesis reveals how repulsion, an evolutionary survival mechanism, has been hacked by cultural norms to establish boundaries within our society.

“At the core of this investigation, the ‘dirty’ practices of the textile industry will be uncovered, spotlighting the industry’s environmental, social, and sanitary misconducts.

“The objective is to redirect the automatic response of disgust toward these industry’s controversial practices, inciting dialogue and encouraging a shift in societal perception.

“The project symbolises these influences by demystifying two widely stigmatised materials, human hair and mycelium fungi, revealing their inherent potential and challenging their negative connotations.”

Student: Clara Batista
Course: Bachelor in Design

Partnership content

This school show is a partnership between Dezeen and IE University. Find out more about Dezeen partnership content here.

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Top 10 Tableware designs to elevate your next dinner party

One of the most intimate and bonding experiences you can have is sharing a meal with someone. And, when it’s at your own dinner table, the pressure to create an enjoyable and comfortable environment is higher than ever. A component that you can never truly ignore in a dining setup is tableware (the little things truly do count). Having excellent tableware is really important. It has the potential to completely transform your dining experience, taking away attention even from the food! Designers have been getting extremely creative when it comes to cutlery – from a minimal Japanse folding knife that can be hooked onto the edge of a plate to tableware made from walnut shell. Hence, we’ve curated a collection of innovative and exciting tableware designs that are sure to be the highlight of your next dinner party!

1. The Oku Knife

The Oku Knife is really a unique one. Designed the Kathleen Reilly, the knife is inspired by Japanese table settings and is equipped with an innovative handle that folds at 90 degrees from the blade. The interesting shape of the knife ensures that the handle can be placed on any surface, with the blade placed perpendicularly away from that surface. You can even rest the knife’s blade along the edge of a cutting board or plate.

2. Walnut Shell Tableware

If you mix walnut shells, pine resin, and Canauva Power you get NOS, which provides new CMFs with a wide range of colors, patterns, and light transmissions, since it involves grinding large volumes of walnut shells into different sizes. Pine resin is used to bind it. Once the shell of the walnut is separated from the kernel, it is discarded as waste. And this waste is being transformed into entire plates by designer SooA Choi!

3. Joseph Joseph Salad Bowl & Servers Set

Joseph Joseph and Element Studio collaborated to create this thoughtfully designed and minimal salad bowl and servers set. It’s an intelligent space-saving design since both products can be merged into one convenient product, seamlessly integrating functionality and form. It occupies a tiny amount of space on your dinner table or kitchen drawers, and it is also quite aesthetically pleasing.

4. The Hida-Cedar Bowls

Designed by Higashi Shunkei, these stunning woods bowl were created using cedarwood sourced from the forest in Takayama. Called, the Hida-Cedar bowls they are spun, finished, and lacquered within Higashi Shunkei’s workshop, and showcase a beautiful dark finish with light-colored bands, bringing to mind the image of a tiger’s striped skin.

5. Wasteware

Viennese designer, Barbara Gollackner collaborated with Australian chef and restaurant owner Martin Kilga to create the ‘Wasteware’ collection, a range of tableware made using leftover food! The duo created a collection of bowls, plates, and cutlery using industrial and personal food waste. To bring the interesting tableware items to life, the studio utilized food waste such as pork skin, and old bread – from personal and industrial waste.

6. The NEST

The NEST is a clean, minimalist, and monochrome salt and pepper shaker that is inspired by a bird’s nest. Designed by Mirko Romanelli, the shaker design was made from marble, imparting it with an elegant and solid identity. “The nest envelops, houses. and protects the egg inside. The aim is to work with marble through simple and geometric shapes such as the sphere and the toroid, enhancing the material aspect of marble and offering the user a product that gives great flexibility of use,” said Romanelli.

7. Brunetti’s Ceramic Mugs

These stunning ceramic mugs by Frank Brunetti feature a full matte monochrome appearance, accentuated by a touch of glossiness on the edge. The mugs are true beauties, and available in a wide range of vibrant color options, forming a colorful and playful pack of mugs when placed together on your dinner table.

8. Imre’s Hug Cup

Imre’s Hug Cup was designed with the intention that, “we give special attention to things we use in our everyday life. We like to have a personal relation to the objects we touch closely, such as a cup.” The internal handle of the mug is pretty unique, as it enables the users to grip the Hug Cup while feeling the warmth of the liquid contents inside!

9. Smogware

The Smogware is an elegant minimal porcelain tableware collection that is really quite unique. The designers harvested dust, notably air pollution from Rotterdam, Netherlands, and integrated it into utensils such as plates, cereal bowls, and coffee tables by harmoniously glazing the particles onto the items.

10. Art Deco Garden Collection

Each piece of the Art Deco Garden Collection is inspired by Japanese Zen Gardens and the age of Art Deco. The porcelain tableware shimmers in white and is lined with hand-painted golden patterns reminiscent of the Art Deco movement. Brass accents enhance each piece’s ode to Art Deco.

The post Top 10 Tableware designs to elevate your next dinner party first appeared on Yanko Design.

Bamboo screens "weave old and new" for artist's residence in India

Exterior of Farm 8 by Studio Array

Indian architecture practice Studio Array has used hand-woven bamboo screens to wrap this home and artist’s studio in Delhi, which incorporated existing foundations and columns.

Called Farm 8, the project was designed for a collective of artists exploring a sustainable, waste-free method of living known as permaculture, to be used as both a residence and a site for public engagement programmes.

Exterior of Farm 8 artist residence by Studio Array
Studio Array has created a home and artist’s studio in Delhi

A previous attempt to construct a building on the site had left foundations and columns in place. Drawing on the no-waste approach of permaculture, Studio Array‘s starting point was to integrate these into the new design.

A lightweight structure of black steel, infilled with woven bamboo, encloses the existing columns, creating a cluster of mono-pitched volumes surrounded by an expansive garden.

Building wrapped in bamboo screens
Farm 8 is wrapped in hand-woven bamboo screens
“Almost a decade ago, the clients intended to use the site as an artist’s studio space for themselves – foundations and columns were thus cast at the time, unfortunately the on-site work was stalled for unforeseen reasons,” explained Studio Array.
“The artist’s residency caps and envelopes the old structure while creating a structural contrast by intervening with lightweight steel, glass, bamboo and wooden drywall construction.”
Indian artist residence by Studio Array
It was designed for a collective of artists
Two bedroom blocks to the east each contain a pair of bedrooms separated by a bathroom, with areas of the woven bamboo screens opening out onto a mixture of semi-enclosed and open brick-paved patios and gardens.
Studio workspaces and a kitchen sit to the west, illuminated by windows in the high, pitched roofs and areas of full-height glazing that create a close connection to the garden.
“A weave between the old and the new, the outdoor and the indoor and the public and the private became the paramount idea,” said the studio.
“Emulating the experience of sitting under a tree, semi-open spaces were carved out of the existing column grid structure to offer a sense of protection, without creating enclosures.”
Courtyard space at Farm 8 by Studio Array
The material palette is defined by simple materials
The material palette, both inside and out, was defined by simple, raw materials that will weather over time, bedding into the garden and surroundings.
As well as the bamboo screens, which create a permeable, translucent shell for the building, continuity from the outside to the interiors was created with plastered walls, concrete floors and exposed steel frame ceilings.
Studio at Farm 8 in Delhi
Exposed steel-framed ceilings feature inside
“The bamboo screens will age and change colour over time, as an ode to the unforgiving ageing process, mimicking and inviting nature to take over for years to follow,” said the studio.
“The brick flooring sans mortar used in the semi-open pavilions is also designed to age and desaturate with time, with the possibility of allowing grass, weeds and the landscape to enter the built space.”
The photography is by Edmund Sumner.

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