Social Media Marketing for Creative Job Seekers

Create, and the work will speak for and sell itself. That’s the dream, right? Maybe so. But the reality is that work can’t do everything. The most successful artists, musicians, makers, and creatives rely on solid marketing to build their brands, sell their products, and land new clients within their respective industries. If you’ve yet to create a real marketing strategy, now’s the time.

Marketing on social media has proven to be one of the best tactics for creative job seekers. From how many people you can reach to how easy it is to create and share unique content that goes viral, social media is a sure bet for starting your marketing journey and showcasing your work. 

Use the following guide to plan and execute a successful social media marketing strategy that elevates your creative career.

Determine What You Want To Use Social Media For 

Many creatives get on social media and go with the flow. They don’t have any real direction, and the results they’re getting (or not getting) clearly indicate that. 

If you want to get something out of social media marketing, you need to determine what that something is. In other words, what are your social media marketing goals? What would be your ideal results from a successful social media marketing strategy? What types of clients are you hoping to attract? Which gigs are you hoping to land? 

Whether it’s brand awareness, showcasing your portfolio, creating a community, or another goal, determine what you want to use social media for and be clear about it. 

Write Out an Actual Plan 

Once you know what you want to use social media for and the ideal results you want from your strategy, it’s time to write out an actual plan. Get the details of your marketing strategy down on paper or in a digital document. 

Discuss the specifics of who you’re targeting on social media. Think about how you will present yourself on social media in order to showcase your best work. Dig into details about the platforms you’ll be on and the kind of content you’ll create for each. Detail everything you will do on social media to create the best experience for your fans and followers. 

Your plan is the roadmap you’ll follow to ensure you’re successful on social media. 

Get Into a Content Creation Routine 

Creating content is the most time-consuming part of social media marketing. You need to create a lot of it and post often to break through the oversaturation plaguing social media today. 

The thing is, you can’t just create any old content and expect it to take off. You must invest time and effort to develop high-quality, original content. A content creation routine will help you get into this habit. 

Start with designing a dedicated space for creating content. In it, you’ll be able to get into your creative “zone” much easier. Intentional colors, shapes, lighting, and accessories can all facilitate comfort, creativity, and a good mind for creation. Additionally, any photography, videography, and visuals you create will have a great backdrop. 

Once you’ve got your content studio set up, develop a routine around creating content. Choose the days you’ll focus on creating and editing content. Time block to ensure you’re getting as much as possible done during those days. And be specific about what you’re working on, and what your goals are. 

Experiment With Various Kinds of Content 

Social media isn’t a place for boring, stagnant content. Nor can you expect to stand out doing everything that every other job seeker does. It’s essential to experiment with various kinds of content for a few reasons: 

  1. You need to figure out what type of content gets the most engagement from your audience, and what resonates most with the clients that you are trying to attract;
  2. You need to find the content that supports who you are as a creative and brand;
  3. Different types of content allow you to connect with more people. 

Experiment, and do it with conviction. Get into reels. Create a lot of video content. Shoot standout images and post them. Go live. Make infographics, polls, and surveys. Throw some written words in there. 

The key is that you create content that showcases your authentic self. While the exact type of content you create may vary, you want to make sure that your tone and the way that you present yourself online are in line with how you present yourself as a creative professional, especially if you are using social media to land a job.  

Understand Data Analytics and Use It to Your Advantage 

Data analytics is not everyone’s strong suit. But to get results from your marketing, you must understand data analytics and learn to use it to your advantage. Yes, learning about how to collect, process, and analyze social media data can be overwhelming. 

However, breaking the learning process down into digestible chunks and giving yourself time to really comprehend what you’re looking at will help. Set aside time each week to learn the analytics tools on each social media platform you’re using. 

Familiarize yourself with how to access these tools. Then, look at the data and note what you think it means. 

Taking a social media data analytics course or asking a specialist for guidance will help you leverage data even better. 

Spend a Lot of Time Engaging With Your Followers and Fans 

You can post a lot of content on social media. But if you aren’t getting any engagement on your posts, you just put in a lot of time and effort creating content that won’t get results. 

The first step is creating high-quality content that motivates people to leave comments, direct messages, and start conversations. In other words, create content that inspires action. 

When you get people to take action, ensure you’re following it up by engaging with them. Spend time responding to every comment and shoutout you get. Answer every direct message with something thoughtful. Always thank those who share your work or engage with you on live streams.

Each follower you have could be a potential client, so be sure to always put your best foot forward. At its core, social media is about meeting other people, and you can use it to network effectively if you know the right techniques. 

Think Long-Term Marketing and Campaign-Specific 

You should think about social media marketing in two ways: 

  1. A long-term, ongoing strategy; 
  2. Individual campaigns for specific reasons. 

You’ll need to continuously market yourself and your work for the life of your creative career. But you’ll also need to develop individual campaigns for product launches, new partnerships, upcoming shows, and so forth. Balancing both is critical. 

Sometimes you’ll have to work diligently on an individual campaign, and your ongoing strategy will take a backseat, and vice versa. This is okay. So long as the time you spend on each type of campaign eventually equals out. You’ll know you need to adjust your approach if progress stalls on either. 

Social media is one of the best places for a creative to market themselves, their work, and their brands, and can also be a major networking opportunity. Putting effort into your social media presence and marketing upfront can go a long way toward getting you to the career you want. 

University of Plymouth presents 10 architecture, interior and product design projects

A render of a co-working space with plants and wooden interiors

Dezeen School Shows: a plant-filled co-working space and a sculpture representing the financial struggles faced by transgender people are included in Dezeen’s latest school show by the University of Plymouth.

Also included is a light installation informed by the shape of a fish and a project that challenges human-centric perspectives of architecture.


University of Plymouth

Institution: University of Plymouth
School: School of Art, Design and Architecture
Courses: BA(Hons) Interior Design, BA(Hons) Product and Furniture Design, BA(Hons) Architecture, Master of Architecture (ARB/RIBA Part 2)
Interior and product design tutors:
Mike Woods, Jonathan Forster, Polly Macpherson, Roy Tam, Marc Trotereau, Diego Zamora and Peter Davis
Architecture tutors:
Alex Aurigi, Ricky Burke, Graham Devine, Nicky Fox, Andy Humphreys, Zoe Latham, Roy McCarty, Georgette Mckinlay, Mike Westley, Mathew Emmett, Sana Murrani, Bob Brown and Ioana Popovici

School statement:

“Our interdisciplinary interiors and product design studio inspires students to challenge, disrupt and rethink design practices to create unique and compelling user experiences of spaces, objects and artefacts.

“The BA (Hons) architecture studio embraces cross-fertilisation through all modules, enabling students to value collaborative and interdisciplinary practice and inform their own design process, from conceptual thinking to material production.

“Brief and studio thematics were built around the ‘revenant republic’ to understand proposals within the city, celebrate the public interface and create encounters that activate the urban condition. Projects evolve from students’ own preoccupations and interests to come to an informed conclusion.

“The master of architecture programme reflects the interdisciplinary breadth and conceptual flexibility of contemporary architectural, spatial and urban design practice.

“Speculative design and critical thinking help students critically assess the environmental and societal implications of their designs and decision-making processes.

“By incorporating ethical considerations, students can create architectural solutions that respect human rights, cultural values, and environmental stewardship. Theory and practice are carefully integrated with students’ own practices as a model for exploring and interpreting environmental and societal perspectives.”


A render of a co-working space with plants and wooden interiors

Nourish co-working space by Adelle Taylor

“My project is a kitchen space that encourages healthy eating and nourishment in a co-working office. It aims to bring people together and create a comfortable atmosphere for individuals to work in.

“The project explores how we might enable health and wellbeing in the workplace, both physically and emotionally.”

Student: Adelle Taylor
Course:
BA (Hons) Interior Design
Tutors:
Mike Woods, Jonathan Forster, Polly Macpherson, Roy Tam, Marc Trotereau, Diego Zamora and Peter Davis
Email:
adelletaylor317[at]gmail.com


A close-up render of a silver acoustic dome

Acoustic Dome Desk by James Sibley

“The Acoustic Dome Desk is designed to enable the experience of work in busy open-plan spaces to become more personal.

“The overlapping plywood petals lined with cork provide a sanctuary for concentration and reflection.”

Student: James Sibley
Course:
BA(Hons) Product and Furniture Design
Tutors: 
Mike Woods, Jonathan Forster, Polly Macpherson, Roy Tam, Marc Trotereau, Diego Zamora and Peter Davis
Email: 
james.sibley[at]students.plymouth.ac.uk


Sculpture of split human torso

TransAction by Jayden Way

“TransAction represents the transgender financial struggle surrounding medically transitioning.

“I work principally with ceramics, and my work explores social issues relating to gender representation.”

Student: Jayden Way
Course:
BA (Hons) Product and Furniture Design
Tutors: 
Mike Woods, Jonathan Forster, Polly Macpherson, Roy Tam, Marc Trotereau, Diego Zamora and Peter Davis
Email:
jaydenwaydesigns[at]gmail.com


Flower sculptures made from metal

Gender Equality Hooks by Lauren Kershaw

“Gender Equality Hooks explores familiar objects such as homewares through the lens of gender equality.

“I am a designer and maker who enjoys exploring materials, working to discover new ideas and techniques that can be used in the workshop.”

Student: Lauren Kershaw
Course: 
BA (Hons) Product and Furniture Design
Tutors: 
Mike Woods, Jonathan Forster, Polly Macpherson, Roy Tam, Marc Trotereau, Diego Zamora and Peter Davis
Email:
l.kershaw101[at]btinternet.com


Plan and render of Miller on the Bay, a community space

Miller on the Bay by Jackson Harper

“Miller on the Bay is situated between a proposed agricultural hub and social housing scheme that welcomes residents of Stonehouse back into the centre of the city.

“The key approach for Miller on the Bay is to directly reach out to Stonehouse residents to ensure that the regeneration of the boulevard will not result in increased levels of deprivation.

“Miller on the Bay is a safe space for community cooking, a farmers union hub and market, a bakery and advice space.”

Student: Jackson Harper
Course:
BA(Hons) Architecture
Tutors: 
Alex Aurigi, Ricky Burke, Graham Devine, Nicky Fox, Andy Humphreys, Zoe Latham, Roy McCarty, Georgette Mckinlay and Mike Westley


Architectural drawing of a bird's eye view of a urban space by the coast

FragMEntal by Tyler Youngs

“FragMEntal, is a participatory discrete residential programme that is intended to reimagine the current housing industry within the United Kingdom.

“It is an adaptable and boundless system that relies mostly on modular building components that can be altered and changed depending on the individual need, propagating a direction in subjectivity and diversity within architecture and housing.

“Made from a selection of simple structural components, the housing system is versatile and can alter its characteristics depending on an individual’s economic, cultural, religious, academic, and personal background, allowing a consistent and free-flowing shift in housing modification.”

Student: Tyler Youngs
Course:
BA(Hons) Architecture
Tutors: 
Alex Aurigi, Ricky Burke, Graham Devine, Nicky Fox, Andy Humphreys, Zoe Latham, Roy McCarty, Georgette Mckinlay and Mike Westley


Render of agricultural project

Between the Layers – Revealing Growing Surfaces by Marcus Dunmow

“Based within an agricultural campus, this nutrition centre is designed around the concept of layers. Most surfaces are comprised of repeating components, allowing for all types of inhabitation.

“To reveal these surfaces of life infused into the architecture – both internally and externally – dark materials such as carbonised wood clad the exterior to contrast the vibrant layers for growth hidden in between.

“The project focuses on forming sustainable relationships with the surrounding public context, seeking to restore public access and promote health through an understanding of food production and consumption.”

Student: Marcus Dunmow
Course:
BA(Hons) Architecture
Tutors:
Alex Aurigi, Ricky Burke, Graham Devine, Nicky Fox, Andy Humphreys, Zoe Latham, Roy McCarty, Georgette Mckinlay and Mike Westley


The Mechanical Pastoralist by Nicholas Hoo Min Yew

“This project aims to challenge the philosophical perspective of architecture being a static and human-centric entity.

“Framing agriculture as the antagonist, the root of sedentism, this project aims to passively dissolve the movement that hogged half of the habitable lands in the world and migrate them into an extended ecology.

“This frees up space within the existing ecology whilst allowing opportunities for rewilding and adaptation to highly variable environments in the unpredictable future. First constructed in Somerset, England, it aims to diversify a monoculturalistic ecology.

“The Mechanical Pastoralist roams across the existing landscape, providing an extended ecology for natural and artificial entities and elements to displace from local to global, freeing up land for biodiversity to be restored.”

Student: Nicholas Hoo Min Yew
Course:
Master of Architecture (ARB/RIBA Part 2)
Tutors:
Mathew Emmett, Sana Murrani, Bob Brown and Ioana Popovici


A Cultural Connection: Tuti as the Composer of Future Resilience by Beth O’Brien, Chloe Foster and Tytus Szmidtke

“This project seeks to celebrate the existing by embedding layers of cultural research into the design process using music, social practices and vernacular architecture to connect with the people of Tuti Island in Sudan.

“The work is about showing how multiple voices and working methods can combine to create a responsive design approach and therefore challenges the need for cross-disciplinary research in practice.

“The proposal isn’t about telling the people of Sudan what they need, but about sharing a process that proves how valuable the knowledge they already have is in dealing with present and future challenges.”

Students: Beth O’Brien, Chloe Foster and Tytus Szmidtke
Course:
Master of Architecture (ARB/RIBA Part 2)
Tutors: 
Mathew Emmett, Sana Murrani, Bob Brown and Ioana Popovici


Blue lighting installation informed by a fish

Masked Fish by Jack Tidy

“Masked Fish is a wall-mounted lighting installation in the form of a fishtail surfboard.

“My project raises awareness of the impact of the billions of single-use masks that have entered the marine environment after being discarded during lockdowns.”

Student: Jack Tidy
Course:
BA (Hons Product and Furniture Design)
Tutors:
Mike Woods, Jonathan Forster, Polly Macpherson, Roy Tam, Marc Trotereau, Diego Zamora and Peter Davis.

Partnership content 

This school show is a partnership between Dezeen and the University of Plymouth. Find out more about Dezeen partnership content here.

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User Inyerface: Intentionally Terrible UI/UX Design

Some observant, frustrated designer at Verhaert Digital Innovation, a Belgian software developer, has purposely created the world’s worst UI designs. These have been combined and presented as a game, User Inyerface, which asks you to fill out a simple form in the shortest amount of time possible.

I don’t want to spoil too much, but there are a couple of funny surprises, if you’ve got the patience to try it!

_____________________________

See Also:

Intentionally Terrible UI/UX Designs for Worst Volume Slider

Duo Pipe

Bold contrasting colors and a slim design make up the Duo Pipe, a one-hitter made of borosilicate glass from the design-forward smoke accessory brand Tetra and designed by Florida-based studio Yield. In any of its color combinations—purple and green, teal and amber or black and and smoke—the Duo provides jaunty, portable hits.

Ecovacs's self-cleaning mop and vacuum robot is "the Tesla of robot cleaners"

Ecovac's cleaning robot

Promotion: global robotics technology brand Ecovacs is launching a new robot cleaning device that is designed to vacuum and mop the home at once.

Deebot T20 Omni is the latest robot cleaner from the brand’s lineup of robots and is described as “the Tesla of robot cleaners”. It intelligently detects the difference between carpets and hard floors, and lifts its mop for a “seamless tradition across all floor types”.

While other robot mops have heads that rock back and forth, the T20 Omni features what Ecovacs refers to as an Ozmo Turbo 2.0 pressurised mopping system, rotating 180 times every minute to clean floors more effectively.

The device washes its mops with hot water set to 55 degrees, which Ecovac says is an industry-first to more effectively remove oil and dirt, and improve the potency of the cleaning solution for a better clean.

Ecovac's robotic cleaner on hard floor
Technology brand Ecovacs has released a new robotic cleaning device

Its “powerful and market-leading” vacuum component includes a rubber brush design with spiralling blades and 6000 pascal pressure unit suction power that captures debris and dust from carpets and hard floors while avoiding hair tangles.

Deebot users can “set-it-and-forget-it” with T20 Omni, or use Alexa, Google Assistant, Siri Shortcuts and its own Ecovacs app to operate the robot.

With the new mop-lifting technology, users can choose between different cleaning modes for vacuum-only cleaning, mop-only cleaning, vacuuming while mopping, or vacuuming first before mopping with “no manual intervention needed”.

Ecovac's robotic cleaner on hard floor
The device simultaneously vacuums and mops around the home, eliminating the need for multiple cleaning devices

Deebot T20 Omni recognises carpets, automatically transitioning from hard floor to soft carpeting by lifting the mopping plates and pausing their rotation while simultaneously increasing suction power. When the mop isn’t in use, it is lifted up so it won’t drag its wet pads across carpets.

According to Ecovacs, there are only a few robot cleaners on the market that have this latest technology and none of them lift their mops as high as Deebot, making T20 Omni an optimal robot cleaner for households with multiple surface types.

T20 Omni also uses TrueMapping 2.0 – a LiDAR-based technology seen in self-driving cars – to map the home and generate efficient cleaning paths. This technology delivers twice the range of other robots that use traditional laser-based mapping and is four times as accurate.

In addition, a 3D-imaging system called TrueDetect 3D helps the robot avoid household objects like toys, keys and wires with ten times the accuracy of traditional infrared cleaners, even in dark environments, according to the brand.

The device vacuums and mops throughout the home
The device vacuums and mops throughout the home

Ecovacs also reported that this latest model is maintenance-free for months at a time, due to its ability to wash and dry its own mop heads with warm air, empty the dust bin and replace dirty water with a clean substitute.

When not used, the robot docks into its Omni station, which has a built-in hot air dryer specifically designed for mopping pads. This ensures that the mopping pads are thoroughly dried, maintaining their quality and cleanliness for the next use and preventing bacteria growth and bad odours before they form.

The fully sealed style design of the Omni station auto-empties and stores dust and allergens for more than 60 days, providing months of maintenance-free cleaning.

To learn more about the new release and all Ecovacs robots, visit its website.

Partnership content

This article was written by Dezeen for Ecovacs. Find out more about Dezeen partnership content here.

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Sothebys to move in and "review" brutalist Breuer Building in New York

Exterior of Breuer Building

International auction house Sotheby’s has announced its acquisition of the Whitney Museum of American Art’s   Marcel Breuer-designed building on Madison Avenue in Manhattan.

Sotheby’s has announced its acquire the building and turn it into a flagship gallery for the brand in order to display collections of art and luxury goods to the public.

The company said that it would employ an architect to “review and maintain” the structure after it takes possession in September 2024.

Breuer Building exterior
Sotheby’s has purchased the Breuer Building on Madison Avenue

Widely jnown as the Breuer Building, 945 Madison Avenue was completed in 1966 as an additional location for New York’s Whitney Museum of American Art. Currently, it is being used as a temporary home for art gallery The Frick Collection

“This is a truly unique opportunity to reimagine an iconic and globally renown architectural landmark in the ideal location, which will further distinguish us as we continue to transform and innovate for our clients,” said Sotheby’s CEO Charles F Stewart.

Breuer Building exterior
The brutalist structure has a stepped form with a concrete-panel facade

The brutalist building features a facade of concrete panels facade that steps back from the street creating a series of cantilevers. Only a few windows dot the side, extruding at angles from the concrete.

At one end, a large vertical wall shields the building from the adjacent structures.

In its plans for maintaining the structure, Sotheby’s mentioned the “striking lobby”, a space with stone flooring and ceiling completely covered with an array of gridded light fixtures.

Sotheby’s said that after it completes its move, the structure will remain open to the public, who can view the auction house’s collections before items are sold to private owners.

Interior of Breuer building
Sotheby’s will maintain a collection there that it says will be open to the public

Some have lamented the change from museum to auction house. Writing in Curbed, art critic Jerry Saltz said that “auction houses are where art loses its identity and its dignity”.

Saltz noted that the building itself with its limited windows and austere interior felt like a “temple” where art is meant to be viewed.

Marcel Breuer was born in Hungary in 1902 and moved to the United States in 1937. He constructed a number of buildings in his adopted country, some of which have seen changes in purpose over the years, including a brutalist office building in Connecticut that recently reopened as a hotel.

The photography is by Max Touhey

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An Example of FIFO (First In, First Out) Design: Egg Skelters

This object is called an egg skelter, which I’d never heard of before moving to this farm.

We have a lot of laying hens and we use the skelter every day.

Obviously, when cooking you draw eggs from the bottom. It’s a simple way to keep track of eggs by date, ensuring we’re not eating only the new eggs while forgotten eggs slowly go rotten.

It’s a simple and effective design. My only gripe is that it takes up a lot of counter space. (We don’t refrigerate our eggs, as unwashed eggs will stay good for a couple weeks.)

YouCopia, a Chicago-based company founded by serial product developer Lauren Greenwood, makes this sleek, modern version of the egg skelter. It’s easy on the eyes and has a smaller footprint than the incumbent design.

It’s called the Rolldown Egg Dispenser and it runs $20, which is about the same price as the wire ones these days. I don’t think ours will ever break, but if it does I’ll buy YouCopia’s as a replacement.

By the way, if you’re curious what this category of object is called, there’s a food-service and logistics-industry term for it: FIFO (first in, first out). You’ve probably seen those pantry organizers for canned goods or beverages, and vending machines are also technically FIFO devices.

Image: Estera on Unsplash

I wish it was possible to design a refrigerator itself with FIFO principles. More than once I’ve had leftovers go bad because I forgot about them in the back of the ‘fridge.

Ovetto waste bin by Gianluca Soldi for SoldiDesign

Matt black Ovetto bin in kitchen

Dezeen Showroom: Italian design brand SoldiDesign has released an egg-shaped waste and recycling bin that provides a playful and sculptural alternative to conventional bins.

Ovetto, named after the Italian word for egg due to its oval shape, contains three compartments to allow for the easy sorting and disposal of waste and recyclable rubbish.

Matt black Ovetto bin in kitchen
Ovetto Galà comes in red, blue and yellow as well as black and silver

Users can drop items inside through pushing on one of three circular hatches, with the sides hinging open to access and remove the waste when full. An integrated bottle crusher is hidden on the crown of the bin.

All the openings sit flush with the bin’s curved shell when closed, allowing for it to become a statuesque statement piece rather than a purely functional object that is usually hidden away.

Red Ovetto bin
Different compartments allow users to curate unique recycling systems

“Gianluca envisioned a world where elegant design objects will improve recycling habits and allow positioning of the bin in stylish interiors, without compromising on the functionality of the product,” said SoldiDesign.

Ovetto bins are available in a series of different finish collections including Galà, which is characterised by its glossy finishes and rich colours. The bins can be used in both residential and workplace settings.

Product: Ovetto
Designer: Gianluca Soldi
Brand: SoldiDesign
Contact: anna.sala@at11.uk

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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Beautiful Industrial Design Student Work: The SYT Chair

This wonderful SYT chair was designed and built by Theda Vollert, as an Industrial Design student at Germany’s BURG (a/k/a the Burg Giebichenstein University of Art and Design Halle). Vollert fabricated the chair using steel tube, Danish cord and recycled leather.

ID students, take note: As overseen by professor Konrad Lohöfener, the presentation of this project–and those of other students in the class–is particularly excellent: Well-lit photography showing mockups, materials, process shots, the beautiful finished product, and use cases. My only gripe is that no sketches or drawings are included.

In Vollert’s words:

“We sit constantly, and thus feel that sitting on chairs is natural. However, sitting brings us into a static posture, for which our anatomy is actually not made at all.

“With SYT, the rigidity of the chair is broken up by a simple rotating mechanism of the backrest. Suddenly, a new level emerges that can be used in different ways. The movement of the object playfully supports the movement of people, since it does not dictate a specific posture, but allows different positions. It offers a variety of angles of inclination of the back: For leaning, kneeling, sitting backwards with the backrest as a shelf and balancing one’s arms on the rotation point*.

“SYT invites you to discover the possibilities of different postures and to give space to movement.”

Image: CHOREO, Roman Häbler & Lars-Ole Bastar

_____________________

*German speakers: Vollert’s project description above was machine-translated from German and edited for clarity by me; it’s possible I’ve misconstrued the end of the asterisked sentence. Vollert’s original text was:

“…das rückwärtsgewandte Sitzen mit der Lehne als Ablagefläche und das Ausbalancieren des Rotationspunktes beim Sitzen auf der beweglichen Ebene.

Which I interpreted as:

“…sitting backwards with the backrest as a shelf and balancing one’s arms on the rotation point.”

If I’ve gotten it wrong, please let me know!

Vivo X Fold 2 Foldable Phone Review: Beautiful, Big, and Bewildering

PROS:

  • Stylish design with a thin profile
  • In-display fingerprint sensor on both screens
  • Largest screens among foldables
  • High-performance hardware with fast-charging battery
  • Rare mute switch

CONS:

  • Limited market availability
  • Downgrade in camera and USB technology
  • No dust and water resistance rating

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR’S QUOTE:

The Vivo X Fold 2 takes the foldable game up a notch but strangely takes two steps back as well.

As foldable phones start to become a little bit more common, it will also become harder for brands to stand out from the growing crowd. There’s definitely still a lot of room for improvement, of course, but many of the features have started to become more standard these days, especially those surrounding the all-important foldable screen. The challenge is even higher when trying to put out a successor to a successful first attempt, with the stakes now higher and the competition even tighter. That’s the difficult task that Vivo had to face in coming up with a successor to its notable first foldable phone, and so we take the Vivo X Fold 2 for a good run to see if it manages to overcome the odds or if it is a victim of the brand’s own success.

Designer: Vivo

Aesthetics

At first glance, the Vivo X Fold 2 immediately sets itself apart with its distinctive and elegant looks. Circular camera bumps seem to be the new trend, but not all styles are as pleasant to look at. Normally, one that isn’t centered would look a bit awkward and unbalanced, but Vivo manages to pull this one off thanks to a neat visual trick.

The non-screen backside of the phone is made from two materials. There’s a vertical strip on the side of the hinge that’s made of glossy glass, serving as an accent to the rest of the surface, which uses that oh-so-familiar faux leather material. Beyond giving the phone a unique visual, it also gives the illusion that the camera enclosure is sitting in the middle rather than off-center. That said, that camera design is a bit of a mixed bag. Its stepped design and textured ring make it stand out a bit less despite its height, but that small LED flash ring sticks out like a sore thumb and breaks the visual flow of the design, not to mention the necessary ZEISS branding that sits like a blue wart below the camera.

The Vivo X Fold 2 is definitely quite a looker, especially in the eye-catching red unit we were given for this review. Compared to its predecessor, it’s supposed to be thinner and lighter, though you won’t be able to easily tell even if you have both devices at hand. It’s definitely on the thin and light side compared to other foldables, but it’s certainly not the top of the pack in that aspect. What it is, however, is large, and it is possibly one of the largest in the foldable market, especially when it comes to screen size.

Like many other foldable phones outside of Samsung, Vivo uses a well-known water drop hinge to help make the crease less visible while also allowing the phone to fold shut completely. In both cases, the Vivo X Fold 2 doesn’t disappoint, but it’s not exactly a groundbreaking feat either. It would be more shocking if it actually did worse since it’s a more or less established technology at this point. Fortunately, you really don’t notice the crease that much unless you intentionally look for it, and the bright and large 8.03-inch inner display will be enough to distract you with the way it shows your content in vibrant and crisp colors, even outdoors under the sun.

Ergonomics

Now that the once ridiculed “phablet” has become the standard smartphone size, even for Apple, it is nearly impossible to use smartphones these days with a single hand. That is especially true for foldable phones, which transform into small tablets that you really need two hands for. When folded closed, however, the phone’s doubled thickness makes it even less comfortable to use with a single hand, no matter how large your hands might be.

This is probably truer for the Vivo X Fold 2 simply because it is larger than any other foldable phone. When folded, the 6.53-inch external display makes the surface area even less unwieldy. Fortunately, the phone’s textured back gives it a better grip than others of its kind. If you’re the type to still worry, though, Vivo includes a protective back case in the same color and, amusingly, the same vegan leather material as the phone itself.

The one thing that’s a bit easy to do with one hand is to unlock the phone. Thanks to housing an ultrasonic fingerprint sensor in the middle of the screen, you don’t have to fiddle with power buttons located on just one side of the phone. This is already a rare sight on foldable phones, but even more impressive is the fact that the Vivo X Fold 2 also has a similar in-display sensor on the inner display.

Performance

The Vivo X Fold 2 is equipped with top-of-the-line hardware you’d expect from a premium flagship this time of the year. That means a beefy Qualcomm Snapdragon 8 Gen 2, 12GB of RAM, and 256GB or 512GB of storage. What all these figures mean in practice is that it won’t be lacking in power, handling anything you throw at it with aplomb. There is, however, one caveat where the phone gets quite warm when playing graphics-intensive titles. It’s not hot enough to burn your skin, but it might make you want to pause the game a bit, especially since it would eventually affect frame rates.

The phone is equipped with a dual battery that totals 4,800mAh, quite a generous capacity as far as foldables go. Given the power and the two displays, however, you are going to see a shorter uptime compared to normal slabs with the same battery size. Vivo makes up for it with a 120W ultra-fast charging capability that’s one of the fastest in the industry, foldable or otherwise. Unfortunately, that may have come at the price of Vivo downgrading the USB-C port from version 3.2 of its predecessor to an older 2.0 technology. Not only does this mean it has a slower data transfer rate, it also loses the ability to output video through that part. The latter is probably less important to most people compared to faster charging times, but it’s still an unfortunate downgrade nonetheless.

The crowning glory of the Vivo X Fold 2 is, of course, its foldable screen, which is currently the biggest in its category. It has quite an impressive performance, especially when it comes to brightness, but its size does come with a price. It has an overall lower pixel density, and while you won’t be able to make out individual pixels, more discerning eyes might notice the step down in quality compared to other foldables. Fortunately, that doesn’t take away from the enjoyable viewing experience, whether you’re watching videos or reading documents.

Foldable phones haven’t exactly been at the height of mobile photography, mostly because of the sacrifices that have to be made in terms of design and price. Vivo, however, is quite known for its smartphone cameras, especially with its flagship X family, so you’d expect that the X Fold 2 would rise above the rest in this regard as well. Just like the rest of the phone so far, however, it’s a bit of a mixed bag. It definitely takes impressive photos and videos, but they won’t sweep you off your feet, especially when it comes to close-up shots.

The main 50MP camera might not sound like the greatest, but it gets the job done without breaking a sweat. Images have plenty of details, and colors are bright, perhaps even too vibrant for some tastes. Vivo has again partnered with ZEISS for the optics as well as some special camera modes, and those turn out to be more color accurate. The main camera delivers plenty of detail, even in low light, to the point that the dedicated Night Mode might look redundant as long as there is enough illumination from the surroundings.

Left: Regular Shot; Right: ZEISS

Regular (1x)

Night Mode

ZEISS

Unfortunately, the other cameras are less impressive. The 12MP ultra-wide is so-so, and it’s no better nor worse compared to other 12MP ultra-wide cameras you’d find on most smartphones these days. Things take a rather sad turn with the telephoto camera, though. Where there were once two, there is now only one, and Vivo removed the one that was actually more interesting. There is no longer a periscope telephoto camera, leaving only a 12MP shooter in its stead that is capable of doing a measly 2x optical zoom. Many “main” cameras are capable of that much, which makes this camera feel redundant. As for output, it’s decent enough to be usable, but it’s a few steps short of what fans have come to expect from Vivo.

Ultra-Wide

1x

2x (Telephoto)

As for software, the Vivo X Fold 2 comes with Origin OS based on Android 13, which is the China-exclusive flavor that Vivo ships on its phones. This means that there is no Google Play Store pre-installed, though you can definitely install it through other means and get access to your favorite apps. Alas, Origin OS is also filled to the brim with other pre-installed apps, but that, too, is the norm for phones coming from that market. The even bigger concern, however, is how the custom Android experience feels a little rough around the edges as far as support for foldable features is concerned. Given it’s just the company’s second stab at the form factor, it’s a bit understandable, and it will hopefully push out improvements quickly while the phone is still actively supported.

Sustainability

While the Vivo X Fold 2 is able to set itself apart from the others in terms of design, it isn’t that different when it comes to its effects on the environment. The choice of vegan or eco-leather is definitely a good one, but its positive effects are quite minimal compared to the other materials that make up the phone and its packaging. Vivo’s super-fast charging requires a proprietary charger, so it’s unavoidable to ship one in the box.

Sustainability wouldn’t be so bad if the product is made to last, but even then, this foldable might raise some concerns. There is no formal IP dust and water resistance rating, not even a formal assurance of its durability under the most common accidents. Granted, there are few foldable phones aside from Samsung and Huawei that can make such promises, but it is also an opportunity for brands like Vivo to step up their game and prove that they’re no small fry when it comes to providing their customers with peace of mind.

Value

The Vivo X Fold 2 is a bit of a mixed bag. It has a striking design that makes it memorable and attractive, and it also has the power to support all your mobile needs, from browsing to photography to gaming. The larger screens leave plenty of room for your content, or even two of them for the inner foldable screen. There are special features you won’t find in other foldable phones, like an in-display ultrasonic fingerprint scanner and a physical switch to silence notifications, ala the iPhone. We have a few complaints, of course, but nothing so glaring as to make the phone something to avoid.

That said, the biggest deal breaker for this stylish foldable is the fact that only a select number of people will be able to buy one in the first place. Never mind the roughly $1,300 price tag, the Vivo X Fold 2 isn’t even available in markets outside of China. Whether that situation will change, Vivo isn’t saying, but it will definitely need a more polished Funtouch OS experience to improve its reception in international markets.

Verdict

At this point, almost all the major smartphone players except Apple have entered the foldable smartphone market. The competition will soon be just as fierce as it is in the “normal” smartphone arena. With many of them having nearly the same hinges and almost crease-free displays, manufacturers will have to find ways to differentiate their products in other ways that create better value for their customers. That doesn’t always have to be new hardware or gimmicky features. Sometimes, just having a powerful and beautiful device is enough to get people to buy. Just ask Apple!

The Vivo X Fold 2 clearly tries to reach those goalposts. Its elegant design actually makes the off-center circular camera bump work in a simple yet memorable way. In addition to its powerful hardware, the foldable phone offers unique features as well, like larger screens and in-display fingerprint sensors that even industry leaders failed to offer. Unfortunately, Vivo seems to also have cut a few corners in the process, and while they’re not deal-breakers on their own, they make the experience less than ideal altogether. As a successor, the Vivo X Fold 2 definitely rises to the challenge, but Vivo will need to step up its game to really leave a lasting mark in this growing market.

Aki Ukita and JC Torres contributed to this review.

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