"International brands now have to work much harder in China" says Design Shanghai director

Design Shanghai director Zhou Tan

European and US furniture brands face much stiffer competition in China from local rivals that have grown rapidly during the coronavirus pandemic, according to Design Shanghai director Zhuo Tan.

“Chinese brands are doing very well, their business is really flying,” said Tan, who spoke to Dezeen ahead of the first edition of Design Shanghai to take place since China relaxed the international travel restrictions it imposed during the pandemic.

“I’ve spoken to the Chinese brands and they say that during Covid, their sales jumped up two or three times compared with before Covid.”

“The international brands now have to work much harder in China because the golden age for western brands selling without any competition has passed,” she added. “They will have to work harder to win market share.”

Design Shanghai director Zhou Tan
Design Shanghai director Zhou Tan (above) says that Chinese brands such as Nula Living (top) are growing rapidly

This year’s edition of the Design Shanghai trade show, which celebrates its 10th anniversary, takes place this week from 8 to 11 June and will be the biggest ever, with floorspace increasing 40 per cent compared to last year.

Like previous editions, it will bring together international furniture and lighting companies with Chinese designers and brands to create what Tan calls “a platform for engagement between eastern and western consumers and brands”.

Tan still believes that there is a huge opportunity for western brands in China.

“I still think there’s a very big market for them,” she said. “China is big. And there are lots of cities for brands to explore which they haven’t yet. In every city, you always have a premium consumer with a desire for good products. So I still think the market is huge.”

Furniture by U+
U+ is one of the Chinese brands exhibiting at Design Shanghai

But, according to Tan, international visitors to the show this year will find a much bigger and more confident contingent of Chinese designers and brands, which have benefitted from the logistical challenges faced by international companies during the pandemic and a renewed consumer interest in locally designed and manufactured products.

“It’s quite obvious when you think it through, even if a European brand could come into China they would have to wait six, eight months – the lead time was just impossible,” said Tan.

“A lot of projects needed the furniture immediately. So, of course, they would go for local alternatives.”

“And the second much bigger trends across China is the confidence in ‘made in China’,” she added. “Consumers are very proud to use stuff designed and made in China. It’s a big trend, driven from the top of the government and filtering into every element of people’s daily lives.”

Furniture by Frank Chou
Chinese designer Frank Chou is presenting work at Design Shanghai

Significant Chinese brands exhibiting at Design Shanghai this year include Stellar Works, Benwu, Jianze, Kundesign, Nula Living, U+ and Xue, while prominent Chinese designers Frank Chou and Chen Min are exhibiting.

These designers and brands are developing their own unique identities rather than aping their western counterparts, Tan said.

“I think the big switch from 10 years ago to today is people have stopped talking about copying,” she said.

“Right at the beginning of Design Shanghai, everyone was talking about copying. But now I think the Chinese designers are more confident and their work is much better. And consumers are also more focussed on original design., there is a more sophisticated consumption in China and people are demanding more.”

Chair by Stellarworks
Stellarworks is also showcasing its products at Design Shanghai

Tan believes that this increase in originality and quality is fuelled by a new generation of Chinese designers who were educated at leading design schools around the world but then chose to return to China to take advantage of its manufacturing industry.

This year’s Talents section of the show, which is curated by Chou and showcases upcoming Chinese furniture designers, is bigger than it’s ever been before, while a new exhibit at the show called Design Street shines a spotlight on young industrial designers. Tan is very optimistic about the future for Chinese design.

“In the past we maybe had 20 Chinese designers,” she said. “This year, we have over 100. They’re all educated at Central St Martins or other famous design schools. They learn proper professional practice and they come home for the manufacturing in China.”

“Good design married with excellent manufacturing – I think there are some great things to come out of China in the future.”

Dezeen is media partner for Design Shanghai, which takes place at the Shanghai World Expo Exhibition and Convention Center from 8-11 June 2023. For more information about events, exhibitions and talks, visit Dezeen Events Guide.

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This Wearable Cooler Straps Around Your Waist and uses Phase Change Materials to Keep You Cool

While Dyson is out there selling air-purifying headphones, the guys at Torras are quite literally doing god’s work. After building an entire series of neck-worn air conditioners, the folks at Torras are back with the Coolify Zone, a waist-worn cooler that uses a combination of fans and PCMs (phase change materials) to rapidly cool your body down by as much as 18°F. Powered by an internal motor capable of 1000RPM, the Coolify Zone blows cool air upwards to your torso, while absorbing heat from your waist. Mimicking the effect of having an AC blowing cool breeze on you, the Coolify Zone works for as long as 15 hours on a single charge cycle, helping you stay cool outdoors while you’re jogging, doing yoga, dancing, camping, fishing, or just trying to experience nature while simultaneously trying to beat the heat.

Designer: Torras Design

Click Here to Buy Now: $101 $179 ($78 off total with coupon code “yanko2023”). Hurry, deal ends in 48 hours!

The Coolify Zone works like your own personal air conditioner that’s strapped to your waist, cooling your torso and effectively your entire body. Two high-speed centrifugal fans push air upwards, while the phase change material built into the Coolify Zone helps chill the air, doing exactly what an air conditioner does, but with much more energy efficiency. The PCM also absorbs heat from your body, cooling you down much faster and more effectively than just a fan would.

You can toggle between different modes to adjust the cooling intensity on your Coolify Zone. A built-in 4000mAh battery gives the wearable anywhere between 5-15 hours of run-time, lasting long enough to cover your daily jog, a long trek, or a walk in the summers. The device charges via USB-C too, working with all conventional power banks or even your Android charger.

The one catch to the Coolify Zone is that it works best under clothing. Wear it under a tee or a tank top, and the fabric of the garment helps contain the air from the fan, giving you its maximum effect. You could wear the Coolify Zone without a shirt or with a sports bra if you’re a woman, but you risk the chance of wind from the fan blowing in other directions too. An outer garment helps best with containing the breeze, cooling you to the best of its ability. If you want to feel even cooler, just pair the Coolify Zone with one of Torras’ neck-worn devices like the Coolify 2S, which uses semiconductor cooling plates, and you’ll be cooler than an iced latte!

The Coolify Zone starts at a mere $101 (that’s approx 89% cheaper than the Dyson Zone), and comes with an adjustable belt strap, a touchpad to control intensity, and a standby button to power on/off your device. The Torras Coolify Zone ships with a 30-day return policy, a 180-day limited warranty, and lifetime support for any issues or troubleshooting.

Click Here to Buy Now: $101 $179 ($78 off total with coupon code “yanko2023”). Hurry, deal ends in 48 hours!

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SnapFIT visions to refresh your mobile work experience with a 4-in-1 modular laptop accessory

In the era of remote work and on-the-go productivity, the need for a functional and compact system that allows nomadic workforce to operate from anywhere has become paramount.

Recognizing this requirement, SnapFIT emerges as a game-changing modular laptop accessory. This device is designed to replace low-quality, incompatible accessories that hinder portability and result in a tangle of messy cables.

Designer: Riccardo Bosisio

At its core, SnapFIT aims to provide users with a seamless experience by offering a range of interchangeable modules in one unit. Comprising four essential modules – a powerbank, a hotspot, an adapter, and a speaker – the modular device leverages the power of magnets to interconnect and enable effortless workflow and simplified transport.

A camera lens style SnapFIT allows users to have the flexibility to select the modules that are most relevant to their work functions, ensuring they carry only what they truly need on the way out. This expandable approach empowers users to customize their setup based on their individual requirements and travel light with what they want, without spending individually on standalone devices for connectivity, music or power backup.

The modular SnapFIT has a sleek minimalistic black aesthetic, crafted from soft-touch ABS plastic. It has a compact form factor, which is a result of meticulous attention to design ensuring that users not only have functional accessories but also aesthetically pleasing ones.

With SnapFIT, Riccardo Bosisio is rekindling the concept of the office and work environment by letting users break free from the constraints of traditional workspaces, empowering them to work wherever they choose and in any circumstances of their liking, with the devices of their choice. This means that SnapFIT goes beyond merely being a product; it presents an entire ecosystem capable of continuous development and growth.

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These dreamy superhero bikes deserve a grand stand at Automechanika

AI-generated vehicles give automotive enthusiasts a glance at what the future holds. Right from dreamy cars and bike helmets to architecture-inspired footwear, AI tools like Midjourney give creators wings to let loose their imagination and generate stunning renders set in a mystical universe. All it takes is a few minutes of inputting intended keywords and what otherwise would take weeks to create on a PC is generated right on the platter with minimal or no effort.

This time around we pondered over the superhero-inspired bikes by Coldstar Art that are the apt fit for every superhero. Be it a Spiderman die-hard fan or a Flash lover, there’s a dreamy set of wheels for every kind of automotive fanatic.

Designer: Coldstar Art

To get started we have the Spiderman bike with a very clean glossy look, reflecting the superhero’s presence in the metropolis. Contrasting the Spierman’s control is the swiftness of the Aquaman motorbike having intricate details and an aggressive stance.

Then comes the most famous superhero who’s perfect in every way and intelligent enough to take control of the future tech industries. Yes, we are talking of Tony Stark and his magnetic Iron Man vibe. Just imagine, Iron Man’s bike parked right next to the feared Predator.

If you’ve got over the cool look of the above-mentioned two bikes, hold your breath for the Balck Panther Ant-Man and Captain America versions that are drop-dead gorgeous.

For the rest of the superhero bikes like Venom, Silver Surfer, Doctor Strange, Cyclops, Falcon and Aqua enjoy their flashiest looks and figure out which ones you liked the most!

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Retro NASA Space Tourism Posters made from LEGO Bricks are a Space Nerd Must-Have

In 2016, the Jet Propulsion Laboratory at NASA debuted a series of absolutely gorgeous 80s-inspired posters promoting ‘space tourism’. Designed as collectibles that space nerds and enthusiasts could just admire and print on their own, the file formats were (and still are) available on NASA’s website, with the title “Visions of the Future”. LEGO Master Builder John Carter decided to build a few posters of his own… using LEGO bricks. “There are so many iconic tropes in the science fiction mythology… I’ve decided to depict three of them in a style of classic posters and book covers from the 80s. The idea was to keep the same visual style with different colors for each tale and to present the scenes in minimalistic fashion,” he said.

The display set comprises three pieces that tell a cohesive story and provide ample room for customization. Each image is self-contained, allowing you to showcase your preferred one individually. Alternatively, you can exhibit all three together, creating a stunning arrangement that looks fantastic on both walls and bookshelves.

The three posters depict specific scenes of space exploration. The first envisions lift-off, looking at a rocket making its way for the sky, the second, shows the terrain of a planet with two lunar satellites, a rocky terrain, and a tiny rover exploring the surface, while the third captures the grandeur of a meteor shower with observation stations pointing at the falling comets.

This collection comprises three identical-sized images measuring 10.4 cm x 14.7 cm, constructed in a uniform manner. The lower portion of each picture showcases the surface and atmosphere of a celestial entity, while the upper section depicts the sky above it.

At the rear of every image, there is a framework of Technic lift arms that links the topmost layers with the bottom ones, guaranteeing that the model remains intact in all situations, even if it falls from a considerable height.

“I believe the set would make a lovely addition to any space geek’s collection (be it LEGO, SF books, or movies collection ) and fits well into the existing LEGO portfolio at the intersection of art and space themes,” Carter suggests.

The “Tales Of The Space Age” series was unanimously selected by the LEGO community to be turned into a retail box set, which is now available on the LEGO website.

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Tableware gets a new innovation with walnut shell materials becoming the new normal

Designers love the term sustainability as it is their go-to when they can’t think of another way to sell their designs!! (I’m sure every designer would relate)

On a more serious note, they strive to construct a future along those lines because everyone is now aware of its importance and it is no longer a buzzword. Companies are now taking steps to ensure that their operations are sustainable, and governments are introducing regulations to encourage more sustainable practices.

Designers are becoming more aware of the value of a more in-depth, process-oriented approach. One such Korean designer observed the staple use of tableware in people’s lives and created a 100% natural material as an alternative to glass, ceramics, and other traditional raw materials used to manufacture tableware.

Designer: SooA Choi

Ceramics are the most used materials for the production of tableware. These materials are great but involve a lot of unsustainable properties concerning production. The material is complex to machine and can lose structural integrity if cut incorrectly or with the wrong tools. It requires high levels of expertise and leads to the wastage of raw materials. Machining ceramics and CMCs can be capital-intensive.

NOS is a mixture of walnut shells, pine resin, and Canauva Powder. It presents new CMFs with diverse colors, patterns, and light transmission as a result of grinding enormous volumes of walnut shells into various sizes. The primary binding agent is pine resin.

After being separated from the kernel, the shell of a walnut is considered waste and is discarded. The waste can be transformed into an entire plate from which to eat. Converting waste into a resource is an important aspect of sustainability.

The qualities of a walnut shell and wood overlap and can be used in everyday situations. Walnut shells are dry and hard, which works to their benefit since it stops insects from entering via holes and crevices, and it also makes them almost odorless. Pine resin is tree sap that is naturally antimicrobial and safe to consume in tiny doses. However, the soldering of pine resin is hazardous to one’s health and should be avoided during the manufacturing of NOS. Walnut shells are more durable than other natural materials, which wear away with frequent use.

The manufacturing technique for this material is quite simple and highly sustainable; no artificial additives are used. It only needs the appropriate ratio of binders, a mold, and ground walnut shells. To produce the required shape, the substance is poured into the mold. In the event of undesirable results during the NOS production process, the previous procedures can be repeated and no product is wasted. The completed form removed from the mold is fired at a high temperature of over 400 degrees to apply the glaze. Carnauba wax is poured onto it to increase durability and prevent scratches.

NOS is a versatile material used in various forms and sizes. As suggested it is used for tableware like small and large plates, glasses, vases, etc. It can also be used for other decors around the house since the aesthetic value of the finished piece complements a zen interior design.

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Dezeen Agenda features Lina Ghotmeh's timber Serpentine Pavilion

Lina Ghotmeh Serpentine Pavilion

The latest edition of our weekly Dezeen Agenda newsletter features the unveiling of this year’s Serpentine Pavilion created by Lina Ghotmeh. Subscribe to Dezeen Agenda now.

This year’s Serpentine Pavilion designed by Lebanese architect Ghotmeh has been unveiled in London. The circular timber structure named À table is located in London‘s Kensington Gardens and was designed as a space for discussion and celebration.

Philippe Starck Ecuador skyscraper
Philippe Starck unveils design for Ecuadorian skyscraper

This week’s newsletter also included Philippe Starck’s plans for a residential skyscraper in Ecuador, Dezeen and Samsung’s launch of the Re:Create Design Challenge and five buildings created in memory of Ethiopia’s former prime minister by Studio Other Spaces.

Dezeen Agenda

Dezeen Agenda is a curated newsletter sent every Tuesday containing the most important news highlights from Dezeen. Read the latest edition of Dezeen Agenda or subscribe here.

You can also subscribe to our other newsletters; Dezeen Debate is sent every Thursday and features the hottest reader comments and most-debated stories, Dezeen Daily is our daily bulletin that contains every story published in the preceding 24 hours and Dezeen In Depth is sent on the last Friday of every month and delves deeper into the major stories shaping architecture and design. 

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Michael Maltzan completes decades-long revamp of LA’s Hammer Museum

Courtyard at the Hammer Museum with a tree, outdoor seating and white buildings connected by a bridge

A new lobby and sculpture terrace are among the final additions to a Los Angeles art museum that was strategically revamped over a 23-year period by local studio Michael Maltzan Architecture.

Located in the city’s Westwood neighbourhood, the Hammer Museum is housed in a rectilinear, stone-clad building designed by American architect Edward Larrabee Barnes and completed in 1990. In recent years, the museum’s programs have expanded to occupy space in an adjoining 1960s office tower.

Courtyard at the Hammer Museum with a tree, outdoor seating and white buildings connected by a bridge
A pedestrian bridge is among new additions to the museum

The museum – which is part of the University of California, Los Angeles (UCLA) – was originally founded by the late industrialist Armand Hammer to showcase his personal collection of European and American art.

In 1999, a new director, Ann Philbin, who remains at the helm, set out to make the museum more accessible to a wider audience in terms of its artwork, programming and architectural design.

Museum gallery space with white walls covered in red threads
The lobby currently features a red thread installation by Chiharu Shiota

Local firm Michael Maltzan Architecture was tapped in 2000 to design a master plan for Barnes’ building, consisting of galleries around a central courtyard. The museum had an insular feel, and the architects were tasked with making the building more welcoming.

With work being carried out over 20-plus years, Michael Maltzan said the project required “extraordinary persistence and inventiveness”.

Internal gallery space at the Hammer Museum with white walls and wooden floors
The museum was revamped over 23 years

“This was truly a case of building the airplane while you were flying it,” Maltzan said. “I can’t think of any other client that would have had the daring and imagination to carry it off.”

Among the recent and final updates is a redesigned lobby, located on the ground floor of the adjoining tower, which was built in 1962 for Hammer’s company, Occidental Petroleum. In 2015, the museum took over two floors of the tower.

An outdoor courtyard at the Hammer Museum by Michael Maltzan Architects with a white pedestrian bridge
The museum is located in LA’s Westwood neighbourhood

The lobby has ramps, stairs and an elevator set around an elliptical information desk. Site-specific installations are planned for the space, and a labyrinth of red thread by Japanese artist Chiharu Shiota is currently on view.

The lobby’s entrance is oriented toward the corner of Wilshire and Westwood boulevards, just across from a future stop for the LA Metro Purple line.

“A cylindrical, one-storey-high column set into a concave fold in the pavement marks the busy corner of Wilshire and Westwood,” the team said.

“The column supports the edge of a porch that has been carved out of the tower to provide a dramatic and welcoming point of entry.”

A studio space with white walls, wooden floors and a large window looking out to the street
Large windows provide a connection to the street. Photo by Eric Staudenmaier

Beyond the new entrance and lobby, the team has added a new outdoor sculpture terrace, where one finds a towering bronze sculpture by American artist Sanford Biggers.

The team has also added a 5,600-square-foot (520-square-metre) gallery with a glazed wall facing Wilshire Boulevard, providing a connection to the streetscape.

Theatre space with black walls and ceilings, strip lighting and hot pink seats
The studio added a theatre with hot pink seats. Photo by Eric Staudenmaier

The new additions are the latest in a long list of enhancements. The team has expanded offices and back-of-house areas; renovated galleries, a shop and a restaurant; and created a new gallery and study centre dedicated to works on paper.

Other changes include the creation of the Billy Wilder Theater, which was added in 2006 and features hot pink seats; and the construction of a pedestrian bridge that traverses the courtyard and connects third-floor galleries.

Terrace at a white building overlooking a courtyard with a tree
The museum forms part of the University of California, Los Angeles

The entire project has cost $90 million (£72 million). The building has been officially dubbed the Lynda and Stewart Resnick Cultural Center — named in honour of the Resnick family, who donated $30 million to the Hammer Museum, its largest-ever single gift.

“From the start, our goal was to make the Hammer into a welcoming, public-facing, university-affiliated institution engaged with today’s art and artists and the urgent issues of our time,” said Philbin.

“I am beyond thrilled to welcome everyone to a reimagined Hammer Museum that is more than 20 years in the making.”

Other projects by Michael Maltzan Architecture include LA’s Ribbon of Light Bridge, which features multiple concrete arches that are lit from below, and a bright-white residential complex that contains over 60 studio apartments for formerly homeless tenants.

The photography is by Iwan Baan unless otherwise stated.


Project credits: 

Architect: Michael Maltzan Architecture, Inc
Design team: Michael Maltzan (design principal), Tim Williams (managing principal), Gee-ghid Tse (senior project designer), Nick McAdoo (project architect), Sahaja Aram, Dana Bauer, Emily Bidegain, Wil Carson, Joe DiMatteo, Wendi Gilbert, Tom Goffigon, Nora Gordon, Vano Haritunians, Ken Hasegawa, Sara Jacinto, Sevak Karabachian, Yong Kim, Yvonne Lau, Nick Martinez, John Murphey, Stacy Nakano, Edward Ogosta, Kyle Peterson,  Nadine Quirmbach, Kurt Sattler, Krista Scheib, Jeff Soler, Owen Tang, Hiroshi Tokumaru,  Nicole Tomasi, Jessica Tracey, Edward Tung, Yan Wang, Sharon Xu
Graphics: Bruce Mau Design, Inc
Structural engineer: John A Martin & Associates
Structural design engineer: Guy Nordenson and Associates, LLP (John V Tunney Bridge)
MEP/FP engineer: ARUP, Innovative Engineering Group (BWT)
Lighting design: LAM Partners Inc, ARUP
General contractor: Matt Construction Corporation
Client: UCLA Hammer Museum
Museum leadership: Ann Philbin (director), Marcy Carsey (chair, board of directors)

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Portable sauna lets you have a great view while relaxing inside

If you’re a fan of saunas, it would probably be a nice thing to have a semi-portable one that you can take with you, disassemble and assemble easily, and put up in various terrains and places. It will of course be a pretty big undertaking and maybe it would be easier to just look for a sauna that’s near to where you’re vacationing or staying but that shouldn’t stop designers from coming up with something innovative when it comes to this kind of structure.

Designer: BIVAK Studio

The SAUNABIVAK is one such kind of structure that is pre-fabricated and easily transportable to various terrains and places so you can have a tranquil space with you on your retreat or vacation. It has a double-layer glass wall that lets you still have a view of the mountains or forests or beach where you have installed the sauna. It also uses cross-laminated timber panels that are layer-glued and stands on four legs so you still have a stable yet flexible structure and can easily be assembled and transported.

It is also weather resistant and protected against insects since it is treated with linseed oil by firing. Inside you are able to get natural ventilation which is important for a sauna. Obviously, you also get good heating through its simple firewood system. The legs are made from recycled construction industry waste so you don’t need to rely on slabs for the formwork and concreting. The size and weight of the SAUNABIVAK is in accordance with towing rules of Europe and you only need two people and probably an hour to install it when it reaches its destination.

Having a relaxing sauna with a view is a great way to spend your tranquil and serene vacation. This unique structure is an innovation that you can add to your arsenal if it’s something that you can afford and have access to. The fact that it’s simple enough to assemble and to use is a big bonus as well as you don’t need something that will stress you out. I for one will dream of one day spending time in a sauna like this.

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Chicago Architecture Biennial announces participants for fifth edition

Riverwalk by carol Ross barney

A selection of more than 70 architects, artists and designers including Carol Ross Barney, LOT-EK and Anupama Kundoo have been selected to participate in Chicago‘s architecture festival in the fall, organised around the theme “This Is a Rehearsal”.

The Chicago Architecture Biennial (CAB) is set to return in September for its fifth edition, curated by the local art collective Floating Museum.

Participants have been selected from over 30 international cities, and range from individual architects to organisations and performance artists.

Chris T Cornelius Shelter
Top: the Chicago Riverwalk by Carol Ross Barney, who will be participating in the biennial. Photo by Kate Joyce Studios. Above: Trickster (2018) by Christopher T Cornelius, who will also be contributing. Photo is by Tom Harris Photography

The installations and events will take place at several sites throughout the city. The festival has partnered with Chicago institutions such as the Art Institute of Chicago and the Chicago Architecture Center as well as others to create activations.

Its theme – This Is a Rehearsal – will focus on how societal problems “transcend borders” and “investigate how architecture is integral to collective care and the improvement of urban life”.

An interdisciplinary approach

Floating Museum plans to achieve this through an interdisciplinary approach, bringing together people from across fields to work collaboratively to address the theme.

“Floating Museum considers the city as a framework for rehearsal, where the horizontal field of activity becomes a convivial palace for innovation, memory, and change,” said the collective.

“In this view, individuals, community organizations, institutions, and municipal authorities are invited to participate as equals –  which opens new possibilities for collaboration across disciplines, geographies, and histories.”

Such cross-disciplinary installations include a planned collaboration between New York design studio LOT-EK, artistic director for theatre Christine Jones and the Poetry Foundation, who will collaborate on a yet-to-be-announced project.

Local architect and AIA gold medal winner Barney will showcase work done for DuSable Park, a waterfront park restoration project she spearheaded with Chicago-based Brook Architecture.

Architect Kundoo will showcase work done on social housing in India, which will be compared and constructed with social work being done in the US by architects such as Christopher T Cornelius of Studio:indigenous and design studio The Living‘s collaboration with local urban farm organisation Urban Growers Collective.

LOT-EK streetlights with multiple bulbs
Installations and events will take place throughout the city. The photo is of Hi-Lights (2018) by LOT-EK. Courtesy of LOT-EK

Specific details for the projects will be announced over the coming months, according to the organisers.

“CAB 5 promises a blend of architecture and art, historical references and challenges to practitioners for the future,” said biennial board of directors chair Jack Guthman.

Other participants include Austrian art collective Gelitin, German architecture studio Barkow Leibinger, New York studio Para Project and France-based Feda Wardak.

The event has been taking place in the city since 2015. A full list of 2023’s participants can be found here.

The Chicago Architect Biennial will take place throughout the city from 21 September 2023 to 2 January 2024. For more events, talks and fairs in architecture and design visit Dezeen Events Guide

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