EBBA Architects designs sculptural pop-up shop for Rotaro at Liberty

Rotaro pop-up at Liberty

London-based studio EBBA Architects has channelled the environmental ethos of fashion rental platform Rotaro for its pop-up boutique at department store Liberty.

The project aimed to show that beautiful and interesting spaces can be created for temporary use, while still considering the environmental impacts of materials and construction.

“We are very aware of our environmental impact and we believe design should speak to this, while also trying to make a unique experience for the visitor,” EBBA founder Benjamin Allan told Dezeen.

Pop-up shop at Liberty by EBBA
EBBA designed a pop-up shop for fashion rental platform Rotaro

Rotaro is all about fashion rental, as a response to waste in the industry,” he added. “Circularity is key to their ethos and we wanted to connect to this, both in the use of material and form.”

Bringing definition to Rotaro’s space within the wider store, EBBA has demarcated the area with a pair of substantial columns, each with an elongated, semi-circular cross-section.

“The position and shape of the columns create the sense of walking into an entirely new space within the historic context of Liberty,” said Allan.

Cork column emblazoned with the Rotaro logo
The studio demarcated the area with a pair of substantial columns

Entwining the two columns, a pair of metal rails have the dual function of creating a display area and introducing a sculptural element that further defines the space, with soaring, free-form curves.

“The two rails rotate and wrap around each of the columns, while also simultaneously responding to the opposite rail, a bit like a choreographed piece,” Allan said.

Cork column at Rotaro pop-up in Liberty
Cork is the project’s primary material

Continuing the theme of duality, just two key materials have been used in the space – cork and metal.

EBBA was influenced by the work of artists Donald Judd and Carl Andre and their elevation of humble materials through detailing and construction.

Metal rails by EBBA for the Rotaro pop-up
A pair of metal rails have a dual function

“We always look to push the potential of a project, to make the most impact through the simplest of means and also address the need to be economical,” Allan said.

“Essentially the design revolves around only two materials which, working together, give a sense of regularity in the layouts of the blocks, combined with the sculptural forms of the rails.”

Garments hanging from metal rails
Curated garments hang from the rails

Cork was used as the primary material, cladding the two columns and creating the backdrops that zone Rotaro’s area.

EBBA aimed to use a material that had an environmental quality, while using the standardisation of the blocks to set parameters for the design.

“We chose blocks of a specific dimension that could then be adapted to create both the walls and the columns themselves,” Allan said.

“The cork is a natural material that has an inherent warmth and depth, while also being incredibly versatile and easily recycled,” he added.

Textured ultramarine plinth
Texture characterises the pop-up shop

Brushed stainless steel was used for the metalwork, with each rail comprised of a single piece of metal that was bent and sculpted to wrap around the columns.

This rail’s curving form relates to the idea of circularity in Rotaro’s business model, while also bringing an adaptability to the space by allowing the garments to be shown in a variety of ways.

Stainless steel railing for Rotaro by EBBA
Brushed stainless steel was used for the metalwork

“The primary purpose is to display the continuously updated collection while also adding a sculptural aspect that helps to create a sense of space,” said Allan.

Within the ornately-detailed Liberty store, the project offers a bold, contemporary response to the interior, while finding common ground with the wider building.

Curving metal rail
The rail’s curving form relates to the idea of circularity

“The tones and textures in the warmth of the cork, tie in with the timber and natural colours of Liberty’s interior spaces,” Allan said. “Detailing and decoration in the original columns relate to nature and vegetation, which also tie into the use of cork and its qualities.”

Because the Liberty building has Grade II listed status, no fixings were allowed into the building fabric.

“The benefit of the lightweight cork material meant we could also adapt the Rotaro space with minimal impact on the wider building,” he added.

Lightweight cork column at Rotaro by EBBa
Cork was chosen for being lightweight

To create a plinth that provides a flat surface for displaying objects, EBBA used the same semi-circular form of the columns, but flipped onto its side.

This element has been given an ultramarine blue coating to add a sense of playfulness and catch the attention of visitors, using one of Rotaro’s key colours to connect with the brand’s identity.

Semi-circular plinth with ultramarine coating
A semi-circular plinth features an ultramarine blue coating

While the space has been designed as a pop-up, EBBA worked – through the quality of the materials and the construction of the walls and blocks – to give it a sense of permanence.

“All of our projects aim to achieve a quality of permanence through the use of natural materials and the detailing of the construction,” Allan said.

“We believe that this level of quality helps to create a design that feels purposeful, even for temporary uses.”

Other recent projects by EBBA Architects include a shop for Cubitts in an old pie-and-mash restaurant and a house extension with brutalist-style materials.

The photography is by James Retief

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Meet MEGAPUFF: A Versatile Solar-Powered Light That Charges Your Phone and Folds Flat for Travel

A bigger sibling to the Solarpuff, the MEGAPUFF is targeted toward camping enthusiasts, trekkers, travelers, or anyone living in an area prone to power outages. The bigger lamp is paired with a bigger battery that doubles as a power bank, helping you stay illuminated as well as keep your gadgets like your smartphone juiced no matter where you are. The larger design means a brighter light too, capping at 300 lumens (more than thrice as bright as the Solarpuff), now with adjustable brightness as well as color temperature, allowing you to choose between 7 light settings, from cool white light to a warm yellow light, a deep red light (for repelling mosquitoes) or a blinking red light for emergencies. A solar panel built into the top of the MEGAPUFF lets it charge in the sun, requiring 8-10 hours of direct light to get fully charged (or you can charge it in 2 hours via USB-C). Once fully juiced, it can charge your phone from 2%-82% in under an hour too.

Designer: Alice Chun

Click Here to Buy Now: $38 $65 (42% off). Hurry, for a limited time only!

Originally developed for disaster relief and to provide light to communities living without power, the Solarpuff was built to harness the power of the sun and illuminate homes and spaces, while being cheap, foldable, waterproof, and incredibly reliable. The Solarpuff’s iconic origami-inspired design was literally built to be the most reliable, durable outdoor light ever made, aiding countless refugees and people in Haiti, Dominica, Nepal, Puerto Rico, Syria, Lagos Nigeria, Burundi, Kenya, Ukraine, Turkey, and many other countries. The creators behind the Solarpuff now return with the MEGAPUFF, a larger variant of the popular durable light, now with higher brightness, adjustable color temperatures, and a bigger battery that doesn’t just power the light’s LEDs, it charges your devices too. Designed to last hours on a full charge and fold flat when not in use, the MEGAPUFF is just perfect for everything from enduring indoor power cuts to camping outdoors or even attending Burning Man.

MEGAPUFF is easy to open and goes flat pack with a quick twist! The origami design is simple and elegant.

Seven light settings.

The MEGAPUFF’s unique construction is perhaps its greatest bit of innovation. It’s useful, intuitive, hassle-free, weighs near nothing, and endures practically everything. The cube-shaped light features an exterior made from PET plastic sheet, which folds to a 0.5-inch flat sheet with a simple twist, and opens into a cube shape when needed. A switch activates the LEDs inside the MEGAPUFF, and the PET fabric diffuses the light, scattering an ambient glow that’s perfect for reading, navigating the dark, or just on your patio with friends and family. Straps on both the top and bottom help in opening and closing the lamp, while also giving you the option to easily hang it anywhere. The MEGAPUFF’s fun design is child-friendly, waterproof, and damn-near indestructible, so you could play catch with it, drop it in a pool, or from a height and you wouldn’t need to worry about it suffering any damage.

If all those capabilities and features weren’t enough, the MEGAPUFF also works as a safety light for bikers, cyclists, and pedestrians. It pairs with the Solapak, which features a slide-in compartment on the front where you can store a closed MEGAPUFF. Switch the MEGAPUFF’s LEDs on and it illuminates through the backpack, working like a safety taillight would for a cyclist, alerting people of your presence in low-light settings. Moreover, during the day, the Solapak also helps charge your MEGAPUFF by exposing its solar panels to the sun, keeping you ready and prepared for everything from power-cuts at night to impromptu camping trips, road-trips, tailgate sessions, or just lounging in your backyard, flipping some burgers as the sun sets!

Click Here to Buy Now: $38 $65 (42% off). Hurry, for a limited time only!

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Massive basalt-clad home in Mexico is topped with a rooftop pool

Mexico-based studio Reims 502 designed a massive residence in Querétaro, Mexico accentuated with warm walnut and dark basalt finishes. The expansive home features a rooftop pool and a lovely garden area. Designers Eduardo Reims and Andrea Maldonado work under the name Reims 502 and finished the 1000 square feet residence on a quarter-acre plot in 2023. The rather intriguing-looking home is called Casa Basaltica.

Designer: Reims 502

The residence has been placed on a bike path that subtly surrounds a lake. A major challenge faced by the architects was to create a private interior space for the residents, without compromising on the stunning view. “The answer was simple. Reverse the planting of the program compared to the neighboring houses,” said the team. The ground floor of the home accommodates the private, family, and recreational spaces which form the foundation of the building. One side of the property is marked by four suites, which create a layered sawtooth transition amped with a screened porch. The porch is surrounded by movable shutters built out of thin basalt stone bars which function as blinds, and a thermal buffer to curb the need for air conditioning.

The top floor holds all the public spaces such as the living room, dining room, kitchen, and terrace. These spaces have been arranged around a massive garden and a pool. The rooms on the upper floor have been placed behind the perimeter of the home on the park side, to introduce another layer of privacy. The service areas have been positioned underground, with a side courtyard for natural lighting and ventilation.

The exterior of the home is quite interesting as well, as it has been clad in bands of durable and resilient basalt stone which has been arranged in an interesting vertical panel pattern. However, the material changes and swaps into multi-toned walnut planks at the garage and the rounded corner entryway. The walnut stave is included in the interiors as well, “creating an atmosphere of warmth and timelessness inside.” Solar panels have been integrated into the home for water heating, energy ventilation, and water recycling to “contribute to its overall sustainable performance,” the studio concluded.

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Top 5 Midjourney Artists using AI to Blur The Lines Between Art and Architecture

There’s a unique dichotomy that’s emerging with AI tools. While all AI tools are essentially designed to automate activities and make life easier, AI tools like ChatGPT end up making our brains weaker because we get the AI to do all the thinking and writing for us, but on the other hand, AI tools like Midjourney end up making our brains more creative! Anything you can think of, Midjourney can visualize, and that has vast implications for our overall society as it pushes us all to be a little more visually imaginative.

Today’s list comprises global AI artists who are doing exactly that. The works of these artists feature unthinkably beautiful art installations, architectural wonders, and even interior elements that should make your jaw drop ever so slightly. Here are our favorite artists and creatives who are using AI tools like Midjourney to break the shackles of reality and explore creativity beyond it!

Joshua Vermillion (@joshuavermillion)

An Associate Professor of Architecture at the University of Nevada-Las Vegas and a published author, Joshua Vermillion’s experiments with AI stem from his architectural background. Vermillion’s work predominantly looks to explore the use of organic forms and vibrant colors in well-lit spaces, creating a menagerie of tints and shades. One of Vermillion’s most famous works involved creating unique tinted-glass structures in a desert. Stemming originally from the idea of building installations at Burning Man, he went on to explore the series in greater depth, creating unique organic structures that capture the whimsical nature of the human-AI creative partnership. You can check out Joshua’s work on his IG page.

Will Garner (@wg.xyz)

Will Garner’s experiments with AI stem from his architectural background too. An architect by profession, Garner touts the use of AI in his workflow to come up with unique ideas that may not seem feasible, but are definitely a direction worth aspiring to head in. Much of Garner’s later work has incorporated the use of metal sheets in the architectural facades to create shimmering structures, although his most popular projects have a biophilic touch to them, incorporating concrete and chlorophyll together to create buildings that immerse themselves in nature! Browse Will’s Instagram to see his work.

Vojtek Morsztyn (@vojtek_morsztyn)

London-based designer and CEO of Ocean Community, Vojtek Morsztyn is quite a mixed bag of talent. Vojtek has an impressive design background, working on projects such as airplane interiors, helicopters, boats and creating architectural spaces such as Mercury Tower for Zaha Hadid, Google, etc. Now actively involved as a designer in the world of AI design connecting with industry professionals on an international scale. Vojtek’s IG is just about as diverse as his own skills, and features a combination of futuristic transportation as well as architecture. The work displayed above takes a page from one of his own mentor companies, paying tribute to Zaha Hadid’s chaotic organic approach to architecture. The buildings look massive, sublime, and like a literal oasis of shimmering hope in an arid desert. Vojtek’s IG is a great source for eclectic, appealing content, and deserves a follow!

Carlos Bañón Goh (@carlosbannon)

It’s just extremely encouraging when we see professors experimenting with AI tools instead of being strict puritanical traditionalists. An Associate Professor of Architecture and Sustainable Design at the Singapore University of Technology and Design, Carlos Bañón Goh uses AI tools to explore new styles of art, architecture, and digital manufacturing. An example lies in his explorations with Renaissance art and modern products like wireless mice (you NEED to see his series on Michaelangelo-inspired mice!), although our favorite remains his steady obsession with staircases. Carlos loves experimenting with applying new architectural/visual styles to staircases, like minimalism, blobject, art deco, and art nouveau (like the black staircase on the top left). View all of Carlos’ AI experiments on his Instagram.

Daryl Anselmo (@darylanselmo)

Daryl Anselmo stands out with both his designs and his professional background. An Art Director for Games and New Media, having worked with companies like Disney, EA, and Zynga, Daryl believes in using AI to build worlds. He doesn’t make buildings, he makes societies and urban cultures. He doesn’t make interior spaces, he weaves up interior elements that tell a distinct story and have a strong background. I use the word ‘weaves’ rather literally, referencing my favorite work from Daryl – his Heirloom Granny Square Sitting Rooms collection. Creating living rooms that have been crochet-bombed and bedazzled by enthusiastic grandmas, these interiors are an explosion of color, contrast, and textures. Every inch of every photo has woven elements in it, whether it’s quilts, furniture, or even dreamcatchers hanging from the ceiling. There’s a simultaneous feeling of comfort and of bursting vibrance in these interiors, but don’t take my word for it… visit Daryl’s Instagram to see the other beautiful work he’s creating using AI!

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Meet the “Wheel-less” Bicycle That’s Breaking All the Rules and Turning Heads

If you’re familiar with the square-wheeled bicycle from back in April, wacky YouTuber The Q is back with yet another proposition – Forget square wheels… what if the bicycle had NO wheels?

The US-based YouTuber pulls out all the stops with his absurdly fascinating videos. He’s made the world’s smallest bicycle, a bicycle with 60 tennis balls for tires, and even one with split, semi-circular wheels. The great part about all his experiments is that as bizarre they may sound, they still work at the end of the day… and you get the pleasure of watching The Q build out the bicycle concepts throughout the video, just in case you want to build your own wacky mode of transportation too!

Designer: The Q

While The Q’s bicycle doesn’t have wheels, it still relies on rotating elements that help push it forward. The bike comes with two sets of wheel belts, mounted at absurd angles to create one of the most attention-gripping silhouettes one could imagine. The way the Wheelless Bike works is sort of like a tank, with the rotating wheel belts driving you forward. Is it ‘technically correct’ to say that this bicycle doesn’t have wheels? No, because it does have rotating elements all across the board… but it ditches those large rubberized wheels that make up the iconic bicycle’s archetype.

Pedal away and the wheel belts rotate, carrying you forward. Don’t expect to hit high speeds, given how small the wheel belt’s curved radius is, but you can definitely expect a few curious stares and maybe a couple of questions from bewildered onlookers! Would I recommend riding this on rough terrain or a bumpy road? Probably not!

To build the wheelless bike, The Q found himself a bike frame sans the wheels. Instead of installing the conventional circular wheels, though, he used linear metal members with chains mounted on the rim, and a rubber tread around the chains, like the wheel belt seen on tanks. To have the pedals work this belt, The Q added another gear to the bike frame, connecting the pedals to the top of the rear ‘wheel’. To secure the wheels in place, they were then fixed at two points, allowing them to hold their angular mounting position as you rode the bicycle.

The entirely silent YouTube video doesn’t provide much scope for justification – for example, why angle the treads when you could make them flat like a tank for extra stability? Or why build something as absurd as this AT ALL? However, the 6-minute 47-second visual journey The Q takes on is quite a fun ride… just like his bicycle, I suppose!

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Scholarships Available for the 4D Design Program at Cranbrook

We’re big fans of the 4D Design Program at Cranbrook, and we wrote about it in our “Getting Accepted” series a while back. Program Director Carla Diana is also a long-time colleague, having presented at our 2014 conference among other collaborations. They have some spots remaining for next year’s class, and funding to offer, including a 100% tuition scholarship from the Gilbert Foundation geared towards increasing racial and ethnic diversity on campus. If you don’t qualify for that scholarship they have other competitive funding available as well.

The 4D program is focused on exploring the ways that our physical world becomes dynamic, looking at FORM, CODE, and ELECTRONICS that manifest in SOUND, LIGHT, and MOTION. They are seeking a blend of designers, artists and technologists who are eager to explore 4D as a medium, experimenting with dynamic behaviors and fluid forms through embedded electronics, applied robotics, 3D printing, mixed reality, AI, creative code, and other emerging toolsets.

Cranbrook Academy of Art is one of the only design programs in the country focused exclusively on graduate education, and features private studios and state-of-the-art workshops situated on a luscious 319-acre campus just a short drive from the City of Detroit. The school has a rich history and a string of famous alumni. The 4D program is a small cohort, best suited to highly self-motivated students who thrive on intense critique and prefer exploratory, independent project work over traditional course assignments.

If this sounds like the right fit for you contact Carla through the 4D Design web site, or directly through Instagram @CarlaDiana.

Only If designs Narrow House for extra-skinny lot in Brooklyn

Narrow house by Only If

The founders of local architecture studio Only If have completed a multi-storey, slender house for themselves that is meant to represent the potential for “architectural invention in constrained, residual urban spaces”.

Situated in Brooklyn‘s Bedford-Stuyvesant neighbourhood, the Narrow House was designed and developed by Adam Snow Frampton and Karolina Czeczek, the husband-and-wife team behind New York studio Only If.

Narrow House by Only If
Narrow House is a self-build project by the founders of Only If Architecture

The infill house was built on an exceptionally narrow parcel that is 100 feet deep and 13.4 feet wide (30 by four metres). The width of a typical lot in the area is 25 feet (7.6 metres metres).

The couple acquired the property in 2015 and set out to construct a home for themselves and their Siberian Husky, Nikita. By developing the project on their own, they aimed to create an experimental form of housing that transcended the typical “client-architect service model”.

Brooklyn house on a narrow parcel
The infill house was built on an exceptionally narrow parcel

The project also offered the architects a chance to provide an example of how to create housing on odd, slender lots.

“The Narrow House represents a specific architectural proposition, but is also a prototype for infill and a polemic on the greater potential for architectural invention in constrained residual urban spaces,” the architects said.

Skinny site in Brooklyn, New York
The skinny site posed several challenges

The skinny site posed several challenges. The primary concern was bringing in natural light and facilitating movement through the house.

“On such a constrained site, the main problem in the design of the Narrow House is not form or outward appearance, but rather daylight and circulation,” the architects said.

Split-level home
The Only If duo conceived a rectilinear, split-level home

The duo conceived a rectilinear, split-level home that encompasses 2.5 storeys and a basement. The interior is just 11 feet wide (3.4 metres).

The home’s shape, height and positioning were largely dictated by local zoning regulations. At its highest point, the home rises about 43 feet (13 metres).

Living space within Narrow House by Only If
The house’s shape was largely dictated by local zoning regulations

Exterior walls are clad in black stucco. The street-facing elevation features glazed walls with integrated operable windows. A similar treatment is found in the rear, where the facade overlooks a backyard.

A small flight of steps lead up to the front door of the 2,815-square-foot (262-square-metre) dwelling.

Main floor of Narrow House
Spaces for lounging, eating and dining are found on the main floor

Spaces for lounging, eating and dining are found on the main floor. Appliances and storage are incorporated into a long, cabinetry volume made of metal, oak and terrazzo. An oversized, glass pivot door extends the living space to the yard.

Up above, the levels are split, rather than stretching the length of the house. This strategy provided “spatial distinctions between different domestic functions” and enabled the formation a double-height space on the ground level.

Perforated steel staircase
Rooms are arrayed along a staircase made of perforated steel

The upper floors hold a work study and two bedrooms, with the study able to be converted into a bedroom if needed.

Rooms are arrayed along a staircase made of perforated steel, set within a “vertical void”.

Work study with silvery curtain
The upper floors hold a study

The interior has an absence of traditional walls and corridors, allowing for deep penetration of daylight and “an unusual lack of separation”.

“The bedrooms are separated from other spaces through a plywood volume, containing bathrooms, closets and pocket doors for privacy,” the studio explained.

Grey bathroom at Narrow House by Only If
Neutral hues define the interiors

The basement – which is technically a cellar, per local parlance – holds a recreation room, bathroom, laundry area, storage space and mechanical room

Structural walls are made of reinforced concrete masonry units (CMU). The front and rear walls have diagonal steel braces that provide lateral stability.

Floors consist of metal decking covered in concrete. Poured polyurethane was used as a finish.

The Narrow House is a continuation of work carried out by Only If for many years concerning “residual, vacant and irregular lots throughout New York City”.

Black stucco exterior walls
Exterior walls are clad in black stucco

The studio has identified and catalogued 3,600 such lots in the city, and their findings were presented in a 2017 exhibition.

Moreover, the studio won an international competition organized by the AIA New York and New York City’s housing agency to develop 23 city-owned vacant, irregular lots.

Founded in 2013, Only If has completed a range of other projects in New York, including a co-working office with mirrored surfaces and a white-and-black colour palette, and a space-themed underground coffee bar.

The photography is by Iwan Baan.

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Nebula lamp is the perfect lighting design to illuminate your work desk

I love a beautifully-designed lighting fixture because I truly believe a really great one has the ability to illuminate a space – both literally, and metaphorically. Besides the physical light that it quite obviously emits, a well-designed lighting fixture can add manifolds of personality and charisma to a room. They can function as sculptural pieces, that are an extension of your personal taste and preference, truly exhibiting the richness and niche-ness of your curation capabilities. And one such stunning lighting design I recently laid eyes upon is the Nebula desk lamp.

Designer: COG Design Studio

The Nebula desk lamp was designed by COG Design Studio in collaboration with the lighting brand Bonakia. The desk lamp was designed by constructing a basic form of lighting through repetition, transformation, and a combination of varied geometric shapes. The lamp was created by providing a subtle formative beauty to flat shapes via three-dimensional changes in the form of bending and direction. It presents a new and interesting form for a lighting design by playing around with geometric figures and giving them an emotional aesthetic.

The Nebula desk lamp features two intriguing geometric forms that constitute the major body of the lamp. The first element which holds the bulb is horizontal and has a thick slanted body. The second element also features the same thick slanted body but in a vertical form. Thick acrylic materials were used to construct the two elements of the lamp, and they were given a sanding surface treatment. The brightness and light of the first element contrast beautifully against the second darker element giving the impression of a nebula in space, in turn resulting in the name of the design.

The play on brightness and darkness gives an otherworldly and ethereal feel to the desk lamp, giving birth to a lighting fixture that will make a loud impression while occupying minimum space on your desk. The Nebula desk lamp would be a wonderful addition to your work-from-home desk, although its unique and vocal aesthetics will command attention, and may not merge well with other accessories on your desk, and the interiors of your home office.

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Dezeen Agenda features designs for Stockholm Wood City

Stockholm wood city

The latest edition of our weekly Dezeen Agenda newsletter features Henning Larsen and White Arkitekter’s plans for the “world’s largest wooden city” in Stockholm. Subscribe to Dezeen Agenda now.

Henning Larsen and White Arkitekter have unveiled designs for Stockholm Wood City, a mass-timber development that will cover 250,000 square metres.

The project’s developer Atrium Ljungberg has labelled it “the world’s largest wooden city”, as it will use more timber than any other project in development.

Casa di campo by Neil Architecture
Neil Architecture shelters rural “sanctuary” in Australia with rammed-earth wall

This week’s newsletter also included a courtyard home in Australia by Neil Architecture, an exclusive interview with Nigerian architect Demas Nwoko and technology company SatVu’s satellite that can identify the energy inefficiency of buildings from space.

Dezeen Agenda

Dezeen Agenda is a curated newsletter sent every Tuesday containing the most important news highlights from Dezeen. Read the latest edition of Dezeen Agenda or subscribe here.

You can also subscribe to our other newsletters; Dezeen Debate is sent every Thursday and features the hottest reader comments and most-debated stories, Dezeen Daily is our daily bulletin that contains every story published in the preceding 24 hours and Dezeen In Depth is sent on the last Friday of every month and delves deeper into the major stories shaping architecture and design. 

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David Adjaye's first skyscraper "like a ruin" in New York

Adjaye Skyscraper amongst skyscrapers in Lower Manhattan

British-Ghanian architect David Adjaye has unveiled the 130 William skyscraper in Lower Manhattan, which was informed by the history of New York City‘s skyline and industrial waterfront.

Located in Manhattan’s Financial District, the 800-foot-tall (244 metre) building is the first skyscraper completed by the Adjaye and his studio Adjaye Associates.

David Adjaye skyscraper among Financial district skyline
Adjaye Associates has completed a skyscraper in downtown Manhattan. Photo by Ivane Katamashvili

Named 130 William, the skyscraper has a striking facade clad with hand-troweled concrete panels that have a texture and colour similar to volcanic stone.

The panels, which run the height of the 66-storey skyscraper, have arched windows reminiscent of the industrial architecture common to New York’s waterfront in the 19th and 20th centuries.

Facade view with Manhattan in the background
It has a dark-coloured, textured concrete facade. Photo by Ivane Katamashvili

“New York history was the inspiration, and the new scale of it, this is New York history in the 21st century,” said Adjaye.

“That sort of romance is not neutral – I’m not trying to make an industrial warehouse literally, rather some kind of acknowledgement of what that was in this particular part of Manhattan,” he continued.

“I wouldn’t make this building elsewhere. It just made sense.”

Textured facade and entryway to dark-clad manhattan
The structure has a public pocket park. Photo by Dror Baldinger

Adjaye said that the unique position at the “helm” of the city and the largely commercial function of many of the surrounding towers made this, his first skyscraper, a “unique opportunity”.

It stands out against many of the surrounding skyscrapers, especially the largely glass-clad office structures including the nearby One World Trade Center, which have been built in the last few decades.

“It’s also like a ruin in the city,” explained Adjaye, referencing the historical influences in the design.

Arched pool in skyscraper spa
Adjaye also designed the interiors. Photo Dror Baldinger

Another aspect of the design, which the architect said was “the compelling part of the project”, is a pocket park at street level. The park consists of an inset stone-clad area with landscaping and seating, surrounded by the same facade panels that clad the skyscraper.

As much of the infrastructure of the Financial District comes out all the way to the build line, this area was created as a space for residents and the public to gather.

“The idea of making the project not just a condo building but also a public piece of infrastructure piece of the city is really important and you know,” said Adjaye.

Marble pillars in 130 William public areas
The public spaces have dark marble elements. Photo by Dror Baldinger

The facade panelling for the structure was made in Canada and shipped down to the city via trucks, a logistical challenge that was made easier by the fact that the city’s skyscraper-building capabilities allowed for the superstructure to be constructed as the panelling was installed.

Because of the porous face, the panels will patina over time.

Loggia on top of Manhattan skyscraper with bridge in the background
The upper residences have loggia terraces. Photo by Dror Baldinger

“That negative thing collects the dirt and crates the shadow,” said Adjaye.

“So it’s actually one of those things that’s not about having to spray wash it, it actually has a patina.”

View through arch of One World Trade
It is Adjaye’s first skyscraper. Photo by James Wang

The building contains 242 luxury residences and amenities, with the top floors occupied by penthouses that have access to a series of loggia that crest the top of the building.

Adjaye Associates carried out the interior design of the structure, which features marble and dark wood with metal accents in the public areas of the building. Exercise rooms, an indoor basketball court, a pool and spa, a children’s play area and an IMAX theatre are among the amenities.

Many of the apartments, which range in size from one-bedroom homes to a full-floor penthouse, have lightly coloured interiors to contrast the dark tones of the facade and public areas.

The arches of the facade are a primary detail for the interiors, each maintaining its form for the interior setting and given bronze casings.

130 William at night
The panels have arched windows on the length of the facade. Photo by Ivane Katamashvili

Developed by local firm Lightstone, the building is almost completely sold and occupied.

The building’s dark cladding is reminiscent of another Adjaye project in Harlem, the Sugar Hill affordable housing complex. The studio is set to design an even taller skyscraper in the city, an “inverted” structure called Affirmation Tower.


Project credits:

Architecture and interior design: Adjaye Associates
Architect of record: Hill West

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