More Than 130 Participants Unite For Upstate Art Weekend’s 2023 Programming

Open studios, galleries, art centers and more coalesce across counties to nourish locals and visitors alike

This 21-24 July, UPSTATE ART WEEKEND will connect more than 130 participating organizations—studios, galleries, art centers and more—for an extensive fourth iteration of the artful extravaganza. Founded by Helen Toomer, the visionary behind the STONELEAF RETREAT artist residency and Art Mamas Alliance, UPSTATE ART WEEKEND activates New York State’s cultural centers across a handful of counties to nourish locals and visitors with an appreciation for art. We’ve loved and supported UPSTATE ART WEEKEND since 2020 for its abundance of inspiration and its emphasis on community. This year, 60 new organizations join a roster that includes 15 partners who have participated since the very beginning. From KinoSaito to MANITOGA and the Wassaic Project to Art Omi, every participant is a highlight.

“Nearly half of our 130+ participants, including galleries, museums, pop-up exhibitions and open studios, are new to UPSTATE ART WEEKEND and this year there’s also an influx of music, performance, design and architecture,” Toomer tells COOL HUNTING. “I’m excited that NADA Foreland returns after a year hiatus and that Magazzino Italian Art will host our official opening celebration. I also got a sneak peek of Urban Art Project’s incredible workshop, which they will open up to the public for the first time and nearby is a not-to-be-missed mini sculpture park of Frank Stella works!” Toomer also notes that this year Ellsworth Kelly Studio and The Tang Teaching Museum at Skidmore College will offer a rare tour coupled with a conversation led by artists responding to the collage work of Kelly.

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Nora Lawrence, Helen Toomer

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Toomer’s enthusiasm is anchored in the ever-expanding accessibility to the artistic richness of Upstate New York. The “arts community has always been robust, but in the past few years we’ve seen a surge of new creative energy,” Toomer explains. “It’s a privilege to collaborate with, and highlight organizations who have been fundamental in the arts upstate, like Dia Beacon, Hessel Museum of Art, Olana, Storm King and The School, while also welcoming new peers to the region like Assembly, Borscht Belt Museum, Catskill Art Space and David Rockefeller Creative Arts Center.”

Ultimately, Toomer says, it comes down to gratitude. “I’m grateful that Upstate New York is our home and that STONELEAF continues to be a retreat for artists and families. I’m also grateful that UPSTATE ART WEEKEND is a beautiful annual beacon of light shining on, and uniting the region.” This is a sentimental we align with entirely.



To assist in planning, the team behind the constellation of events has debuted an UPSTATE ART WEEKEND 2023 official Google map. More information will continue to be released as the event draws closer.

Images courtesy of BFA from UPSTATE ART WEEKEND 2022

Dezeen shortlisted for 10 prestigious publishing awards

Dezeen editorial team winning awards

Dezeen has been shortlisted for four Association of Online Publishers awards, three Professional Publishers Association and three British Society of Magazine Editors talent awards.

Dezeen’s was recently shortlisted for editorial team of the year at both the Association of Online Publishers (AOP) and Professional Publishers Association (PPA) awards.

The magazine was also shortlisted for Best Online Brand: B2B and Small Digital Publisher of the Year at the AOP awards, along with Special Interest Magazine of the Year at the PPA awards.

Dezeen editorial team winning awards
Dezeen’s editorial team was shortlisted for two awards

Alongside these awards, Dezeen’s editor Tom Ravenscroft was shortlisted for Editor of the Year at both the PPA and AOP awards.

Dezeen writers were shortlisted a further three times at the British Society of Magazine Editors (BSME) talent awards.

Dezeen’s deputy editor Cajsa Carlson was shortlisted for Best Deputy Editor, Dezeen’s design editor Jennifer Hahn for Best Writer – B2B and Dezeen’s former design reporter Alice Finney for Best Writer – Specialist.

The shortlistings are the latest recognition for Dezeen, which was named Business Publication of the Year at the PPA’s annual awards and editorial brand of the year by the International Building Press last year.

Last December Dezeen founder Marcus Fairswho passed away last year, was posthumously given a lifetime achievement award by British Society of Magazine Editors for his “massive contribution to magazine journalism”.

The post Dezeen shortlisted for 10 prestigious publishing awards appeared first on Dezeen.

"If the majority of electric cars are dull, this is an opportunity" says Maserati CEO

Maserati CEO Davide Grasso

Maserati CEO Davide Grasso explains how the Italian luxury car brand is seeking to ensure its electric vehicles are just as fun to drive as those with combustion engines in a conversation with Dezeen.

Speaking at a roundtable event in London, Grasso responded to a question from Dezeen about the common perception that electric cars are boring compared to combustion engine cars.

“It’s about driving experience, who says they have to be dull?” he said.

“If the majority of the electric cars are dull – I’m not saying that, but it’s what I’m hearing from you – then this is an opportunity for us.”

“We don’t sell engines, we sell luxury driving experiences”

Grasso claimed that Maserati, which just unveiled its first fully electric vehicle at Milan design week, believes that its electric cars will have just as much charisma as the petrol-powered sports cars that made the marque its name.

He argued that although the combustion engine was a key component of past models, the joy of driving could still be retained when replacing it with an electric drivetrain.

“We don’t sell engines, we sell luxury driving experiences,” said Grasso, who became CEO of the brand in 2019.

“If you take out one piece of the puzzle which is much appreciated, you have to make sure you replace it with something that is at that level, if not superior.”

“Our goal is to provide the same benchmark level experience using a state-of-the-art system of electric motors versus a state-of-the-art combustion engine,” he continued.

“We need to take the Maserati DNA into the future”

Maserati aims to replicate the feeling of driving its combustion-engine sports cars in electric versions through strategic positioning of the motors, Grasso explained.

“‘What makes a Maserati special’ is the first question that we asked ourselves – and how do we put in an engine which is different from what we used to have?” he said.

“Maserati cars have a unique type of drivability due to the fact that they have a long nose as the non-electric engine used to be on the axis, and that gives it a completely different handling than any other car,” he continued.

“To keep the drivability of it you change the way you put batteries compared to what anybody else does – everybody else puts it towards the bottom, we put it in a T, because that keeps the central gravity low. Everybody’s got one engine or two engines, we have three, because we have engines on both the rear wheels.”

Grasso believes that these changes will mean Maserati’s electric cars retain the distinct feeling of its previous cars.

“These are all things that have to be consistent, because we need to take the Maserati DNA into the future, respecting the brand,” he explained.

“It’s the same driving experience… but if you go and X-ray the cars they are really different.”

Maserati has also focused on creating a sound for their electric vehicles intended to reflect the brand’s ethos. Developed over 18 months, the sound is based on the noise generated by the electric motors.

“An electric car, just because it doesn’t make much noise, doesn’t mean that it is dull,” he said.

“It took us 18 months to develop the sound, because the sound is an essential element of the driving experience. And the sound for the electric engine is very different.”

Tipping point for electrification “is behind us”

Maserati’s GranTurismo Folgore, which will go on sale this summer, is the brand’s first fully-electric vehicle created as part of its plan to transition to only offering electric cars by 2030.

However, Grasso believes that due to the rapid speed of electric adoption, the manufacturer may phase out combustion engine cars before its self-imposed deadline.

“The speed of the movement towards electrification is increasing – the tipping point is behind us,” he said.

“So the horizon that we have towards 2030, to be fully electric for Maserati, may happen a little earlier.”

Although Maserati currently plans to build internal combustion engine (ICE) versions of its sports cars for the next seven years, Grasso said the brand was committed to electric.

He described these remaining fossil-fuel vehicles as a “last dance”, suggesting that people still committed to combustion engines were “dinosaurs”.

“It’s moving and accelerating, but right now we’re giving people freedom to choose and to stay with the ICE, knowing that the ICE will be a celebratory moment of the last dance,” he said.

“I remember, because I worked with with Apple at that time, there were names to identify those in 2010 or ’11 holding onto their Blackberry – you know, they were calling them the dinosaurs.”

Maserati is among a group of brands including Bentley, Buick, Fiat, Volvo and Mercedes-Benz that are set to be all-electric by 2030.

Other brands to recently unveil their first electric cars include Rolls-Royce and Sony, which revealed a “moving entertainment space”.

The post “If the majority of electric cars are dull, this is an opportunity” says Maserati CEO appeared first on Dezeen.

Farrell Centre opens with exhibition showcasing mycelium and fake fur

Dress for Weather installation at More with Less exhibition at the Farrell Centre

An architecture centre founded by British architect Terry Farrell has opened in Newcastle, England, with an exhibition exploring building materials of the future and “urban rooms” for local residents.

The Farrell Centre is an exhibition gallery, research centre and community space that aims to provoke conversation about architecture and planning, both in the city and at a global scale.

The project was instigated by Farrell, who donated his architectural archive and put £1 million towards the build.

Farrell Centre in Newcastle
The Farrell Centre occupies a former department store building in Newcastle

The inaugural exhibition, More with Less: Reimagining Architecture for a Changing World, looks at how buildings might adapt to the climate crisis.

Fake fur, mycelium and wool insulation feature in a series of installations designed to challenge traditional methods of producing architecture.

Elsewhere, three urban rooms host workshops and other events where locals can learn about the past and future of Newcastle and voice their opinions on development plans.

Staircase in Farrell Centre in Newcastle
The ground floor is designed to encourage people in, with glazed facades on two sides

“The centre is here to bring about a better, more inclusive and more sustainable built environment,” said Farrell Centre director and Dezeen columnist Owen Hopkins during a tour of the building.

“The belief that underpins everything we do is that we need to engage people with architecture and planning, and the transformative roles that they can have,” he told Dezeen.

“Architecture and planning are often seen as something that’s imposed from above. We need to shift that perception.”

Staircase in Farrell Centre in Newcastle
Seating bleachers create an informal space for talks and presentations

Forming part of Newcastle University, the Farrell Centre occupies a four-storey former department store building in the heart of the city.

Local studios Space Architects and Elliott Architects oversaw a renovation that aims to make the building feel as open and welcoming as possible.

HBBE installation at More with Less exhibition at the Farrell Centre
The exhibition More with Less includes an installation by HBBE made from mycelium, sawdust and wool

The ground floor has the feel of a public thoroughfare, thanks to glazed facades on two sides, while bleacher-style steps create a sunken seating area for talks and presentations.

A colourful new staircase leads up to the exhibition galleries on the first floor and the urban rooms on the second floor, while the uppermost level houses the staff offices.

McCloy + Muchemwa installation at More with Less exhibition at the Farrell Centre
McCloy + Muchemwa’s installation is a table filled with plants

According to Hopkins, the launch exhibition sets the tone for the type of content that visitors can expect from the Farrell Centre.

The show features installations by four UK architecture studios, each exploring a different proposition for future buildings.

“We wanted to create something that expands people’s understanding of what architecture is, beyond building an expensive house on Grand Designs,” Hopkins said, referencing the popular television show.

Dress for Weather installation at More with Less exhibition at the Farrell Centre
Dress for the Weather has created a mini maze of insulation

Newcastle University’s Hub for Biotechnology in the Built Environment (HBBE) has created Living Room, a cave-like structure made by cultivating a mixture of mycelium and sawdust over a giant wool blanket.

Next, a mini maze created by Glasgow studio Dress for the Weather aims to showcase the thermal and experiential qualities of building insulation, with varieties made from low-grade wool and plastic bottles.

Office S&M installation at More with Less exhibition at the Farrell Centre
Office S&M’s installations include a silhouette of the head of Michelangelo’s David made from pink fur and a chaise longue covered in expanding foam

London-based Office S&M proposes low-tech but fun solutions for making buildings more comfortable.

These are represented by a silhouette of the head of Michelangelo’s David made from pink fur, a metallic space blanket, a chaise longue topped covered in expanding foam and a dichroic-film window covering that casts colourful reflections onto the floor.

“This whole room is about actually doing really simple mundane stuff, but in a way that is joyful and tells a story,” said Hopkins.

In the final room, an installation by London-based McCloy + Muchemwa brings nature indoors with a boardroom table covered in plants.

Urban rooms at the Farrell Centre
The urban rooms host events where people can learn about the development of the city

On the floor above, the three urban rooms have been fitted out by Mat Barnes of architecture studio CAN with custom elements that make playful references to building sites.

They are filled with historic maps, interactive models, informal furniture, display stands made from scaffolding poles, and architecture toys that include building-shaped soft play and Lego.

Urban rooms at the Farrell Centre
In one of the rooms, planning proposals are displayed on stands made from scaffolding poles

The idea of setting up an urban room in Newcastle was the starting point for the creation of the Farrell Centre.

A decade ago, Farrell was commissioned by the UK government to produce a report on the state of the UK’s architecture and planning system.

One of the key recommendations in the Farrell Review, published in 2014, was to create an urban room in every major city, giving local people of all ages and backgrounds a place to engage with how the city is planned and developed.

Urban rooms at the Farrell Centre
One urban room contains a model of a Terry Farrell-designed masterplan for Newcastle

As Farrell grew up in the Newcastle area and studied architecture at the university, he became keen to make this concept a reality in this city.

Although the Farrell Centre is named in his honour, Hopkins said that Farrell is happy for the facility to forge its own path in terms of programme and approach.

“He established the idea and vision for the centre, but he is happy for us to build out that vision in the way that we think is best,” added Hopkins.

Farrell Centre in Newcastle
The Farrell Centre forms part of Newcastle University

The director is optimistic about the centre’s potential to engage with the community.

“Newcastle is a city like no other,” he said. “The civic pride here is off the scale. People have such a deep-rooted love of where they live.”

“It’s amazing to be able to tap into that as a way of creating a better built environment.”

More with Less: Reimagining Architecture for a Changing World is on show at the Farrell Centre from 22 April to 10 September 2023. See Dezeen Events Guide for more architecture and design events around the world.

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Nendo and Daniel Arsham create "functionality out of what is broken"

Nendo founder Oki Sato and Daniel Arsham sat on styrofoam piece at Make to Break exhibition Milan

Japanese design studio Nendo and New York-based artist Daniel Arsham have collaborated on an exhibition for Milan design week 2023 that sees objects purposefully broken to create new functions.

Titled Break to Make, the exhibition, supported by the Friedman Benda art gallery, intended to highlight that destruction is not strictly negative and can be used to create new designs.

Collection of styrofoam prototypes at Milan design week
Nendo and Daniel Arsham’s collaborative project is titled Break to Make

The creative process involves Nendo designing and making objects with no specific functionality, which Arsham consequently breaks and transforms to make something new and useful.

“From a bathtub-like form, a loveseat emerged; from a long and narrow block, a bench or a stool; from a tall, square form, a console table was revealed,” explained Nendo founder Oki Sato.

Pink pastel object as part of Milan design week installation
The installation focuses on creating functional pieces out of broken objects

Sato told Dezeen that the project was “inspired by Daniel’s longstanding theme of ‘fictional archaeology’ – the concept of partially destroying contemporary everyday objects and making them feel as if they were unearthed from the past”. 

“An artist who expresses present objects as past artifacts, and a designer who makes present objects that anticipate the future. The collaboration may be seen as an overlay of these two contrary perspectives,” said Nendo.

According to Arsham, “everything that exists today will become a relic, yet when we think about decay or deconstruction, there is a sense that is not beautiful or useful”.

“Through this collaboration, we focussed on creating functionality out of what is broken,” Arsham added.

Bench on display at Break to Make exhibition at Nendo office
The collection consists of various prototypes made from styrofoam

On display at the Nendo Milan office, the collection consists of prototypes made from styrofoam. 

“We used styrofoam to create prototypes as it allowed for freedom to explore the act of breaking,” Arsham explained. 

Sato said that prototypes would later be moulded with plaster and have a coating applied to protect and strengthen the pieces.

Oki Sato and Daniel Arsham sat on styrofoam bench at Break to Make installation
The installation intends to highlight that broken items can hold value

When asked about the materials used and the potential waste generated in the process, Sato said styrofoam is widely recyclable in Japan.

“In Japan, Styrofoam is one of the materials that [is] recycled at dedicated facilities with a high recovery rate, similar to PET bottles and corrugated cardboard”. 

Doorway leading to piece on display at Nendo and Daniel Arsham exhibition
The installation was held at the Nendo Milan office

The exhibition was held at the Nendo Milan office rather than another venue in the city.

“Using a dedicated exhibition space allowed us to present the objects in dialogue with each other, but also showcase the creative process and tools that brought this collaboration to life,” explained Sato. 

The photography is courtesy of Nendo. 

The projects were on show from 18 to 23 April at the Nendo Milan office as part of Milan design week. See our Milan design week 2023 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks that took place throughout the week.

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This triple-screen laptop accessory upgrades your productivity where you go

Laptops have long surpassed desktops as the personal computing of choice because of their convenience, portability, and smaller footprints. Despite those advantages, laptops are still physically limited exactly because of those traits. Even as laptop hardware becomes more powerful, they’re still limited in the kind of keyboards they can accommodate and, most especially, the number of screens they can carry. Sure, connecting multiple monitors to a laptop has always been possible, but that also means being chained to a desk all the time. Fortunately, the dream of having a productivity monster on the go is now possible thanks to a sleek triple monitor laptop accessory that frees you to get work done in the best way possible, whether you’re in the office, at a coffee shop, or even in a boardroom meeting.

Designer: Zikang Feng

Click Here to Buy Now: $379 $599 ($220 off). Hurry, only 5/165 left! Raised over $380,000.

There is still some debate on whether productivity is proportional to the number of monitors that you have, but there are plenty of computer users, especially those labeled as “knowledge workers,” who swear by it. Many of them use laptops and wish they could take their multi-monitor desk setups with them wherever they go. The idea might have been met with ridicule at first, but those doubts are easily dispelled by a well-designed solution like the Trio and Trio Max.

Designed for laptops, big or small, the Trio and the Trio Max provide a convenient and portable way to add one or two extra screens to your laptop without actually bulking up your portable computer when you don’t need them. They come as plug-and-play accessories that you can simply stand on your desk or, optionally, magnetically attach to the back of your laptop as they are needed. A new second-stage sliding mechanism lets the screens slide in and out smoothly while still allowing them to pivot and fold about your laptop to protect your privacy.

Three Screen Mode – Both monitors.

The Trio and the Trio Max are still easy and convenient to use, only requiring that you plug them into devices with USB-C ports with DisplayPort Alt capability, which includes the Nintendo Switch. Even better, these triple-screen accessories are now compatible with M1 and M2 Macs using Mobile Pixels’ proprietary USB driver. The Trio’s design offers the utmost flexibility on how to arrange your multiple monitors, whether it’s a single screen off to the side, a detached portrait mode monitor, or both screens rotated backward for 360-degree coverage.

Landscape Mode – One monitor, left or right.

Portrait Mode – Detach and set it up vertically.

Collaboration Mode – Rotate both screens back to form a triangle to collaborate with others.

Today’s laptops are powerful enough to run almost anything as long as they fit inside a single screen. With the Trio for 13-14.5″ laptops and the Trio Max for 15-17.3″ sizes, you can quickly add two rich 1080p anti-glare displays to have more room for all your apps and content. Free yourself from your laptop’s constraints and expand your creativity and productivity whenever and wherever you need it with the Trio and Trio Max triple-screen monitors, only $379 and $419, respectively.

Click Here to Buy Now: $379 $599 ($220 off). Hurry, only 5/165 left! Raised over $380,000.

The post This triple-screen laptop accessory upgrades your productivity where you go first appeared on Yanko Design.

Google Pixel Fold’s first real renders reveal a remarkably thin hinge

Although Google has not yet officially confirmed the release of its foldable smartphone, there have been numerous leaks and rumors about the Google foldable phone, supposedly called the Pixel Fold, which could look something like the Samsung Galaxy Z Fold series.

Google is almost certainly going to launch the Pixel 7a at Google I/O 2023 on May 10. There are no two ways about it. According to recent reports, the search engine giant could also release its foldable smartphone at the event with June as the likely launch date.

Designer: Google

Mock-up renders of the Pixel Fold have been polluting the internet for quite some time now. But it’s only now that the first images of what appear to be official renders of the Pixel Fold have been shared on Twitter by reliable leakster Evan Blass.

These almost real render images of the much-anticipated Google Pixel Fold provide us with a clearer idea of what the device may look like. The images show both the folded and unfolded forms of the phone, suggesting that the Pixel Fold could have a remarkably thin hinge with a small gap between the two halves.

In comparison to the other foldable devices currently available, the Pixel Fold appears to be very slim. Further, Evan’s tweet reveals the Pixel Fold is 5.5 inches tall and measures half and inch thick when folded; when unfolded the phone is only 0.2 inches thick. Featuring a 9.5MP front camera with an 84-degree field of view, the phone would have an additional 8MP camera on the inside.

While these images are not official, Evans is known for his accurate leaks, making it highly likely that the Pixel Fold will look similar to what we see in these renders. It is expected with IPX8 water resistance in Obsidian or Porcelain for almost $1,799.

The post Google Pixel Fold’s first real renders reveal a remarkably thin hinge first appeared on Yanko Design.

This Carbon Neutral Backpack is built with recycled plastic and captured CO2, and is 100% storm-proof

The 38L Hybrid Duffle Pack isn’t your average backpack. For starters, it’s designed to be entirely carbon neutral, with materials and processes that take waste out of the system rather than putting waste into the system. The bag’s fabric uses 123 recycled plastic bottles in its construction and is strengthened by atmospheric-captured CO2, using a proprietary procedure. In fact, the 38L Hybrid Duffle Pack is so strong that it’s rated to be 100% storm-proof, and comes with a seal of approval from Ed Stafford, a renowned English explorer and survivalist who holds the Guinness World Record for being the first human ever to walk the length of the Amazon River, and who also played a sizeable role in designing the 38L Hybrid Duffle Pack… and why is it called Hybrid? Well, because it can seamlessly alternate between backpack, side-strap, and duffle modes, preparing you for all scenarios… and for all weathers.

Designer: GROUNDTRUTH

Click Here to Buy Now: $249 $400 ($151 off). Hurry, only 4/65 left!

Coming from the mind of GROUNDTRUTH and Ed Stafford, the 38L Hybrid Duffle Pack was just built to dominate in the outdoors. However, at the same time, it’s functional and urban-friendly enough to be your everyday carry too. The bag’s design upcycles plastic waste in a way that blurs the lines between sustainability, fashion, and function, giving you a backpack strong and hyper-functional enough to be the last one you’ll ever buy.

Backpack – Robust semi-detachable shoulder straps with stabilizers for extra comfort.

Hand Carry – Three exterior robust grab handles for hand carry.

Duffle – Detachable waist belt transforms into comfy shoulder strap for shoulder and cross-body carry.

The hyper-functionality starts with the bag’s hybrid design, which alternates between handheld, side duffle, and backpack styles in a matter of seconds. The bag comes with a detachable duffle-style shoulder strap, a semi-detachable backpack harness with stabilizers, and 2 side handles to facilitate the three carrying styles. With all the straps tucked away, it can be carried like a handheld briefcase. Pop the duffle-style shoulder strap on and you have a side-sling duffle bag… attach the two backpack harness straps and you’ve got a backpack. The backpack mode can further be reinforced with the extra strap (from the duffle configuration) transforming into a secure waist belt letting you carry heavy items with ease as the bag hugs your back to prevent the straps from cutting into your skin and causing you fatigue.

Made to easily withstand the extreme outdoors, the bag boasts a 100% storm-proof design that’s further backed by GROUNDTRUTH’s 10-year warranty. The 38L Hybrid Duffle Pack’s exterior uses the company’s proprietary fabric, made from recycled PET bottles. The bottles are collected, cleaned, and then shredded into thin fibers before being woven into a strong yarn. The yarn is then transformed into a high-performance fabric with a 600D ballistic property and a tristop weave. The resulting fabric is absolutely water-proof, and the bag’s panels are joined together with the triangular ripstop stitch pattern that prevents them from fraying, splitting, or tearing. Waterproof YKK lockable zippers help keep your bag’s contents dry and safe no matter how inclement the weather.

The backpack is spacious enough to accommodate 38 liters, as its name suggests, and is wide enough to fit a 16″ laptop in the main fleece-lined laptop compartment. The bag features two main compartments that open in a 180° clamshell fashion for full accessibility, alongside four outer front pockets. Additionally, a top-access pocket with a dedicated keychain holder lets you store your EDC. Additionally, bottle holders on either side of the bag let you store up to two 1L bottles.

The bag’s eco-friendly approach is truly one-of-a-kind. Not only is the exterior fabric crafted from recycled plastic bottles, but the interior lining is also made entirely from recycled fishing nets using zero-added dyes. What’s more, GROUNDTRUTH’s innovative process involves infusing captured CO2 into the recycled plastic hardware, resulting in a material that is up to 40% more durable than virgin plastics. To top it off, the textiles are also coated with an advanced water-based film that contains zero VOCs. GROUNDTRUTH is also committed to working with Bluesign®-certified partners to ensure fair and ethical treatment of workers throughout the entire supply chain.

The bag truly shows a remarkable balance between sustainability and functionality. Purposefully designed to help mitigate the effects of humanity’s wasteful decisions, the bag comes with a carbon-neutral design that’s further reinforced by the fact that it’s ridiculously durable, and is backed by a 10-year warranty. Made for travel, the 38L Hybrid Duffle Pack is cabin-friendly, and is available globally in two colors – ECO-X Black, and Ice Sheet Blue, for a discounted price of $249.

The 38L Hybrid Duffle Pack is part of GROUNDTRUTH’s award-winning RIKR range collection.

Click Here to Buy Now: $249 $400 ($151 off). Hurry, only 4/65 left!

The post This Carbon Neutral Backpack is built with recycled plastic and captured CO2, and is 100% storm-proof first appeared on Yanko Design.

Nothing Voyage (1) is an outdoor mixed-reality headset concept with the Phone (1) inspired Glyph Interface

Maybe AR/VR isn’t meant for homes… this conceptual pair of Nothing MR goggles transform the outdoors, immersing you in new worlds while keeping you aware of your current one.

Dubbed the Voyage (1), this ski-goggle-shaped headset enriches outdoor experiences, bringing you into a new world. Most MR devices find themselves being used in highly technical fields like medicine or engineering – the Voyage (1) doesn’t take that approach. Instead, it finds the ‘killer app’ of the MR world, just like health monitoring became the ‘killer app’ of the Apple Watch. Quite like how Pokemon GO used AR to push people outside their homes, the Voyage (1) enables people to experience a new reality layered over their own existing reality. It transforms mundane streets into foreign destinations, a boring highway into a mountainous drive, and a bland sky into an aurora-filled one in the arctic circle.

Designer: Junha Kam

The Voyage (1) sits on your eyes, with a sleek design that doesn’t weigh you down or look awkward on your face. A built-in Glyph Interface helps you be aware of your surroundings as well as the world around you be aware of your movements, and depending on your use, a pair of handheld controllers let you navigate your MR experience.

The glasses are unusually sleek, in a way that keeps in line with Nothing’s catalog of products. The only thing that stands apart is the lack of a transparent housing anywhere on the device.

The Voyage (1) is designed to be worn while moving. The mixed-reality ability gives you pass-through features that let you see the world around you so you’re fully aware of your surroundings, and the Glyph Interface ends up being an indicator of sorts, letting others know where you’re looking or turning as you cycle, skateboard, hoverboard, or jog with the MR headset on.

Although primed for outdoor use, the headset’s made to be worn indoors too, with a pair of controllers that help you use the Voyage (1) like a traditional VR headset for browsing the web, playing games, or engaging in indoor-based VR experiences.

Ultimately, the Voyage (1) tries to do what every metaverse company’s been trying to do too – figure out what’s the killer app for AR/VR/MR experiences. Zuckerberg and Tim Cook have been pushing the metaverse pretty hard for the past 5 years (Meta’s focus has been on VR, Apple’s on AR), but even though these devices have existed for quite long now, they feel like a novelty. Everyone who buys an Oculus Quest ends up letting it sit on a shelf and gather dust after 2-3 months of intense use. Maybe with a focus on reinventing the outdoors, the Voyage (1) will be able to help boost mass adoption for the metaverse. Sadly though, this device is entirely conceptual – but if Carl Pei is reading this…

The post Nothing Voyage (1) is an outdoor mixed-reality headset concept with the Phone (1) inspired Glyph Interface first appeared on Yanko Design.

AI-generated Hìtëkw Tennis Racquet – YD x KeyShot Inspiration Hub Design of the Month #2

The second-ever YD x KeyShot Inspiration Hub Design of the Month goes to the Hìtëkw, a rather interesting-looking tennis racquet with an even more interesting back story. Designed using a combination of AI-based tools as well as generative design, the Hìtëkw boasts of a futuristic visual aesthetic that’s never been seen before… and that isn’t all. The redesigned racquet is lighter and stronger too, as a result of this AI-powered makeover!

Designer: All Design Lab

Click Here to view all designs on the YD x Keyshot Inspiration Hub website!

All Design Lab experimented with using OpenAI’s Dall·E2 to generate concept directions for the racquet’s design, only to realize that almost the AI could only work on a dataset of existing images; and nobody had ever made a racquet like the Hìtëkw before, which made it difficult for the AI to really think outside the box. This became the starting point for All Design Lab’s creative brief, which was to completely redesign the racquet’s silhouette itself.

To create new racquet archetypes, the All Design Lab team relied on new CAD tools. The designers created their rough form in Gravity Sketch, a VR-based 3D program that lets you sketch and sculpt in virtual reality, before taking the product to a generative algorithm to optimize the racquet’s unique frame for strength and reliability. The result was the Hìtëkw, a racquet that’s stronger and lighter than its competitors, with a distinct visual edge thanks to its organic, 3D-printed generative metal design.

“Rackets have become more lightweight and durable through new materials and advanced manufacturing techniques”, the All Design Lab team mentions. “Yet the potential is still there to envision an even lighter and stronger racket that takes advantage of new design techniques, specifically, advanced CAD processes such as generative design tools.”

If you don’t know what the YD x KeyShot Inspiration Hub is, it’s best to think of it as the ultimate destination to find the most inspirational design work, as well as to have your own work featured so that it can be seen by a global audience of thousands of designers and creatives… an ever-expanding encyclopedia of good design and great rendering, if you will.

The hub helps fulfill YD and KeyShot’s broad goal of recognizing exemplary work from a distance and helping amplify it without having to rely on an algorithm, unlike with portfolio sites and social media. It relies on YD’s two-decade-long year history of curating great ideas, concepts, and case studies and ties it to KeyShot’s powerful position as the design industry’s most powerful and preferred rendering software.

The Inspiration Hub’s jury panel will hand-pick and highlight an outstanding design each week, also awarding a ‘Design of the Week’ and ‘Design of the Year’, featuring them at the top of the hub’s page while giving winning designs a permanent badge and entering them into the Inspiration Hub’s ‘Hall of Fame’. Hall-of-Famers will also be featured on Yanko Design’s Instagram page and will win exciting prizes from KeyShot. If you think your design has a chance to get featured on the hub and win, submit your design with us here.

Learn more about how to participate by visiting the hub, and also get your hands on a free trial of KeyShot 11.

Click Here to view all designs on the YD x Keyshot Inspiration Hub website!

The post AI-generated Hìtëkw Tennis Racquet – YD x KeyShot Inspiration Hub Design of the Month #2 first appeared on Yanko Design.