This foldable “Venus of Willendorf” inspired chair literally puts you in the lap of art history

The Venus of Willendorf is a significant figure in art history since it is thought to have been created between 30,000 and 25,000 BCE, making it one of the world’s oldest known works of art to have been discovered.

Furniture design is an art that seamlessly merges aesthetics with functionality. The Venus Folding Chair, with its gorgeous design and usefulness, is an excellent example of this idea. This foldable chair not only provides a cozy seating option but also gives any room a sense of style and history. The Venus Folding Chair, which was created with great care and attention to detail, stands out as an example of how form and function can be creatively combined. Because any chair represents a similar sitting person, allowing people to be comfortable, this figure of a sitting woman can be changed into a chair. It’d be similar to sitting on her lap.

Designer: Lameice Abu Aker and Eva Castany

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The design and shape of most Venus sculptures are identical. They are often lozenge-shaped, with a large fat belly tapering to the head and legs, and no arms, feet, or face detail. Furthermore, their sexual organs are deliberately exaggerated.

The Venus Folding Chair’s space-saving folding mechanism is one of its most notable characteristics. The chair’s fold-and-store capabilities make it a practical and convenient design. For people with limited room or those who frequently host events or gatherings, this option is especially helpful. A chair is an excellent option for tiny flats, outdoor events, or temporary seating arrangements due to its compact and folding design, which makes storage simple. The form of the figure was outlined by the designer and translated into a chair. It has 2 points of joinery on either side of the chair which have channels for the lower structure to slide upward when the chair is in the folded state.

This creative and simple design can be disassembled very easily into just 4 parts; the mesh seat, the back structure, the front support, and the base.

The chair is a sustainable product on multiple levels. The foldable design can be flat-packed which allows it to be stacked and transported easily. This makes the product transport-efficient and reduces its carbon footprint, allowing more chairs to be shipped in the same amount of space. It can be used around the house as an extra chair as well and can fit in the minimum available space. The single-line nature of the chair makes it even easier to pick up and move around as it has the space to be held all across. Overall, it’s surely a conversation starter and a great pick for history and art buffs who enjoy the evolution and adaptations of classics.

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Photographer Charlie Engman’s Midjourney Images Expand His Subjects’ Point Of View

Brooklyn-based photographer and artist Charlie Engman is leveraging Midjourney’s lack of physical constraints to create hundreds of machine-generated images in a day, embracing the platform’s quirks and the way it provides additional layers of complexity to his work. Engman, formerly known for thought-provoking imagery of his mother, is using the technology to create something that feels both alien and fresh. Read about his explorations and discover some of his AI-produced images at The New Yorker.

“Mom (Clay II), 2003” image used with permission by the artist

Miniature Handheld game console the size of credit card is a nostalgic Game Boy dupe

Nintendo, Valve and Asus are keeping the handheld gaming niche intact, encouraging new entrants to come up with their own versions. The average screen size for these gaming monsters is anywhere around 7 inches, but when a handheld measures no more than a credit card, it’s bound to grab our attention.

This is the RG Nano ultra-portable mini-game console by ANBERNIC all set to land in the hands of busy gamers who want an option to kill time on their evening transit. The Chinese company has already created ripples in the portable gaming industry with offerings like the RG35XX emulator that plays retro games as smoothly as it could get.

Designer: ANBERNIC

Measuring just 68 x 42 mm, the gadget is smaller than the SEGA’s Visual Memory Unit (VMU) designed for Dreamcast. It is ideal to hook up with your keychain since the miniature handheld comes with an offline clock function. It can even slot in a microSD card to store music files for audio playback. The ability to play high-fidelity lossless files will make you skip the high-resolution audio player when space is a premium. The only downside is, it doesn’t have a dedicated headphone jack and you’ll have to connect to the USB-C charging port with a USB-C adapter.

The build quality is impressive since the 2.5-inch handheld is made from a textured aluminum alloy body. Given the small form factor, don’t mind the missing analog joysticks which give way to the single D-pad with four action buttons. Thankfully a pair of shoulder buttons means you’ll be able to play 16-bit games with ease.

The mini handheld’s screen has a 1:1 aspect ratio perfect for playing all-time classic titles from the Game Boy Color, NES, SEGA, SNES or even the Genisis games. Playing Game Boy Advance titles won’t be recommended though, since the aspect ratio won’t match and the viewable screen area will be shrunk down even more.

Allwinner K3S chipset-powered RG Nano is loaded with a 1050mAh battery which should be enough for a few hours of non-stop playing. There’s no word on the pricing yet but it should come for less than $65 which stacks it right in the impulse-buying domain.

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Naturehumaine draws on Streamline Moderne architecture for Montreal duplex

Red brick Montreal duplex with curved edges and windows

Local studio Naturehumaine has completed a two-family housing block located in the Côte-des-Neiges borough of Montreal that draws on 1930s architectural styles.

The project comprises 297 square metres of housing on a narrow urban strip, which formerly served as a large swimming pool site for a neighbouring building.

Called Le Paquebot – or The Steamer– the project references and builds on the architectural styles of the surrounding neighbourhood, which is made up of 1950s multi-residential buildings that surround the project on three sides.

Red brick building with curved edges and metal top floor
Naturehumaine created a structure that holds two homes in Montreal

It includes two semi-detached duplex units spread over four floors with outdoor space on the rooftop and at the sides.

Round corners, various masonry configurations, strict symmetrical layouts and refined geometries characterise the structure.

Its form was influenced by the Streamline Moderne architectural style, commonly associated with the 1930s interwar art deco movement.

Curved brick facade with metal staircase and winter greenery
It has a brick-clad facade with curved edges

“Since we found in the immediate neighbourhood various beautiful examples of art deco residential projects from the 1930s, it became obvious for us from the start that we wanted to revive in a contemporary way some of the features of that period in architecture,” Naturehumaine told Dezeen.

The facade is clad in red clay brick with steel details that have been painted wine red.

Privacy screens as well as the terrace railings were made from perforated steel painted in a terracotta colour, along with the curved roofs of the mezzanine floors.

Red brick building with metal top and metal privacy screens
The top floor has a metal exterior that matches the privacy screens on the windows below

“Our first intention was to choose a burgundy colour that would contrast and stand out with respect to the immediate neighbours where both are in tones of light and darker brown,” Naturehumaine told Dezeen.

“What turned out to be interesting is the variation perceived in the tonality of the brick based on lighting; the brick becomes particularly warm and orangey when directly exposed to the sun.”

The primary bedroom and mezzanine are on the top floor

The homes are set up symmetrically, with four bedrooms each. There are semi-submerged basements that hold single bedrooms and a family room, while the ground floor holds the common areas.

The third floor is dedicated to two bedrooms meant for children, while the top floor, which acts as a mezzanine, holds the primary bedroom.

A central staircase bisects each of the homes and each has a carport topped by a terrace that extends from the ground floor

Sunlight on top of red brick building in Montreal
It has curved windows and terraces that act as car ports

The ornate masonry work exists in its usual horizontal layout until coming to head at the curved windows, where it has been turned vertically and tilted toward the two front corners of the home in order to accentuate the curve.

The corner masonry comes to a halt at large, curved-corner windows.

Because the large window needed double-glazing and used curved glass, the windows had to be fabricated by specialists in Texas and then shipped north to the site in Montreal.

“For a modest residential project like ours, it was effectively a challenge to build the rounded roofs and curved metal lintel needed to support the brickwork above our rounded corner window.

“All of these elements needed to be perfectly erected one above the other on the same radius,” said the studio.

Red brick and curved glass windows on housing block
The windows were shipped from fabricators in Texas

Nonetheless, the strict geometric identity of the construction adds to the strong identity of the building. Curves and colours of the project aid in making this home a statement piece in the area.

Naturehumaine has completed other multi-family projects in the area such as a project with twisting yellow external staircases and single-family projects such as a home with a staircase inspired by Dutch artist MC Escher.

The photography is by Ronan Mézière.

The post Naturehumaine draws on Streamline Moderne architecture for Montreal duplex appeared first on Dezeen.

2023 Land Rover Defender 130 Review

PROS:

  • Sophisticated style
  • Endless power
  • Pampering comfort

CONS:

  • Pricey
  • Limited legroom in SWB
  • Thirsty

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
VALUE FOR MONEY

EDITOR’S QUOTE:

There aren’t many SUVs out there with true pedigree, and among all else that’s what the Range Rover delivers in spades.

It’s hard to put a price on poise, on stateliness and presence. I can quantify cargo space and performance figures until I’m blue in the face, but some vehicles offer something a little bit more, something a lot less substantial though no less important.

The Range Rover is absolutely one of those vehicles. Though it has evolved incredibly over the generations, the position it has earned as a posh all-roader has remained strong over the last few generations. What you see here is the latest, fifth generation installment, the most refined and luxurious Range Rover yet and, under the skin at least, the most advanced.

Understated elegance

Take a passing glance and you might not even notice that anything has changed, but closer examination shows that this new Range Rover is quite radically evolved, controversially so. Everything here is smooth to an extreme, winged eyeliner on those now narrower headlights extending mid-way back over the front fenders while the rest of the nose details have been minimized.

The nose is smooth, as is much of the rest of the car, with very little detailing applied to break up the giant swaths of bodywork that cover this 17-foot-long, six-foot-tall SUV. Many have called it too understated, but to my eye at least it looks far from boring.

About the only highlight on that long, gentle journey from nose to tail is the vertical slat detailing on both front doors, a seeming reference to the fender vents on the third-generation L322 Range Rover. Beyond that, even the flares over the giant 23-inch rear wheels are slim.

Above the belt-line, the Range Rover is entirely blacked out, dark tint paired with black paint on roof and pillars creating a simple, clean look. In fact, much of the brightwork on this First Edition Range Rover is darkened, part of a $1,000 options package.

The SUV terminates with a set of taillights that are Lilliputian in comparison to the rest of the Range Rover’s proportions, curiously sized and positioned. It’s a bit odd, much like the new Defender’s tails seem mis-sized, but again like on the Defender somehow it all works. The whole package is stately and sophisticated, especially in the Champagne-like matte Sunset Gold Satin hue here. Even covered in winter road salt it looked good, and that’s not something you can say for most cars.

Interior appointments abound

I’m not convinced that the interior would look so good with similar amounts of muck and grime. The warm, white leather that extends from headliner to floor definitely defines this particular Range Rover as more of a limousine than a proper utility vehicle, but given the extent of the comfort appointments here, that’s appropriate.

This Rover has the Executive Class Comfort package, offering proper executive seating in the rear with massaging for both second-row passengers and even an extending footrest for the right-rear. Shame, though, that there just doesn’t seem to be quite enough legroom to really enjoy it in this short wheelbase model. With the seatback-mounted display units, which can stream media from HDMI, sitting in the back can feel just a little bit claustrophobic despite the generous headroom.

The seats pose another problem should you actually want to carry anything in your Range Rover: they don’t fold flat. Yes, they do fold, automatically even, going through a carefully choreographed sequence of motions and clicks as various latches engage and disengage, but at best they only fold to about a 30-degree angle. Worse, with those seatback displays protruding, they won’t fold without awkwardly pushing front seat occupants forward. Yet more evidence that this particular Range Rover configuration is designed for hauling people.

Up front, driver and passenger have similarly appointed thrones, with five separate massaging routines, each with customizable direction and intensity. Seat heaters are likewise intense and the heated armrests a nice touch on cold days. There are physical, tactile controls for seat heating and cooling, Lang Rover’s dual-purpose knobs that also control HVAC settings, but to fiddle with the massage settings or any of the other hundreds of options here you’ll need to dig into the 13.1-inch touchscreen that floats above the dashboard.

Tech and infotainment

Land Rover’s Pivi Pro infotainment system feels quite solid and responsive, offering plenty of configurability as well as quick access to things you’ll need quickly, like parking cameras — bolstered here by a neat feature that turns your car transparent to let you see what you’re driving over. Though I found the voice recognition infuriatingly obtuse, wireless Android Auto and Apple CarPlay obviate that to a good degree.

Behind the steering wheel is a 13.7-inch, dynamic gauge cluster with three different views: a barebones Focused mode, the traditional Dials mode, and a full-screen nav view. That’s controlled by a touch-sensitive pad that rests beneath your left thumb, while a similar pad on the right handles cruise control. There is at least a physical roller for volume on the left and a rocker on the right for adjusting cruise-control speed, but in general these touch surfaces are hard to use without looking down, a big step backwards from previous tactile controls.

In fact the cabin is remarkably free of buttons and knobs. Yes, there’s still a tactile volume knob down in the center between seats, and a drive mode knob as well that pops up if you want it, but just about everything else has been consumed by the touchscreen and various other touch surfaces. Even the seat adjustment controls have capacitive touch pads for setting memory.

Other than the on-wheel controls it all works well enough, and it looks good, too. Again I fear the longevity of leather interiors of this color in an SUV, but then the people who buy these are rarely too concerned about long-term viability, and in the moment everything looks stark, clean, and sophisticated. It all feels good, too. Materials everywhere are top-notch, even the headliner and the insides of the pockets in the doors, doors which must be the heaviest portals known to man. Park on an incline and be prepared to throw your weight behind these things to get out.

Ride quality

On the move, everything is quiet and calm and composed. Part of the appeal of those giant rear seats is that they’re actually positioned ahead of a sort of rear bulkhead. That’s I’m sure partly why the rear legroom is a bit compromised, but it does help to cut out the excessive road noise that SUVs can offer. That makes for a fine soundstage for the 29-speaker Meridian sound system, which doesn’t shout for your attention like some premium audio systems, but it deserves respect just the same.

Ride quality is similarly relaxed, with just a hint of stiffness on bigger bumps to remind you that this is indeed a very capable off-roader. Locking differentials front, center, and rear help keep the power moving where it’s needed, while eight separate modes ensure you’ll have just the right amount of throttle response and suspension compliance for whatever you need. There’s even automatic wade sensing for those everyday fording opportunities, an off-road specific heads-up display mode, and the ability to make four different custom configurations. This is, as ever, the perfect companion for posh off-roading.

In its most aggressive on-road mode the Range Rover is certainly willing in this, the P530 engine configuration, the 523-horsepower, 4.4-liter twin-turbo V8 not offering much in the way of throttle response. But, give it a moment to build boost and this massive machine surges forward. This is the sort of car that will usher you up to speed quickly and just keep piling on velocity if you’re not careful. It’ll just keep drinking more and more fuel, too. The P530 is rated for 16 mpg city, 21 highway and 18 combined. I netted 20.5 mpg in my testing, most of which was spent on the highway.

Best to use the cruise control, then. It’s adaptive, of course, and works quite well at maintaining speed smoothly in traffic. Sadly, the active lane-keep system doesn’t work so well. It had a tendency to wander in the lane, sometimes jerking the wheel abruptly, which is unpleasant in a big SUV. It seemed to frequently confuse asphalt snakes for line markings, especially at dusk, which left me turning the system off unless visibility was pristine.

Other active safety systems include active blind spot monitoring, automatic emergency braking front and rear with pedestrian detection, and occupancy alerts to ensure nothing (and nobody) gets left behind.

Pricing and Options

This First Edition Range Rover was well optioned and priced appropriately, $158,200 to start but stickering at $169,900 with $7,450 for the Sunset Gold Satin paint (exorbitant but worth it), $1,000 for the blacked out detailing, another $1,000 for the blacked out roof, $900 for the 23-inch wheels, and another $1,350 for delivery.

For that money you could cross-shop this with something like a Mercedes-Benz GLS or even an Alpina XB7. That’s some luxe competition, in many ways even more posh and comforting.

But then they’re not Range Rovers, without the presence, off-road capability, and frankly the dimensions of this thing. There aren’t many SUVs out there with true pedigree, and above all else that’s what the Range Rover delivers in spades.

The post 2023 Land Rover Defender 130 Review first appeared on Yanko Design.

Out-Fit outdoor gym by Studio Adolini for Ethimo

Out-Fit by Studio Adolini for Ethimo

Dezeen Showroom: Out-Fit is an outdoor gym “for keeping fit surrounded by nature”, designed by architecture practice Studio Adolini for garden furniture brand Ethimo.

According to Ethimo, the pavilion-like Out-Fit structure is intended for use everywhere from terraces to gardens across public, commercial and private settings.

Studio Adolini‘s design incorporates a punchbag and a leather bench, alongside wooden rings, an elastic band and a mat.

Out-Fit by Studio Adolini for Ethimo
Out-Fit is an outdoor gym by Studio Adolini for Ethimo

“Out-Fit is the project that sees Ethimo create an unusual way of outdoor living and connecting with the landscape, extending the concept of comfort to an element that strives towards equilibrium between physical fitness and general wellbeing,” said the brand.

“This new structure has, in fact, been designed for keeping fit surrounded by nature, promoting an active outdoor lifestyle that is the perfect balance of design and function, comfort and sport, with safety an important feature.”

Prototype of Out-Fit by Studio Adolini for Ethimo
It incorporates a punchbag and a leather bench

The standard Out-Fit structure measures 2.4 metres in length and width and 2.8 metres in height. However, it has been designed so that it can be adapted to any location.

It is made without complex mechanical fixings and uses a combination of teak and rust-look metal.

Product: Out-Fit
Designer: Studio Adolini
Brand: Ethimo
Contact: info@ethimo.com

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

The post Out-Fit outdoor gym by Studio Adolini for Ethimo appeared first on Dezeen.

This sleek luxury watch tested (and survived) ejection from a military fighter jet

There are probably almost zero chances that you will be ejected from a jet soon (unless that is a regular part of your job) but on the off chance that you will be, you’d probably want your watch to survive along with yourself. And if a watch claims that it can survive something as extreme as being ejected from a fighter jet, then you know it can survive the most brutal of situations. So if that’s the kind of watch you’re looking for, read on.

Designer: Bremont

You know that the British watch brand is serious about creating an in-house movement that will be able to survive extreme conditions when it worked with Martin-Baker, a company that creates ejection seats and other aviation equipment. They created a prototype watch to test out in their fighter jet ejection seat testing programme and this became the basis for what is now known as the MB Viper. It sounds like a fighter jet model but yes, it is a heavy-duty watch.

The watch is housed in a Grade 5 titanium and anodised aluminum case and is composed of rhodium plated bridges, a gold plated automatic bridge, and a rhodium plated, solid tungsten rotor. The carbon-coated case itself is 43.5mm long and 10.8mm thick and has a scratch-resistant sapphire crystal. It has an orange bezel, a white dial, and in keeping with the jet theme, the chevron decorated hands look like the ejector handles on a military fighter jet.

Aside from being ejected from a jet, it also underwent zoom temperature climb testing, extreme temperature endurance, high altitude testing, and salt fog testing. It has 100 meters of water resistance and has 65 hours of battery life. You get black and orange canvas straps and there’s also a Super LumiNova giving a green light for the hour markers and hands in low lighting conditions. Each watch is hand-assembled upon order so you can expect a pretty high price tag for the MB Viper.

The post This sleek luxury watch tested (and survived) ejection from a military fighter jet first appeared on Yanko Design.

Essential glassware for your home bar

Designer: LIITON

Staying in and mixing up cocktails on Friday nights can be lots of fun, and that’s why home bars form an integral aspect of design today. It is a spot where you keep your wines and spirits in order. Of course, it’s also a great place to store your glassware, cocktail tools, and a good recipe book. In a well-stocked bar, different styles of glassware are intended to optimize the drinking experience your guests are looking for. Here are some go-to pieces of cocktail barware that will help your guests and you enjoy a drink from the comfort of your home.

Designer: LIITON

Old Fashioned Glass

Double old fashioned glass

The Old-Fashioned glass, also known as rock glass or lowball glass, is the most common of all whisky glasses. Perfect for time-consuming drinks, it is a short tumbler with a wide rim and heavy base to hold them for hours. It allows the maker to muddle the ingredients in the glass, hence best suited for cocktails created within the glass. The classic Old-Fashioned glass is designed in a cut-glass style that the English adopted in the 18th and 19th centuries. It is designed to hold a large amount of ice and mixers, serving spirits like whiskey or neat with ice cubes and certain cocktails that are served on the rocks like old fashioned. Single old-fashioned glass has a capacity of 6 to 8 ounces, while Old-Fashioned double glass can hold 12 to 14 ounces.

Facts: Note that an old-fashioned cocktail is the first mixed drink that originated in the 1800s. It is made with whiskey, sugar, Angostura bitter, and cherry or orange peel for garnish.

Single old-fashioned glass

Designer: Artel

Collins and Highball glasses

A highball glass is tall and skinny and can hold 8 to 12 ounces, while a Collins glass is taller and can hold 10 to 14 ounces. These tall chimney glasses are suitable for serving sparkling cocktails that are usually prepared in the glass with a lot of ice, like gin-and-tonics, vodka-soda, bloody mary, and whiskey-and ginger. The Collins Glass is named after the family of Collins cocktails like Tom Collins and John Collins. These are essential every day glasses and a must-have for any home bar; they can serve soda, iced tea, juice, and non-alcoholic beverages. The Delmonico is a smaller version of the Collins glass with a flare on the top.

Highball glass

Designer: Modern Quests

Collins glass

Designer: NUDE

Coupe Glass

Designer: Tom Dixon

The coupe glass is a stemmed glass with a short, shallow glass and is also known as the champagne coupe or the champagne saucer. As the name suggests, it was initially designed for serving champagne, but now it is popularly for serving vintage-inspired cocktails and cocktails that are served with ice and then served chilled without ice. You can also float a large fruit on top of the drink.

The thick stem of the coupe glass enables the drinker to hold it comfortably, preventing the drinks from getting warm as one sips them. This glass is multifunctional and is perfect for serving pudding, sorbet, and ice cream. However, as these glasses are thin and delicate, they are likely to break.

Champagne Glass

Champagne Flute

Designer: Waterford Crystal

Raise a toast to a celebratory moment with the Champagne Flute! It is a tall and thin glass with a tapered rim, both about equal in length, and its straight sides create a sleek and streamlined look. The glass is designed to keep the champagne bubbles in the glass longer as it avoids quick loss of carbonation. In addition, its tall shape makes champagne’s fizzy bubbles look spectacular in a flute.

Champagne Tulip

Designer: Zalto

The Champagne Tulip is characterized by its wider flared body and tapered mouth. It does not trap bubbles, but some drinkers experience more full aromas in the tulip than the flute and enjoy a unique drinking experience.

Beer Glass

Beer has its own glassware set, and different beer styles are served in a specific glass. The three types of drinks include:

Pint glass

The Pint glass is a tall and tapered glass with straight sides. It holds 16 ounces and makes room for a full bottle of beer and its foamy head.

Designer: Restaurantware

Pilsner glass

Designer: Orrefors

The Pilsner glass took its name from the Czech city of Pilen and was originally designed for drinking Pilsner beer, but now they are also used for light lagers and blonde ales. The glassware typically holds 14 ounces and is characterized by a tapered design and a slight ballooning at the top. Its thin glass reveals the color and carbonation of beer, while its wider mouth allows one to enjoy the full aroma of the beer foam.

Beer mug

Designer: Nachtmann

In a beer mug, you can hold the mug without warming it with your hands, which is best suited for the average lager. It will hold between 10 to 14 ounces.

Shot glasses

Designer: JoyJolt

A shot glass was originally designed to hold or measure liquor and spirits, while the name shot pays homage to German chemist Friedrich Otto Schott who invented Borosilicate glass. These glasses come in many shapes, fun styles, and sizes. They are ideal for straight shots of liquor shooters that should be consumed in one gulp. Made from thick glass, the shot glasses have a reinforced base in thick glass so that the glass does not shatter when the drinker slams the glass on the table after downing the drink. Note that the shot glass size varies in each country and can range between 0.67 ounces to over 2 ounces.

Margarita glass

Designer: NUDE

The double bowl margarita glass has a distinctive shape and is a variant of the classic coupe glass. This glassware is primarily used to serve margaritas, while its wide rim makes it easy to add salt or sugar.

Vintage Wine Goblet

Designer: Lotus Arts de Vivre

Embrace opulence and sip your wine in style with over-the-top vintage wine goblets. These glasses have a regal touch and take inspiration from the old and antique. The glassware displays beautifully embossed or hand-carved designs and is crafted from glass with good weight. Perfect for serving ice wines, ports, Sherries, and even malts.

Wine Glass

White wine glass

Designer: Marks & Spencer

Red wine Glass

Designer: Zweisel Glas

There are two basic types of wine glasses. A white wine glass has a smaller bowl than a red wine glass, and the bowl of a white wine glass is less curved and has a narrower opening than a red wine glass. The larger bowled red wine glass can breathe more and come in contact with more air, which helps the wine’s bold taste to open up and display more aromas. White wine does not need so much space to breathe- the acute bow within the bowl and smaller glass rim help preserve white wine’s aromas.

Martini glass

Designer: Nachtmann

Named after and popularly used for the martini drink, the martini glass is characterized by its rim, conical shape, and long neck. The glassware adds sophisticated elegance and prevents the person from warming the drink with their hands; it tends to fill 3 to 6 ounces and is served without ice. The martini glasses are the ultimate way to serve a Manhattan, cosmopolitan, or iconic martini cocktail. These glasses can also be used as margarita glasses.

So now, it’s time to say cheers and ring in the good times with your favorite cocktail, juice, or adult beverage. Do not forget to create a well-designed space and transform your home bar into a unique entertainment spot.

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Test Drive: 2024 Audi Q8 e-tron

Five years after the original e-tron was introduced an evolution in design and engineering is delivered

In the growing and evolving landscape of electric vehicles, Audi has consistently been early and pushed the boundaries of innovation with their e-tron models with a focused intent to smoothly transition new customers to the EV world. With the introduction of the Audi Q8 e-tron, they have revisited their original electric SUV from 2019 that was based largely on the Q5 and pushed it forward with more streamlined aerodynamics, better battery efficiency, improved driving performance and now a Sportback version. The Q8 e-tron also marks the introduction of a subtly evolved, new brand direction applied to the four rings and model badging.

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by Josh Rubin

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Audi Q8 e-tron, by Josh Rubin

Drawing inspiration from the original Q8, married it with the original e-tron, this new car is the same dimensions as the former but bears more aggressive proportions. For customers interested in a less SUV-like shape, the coupe-like roofline of the Sportback version flows effortlessly to the taillights. On both shapes the sharp lines and sculpted contours create a sense of dynamic movement, while the front grille showcases the brands four rings which have been redesigned as narrower, flat lines that read as more sophisticated than the three dimensional version and also likely constitute an improvement (albeit minimal) to the overall aerodynamics.  Lines on the nose of the car have been extended to create a wider look and a new line of LED light spans between the headlamps to create a more futuristic look. In addition to the four rings, the model badging is also evolved and presented subtly on the outside of the B-pillar.

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by Josh Rubin

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New Audi B-pillar model badging, by Josh Rubin

Inside the Q8 e-tron’s interior offers all the comfort, technology and sophistication seen in the current high-end of Audi’s line-up. Brushed metal, open-pore wood veneers and other premium materials are sculpted to define space without creating distraction. Audi’s Virtual Cockpit, a fully digital instrument cluster that seamlessly integrates with the dual-screen MMI touch response infotainment system, also remains consistent across the brand’s vehicles providing information and controls that are future-forward and at the same time, no frills. The Q8 e-tron’s interior is a quiet and generous space offering ample room for all passengers and cargo.

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Courtesy of Audi

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Audi Q8 e-tron interior, courtesy of Audi

As for the driving experience, the Audi Q8 e-tron sets new benchmarks for electric performance among their SUVs. Its powertrain delivers the instant torque that’s familiar among all EVs pushing the vehicle forward with impressive acceleration coming from front and rear motors. The motors and batteries are carefully integrated into the chassis, providing a low center of gravity that enhances agility and stability so the Q8 e-tron effortlessly glides through corners, thanks to its precise steering and well-tuned suspension system, offering a sporty yet refined driving experience. It’s a big SUV that drives like a performance sport sedan. And a forthcoming SQ8 model will add a third motor so there’s one on each rear wheel which we anticipate will offer an even more exciting cornering experience.

Audi Q8 Sportback e-tron, by Josh Rubin

Audi has equipped the Q8 e-tron with an updated battery system with 23% more capacity fit into the same physical space as the previous model resulting in an estimated 300 miles of range per charge. The system also supports faster DC charging which means it only takes 31 minutes to get from 10% to 80% on a Level-3 charger.

Audi Q8 Sportback e-tron, by Josh Rubin

The Audi Q8 e-tron is a thoughtful evolution of design and engineering, showcasing Audi’s clear commitment to electric mobility. Its striking aesthetics, luxurious interior and exhilarating driving dynamics make it a significant reference point in the electric SUV segment.

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Audi Q8 Sportback e-tron with new four ring logo design. by Josh Rubin

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Audi Q8 Sportback e-tron with new four ring logo design, by Josh Rubin

Audi will begin deliveries of Q8 e-trons this Summer and its starting price is $74,400.

Lead image by Josh Rubin

Sculptural roof helps Taihang Xinyu Art Museum blend into mountainside

Exterior photo of Taihang Xinyu Art Museum

Chinese practice Wang Chong Studio used rustic stone walls and a sloping roof to help this art museum blend into its rocky site in China’s Henan Province.

Named Taihang Xinyu Art Museum, the museum is built around an old warehouse on the site, which backs onto Taihang Mountain and sits alongside the Cangxi River.

Wang Chong Studio used recycled local stone and preserved the existing warehouse to highlight the history of the region.

Photo of Taihang Xinyu Art Museum
Taihang Xinyu Art Museum was designed by Wang Chong Studio

The architects also topped the museum with a sculptural tiled roof designed to appear to grow out of the landscape.

“The transformed, rather than demolished, warehouses effectively reflect heritage, identity and the site’s background,” studio founder Wang Chong told Dezeen.

“The new building volume that surrounds it creates a hybrid method that is more effective than tabula rasa or ‘repairing the old as the old’.”

Photo of Taihang Xinyu Art Museum
It has a sculptural roof

At the front of the site, a waterside courtyard with existing stone elements and stepped paths leads to the museum and offers views down the river.

“Traditional Chinese landscape paintings try to describe the paths into the mountains layer by layer, which inspired us to design layers of retreats and zigzag mountaineering paths in the site adjacent to the water and back of the mountain,” said Wang.

Exterior photo of Taihang Xinyu Art Museum
The form of the building was inspired by its mountain surroundings

A restaurant is built into an excavated portion of the hillside below the museum, where large floor-to-ceiling windows offer views of the neighbouring courtyard.

Punctuated by concrete retaining walls, the restaurant sits between a series of rugged stone walls and features large stones which the studio added to the design during the excavation process.

Local red sandstone was used to create the restaurant’s terrazzo floor, along with additional local materials that feature throughout the design.

“We hoped to work from the material point of view and respect the real quality of local natural materials,” said Wang.

“The building adopts the construction method of dry-hanging stone slabs, for which we recycled a large number of old slate slabs that were used as roofing materials for traditional houses,” the architect continued.

“Old craftsmen took part in much of the construction, thus embracing the local history of craftsmanship and respecting the authentic qualities of natural materials.”

Interior photo of the museum
The studio restored and extended existing warehouses

Located a level above the restaurant and accessed by a stone staircase, the Taihang Xinyu Art Museum comprises a series of exhibition spaces separated by rugged stone walls.

Inside, the galleries feature existing elements from the site, including a large stone that was extracted from the riverside to support the steel structure of the mezzanine level in one exhibition space.

Cafes at the Chinese art museum
Interior spaces are separated by stone walls

A steeply curved roof tops the museum, creating spaces with sloping ceilings that differ in height.

“The sloping roof draws inspiration from the Chinese-style large roof,” said Wang. “In ancient Chinese architecture, the large roof is described as ‘like a bird spreading its wings and a pheasant spreading its wings and flying’, as if the wings bring a light feeling.”

Photo of the interior
Materials reflect the existing surroundings

Angled to match the heights of the neighbouring buildings on either side of the structure, the roof extends over the walls of the building to form large eaves, which the studio envisions as a sheltered space for art students and painters to sketch the views of the mountain.

Other Chinese museums recently featured on Dezeen include a Shanghai museum topped with a copper arch and an art museum with an extension designed to resemble a glowing lantern.

The photography is by Coppak Studio.

The post Sculptural roof helps Taihang Xinyu Art Museum blend into mountainside appeared first on Dezeen.