"We cannot design just to please our clients anymore" says Yasmeen Lari

Yasmeen Lari portrait

Architects must stop waiting for commissions from wealthy clients and prioritise designing for the planet, says RIBA Royal Gold Medal winner Yasmeen Lari in this exclusive interview.

Speaking to Dezeen from her home in Pakistan, Lari said she hopes her Royal Institute of British Architects (RIBA) Royal Gold Medal win, announced today, can encourage other architects to use their skills to alleviate crises such as climate change.

“The future of the planet is in our hands,” Lari told Dezeen. “Architects have a very important role to play and we cannot design just to please our clients anymore or just to please ourselves.”

Yasmeen Lari portrait
Yasmeen Lari has won the RIBA Royal Gold Medal for 2023

“The planet is far bigger and far more important than any one of us. When we design, we really have to be feeling the Earth in some way, we cannot continue to inflict damage on it.”

Lari becomes the sixth woman and second sole female to ever win the prestigious accolade, presented by King Charles III this year for the first time.

The selection committee praised Lari for her “focus on architecture as a complete and vital social, cultural, economic and aesthetic model”.

“An architect’s role should be more of an activist”

Lari is best known for what she calls “barefoot social architecture”, which focuses on improving the lives of disadvantaged communities through low-cost, low-carbon, zero-waste materials and building technologies.

She believes the award reflects a positive change in attitude towards this humanitarian brand of architecture, which people originally thought she was “a bit crazy” for pursuing.

“I never even imagined that what I was doing, which is so different and wasn’t taken very seriously, would be considered as a legitimate way for an architect to be doing things,” she explained.

Lari spent much of her career designing large buildings for major corporate clients as part of her own studio before retiring in 2000 to specialise in humanitarian work.

She explained that this decision was partly down to wanting a change from designing big projects that were all “aiming for the same thing – just to impress everybody”.

“I feel that an architect’s role should be more of an activist now,” Lari reflected.

“If you want to change the world, then you’ve got to fight it out. Otherwise, you are just driven by what other people want,” she continued. “If you believe in something, then you have to be upfront.”

“I think [my award recognition] might open up new avenues for a lot of people who might be thinking in the same way,” she said.

Specifically, Lari said her hope lies in young people. She believes her “message resonates with them more than others”, and that this could see a stream of young architects entering the humanitarian field in the future.

“I’m hoping that this might encourage some of the younger professionals to be able to take that more seriously or on a more kind of more permanent way.”

“Unfortunately, we are very lazy”

However, she also acknowledges that encouraging greater uptake of low-carbon and humanitarian architecture will be a challenge.

“Since everybody’s affected by the capitalist system, which is all about making profits, and it’s all driven by money, I’m not sure if [barefoot social architecture] can ever become mainstream,” she explained. “Training is driven towards working for a client and waiting for a commission.”

“When you’re waiting for a commission it will only come from people who are wealthy, and that means that you have to follow what they’re saying.”

She said the industry is also plagued by a “lazy” attitude that relies on using readily available and conventional materials such as concrete and steel.

Aerial view of a bamboo pavilion in Makli
Lari specialises in creating low-cost and low-carbon buildings for disadvantaged communities

“I think it’s a fallacy to think that you can’t do without concrete and steel,” said Lari.

“We’ve got to rethink how we want to build,” she continued. “I can imagine not everybody will want to use earth or bamboo, but lime can be used by many.”

Lime, a material found in much of Lari’s work, was commonly used by the Romans as an ingredient in concrete and is capable of continually absorbing carbon from the atmosphere.

“Architects are not looking at [alternative materials] because none of these commercial companies giving you all those leaflets [are manufacturing them],” she said.

“Unfortunately, we are very lazy,” she continued. “We just want to look at something and just have it ready for us. We have to now organise ourselves for the ones who really care.”

“Level playing field” for women still needed

Aside from her work in humanitarian architecture, Lari is also well-known as Pakistan’s first female architect.

She believes that her RIBA Royal Gold Medal win today is a reflection of improvements in the industry’s gender balance and acknowledgement of the value of women in architecture.

“I think it’s a very brave decision that RIBA, and all the people instrumental in making this decision, have made,” she said.

“I think there is a realisation that women have a role to play, that there is something of value that they can also offer,” she added. “Women can make a contribution that may be different from what men can do.”

In her home country of Pakistan, she said, this is particularly evident.

“In Pakistan there are many female architects now who are doing extremely well,” she explained. “So I think the gender bias, perhaps at the professional level, is not so evident.”

However, this progress does not mean the industry can take its foot off the pedal when it comes to “creating a level playing field” she said.

“I think there’s still bias because [women] don’t seem to be able to do as well as men. When it’s a matter of large commissions, that’s where they really lose out,” she explained.

Lari believes that recognising more women in awards is one of the ways to overcome this inequality.

“I think the more women there are that are visible, the more there are around, the more that are known, I think will help the younger professionals, and that’s what I really want,” concluded Lari.

“I want the younger generations to do better than we were able to do. That’s the only way things will become better.”

Awarded annually since 1848 and personally approved by the monarch, the RIBA Royal Gold medal is the highest accolade in UK architecture. The 2022 laureate was Balkrishna Doshi, who passed away earlier this year.

Previous winners include David Adjaye, Frank Lloyd Wright and Zaha Hadid – the first sole female winner of the prize. Other women architects to have won the prize include Ray Eames, Patricia Hopkins, Sheila O’Donnell and Grafton Architects founders Shelley McNamara and Yvonne Farrell.

The top photo of Lari is by Anam Baig. The other photography is courtesy of Yasmeen Lari.

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Kaan Architecten's underground extension to Dutch museum is designed to "radiate grandeur"

Museum Paleis Het Loo by Kaan Architecten

Dutch practice Kaan Architecten has extended the Museum Paleis Het Loo in Apeldoorn, the Netherlands, concealing over 5,000 square meters of visitor spaces beneath a public courtyard and fountain.

Originally built in 1686 as a royal hunting palace for King William III, the Baroque complex on the outskirts of Apeldoorn has served as a state museum since 1984, but was suffering from dated facilities and fittings and required asbestos removal.

Exterior photo of Museum Paleis Het Loo
The extension sits underneath the pool in the courtyard

Winning the project through a public competition in 2016, Kaan Architecten sought to retain and continue the feeling of “grandeur” created by the existing buildings. This informed the studio’s decision to conceal the extension underground.

Following the symmetrical layout of the palace above, the cavernous interiors have been finished with pale marble, illuminated by skylights beneath a new fountain and a pool of water that creates a dappled light effect.

Museum Paleis Het Loo by Kaan Architecten
The studio added new visitor spaces underground

“The underground extension keeps the symmetrical logic of the baroque composition and the palace’s corps de logis [main block] as the basic floor plan,” said the practice.

“The newly transformed Paleis Het Loo now radiates the grandeur that befits one of the Netherlands’ most renowned and frequented museums,” it added.

Interior of Museum Paleis Het Loo
Marble was used across the interior

Rather than create a new entrance that would detract from the existing layout, Kaan Architecten positioned two entrances at the end of the palace’s wings, where two entrance pavilions lead down into the underground extension.

Once underground, a grand, skylit corridor lined with pale marble connects to an existing staircase to the north of the palace, flanked by a mixture of temporary and permanent exhibition spaces.

“Although its architectural expression is restrained and elegant, the new building befits the grandeur and imagination associated with the term ‘palace’,” explained the studio.

“Traces of the past remain visible in the subtle marble inlays on the walls where the old structure was hollowed out to create the lantern-like entry pavilions,” it continued.

Photo of Museum Paleis Het Loo
Underground spaces were skylit

Above, the two narrow wings of the existing palace face each other across the newly-created public square and fountain.

In the western wing, a raised gable form called the “Junior Palace” contains exhibits for children, leading around to a large restaurant in the former ballroom with new seating beneath large chandeliers.

Photo of the marble interiors
The studio added two new entrances

To the east, further permanent exhibition spaces lead to an independent building which contains offices for the museum staff, organised around a small courtyard.

Throughout the project, a minimalist approach has been taken to the interiors, with pale wood flooring and white walls in the new gallery spaces, and simple furniture and white walls contrasting retained woodwork in the existing palace.

Photo of the Dutch museum
It took a minimalist approach. Photo is by Sebastian van Damme

“Subtle textures are layered through alternating sandblasted, honed and polished marble, playfully brought to life by the reflection of natural light through the fountain,” said the studio.

The project marks the second high-profile museum extension by Kaan Architecten, which also recently completed a project at the Royal Museum of Fine Arts in Antwerp, which took a similarly minimal approach to an existing 19th-century building.

The studio also designed a geological centre in Germany that was informed by the appearance of a block of stone.

The photography is by Simon Menges unless stated otherwise.

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Van Gogh flooring by Karndean Designflooring

Photo of Van Gogh flooring

Dezeen Showroom: UK company Karndean Designflooring has expanded its Van Gogh flooring collection to include new designs informed by the natural world.

Karndean Designflooring has added 24 designs to its Van Gogh collection, including stone and wood flooring designed to seamlessly blend into commercial and residential settings.

Photo of Van Gogh flooring collection
The collection has expanded into wood and stone designs

The expanded collection features nine additional wood designs, such as Highland Oak textures, rustic Farmhouse Oaks and American Cedars.

A number of stone colourways have also been added to the collection, including marble, slate and terracotta.

Photo of an interior setting
The Van Gogh flooring has a click-lock install mechanism

As well as introducing new materials, Karndean Designflooring added new tile shapes and formats to the collection, including chevron and herringbone.

The flooring has a click-lock install mechanism designed for easy installation while providing spaces with acoustic benefits.

Product: Van Gogh
Brand: Karndean Designflooring
Contact: commercial@karndean.co.uk

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Prosthetic leg for Ukrainian amputees among 2023 Ro Plastic Prize winners

Ro Plastic Prize 2023 winner Isinnova prosthetic leg

Design gallerist and curator Rossana Orlandi has announced the winners of this year’s Ro Plastic Prize for sustainable material use during a ceremony at Milan design week.

The Ro Plastic Prize is awarded yearly to projects that feature material recycling, reuse or upcycling, with this year’s winning projects including a bacteria-growing menstrual cup and a 3D-printed prosthetic leg.

Italian company Isinnova won in the Emerging High Technology category with its design for an artificial leg, which was designed to be produced quickly and at a low cost in emergency situations such as wars and earthquakes.

Photo of Isinnova's Letizia recycled plastic prosthetic leg from 2023 Ro Plastic Prize
A bacteria-growing menstrual cup (top) and a 3D-printed prosthetic leg (above) are among the winners of the 2023 Ro Plastic Prize

This is crucial because, without the rapid provision of a prosthesis, a patient’s chances of being able to walk again are decreased due to factors such as muscle atrophy, according to Isinnova CEO Cristian Fracassi.

Made largely from recycled plastic that is 3D-printed to customised designs, the prosthetic was developed in response to the war in Ukraine and is being made on a not-for-profit basis.

There were two winners in the Art and Collectible Design category: designer Geo Minelli with the Kernel tables and architecture studio External Reference with its Pure Plants collection, both from Italy.

Photo of a round black table with a gnarled central base and a smooth top with concentric circles of yellow and green in the centre
THE Kernel table was one of two winners in the Art and Collectible Design category

Minelli’s Kernel tables are made by recycling end-of-life wind turbines made from glass fibre-reinforced plastic into a new circular material called Glebanite.

The tables, which have a smooth top and a gnarled trunk-like base, are the result of two years worth of experimentation with the material’s textures, colours and fabrication techniques.

External Reference’s Pure Plants are artificial plants that are 3D-printed from a corn-based bioplastic called Pure.Tech and available in 17 different “species”, each with an intricate geometry based on phyllotactic leaf patterns.

Photo of an arrangement of sculptural green objects in different shapes with complex geometries resembling plants from 2023 Ro Plastic Prize
Another Art and Collectible Design winner was Pure Plants

There were also two winners in the Inspiring Learning Projects category.

Czech designer Adriana Kováčová was recognised for her recycled plastic Totemo toy, which evolves from a mobile hanger to a construction set, and Italian design studio Cantieri Creativi was awarded for its Artisans Of Now workshop series, held in locations around Italy and focused on reconnecting people with nature and craft.

Photo of a toy city built from a multi-coloured kids' construction set
Adriana Kováčová’s Totemo won in the Inspiring Learning Projects category

Among the runners-up and special mentions in the competition was Italian designer Lucrezia Alessandroni, whose Soothing Cup is a speculative project comprising a menstrual cup and incubator that would enable users to grow vaginal bacteria extracted from their own body with the goal of reducing period pain.

A seaweed-based hydrogel turns the silicone cup into a bio-membrane that can collect vaginal lactobacillus bacteria, which is then cultivated in an incubator in the time between periods.

Photo of a minimal dark green plastic chair with a flatpacked package in the background from 2023 Ro Plastic Prize
The OTO chair by Alessandro Stabile and Martinelli is made of recycled ocean plastic

According to Alessandroni, studies have shown that this bacteria can reduce period pain and cut down on the number of painkillers those affected have to take each month.

Another special mention in the Emerging High Technology category went to Italian designers Alessandro Stabile and Martinelli for the OTO chair, which is made from recycled ocean plastic in a single, reduced-size mould and shipped flat-packed direct to consumers.

In the Art and Collectible design category, special mentions included UK design studio Novavita’s recycled plastic tiles, which have a mottled patterning that is meant to recall natural stone and marble.

And Spanish duo Eneris Collective made third place in the Inspiring Learning Projects category with its playful design for the Nontalo children’s stool, made from waste olive pits.

Ro Plastic Prize 2023 exhibition at Milan design week
The shortlisted projects were exhibited as part of Milan design week

Shortlisted projects for the Ro Plastic Prize were on display as part of an exhibition at Milan design week. And winners were announced on 20 April after judging by a 17-member jury that included Triennale Milano president Stefano Boeri, architect and designer Giulio Cappellini, Parley for the Oceans founder Cyrill Gutsch and Dezeen co-CEO Benedict Hobson.

The prize is an initiative by Orlandi and her daughter Nicoletta Orlandi Brugnoni, who wanted to raise awareness around the importance of plastic recycling and reuse.

Since the first Ro Plastic Prize in 2019, the criteria of the competition has expanded to include other plastic alternatives, with competition categories varying every year.

The Ro Plastic Prize exhibition was on show as part of Milan design week, which took place from 18 to 23 April. See our Milan design week 2023 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks that took place throughout the week.

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Ten projects that seamlessly integrate wood into the design

Di An Di, New York, by Office of Tangible Space

For this special lookbook sponsored by US-based wood design studio Madera, we’ve collected ten projects that use wooden products by the brand, including flooring, staircases and stylish exterior decking.
Timeless and neutral, wooden surfaces can add a hint of warmth to a space without distracting from other materials and can give rooms a lighter, more welcoming feel.

Aiming to bring the material’s natural beauty into its client’s spaces, Madera has specialised in creating wood flooring, millwork and furniture since it was founded in 2012. Its products range from white oak stairs to sustainable exterior decking and facades, and it offers a system called Seamless Wood Design that aims to ensure that wooden features in an interior complement each other.

This includes guaranteeing the stairs, architectural panels, grilles, vents, interior doors, cabinet fronts and millwork all match “seamlessly” with each other and the flooring, depending on the customer’s wishes.

Here are ten projects where Madera’s products showcase the versatile power of wood in adding subtle character to different spaces, including light-filled homes, classical New York apartments and a plant-filled restaurant.


Peconic House, New York, by Mapos

Peconic House, New York, by Mapos

Nestled into a hill overlooking a Long Island bay, this holiday home designed by New York studio Mapos was topped with a roof garden and clad in untreated, earthy materials that help it blend in with the surrounding site.

The earthy colours continue inside the home, with Madera’s Northern White Oak Flooring paired with white walls across all the rooms to create bright, airy spaces.

Outside, the brand’s grey-toned Hurricane recovered Ipe Decking accentuates the natural, weathered appearance of the exterior.

Find out more about Peconic House ›


Ledge House, Connecticut, by Desai Chia Architecture
Photo is by Paul Warchol

Ledge House, Connecticut, by Desai Chia Architecture

New York studio Desai Chia Architecture wrapped this hillside home in charred cedar, which is informed by the rocky nature of the Connecticut site. The home features a wooden deck and large windows that offer generous views across the landscape.

Inside, Wide Plank European Oak Flooring by Madera gives the interior a light feel that contrasts with the black exterior cladding.

The white walls are cut back at points to create recesses that have been lined with panelling from the same wood product – from Madera’s Stockholm Collection – to match the flooring.

Find out more about Ledge House ›


Twentieth, California, by Woods + Dangaran
Photo is by Joe Fletcher

Twentieth, California, by Woods + Dangaran

Los Angeles-based studio Woods + Dangaran let nature take centre stage for this Santa Monica home, which has been built around a decades-old olive tree.

Made from white brick, the three-storey home wraps around a central courtyard and offers spaces for both internal and external living.

Madera’s Wide Plank European Oak Flooring from its Stockholm Collection features throughout the interior, providing a warm backdrop for natural light that casts patterns across its neutral surface.

Find out more about Twentieth ›


Moore House, California, by Woods + Dangaran

Moore House, California, by Woods + Dangaran

Originally completed in 1965 by architect Craig Ellwood, this Los Angeles residence received a sensitive restoration by local studio Woods + Dangaran.

Contained within expansive glass walls set within a redwood frame, the home features an interior with wooden teak flooring and panelling by Madera.

To match the teak panelling on the walls, Madera created custom Reclaimed Teak Flooring for the project. Paired with the teak furnishings, the flooring brings a touch of warmth into the interior.

Find out more about Moore House ›


NoMad Loft, New York, by Worrell Yeung
Photo is by Alan Tansey

NoMad Loft, New York, by Worrell Yeung

Decorative marble and brass feature in this renovated apartment in Manhattan, which New York-based design studio Worrell Yeung created to showcase classical materials in a contemporary setting.

Drawing from the history of the 1871 building, the studio kept the colour palette simple, aiming to draw focus to the materiality.

European Oak Flooring from Madera was used alongside curved, grey-plastered walls and black and white furnishings.

Find out more about NoMad Loft ›


Clinton Residence, New York, by Arnold Studio
Photo is by Nico Schinco

Clinton Residence, New York, by Arnold Studio

Brooklyn-based practice Arnold Studio aimed to combine old and new when adding this two-storey apartment to a historic brick house.

The practice used Madera’s pale European Oak Flooring to add a lighter touch to the space that contrasts with the dark wood ceiling beams. White oak stairs using the same Madera product also brighten up the stairwell.

Find out more about Clinton Residence ›


The Cedars, New York, by Office of Tangible Space
Photo is by Charlie Schuck

The Cedars, New York, by Office of Tangible Space

Crisp white interiors and cedar cladding feature in this Long Island home, which was restored by Michael Yarinsky’s Brooklyn studio named Office of Tangible Space.

Inside, Madera’s European Oak Flooring was whitewashed and paired with white walls to create bright, light-filled spaces.

Black furnishings, doors and window frames contrast with the lightness of the rooms, giving the home a contemporary feel.

Find out more about The Cedars ›


Di An Di, New York, by Office of Tangible Space
Photo is by Charlie Schuck

Di An Di, New York, by Office of Tangible Space

Designed by Office of Tangible Space and New York designer Huy Bui, this interior was designed to be a bright, community-driven space for Brooklyn restaurant Di An Di.

Paired with distressed timber flooring and deep green walls, furniture and millwork made from Madera’s American Ash were used to achieve the brand’s vision of a simple, timeless interior.

Find out more about Di An Di ›


David Rubenstein Forum, Chicago, by Diller Scofidio + Renfro
Photo is by Brett Beyer

David Rubenstein Forum, Chicago, by Diller Scofidio + Renfro

Named the best tall building of 2022 by the Council on Tall Buildings and Urban Habitat, this university building by Diller Scofidio + Renfro comprises six cantilevering blocks with large glazed facades.

Wide Plank Northern White Oak Flooring by Madera invites reflected light from the windows across its finished surface and is paired with wood-panelled walls and ceilings to give the lecture hall a warmer feel.

Find out more about David Rubenstein Forum ›


Industrious at Equinox, New York, Industrious

The in-house design team at working space provider Industrious aimed to use “honest and timeless” materials for this co-working space at Equinox’s Hudson Yards hotel and fitness club.

In line with Equinox’s understated, yet luxurious aesthetic, Madera’s Wide Plank European Oak Flooring was used across the 71 private offices and social spaces. For the staircases, Klippa stairs from the brand’s Stockholm collection and Yarrow stairs from its Terra Collection were paired with black balustrades to create a more dramatic material palette.

Find out more about Industrious at Equinox ›

This is the latest in our series of lookbooks providing visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks showcasing striking accent walls, stylish and practical bookshelves and sunken baths.

This lookbook was produced by Dezeen for Madera as part of a partnership. Find out more about Dezeen partnership content here.

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Neri&Hu clads Piaget's Hong Kong boutique in ceramic tiles and bronze

Piaget boutique Hong Hong facade by Neri&Hu

Chinese architecture studio Neri&Hu has designed a storefront for Swiss watchmaker and jeweller Piaget in Hong Kong, using handmade ceramic tiles that reference the heritage of both the brand and the site.

The bespoke ceramic tiles, glazed in nuanced shades of deep blue and framed in bronze, have been neatly arranged on the storefront of the new boutique where they form a calm addition to the existing facade.

Piaget boutique Hong Hong facade by Neri&Hu
The shop is located in a historic shopping district in Hong Kong

“The project celebrates the storefront as a jeweled urban monument and repurposes the commercial facade to bring a new monumental presence and civic potency,” Neri&Hu explained.

According to the Shanghai-based studio, the facade design, which was added to the existing building, was informed by Piaget’s dedication to craftsmanship and innovation as well as the history of the site.

Piaget boutique Hong Hong facade by Neri&Hu
The blue ceramic tiles were made in Jingdezhen to showcase the site’s trade connection with mainland China

Situated in the historic wharf area of Kowloon on Canton Road, the building is in the same district as the former Canton railway that connected Hong Kong to mainland China, before its decommission in 2007.

As a cultural and trade hub at the time, it has now evolved to become the luxury shopping destination in Hong Kong.

The bronze lining nods to the site’s industrial past as a trading hub for commodities passing through the Canton railway and the Kowloon wharf.

The ceramic tiles were made in Jingdezhen, a city in central China known for its tradition of ceramic craftsmanship. By using this material, Neri&Hu intended to highlight the site’s significance for cultural exchange as well as Piaget’s watchmaking history and crafts.

“We referenced the heritage of the brand by creating bronze details of craftsmanship, and also celebrate the tradition of China as a leader in ceramic production,” the studio explained.

Piaget boutique Hong Hong facade by Neri&Hu
The bronze frame resonates with the site’s industrial past

Elsewhere in China, Neri&Hu has added an extension to the Qujiang Museum of Fine Arts in Xi’an and inserted a stainless-steel shed into an old lane house for Blue Bottle Coffee’s latest cafe in Shanghai.

The photography is by Kevin Mak.


Project credits:

Partners-in-charge: Lyndon Neri, Rossana Hu
Associate-in-charge: Lara de Pedro Ubierna
Design team: Ren Tan, Ji Chao, Weili Zhang, Nicolas Fardet
Interior design: Studioparisien
Design management: Lui Design
Lighting: Voyons Voir Lighting Design
Facade contractor: United Engineering Ltd
Ceramic construction: Jingdezhen seed new materials technology Co. Ltd
Steel construction: Bestin Industry Co. Ltd Shanghai
Millwork construction: Kingwood International Enterprises Ltd

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World’s First Carbon Neutral Backpack, made from 100% Recycled Plastic with embedded Captured CO2 Emissions

Dubbed the 38L Hybrid Duffle Pack, this backpack has an entire laundry list of impressive features, from a shapeshifting design that goes from backpack to duffle mode, to a 100% storm-proof design, and a fabric that uses 123 recycled plastic bottles and captured CO2 to help make the backpack carbon neutral while enhancing the strength. If that wasn’t enough, the backpack was designed in collaboration with Ed Stafford, a renowned English explorer and survivalist who holds the Guinness World Record for being the first human ever to walk the length of the Amazon River… so if the 38L Hybrid Duffle Pack is good enough for Stafford and his outlandish lifestyle, it can definitely take yours!

Designer: GROUNDTRUTH

Click Here to Buy Now: $249 $400 ($151 off). Hurry, only 4/65 left!

The 38L Hybrid Duffle Pack’s entire personality is the outdoors while looking sleek enough to excel in urban environments. Designed in collaboration with Ed Stafford and made with recycled plastic waste, the 38L Hybrid Duffle Pack shows that it’s absolutely possible to build a product that’s equal parts sustainable and hyper-functional.

Backpack – Robust semi-detachable shoulder straps with stabilizers for extra comfort.

Hand Carry – Three exterior robust grab handles for hand carry.

Duffle – Detachable waist belt transforms into comfy shoulder strap for shoulder and cross-body carry.

The hyper-functionality starts with the bag’s hybrid design, which rapidly alternates between handheld, side duffle, and backpack styles. The bag comes with a detachable duffle-style shoulder strap, a semi-detachable backpack harness with stabilizers, and 2 side handles to facilitate the three carrying styles. With all the straps tucked away, it can be carried like a briefcase. Pop the duffle-style shoulder strap on and you have a side-sling duffle bag… pop the two backpack harness straps on and you’ve got a backpack. The backpack mode can further be reinforced with the duffle-style strap transforming into a secure waist belt letting you carry heavy items with ease as the bag hugs your back to prevent strap burn.

Made to easily withstand the extreme outdoors, the bag comes with a 100% storm-proof design that’s also backed by maker GROUNDTRUTH’s 10-year warranty. The fabric on the exterior uses a yarn made from recycled PET bottles. Bottles are collected, treated, and shredded into thin strands, that are then woven into a yarn. The yarn is then weaved into a durable textile with a 600D ballistic property and a tristop weave. . The high-performance fabric is absolutely water-proof, and the bag’s panels are stitched together with the triangular ripstop weave that prevents them from fraying, splitting, or tearing. Waterproof YKK lockable zippers help keep your bag’s contents dry and safe no matter how inclement the weather.

As its name indicates, the backpack comes with 38 liters of inner capacity and a size large enough to store a 16″ laptop in the exterior fleece-lined laptop compartment. The bag comes with two main compartments (which open all the way in the clamshell style), along with four exterior front lash pockets. A top-access pocket also lets you store your EDC, with a dedicated keychain holder, and bottle holders on each side of the bag let you store up to two 1L bottles.

The bag’s sustainable approach sets it apart from anything we’ve ever seen. While the exterior fabric uses recycled plastic bottles, the interior lining is made from 100% recycled fishing nets using zero dye. GROUNDTRUTH’s patent-pending process also involves embedding captured CO2 into the recycled plastic hardware, making it up to 40% stronger than virgin plastics. To finish things off, the textiles are coated with an advanced water-based coating, with zero VOCs. GROUNDTRUTH also works with Bluesign®-certified partners, ensuring equitable conditions for its workers all the way down the supply chain.

The bag truly shows a remarkable balance between sustainability and functionality. Purposefully designed to help mitigate the effects of humanity’s wasteful decisions, the bag comes with a carbon-neutral design that’s further reinforced by the fact that it’s ridiculously durable, and is backed by a 10-year warranty. Made for travel, the 38L Hybrid Duffle Pack is cabin-friendly, and is available globally in two colors – ECO-X Black, and Ice Sheet Blue, for a discounted price of $249.

The 38L Hybrid Duffle Pack is part of GROUNDTRUTH’s award-winning RIKR range collection.

Click Here to Buy Now: $249 $400 ($151 off). Hurry, only 4/65 left!

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This human-sized, can of beans shaped camper gives you a unique camping experience in national parks

When you think of camping, probably one of the staple foods that you can bring along with you and eat in front of the fire are beans. But when thinking about tents and camps, beans or cans of beans aren’t the first things you think of or maybe you don’t think of them at all. But a famous beans brand wants you to actually want to stay in a giant bean with wheels when camping in national parks. And of course, eat their beans.

Designer: Bush’s Beans

Bush’s Canper is a promotional idea for the family-owned bean company and they’re offering some lucky campers a chance to stay in the “fully stocked giant bean can on wheels” and stay in one of their three parks partners: Big Bend National Park in Texas, Grand Teton National park in Wyoming, or Great Smoky Mountains National Park in North Carolina and Tennessee. Aside from looking like a giant can outside, the entire camper, errr can-per, has all kinds of bean-themed design touches including beddings, posters, furniture, and of course, food.

The camper also has water and power already, in case you don’t want to really rough it out when camping. It also comes with food, drinks, camping (canping) gear, and other things you will need when camping. And you also get a private chef to prepare all your breakfasts and dinners plus packed lunches for when you go explore the park. But of course, expect that most of your meals are bean heavy or at least bean-centric since they’re the sponsor after all.

When you win the raffle, you and a companion get an all-expenses paid trip to the national park of their choice and a stay inside the Canper as well as all the things mentioned above. I don’t know if the bean camper is the actual incentive for people to join but hey, at least you get to say that you stayed inside a bean plus had the chance to explore the national park for free. Oh and you get to eat lots of beans too.

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Yasmeen Lari wins 2023 RIBA Royal Gold Medal

Yasmeen Lari wins 2023 RIBA Royal Gold Medal

Pakistani architect Yasmeen Lari has been awarded the Royal Institute of British Architects’ Royal Gold Medal for 2023 in recognition of the humanitarian work “she has undertaken since her retirement”.

Lari, who was Pakistan’s first female architect, is the second woman to receive the accolade in her own right following Zaha Hadid. She was recognised for her socially conscious work and for creating homes for the country’s most marginalised communities following her retirement from formal practice.

Aerial view of a bamboo pavilion in Makli
Yasmeen Lari’s works include a giant bamboo community centre in Makli

“Whilst recognising the importance of her role in practice, as a symbol of change in Pakistan, it is the work she has undertaken since her retirement in 2000 that the Royal Gold Medal celebrates,” said the award’s citation.

“In the last 23 years Lari and The Heritage Foundation of Pakistan, which she founded with her husband, have reacted imaginatively and creatively to the physical and psychological damage that a number of major natural disasters, earthquakes, floods and conflicts have inflicted on the people of Pakistan.”

Pakistan's first public housing scheme
She designed Pakistan’s first public housing scheme

Born in Dera Ghazi Khan, Pakistan, Lari moved to the UK with her family aged 15 and went on to study architecture at Oxford Polytechnic, which is now Oxford Brookes University. At 23 she returned to Karachi in Pakistan and established her studio Lari Associates, which became successful in creating numerous offices and housing projects.

These include Pakistan’s first public housing scheme, the Anguri Bagh project and landmark buildings such as the Finance and Trade Centre and the Pakistan State Oil House in Karachi.

However, it was her work focused on creating low-impact buildings for Pakistan’s marginalised communities that drew global attention.

Pakistan State Oil head office in Karachi by Yasmeen Lari
While at Lari Associates she also designed the Pakistan State Oil head office in Karachi

Her work through the Heritage Foundation of Pakistan, which she co-founded in 1980 with her husband Suhail Zaheer Lari, has seen the creation of 50,000 sustainable self-built shelters and over 80,000 ecological cooking stoves.

Since her “retirement” in 2000, she has dedicated herself to the foundation and humanitarian causes.

“I was so surprised to hear this news and of course totally delighted!” Lari said about receiving the honour.

“I never imagined that as I focus on my country’s most marginalised people – venturing down uncharted vagabond pathways – I could still be considered for the highest of honours in the architectural profession.”

Yasmeen Lari designed an ecological cooking stoves
Lari has developed an ecological cooking stove

Lari is an advocate for utilising traditional materials including mud, lime and bamboo. In an interview with Dezeen, she said using “ancient wisdoms and techniques” can lead to carbon-neutral buildings.

“You’re building something that’s really affordable but at the same time there are no carbon emissions,” Lari told Dezeen.

“There are lots of ancient wisdoms and techniques that have been used over the years but I can’t imagine most so-called starchitects would even look at them.”

Raised village by Yasmeen Lari
She designed a raised village to be resilient to flooding

Recent projects in Pakistan by the architect, who was a Dezeen Awards judge in 2022, include a giant bamboo community centre in Makli and working with disadvantaged communities to create terracotta tiling for a street in the historic heart of Karachi.

At the recent Islamic Arts Biennale in Saudi Arabia, she created a trio of bamboo pop-up mosques.

Mud, lime and bamboo Lari Octa Green cottages in Makli
The Lari Octa Green cottages in Makli use mud, lime and bamboo

The award, which was the first personally approved by King Charles, is the latest accolade for the Pakistani architect who was awarded the Jane Drew Prize in 2020 for raising the profile of women in architecture.

She becomes the sixth woman to win the award following Ray Eames, Patricia Hopkins, Sheila O’Donnell, Zaha Hadid and Grafton Architects founders Shelley McNamara and Yvonne Farrell.

Last year’s Royal Gold Medal was awarded to Indian architect Balkrishna Doshi, while the previous year British-Ghanaian architect David Adjaye won the prize.

Previous recipients of the award include Frank Lloyd Wright, Frank Gehry, Zaha Hadid and Norman Foster.

The post Yasmeen Lari wins 2023 RIBA Royal Gold Medal appeared first on Dezeen.

Edgy Lamborghini Sneaker Concept celebrates the legacy of the Italian marque on their 60th anniversary

In the past 60 years of its existence, Lamborghini’s made everything from tractors to supercars, and even the odd luxury yacht… but “what if Lamborghini made high-end performance footwear?” asks designer Hussain Almossawi. Designed as a tribute to the automotive icon’s 60-year rich legacy as well as an interesting ‘what-if’ hypothetical, these Lamborghini Performance Sneakers rather wonderfully encapsulate the company’s raging-bull design aesthetic, with an edgy piece of footwear that boasts great surface treatment and some absolutely jaw-dropping glowing details around the midsole and outsole.

Designer: Hussain Almossawi

Envisioned in two rather aptly named colorways – Redline Phantom, and Glacier Ignition, the sneakers come with a split-toe design and enough Lamborghini iconography to make these recognizable from a mile off. You’ve even got neon lights on the side in white and red, like the car’s headlights and taillights, along with air vents that instantly help viewers create that visual bridge between automobiles and footwear. It also helps that Almossawi’s approach to shoe design looks so radically different, that you’d almost never confuse it with your ordinary pair of kicks. After all, a Lamborghini is far from ordinary, right?

The shoe’s chaotic design ties in beautifully with some of Lamborghini’s more exclusive cars (the Sián and Terzo Millennio come to mind). The shoe’s multi-panel design features the use of regular and suede leather for that premium touch, against a technical fabric with a hexagonal design for that wild, sporty touch, and even a little carbon-fiber thrown in for that signature automotive callback. Glossy plastic elements like the one on the toe tip add that rugged appeal to the shoes, while those glowing elements on the side and base make the shoe look undeniably futuristic and like they’re made for speed.

The shoes are layered with Lamborghini iconography, including the company’s logo on a metal plate on the shoe’s tongue, the brand name glowing on the back, a subtle Italy flag on the front, along with the horned logo commemorating the Italian marque’s 60th anniversary.

A metal plate with the Lamborghini logo stamped on it sits on the tongue of the shoe

The “60 Anniversary” logo sits against a carbon-fiber weave

“To bring this shoe design to life, a detailed 3D model was created using cutting-edge CGI technology,” Almossawi tells Yanko Design. “The process involved intricate digital sculpting and precise material simulation to ensure that the shoe design accurately reflected the textures and details of the envisioned materials, including the smooth leather and suede leather.​​​​​​​”

A designer and bestselling author, Hussain Almossawi is based out of Brooklyn, New York, and has consulted with companies such as Apple, Nike, Adidas, Ford Motors, and other world-known brands. Click here to view the process behind creating these sneaker concepts.

This project is an independently designed concept and is not affiliated with or endorsed by Lamborghini S.p.A. or any of its affiliates.

The post Edgy Lamborghini Sneaker Concept celebrates the legacy of the Italian marque on their 60th anniversary first appeared on Yanko Design.