Air Wall extractor hood by Falmec

Air Wall extractor hood by Falmec

Dezeen Showroom: Italian brand Falmec has launched an extractor hood called Air Wall, which integrates an extractor hood, ambient light and magnetic panel.

Air Wall is part of Falmec’s Elements collection of extractor hoods that disguise their technology within novel architectural elements.

Air Wall extractor hood by Falmec
The Air Wall incorporates an extractor fan into a tempered glass panel

It was created with Magnetolab, an Umbria-based kitchen backsplash company, and takes the form of a backlit, white tempered glass panel, with a flap that lifts to activate the extractor fan.

The panel is also a magnetic surface that support a range of possible accessories such as spice racks, tablet holders and small shelves. These can be positioned freely anywhere on the surface.

Air Wall extractor hood by Falmec
A flap lifts to give access to the extractor fan

“Air Wall takes kitchen design to new levels of compositional freedom,” said Falmec. “With Air Wall it is therefore possible to transform the back of your kitchen into a multifunctional surface that effectively extracts smoke and odours.”

Air Wall is available in 150-centimetre version with its suction element positioned off-centre on the right or left, or a 120-centimetre version with central suction.

Product: Air Wall
Brand: Falmec
Contact: info@falmec.com

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Balbek Bureau creates Ukrainian "home away from home" in Antarctica

Kyiv-based studio Balbek Bureau has converted a defunct fuel tank into a depiction of a typical Ukrainian home at the country’s research base in Antarctica.

Named Home Memories, the installation at the Vernadsky research base on Galindez Island in Antarctica was designed to evoke memories of home for those stationed at the base and tourists visiting.

Ukrainian home in Antartica
Balbek Bureau created a Ukrainian home in Antartica

Balbek Bureau was commissioned by Ukraine’s National Antarctic Research Center to reimagine a defunct fuel tank in a prominent position on the site, which is one of the first things the 4,000 tourists visiting each year see.

The studio chose to wrap it in the outline of a typical Ukrainian house as a “home away from home”.

House installation on Galindez Island
It was installed at Ukraine’s research base on Galindez Island

“Our installation was inspired by a typical Ukrainian house – one associated with warmth, comfort and grandmotherly coziness,” explained the studio.

“For our researchers, it is an evergreen memory of home. For tourists – an inspiration to start planning their trip to Ukraine itself.”

Antarctic researchers
It was designed to be a “home away from home” for researchers on the base

The installation was designed before Russia’s invasion of Ukraine began, but Balbek Bureau believes it has more meaning now many Ukrainians have fled their homes.

“The art installation, designed a year before the invasion, took on a new meaning,” said Balbek Bureau CEO Slava Balbek.

“For millions of people forced to flee their hometowns and villages due to Russian aggression, returning home became their biggest dream.”

“Still, we believe that the war will end in our victory, and Ukrainians will create new memories from the safe haven of their home,” he continued.

“And all the way in Antarctica, for researchers and tourists alike, our house will continue to stand strong, a true memento of Ukraine.”

Mini exhibition about Ukraine
A mini exhibition was created in the installation

The home, a representation of a slate roof, chimney and distinctive windows, was formed as a composite of houses found across Ukraine.

It was constructed by Wonder Workshop with the support of Ukrainian retail chain Silpo as a steel frame designed to resemble a pencil sketch.

“According to our plan, the installation should resemble a pencil sketch: as if someone, reminiscing, sketched their childhood home from memory,” added the studio.

Mini exhibition on house installation
It contains symbolic items encased in resin

The house was created to be robust enough to survive both the fierce weather and the island’s 3,500 penguins that dismantle less-sturdy structures to make nests.

The entire installation was fabricated in Kyiv, before being shipped to the base where it was assembled without professional equipment or contractors.

Within the structure, the studio created a mini exhibition with several “symbolic mementos” encased in epoxy resin.

Ukrainian home installation in Antartica
It is located on a prominent site within the base

In Ukraine, Balbek Bureau recently met Ukrainian president Volodymyr Zelensky to discuss constructing shelters to temporary house people in Kyiv as their homes are being rebuilt.

The photography is by Slava Balbek.


Project credits:

Architects: Slava Balbek, Anastasiia Partyka, Alyona Tryhub
3D artists: Nik Key, Valerii Stefanov
Graphic designers: Dasha Levchuk, Oleksandra Zavada
Project manager: Arina Petrenko
Production: Dmytro Zinoviev and the Wonder Workshop bureau
Sculptor: Marusia Sinkevich
Сopywriter: Taisiia Kudenko
Comms support: Yevheniia Ryzhak
Photo retouching: Maryan Beresh

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"My fight is not against the car" says 15-minute city creator

Carlos Moreno

Urbanist Carlos Moreno responds to the “shocking” conspiracy theories surrounding his 15-minute city concept in this exclusive interview.

In the past month Moreno‘s 15-minute-city concept, which proposes creating communities where people can access key amenities by travelling no more than 15 minutes on foot or by bike, has become the basis of viral conspiracy theories.

Reaction is “shocking”

The public interest and panic about the concept has taken Moreno by surprise.

“Yes, I was surprised,” he told Dezeen. “It’s shocking – for me, it is the first time in my life when I was totally targeted by the conspiracy world – communists, Stalinists, neo-facists.”

Originally unveiled in 2015, the concept aims to encourage the development of polycentric cities where workspaces, shops, restaurants and entertainment are all placed locally, reducing the need to drive.

It attracted more attention after Moreno won the Obel Award in 2021, with the jury saying the concept “addresses the need for us to rethink how our cities can be reimagined, redesigned, and regenerated for the primary benefit of people and the environment”.

However, some people have claimed that 15-minute cities are part of a plan to restrict people’s movement. This was echoed by UK member of parliament Nick Fletcher, who said that the measures “will take away personal freedoms”.

An estimated 2,000 anti-15-minute city demonstrators took to the streets of Oxford in February in a protest over the council’s plans to introduce six new car-traffic filters in the city.

“They say from their home we have a radius of 15 minutes, a circle and they will be blocked inside this area,” explained Moreno. “And this is the new Berlin Wall, or concentration camps – because they published the pictures with the concentration camps – or it will be an open jail.”

“They say Moreno proposed an open jail, a neofascist with the concentration camp or communist that he wanted to reduce our freedom,” he continued.

“But in reality, when this is embraced, we develop a polycentric city with a lot of new bike lanes, new pedestrian areas and to propose a lot of different services in our city.”

Number 15 not an important part of concept

Asked if people would ever be restricted from leaving an area within a 15-minute city, Moreno replied “no”.

He believes that the conspiracy theory has grown around the 15-minute city as the concept has an attention-grabbing name. However, he explained that 15 minutes was not important to the concept.

“In this conspiracy theory the only point that is relevant is the number 15,” he said.

“In our concept, the most important point is not to 15 or 30,” he continued. “We could have 10, or 18, or 25, or 39. The question is not the time. The real question is a new model for urbanism.”

He believes that his concept has been misinterpreted by those that are opposed to reducing reliance on cars along with those opposed to Covid-19 lockdowns.

“The conspiracy movement needs storytelling,” said Moreno. “The 15-minute city is an opportunity for building a story.”

“In the conspiracy they have this idea that Covid-19 and the vaccine were measures for controlling people and that climate change doesn’t exist,” he continued.

“This is the dynamic, and I think that in the insane mind of the madness of these conspiracy people to reduce the role of cars was a crime.”

“My fight is how could we improve the quality of life”

The 15-minute city concept involves making walking and cycling more attractive compared to driving, so in practice involves local authorities introducing policies to disincentivise car use – such as fines for driving down some residential streets.

While one of the core aims of the 15-minute-city concept is to reduce car usage, Moreno insists that he is not waging a war on car owners.

“My fight is not against the car,” he said.

“My fight is how could we improve the quality of life – and to improve the quality of life we need a city without zonification with a lot of local services, with more natural ecology for reducing our CO2 emissions, to have more economical activities,  and to develop more social inclusion, culture, education and public space.”

“In real life 15-minute cities are being implemented”

With 15-minute cities being covered by outlets like British channel GB News, which described 15-minute cities as “deeply illiberal” and “un-British”, the concept has become politically controversial.

Although the concept is now a hot topic, Moreno doesn’t believe that this will impact the implementation of his ideals and explained that 15-minute cities are being developed all over the world.

Paris is the most notable adopter of the principle, but versions of 15-minute cities are also being implemented in London, Melbourne, Shanghai, Houston, Edmonton and Chengdu among others.

“Even if this is a noisy movement in the social network, the social network is not the real life,” he said. “This is very, very, very important. We have a lot of people with Twitter, YouTube, Facebook, but in real life 15-minute cities are being implemented.”

Read the full interview with Moreno below:


Tom Ravenscroft: Has the recent reaction to 15-minute cities surprised you?

Carlos Moreno: I published 15-minute cities for the first time in 2015, but in the past two weeks there has been a worldwide explosion within the conspiracy world. For me, it is the first time in my life when I was totally targeted by the conspiracy world – communists, stalinists, neo-facists. Yes, I was surprised. It’s shocking.

Tom Ravenscroft: Why do you think it has become the basis of this conspiracy theory?

Carlos Moreno: This concept is a simple concept. It’s the convergence of one century’s work by a lot of people in reaction to the ideas of zonification in the Athens Charter. My contribution with my team at Sorbonne University was to propose a modern, different, local traffic plan for fighting against the car dependency. For a long time pedestrians have been in a kind of confrontation with the car.

Our scientific contribution was to propose a new model based on a new urban lifestyle regardless of the size or density of cities. The most known concept is the 15-minute city, where we wanted to develop more local services in a polycentric city.

But we have the twin concept, the 30-minute territory. This is the same concept to develop local services in a polycentric territory, but for cities or territories or regions with a medium density. The media were very interested in the 15-minutes-city concept, because it sounds good. I think it has the Andy Warhol touch.

In our concept, the most important point is not to 15 or 30. We could have a 10 or 18 or 25 or 39. The question is not the time. The real question is a new model for urbanism.

The 15-minute city with the 30-minute territory propose no more zonification but a polycentric city. In a polycentric city with essential services to live, to work and live.

My fight is how could we improve the quality of life – and to improve the quality of life we need a city without zonification with a lot of local services, with more natural ecology for reducing our CO2 emissions, to have more economical activities,  and to develop more social inclusion, culture, education and public space.

Tom Ravenscroft: Why do you think the model is being misunderstood?

Carlos Moreno: I want as well to understand. I think that the spark of this insane a movement in Europe was the question about the the role of the cars in cities. In Oxford, the municipality half proposed deploying new measures for reducing the role of the individual car in the city. We had this movement that started saying that limiting cars meaning reducing our individual rights.

In the conspiracy, they have this idea that Covid-19 and the vaccine were measures for controling people and that climate change doesn’t exist. This is the dynamic, and I think that in the insane mind of the madness of these conspiracy people to reduce the role of cars was a crime.

The conspiracy movement needs storytelling. The 15-minute city is an opportunity for building a story. A lot of people around the world are saying that they want to reduce the role of cars with the control of emissions. A lot of people do not like reducing the place of the car, but this is not a story for developing a panic, for developing the apocalyptic idea, this is not enough for hiding a catastrophic and drama fear for people.

I think the 15-minute city was the possibility for building a new storytelling in the continuity of the climate dynamic and the lockdown of Covid-19. They said 15 minutes is the new lockdown. In this conspiracy the only point that is relevant is the number 15.

But in our model this is not important – 10, 12,15 or 32 is not the question. For us we have cafes, restaurants, local shops, sports equipments, you have the possibility for going to the theatre, working, going to the park. But for the conspiracy it is good storytelling – 15-minute city will reduce our movements.

Tom Ravenscroft: In the UK an MP said 15-minute cities will reduce people freedom’s to travel, can you respond to this?

Carlos Moreno: For these people, the most important point is 15 minutes. From their home we have a radius of 15 minutes, a circle and I will be blocked inside this area. And this is the new Berlin Wall, or concentration camps – because they published the pictures with the concentration camps – or it will be an open jail.

They say Moreno proposed an open jail, a neofascist with the concentration camp or communist, that he wanted to reduce our freedom.

But in reality, when this is embraced, we develop a polycentric city with a lot of new bike lanes, new pedestrian areas and to propose a lot of different services in our city.

I think that for the conspiracy movement, the question is not to have a real act of acceptance of our proposal. They aren’t interested in understanding how this concept could improve quality of life. The only point for them is to have a bad buzz, the new concentration camps

Tom Ravenscroft: To be clear nothing in the 15-minute-city concept would ever restrict someone from leaving an area?

Carlos Moreno: No, nothing.

Tom Ravenscroft: Are you worried that the conspiracies will impact the implementation of 15-minute cities?

Carlos Moreno: Even if this is a noisy movement in the social network, the social network is not the real life. This is very, very, very important. We have a lot of people with Twitter, YouTube, Facebook, but in their real life 15-minute cities are being implemented.

For example, with the C40 Cities, which works with the governments on policy in almost 100 cities with almost 1 billion people in. We have launched with the C40 cities for three years. At the global city summit in Buenos Aires, the core of the summit was the rise of the 15-minute city. We have launched with the C40 Cities a new programme for helping cities, for implementing the 15-minute city.

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BTZ laboratory at TU Graz was the early home of mass-timber research

BTZ building at TU Graz

Next in our Timber Revolution series, we profile a university laboratory by Austrian studio Nussmüller Architekten that was conceived as both an advert and a testing centre for the capabilities of mass timber.

Built at the turn of the millennium, the Bau Technik Zentrum (BTZ), which translates as the Construction Technology Centre, was commissioned to house the timber-engineering department at Graz University of Technology (TU Graz) in Austria.

BTZ building at TU Graz
The BTZ building at TU Graz, designed by Nussmüller Architekten, opened in 2001

“The rector of the Technical University came to our office and gave us directly the order for this project,” recalled Nussmüller Architekten founder Werner Nussmüller.

“In response to my question of why he chose our office, he answered: you are the only one who has the experience in cross-laminated timber construction and you will manage to bring a ready-made design in two months,” he told Dezeen.

Site of early CLT research

The BTZ was a significant early mass-timber building. It was one of the first examples of panel-system mass-timber construction, and the first timber building with a curved roof, according to Nussmüller.

Furthermore, it became the place where much of the early technical research that led to cross-laminated timber (CLT) becoming a practical building material took place.

BTZ TU Graz interior
A steel trestle helps to support the laboratory’s large timber roof

The building itself and the groundbreaking work conducted here were partly based on the vision of Gerhard Schickhofer.

Schickhofer’s PhD thesis on the huge potential of laminated timber panels layered in alternating directions, completed at TU Graz in 1994, was instrumental in the development of CLT as a product.

In 2004, three years after the BTZ was completed, Schickhofer launched the Institute for Timber Engineering and Wood Technology at the building where it remains today.

Reminiscent of a large shed, the 4,800-square-metre building contains a laboratory hall used for timber-construction experiments, in addition to offices and workshops.

It was designed to showcase new ways of connecting CLT panels, as well as their load-bearing capacity.

BTZ Graz by Nussmüller Architekten
The building was designed to showcase the capabilities of timber

A key feature is the large canopy roof over the laboratory hall. Curved plates of CLT act in combination with a steel trestle-and-tension-rod structure to enable a span of around 20 metres.

Each roof element is made up of two CLT plates that meet in the middle, with steel rods running through them.

 

Drawing of BTZ at TU Graz
The structure comprises steel, wood, glazed and concrete elements

As explained in a 2005 doctoral thesis on mass-timber structures by Andreas Falk at Luleå Technical University in Sweden, this unconventional approach reduces the amount of raw material required and helps the building’s CLT walls take the weight.

Timber studs at the top of the walls support the roof, creating a lantern effect to maximise the amount of light inside the lab.

“We altogether were very lucky”

Before the launch of the institute in 2004, the BTZ also housed the university’s concrete and steel research departments, which was reflected in its design.

As well as the steel in the roof structure, BTZ also has extensive glazing in its shorter walls and a sturdy concrete base.

“The goal of the project was to show the specific tasks of all research departments in the building,” explained Nussmüller. “So we decided very quickly to use all three materials for the construction of the building.”

“The materials of the construction and surfaces should show the ideas of different departments and should promote the pride of all he participants of the project.”

Twenty-two years on from its completion and despite mass-timber technology having moved on significantly, Nussmüller remains proud of the project.

“We altogether were very lucky that we managed a building with so many unknown details,” he said.

“We are proud that the investor and us took so much risk – and managed it. It’s still standing and in good condition, although some things had to be repaired in the meantime.”

The photography is by Paul Ott. The drawings are courtesy of Nussmüller Architekten.


Timber Revolution logo
Illustration by Yo Hosoyamada

Timber Revolution
This article is part of Dezeen’s Timber Revolution series, which explores the potential of mass timber and asks whether going back to wood as our primary construction material can lead the world to a more sustainable future.

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Soft Cooler 18

From heritage Japanese brand Snow Peak (founded in 1958 by Yukio Yamai), the Soft Cooler 18 keeps food and drinks cold but also provides portability. With insulated walls, an outer layer that repels heat and an inner aluminum coating to trap cold air, it has a capacity of 4.75 gallons. The lightweight, foldable structure features an adjustable strap making it easy to carry when hiking, camping or just heading to a picnic.

Thirdway transforms Georgian townhouse into women-only members' club in London

Cheif's inaugural London members club occupies a Georgian townhouse

American members’ club Chief has set up its first London outpost inside a centuries-old townhouse in Bloomsbury, with cosy interiors conceived by design studio Thirdway.

Established in 2019, Chief has locations in New York, Chicago, Los Angeles and San Francisco, where women working in senior leadership roles can connect, learn from industry peers and find ways to drive more women into positions of power.

Cheif's inaugural London members club occupies a Georgian townhouse
Thirdway has completed the Chief members’ club in London

When it came to designing the club’s first overseas branch, Thirdway was asked to maintain the homely aesthetic established across its US outposts while also speaking to the unique architecture and location of the townhouse.

“We wanted a mix of what felt like Chief but with a London stamp on it, while also being sympathetic to the age of the building and the local London area,” explained Alex Hodson, a senior designer at Thirdway.

Cheif's inaugural London members club occupies a Georgian townhouse
A gridded ceiling and leafy plants nod to the look of an English conservatory

The club occupies a Grade I-listed townhouse in Bloomsbury, which Thirdway extended by connecting it to an adjacent four-storey mews house via a glazed walkway, allowing enough space for all of Chief’s amenities.

Members enter via a forest-green reception area that’s anchored by a wooden desk.

Arched panelling fronts the table in a nod to the townhouse’s curved windows, while its fluted detailing references the grooves on the building’s original fireplaces.

Rich hues go on to appear in the club’s other rooms. In the bar, for instance, the drinks counter is clad with glossy, emerald-green tiles. Here, the arch motif also reappears in the form of the storage cabinets holding the bar’s glassware and wine bottles.

Cheif's inaugural London members club occupies a Georgian townhouse
Some of the club’s rooms feature wood-lined walls

Plump teal and mustard-yellow sofas were dotted throughout the sunroom on the lower-ground floor, alongside poufs covered with the same fabric that was used to upholster seats on London’s Piccadilly underground line in the 1990s.

To emulate the look of a traditional English conservatory, a white grid was installed across the ceiling while a number of leafy potted and hanging plants were dotted around the space.

Cheif's inaugural London members club occupies a Georgian townhouse
A grand piano takes centre stage in one of the rooms

Another events room on site was given a slightly more sophisticated feel with wood-lined walls and vermillion-red velvet seating.

Other women-only members’ clubs in London include Allbright in Mayfair, where the walls are exclusively covered with works by female artists.

All images are courtesy of Peter Ghobrial Photography.

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Hong Kong-based My ArchiSchool set to launch digital Architecture Library

Photomontage by Antonia Villet featuring a person standing inside a colourful building

Promotion: Hong Kong-based school My ArchiSchool is launching its digital Architecture Library in the summer of 2023, which will present projects by students and graduates of the school.

The school‘s Architecture Library will include digital 3D models of buildings, paintings and conceptual projects designed by My ArchiSchool students.

The featured projects include a photomontage by student Antonia Villet, which depicts an experimental design of a teahouse situated in an over-populated area of Hong Kong, and an acrylic painting of a forest by student Albus Oscar Chung.

Photomontage by Antonia Villet featuring a person standing inside a colourful building
The library will showcase a range of student’s projects. Above: Photomontage by Antonia Villet. Top image: Forest by Albus Oscar Chung

Also included will be Universe by Villet, which is a large-scale acrylic painting on canvas that depicts a surreal image informed by a bouquet of roses, and The Last Beam of Light by Chung – an acrylic painting of a mountainous landscape.

“We always keep learning from the students’ fresh ideas,” said the founders of My ArchiSchool.

“In the traditional business of publishing, not every good idea will be published due to various practical and operational reasons.”

The launch of the school’s Architecture Library is a bid to present and archive the school’s latest projects. My ArchiSchool aims for it to promote the architectural excellence of its students.

The Last Beam of Light by Albus Oscar Chung, depicting a colourful landscape
The library also includes a number of paintings. Photo: The Last Beam of Light by Chung

“Young designers must have developed and observed spatial models before they can start designing our beloved city,” commented the founders.

“Our Architecture Library is designed for students to view other individual’s work, and to experience 3D models of space.”

The school’s library will include 3D models and also paintings of students’ work in a number of “virtual galleries”. The library is open to the public and can be accessed for free, with no additional software required.

A surreal painting informed by roses
The platform can be used for free. Image: Universe by Villet

My ArchiSchool runs a variety of in-person and online courses for aspiring young architects, aiming to teach 3D modelling and other skills that will set them up for careers in the built environment.

To learn more about My ArchiSchool’s Architecture Library, visit its website.

Partnership content

This article was written by Dezeen for My ArchiSchool as part of a partnership. Find out more about Dezeen partnership content here.

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Harry Nuriev uses denim to form furniture collection informed by the American dream

Denim vanity by Harry Nuriev at Carpenters Workshop Gallery

A DJ booth, a gym bench and a giant sofa with an integrated iPad holder feature in this collection of collectible denim-clad furniture that designer Harry Nuriev is exhibiting at Carpenters Workshop Gallery in Paris.

Taking over the gallery’s entire ground floor, the Denim exhibition reinvents the iconic American fabric by applying it to unexpected everyday items.

Close up of Denim furniture by Harry Nuriev
Harry Nuriev is exhibiting collectible denim furniture in Paris

“Denim has been adopted by everyone from miners and cowboys to Hollywood celebrities over the past two centuries,” said Carpenters Workshop Gallery.

“[It] is a fabric closely related to the concept of the American dream, and Nuriev explores this symbolism in his ultra-contemporary series.”

Gym equipment clad in denim fabric at Carpenters Workshop Gallery
The exhibition at Carpenters Workshop Gallery also includes denim-clad dumbbells

The modular collection goes beyond the bounds of furniture to include homeware and gym equipment, spanning everything from wall-hung storage pockets to denim-sheathed dumbbells.

In this way, Nuriev aimed to illustrate how our post-pandemic homes are increasingly serving functions beyond just providing us with places to sleep.

Huge denim sofa bed by Harry Nuriev
A huge sofa is the centrepiece of the collection

“As our life has changed so much in the past years, we’ve started spending more time at home, on our sofas,” Nuriev told Dezeen. “Instead of fighting this fact, I decided to embrace it.”

This idea is perhaps most clearly illustrated in the Denim sofa, which resembles a cross between a huge mattress and a conversation pit.

Its exaggerated dimensions allow for the addition of tables, shelving and bright-pink monitor stands for holding everything from iPads to TVs.

“I wanted the sofa to become a place in and of itself — one where you can eat, relax, work, sleep,” Nuriev said.

“In the same way that you layer your jeans, T-shirts and jackets in the order you want, I want my furniture to adapt and shape itself according to the user’s wishes.”

Integrated table in sofa at Carpenters Workshop Gallery
It comes with integrated tables and bright pink monitor stands

Within the gallery, these pieces are displayed in various configurations to suggest a whole apartment, complete with a modular vanity, DJ booth and a grand dining table with 12 cubes for seats.

“I think my favourite piece is probably the DJ booth because it brings people together, not just in a party context but as a meeting space,” Nuriev said. “And the vanity, too.”

Denim-clad DJ booth by Harry Nuriev
Also included in the collection is a denim-enshrouded DJ booth

The exhibition follows Nuriev’s previous experiments in merging fashion and furniture, which saw him stuff a transparent vinyl sofa with Balenciaga clothing and upholster a virtual sofa in neon-green Nike jackets.

“It’s part of my philosophy of transformism – bringing materials from other contexts, such as fashion, in order to dress a space like I would myself,” the designer said.

Dining table setup inside Carpenters Workshop Gallery
Twelve cuboid stools accompany the Denim dining table

Based between Paris and New York, Nuriev is the founder of design practice Crosby Studios and Denim is his first solo show since being represented by Carpenters Workshop Gallery.

The photography is by Benjamin Baccarani.

Denim is on display at Carpenters Workshop Gallery in Paris from 4 March to 13 May 2023. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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Get listed in Dezeen's digital guide to the NYCxDesign 2023

Red and white NYCxDesign illustration featuring individuals visiting the event

Hosting an event as part of NYCxDesign 2023? Dezeen is launching a digital guide to the annual NYCxDesign festival, which runs from 18 to 25 May 2023.

This year the design festival celebrates its 11th anniversary, hosting hundreds of events including exhibitions, installations, trade fairs, talks and open studios across five boroughs in New York.

Dezeen’s guide to NYCxDesign 2023

Dezeen’s digital guide to NYCxDesign will provide visitors with all the key information about the festival with listings for the must-see events.

Dezeen’s NYCxDesign festival guide follows the success of our digital guides to Stockholm Design Week, London Design Festival and Milan design week.

If you are planning an event during the festival, please enquire about inclusion in our guide or to work with us at eventsguide@dezeen.com.

Get listed in Dezeen’s digital guide to NYCxDesign

Get in touch with the Dezeen Events Guide team at eventsguide@dezeen.com to book in your listing or to discuss a wider partnership with Dezeen. There are three types of listings:

Standard listing: For only £100, we can include the event name, date and location details plus a website link. These listings will also feature up to 50 words of text about the event. Standard listings are included at the discretion of the Dezeen Events Guide team.

Enhanced listing: For £150, you will receive all of the above plus an image at the top of the listing’s page and an image in the listing preview on the NYCxDesign festival guide page. These listings will also feature up to 100 words of text about the event.

Featured listing: For £300, your listing will feature everything as part of an enhanced listing plus inclusion in the featured events carousel and social media posts on our @dezeenguide channels. This includes one post per channel: Instagram, Twitter and Facebook and up to 150 words of text about the event. This text can include commercial information such as ticket prices and offers and can feature additional links to website pages such as ticket sales, newsletter signups etc.

About Dezeen Events Guide

Dezeen Events Guide is our guide to the best architecture and design events taking place across the world each year.

The guide is updated weekly and includes events, conferences, trade fairs, major exhibitions and design weeks.

For more details on inclusion in Dezeen Events Guide, including in our guide to NYCxDesign , email eventsguide@dezeen.com.

The illustration is by Justyna Green.

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Beautiful messaging display creates a delightful way to connect with family and colleagues

As convenient and as empowering as smartphones may be, they have also become the source of some of modern life’s social and psychological ills. They break down geographical barriers and easily connect us with people around the world, but they ironically also isolate us from persons who are just right across the room. Large smart displays are starting to appear on our walls, serving to increase both the efficiency as well as the separation in our lives at home and in the workplace. Fortunately, these are not the only ways we can communicate with one another, even from afar, and that’s where Vestaboard comes in, a striking one-of-a-kind messaging display that offers an alternative that is simpler, more memorable, and, most importantly, more engaging.

Designers: Faiza Moore & Fred Bould

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The magic of split-flap signage has long been relegated to industrial or transportation use due to its size and cost, but it remains an interesting way to get the message across. There’s just something mesmerizing about seeing those flaps shuffled to the right character or number, as well as hearing the distinct sound that they produce. It has that distinct retro charm that is all the rave these days, but, more importantly, it creates a more personal and more engaging atmosphere than even the prettiest colored graphics on a regular smart display.

Vestaboard offers 6 rows of 22 split-flap character units that can each display letters, numbers, symbols, and all the colors of a rainbow. That gives you a total of 132 “bits” that you can from a mobile app or from the Web, allowing you to easily send messages to anyone at home or in the office, even if you’re half a world away. You can show inspirational quotes, personalized messages, reminders, to-do lists, schedules, and more. You can even try creating patterns or low-res graphics reminiscent of the 8-bit graphics of old. And while you will definitely find it fun and inspiring to craft those messages, those on the receiving end will also enjoy seeing the display change in real-time as well.

Although 132 “characters” might feel limiting, it can actually make your creativity really shine through by wisely using every single bit available. Or you can select from messages made and shared by Vestaboard’s passionate community. The Vestaboard+ paid subscription even lets you hook it up with Google Calendar, Spotify, Sonos, or major league sports, just to name a few, to automate the messages you can put up for everyone to see. It might be an optional service, but it definitely gives Vestaboard an upgrade that makes it a more personal and personalized experience than any smart home assistant or display.

Technology should help make human lives easier, but not at the expense of cutting them off from their loved ones. Yes, you can send out a short instant message in a flash, but nothing creates more impact than that same message delivered in an eye-catching and spectacular manner. With a rapid split-flap movement and a fluttering sound, your messages of love and motivation will last longer in people’s minds, even long after the message has gone. Why settle for an ordinary text message when you can have the same delivered in a more thoughtful and engaging way with the beautiful Vestaboard messaging display.

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