Studio Prineas adds concrete tower to fisherman’s cottage in Sydney

Fisherman's cottage

Architecture studio Studio Prineas has added a three-storey concrete extension to a 19th-century fisherman’s cottage to create a home overlooking the harbour in Sydney, Australia.

Located on a steeply sloping site in the Birchgrove area of Sydney, the home consists of two distinct elements an old timber fisherman’s cottage and a concrete tower intended to contrast with it.

Exterior of Fisherman's cottage
The house is located on a sloping site that connects to an old fisherman’s cottage

Containing the home’s four bedrooms the contemporary concrete structure links the street level to the existing house nine-metres below.

On the street level the roof of this structure contains a car parking space while a lift is marked by a concrete box and stairs lead to the home below.

Interiors of Fisherman's cottage
Blackened steel framework in the living room is a reminder of the original form of the building

“From the outset, we saw an opportunity to retain and celebrate the original weatherboard fisherman’s cottage by introducing a contrasting architectural sensibility an off-form concrete ‘tower’ that nestles against the sandstone cliff edge,” said Studio Prineas principal Eva-Marie Prineas.

“The verticality of the tower navigates the site’s dramatic drop and facilitates an experiential journey through the site.”

Infinity pool at Fisherman's cottage
An infinity pool with harbour view is located beneath the cottage

While the extension contains all the private living spaces of the house the entire fisherman’s cottage was converted into an open-plan living, dining and kitchen space.

The location of some of the original walls and timber flooring of the cottage were highlighted with blackened steel framework that was added to support the structure.

A kitchen with a long island bench was placed alongside one wall of the clatter, while a seating area was located on the other. The largely glazed font wall of the cottage opens onto a large deck with harbour views.

Below the cottage a swimming pool was embedded into the cliffside.

Interiors of Fisherman's cottage
Leather-clad sliding walls in the bedrooms allow flexible functions

A glazed link with two open courtyards on either side connects the original cottage to the private living spaces located in the new concrete extension above.

Dark timbers were applied to create a more grounded appearance to contrast the lightness of the timber cottage.

Courtyards at Fisherman's Cottage
A glazed link connects the original cottage to the new concrete extension

Within the tower each of the bedrooms have views across the bay.

In the main bedroom, leather-clad sliding walls are used as moving dividers of the spaces that both accommodate privacy and family gatherings.

A solid stone bath doubles as a bedhead while mirrored walls visually extend the depth of the relatively small-scale room.

Kitchen at Fisherman's Cottage
A kitchen with a Long Island bench is located at the original cottage

The home’s concrete tower also creates a vertical edge for hanging gardens across the building’s surface.

Studio Prineas worked with local landscape studio Bushy Landscapes to source indigenous plantation, adding another layer of history to the site.

Interiors of Fisherman's Cottage
Mirrored walls creates a visual depth of the room

“We wanted the building to give back to the harbour and embrace connections with the site – to not solely focus on views from the post-colonial cottage, but embrace the site’s pre-colonial, ‘non-built’ heritage,” said Prineas.

Other recently completed houses in Australia include a courtyard house wrapped in concrete walls in Melbourne and a oceanside home in Sydney suited for both calm and play.

The photographer is by Gavin Green.


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Jonas Bohlin and Christine Ingridsdotter create reusable Underbar as a "landscape of dreams"

Exterior of Underbar by Jonas Bohlin and Christine Ingridsdotter

Interior architect Jonas Bohlin has designed a bar featuring a wall made from dress shirts and a ceiling decorated with emergency blankets at Stockholm Furniture Fair.

Bohlin worked closely with Christine Ingridsdotter, who previously designed the colouring and textiles for restaurants by Bohlin, on the project.

Underbar at Stockho;m Furniture Fair by Jonas Bohlin and Christine Ingridsdotter
Silvery emergency blankets decorate the ceiling

Called Underbar, a pun on the word bar that means wonderful in Swedish, the space is located at the centre of the Stockholm Furniture Fair trade show and was made from materials that will be reused once the fair is over.

Its design was based on a previous bar that Bohlin created for the furniture fair in the early 1980s, which had the same proportions.

Wall made from dress shirts at Underbar bar at Stockholm Design Week
The back wall is made from dress shirts

All of the bar’s furniture was designed by Bohlin and made in Sweden, and all the materials used for Underbar were chosen so that they could be reused after the fair closes.

“As a designer, there are three things that are of interest: nature, life and the future,” Bohlin told Dezeen. “We wanted to create a space where everything could be reused, nothing would be allowed to be thrown away afterward.”

“We borrowed the shirts for the dress shirt wall from friends who will get them back, while the vases are from second-hand store Myrorna and will be given back to it when the bar closes,” he said.

“The willow mats used for the walls will be used at garden fair Trädgårdsmässan; the chairs I’ve borrowed from restaurants I’ve designed, the tables have already been sold, and the bench was made from wooden flooring and a steel frame that can also be reused.”

View of Underbar at Stockholm Furniture Fair by Jonas Bohlin
Bohlin constructed the lamps for the space himself

The felt lamps were designed by Bohlin for a lighting company that didn’t want to produce them, blaming a lack of time.

“That made me slightly annoyed as I’d already envisioned the lamps here, so I had to sit down and make them all myself,” Bohlin said.

“The idea was that they would be good for the acoustics,” he added. “The best thing is to dampen the sound close to the source, the mouth, which is why I made the lamps from felt and in these half-circle shapes that catch the sound. Some of these will go to a restaurant after and I’ll sell the rest of them.”

Lamps made from felt by designer Jonas Bohlin
Vases were bought from a second-hand store

The bar was made from leather on a steel frame in collaboration with Ahls Mekaniska in Småland, which also helped make the tables.

The ceiling was decorated with emergency blankets that will be donated after the end of the fair, potentially to Ukraine, Bohlin said. His lamps Andromeda and Atom were used to create sculptural lighting designs in the bar.

Close-up of dress shirts used for Underbar bar
Shirts were leant by friends and will be returned

“When I design something I try to relate to the space, play on the space as if it is Chinese chequers – I want to keep something of the history of the space when I create something new and respect the history that has been,” Bohlin said.

“But I also try to create a landscape of dreams,” he added. “We’re all different, and I think it’s important in a public space for everyone to find something – in the colour or form – that they feel safe with or recognise, something they can talk about.”

“Fancy restaurants may target just one typical audience, while I want everyone who comes here to feel welcome and for everyone to have an experience, both of the food and of the spatiality.”

Other projects on show during Stockholm Design Week include a pavilion by Daniel Rybakken in the waters of Stockholm and an exhibition that visualizes the carbon emissions of common materials.

Underbar is on show until 11 February as part of Stockholm Design WeekBrowse our digital guide to the festival here and see Dezeen Events Guide for details of other architecture and design events taking place around the world.

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This wooden home in Germany is a sustainable sculpture of wooden cubes

Tucked away in the lush greenery of Bavaria, Germany is a wooden family home located next to a quaint lake. Designed by Appels Architekten, the home features a simple and minimal architectural form. “Conceptionally, it distinguishes between private rooms and a generous open space for daily family life,” said the studio.

Designer: Appels Architekten

What makes the home quite intriguing is the fact that it comprises a sculpture of wooden cubes with all the private rooms artistically placed within them. In between the wooden cubes, there are multiple open spaces, that allow light to playfully enter the home during the day, and light it up, in the winter as well. The open spaces also provide lovely views of the garden, treetops, and the lake. The roof of the home has a rather fanning shape, which perfectly contrasts the sloping terrain, and gives a bit of versatility to the interiors. The home has been deftly placed on a plateau above the lake, almost concealing it. It is surrounded by dense wooden trees.

“The setting in its natural environment, the generous ceiling height, the amount of daylight, and the honest materialization create a pleasant atmosphere and a pleasant indoor climate,” said the studio. The entire configuration of the home is rather unique and eye-catching. It features a form that is geometrically interesting, inviting you to explore the home further. The openness of the structure creates a gentle connection and coexistence between the home, and the rest of the community, giving the residents an opportunity to either live in privacy or step out and interact in some communal living. The private rooms have been placed around a family space, where all residents of the home can gather and engage.

Since wood was used to construct the home, it can be considered quite sustainable as well. Being a renewable resource, the use of wood reduces carbon dioxide emissions during construction, as well as the need for non-renewable primary energy. The construction process included a degree of prefabrication, allowing a lot of the construction to be done off-site. It leads to shorter assembly times, and only a few site trips for the architectural team. The home is powered by fossil-fuel energy via air-source heat pumps and storage tanks.

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Open-back Sennheiser HD 660S2 headphones boast wider soundstage and crisper low frequency response

Open-back reference-level headphones are something audiophiles can’t part with, more so, when they are from the acclaimed Sennheiser HD 600 series. Right from the HD 600 introduced in 1997 to the current era HD 660S, the German audiophile brand has come good on the expectations of the most demanding music listeners out there.

Sennheiser’s newest member in the series are the HD 660S open-back headphones that address the most common irk with the HD 660S. Yes, I’m talking about the low-end frequencies in your favorite hip-hop, EDM or Rock songs. So, one can expect deeper and clearer bass levels without compromising on the expansive soundstage details.

Designer: Sennheiser

The sensitivity across all audible frequencies has been tweaked slightly so that the listener can hear sounds never heard before. Impedance on them gets a bump up thanks to the improved 300 ohms (150 ohms on HD 660S) transducers. This lowers the resonant frequency from 110 Hz to 70 Hz so that the hefty kick drums are audible in clear detail.

On the design front, nothing much drastic has been changed in the choice of material and the overall look. The pair of cans weighing 260 grams are crafted in Germany and hand-built in Ireland bearing the same velour-wrapped foam headband and earcups, acoustic metal mesh grilles and folding hinges. One thing that’ll make them distinguishable from the earlier model is the presence of the bronze accents on a jet-black finish.

Just like any other open-back model on the market, the Sennheiser HD 660S2 headphones are best suited for at-home listening. They are intended for audio purist, and don’t come with any ANC or wireless connectivity option. That said Sennheiser has paired them up with two 5.8 ft user-detachable cables that have a 1/4-inch single-ended stereo plug and a 4.4mm balanced stereo jack plug. The package also includes a 1/4-inch to 3.5mm adapter.

The Sennheiser HD 660S2 will be up for grabs on February 21 for a price tag of $699.95. Clearly more expensive than the feature-rich Sony WH-1000XM5 or Apple AirPods Max, but as I said, these pair of cans are for hardcore audiophiles who value audio quality more than anything else.

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REVOPOINT’s new affordable handheld scanner lets you easily turn large objects into accurate 3D models

The Revopoint RANGE makes use of the company’s new infrared structured light projector, which captures a large area of 360mm x 650mm (at 600mm distance), allowing you to scan objects as massive as an entire car or a room in just a few minutes. The RANGE works as both a fixed or a handheld scanning device, recording both 3D and color data to provide an accurate model with precision of up to 0.1mm, as well as accurate color information. The models you scan can then be used in the metaverse, for reverse engineering and modeling, or even for 3D printing, covering a wide variety of applications across a whole host of industries.

Designer: Revopoint Design

Click Here to Buy Now: $474 $729 ($729 off). Hurry, only 184/700 left! Raised over $1,300,000.

The benefit of the Revopoint RANGE lies entirely in its name. The device has a scanning area of 360mm x 650mm (that’s nearly a 1.2ft x 2ft bounding box), allowing you to cover large grounds in less time. The RANGE also uses a state-of-the-art dual camera system, with a projector emitting invisible infrared light to offer scans at even higher accuracies than scanners that use lasers or blue light. The fact that the light projector emits invisible light makes the RANGE perfect for scanning humans and animals too. Hold the Revopoint RANGE as close as 300 mm (12 inches) or as far as 800 (31 inches) from your subject, and its ability to work as rapidly as 12-18 FPS means you can scan an entire human in under 2 minutes, or an interior setting in just a handful of minutes, complete with color information, and accuracies of 0.1mm. RANGE also lets you scan transparent and reflective objects, thanks to a scanning spray that creates an opaque film on the object, and then disappears entirely in just a few hours.

Future of Interior Design – Deliver impressive interior design customization by scanning furniture, fittings, or even whole rooms and creating full-color vivid 3D models for use in interior design software like DreamPlan or MagicPlan.

Streamlined Car Modeling – You can quickly capture and measure the exact dimensions even when scanning complicated geometric surfaces.

Capturing History – Its handheld scanning mode, lightweight, and compatibility with iOS and Android devices make it a portable, versatile tool capable of capturing large artworks without needing to move or touch them.

From Head to Toes in Under 2 Minutes – Simplify the creation of human 3D models for video games, AR, and VR applications with the whole body and head scan done in under two minutes.

Accurate 3D Models – With a single-frame precision of up to 0.1mm and a point distance of up to 0.3mm, the RANGE’s new dual IR cameras with aspheric lenses reduce image aberrations and ensure that the micro-structured infrared light evenly reaches the sensors.

It’s a Colorful World – RANGE’s RGB camera can capture an object’s color as you scan, ready to be merged with the 3D model after meshing the data to create accurate fully-colored, nearly lifelike 3D models.

These scans can then be used in a whole host of industries. The highly precise models are perfect for reverse engineering, modifying, and upgrading. Transportation designers can use these models to run simulations, upgrade designs, do wind tunnel tests, while workshops could use these models to create custom panels and trims. Interior designers could create an entire 3D bank of furniture and decor that can then be placed in virtual rooms to understand how they look. Models can be edited, with colors, textures, and materials altered. The color information captured by the scanner proves highly valuable to animators too, who can directly scan humans and rig them without spending hours and days painting on layers of skin, hair, eyes, clothes, etc. The output models can even be 3D printed, either in a single-material filament or in full color!

Scans Made With the Range

The Revopoint RANGE is designed to be universally applicable, versatile, yet affordable. It can be used indoors or outdoors, and in handheld or stand-mounted formats. Using a stabilizer along with the RANGE offers better control and faster scanning, while Revopoint also supplies large turntables for big objects, with weights of up to 200kgs (441lbs). The RANGE starts at just $328 (thanks to a 55% discount for super early bird backers), rivaling their popular POP2 and MINI models, which had an average starting price of $799. The Revopoint RANGE is compatible with Windows 81011 (64-bit), Android, iOS, and Mac devices, and requires just a USB cable for power and data transmission.

Click Here to Buy Now: $474 $729 ($729 off). Hurry, only 184/700 left! Raised over $1,300,000.

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Eye-catching wave-shaped building adds a dynamic form to this Danish town’s skyline

Located off the Vejle fjord in the eponymously named town in Denmark, this award-winning building explores a format that seems to challenge the typical high-rise. Aptly named The Wave, this residential complex by Copenhagen architect Henning Larsen honors the water body it’s located on the coast of. The building adopts a distinct sawtooth-wave-shaped design that’s incredibly dynamic to look at and creates an unusual interior structure for the residents within. The landmark building was completed in 2018, 11 years after construction for it first began.

Designer: Henning Larsen

A winner of the Civic Trust Award, The Wave features 5 buildings connected by the undulating upper facade. This luxurious residential complex provides 115 apartments with living areas ranging from 84 to 167 square meters (904 sq. ft. to 1798 sq. ft.) Apartments have a choice between two views – one, of the Vejle fjord located right in front of them, and the second of the lush forest-enclosed town behind them. The individual building waves were completed one after the other and were then ready for immediate occupancy.

The Wave is inspired by and derives its form from the geographical characteristics of its neighborhood: the fjord, the bridge, the town, and the hills. The building’s distinct and recognizable form links the residential complex with the sea, the surrounding area, and the town. Its unique construction also adds a sense of whimsy to Vejle’s skyline, creating something that looks and feels truly iconic.

Aside from its unusual design, The Wave’s unique appeal lies in how its appearance changes from day to night. During the day, the white undulating wave reflects light, looking almost like a wave glistening in the sun. The water body in front of the residential complex also creates an illusion by reflecting the building’s design, turning it from a wave into a waveform. During the night, the lights in the apartments illuminate the building, making it look like a glowing range of mountains.

Larsen, unfortunately, didn’t live long enough to see the Wave reach completion. The Danish architect passed away in 2013 at the age of 86.

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Anker made the ultimate monitor stand with its own built-in multiport hub and wireless charging pad

Elevating your monitor to the appropriate eye level is the least of what the Anker 675 is capable of. The slick stand also houses multiple USB-C ports (going all the way up to 100W output) and USB-A ports, along with a 4K HDMI port, an Ethernet port, and an SD card slot. If that wasn’t enough, the 12-in-1 monitor stand also has its own 10W wireless charging pad that lets you juice your phone while you’re working on your desktop or laptop. The stand comes with a crawl-space underneath it too – perfect for stashing your keyboard, notebooks, or just hiding cable clutter.

Designer: Anker

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Designed to be a multiport on legs, the Anker 675 cleverly achieves a bunch of things to make your workplace much more comfortable. For starters, it elevates your work setup – quite literally, if I might add. The monitor stand lifts your monitor up by a cool 3.54 inches, preventing you from needing to hunch over as you work. The stand’s about 21.2 inches long and 8.6 inches wide, fitting most regular desks pretty comfortably. If you’ve got a laptop or a multi-display setup, the 675 may pose some space constraints for smaller tables, although it makes up for that with a whole bunch of features, starting with that 12-in-1 multiport built right into its slick design.

The multiport features practically every single connector you’d need in a modern work setup. You’ve got three USB-C ports, including one ‘Connect to Host’ port that outputs a staggering 100W to let you directly power your laptop right from the Anker 675. A DC power input provides juice to both the stand as well as your primary machine. There’s no way for the monitor to draw power from the stand, which seems like its one real drawback, although a 4K@60Hz HDMI port lets you directly hook your monitor to your laptop via the stand. The Anker 675 also has three USB-A ports that work for both power and data delivery (including one USB-A 3.1 Gen 2 port), slots for SD and MicroSD cards, an Ethernet port capable of 1 Gbps speeds, and lastly, a 3.5mm audio jack.

All ports are cleverly located in places that make them easy to access while allowing you to neatly route cables from under the stand. The stand’s multiport system also reduces the need to have a power strip cluttering your table, along with a host of wires and cables. You’d ideally need just two plug points – one for the monitor, and another for the Anker 675, which powers all your other devices, from your laptop to your phone. Speaking of which, the monitor stand also has a 10W wireless charging zone on its side that lets you juice your smartphone or TWS earbuds whenever you want.

The Anker 675 comes with a reliably built aluminum chassis that sits on metal-finished plastic legs. The legs come with silicone-strips on the base that prevent the stand from accidentally shifting around while you work (and scuffing the table surface in the process). The entire device is designed to be compatible with both Windows and Mac-based machines (it works with the iMac too), working right out of the box without any setup required. The only setting up you’ll really need to do is physically placing the Anker 675 on your table and neatly routing all your wires and cables through its built-in cable management system located on the underside of the stand.

The Anker 675 ships with the 180W DC adapter and the AC power cord that plugs into your power socket. There’s also a USB-A 3.2 Gen 2 cable included along with the hardware, and the entire device is protected by an 18-month warranty and Anker’s promise for lifetime customer support.

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Miss Grit: Nothing’s Wrong

“Nothing’s Wrong,” the latest single from Miss Grit (aka Margaret Sohn), is at once dreamy and haunting. The track opens with creeping guitar and laidback percussion, progressing into Sohn’s gentle vocals and shimmering instrumentation. It continues the artist’s inventive lyricism that, for their debut album Follow The Cyborg (out 24 February), depicts a non-human machine’s path to freedom with pertinent resonance.

DIY AR glasses get a bit geekier with this monocle clip-on

Hollywood had us dreaming about augmented reality way before “metaverse” became an overhyped buzzword. Of course, fiction and reality don’t always see eye-to-eye, pun intended, and experiencing this augmented reality has been less than ideal, if not unreachable, for most people. The problem has been making AR hardware available and accessible to more people, not to mention comfortable to wear, unlike your typical helmet-like headsets. AR glasses are the ideal solution, but the technology just isn’t completely there yet to make that happen. In the meantime, creative and adventurous people are making their own designs and interpretations of this largely unexplored territory, and this open source device turns any eyewear into AR glasses, though with a very distinct aesthetic that might look a tad ridiculous to some.

Designer: Brilliant Labs

The AR hardware problem has always been a matter of size. While gear like the Microsoft HoloLens or even the new Meta Quest Pro is powerful, they’re also bulky and heavy. AR glasses, on the other hand, not only have significantly limited hardware but also have to make sure that the wearer’s line of sight is still clear. Putting a display in front of both eyes might seem ideal, but just having the screen on one or the other eye is more realistic.

This is the kind of design that the defunct Google Glass adopted, and Monocle has taken it to the extreme. Just like its namesake, it’s a circular device that goes over just one eye, leaving the other free of any obstruction. Unlike existing AR glasses today, though, it doesn’t come as a complete eyewear product. Instead, you clip the Monocle onto any pair of glasses, which is especially useful if you wear a prescription.

The device isn’t exactly the sleekest way to get an AR experience with your regular glasses. It has to be thick to hold all the electronics in a single piece, including a 720p camera, a 640×400 OLED display, Bluetooth, and a battery. It’s pretty much a small, partly transparent puck that you attach to your glasses, ensuring that everyone will know you’re looking at them with more than just your human eyes.

What makes Monocle different from commercial AR gear is that both its software and its design are open source. Anyone with enough knowledge, experience, and patience could, in theory, do their own thing, perhaps tweaking the design to make it perhaps a bit less conspicuous. For the rest of us, however, Brilliant Labs is selling the finished product for $349, which includes a charging case in the box.

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OnePlus launches first flagship Android Tablet with premium design and impressive hardware-software combination

It’s been a while since we have heard news about a new Android tablet. For reasons best known to me, I had started visualizing OEMs genuflect in the iPad shadow. OnePlus has jolted me back to sense, suggesting the obvious: There is still a market and OnePlus Pad is the Android tablet we were waiting for all this while.

The first tablet from Oppo sub-brand, in almost a decade of creating the most compelling flagship killers, the OnePlus Pad doesn’t have a pricing yet but its official and expected to arrive in India, North America, and Europe in April 2023. We had been seeing designers toiling with their iterations of what the OnePlus tablet would be like, and now we have an official idea.

Designer: OnePlus

Since it’s a premium Android tablet, the OnePlus Pad comes with a hardware and software combination to impress. The tablet touts a premium aluminum unibody construction, which ensures the entire contraption skims some fat and weight. The OnePlus tablet measures only 6.54mm at the thickest point and is pretty lightweight.

The tablet’s large 11.61-inch display touts 144Hz refresh rate and a usual 7:5 screen ratio. The Pad is powered by a Dimensity 9000 processor and comes in a choice of 8 and 12GB of RAM. It features an eye-pleasing circular camera array at the back panel, though the company has refrained from revealing the specifics of the unit.

What we are clear about is the battery backup you can expect from the OnePlus Pro. It comes packed with a 9,510mAh battery pack, which should – and the company confirms – offer 12 hours of backup in while binge-watching your favorite series. In normal surfing and light usage, the battery should easily last a day.

OnePlus offers SuperVOOC charging capability to ensure you don’t waste time charging the tablet when you are on the go. Courtesy of the company’s fast-charging tech, the Pad can power up at up to 67W charging speeds. At this speed, the 9,510mAh battery onboard can charge fully in 80 minutes flat.

Designed for reading books, playing games and consuming media, the OnePlus Pad offers Dolby Vision and Dolby Atmos support. Reportedly, the tablet can work effectively with the OnePlus stylus and company’s magnetic keyboard, which will ideally be sold separately, to create a more tactile experience for work efficiency.

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