Note Design Studio draws on Swedish Grace style for Habitat 100 apartment

Circular wooden table with ball legs in Stockholm flat

Local firm Note Design Studio has overhauled a 1920s flat in Stockholm, adding sound-absorbing marble floors, mouldings informed by the eaves of the building and custom-made furniture.

The studio renovated the apartment, which is located in a building designed by architecture studio Höög & Morssing in the early 1920s, to create an interior that “might pass for the original”, it said.

White kitchen with grey table and storage spaces
The original interior of the apartment informed the renovation

The studio made significant changes to the floor plan for its renovation of the 350-square-metre Habitat 100 apartment.

“The biggest changes were made to the practical spaces and the reception rooms,” Note Design Studio architect Jesper Mellgren told Dezeen. “The entrance was awfully tight in relation to the size of the residence, so we rearranged the floor plan in order to create a generous atrium with clear guidance in how to navigate the apartment.”

Wooden floors in living room with sculptural wooden table
Note Design Studio added new floors in the whole apartment

Note used greyed wood to mark the private spaces in the flat and separate them from the atrium, lowered the ceiling and removed the floors to create better acoustics.

“To reach the anticipated level of acoustical improvement all floors had to be removed in order to strengthen the joists and put in 100 tons of marble gravel,” Mellgren said.

“Then we casted a new floor in the whole apartment to glue the new wood and marble floors upon. For the ceilings, we needed to create new ones detached from the original slabs.”

Bedroom with green bed and sculptural lamp
Ceilings were lowered throughout to improve the acoustics

Located in central Stockholm, the house that the apartment is in was built during the Swedish Grace era, a romantic, refined style movement in the 1920s.

In terms of interior design, Swedish Grace was “very much about the architectural promenade — implementing new findings while exploring a floor plan,” Mellgren explained.

View from hallway in Habitat 100 in Stockholm
The Habitat 100 apartment features a mix of wood and marble

Note Design Studio nodded to this idea in its renovation of Habitat 100, which also features multiple references to surrounding buildings.

“Walking through the apartment is very much a journey of discovery where every space has unique qualities influencing its design,” Mellgren explained.

“We borrowed a lot from the immediate surroundings for obvious references to the style of the building and its context,” he added.

“For instance; the radiator covers are balcony railings from the neighbouring building, the ceiling mouldings are similar to the eaves of the building, and the floor patterns are inspired by entrance door ornaments in the area.”

An office with a wooden desk and blue office chair
Note Design Studio custom-made a number of the furniture pieces for the home

The studio used a materials palette of marble and different types of wood to create a calm atmosphere in the flat and match the other materials used in the building.

Swedish Ekeberg and Brännlyckan marble was used in parts of the flats in a nod to the communal stairwell, which is clad in Italian marble.

Wood was also used throughout the flat. “As a contrast for social spaces and bedrooms we used oak to bring warmth and calmness,” Mellgren said. The studio stained the oak to achieve the right colour.

“Two precious woods, mahogny and wenge, circles the cross-patterned oak floors to mimic traditional Swedish floor laying,” the architect added.

Bedroom with patterned wooden bedside table
Different types of wood were used throughout the interior

Note Design Studio also aimed for the furniture chosen for Habitat 100 to add “another layer.”

“We were fortunate to be trusted with designing a lot of custom-made furniture for the different spaces; nightstands, desks, mirrors, tables and washstands, which gave us more control in the creation of a vivid coherent expression,” Mellgren said.

The studio used LED light strips, hidden beneath the ceiling mouldings, to create gradients of light and shadow on the walls.

High ceiling in Stockholm home
The apartment has a clean, light interior

The aim for Habitat 100, so called because it was designed almost exactly one hundred years after the building was completed, was for it to never be demolished.

“This project is very much about restoring the residence to something genuine and appropriate for its original architecture,” Mellgren said.

“The main goal is for this interior detailing never to be demolished or replaced, still being personal to the client and exploratory for us in finding a contemporary interior that was conceivable 100 years ago.”

Hallway with marble floor outside Stockholm flat
Marble in the communal hallway informed the choice of material in the apartment

Othe recent projects by Note Design Studio include a restaurant in a historic Stockholm food hall and a warm-hued wine bar that doubles as an office.

The studio has also designed a number of furniture and lighting pieces, including the streamlined Sprinkle pendant lamp for Zero Lighting.

The photography is courtesy of Note Design Studio.

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Sindalah luxury island set to be first completed element of Neom

Luxury island Sindalah as part of Neom

Italian superyacht and architecture studio Luca Dini Design and Architecture has designed a luxury island resort in the Red Sea as part of the Neom project in Saudi Arabia.

Set to welcome its first guests in early 2024, the Sindalah island resort will be the first of 10 regions completed as part of the Neom mega-development in north-eastern Saudi Arabia.

Luxury island Sindalah
The Sindalah luxury island is being developed as part of Neom

Described by Saudi crown prince Mohammed bin Salman as the “future of luxury travel”, the 840,000-square-metre island will be developed in a resort aimed at the yachting community.

Designed by Luca Dini Design and Architecture, which is primarily known for designing superyachts, the resort will be built around a 86-berth marina and yacht club.

Marina in Saudi Arabia
It will contain a marina and numerous villas

“Sindalah will be NEOM’s first luxury island and yacht club destination in the Red Sea, providing a scenic gateway to the Red Sea that will become the region’s most exciting and attractive tourism location,” said Bin Salman.

“It will be a destination where travellers can experience the true beauty of Neom and Saudi Arabia, above and below the water, making Sindalah the future of luxury travel.”

The rest of the island will be covered with several luxury hotels containing a total of over 400 rooms and over 300 serviced apartments and villas.

Two nine-hole golf courses, 38 restaurants and a beach club will also be built on the island.

Hotel on Sindalah island
The development is being designed by Luca Dini Design and Architecture

The Sindalah luxury island resort is set to be one of 10 regions developed as part of the Neom masterplan, which will include The Line mega city. Unveiled earlier this year, The Line is being designed by US studio Morphosis as a 170-kilometre-long, mirror-clad skyscraper for nine million people.

The proposed city has been widely criticised with experts telling Dezeen that the project’s sustainability and liveability claims were “naive”.

Golf club by Luca Dini Design and Architecture
It will contain two golf courses

Early this year, human rights organisation ALQST reported that three members of the Huwaitat tribe who are believed to have criticised displacements connected to Neom had been sentenced to death.

According to ALQST, they were sentenced by Saudi Arabia’s Specialised Criminal Court after being “forcibly evicted and displaced to make way for the Neom megaproject”.

Along with The Line and Sindalah, the Neom project will contain a ski resort designed by Zaha Hadid ArchitectsUNStudioAedasLAVA and Bureau Proberts.

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Dezeen's top 10 cabins of 2022

The cabin has a black aluminium exterior

In the latest roundup in Dezeen’s review of 2022, we have selected 10 cabins published this year, including structures perched on mountainsides, overlooking lakes and nestled in back gardens.

Cabins are a perennial favourite with Dezeen readers. These small structures prove that architectural marvels can come in any size, offering a rare dose of escapism.

Here are 10 cabins we covered in 2022:


Red cabin in Norway
Photo is by Carlos Rollan

Bathhouse, Norway, by Handegård Arkitektur

Norwegian practice Handegård Arkitektur built this waterfront cabin for a client who lives near the coast. The structure was informed by traditional Norwegian boathouses, specifically their typically bright red-painted exterior.

A glazed living area is encircled by a second skin of vertical timber planks, each angled at 45 degrees that provide the interior with privacy from passersby while simultaneously giving the interior views out to the seafront.

Find out more about Bathhouse ›


The cabin has a black aluminium exterior
Photo is by YAC srl

Bivacco Brédy, Italy, by BCW Collective

Perched on a slab of rock 2,528 metres above sea level, Bivacco Brédy is an aluminium-clad bivouac shelter located in the Aosta Valley in northwest Italy.

The structure was created as a memorial for Claudio Brédy, a local politician and Alpinist who died in 2017 during a mountain expedition. It has a rectangular form and incorporates a large window that is oriented towards mountains that had been climbed by Brédy.

Find out more about Bivacco Brédy ›


Exterior image of wood-lined cabin
Photo is by Noel Richter

Raus cabin, Germany, by Sigurd Larsen

Danish architect Sigurd Larsen designed a cabin for hospitality start-up Raus that aims to draw city residents away from their urban setting to a retreat immersed in nature.

Larsen created a “cave-like situation” that can host up to three adults or two adults with two children. Large square windows frame views of the surroundings.

Find out more about Raus cabin ›


Exterior image of the lakeside house by Citic
Photo is by Nico Saieh

3C2C, Chile, by Team Citic

At this home in Chile, which was created by architecture studio Team Citic, three gabled cabins are connected by glazed walkways.

The different volumes divide the home’s functions, the first housing a kitchen and living area, the second the bedrooms and the third containing guest areas that can be completely closed off for privacy.

Find out more about 3C2C ›


Grampians Peaks Trail hiking shelter by Noxon Giffen and McGregor Coxall
Photo is by Shannon McGrath

Grampians National Park cabins, Australia, by Noxon Giffen and McGregor Coxall

A series of remote cabins by Australian studios Noxon Giffen and McGregor Coxall were installed along the 160-kilometre-long Grampians Peaks Trail in Victoria, Australia.

“To celebrate and incorporate the landscape into the design, a considered selection of natural materials was used for the shelters, responding to the specific nature, colours and textures of each individual campsite,” said the architects.

Find out more about the Grampians National Park cabins ›


Exterior image of Lipno Lakeside Cabin
Photo is by Petr Polak

Lipno Lakeside Cabin, Czech Republic, by Les Archinautes and 3AE

Larch cladding covers the exterior of Lipno Lakeside Cabin in the Czech Republic, designed by French architecture studio Les Archinautes and local practice 3AE.

The design of the wood-wrapped cabin was informed by a structure that once existed on the site. It has a minimalist form that is decorated with square and circular windows overlooking Lipno lake, providing visitors with a resting space from skiing and hiking.

Find out more about Lipno Lakeside Cabin ›


Exterior image of the entrance to The Hermitage
Photo is by Anna Positano, Gaia Cambiaggi / Studio Campo

The Hermitage, Italy, by Llabb

Italian architecture studio Llabb‘s The Hermitage is a 12-square-metre wooden structure that overlooks the Trebbia valley and references Scandinavian cabins and Japanese teahouses.

The off-grid cabin is built atop four wood-and-steel supports and has a modular design that is constructed from Okoume marine plywood.

Find out more about The Hermitage ›


Exterior image of Climbers Cabin lit up at night
Photo is by Martin Gardner

Climber’s Cabin, UK, by AR Design Studio

Built using four A-frame trusses, Climber’s Cabin is a timber structure in the garden of a Winchester home that was designed by AR Design Studio as a place to relax in a woodland setting.

The cabin is surrounded by an angular, geometric decked terrace that mimics the shape of the main structure. For its construction, AR Design Studio used upcycled and locally sourced natural materials.

Find out more about Climber’s Cabin ›


Image of Marramarra Shack peering over a body of water
Photo is by Rory Gardiner

Marramarra Shack, Australia, by Leopold Banchini Architects

Named after the creek on which it sits, Marramarra Shack is a wooden cabin in New South Wales, Australia that was designed by Swiss practice Leopold Banchini Architects.

The design of the cabin was informed by the area’s history and repurposes wooden telegraph poles and an old jetty for its furniture and structural elements. The exterior of the cabin is clad in fire-resistant fibre cement panels.

Find out more about Marramarra Shack ›


Image of a wooden glamping cabin with views across a mountainous setting
Photo is by Jared Chambers

Find Sanctuary cabins, US, by Charlie Hammond

A site in Big Bear, California will be host to 40 cabins for glamping. The project is the brainchild of Los Angeles entrepreneur Charlie Hammond, who created a pilot micro-cabin in collaboration with US firm Narrative Design Studio.

“The luxury micro-cabins offer an unparalleled setting for remote work or simple leisure, allowing guests to immerse themselves in nature while staying connected to the modern world,” said Find Sanctuary.

Find out more about Find Sanctuary cabins ›

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Clementine Blakemore Architects transforms 19th-century stone barns into accessible holiday homes

Exterior of Wraxall Yard homes by Clementine Blakemore Architects

London-based studio Clementine Blakemore Architects has renovated a series of derelict agricultural buildings in Dorset to create the Wraxall Yard accessible holiday homes.

The Wraxall Yard complex, which also features a community space and a workshop, is part of a wider project by the owners of the site to provide universal access to the landscape and enhance the area’s biodiversity.

Converted from 19th-century stone and brick barns, the holiday homes were designed by Clementine Blakemore Architects to reflect the site’s agricultural character.

Wraxall Yard holiday homes by Clementine Blakemore Architects
Clementine Blakemore Architects has converted a series of 19th-century barns

“The existing buildings were completely derelict and on the brink of collapse, with substantial decay to the timber roof trusses and collapsing stone walls,” studio director Clementine Blakemore told Dezeen.

“The ambition was to restore and renovate the buildings in such a way that allowed an entirely new use, but retained the agricultural character of the existing site, enhancing its ecology and biodiversity.”

The accommodation is accessed by a curved pathway that passes through a covered passage in one barn before leading to a planted courtyard, gently sloped to provide access to wheelchair users.

Converted barn in West Dorset
The old agricultural buildings now contain holiday homes

A boardwalk extending from this enclosed space leads to the surrounding landscape, which has been planted with only native species.

Five holiday homes are arranged around Wraxall Yard’s courtyard, with rooms spread across one level and generous turning circles to allow for accessible circulation.

Exterior of converted 19th-century brick barn
The accommodation is accessed by a curved pathway

Each cottage features a bathroom, kitchen and dining space, along with one or two bedrooms.

The interiors were designed to feel homely rather than clinical, with features that accommodate guests with varying forms of disabilities.

Interior of Wraxall Yard holiday home
The interiors were designed to feel homely

“Whilst a lot of the accessible features support wheelchair use, such as wetrooms with grab handles and kitchens with height-adjustable worktops and a shallow, insulated sink so that guests can slide underneath without the risk of scalding their legs, we also wanted to provide for other forms of disability, including visual and hearing impairments,” said Blakemore.

“The colour of all door handles contrasts strongly with the surrounding material, for example, and vibrating fire alarms can be provided on request. We worked hard to ensure all accessible features were carefully specified and detailed to be well-integrated into the overall design and as attractive and elegant as possible,” she continued.

The bedrooms each feature profiling, height-adjustable beds, while one bedroom also offers hoisted access to an en-suite bathroom via a track along the bottom of an exposed timber truss. The system uses a detachable motor, making it barely visible while not in use.

Accessible features in Wraxall Yard’s kitchens and bathrooms include sinks with integrated grab handles and adjustable worktops that offer enough space for a wheelchair to sit underneath.

Wood-lined community space by Clementine Blakemore Architects
There is also a workshop and a community space. Photo is by Emma Lewis

Extending from the south of the courtyard, other buildings on the site were converted into a workshop and a community space. The interiors have been clad in timber to reflect the architecture of the restored Dutch barn that sits opposite the spaces.

An open farm yard, bordered by these rooms and one edge of the accommodation block, acts as both a community facility and a space where holiday guests can engage with the animals on the farm.

Children playing on boardwalk at Wraxall Yard
A boardwalk is surrounded by planting. Photo is by Emma Lewis

Since its opening, the community space has hosted events for local people free of charge, while the holiday homes will be used over the next year to accommodate supported holidays for local people living with disabilities.

Other accessible buildings featured on Dezeen include a wheelchair-accessible home in Argentina and a house for a wheelchair user in Hampshire.

The photography is by Lorenzo Zandri unless stated otherwise.


Project credits:

Architect: Clementine Blakemore Architects
Client:
Wraxall Yard CIC
Structural engineer:
Structure Workshop
Services engineer:
Ritchie+Daffin
Landscape designer:
Hortus Collective
Below ground drainage designer:
Genever & Partners
Quantity surveyor:
Align Property Consultants
Accessibility consultant:
Center for Accessible Environments
Interior designer:
Clementine Blakemore Architects
Wayfinding:
Smiths Studio
Main contractor:
Stonewood Builder

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Interiors project of the year "resolves space through furniture" say Dezeen Awards judges

Ecole Camondo Méditerranée by Emilieu Studio

Ecole Camondo Méditerranée by Emilieu Studio won Dezeen Awards 2022 interiors project of the year because “students can define the spaces according to their needs,” says judge India Madhavi in this movie.

The design school in Toulon by interior architecture practice Emilieu Studio beat 10 other project winners to win the overall interiors project of the year award, as well as being named civic and cultural interior of the year.

Ecole Camondo Méditerranée by Emilieu Studio
The school’s sofas are upholstered in old boat sails

Featuring moveable storage units and furnishings made from old ship sails and plywood offcuts, the design school is spread across 2,000-square-metres. Paris-based architect Madhavi said the judges “felt that resolving space through furniture is a good alternative today”.

“Actually having this modularity I think influences your way of thinking and it allows you to be more open, to be more free and to interact in a very different way,” she continued.

Joining Madhavi on the interiors panel was Lore Group creative director Jacu Strauss, Studiopepe co-founder Chiara Di Pinto, London-based fashion designer Mary Katrantzou and Design Haus Liberty founder Dara Huang.

Ecole Camondo Méditerranée by Emilieu Studio
The wheeled furnishing creates a flexible working environment

Wheeled plinths made from marine plywood can be transformed into mobile trolleys, whiteboards or work tables to facilitate flexible working methods.

The school’s modular sofas, upholstered in old boat sails from the harbour in Marseille, also sit on wheeled plinths. These can be regrouped and stacked in a series of seating arrangements in the space.

“There’s an openness and a mobility and a sobriety of the space, which I think is quite contemporary,” said Madhavi. “Sobriety doesn’t mean minimal, it means just meaningful in the right way.”

Ecole Camondo Méditerranée by Emilieu Studio
The storage units nod to the local marble and rock found in Toulon

The boxy storage units interspersed throughout the space were also made from marine plywood offcuts sourced from a nearby factory.

Artist Pierre-Yves Morel painted the surfaces of the units to emulate the different types of marble and rock that are local to Toulon.

“There are these big faux marbles, which are absolutely beautiful, and are kind of dividers in the space,” said Madhavi.

Ecole Camondo Méditerranée by Emilieu Studio
The space features blown up magnetic maps of Toulon

The decoration in the space is limited to a few blown-up maps of Toulon which Emilieu Studio mounted on walls. The studio designed the maps to encourage a better understanding of the local territory and they were designed to be annotated, as well as magnetic, to stimulate interaction between students.

The judges commended the project for “its sense of openness and mobility, embodying what a school should be all about and setting a new example of how to approach education design”.

“Its modular design is one that nurtures individuality and imbues its openness within its students,” they added. “The modularity allows students to create their own spaces according to their needs at any one time.”

Tomorrow we will feature a movie on the Dezeen Awards 2022 design project of the year.

The photography is by Antoine Huot.

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Timberix acoustic panel installation by AntiCAD and Wolf Studio

Image of the acoustic timberix panels

Dezeen Showroom: AntiCAD and Wolf Studio have created an installation from 816 faceted Timberix acoustic panels that can be used across the walls of interiors.

The installation is made up of 816 panels, each of which is engraved with an alphanumeric label that help to arrange and correctly install each panel.

Image of the timberix panels across a window
Timberix panels were used to create an installation

Columns were clad in faceted panels over a waffle structure, made of fire-resistant MDF, which serves as a base to mount the panels.

“Once the faceted base structure for the pillars and ceiling is ready, corresponding laser-cut wood laminates are installed onto the base structure,” said Timberix.

Detail image of the panels
Each of the panels has a unique design

“The end product is a homogenous cladding, that combines the ceiling and pillars into one faceted unified form,” the brand said.

Its construction was made possible as a result of Design for Manufacturing and Assembly methods.

Product: Timberix
Designer: Wolf Studio and AntiCAD
Brand: AntiCAD
Contact: hello@timberix.com

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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Monumental Damien Hirst sculptures feature inside Bacchanalia London restaurant

Restaurant interior with table settings and lights

Interior architect Martin Brudnizki Design Studio has created a classical Greek and Roman mythology-informed restaurant complete with sculptures by British artist Damien Hirst in Mayfair, London.

Named Bacchanalia London, the restaurant is located on a corner site of 1 Mount Street in Mayfair that was previously a Porsche showroom.

Bar at Bacchanalia London
Sculptures more than 2,000 years old sit on the bar at Bacchanalia London

Opened 1 December, the restaurant has an opulent interior designed by Martin Brudnizki Design Studio that makes use of mosaics, classical details, hand-painted ceiling murals and Greek and Roman artworks more than 2,000 years old.

The main dining room features five monumental statues designed by British artist Hirst that depict a winged lion, a unicorn ridden by a pair of winged lovers, another unicorn, Medusa and Bacchus.

 

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Dezeen filmed an exclusive first-look video tour of the restaurant.

The walls of the main space were covered in floor-to-ceiling murals painted by artist Gary Myatt that interpret French artist Thomas Couture’s 1847 painting Romans in their Decadence.

However, in Myatt’s murals the classically dressed figures can be seen using laptops and holding iPhones.

Bacchanalia London interior with giant mural
Gary Myatt’s mural depicts classical figures using modern technology

Throughout the restaurant period and modern Greek and Roman art was showcased. Many pieces are over 2,000 years old. Over 300 books of 24-carat gold leaf were used across the interiors of the project.

Over 400,000 tiles were used in the ladies restroom to conjure orchard greenery inspired by the Garden of Hesperides, where according to Greek mythology golden apples grow.

The men’s restrooms – with high-gloss black toilets – are supposed to represent Hades’ underworld.

Informed by the Roman festival of Bacchus’ drunken celebrations, Bacchanalia London is the latest restaurant from restauranteur Richard Caring.

At the launch event in November, Caring heralded it as a place for “the drinking of wine in excess and the co-mingling of the sexes thereafter”, adding that “Bacchanalia London could help with the former but guests would have to work out the latter for themselves”.

Martin Brudnizki Design Studio previously renovated Caring’s other London club, Annabel’s, in 2018. Hélène Darroze at The Connaught is another Mayfair restaurant that has been recently revamped. To mark its 10-year anniversary in 2019, French designer Pierre Yovanovitch overhauled the dining space in the luxury hotel.

The photography is by Johnny Stephens Photography.

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12 designs made from wood that showcase the versatility of the material

Wooden 4PM chaise lounge by Massproductions in a concrete room

Dezeen Showroom: from seating with rounded organic shapes to lighting designed by Frank Lloyd Wright, here are 12 furniture designs and interior products made from wood featured on Dezeen Showroom.

Timber has been used to make furniture for thousands of years due to it being versatile, durable and readily available.

As a renewable material, wood is popular as a sustainable and low-carbon material choice among designers.

It has an appealing natural grain that changes in tone and pattern depending on the species of the tree, which can be left in its natural state or treated with paints and varnishes.

This roundup features furniture made from various types of wood, including Douglas fir, cherry, oak, walnut, beech, maple and acacia wood.

Read on to see the latest furniture designs and products made from wood featured on Dezeen Showroom:


4PM / 4PM Self Build by Massproductions

4PM chaise longue by Massproductions

Swedish brand Massproductions has launched a chaise lounge named 4PM, which is designed to provide a comfortable seat without the need for upholstery.

The chaise lounge comes in a choice of laminated Douglas fir or cherry wood and the design is available in a self-build version, informed by the work of late Italian designer Enzo Mari.

Find out more about 4PM ›


Photograph of wooden boxy lamp

Taliesin lamps by Frank Lloyd Wright and Yamagiwa

Japanese lighting brand Yamagiwa has rereleased a collection of lamps that were originally designed by architect Frank Lloyd Wright to illuminate his iconic 1911 Taliesin house in Wisconsin.

Available as a floor lamp and table lamp, the Taliesin lighting design comprises a series of wooden boxes made from oak, cherry or walnut woods that rotate around a central upright and create shafts of light.

Find out more about Taliesin ›


Elsie wooden chair with armrests in a neutral-toned room

Elsie chair collection by Appareil Atelier

Canadian architecture and furniture design studio Appariel Atelier designed its Elsie chair collection with gentle, rounded forms in mind.

The chair has a generous semi-circular seat with tubular timber components forming a curved backrest that encompasses the user.

Find out more about Elsie ›


Spectrum Workstation Round ST160 by Geckeler Michels for Karimoku

Spectrum Workstation Round ST160 by Geckeler Michels for Karimoku

Design studio Geckeler Michels and Japanese furniture brand Karimoku have collaborated to create a table that features a round top, splayed legs and a cable tunnel at its centre.

Available in natural and black wood finishes, the Spectrum Workstation Round ST160 table has a versatile design suitable for residential, hospitality and workplace environments.

Find out more about Spectrum Workstation Round ST160 ›


Hollywood chairs in front of window

Hollywood seating collection by Ben McCarthy for Gohome

Created by product designer Ben McCarthy for Australian furniture brand Gohome, the Hollywood seating collection has a simple silhouette that references traditional director’s chairs.

The collection includes stackable chairs and bar stools that are available in natural, black, white and red stained oak.

Find out more about Hollywood ›


Hoard Storage Tables by Blu Dot

The Hoard Storage Tables are characterised by biomorphic shapes and hollow interiors that are suitable for storing homewares and household items, designed by furniture brand Blue Dot.

The tables come in two colourways – black-finished or natural acacia wood – and come in three sizes that can be clustered together or used individually.

Find out more about Hoard Storage Tables ›


Shaku Chair by Ronan & Erwan Bouroullec for Koyori

Shaku Chair by Ronan & Erwan Bouroullec for Koyori

Japanese furniture brand Koyori collaborated with French designers Ronan & Erwan Bouroullec to create the minimalist Shaku Chair, which is made up of six individual components.

The chair’s four tapered legs and rounded seat and backrest are made from black-stained beech wood.

Find out more about Shaku Chair ›


Bench collection by Konstantin Grcic for Plank

Bench collection by Konstantin Grcic for Plank

The Bench collection of furniture includes a wooden bench with a complementing table created by designer Konstantin Grcic for Italian furniture brand Plank.

Both furniture pieces are made up of a top plank supported by two upright components and fixed together by an invisible pin connection, designed to be easily assembled and disassembled when needed.

Find out more about Bench ›


98.6°F outdoor collection by Neri&Hu for De La Espada

98.6°F outdoor collection by Neri&Hu for De La Espada

Designed by Chinese architecture studio Neri&Hu for Portuguese brand De La Espada, the 98.6°F collection of outdoor furniture includes a dining table, dining chair, bench, lounge chair, coffee table and side table.

The collection is made from Croatian white oak, which was chosen for its high tannin content to protect the wood from rot and prolong the furniture’s outdoor life.

Find out more about 98.6°F ›


Sova Lounge chair by Patrick Norguet for Zanat

Bosnian furniture company Zanat collaborated with French designer Patrick Norguet to launch the Sova Lounge chair, which features a characterful solid wood frame available in a choice of maple, walnut or oak.

According to the brand, all the wood used in its furniture production is sourced from private fruit orchards or sustainably managed forests.

Find out more about Sova Lounge ›


Sayari daybed and side table on a grassy hill

Sayari outdoor furniture by Ashlee Lloyd for Studio Lloyd

Sayari is an outdoor furniture collection characterised by organic shapes, created by South African furniture and lighting brand Studio Lloyd.

Designed to pay homage to Africa’s natural environment, the collection includes a daybed and matching side table made from eucalyptus globulus hardwood.

Find out more about Sayari ›


Two chairs and stack of chairs on grey background

Naku Stack chair by Harri Korhonen for Inno

Finnish furniture company Inno has released a stackable chair with a minimalist silhouette named Naku Stack, designed by the brand’s founder Harri Korhonen.

Suitable for a range of public spaces, the design comes in birch, ash or oak woods and features chair legs that join in a graphic A-shaped frame.

Find out more about Naku Stack ›

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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Copenhagen's industrial harbour is being developed into a recreational hub

Photograph of Copenhagen's harbour

Promotion: the City of Copenhagen is transforming the Danish capital’s harbour into a vibrant public space with recreational activities and residential developments.

In recent years, bathing areas and leisure buildings have been implemented in Copenhagen‘s harbour and plans for further development aim to make the industrial area more welcoming.

The plans for the harbour include creating more activities for visitors to engage with, improved access to the waterfront and more public space by the water.

The development will also provide space for events, introduce nature to the site and make the area cleaner and friendlier.

A photograph of Copenhagen's waterfront
A recent development is a floating community centre developed in the area of Nordhavn. Image by Daniel Rasmussen

Over the recent years, many of the buildings around Copenhagen’s port have been abandoned, which has provided an opportunity for new initiatives to develop an increasingly recreational harbour.

As part of the harbour’s transformation, a portable dipping zone was added by Sharing Copenhagen with the aim of creating a safe space where people can submerge in the harbour’s water.

The dipping zone can move to different points along the harbour to test bathing zones and correlate with events going on in the area.

Another recent development is a floating community centre developed in the area of Nordhavn.

Designed by local architecture practice Spektrum Arkitektur, the building is used as a shared common area for sports association Nordhavn IF and is made up of a meeting room, bathing facilities, sauna and changing rooms.

A photograph of Copenhagen's harbour
The City of Copenhagen is transforming the Danish capital’s harbour into an enjoyable public space

In 2016, Danish architecture studio BIG completed student housing named Urban Rigger, which is made up of nine repurposed shipping containers floating on the harbour near former industrial site Refshaleøen.

The project was designed as a solution to Copenhagen’s increasing student population and created a unique place to live and study with waterside views.

Another residential project on the harbour is The Silo – an adapted grain silo in Nordhavn that contains apartments and a fine-dining restaurant. It was completed in 2017 by Danish architecture practice Cobe.

Photograph of people kayaking in Copenhagen's harbour
The harbour includes recreational activities and residential developments. Image by Daniel Rasmussen

The Silo has a faceted facade made from galvanised steel and inside the building, the exposed concrete walls were retained to celebrate the building’s industrial history.

Next year, the harbour and its many urban projects will play a central role when the UIA World Congress of Architects takes place from 2 to 6 July.

“When we invite 10,000 international guests to Copenhagen for the World Congress next summer, it is also to showcase the urban development and our unique harbour sites. We hope that our guests will stay longer and enjoy the green and blue areas around the city,” said CEO of the UIA World Congress of Architects CPH 2023, Mette Lindberg.

As the harbour continues to be developed, a number of initiatives have also been implemented to improve Copenhagen’s sustainability and reduce the need for fossil fuels.

Harbour buses that run entirely on electricity facilitate public transport along the water and cycling has become a preferred transportation method over cars for many city locals thanks to networks of safe bicycle paths.

Cyclists riding over The Bicycle Snake
A bike bridge named The Bicycle Snake was designed by Dissing+Weitling. Image by Daniel Rasmussen

A 13-kilometre pedestrian and cycle path named The Harbour Circle provides a scenic route around Copenhagen’s harbour and contributes to the city’s “bicycle architecture” strategy to make cycling fun and accessible.

It is estimated that bikes in the city outnumber cars by more than five to one and 546 kilometres of bike paths will be completed in Copenhagen by the end of 2022, including 65 kilometres of green paths and 60 kilometres of bike superhighways.

In 2019, the Lille Langebro bicycle bridge designed by WilkinsonEyre opened, providing an alternative crossing to the busy Langebro vehicle bridge and connecting the historic harbourside in Christianshavn to the city centre.

Other developments on the harbour include the Circle Bridge by Olafur Eliasson, which features five masts that references the area’s maritime history, and a curvaceous bike bridge named The Bicycle Snake that was designed by Dissing+Weitling to create an elevated route for cyclists.

Photograph of Copenhagen
The Danish capital has an industrial harbour that people can both swim and fish in without health risks

Currently, Copenhagen Harbour also has 10 designated swimming areas that are open for public swimming at least 350 days a year, including three harbour baths and two urban beaches.

The Danish capital is the only capital city in Europe that has an industrial harbour that people can both swim and fish in without health risks, thanks to a modernised sewer system that has kept the harbour water clean since 2002.

Partnership content

This article was written by Dezeen for VisitCopenhagen as part of a partnership. Find out more about Dezeen partnership content here.

The post Copenhagen’s industrial harbour is being developed into a recreational hub appeared first on Dezeen.

Anker 767 Portable Power Station Review: Heavy Hitter That’s Ready for Anything

PROS:

  • More ergonomic suitcase design
  • First power station using GaN tech
  • Super-fast charging
  • Smartphone control via Bluetooth

CONS:

  • Expensive
  • Can’t combine AC and DC input
  • Still no wireless charging

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR’S QUOTE:

With a more ergonomic design and a large, fast-charging battery, the Anker 767 PowerHouse can deliver all the power you need in any situation if you’re willing to make the rather hefty investment.

We have practically become servants to our electronic devices, as proven by the panic that sets in when we are deprived of the electricity needed to power our phones, laptops, and appliances. That’s why the market for power banks and power stations continues to grow at a rapid pace, churning out large batteries that come in every size and address every need. There’s no one size that fits all, just as different people have different power needs. Choosing a portable power station also involves making a choice between power and, of course, portability. There might be a certain sweet spot where you don’t have to make too much of a compromise between these two. That’s the promise that Anker’s latest 767 PowerHouse is making, and we give it a good push and pull to see if it can actually deliver.

Designer: Anker

Aesthetics

If there’s one thing that most portable power stations have in common, it’s that they are pretty much variations of an ice cooler design, the larger ones most especially. These often come as huge rectangular boxes with handles that jut out from the sides that are supposed to make them easier to carry. Given their weight, that’s almost never the case, and it seems that Anker finally got the message.

The new Anker 767 PowerHouse Portable Power Station deviates from the norm in one very important way. There are now two wheels on one edge that already make it significantly easier to move it around. To that, however, Anker added a telescopic handle that you can pull out to help you pull the power station behind you. In other words, the Anker 767 is designed more like a suitcase, albeit one that lies on its back. It’s a marked step away from the relatively young Anker 757 PowerHouse that we reviewed recently, but considering how much it now weighs, that’s a much-welcomed improvement.

It’s not just the shape that has changed, though. The Anker 767 also drops the dual color scheme of its predecessor, another hallmark of that cooler design. It still has bits of silver, but now mostly as accents against a predominantly black box, with a touch of light blue here and there. The overall design also looks a bit more refined now, like how the LED bar light’s button is now embedded in the strip and looks almost invisible. The LCD screen now also displays colors, which thankfully only takes sips of power out of the battery. If you’re not a fan, you can always turn it off via the button on the front of the power station.

In most other cases, the design of the Anker 767 remains similar and familiar, and that’s actually a plus. All the output ports are still on the front for easy access, with the charging ports hidden behind a cover on the back. There are grilles on both sides for ventilation, and they now come in a snazzier diagonal design. All these elements work together to give the power station a more mature look, which will hopefully inspire more confidence in Anker’s product line.

Ergonomics

Anker calls the 767 PowerHouse its most powerful yet, and it’s also its heaviest. While it’s not the largest in the market, its 67lb heft is no joking matter. Fortunately, it doesn’t expect you to carry it with muscle power alone, though you can still definitely do that with the two handles at the sides. This time, however, Anker is employing one of man’s greatest inventions to lighten that load.

Two wheels on one side and an extensible handle on the other finally give your back a much-needed break before you actually break it from lifting such a heavy object. You’ll still have to lift one side, though, to actually get rolling, but it’s a far more ergonomic design than simple handles. It would have probably been better if you could pull or push the power station without even lifting it, but that would require four wheels and a drastic redesign of the product.

The same features that made the Anker 757 easy to use are thankfully unchanged here. All the most frequently used ports and buttons are on the front, and there are no rubber flaps other than on the two car sockets (yes, there are two of them!). That gives you easy and unrestricted access to the ports that you need the most instead of wasting time fiddling with covers and forgetting to put them back on again.

Performance

The Anker 767 PowerHouse’s claim to fame is, of course, its large battery, the largest that the brand has to offer so far. That’s a whopping 2,048Wh battery with a power output of 2,400W. That’s enough power to get you through any situation for days, whether it’s a power outage or a weekend camping trip. It has enough power to run even a portable fridge for about three days, let alone charge phones and laptops multiple times over. With the proper neutral-ground plug, Anker says you can even charge an electric car using this power station!

That battery is, of course, made using the now-standard LiFePO4 material, the same that’s used in electric vehicles for their reliability and long life. What’s new to the Anker 767, however, is GaNPrime, Anker’s brand of Gallium Nitride technology. Without going into the technical nitty gritty, this means that the PowerHouse is able to charge not only faster but also more efficiently while also reducing energy loss while in use. The Anker 767 charges from zero to full in about two hours when plugged into an AC outlet. Using five 200W solar panels for a total 1,000W input, the battery can be fully charged in two and a half hours. Unfortunately, Anker hasn’t figured out yet how to combine AC and solar charging for even faster charging speeds.

When it comes to output, Anker really outdid itself this time. There are admittedly fewer AC ports, now just four instead of six like on the Anker 757 PowerHouse, and the USB-A ports have been halved to just two. This is more in response to the changing times when there are more devices that can be charged or powered through USB-C, and the Anker 767 has three of these, each putting out 100W independently. There are also two car ports, oddly enough, one of which can probably be converted to a USB port with the right accessory. There’s still no wireless charging, which is unfortunate, given how clean and flat the power station’s top is.

The Anker 767 finally adopts a feature that has become a staple among other portable power stations these days. It finally has a mobile app that lets you monitor the power station’s stats and flick a few switches from afar. What’s a bit different in Anker’s implementation is that the connection between the 767 PowerHouse and your phone is Bluetooth only. This is a huge advantage when using the portable battery outdoors since you won’t have to mess with ad-hoc Wi-Fi settings and such. Anker is a bit late to the party in this regard, but, as they say, better late than never.

Sustainability

Despite the design change, the Anker 767 PowerHouse still suffers the same weaknesses as its predecessors when it comes to sustainability. The power station itself is built using traditional materials, which include plenty of plastics. Whatever environmental gains it has mostly come indirectly through its features rather than its very nature.

Anker still makes the same proposition of using green energy to deliver your power needs, presuming you go with solar charging. Of course, using batteries instead of fuel is already a huge sustainability win, but hopefully, the company won’t stop there. Unfortunately, it will probably take some time before Anker and its competitors start going down this road of using more sustainable materials and processes since that might not be their priority this early in the game.

It does, however, paint power efficiency and power saving as wins for the environment. GaNPrime, for example, can help save energy over time, reducing the total carbon footprint. The Anker 767 also automatically turns off AC output when nothing is connected after 15 minutes or turns off any output port once a connected device is fully charged. These definitely help conserve power in the long run, but it still mostly depends on how people use the device rather than something inherent to it.

Value

Given the larger battery inside and its new design and features, it probably shouldn’t be a surprise that the Anker 767 PowerHouse costs quite a bit, but that price tag may still shock you regardless. With an SRP of $2,199, it’s definitely one of the more expensive options with this battery capacity. And since it doesn’t exist in a bubble, it will be hard not to compare it with its closest competitors.

The EcoFlow Delta MAX 2000, for example, has the same 2,048Wh/2,400W LiFePO4 battery, and while it doesn’t make use of GaN technology, it does boast dual charging by using both AC and solar at the same time. It’s only slightly cheaper at $2,099 but is currently discounted down to $1,599. The Bluetti AC200MAX has a lower 2,200W output and fewer output ports but does also have dual charging and a significantly lower $1,899 starting price. Neither EcoFlow’s nor Bluetti’s contenders, however, have wheels to make them easier to move around.

There’s no denying that the Anker 767 PowerHouse lives up to its name, but that price tag could be an instant deal-breaker for many people. Fortunately, Anker holds plenty of sale events with large discounts, so it might just be a matter of bidding your time for that moment to strike.

Verdict

When it comes to emergency power, the ideal solution is a rechargeable that checks all the right P’s of power, portability, and price. Given current technologies and the economy, however, that’s not an easy balance to strike. The Anker 767 PowerHouse easily checks the power box with its 2,048Wh battery and GaNPrime technology, offering efficiency and fast-charging speeds all in one go. Thankfully, its new design also meets the portability requirement by adding wheels to the package. Price, on the other hand, is a touchy subject, at least for the full standard price tag. It is definitely quite the investment, but one that will easily pay for itself if you find yourself spending a lot more time outdoors or always stressing over blackouts. In those situations, the Anker 767 PowerHouse Portable Power Station is indeed ready for anything to help you live a more convenient life in any given situation.

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