Samia: Sea Lions

The second of two companion singles released today by singer-songwriter Samia (aka Samia Najimy Finnerty), “Sea Lions” is itself composed of two parts, beginning with gently enveloping vocals and a minimal soundscape before transforming into an energetic rush toward emotional freedom. Both halves are powerful in their own right, but together forge something even stronger. “Sea Lions” will appear on Samia’s sophomore album, Honey (out 27 January 2023).

C Mauritius Hotel Opening

Focus sur ce nouveau projet et hôtel issu du groupe Constance Hotels Resorts & Golfs reconnu pour ses établissements de luxe à travers le monde. Une nouvelle marque d’hôtels lifestyle, intitulé C Mauritius avec une formule « tout compris » à découvrir en images et détails ci-dessous.

À la tête de sept hôtels 5 étoiles et de 3 golfs, Constance vise maintenant avec le C Mauritius une clientèle jeune et internationale et un nouveau concept plus lifestyle. Le tout grâce à un complexe de 116 chambres, sur la côte est de l’île, dont toutes bénéficient d’un balcon ou d’une terrasse avec vue mer.

Les chambres Prestige (52 dont 8 avec vue directe sur la mer), sont regroupées autour d’une aire de verdure.
Les chambres Deluxe (64 dont 8 situées près de la plage avec vue directe sur la mer) reprennent les codes de la catégorie Prestige, la superficie en plus avec 48 m2 dédiés au confort.

Des eaux translucides de l’océan Indien, l’hôtel est en effet situé sur l’une des plus belles plages de la côte est de l’île Maurice. Plusieurs piscines à débordement à disposition et surtout une riche variété d’activités sportives (à la fois du paddle, tennis, kayak, kitesurf, beach-volley, etc.). L’hôtel invite enfin ses clients à découvrir l’île Maurice avec des treks, des vélos électriques ou des bateaux sur réservation. Et sans oublier deux superbes parcours de golfs 18 trous voisins, le sport de prédilection du groupe Constance.

Un nouveau projet lifestyle innovant et inspirant. Mention spéciale pour la rénovation par le duo d’architectes d’intérieur Marc Hertrich + Nicolas Adnet.

Two Different Design Approaches to Non-Contaminating Cutting Board Sets

If I remember correctly, it was JosephJoseph who first came up with the concept of separate, color-coded cutting boards to prevent contamination while cooking multiple ingredients.

Today they sell an updated Folio design that doesn’t have the cutesy file tabs of the original, and which places the cutting boards in “stadium seating” for easier access.

They’ve also got this variant that comes with knife storage and the knives themselves.

What both of those sets require is counter space. Here in America, we have plenty of it. In Japan, kitchens are tiny and counter space is scarce; thus Japanese housewares brand LiberaLista offers these Hang Sheet color-coded cutting boards that are made to be hung above the counter, and also use far less material (perhaps at a UX cost):

I’m not sure I’d enjoy working with such a flimsy cutting surface. If you’re of the same mind, they also sell optional Grip Board bases they can be paired with:

One benefit of using LiberaLista’s thinner cutting surfaces would be cost. Whereas JosephJoseph’s Folio runs $60 for the set ($90 with the knives), the Hang Sheet set–of admittedly just three cutting surfaces–rings in at ¥1,450 (USD $10.68). A single Grip Board goes for ¥1,980 (USD $14.60).

Anyways I thought this was a good, simple example of adapting the same concept to two different cultural (and budgetary) contexts.

A Hoodie…for Your Xbox Controller

Yesterday we looked at an object created by crafters on Etsy, that I’d have thought a corporation would sell—those shoebox-inspired sneaker storage furniture units—and this here is the opposite. This Xbox Mini Controller Hoodie, which totally looks like the kind of thing you’d find on Etsy, is actually sold by Microsoft.

Does storing your Xbox controllers in $25 polyester hoodies with ribbed waistbands and cuffs make any sense? Of course not, but that didn’t stop the first batch from selling out. The next batch won’t ship until mid-February, and they are of course taking pre-orders.

This object will appear fun to some, obscene to others. I’m reminded of a bit a comedian did, discussing someone from a country where running water and money are scarce, visiting an American park. There they see a fountain filled with running water that is not meant to be drank, and the bottom is lined with coins that aren’t meant to be spent. I.e. we have so much that we’re literally throwing money into piped-in water. And here we are able to clothe our game controllers.

GM to Spin Off Corvette as Its Own Brand

Car & Driver has a secret source with GM’s Tech Center, and they’ve broken the news that Corvette will be spun off as its own brand.

In addition to the coupe, the allegedly racy-looking Corvette line-up (no leaked images were available at press time) will contain a four-door and a crossover SUV, both of them EVs. Exploiting the architecture of an electric vehicle has apparently freed up the designers a bit:

“The switch to the Ultium battery platform allows the keepers of the brand to reimagine the proportions, stance, and engineering—or to adhere to the trademark elements which shaped the American sports car icon from the ’50s to the present day.”

“A source who has seen the first proposals describes them as ‘copies of nothing’ and as ‘encapsulated emotional purity.'”

The brand’s secession won’t occur until 2025, but we expect renderings will leak well before then. We’ll keep our eyes peeled.

This idyllic cabin on a Swedish island perfectly represents minimalist Nordic architecture

Nestled in the beautiful wooded region of Lilla Kilskäret, an island of the Swedish archipelago near Stockholm is a minimalist Nordic cabin called ‘A House’. Designed by emerging Studio Nāv, the idyllic cabin was designed for a young couple as a cozy summer home to escape to during the warm season.

Designer: Studio Nāv

‘A House’ beautifully captures minimalist Nordic architecture, and its picturesque surroundings help to create a space that is truly calming and peaceful. However, despite its pristine and awe-spiring location, building the home wasn’t simple child’s play. The site and local building regulations were quite challenging, and hence the home needed to occupy a tiny footprint, and perfectly blend in with its surroundings. In a quest to do so, the interiors of the home were made to be open, free-flowing, and extremely flexible.

The interiors are marked by a single open room, encapsulated in shrouds of glass, allowing the home to harmoniously merge with its surrounding landscape, and creating the sensation of being at one with it. This space includes the living area and the bedroom. The home was constructed using a glulam framework, making the process a swift and efficient one, while the generous use of timber in its exterior and interior symbolizes the architect’s attempt to utilize organic materials that complement the home’s surroundings.

The home features three translucent glass sides, which can be opened, allowing the interiors of the home, and the surroundings to unite, creating a beautiful indoor-outdoor connection. However, the architects also wanted to ensure that the residents are provided with a sense of privacy, and do feel safe and comfortable in their cabin. To do so, a massive drapery was included in the home. The drapery is as long as the three glass sides and can cover the facades, adding an element of privacy to the home. A black detachable mesh was also added to the exterior of the home, concealing the home from the water.

The post This idyllic cabin on a Swedish island perfectly represents minimalist Nordic architecture first appeared on Yanko Design.

ARRIVE Memphis Merges Southern Warmth and Industrial Style

Locals and visitors converge in this design-forward yet unpretentious Tennessee hotel

There’s a number of buzzy, luxury hotels in Memphis, Tennessee—from glamorous art-deco to ultra-modern properties—but none have incorporated themselves into the local framework quite like ARRIVE Memphis. Opened in 2019 and owned by Palisociety since 2020, the boutique destination is located in the heart of Downtown, right across from the National Civil Rights Museum. It blends vintage pieces and industrial style to craft an overall unique, cozy experience which has quickly made it a meeting place for newcomers and residents alike.

Upon arrival to the hotel’s lobby (which doubles as the all-day bakery and coffee shop, Hustle & Dough) one immediately gets a sense for ARRIVE’s eclectic and inviting style. Between armchairs, roomy vintage sofas and Persian rugs, locals and hotel guests mingle amongst the smell of coffee and fresh bread. Here, there’s a unique charm that comes from being in a space that’s part of the neighborhood—and it greets visitors even before checking in with the friendly staff at the cafe’s counter.

“The furniture and all the vintage items were sourced locally and it created this lobby vibe, where people from the community felt connected that they could come and use it,” Avi Brosh, founder of Palisociety, tells us. “It doesn’t feel precious at all and that’s why people feel comfortable—almost put-your-feet-up-kind-of-vibe. There’s something very special and unique about that.”

Upstairs, 62 rooms are equally warm, pairing vintage and subtle nods to Memphis with industrial style. Across the property’s studios, deluxe studios, doubles and corner lofts, exposed brick and concrete (kept and salvaged from the building’s former lives) are softened by plush rugs, natural lighting via the large warehouse windows and glass barn doors.

Vibrant bathroom tiles and custom artwork are by artist Michelle Fair, who was a former student at the Memphis College of Art graduate school, which the building was home to previously. Fair’s various artworks adorn the walls above the beds as well as the hotel’s keycards.

“The Palisociety platform overall takes a slightly irreverent point of view to the design, meaning it’s not formulaic in terms of the way that the hotels are put together,” explains Brosh. The confluence of patterns, from Fair’s wallpaper art to the vintage rugs, and unique finishes like the industrial-style faucets certainly speak to the refreshed aesthetic of ARRIVE.

While the hotel is design-driven, nowhere does it feel over the top or pompous due, in part, to how ARRIVE and Palisociety approach each hotel as its own entity, allowing the location and history to influence the look and feel. “A lot of times hotels in these markets don’t get design-forward hotels that are very neighborhood-centric. I think it’s really that [ARRIVE] Memphis feels very proprietor-driven in an eclectic space,” continues the founder. “Everything feels a little bit more residential in nature.”

Like all of the 25 properties under Palisociety’s growing roster, ARRIVE Memphis thrives in its independent design. For Brosh, who never studied design yet crafts hotels with charming, unrepeated character, this distinctness is akin to foregoing convention. “My lack of design background is probably one of my biggest assets. Because we don’t know necessarily what the classic rules are, so therefore all of the hotels are really a sort of a collection of rule breaking,” he says.

At ARRIVE, the food and drink programming is equally unexpected and robust, featuring Japanese sandwiches alongside traditional pastries and handpies at the cafe. In addition, the property’s Bar Hustle and gastro-pub and shuffleboard bar Longshot, offer other places for locals and guests to converge over classic cocktails and, for the latter, inventive takes on Southern fare like gochujang-flavored fried chicken sandwiches.

Elsewhere, the hotel offers places to work (beyond the café) as well as play. The 1,200-square-foot conference room allows guests to take meetings, video calls or simply work from an office away from home. Once the workday is done, guests can journey to the Poker Room, an intimate space for eight that is modeled after Elvis Presley’s billiards room at Graceland.

Unfussy yet sophisticated, industrial yet comforting, ARRIVE’S marriage of opposing styles and eras makes for an elevated stay in Memphis that still feels (and is) a part of the city’s scene. “I really think,” says Brosh, “that it tells a story, in the same way that we do our other hotels from a design perspective, that in and of itself is unique.”

Images courtesy of ARRIVE by Palisociety

This low-key metal cylinder can take care of all your aromatic needs

Most of us probably take our sense of smell for granted, but it’s actually one of the easiest ways to put our minds in a state of calm and relaxation. Given how our world is becoming increasingly stressful these days, it’s no surprise that a growing number of people are taking to incense and essential oils to give themselves a temporary respite. Not all aromas are created equal, of course, and some of them require different devices or diffusers to work. Oil diffusers, for example, won’t work with incense, and there are different types of incense that often need a different kind of incense holder. Rather than stressing over those small details, this seemingly simple incense burner covers all the bases in a rather smart way.

Designer: Contexte Design

Although essential oils have become the most recent fad, it’s hardly the only way to give your nose a treat. Some people and cultures are more particular about incense, both either in stick or conical forms. There might even be some who prefer directly burning sandalwood or sage leaves instead of using these manufactured products. Rather than worrying about needing a different burner for each of these, Trataka is able to handle all of them with elegance and grace despite its very simple design.

At first glance, it’s a bit difficult to tell what Trataka is. It looks like a metal can with a sunken, concave top and sides that are cut off at four places. In reality, however, it’s made of two separate pieces, each with two “pillars” of the four sides, and these parts have different roles to play, depending on the type of aromatic experience you’re in the mood for. A hole at the top, for example, can hold your incense stick in place and catch the falling ash on the curved surface. That surface, however, can also act as a platform for cone-type incense.

Things get a bit more interesting when you consider you can put different things on top as well. For example, you can place a sprig of sage on top and burn it to let the aromatic smoke fill the room. Or you can put a few drops of your favorite oil on top and place a candle inside to heat it up. In fact, that bottom half can be used on its own as a candle holder to provide a gentle flicker of light any time you want. And when it’s not in use, it stands as a simple yet beautiful piece of minimalist decor on a desk or shelf.

Trataka doesn’t use gimmicks or complicated mechanisms to be able to serve different purposes. In fact, it’s all too simple, and that is exactly what makes it striking. Whether you’re looking forward to chilling with your favorite aromas or simply want something nice to look at, this unassuming but charming metal cylinder definitely does the trick in the simplest way.

The post This low-key metal cylinder can take care of all your aromatic needs first appeared on Yanko Design.

Macaroni Necklace

Crafted with hand-painted sand-cast beads—antique African trade beads made by turning glass into powder, a process that originated with the Krobo tribe in Ghana in the 1800s—each of SVNR’s Macaroni Necklaces is one of a kind. The beads are threaded on 38-inch raffia but can be restrung on metallic cord for extra durability. All proceeds from sales go to Build Black Bed-Stuy, an organization fighting to preserve the historically Black community in the Brooklyn neighborhood.

ICON to develop habitats and roads on the moon for NASA

A construction machine on the moon as part of Project Olympus

Construction company ICON has been chosen to develop the first lunar building technologies for NASA as part of its Project Olympus program, which will see 3D-printed infrastructure built on the moon‘s surface.

The contract builds upon the funding for Project Olympus that ICON and architecture studio BIG were awarded in 2020, which aims to develop a way to create 3D-printed buildings for living on the moon using materials found on its surface.

The new contract, worth $57.2 million (£47 million), was awarded under the third phase of NASA’s Small Business Innovation Research (SBIR) program. This is partially funded by the US government’s Department of Defence and will focus specifically on space-based construction technologies.

Above: NASA has chosen ICON for phase III of Project Olympus. Top image: A 3D printer will be placed on the moon. Courtesy of ICON/BIG-Bjarke Ingels Group

ICON’s 3D-printing construction technology will be used to build elements necessary for living on the moon, such as roads, launchpads and homes, in order to create a lunar base or outpost for humans.

“In order to explore other worlds, we need innovative new technologies adapted to those environments and our exploration needs,” director of technology maturation at NASA’s Space Technology Mission Directorate Niki Werkheiser said.

“Pushing this development forward with our commercial partners will create the capabilities we need for future missions.”

A rendering of a 3D-printer on the moon
The construction technology will create roads and habitats on the moon

Austin-based ICON will construct a large 3D printer that could be carried to the moon in a spacecraft. Once on the planetary surface, it will transform materials found on the moon, such as dust, into building materials.

“ICON’s Olympus system is intended to be a multi-purpose construction system primarily using local lunar and martian resources as building materials to further the efforts of NASA as well as commercial organizations to establish a sustained lunar presence,” ICON explained.

Buildings will be designed to withstand the moon’s lower gravity conditions.

A rendering of buildings on the moon
Materials on the lunar surface will be used for the construction

Project Olympus falls under NASA’s Artemis program, which plans for long-term human exploration of the moon, and the infrastructure is designed to allow for human habitation on the moon in the future.

“To change the space exploration paradigm from ‘there and back again’ to ‘there to stay’, we’re going to need robust, resilient, and broadly capable systems that can use the local resources of the moon and other planetary bodies,” said ICON co-founder and CEO Jason Ballard.

“We’re pleased that our research and engineering to-date has demonstrated that such systems are indeed possible, and we look forward to now making that possibility a reality,” Ballard continued.

“The final deliverable of this contract will be humanity’s first construction on another world, and that is going to be a pretty special achievement.”

A 3D printer on the moon
The project falls under NASA’s Artemis space program

ICON is currently also collaborating with NASA and BIG on Mars Dune Alpha, a 3D-printed structure designed to simulate living on Mars.

A number of other architecture studios are also exploring building on the moon.

Architecture studio SOM and the European Space Agency designed a settlement for living on the Moon that is made up of inflatable modules and aptly named Moon Village.

Meanwhile, British architecture studio Foster + Partners unveiled a proposal to 3D print buildings on the lunar body.

Renderings courtesy of ICON unless otherwise stated.

The post ICON to develop habitats and roads on the moon for NASA appeared first on Dezeen.