A Designey Toilet with a Sliding Lid

Sick of your boring, hinged toilet lid? For those who demand more designiness from their commode, Florence-based design firm Nilo Gioacchini Design has created the Slide, a sliding-lid toilet for Vietnam-based manufacturer Viglacera Ceramics.

The lid is apparently removable for cleaning.

I will say that the seat doesn’t look terribly easy to lift; I don’t see anyplace where you could get more than a fingernail in there for purchase.

Curiously, the video doesn’t show any shots of the toilet with the seat up:

As for the thinking behind the design: “Evolving with new behavioral models, the sanitary toilet is transforming itself, overcoming all the cultural and functional prejudices that have always been present in this area,” the company writes, cryptically. Are they talking about domestic squabbles about the lid being left closed or open?

Also: Is it possible to activate the lid closing while someone is still sitting on the toilet? That could end…badly.

The Die Hard Advent Calendar

As his contribution to the debate over whether Die Hard is a Christmas movie or not, Maryland-based fabricator Leatherhead Laser Work created this advent calendar:

Yes, that is Hans Gruber falling to his death at Nakatomi Plaza. As you count down the days, you slide the magnetic Gruber down a bit closer to his fate while you mutter “benefits of a classical education” and mention that he “won’t be joining us for the rest of his life.”

Neatorama’s Miss Cellania tracked down the origin story of this design and pointed out that Leatherhead Laser Work is already fending off copycats.

The Die Hard Advent Calendar runs $34.

The Quest to Build the First Women's Space Suit

Few have a day job quite like Sabrina Thompson. The 37-year-old aero-engineer has spent the last 12 years at NASA focused on designing orbit trajectories for space missions. When she isn’t working as a literal rocket scientist, Thompson dedicates her time to creating new fashion designs and mentoring young girls in STEM through her Girl in Space Club. Now, with the launch of her Kickstarter – a project to construct the first women’s space travel suit – she can also add entrepreneur to her impressive CV.

Despite NASA’s “60 years and 600 humans in space,” there are currently no space travel suits specifically tailored to women’s bodies. In 2019, the agency even had to cancel the first all-female spacewalk citing a lack of suitable apparel. Now, with her Kickstarter, which ends on November 23rd, Thompson is setting out to prototype the first suit designed to “comfortably fit women during their travels to and from space.”

Kickstarter

For the uninitiated, the type of space suit Thompson is working on is called an Intra-Vehicular Activity (IVA) suit, not to be confused with the iconic white Extra-Vehicular Activity (EVA) suits astronauts don for space walks. Though less showy, IVA suits – those orange onesies often worn on the Space Shuttle – are of critical importance for safety and must be tailored to include a fully-pressurized system to handle fluctuations in cabin pressure inside the spacecraft. Thompson’s suit, which will go through a rigorous materials check and several rounds of tests before real-world use, will provide this necessary protection, while still “comfortably and stylishly fitting the female form.” And she already has several astronauts and women in the aerospace community lined up to test her creation.

Despite a laser focus, Thompson’s career trajectory was anything but a straight shot. “I stumbled upon this career, no lie,” jokes the former class valedictorian. “When I was a kid, I was playing basketball, making art – I had no clue what I wanted to do when it was time for me to pick a college major.” Thompson’s art teacher suggested engineering since she excelled at math and science. “So I asked my physics teacher what he thought, and he told me, ‘You should stick with art.'” Rather than deter her, his comments lit a lifelong fire for STEM. “I was the type of kid that if someone told me I couldn’t do something, then that’s the one thing I was going to do.”

Thompson studied engineering at SUNY Stony Brook, then went to grad school at Georgia Tech, where she eventually completed a second Masters in Atmospheric Physics. But a passion for art persisted, and in 2019, she signed up for a sewing class at Sew Bromo, a fashion education incubator in Baltimore. The course, taught by Nicole Myrick, founder and president of Belvidere Terrace Atelier, helped Thompson think expansively about the problems she could solve through art and fashion. Myrick’s mentorship, as well as the help of Sew Bromo founder and fashion world veteran Stacy Stube, enabled Thompson to realize she could build upon her engineering work and meaningfully contribute to the comfort and quality of life of the female astronauts she was working with – especially as they began to take on larger roles and new missions.

Kickstarter

“I started researching and saw that, from the beginning, spacesuits were never designed specifically for women,” explains Thompson, who came to realize how many women over the years had tested and trained to be astronauts but were ultimately unable to take flight. “It became clear to me that this was an area that nobody touched,” she says. “I kept reading, ‘No, we design spacesuits for humans. It doesn’t matter the gender.'”

What Thompson heard from the female astronauts she spoke with – many of whom complained of the difficulty in using the bathroom in a standard suit – told a different story. And a shift in demographics has made change all the more necessary. Though only 11% of past space fliers have been women, the current corps of NASA astronauts is 40% female. In 2022 alone, 50% of the NASA astronaut crew members supporting the International Space Station (ISS) missions have been women. As space travel continues to privatize, and women increasingly take on major roles at companies like SpaceX, Blue Origin, and Virgin Galactic, they will need this crucial outfitting.

“It’s exciting times as access to space is continuing to open up to more fliers from more diverse backgrounds,” Thompson says on her Kickstarter page. “In the not-too-distant future, we will have humans (not just professional astronauts, but private astronauts and space tourists) not just orbiting our planet in low Earth orbit on space stations, but establishing a permanent presence on the Moon and Mars.”

After her Kickstarter wraps, Thompson and GISC will begin to design the suit utilizing the insights and experiences of those who have built, tested, and even worn pressurized spacesuits in the past – as well as the female astronauts, engineers, researchers, and fashion experts who make up her current advisory committee. “It will take us a couple of tries, but at the end of Phase I, we will deliver a fashionable and functional flight suit and spacesuit that fits the female form, and that can be tested on real female astronauts,” she says. During Phase II, she and her team will complete all the testing needed to ensure the spacesuit meets safety standards for flight, including accommodating for fit, mobility, pressure, and microgravity tests. “In Phase II we can test and verify all the different subsystems in the suit,” she says, explaining that her team also wants to ensure that the suit will fit people of different heights and widths.

Thompson chose to fund this project through Kickstarter so she could directly manage its development, and also to empower her mentees at GISC to help bring the suits to life. In addition, the launch has allowed her to open up a world of space travel and design that few have previously been able to take part in. “I wanted to share a campaign with the public,” she says about her mission. “To have the average person feel like they were a part of something huge because we see this as a huge initiative, and we can’t do it alone.” And while we can’t all take a walk on the moon – at least yet – for now we can help Thompson make one giant leap for womankind with a suit that finally fits.

The First Women’s Space Travel Suit is now funding on Kickstarter through November 23.

–Laura Feinstein


Vitrocsa's Turnable Corner system enables views free of window frames

Promotion: the Turnable Corner system is one of the key products from minimal window brand Vitrocsa, which is designed to allow uninterrupted views with the glazing stored out of sight.

The Swiss brand developed the Turnable Corner system in 2012, originally for a project by the architect Norman Foster.

The Turnable Corner has now been used widely around the world to create indoor-outdoor spaces where the interior blends seamlessly into the landscape beyond.

Château Trop Long Mondot with Turnable Corner windows fully opening onto the terrace
The Turnable Corner system has been used in projects such as the restaurant of the Château Troplong Mondot wine estate. Photo by Romain Ricard

The system works by placing its glass panels on rollers that enable them to be slid around corners, where they can be hidden inside a wall, on the side of a building or stacked inside a cupboard or a cavity.

The rails and frames are also concealed in the floors, walls and ceilings, freeing up space and enabling unobstructed views.

“By completely removing the panes from the view and fully opening up the area, the space can be optimised, allowing architects to explore options which were previously unthinkable,” said Vitrocsa.

The Crescent House by Matthew Woodward Architecture in Sydney Australia
In the Crescent House by Matthew Woodward Architecture, it allows uninterrupted view of Sydney Harbour. Photo by Murray Fredricks

The panels — measuring a maximum of six square metres and 250 kilograms — are able to slide independently, and can be either single or double glazed.

The Turnable Corner system has been used in projects such as the Château Troplong Mondot wine-growing estate in Saint-émilion, France.

Architects Agence Moinard Bétaille and Atelier Mazieres Architectes associes renovated the Les Belles Perdrix restaurant using the glazing system to enable a full opening out onto the terrace.

Restaurant at the Château Trop Long Mondot
At the Château Troplong Mondot, the windows are moved to enable a seamless transition from restaurant to winery. Photo by Romain Ricard

“The main challenge was to meet the static requirements, which led us to develop a specific system in order to absorb movement at the top of the structure,” said Vitrocsa.

In another application, Nabil Gholam Architects used 16 metres of glazing — nine 2.5-metre-high panes in total — to cover one long aspect of the AZ House in Adma wa Dafneh, Lebanon.

When open, the panes are stored discreetly in a dedicated area, giving completely uninterrupted access to the terrace and pool beyond.

The AZ House by Nabil Gholam Architects in Adma wa Dafneh, Lebanon
In Lebanon’s AZ House, the window system covers a 16-metre-long aspect

The Turnable Corner system has also been used by Matthew Woodward Architecture in the Crescent House in Sydney, where it allows full access to a terrace with panoramic harbour views, and by developers Famosa Real Estate in the Sa Cova project in the Balearic Islands.

Vitrocsa has recently celebrated its 30th anniversary. The brand was founded by Swiss engineer Éric Joray after he developed a passion for growing orchids and designing minimal windows for his greenhouses.

Sa Cova house view developed by Famosa Real Estate
The system is also used in the Sa Cova project in the Baleriac Islands. Photo by Plantalech

Joray invented the first Vitrocsa window in 1992, aiming to not only minimise the frame but also improve the glazing’s waterproofing, insulation and resistance over what was being offered at the time.

The brand now offers several systems. Besides the Turnable Corner system, some of the options include Sliding, Curved, Pivoting and Guillotine windows.

To view more about Vitrocsa, visit its website.

Partnership content

This article was written by Dezeen for Vitrocsa as part of a partnership. Find out more about Dezeen partnership content here.

The post Vitrocsa’s Turnable Corner system enables views free of window frames appeared first on Dezeen.

Sea Creatures Spoon Set

Founded in 2020 by Laila and Nadia Gohar, Gohar World offers up tableware and culinary accoutrements that fully embrace the absurd and the abstract. These delightfully kitsch sea creature spoons (available as a set of two) have been hand-carved from mother of pearl and are ideal for softer sea treats like caviar.

Christina Galisatus: I Want To Know Her

LA-based composer and pianist Christina Galisatus has released a resplendent new folk-infused chamber jazz track, “I Want To Know Her,” drawn from her forthcoming debut album, Without Night. For the composition, Galisatus tapped Erin Bentlage for vocals and brought in top-tier musical talent that includes Michael Blasky on tenor saxophone, Steven Lugerner on bass clarinet, Brandon Bae on guitar, Joshua Crumbly on bass and Zev Shearn-Nance on drums. “The music that I’ve always been drawn to, whether it’s listening to music or performing and composing, has always been music that just feels beautiful to me,” Galisatus says in a statement; it’s a sentiment that reflects the values of her new single.

Corian Solid Surface range aims to promote "clean and healthy spaces"

A kitchen featuring Corian Solid Surface counters

Promotion: Corian Solid Surface range produced by the Corian Design business of DuPont is designed to ensure that surfaces such as sinks, worktops and counters are easy to clean.

Corian Solid Surface range aims to have a “seamless finish” and is made from a combination of aluminium trihydrate (ATH), pure acrylic resin (PMMA) and environmentally friendly pigments.

The material can be used for various surfaces in a variety of spaces, ranging from bathroom basins to kitchen sinks and intends to ensure spaces can be kept “clean and healthy”.

A bathroom with a grey countertop featuring Corian Solid Surface
A countertop and backsplash in a contemporary bathroom features the Corian Solid Surface in Artista Dust

Corian Solid Surface is non-porous, which prevents dirt, mould and bacteria from entering and staining the material.

This also ensures that stains are only kept on the surface, and can be easily removed with a household cleaner, according to Corian Design.

“Corian Solid Surface paired with regular cleaning and disinfecting is the best way to eliminate bacteria and viruses from a surface,” said Corian Design.

“It also has minimal impact on human health and the environment by limiting the overuse of biocides and disinfectants. It’s that simple.”

An office entrance featuring the Corian Solid Surfaces in a white and grey colour
The Corian Solid Surface in the Carrara lino colour was used for a curved reception desk to highlight an office entrance

“The seamless look of integrated worktops, counters, sinks, and coved backsplashes made with Corian Solid Surface means there are no crevices to trap and grow mould, germs and viruses,” added Corian Design.

“This simplifies cleaning, sanitising and routine maintenance.”

A photograph of a kitchen featuring Corian surfaces
A skylight-lit kitchen in a country home features countertops in Corian Solid Surface’s Carrara Crema colour

Corian Design has recently expanded the range with eight new colours, which are informed by natural materials.

The new eight colours join the existing 90 in the Corian Solid Surface range and are intended to enable designers to have substantial design options for kitchens, cafes, bathrooms, receptions and other interiors.

A kitchen featuring Corian Solid Surfaces
A restaurant features the brand’s surface in the Artista Dust colour

The material has GreenGuard Gold and Red List Free certifications, in addition to recently achieving the Eurofins Indoor Air Comfort Gold certification, which signifies “it is free from dangerous chemicals and low in volatile organic compounds (VOCs) that pollute the air in indoor spaces”.

“The Eurofins Gold certification combines the most stringent set of European regulations and voluntary imposed performance standards in terms of VOC emissions,” said Corian.

A kitchen featuring a Corian Solid Surface worktop
A rectangular kitchen island in a country retreat features a countertop in Corian Solid Surface, Artista Canvas

For more information about the new colours of Corian Solid Surface, visit the brand’s website.

Partnership content

This article was written by Dezeen for Corian as part of a partnership. Find out more about Dezeen partnership content here.

The post Corian Solid Surface range aims to promote “clean and healthy spaces” appeared first on Dezeen.

Michael Gove vows to block "ugly" developments from being built in the UK

Portrait of Michael Gove

UK levelling-up secretary Michael Gove has told a think tank that the government will use all its powers to stop the development of houses that are “not aesthetically of high quality”.

The comments, which were reported by The Independent, were given in a speech at the conservative think tank Centre for Policy Studies.

Aesthetic quality of what builders produce is “disappointing”

According to Gove, who is the secretary of state for levelling up, housing and communities and minister for intergovernmental relations, the UK government will use its call-in powers to review developments and could stop them from being built if they do not live up to its standards.

“We will use all the powers we have, including call-in powers, in order to make sure that developments which are not aesthetically of high quality don’t go ahead,” he said.

He added that communities do not want “ugliness imposed upon them”.

“For those who are seeing the new houses built the fact that so many of our volume house builders use a restricted pattern book with poor quality materials and the aesthetic quality of what they produce is both disappointing and also not in keeping with high aesthetic standards that may already exist,” Gove said.

“That is a reason why communities say no, they do not want ugliness to be imposed on them.”

New buildings to have focus on beauty and infrastructure

In the future, he said planning reform should follow BIDEN, an acronym that Gove unveiled during the speech that stands for beauty, infrastructure, democracy, environment and neighbourhoods, reported Local Government Chronicle.

According to the Independent, Gove also said that it would be easier for developers to get planning permission for buildings if they follow new design codes that will be introduced by the government.

The minister mentioned Poundbury, the Dorset town designed for King Charles III, as an example of a beautiful town.

“People say oh, it’s pastiche and you know, the King, the Prince of Wales his architectural vision, you know, misty eyed, old-fashioned – that’s all rubbish,” he said. “The thing about Poundbury is these are beautiful homes.”

Gove’s announcement is in line with earlier statements by the UK’s Building Better Building Beautiful Commission, which was founded in 2018 and has urged UK councils to reject “ugly” housing schemes.

In 2020, the commission’s final report recommended incentivising developers by fast-tracking planning for attractive housing. It was followed by proposals by the UK government to speed up planning approval for developments.

The subject of beauty in architecture has also been contentious in the US, where then-US president Donald Trump passed an executive order in 2020 that stated new US government buildings had to be beautiful, citing classical and traditional architecture as the preferred style.

However, current US president Joe Biden revoked the executive order after becoming president, just 69 days after it was signed.

Gove has previously intervened to halt the demolition of a Marks & Spencer flagship store on London’s Oxford Street.

The photography is courtesy of the UK Parliament.

The post Michael Gove vows to block “ugly” developments from being built in the UK appeared first on Dezeen.

Paris Unveils Mascot for 2024 Olympics

So Paris has unveiled their official mascot for the 2024 Olympics, and it’s this:

That’s actually a piece of headwear, specifically a Phrygian Cap:

It’s not French in origin; the Persians, Scythians, Greeks and Romans all wore some version of it, though it was the Greek-related Phrygians who apparently scored the licensing/naming rights.

“Prisoner with Phrygian Cap” (Roman statue ca. 2 CE). Image: Darafsh – CC BY-SA 3.0

Over the centuries the French have adopted the cap as a symbol of liberty, as these were the trucker caps of the French Revolution. “After featuring on certain flags in Latin America before becoming widely popularised by French revolutionaries,” the Parisian organizers write, “the Phrygian cap has now become a familiar symbol in France.”

“A symbol of revolutions, the French Republic and freedom, the Phrygian cap can be seen on the French national icon Marianne, depicted in busts at town halls across the country as well as on stamps, and is also covered in the national curriculum in schools.”

Depicted in busts

As with all objects in French, the Olympic Phryge is gendered and identifies as female:

“Always thoughtful and an astute strategist, she embarks on adventures only after carefully weighing up all of the pros and cons. Just like the Olympic athletes, she knows the importance of measuring all the various parameters to achieve her goals. With her sharp mind, she is modest and prefers to hide her emotions. The Olympic Phryge will lead the movement of all those who take part in sport, and believe us, she will give her all to get France moving!”

Custom Fabricator Makes Hot-Wheels-esque Replicas of Your Exact Car

Just as Hasbro and Formlabs can now put your face on an action figure, a guy named Trent from JDM Customz can create a Hot-Wheels-esque replica of your exact car. Unlike an actual Hot Wheels version of your ride, Trent nails the details: Your actual paint color, rims, aftermarket add-ons, window tint, et cetera, all in 1:64 scale.

Reviews on his Etsy shop are mostly positive; however he does appear to have a limitation in masking. One unhappy customer was displeased with the hand-painted racing stripes, and to my eye the lettering on this Tacoma job doesn’t look so hot.

That said, from what I’ve seen he nails it most of the time. If you’re interested, prices start at $95, and of course require you to send in multiple photos of your car.