A Speedy Robot That's Just a Pair of Legs

At least one of Elon Musk’s newly unveiled robots can’t walk yet. But Agility Robotics, a spin-off company from Oregon State University’s College of Engineering, has made a robot that can run. The trade-off is that it doesn’t have a torso or arms.

To create some publicity buzz, Agility had their ‘bot, Cassie, set the Guinness World Record for the fastest 100-meter sprint by a bipedal robot:

Admittedly Cassie doesn’t have much competition, and the 24.73-second time may not impress, but consider that the robot has used machine learning to figure out how to run, and it didn’t fall. Cassie also recently completed a freaking 5K run, on a single battery charge, and is capable of going up and down stairs.

Given that latter fact, I’m thinking this ‘bot would be perfect for to-your-door food delivery for those who live in walkup apartments.

Fanny Packs—Sorry, "Cross-Body Slings"—by Hex

To the surprise of many, fanny packs have made a comeback, with brands like Patagonia, Lulu Lemon and of course Jansport all offering them.

Backpack brand Hex’s stylish streetwear-style line is less likely to be hauling heart medication for boomers, and more likely to be carrying drones, DSLRs and oversized phones by younger generations. They’re waterproof, feature padded compartments to carry electronic delicates, and wearing them “cross-body” apparently makes them cooler.

Hex’s $30 Aspect Sling is their entry-level, minimal single-pocket offering.

The $35 Evolve Sling Eco retains the sleek look of the Aspect, but adds a second pocket up front.

For those who want to carry proper gear, the $70 Ranger Glacier Camo Camera Mini Sling has a 3-liter capacity, enough to fit a DJI Mavic Mini or a small camera.

The flagship is the $100 Ranger Camo Dslr Sling V2, which has more than double the capacity of its smaller stablemate, at 8 liters. There’s enough room to carry a full-sized DSLR with a big-ass lens, accessories, a tablet and more.

Here’s the difference between what the Ranger and the Ranger Mini can carry:

If you’re in the market, or are a softgoods designer, I’d recommend clicking any of the links above and reading through the user reviews. They’re pretty thoughtful and list detailed use cases as well as constructive ergonomic critiques.

Fossora: Limited Burgundy Vinyl

Björk’s 10th studio album, Fossora, marks a thrilling departure from the dreamy fantasyland captured in her last album, Utopia. Replete with hard techno, six bass clarinets and collaborations with Serpentwithfeet, Gabber Modus Operandi and Björk’s children, Fossora (the grammatically incorrect feminization of the Latin word for “digger”) was crafted during the pandemic and celebrates family and friendship. This version of the album appears on two limited burgundy vinyl records.

California Becomes the First Official Sanctuary State for Trans Youth

Last week, California Governor Gavin Newsom passed SB 107, a law that prohibits other states from prosecuting families seeking gender-affirming care in California. The new legislation (which was introduced by state senator Scott Wiener) makes the state the first official sanctuary for transgender youth, ensuring that no out-of-state subpoenas will interfere with a child’s right to receive gender-related care. Additionally, it protects the safety of trans youth by allowing doctors to disregard requests from other states for gender-related medical information and granting state courts emergency jurisdiction over child custody cases for families fleeing anti-trans investigation. As these sentiments and legislations have been ramping up across the country, SB 107 comes as a vital, life-saving victory. Learn more about it at them.

Image courtesy of Humberto Portillo/Unsplash

MAVI: Doves

The second single from MAVI’s upcoming second LP, Laughing so Hard, It Hurts (out 14 October), “Doves” is a jazzy, mellow track that boasts warm, polished production by Dylvinci. With jingling chime effects, pretty background vocals and a subdued beat, it’s a languid, rich and hypnotic track.

Zeller & Moye create earthquake-resistant La Ribera housing block in Mexico City

La Ribera Zeller and Moye

Local architects Zeller & Moye used an abandoned lot in Mexico City to create a multifamily property called La Ribera with eight townhouses organised around a lush courtyard.

The project is named after the neighbourhood in which it is located, a part of Mexico City that the architects describe as “undervalued”, despite its proximity to the city centre.

La Ribera
La Ribera is a multifamily property in Mexico City

“The program is implemented in a typical narrow but deep plot in the Santa María La Ribera neighbourhood,” said the team.

“A traditional housing typology with simple row houses facing a linear patio in Mexico City is re-interpreted as a new apartment building for young families,” the studio added.

An existing building on site was partially demolished, with only the facade remaining intact. From the street, the new and old constructions are juxtaposed.

Zeller & Moye housing
A gate leads to shared parking

“The historical facade stands as an honest fragment of the past, now supported by a contemporary earthquake-resistant structure,” said Zeller & Moye. “The two facades, old and new, create a hybrid telling the story of the place’s history to the passer-by.”

On the ground floor, there is a gate that leads to parking shared by the building residents. Another door brings visitors up a short flight of stairs and into a courtyard dense with greenery.

Zeller & Moye apartments
The apartments are organised around a courtyard

Each of the units has its front door opening onto this shared outdoor space. The compact apartments span three storeys, bringing the total building height to four storeys.

“With a living area including an open kitchen at the ground floor, each flat turns gradually more private with every additional floor,” Zeller & Moye explained.

Skylights
Skylights are prominent on the rooftop

The apartment layouts include an open-concept kitchen, a living and dining room on the ground floor, a children’s bedroom on the intermediate level, and a larger bedroom upstairs.

The rooftop is accessible from within each unit and provides residents with views of the surrounding treetops and buildings. The stairs, which are made of folded metal plates and supported by steel cables, are illuminated by skylights.

Folded metal stairs
Folded metal plates and steel cables make up the staircase

Zeller & Moye chose simple, durable finishes for the interior and exterior of the building. The structural material is concrete, which was polished on the facade to obtain a smoother finish and expose the aggregate used in the mixture.

On the inside, the block walls that separate the units were painted white.

“The pattern of the blocks remains apparent to the inside of the apartments,” said Zeller & Moye.

Terrazzo flooring
Zeller & Moye used terrazzo for the flooring

Terrazzo floors bring some colour into the space and were used both inside and outside to create a continuous surface.

“Terrazzo tiles with local marble stones, traditionally used in market halls, provide a floor that keeps the interior cool and is low in maintenance,” the architects explained.

According to the architects, these materials also help keep the building cool during Mexico’s hot summers.

The light colours are meant to reflect direct sunlight, while the thermal mass of the concrete and stone provides a buffer between the ambient heat and shaded interiors.

Zeller & Moye interior
The materials intend to keep the building cool

Zeller & Moye is led by architects Christoph Zeller and Ingrid Moye. The firm also has offices in Berlin. Other projects completed by the studio include a wooden house in a German forest and a modular housing scheme that could expand based on different users’ needs.

The photography is by Sergio López.


Project credits:

Directors: Christoph Zeller, Ingrid Moye
Team: Sohum Bagaria, Giovanna Conversano, Hüseyin Eryigit, Alejandro Jaimes, Marion Kohler, Omar G. Muñoz, Eduardo Palomino
Structural engineering: Ricardo Camacho
MEP engineering: Dimarq Construcción
Contractor: DIYC Construcción
Client: Desarrolladora Welt

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Washington University in St Louis presents 10 architecture, landscape and urban design projects

Three barn-like buildings an a green field

Dezeen School Shows: a greenhouse that utilises passive heating strategies and a cluster of buildings on a farm that aim to integrate natural environments with human-inhabited space are included in Dezeen’s latest school show by students at Washington University in St Louis.

Also included is a riverside multi-family housing complex that encourages social interaction and an apartment building with adjustable windows that allow occupants to control light, ventilation and privacy.


Washington University in St Louis

Institution: Washington University in St Louis
School: Sam Fox School of Design and Visual Arts
Course: Master of Architecture, Master of Landscape Architecture and Master of Urban Design
Tutors: Chairs Monica Rivera and Derek Hoeferlin

School statement:

“Together, we have a unique opportunity to do more than create beauty. Through critical thinking, research, and cutting-edge interdisciplinary programmes, the Graduate School of Architecture and Urban Design at Washington University in St Louis gives students the means and the motivation to improve our world.

“Our degree programmes in architecture, landscape architecture and urban design, combined with dual and joint degree options, immerse our students in experiences that propel them to leadership in their fields.

“Students in the Graduate School of Architecture and Urban Design leave with more than just a degree – they leave with an expanded view of the world, a passion to facilitate change, and the skills to make a lasting impact

“Our studios are organised around cumulative, collective experiences. As part of a Tier I research institution, we provide a rigorous academic environment where students develop a love of craft and the ability to move fluidly between digital and analogue platforms.

“Students learn to work independently in a culture that supports curiosity and collaboration across disciplines with people whose ideas and expertise are as provocative and enlightening.

“Sometimes, the most radical approach is straightforward. We teach our students the grounding principles that will empower them to take their ideas wherever they want to go.”


Render of people on a wooden bridge over water and grassy areas

New South Fork by Heyue Liu

“The headwaters of Bubbly Creek, the South Fork of the South Branch of the Chicago River, has been plagued by floods and pollution problems for a long time.

“In recent years, the Chicago authorities have worked hard to clean up deteriorating sediments and improve the water quality, trying to restore the vitality of Bubbly Creek.

“The project uses the rainy season floods to imitate the reverse of upstreaming the Chicago River, as the government used to reverse the Chicago River to ensure the purity of their drinking water in Lake Michigan.

“The imitated mechanism turns the water on the two parts of the site into a microcosm of history, echoing the river history museum transformed from an old factory on site.

“The project is also ambitiously committed to improving flood controls by adding a retention pond on the brownfield at the source. The renovated site connects the residential area to the new South Fork and Bubbly Creek, encouraging public engagement.”

Student: Heyue Liu
Course: Landscape Architecture Design V, Master of Landscape Architecture
Tutor: Micah Stanek


Three barn-like buildings an a green field

Wandering Farm by Alex Lyu

“The project is designed to be individual nodes of architecture on the landscape that accommodate different functions and activities for a biodiversity farm in Colombia.

“Each piece is constructed with a heavy and durable stone base against the damp earth and water of the high-altitude Colombian tropical Paramo.

“The base elaborates a strong mark on the natural topography itself but leaves the rest of the ground free for the farm, allowing animals to wander around the land. A delicate and lighter timber structure situates on the top of the base, forming spaces for human habitation.

“Ultimately, the combination of the bases and upper structures provides different conditions for utilising and engaging space for various activities and creates the in-between spaces that blur the boundary between the natural environment and human-inhabited space.”

Student: Alex Lyu
Course: Architectural Design V, Master of Architecture
Tutor: Derek Hoeferlin


Exploded axonometric drawing in white, grey, pink and blue

A Flexible Matrix by Xiaofan Hu

“The story begins with two solid pink walls and the people behind them. The walls aim to protect the occupants from the touristy and dark alley where the apartment building is located.

“From the outside, no signs of domestic life are suggested or revealed. As you enter through the slip between the two solid walls, a more dynamic and lively space opens up with an abundance of green space, a paved playground, and windows that are adjusted to the tenants’ needs.

“In contrast to the stark and massive exterior walls, the interior facade appears to be light and full of liveliness. The flexibility of filters allows occupants to control light, ventilation and privacy during different times of the day or year.”

Student: Xiaofan Hu
Course: 419 International Housing Studio, Master of Architecture
Tutor: Emiliano Lopez


Perspective drawing of a courtyard space with trees and pink silhouette people

Chicago Grove (Of Trees) by Jaegwan Lee

“The site is located at Chicago’s Montgomery Park alongside the North Branch of the Chicago River. Most riverside properties in this area are occupied by large industrial factories that separate the urban fabric from the river or are privatised by residential buildings that fully fence the river edge from the public.

“This project occupies the plot in a permeable way to create a rare public space along the river. Thus, the housing units are lifted to maintain the public space underneath. The structures supporting the housing blend with trees in the park on the ground floor to create a horizontally permeable space that flows from public to semi-public and back to public.

“The courtyard space capitalises on vertical permeability with platforms for the residents to use as catwalk corridors and general outdoor space to enjoy sunlight, much like the public space that surrounds them.

“Conceptually, the structures holding up the housing are like trunks of trees. The interior walls in the units slide in and out to bounce light into the spaces like branches that extend from the trunks, and the whole project is like a canopy that conditions the space beneath.”

Student: Jaegwan Lee
Course: 419 International Housing Studio, Master of Architecture
Tutor: Phillip Holden


Six square images of white architectural models

Exposure by Baili Null

“The courtyard typology of a typical Berlin block creates tension between neighbours in close proximity and public spaces open to the city.

“This project confronts the issue of privacy and the delicate balance between coverage and openness by placing privacy devices within an occupant’s control.

“The threshold between domestic space and the city was thickened by offsetting the building’s footprint, creating a balcony that envelopes the inner glazed facade layer. This transitional space acts as a barrier to the interior, where occupants can introduce additional privacy devices, or choose to be exposed.

“The facade layer can then be unfolded and extend the interior space to the edge of the balcony, to thick columns that invoke a feeling of comfort and protection despite an entirely open facade.”

Student: Baili Null
Course: 419 International Housing Studio, Master of Architecture
Tutor: Julie Bauer


Render of terraced domestic building on a waterfront

Adjacencies by Shannon O’Donnell

“Working with the maritime context of Halifax, Nova Scotia, the driving force behind this project is a strong connection to both the sea and the social aspects of multi-family housing.

“These connections are evident in the circulation of the site, as well as interior connections within dwelling units that allow for views of Halifax Harbor on one side and a communal park on the other.

“Social interactions are encouraged through semi-private spaces such as patios and balconies, which are arranged to optimise daylight within the units.

“The project considers the unique qualities of the city, such as references to the Halifax Porch, local usage of colour, and vernacular building design which takes into account climatic conditions.”

Student: Shannon O’Donnell
Course: 419 International Housing Studio, Master of Architecture
Tutor: Don Koster


Handmade section model of a timber structure with sloped roof

Flora Conservancy Community Centre by Cody Heller

“The proposed community centre is an extension of the Flora Conservancy’s greenhouse and gardens facilities within Forest Park in St Louis.

“Inspired by the Walapini – a south American greenhouse typology that places it below grade for thermal regulation – the design exaggerates the traditional passive and form strategies to best respond to the St Louis climate, ultimately achieving a variety of spaces for community engagement and philanthropic activities.

“Centralised by the surrounding garden beds with a lantern-like object embedded within the earth, the greenhouse presents itself as a hub for the Flora Conversancy’s social and economic ambitions.

“The project aims to curate public experiences across the site through moments of view-making, attempting to isolate the visitor in a green that verges on utopian paradise.”

Student: Cody Heller
Course: 317 Core Studio, Master of Architecture
Tutors: Bruce Lindsey and Jonathan Stitelman


Annotated landscape drawing with a bench design

Chrysalis to Everlastingness by Wei Hui

“Death is the ultimate proposition. Today, given an increasingly ageing population, high rates of cancer, and a global pandemic, we are being forced as a society to face mortality more directly than in previous decades.

“Taking that challenge head-on, The Chrysalis to Everlastingness is an exploration of the landscape architecture’s power to humanise end-of-life care and transform the burial process into an ecologically regenerative practice.

“Located in rural central Missouri at the site of a highly-disturbed 120-acre former surface coal strip mine site, Chrysalis engages the full site through a series of interconnected, closed-loop and environmentally sensitive operations.

“The three main components include a nature-focused end-of-life care facility located within a restored prairie landscape, a small-scale sustainable forestry operation to help manage the emergent forest and produce the woody and plant-based material needed for green burial, and an ecologically regenerative green cemetery that allows the deceased to become part of the regenerative landscape process and the circular natural processes.”

Student: Wei Hui
Course: Landscape Architecture Design IV, Master of Landscape Architecture
Tutor: Irene Compadre


Annotated city-scale plan of an urban intervention on a riverside

Expanding L’Enfant by Timothy Buescher

“Through equitable, resilient design initiatives that reduce social-environmental vulnerability and restore the site’s ecological integrity, this proposal for Poplar Point seeks to establish Anacostia’s own axis on the historic Washington DC grid by balancing competing development interests with the existing social needs of a historically neglected community.”

Student: Timothy Buescher
Course: Master of Urban Design 713
Tutor: Patty Heyda


Isometric line drawing and a warehouse-like building structure with orange highlights

511 Barcelona Studio Abroad by Jacqueline Traudt

“The instinctual approach to this citadel addition starts by defining the isotropic or anisotropic grid of the existing structure.

“Then, grids were used to organise and define the proposed programme of an addition to the rooftop of the historic Pompeu Fabra University library, which was originally designed as a Roman water tower.

“The characteristics of each space are understood through the density or directionality of gridlines. In this way, the project is about weaving together different densities.

“It takes on a language of textile and needlework to provide a variety of enclosures to each programmed space, as well as the opportunity spaces between the newly formed addition.”

Student: Jacqueline Traudt
Course: 511 Barcelona Studio Abroad, Master of Architecture
Tutor: Ramon Bosch and Bet Capdeferro

Partnership content

This school show is a partnership between Dezeen and Washington University in St Louis. Find out more about Dezeen partnership content here.

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One week to go until Dezeen Awards 2022 public vote closes

Dezeen Awards 2022 public vote ends 10 October

There is only one week left to vote for your favourite projects and studios in this year’s Dezeen Awards 2022 public vote.

​​Voting is only open for another seven days, so hurry. Vote now to make sure your favourite studios win!

Read on for frequently asked questions and answers about the Dezeen Awards 2022 public vote:

What is the public vote?

The public vote is separate from the main Dezeen Awards 2022 judging process, in which entries are assessed by professional judges. It gives readers the chance to vote for projects and studios shortlisted in the architecture, interiors, design, sustainability and media categories, as well as practitioners who are competing to be crowned studio of the year.

Projects and studios with the highest number of votes in their category will win the Dezeen Awards 2022 public vote.

How do I vote?

Votes can be cast via the Dezeen Awards 2022 public vote page, where all shortlisted entries can be found. Readers may vote in as many categories as they like but can only select one favourite in each category.

Once submitted, votes cannot be amended and you must validate your email address in order for your vote to be counted, so check your inbox!

How do I verify my vote?

If you have voted in previous public votes you will not need to verify your vote.

If it’s your first time voting and you didn’t receive an email to verify your vote, please check your spam folder or get in touch with the Dezeen Awards team who can help you.

When does voting close?

Voting closes at midnight on Monday 10 October, so vote now!

When are the winners revealed?

The public vote winners will be revealed on Dezeen from 17 to 21 October.

What do winners receive?

All public vote winners will receive a Dezeen Awards 2022 public vote winner certificate.

Still have more questions?

No problem! Just send an email to awards@dezeen.com and someone from the team will get back to you.

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Bench collection by Konstantin Grcic for Plank

Bench collection by Konstantin Grcic for Plank

Dezeen Showroom: designer Konstantin Grcic aimed to bring an element of surprise to a familiar form with Bench and the Bench table, his latest designs for Italian brand Plank.

Bench began with the concept of a plain wooden beam to sit on, but in the development process, Grcic alighted on the idea of plugging the seat and legs together with an invisible pin connection.

Bench collection by Konstantin Grcic for Plank
The Bench is constructed using an invisible pin connection

“We have developed an ingenious mechanism, which allows the bench to be assembled and disassembled without any tools,” said Grcic. “This way it can be shipped flat-pack or stored in a compact way.”

The Bench table was developed using the same construction principle, but it has the added ability to be assembled with different leg positions, putting a twist on a classic look.

Bench collection by Konstantin Grcic for Plank
The legs of the Bench table can be set in different positions

Both Bench and Bench table are made from local spruce wood, which was chosen to pay tribute to Plank’s legacy as a manufacturer of alpine chairs and also for its timeless quality.

Grcic sees the table and bench as functioning well as a set but also being able to stand individually as pieces of furniture in their own right.

Product: Bench
Designer: Konstantin Grcic
Brand: Plank
Contact: info@plank.it

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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Fika wall tiles by Natucer

Fika wall tiles by Natucer in Marsala

Dezeen Showroom: Spanish brand Natucer has created a wall tile range called Fika, which is designed for contemporary and relaxed interiors.

Named after the Swedish coffee break tradition, Fika is a range of white body ceramic tiles with a variegated look that draws on the artisanal techniques of the past.

Fika wall tiles by Natucer in Marsala
The Fika wall tiles are available in eight contemporary colours such as Marsala

The tiles have a matt finish and are available in eight fashionable colours, including the green-coloured Kale and terracotta-coloured Marsala as well as three neutral whites.

“Each tile has a handmade feel, featuring brushed surfaces and irregular edges, but with all the benefits of a high-performance manufactured product,” said Natucer commercial director Jose Cantavella.

Fika wall tiles by Natucer in white
There are three neutral white shades available

Made with partially recycled content, the Fika range is available in three small square and rectangular formats and is compatible with other Natucer ranges such as Austral white or beige.

Natucer is part of Tile of Spain, an association of more than 100 tile manufacturers.

Product: Fika
Brand: Natucer
Contact: jose@natucer.es

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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