Zenith and Felipe Pantone collaborate to design technicolour Defy Extreme watch

A close up photograph of the Zenith watch

Promotion: watch manufacturer Zenith has joined forces with contemporary artist Felipe Pantone to create a watch that combines “high-frequency watchmaking and vibrant multimedia optical art”.

Named the Defy Extreme Felipe Pantone Watch, the timepiece is Pantone‘s fourth project with Swiss brand Zenith, which follows two previous watch collaborations as well as a vibrant tarpulin design for the facade of the brand’s manufacturing building.

Felipe Pantone besides his artwork
The watch is a collaboration with designer Felipe Pantone

The Defy Extreme watch is a limited edition of 100 pieces crafted in mirror-polished stainless steel with a sleek dodecagonal bezel and chronograph pusher protectors created in translucent blue yttrium aluminosilicate, a glass comparable to synthetic sapphire, according to Zenith.

The watch’s design takes cues from Pantone’s series Planned Iridescence – a body of work defined by metallic accents and geometric shapes that are arranged to create optical illusions.

“Looking down at the dial, its sapphire elements appear translucent and metallic,” said Zenith. “Turn it ever so slightly towards the light, and a spark of colours and geometric patterns emerge.”

The Defy Extreme watch also features Zenith’s distinctive in-built El Primero 1/100th of a second automatic high-frequency chronograph.

A close up photograph of the Zenith watch
The watch features colourful metallic features

“The chronograph’s minute counter features a graduated scale of colours, where each minute is segmented by a different tone, [and its] second counter is done in very fine concentric black and white lines, mimicking the moiré effect,” explained the watch brand.

Wearers can choose between a translucent blue silicone watch strap that intends to mirror the timepiece’s sapphire-like dial, as well as a detachable polished steel bracelet or a black Velcro strap.

A photograph of the box in which the Zenith watch comes in
The watch comes in a box shaped like an art book

Each of the four corners of the watch case is engraved with characters to spell out “FP#1”, a coded signature for Felipe Pantone El Primero.

“Colour gradients and the interplay of light, patterns and transparency are part of the artist’s signature,” explained the brand.

“As such, Zenith and Pantone sought to create a dial that retained the highly chromatic look typical of his work while incorporating elements that play with light in a most unexpected way.”

A close up photograph of the Zenith watch with a blue background
Defy Extreme Felipe Pantone Watch is Pantone’s fourth project with Swiss brand Zenith

The Defy Extreme watch comes in a box in the shape of an art book as a further nod to Pantone, which features a transparent plexiglass hardcover that echos the timepiece’s iridescent quality.

Customers will be able to purchase the watch in-store or online from 27 October.

Pantone in front of his colourful artwork
The watch is informed by Pantone’s series Planned Iridescence

To view more about the watch, visit Zenith’s website.

Partnership content

This article was written by Dezeen for Zenith as part of a partnership. Find out more about Dezeen partnership content here.

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Sensory Nook acoustic pods by Nook

Photograph showing a row of sensory pods in high-ceilinged room

Dezeen Showroom: acoustic pod manufacturer Nook has expanded its range of pods to include features that aim to help address the needs of neurodiverse individuals. 

Sensory Nook presents enhancements to the brand’s existing range of Nook Pods, which feature a gabled structure that facilitates one-to-one and group work, and aims to help neurodiverse individuals cope in often challenging workplace and educational environments.

Photograph showing a row of sensory pods in high-ceilinged room
The pods are equipped with lighting that serves a variety of purposes

Additions to the pod include internal mirrors to ease the intensity of eye contact, specialised lighting with colour-changing capabilities, vibrating seat cushions to help reduce fidgeting, and a twinkling carpet wall that is intended to reduce anxiety.

These inclusions help to alleviate symptoms and improve concentration and relaxation in neurodiverse people, including those with ADHD, dyslexia and autism.

Photograph showing figure sitting inside sensory pod
They can be situated in workplace and learning environments

The additions to the Nook Pod range aim to provide a “psychologically safe space from which to escape the ‘always on’ feeling inherent in open plan workspaces,” explained Nook.

“Nook is bringing the science of neuroinclusivity into the spaces where we work, learn, heal and play,” said the company.

Product: Sensory Nook
Brand: Nook
Contact: hello@nookpod.com

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Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

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Glass-Topped Wireless Charging Pad Lets You See the Coils

Most wireless charging pads have a single large coil in the center. In contrast, this aluminum-bodied Liberty Wireless Charger, by Eindhoven-based tech accessories company Zensd, features 16 small coils in an array. And the top surface is glass, allowing you to see the coils:

Beyond the “ooh” effect, I suppose the design does allow you to ensure, if you’re charging multikple devices at once, that they’re all properly situated.

An Apple Watch, depending on the type of band chosen, may not sit flat on the charger. For that situation Zens has also designed this somewhat awkward Apple Watch USB Stick, which can be plugged into any USB port, including one on the back of the Liberty.

Neither object is cheap. The Liberty runs $200, and the Apple Watch USB Stick rings in at $45.

Unexpected outcomes when design students use AI as part of their process

The prompt was simple: How would *you* insert/use AI as a part of your product design process? This was the question that Juan Carlos Noguera, Assistant Professor of Industrial Design at Rochester Institute of Technology, recently posed to his class of Industrial Design MFA students. The resulting explorations prompted conversations and reflections on the evolution of the design discipline as well as unexpected inspirations during the design process.

Artificial Intelligence (AI) progressed by leaps and bounds over the past few years, and in particular the open access to image generation tools such as Midjourney and OpenAI’s Dall-E have recently led to an explosion of interest in these technologies. Images produced by the software have now won prizes in competitions, raising the question of if/when algorithms will replace designers and creative professionals. The intent with this project was not to ask whether the software will replace a designer entirely, but rather where and how these tools fit in a designers’ personal workflow.

To start, Professor Noguera showed the results of an abstract prompt – “Cylinders Embracing Spheres” along with words like “Ceramic”, “Raku” and “Vessel”. He then distilled the resulting images into a product concept, modeled these in Autodesk Fusion360 and produced renderings of a final concept.

With no prior personal experience to guide them, the students ended up using the AI tools in different ways within their process and workflow. Professor Noguera states:

Some of these designers used AI-generated images as a form-finding tool that accelerated or augmented their existing process, and others saw the AI take them in unexpected directions, with very rich results. The variety of products designed, ranging from musical instruments, furniture, to assistive technologies and consumer electronics, shows us the potential of using these tools in a variety of industries.

One student, Shen Liu, created a balance chair for children. The AI tools made it easy to add to his ideas, helping him to clarify his thinking. Each set of results from the software led him to define his prompts more specifically, uncovering his requirements through pictures. Although AI might assist by providing surprising inspirations, ultimately he felt that “it is unrealistic to rely entirely on AI for design because the complex principles of user-centered design are difficult or impossible to describe in language.”

Another student, Jayden Zhou, used a prompt of “futuristic sci-fi stringed instruments” which led to a series of images similar to current guitars. But in the corner of one image was an incomplete sketch of an instrument with an unusual form. Taking this as his inspiration he was able to translate that into a design for an electric violin with a body style unlike anything on the market now. Although the initial sketch came from the software, he realized that “AI results do not come with emotional judgments, which is an essential part of the design.” It was the imagination of the designer that developed the idea into a compelling visualization.

The jury is still out on the question of how AI will impact designers and the profession in the future. You can get a glimpse of what the future might hold, with details on all the student projects, in the full write up of the project, published on Professor Noguera’s website. Add your thoughts on the potential impact of AI on the future of design in the comments below.

Link easy chair by Dan Ihreborn for Stolab

Link easy chair by Dan Ihreborn for Stolab

Dezeen Showroom: driven by the aim to “link” mid-century Swedish furniture design with its future, designer Dan Ihreborn has created the Link easy chair for Stolab.

According to Stolab, the Link easy chair was designed when Ihreborn wrote “a kind of manifesto” decrying the decline of Swedish design since the 1970s and criticising the focus on simple office furniture and flat-pack design.

Link easy chair by Dan Ihreborn for Stolab
The Link easy chair references 1950s Scandinavian design

This ended up in the hands of Stolab owner Martin Johansson, who saw a synergy with Stolab’s mission to produce solid wood furniture and invited Ihreborn to collaborate.

Ihreborn’s Link is an inviting chair that references the winged armrests of 1950s Scandinavian furniture design.

Link easy chair by Dan Ihreborn for Stolab
The design features surprising details and curving lines

Stolab describes it as a “fantastic and complicated piece of furniture” containing not a single straight line, and one that “already feels like it is a future classic”.

The Link easy chair is made of oak wood in either a natural or white pigmented oil finish, and its upholstery is available in a range of black, brown and tan leathers.

Product: Link
Designer: Dan Ihreborn
Brand: Stolab
Contact: annika.martensson@stolab.se

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

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Dezeen Awards 2022 media public vote winners include a web-based chair finder for Vitra

Vitra Chair Finder by Build in Amsterdam

After over 5,000 votes, Dezeen readers have crowned projects by Build in Amsterdam, Jformento, Kaan Architecten and two other studios as the winners of this year’s Dezeen Awards public vote in the media categories.

Build in Amsterdam won for its online guided shopping experience, with other winners including Unknown Brutalist Architecture in Hong Kong for its portrait of a prefabricated brutalist building and Fantastic Offense for its database of 2D and 3D drawings.

Of the total 55,000 votes that were cast and verified across all categories, the media categories received over 5,000 verified votes.

The Dezeen Awards 2022 public vote winners in the architecture, interiors and design categories were unveiled earlier this week, sustainability winners were announced this morning and studio winners will be published tomorrow.

Dezeen Awards winners revealing in November

The public vote is separate from the main Dezeen Awards 2022 judging process, in which entries are scored by our renowned panel of judges. We’ll be announcing the Dezeen Awards 2022 winners ahead of the winners’ party at the end of November.

To stay up to date with the latest Dezeen Awards news, including this year’s winners, subscribe to our newsletter or follow us on Instagram and LinkedIn.

Read on to see who won in each of the media categories:

Unknown Brutalist Architecture in Hong Kong by Brutalism Hong Kong Research Group
Unknown Brutalist Architecture in Hong Kong by Brutalism Hong Kong Research Group

Architecture photograph of the year

Unknown Brutalist Architecture in Hong Kong is a photograph of the Eastern Sea Industrial Building, designed by architect Peter YS Pun. The 1970s building captured by Brutalism Hong Kong Research Group won with 66 per cent of votes.

The runners-up for architecture photograph of the year were 600 people, Six Floors, One picture by We Are Contents with twelve per cent, VLT by Julian Abrams with eight per cent, and tied with seven per cent were Freedom by Vinay Panjwani and A Solution for Social Housing by Coppakstudio.

Await by Kaan Architecten
Await by Kaan Architecten

Architecture video of the year

Await is part of a 12-film series named Minutes, where each part depicts a project designed by Kaan Architecten. The project was shot on 16mm Kodak film in Sint-Niklaas Crematorium, Belgium, and secured 24 per cent of votes, winning architecture video of the year.

In close second was A Taste of Cloud by Coppakstudio with 23 per cent, followed by Art Barn by Stephenson& with 22 per cent, Utopia by Kaan Architecten with 18 per cent, and finally We Are Not Bad Kids by Morri+Company with 12 per cent.

Visual Escapism by Jformento
Visual Escapism by Jformento

Visualisation of the year

Visual Escapism by Jformento is a render inspired by the late spring. The project, created during lockdown, was voted most popular by Dezeen readers with 32 per cent of votes.

Next was Casas Consciente by Ver with 27 per cent, House for a Fly Fisherman by MATT Architecture and KIN Creatives with 15 per cent, Masseria Urbana by Magma with 14 per cent and 2150 Lakeshore Postcards by Allies and Morrison with 12 per cent.

Minutes by Samuel Gadea, Florian Casarin and Julien Bidoret for Kaan Architecten
Minutes by Samuel Gadea, Florian Casarin and Julien Bidoret for Kaan Architecten

Website of the year (architecture, interiors, design)

Minutes is a virtual exhibition space where viewers can watch Kaan Architecten’s eponymous 12 short films. The website by Samuel Gadea, Florian Casarin and Julien Bidoret was named the winner in this category, securing 26 per cent of votes.

In close pursuit was Paul Archer Design by Engine with 25 per cent, Note by Note Design Studio and Viiksimaisteri with 19 per cent, Valentino Architects by Alexandra Pace Studio, also with 19 per cent, and finally Coop Himmelblau Wolf D Prix & Partner by Bueronardin with 13 per cent.

Dimensions by Fantastic Offense
Dimensions by Fantastic Offense

Website of the year (brand)

Dimensions by Fantastic Offense and Vitra Chair Finder by Build in Amsterdam tied in first place for website of the year (brand) with 26 per cent of Dezeen readers’ votes.

Build in Amsterdam designed a web-based tool that features a curated selection of questions, a smart comparison tool and 3D models Vitra models to help potential buyers find their ideal chair.

Dimensions is a database of dimensioned drawings, documenting the standard measurements and sizes of everyday objects and spaces.

The runners-up were BD Barcelona by Miguel Trias Works with 24 per cent, Decor Systems by Nightjar with 17 per cent and Foam Talent Exhibition 2021 by Build in Amsterdam with seven per cent.

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Top 10 wooden furniture designs for lovers of this warm + minimal material

There’s something about wood as a material that instantly puts you at ease. Wood radiates a certain warmth, and sense of zen, that no other material can exude. And, sometimes a wooden piece of furniture is what your living space truly needs. I feel a well-crafted piece of wooden furniture can add a magical touch to even the simplest of living spaces! Minimal, clean, and almost always soothing, beautifully designed wooden furniture helps a space radiate an aura of warmth and calmness. They instantly make you feel at home. From a wooden arcade cabinet that puts a beautiful twist to a gaming classic to a minimal wooden sideboard with legs that can store your favorite books – these quintessential yet stunning wooden furniture designs are all you need in your home.

1. Wooden Arcade Cabinet

We’ve seen many of these “old school” designs surface in the past few years, thanks to successful “retro mini” revivals of popular consoles from a few decades ago. Of course, not all revivals have to stick to those same old designs, especially when there’s plenty of room to see these old giants in a new light. This arcade cabinet, for example, offers the same functionality as its predecessors but puts it inside a bare, minimalist wooden structure that looks stylish and perfect for a luxurious room.

Why is it noteworthy?

Unlike conventional arcade cabinets, this design can hardly be called a “cabinet” because of its shape. Instead of a large box, this arcade cabinet only has the outer “skin,” showing only the silhouette of the gaming contraption. In fact, it also has its sides left out so that you’ll only see the outline of its profile when seen from the sides. Unlike a typical cabinet as well, this interpretation has its back tapered a bit, streamlining the design and minimizing space.

What we like

  • It has plenty of curves that give it a softer personality
  • This arcade cabinet almost looks more like an art piece paying homage to the golden age of arcades

What we dislike

  • It’s still a concept!

2. The Diag Desk

This beautiful, minimal, and modern desk is called the Diag Desk. It’s built to optimize storage space while integrating storage elements such as removable leather compartments. As simple and minimal as the desk is, it doesn’t lack in functionality or practicality in any form.

Why is it noteworthy?

Considering its minimalist build, more space can be devoted to the desk’s tabletop, where most of the desk’s purpose is reserved. The Diag Desk from Polish designer Marek Błażucki is one kind of minimalist design that integrates storage systems into its build, ensuring that users have ample desk space while still keeping their necessary stationery within arm’s reach.

What we like

  • Integrates ample storage systems into its build
  • Ensures stationery doesn’t fall off

What we dislike

  • There are a lot of visually similar desks on the market

3. Onu

Australi-based Sabu Studio designed a series of lighting designs called ‘Onu’. The Onu series features a pendant, as well as a floor light – beautiful handmade specimens crafted from wood. Both the designs showcase a ‘split’, which in turn functions as the star feature of the products.

Why is it noteworthy?

Sabu Studio merged traditional woodworking techniques with a contemporary approach to design to create the Onu Series. The intriguing split timber section of the designs acts as a light source, one you can definitely not miss. The lights have been crafted from different types of wood – such as oak and walnut.

What we like

  • The design is an attempt on Sabu Studio’s part to further incorporate natural elements such as wood, into modern urban spaces

What we dislike

  • No complaints!

4. The Spacing Sideboard

The Spacing Sideboard is a simple wooden piece of furniture that is marked by two bright orange legs. These colorful legs are the star attraction of the sideboard! Because here’s the interesting part, Deniz has integrated the legs into the center of the sideboard, and also carefully left them hollow.

Why is it noteworthy?

The hollowness of the diagonal legs allows them to function as storage spaces! The amount of space is ideal to fit a book or two into it. Yes, you can’t place bigger items, such as say your laptop or even a really fat book in it, but it’s a genius storage solution to display a few of your favorite (normal-sized) books!

What we like

  • The sideboard also features push-to-open drawers that emphasize the length of the sideboard

What we dislike

  • Not the best storage option for smaller compact homes

5. Serpentin

The Swedish-based furniture designer Marc Hoogendijk wanted to create something that blends together technology and design. He created an indoor bench called Serpentin which gives us the illusion that it’s one continuous piece of wood.

Why is it noteworthy?

He says he likes using a methodology that “mimics the function of human-made objects” and then uses this on the furniture he designs. He calls this “technomimicry” and he applied it to this bench as well.

What we like

  • Inspired by tubes that are made from a continuous strip of paper wrapped around continuously, like what you see in toilet paper or liquor containers

What we dislike

  • The bench may not merge with the aesthetics of different kinds of home

6. The Leaning Chair

Many flat-pack furniture also come with an implicit benefit. In most cases, the separate pieces can be cut out from a single sheet of material, often wood or fiberboard, which minimizes the wasted material. At first brush, that almost seems like the key feature of the Leaning Chair set, and it’s definitely an important one. All three members of the set are CNC cut from the same 4×8 piece of plywood, and while there are still areas of the sheet that are unused and probably discarded, it’s still a lot less wasteful than conventionally assembled furniture.

Why is it noteworthy?

The set features a chair, an ottoman for your feet, and a side table to complete the setting. Like any flat-pack furniture, they can all be assembled without screws or tools. You don’t even need fasteners or glue to keep them together.

What we like

  • Sustainable + efficient design
  • Ready-to-assemble
  • Sturdier than it looks

What we dislike

  • Some people might actually be wary of this kind of assembled furniture, especially chairs that look a bit unstable on their feet

7. The Fly Armchair

This Golder Winner of the A’ Design Award, is an intriguing armchair created as a result of studies of deconstructivist compositions with the objective of building a product with disconnected elements that paradoxically result in a harmonious object. All its parts are contrasting elements, that somehow come together to create a seamless and minimal furniture piece called the Fly armchair.

Why is it noteworthy?

It’s a common assumption that a chair is a singular frame of wood, lined with cushions at strategic places to make seating comfortable. The Fly Armchair shatters that notion by, instead, opting for multiple disconnected pieces of wood that are magically connected by the cushions and armrests. The wood frame isn’t a singular cohesive unit but is rather a fractured form that’s united by an unlikely hero – the ‘soft’ cushion. To an extent, that too was true with the Eames Lounge Chair’s design, although Lima made a more conscious effort to adopt that style here.

What we like

  • Clean + minimal aesthetics
  • It’s almost as if the chair’s ‘actual’ frame is wearing a leather cloak, while the armrests, legs, base, and back panel are taking the credit for bringing the chair together

What we dislike

  • No complaints!

8. The Pessoa Table

Minimalist desks are great at sneaking organizational features into hidden nooks and crannies, but this striking work table has those compartments and spaces hiding in plain sight.

Why is it noteworthy?

Given the desk’s simple yet beautiful appearance, it might come as a surprise to learn that its form is actually inspired by three very different people with very different personalities. Or, to be more precise, the desk is named after the famed Portuguese writer Fernando Pessoa, whose different “heteronyms” (he doesn’t want to call them pseudonyms) have different and sometimes extremely conflicting ideologies. But almost like a metaphor for that situation, the Pessoa table still retains a unified appearance and beauty, just as all of Pessoa’s seventy-five heteronyms spring from the same man.

What we like

  • Minimal + vintage looks
  • Features two containers that float in the back panel

What we dislike

  • No complaints!

9. The Nodding Chair

As someone who loves to read, and read for long periods of time, I know that wooden chairs are the least comfortable ones to sit on while finishing a good book. And I’ve also tried to read while on a regular rocking chair and that made me dizzy since the constant big movements are a bit too much for my poor eyes. But staying put in a chair can still be uncomfortable and you need some type of motion while you’re reading. This product concept seems to be the perfect one for bookworms like me.

Why is it noteworthy?

While rocking chairs are good for relaxation, they’re not always good for floors and if you’re like me, for our eyes and peace of mind. The designer thought of a new way to have a chair that can be comfortable and still let your body have its range of natural motion while reading, resting, or even writing (if you’re used to that). The Nodding Chair can be tilted forward and backward, letting you make smaller movements that won’t make you too nauseous.

What we like

  • Creates less pressure on the floor so you won’t get marks and scratches
  • Allows the chair to move with you as you occasionally change positions while reading

What we dislike

  • The seat itself doesn’t seem to be that comfortable as it’s just plain wood and there’s no cushion

10. The Bogdan Collection

Bogdan Series Studiointervallo

Bogdan Furniture Collection

There is something about Italian furniture that sets it apart from others. We love that furniture design can be elegant, luxurious, and modern at the same time. That is for most of the contemporary pieces we are being introduced to, like the Bogdan Collection by Studiointervallo.

Why is it noteworthy?

The studio’s founder, Andrea Ghisoni, designed this series of furniture that includes a bench, a console table, a coffee table, and a side table. You may want the whole collection as every piece can go well with the minimalist aesthetics of your home. Every unit is made of a single carved solid linden wood and boasts a single line of color defining the shape and the perimeter.

What we like

  • Features colored milled-edge ribs for a bit of style and accent

What we dislike

  • No complaints!

The post Top 10 wooden furniture designs for lovers of this warm + minimal material first appeared on Yanko Design.

Turtle Beach Atom Controller’s ingenious split two-piece design takes mobile gaming on Android to new level

There is a reason why Backbone controller rides at the pinnacle of the mobile gaming industry. It is not just the ability to turn a phone into a PlayStation portable to play compatible titles. That’s because the gaming controller snaps to any Android phone or an iPhone with equal dexterity. This is one trick that most such controllers, made to turn a phone into a portable gaming mega-device imbibe.

In this scenario, gaming accessory maker Turtle Beach has hit the market with a split two-piece design controller which works only with Android phones, leaving the universally compelling domain of the iPhones begging. This new member in the league of mobile gaming controllers, the Atom Controller, is by virtue not compatible with PlayStation. It has no link with the iPhone either. But in all likeliness, it packs the punch to provide Android buffs an exemplary mobile gaming experience.

Designer: Turtle Beach

Whether you like it or not, mobile gaming is a huge industry; triggered sky-high with cloud gaming at the helm. In the scenario where mobile gaming becomes “part of everyday life” controllers such as the Atom Controller test the water of cloud gaming on mobile phones with a bold heart to leave out PlayStation and iPhones from its compatibility list.

That said, the Atom Controller is aesthetically a different guy as well, which will definitely play in its favor when it is available for purchase starting November 14. The controller is built in two parts that connect magnetically to fit into the pocket and split apart into two modules for the left and right hand. When it’s time to play, simply allow your Android phone to rest between the spring-loaded clamps on either module and you’re good to go. The controller uses a 2.4GHz wireless link to keep sync wirelessly, while the low-latency Bluetooth connection allows for a lag-free gaming experience on the smartphone.

Since the Atom Controller is designed for cloud gaming, it is compatible with streaming services like Nvidia GeForce Now, Steam Link, and is officially licensed for Xbox Game Pass. For the latter, Atom features the Xbox Guide button and comes with a month of Xbox Game Pass subscription. The controller touts about 20 hours of playback time and comes in three color options: black and yellow, black and teal, red and black, to choose from. If you’re an Android mobile gamer or want to jump on the bandwagon – you can pre-book the Atom for $99.99 right away. Whether it’ll be able to take on the Razer Kishi, only time will be the testament.

The post Turtle Beach Atom Controller’s ingenious split two-piece design takes mobile gaming on Android to new level first appeared on Yanko Design.

WhistlePig’s Greece-Inspired Boss Hog IX: Siren’s Song

The latest release from the rye whiskey brand is inspired by the daughters of the muses

For its annual, limited edition Boss Hog release, WhistlePig aims to deliver on five promises: each sought-after iteration of the Vermont rye whiskey must be single-barrel, bottled at proof, powerfully complex, stupendous and distinctly unique from anything before. To deliver something entirely new for the ninth iteration of this cult favorite release, WhistlePig’s whiskey development team turned to a decidedly ancient source of inspiration: the nine muses of Greek mythology.

Boss Hog IX: Siren’s Song is a single-barrel rye whiskey aged for 13 years in American oak casks before spending a week each in casks that previously held fig nectar and tentura—a Greek liqueur spiced with orange, clove, cinnamon, nutmeg and honey. The final part of this equation sent the team deep down a rabbit hole and ultimately to the Greek city of Patras, the birthplace of tentura and the only place in the world that produces it.

“We’d been messing around with figs a little bit prior to Greece being a Boss Hog idea,” Meghan Ireland, WhistlePig’s Head Blender, tells us. “Figs always showed up on our charcuterie boards, and I thought it paired really well with the whiskey.” That led to conversations about a Greece-inspired Boss Hog release and ultimately—after many failed experiments with ouzo casks, mastic casks and even Greek red wine casks—to the notion of incorporating tentura into the maturation. A fig and tentura finish would continue an around-the-world theme established by the previous two releases in the series; Boss Hog VII: Magellan’s Atlantic began the journey with a rye whiskey finished in Spanish oak and Brazilian teakwood casks, while Boss Hog VIII: Lapu Lapu was finished in two different Filipino rum barrels.

For those releases, the WhistlePig team managed to simply obtain the finishing casks it needed to create the whiskey it envisioned. But in the case of Boss Hog IX, Ireland and her colleagues would have to create the finishing casks from scratch. A very niche product, tentura is often produced by individual families adhering to long-held family recipes, using local grape brandy or sometimes rum as a base in which to macerate the cloves, cinnamon, citrus, nutmeg and other ingredients that give tentura its distinct holiday-spice character. Low commercial production volumes simply don’t sustain a commercial market for used tentura casks, and acquiring them is difficult. “Getting the barrels in the quantity we needed was just not going to happen,” Ireland says. “And with today’s supply chain, the chances of them getting here [in time] was near zero.”

Instead, Ireland and WhistlePig Head of Whiskey Development, Liz Rhoades, set about developing their own tentura recipe, visiting Greece to source ingredients and consult with a tentura distillery outside of Patras. The “farm-scratch tentura” they then developed at WhistlePig dials back the cinnamon a bit so it doesn’t overtake the rye and includes homegrown ingredients like local Vermont honey. They also developed their own fig nectar for the first leg of the cask finish to temper the tentura’s sharper citrus notes and baking spices with some rounder sweetness.

“We’re calling this the most creative Boss Hog ever because we made up all of the finishing barrels along with the whiskey itself,” Ireland says. It’s the first Boss Hog to undergo a non-alcoholic barrel finish, and the first in which WhistlePig has developed and seasoned all of its own finishing casks in-house.

In terms of where it sits on the Boss Hog spectrum, Siren’s Song will likely draw comparisons to Boss Hog VII, wherein the Brazilian teak wood casks impart distinct cinnamon and baking spice notes to the whiskey. But where the VII is largely characterized by those notes, Boss Hog IX leans more toward the cooked orange and clove flavors from the tentura casks, balanced by round jammy fig (particularly on the finish) and notes of brown sugar and toffee pudding. Whereas many whiskies draw a lazy association with “Christmas cake,” Boss Hog IX truly lives the comparison.

Boss Hog IX’s packaging marks another first for the series, one that is bound to excite and frustrate collectors in equal measure. Each bottle comes topped with one of nine different pewter corks (crafted specially for WhistlePig by Vermont’s Danforth Pewter), each representing one of the nine Greek muses. Some are more common than others, with the muse of tragedy—Melpomene—being the rarest. At $600 per bottle at retail (and likely much more on the secondary market) collecting all nine will likely require Odyssean determination.

Images courtesy of WhistlePig

Selldorf Architects revises plans for National Gallery's Sainsbury Wing

Proposed interior of Sainsbury Wing

New York studio Selldorf Architects has made changes to its revamp of the postmodern Sainsbury Wing at London’s National Gallery, which had been criticised as “damagingly destructive”.

The plans to remodel Robert Venturi and Denise Scott Brown‘s postmodern Sainsbury Wing were first revealed earlier this year and met with heavy criticism from heritage bodies and architects.

The National Gallery submitted revised plans on 17 October, detailing changes to the proposal that it said were done after hearing from heritage bodies and stakeholders.

View of interior of Sainsbury Wing
A number of pillars will be moved under the revised scheme

“The changes to the scheme are a natural evolution of the process of listening and consultation,” a spokesperson for the National Gallery said. “We’ve listened carefully to the views of heritage bodies and other stakeholders and have welcomed their views.”

“We have found ways to retain more of the existing fabric whilst meeting our ultimate ambition of providing a world-class welcome for our millions of visitors,” they added.

“People’s needs and expectations have changed dramatically over the last 30 years and we need to accommodate these, as well as the 100 per cent increase in visitor numbers.”

Egyptian-style columns to be moved under new plans 

The newly submitted plans detail a number of changes that Selldorf Architects has made to its design for the Sainsbury Wing.

The internal screen walls of the rotunda on the main floor, which would have been removed under previous plans, will now be retained.

In the entrance lobby, two pill-shaped columns will be moved one structural bay to the west, while its six Egyptian-style columns will be moved to become part of a new bookshop. A curved wall will also be moved.

The remaining structural columns on the ground floor, as well as structural columns on the first floor and the exposed first-floor edge, will be clad in Pietra Serena stone. Previous renderings appeared to show the columns clad in pale wood.

Sainsbury Wing interior with stone-clad pillars
Structural columns will be clad in stone

Changes have also been made to the glass balustrade on the first floor, which will now have a misted glass finish and no handrail or metal framing. It will be set back from the slab edge.

Finally, the studio has extended the use of a rusticated limestone finish on part of the stone wall between the lobby and the stair, which will now reach the full two-storey height of the wall.

National Gallery “needs to do a rethink”

Architecture critic Hugh Pearman, who had deemed the original plans for the remodel “damagingly destructive”, wrote on Twitter: “This superficial revision doesn’t change my view that the NG is literally starting from the wrong place and needs to do a rethink on where its main entrance should be.”

In an article for The Arts Newspaper, Pearman called on the gallery to reconsider its plans to keep the Sainsbury Wing as its main entrance, which it was not originally designed to be, claiming that it “unbalances the whole composition of the National Gallery”.

“But if the gallery continues to insist that its main entrance should be at the far western end of the main complex, then only the most minimal and respectful alterations to Venturi and Scott Brown’s unique building should be allowed,” Pearman said.

Previous proposals criticised as “an act of vandalism”

Critics of the original scheme include architect and University of Westminster professor Sean Griffiths, who told Dezeen: “In the context of the unique character of this building, the deployment of ubiquitous corporate, airport concourse aesthetics in the proposed revamp looks a lot like an act of vandalism to me.”

In an opinion piece for Dezeen, architecture editor and writer Catherine Slessor said: “History now seems to be repeating itself at the Sainsbury Wing,” arguing that the proposed changes to the building are the latest in a long line of controversies surrounding it.

The Sainsbury Wing renovation is part of the National Gallery’s NG200 project to mark its bicentenary in 2024. It will see a seminar room, archival store and staff offices added, as well as an espresso bar on the building’s ground floor and a cafe on its first floor.

The images are courtesy of the National Gallery.

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