Dezeen reveals the world's top sustainable projects shortlisted for Dezeen Awards 2022

Dezeen Awards sustainable

Dezeen has announced the sustainability shortlist for this year’s Dezeen Awards, which includes projects by Biobased Creations, Powerhouse Company and Newtab-22.

The 15 shortlisted projects, which are in the running for awards in three different sustainability project categories, are from studios located across 15 different countries including Germany, India, Japan, Rwanda and Jordan.

Five projects were shortlisted in each sustainability category including a range of low-carbon outdoor furniture using local waste and a learning and sports centre in Masoro Village, Rwanda.

The shortlist also includes a DIY air purifier and an ethical office in Tokyo, Japan. Other shortlisted projects include an eyewear store on London’s Chiltern Street, a full-size house made entirely of biobased materials and a beach-side stool providing shelter for sea creatures.

All shortlists to be announced this week

The shortlists were scored by our sustainability jury which includes Katie Treggiden, Jay Blades, Rajeev Kathpalia and Babette Porcelijn.

The architecture, interiors and design shortlists were announced earlier this week, the media shortlist will be revealed Thursday afternoon and the studio shortlist on Friday.

Learning and Sports Centre by General Architecture Collaborative was shortlisted

All shortlisted architecture projects are listed below, each with a link to a dedicated page on the Dezeen Awards website, where you can find an image and more information about the project. All shortlisted projects will also feature in their own dedicated Dezeen post.

The winner of each project category will be announced online in November. All 11 winners will then go on to compete for the title of design project of the year.

Vote for your favourite project next week

For the third year running, Dezeen Awards is holding a public vote after the shortlist announcements, meaning readers will be able to choose their favourite projects from 12 September onwards.

Projects with the highest number of votes in their category will win a public vote award. Winners will be announced in mid-October, ahead of the Dezeen Awards event in November.

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Read on for the sustainability shortlist:


Floating Office by Powerhouse Company

Sustainable building

The Exploded View Beyond Building, Ketelhuisplein, Netherlands, by Biobased Creations
The Natural Pavilion, Almere, Netherlands, by DP6 Architectuurstudio
Learning and Sports Centre, Masoro Village, Rwanda, by General Architecture Collaborative
Mustardseed, Sentema, Uganda, by Localworks
Floating Office, Rotterdam, Netherlands, by Powerhouse Company

Browse all projects on the sustainable building shortlist page.


The Circus Canteen by Multitude of Sins

Sustainable interiors

D/O Aqaba, Aqaba, Jordan, by FADAA
The Circus Canteen, Bengaluru, India, by Multitude of Sins
Monc, London, United Kingdom, by Nina+Co
Apricity, London, United Kingdom, by Object Space Place
Semba Good Ethical Office, Tokyo, Japan, by Semba Corporation

Browse all projects on the sustainable interiors shortlist page.


The K-BriqTM by Kenoteq

Sustainable design

The K-BriqTM by Kenoteq
Maggie’s Southampton by Local Works Studio
Air-It-Yourself by Jihee Moon
Remix by Open Funk UG
Tidal Stool by Robotic Fabrication Lab HKU

Browse all projects on the sustainable design shortlist page.

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Fransje Gimbrère inserts woven installation at Róhe Frames pop-up during Amsterdam Fashion Week

Three woven volumes were installaed at the Rohe Frames pop-up

Amsterdam-based brand and studio Róhe Frames populated a show space with curated vintage furniture and Crafted Columns, a woven installation by artist Fransje Gimbrère, to launch its latest collection during Amsterdam Fashion Week.

The Róhe Frames exhibition took place in the Jordaan neighbourhood of central Amsterdam within a white-walled space that was largely lit by a barrel-vaulted skylight above.

Interior image of the Róhe Frames Crafted Columns instalaltion
Róhe Frames used vintage and contemporary furniture to display its latest collection

Here, Róhe Frames incorporated its latest collection of trans-seasonal and knitted pieces amongst curated pieces of vintage and contemporary furniture. In the corner of the room, Dutch artist Fransje Gimbrère created a large woven installation titled Crafted Columns.

Gimbrère looked to knitting techniques to inform her design of three black-yarn volumes, crafting the handmade installation using hundreds of ropes, cords and yarns of varying thicknesses and weaves.

Image of the woven installation at the Róhe Frames pop-up
The installation is comprised of three column-like volumes

The yarn installation was suspended across the ceiling of the Róhe Frames space via means of hoop-shaped supports. Gimbrère wove and braided the yarn, cord and rope across the supports in order to then drape the volumes in a column-like style within the space.

Many of the vintage furniture pieces incorporated throughout the space were wrapped and upholstered in excess yarn used in Gimbrère’s installation.

Image of the hand-woven installation at the pop-up
The material was manipulated to create different forms

“Hundreds of different cords made of natural materials create a three-dimensional play,” said the brand. “The art exhibition tells the story of a conscious and multidisciplinary approach, characteristic of Róhe.”

“Crafted Columns explores the dialog between fashion, craftsmanship, art, and collaborations in a physical space where all of these disciplines can coexist,” Rohé Frames added.

Also on show were a steel chair and bench by Dutch designer Paul Coenen, which were carefully placed between subtly waved clothing rails.

Solid wood pieces – such as a 1970s lounge chair upholstered in Icelandic sheep skins – lent by home furniture store Fundamente added a warmer touch to the space.

Interior image of Róhe Frames clothing on clothes rails
Vintage furniture was sourced by the brand

“Good things in life can’t be rushed, that’s why we are committed to sharing the beautiful stories of the handmade,” said Róhe Frames of the exhibition.

“By shedding light on the art of knitting, we hope to spark a deeper connection between our customers and the Róhe pieces.”

Image of a stool with a woven seat beside shelving at the Róhe Frames pop-up
Vintage furniture was upholstered in excess yarn from the woven installation

The brand also collaborated with UK-based fashion designer Amy Powell to create a line of hand-knitted garments comprised of six experimental knitted tops.

At this year’s Amsterdam Fashion Week, Francon showcased its Spring Summer 2023 collection at MVRDV’s Depot Boijmans Van Beuningen while 1/OFF presented a collection made from vintage fabrics.

Photography is by Stéphanie Oonk.

Amsterdam Fashion Week took place from 31 August to 4 September 2022 in Amsterdam, the Netherlands. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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Seven vacancies for architectural assistants on Dezeen Jobs

Casa Popeea boutique hotel by Manea Kella

We’ve selected seven opportunities for architectural assistants in London available on Dezeen Jobs this week, including positions at Tonkin Liu, Haptic Architects and Assemble.


Photograph showing lit tower next to road at night

Part 2 architectural assistant at Tonkin Liu

Tonkin Liu is hiring a Part 2 architectural assistant to join its team in London. The studio completed a biomimetic tower in Manchester that contains lighting and flues for a low-carbon energy centre.


Photograph showing pavilion on grassy field with trees

Part 2 architectural assistant at Claridge Architects

Claridge Architects designed a blackened timber pavilion for the Plants Out of Place exhibition during the 2015 London Design Festival. The studio is seeking a Part 2 architectural assistant to join its team in London.


Visualisation of a CLT skyscraper structure

Part 2 architectural assistant at Haptic Architects

Haptic Architects is seeking a Part 2 architectural assistant to join its London studio. The studio has masterminded Regenerative High-Rise, a conceptual timber structure that aims to transform tricky sites in cities across the world.


Mile End Road, England, Vine Architecture Studio

Part 2 architectural assistant at Vine Architecture Studio

Vine Architecture Studio brightened up a home in East London by adding a playful yellow spiral staircase and skylights. The studio has a new opening for a Part 2 architectural assistant to join its team in London.


Folkestone Triennial 2021

Part 2 architectural assistant at Assemble

Assemble is seeking a Part 2 architectural assistant to join its team in London. The studio designed a course of skatable structures in collaboration with local skateboarders for the Creative Folkestone Triennial.


Cadogen Cafe by NEX in Chelsea, London

Part 2 architectural assistant at Nex Architecture in London, UK

Nex designed a cafe in Chelsea, London with retractable windows for use in good weather and ash wood slats on its ceiling to emphasise its spiral shape. The studio is seeking a Part 2 architectural assistant to join its studio in central London.


Reception of Casa Popeea boutique hotel by Manea Kella

Architect or experienced architectural assistant at Manea Kella

Manea Kella seeking a newly qualified architect or experienced architectural assistant to join its studio in London. The practice converted a dilapidated art-nouveau house in Brăila, Romania into boutique hotel Casa Popeea.


See all the latest architecture and design roles on Dezeen Jobs ›

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John Vieweg launches curvy furniture collection for his studio Thehighkey

Photograph showing sofa, wall decor and mirror in brightly-lit show room

Promotion: US designer John Vieweg aims to bring “humanity back to industrial manufacturing” in a collection of furnishings for his interior design studio Thehighkey.

Vieweg’s collection named Relief is made up of a sofa, a mirror and two wall-hung decorative pieces, which are all characterised by their rounded, soft compositions.

Photograph showing mirror and wall decor in urban car park
The collection aims to soften the environments the pieces are placed in

Vieweg’s Glove Couch was made using computer design software. Afterwards, the piece was realised in physical form by sculpting foam with a hot wire before applying it to a wooden core.

“By thickening a curved line I was able to produce this organic form that had a very human quality. It had this immediacy about it, I knew that I had to build it,” said Vieweg. “The Glove Couch encourages you to sit in its various folds, creating a condition in which you feel held.”

The couch is upholstered in a natural boucle that has a range of colour options. Custom finishes with other fabrics are available upon request.

Detail of white rounded sofa
The Glove Couch is made up of a wooden frame and wire-cut foam

The Dome Mirror is made up of a circular plywood border carved into concentric curved lines with a mirror mounted in the centre.

The curved shape of the frame is reinforced in the mirror, which is convex instead of flat to create a fish-eye effect in the user’s reflection.

The carvings consist of plywood that has been worked into to create undulating patterns of consecutive lines that snake from bottom to top or from side to side, which is a variation of the mirror’s decorative frame.

The pair of carvings can be hung individually or side by side to compliment one another.

Photograph showing figure seated on white rounded sofa
The folds of the Glove Couch provide an inviting place to sit

Each item includes a wooden french cleat, which allows the pieces to float off of the wall, giving them the appearance of being suspended in mid-air.

“The three wall-mounted items are a natural extension of the curving motif. Each one serves as a sigil, softening the surrounding landscape for human occupation,” Vieweg explained.

“The two carvings continue the graphic treatment from the couch, while the Dome Mirror with its convex reflection reveals the entirety of the space around the viewer.”

Photograph showing mirror and wall decor in urban car park
Both the couch and wall-mounted items reference their industrial backgrounds

The collection draws on the idea of relief in sculptural processes, which is the carving away of material to create softer components and rounded edges.

It encourages “physical relief” by presenting comfortable furnishings and rounded motifs that are easy on the eye.

Detail of wall decor texture
Carving plywood elements reveal the wood grain

“Historically, reliefs have been made by carving away at natural materials,” said Vieweg.

“Thehighkey puts a contemporary spin on this technique by cutting into standard industrial products such as plywood and foam.”

Detail of wall mirror texture
The fish eye effect of the convex mirror allows users to see more of the space around them

“[Relief] speaks to the industrial context in which it was made,” Vieweg said. “These rounded shapes are reminiscent of throwie graffiti and are the foundation of an entire graphic system, one that has become a form of expression for me.”

“These items provide relief from our complex world,” Vieweg continued.

The collection’s name comes from the aesthetic, physical and psychological meanings of the term ‘relief’. The items will be available in October to coincide with the launch of Thehighkey’s official website.

To learn more about the design studio visit Thehighkey’s Instagram here.

Partnership content

This article was written by Dezeen for Thehighkey as part of a partnership. Find out more about Dezeen partnership content here.

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Suri creates modular electric toothbrush with recyclable brush head

A hand throwing a black electric toothbrush in the air

London-based toothbrush company Suri has created Sustainable Sonic Toothbrush, an electric toothbrush with an aluminium body and brush heads made from plant-based materials that can be recycled after use.

Suri founders Mark Rushmore and Gyve Safavi designed the Sustainable Sonic Toothbrush after learning that nearly every plastic toothbrush ever owned still exists in the world. They believe it could replace plastic toothbrushes – four million of which they say are disposed of each year around the world.

A hand throwing a black electric toothbrush in the air
Suri has released an electric toothbrush that has a recyclable head

“Over the last few decades, electric brushes haven’t meaningfully changed; only novelty features, such as Bluetooth-enabled apps, have emerged on the market under the guise of innovation,” Rushmore told Dezeen.

“While most are bulky composites of plastic that can’t be recycled because they’re welded shut, it’s no surprise that every year over four billion brushes – including electric ones – are thrown away and end up either in landfill or in our oceans,” he added.

“We wanted to create a brush that champions design, performance and sustainability without compromise.”

A Suri toothbrush on a sink
The bristles are made from corn starch and castor oil

The Sustainable Sonic Toothbrush heads, which come with medium to soft bristles are made from corn starch and castor oil.

Traditional toothbrushes usually have bristles made from nylon, which end up as landfill waste or marine waste for decades.

By contrast, Suri claims that they are 100 per cent recyclable. Users can send their used brush heads back to the brand in the post in compostable paper bags provided by the company.

A toothbrush in a bathroom
The toothbrush body is made from aluminium

By using a pre-paid compostable return service, Suri hopes to make the process of changing heads as easy as possible and discourage its customers from switching back to disposable brushes out of convenience.

The company recommends changing the brush head every three to four months as you would traditional electronic toothbrush heads.

A green toothbrush being splashed with water
It comes in three muted colours

Alternatively, the brush heads can be recycled at home by removing the bristles and disposing of them in a home waste bin where the brand says they will eventually break down in a couple of years.

According to the toothbrush manual, the metal clips that connect the bristles to the head and the inner core of the head can also be recycled at home in the same way as aluminium foil. The remaining cornstarch shell can be sent to a local industrial composter.

Meanwhile, the aluminium body can be sent back to Suri to be repaired or have its rechargeable Li-ion batteries replaced once they run out. The batteries are designed to last for up to 30 days without being charged.

“Once a customer’s battery dies, they can send back the brush to us to replace the battery or complete any other repairs, if necessary,” Safavi explained.

“Whilst we’re refurbishing the brush, we will send that customer a replacement brush so they can still brush their teeth.”

Two hands holding a black toothbrush
Users can send the body back to the company to be repaired

Despite Suri’s sustainability claims, the brand sources the materials and manufactures its toothbrushes in China. As a result, the product’s carbon footprint is much larger than it would be if the product was manufactured locally.

“All components are sourced in China but we found that we could reduce our scope three emissions by not shipping parts to the region to assemble and then ship on once again,” Rushmore said.

“We are looking to make production more local, but this was the most optimal way to launch with sustainability in mind.”

Cutting down on virgin plastic in toiletries is one way that designers are trying to make their products more sustainable.

New York toiletries company By Humankind created refillable deodorants and dehydrated mouthwash that come in paper pods made of biodegradable paper while design studio Visibility developed a re-fillable container for plant-based deodorant brand Myro that uses 50 per cent less plastic than a regular disposable toiletry.

Suri’s Sonic Toothbrush has been shortlisted in the product design category of the Dezeen Awards. Other products shortlisted for design awards include Tenuto 2, a wearable vibrator by MysteryVibe that is designed for those who experience erectile dysfunction.

Images are courtesy of Suri.

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K-25 Bathrobe upgrades the bathroom experience with a novel stress-relieving design

Different people have different ways to relieve stress or fatigue, but one of the most common methods is taking a shower or soaking in a tub. The activity is almost symbolic, like washing away the problems of life, even if only temporarily. But while the cleansing process itself might be soothing, what happens before or after can have a significant impact on the experience. Rough towels and uncomfortable bathrobes can irritate the skin and break the magic of the shower experience. Fortunately, there are creative minds that are taking a stab at fixing that problem, and this new bathrobe offers an elevated experience that will remove your stress even before you step into the shower.

Designer: K-25 Design

Click Here to Buy Now: $79 $200 (61% off). Hurry, only 2/250 left!

It’s only too easy to take bathroom accessories for granted, especially towels and bathrobes that are so common that we don’t even give them a second thought. We spend a lot of money on soothing soaps and expensive shower heads, only to burden our skins and our bodies with low-quality bathrobes. Granted, there are luxurious towels and bathrobes available, but the fluffy ones also tend to be heavy, thick, and take too long to dry.

Sustainably Made – Made from 100% natural combed cotton. They are OEKO-Tex 100 certified, meaning tested to be free from harmful levels of chemicals.

This can end up ruining the relaxing bath or soak that you just had, especially when the bathrobe starts to stink due to prolonged dampness. Over time, the material also starts to fray and break apart, causing further discomfort and mental stress at the thought of having to buy a new bathrobe yet again. The K-25 bathrobe wants to be the only bathrobe you’ll ever want, and it does this using a design that could make you craving for waffles.

Waffle Weave Design

Rather than the typical weaves you’d see on bathrobes, the K-25 uses what it calls a waffle weave that really does look like the breakfast favorite. More than just being an unconventional design, the weave allows air to flow better, which means that the material is more breathable and dries more quickly. Thanks to this, the bathrobe can be thinner and more lightweight while still offering the same benefits as thicker cotton robes when it comes to water absorption.

The K-25 bathrobe is also innovative in the kind of cotton it uses. Instead of the typical carded, open-end cotton yarn, the K-25 uses combed, ring-spun cotton that prevents fraying and lets it retain its form far longer. The fabric is also guaranteed to be safe and sustainable, avoiding the use of harmful levels of chemicals that hurt the environment in the long run. It also has natural antibacterial properties so that you don’t have to stress over your own health.

The K-25 Bathrobe is designed to alleviate the stresses of modern times. It even has a spacious pocket so that you can conveniently carry a phone or a book with you. Available in three sizes, including a plus size, and for only $79, you can get your hands and your body on a bathrobe that can help preserve your peace of mind long after you’ve stepped out of the shower. You can even get a hold of a matching bath mat, slippers, and towels as add-ons, completing the stress-relieving shower experience you need and deserve.

Click Here to Buy Now: $79 $200 (61% off). Hurry, only 2/250 left!

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This stunning lakeside villa has a historical connection to a renowned Norwegian composer

Situated on the brow of a hill, overlooking the serene waters of Lake Nordås, and almost a fifteen-minute drive from Bergen, Norway, is the mesmerizing Villa Grieg. Designed by Saunders Architecture, the beautiful wood-clad home is elevated on metal stilts, to provide those stunning views of Lake Nordås. Alexander Grieg commissioned Todd Saunders to build this ‘forever home’ for his family and him. He is a descendant of Norwegian composer, Edvard Grieg, who lived in a summer villa nearby in the 1880s. The villa was accompanied by a composer’s hut, both of which are now a part of the Edvard Grieg Museum.

Designer: Saunders Architecture

In fact, the new home has been positioned in such a manner, that it’s aligned with the historic buildings, located further up the hill.

“It’s almost a longing to have the same kind of life Edvard Grieg would have had at the time. Programmatically it’s related, as both a place to compose music and a place to live, and geographically it has the same relationship to the lake,” said Todd Saunders.

Villa Grieg is meant to be a modern live-work space, with separate sections for both realms. The home harmoniously moves upwards, from an insular music studio on the lower level to an open and spacious living space that is raised via stilts. I love how the roof of the music studio beautifully slopes upwards, rising slowly but surely from the ground, and then artfully extending into the living space. It’s almost like an inverted rainbow if rainbows were a humble beige.

“We wanted movement, almost like drawing a single line that wraps around on itself and a sculptural movement towards the sky,” Saunders said.”It’s about going from one level to another, but using the building to do it,” he concluded.

Clad in Kebony timber, the home features two bedrooms and a music studio whose sloping form holds the staircase that leads to the bedrooms and the remaining upper section. A skylight has been placed above the staircase, as well as a sliding glass door at one end of the studio. The door leads to a cozy patio space. There’s an abundance of windows in the main living area, providing the home with a free-flowing aesthetic. Massive windows in the bedroom and the living, dining, and kitchen room provide views of the lake, as well as the landscape.

An amazing trait of the Kebony timber is that it will slowly weather with time, and turn grey, allowing the home to further merge with its exquisite surroundings. The architect wanted it to “take up the patina of the natural landscape”. He said it looks almost like a rock popping out of the landscape. The sculptural piece of architecture is a labor of love by Todd Saunders and Alexander Grieg, and this comes through beautifully in the home.

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The Apple Watch Ultra is a great smartwatch, but it’s also a brilliant marketing tool. Here’s why…

The Apple Watch Ultra is the tech equivalent of “Do you even lift, bro?”

With 8 years in development, Apple has firmly cemented the Watch’s reputation as a device that saves lives. The Apple Watch isn’t just a smartwatch, it’s also an incredible medical and safety device that’s helped people in emergencies. Every year, Tim Cook even spends a few minutes on covering real-life stories of how the Watch saved its wearer’s life. The Apple Watch Ultra, however, doesn’t share that reputation. It’s built for extremes, for the ultra-human, whether they’re scaling mountains, crossing deserts, diving in oceans, or just pushing their bodies to the limit in the pursuit of a goal. In Apple’s own words, the Watch Ultra is an “essential tool for essentially anything”… but here’s the part Apple didn’t say out loud. They know that regular people will want the Watch Ultra too, just for the ability to portray themselves as limit-pushing ultra-humans. It’s the watch equivalent of owning a Peloton, having a bike mount attached to your car’s rear, or just taking gym selfies. The Watch Ultra is an exceptional device, but it’s also a status symbol of sorts for people who want to be perceived as adrenaline junkies and adventure lovers.

The Ultra suffix tells you practically everything you need to know about what this new smartwatch was made for. Apple doesn’t envision this to be the watch someone wears to the office, or an elderly person wears it to monitor their heart levels. This watch was designed absolutely push the limits of what a watch can do and endure. The watch sports a rugged titanium design that’s more resilient in inclement weather, including snowstorms, and is rated WR-100 water resistant as well as EN13319 certified, which means you can use it as a dive computer during scuba diving sessions.

The watch’s new design was made for easy operation even when you’re wearing gloves. The crown is thicker, grippier, and the power button more accessible. There’s even a new Action button on the opposite side for controlling the watch’s various ‘ultra’ activity tracking features, whether you’re competing in a triathlon, deep-sea diving, or even marking your position on the watch’s own mapping system during a trek. It sports a redesigned home screen interface, called the Wayfinder, that gives you access to all the important features you need during your activities, including a compass, GPS coordinates, altitude, and other useful metrics. The watch’s battery can last for 36 hours, although Apple claims that future updates can push this to 60 hours, so your watch aides you on your long, difficult journeys whether you’re trekking, camping, long-distance jogging, or completing a triathlon. The watch even comes with a ‘night mode’ that’s accessible simply by rotating the crown, which turns the interface minimal and red, retaining visibility while conserving battery… and an internal 86-decibel siren lets you attract attention to yourself in the event of an emergency.

The watch comes with a rugged titanium alloy construction and sports three different strap styles, an Alpine Loop, Trail Loop, and Ocean Band. The Watch Ultra by default comes with GPS and Cellular, and sports all the other features of the Series 8, including a much more advanced temperature tracker and period tracker, crash detection, international emergency calling, fall detection, and an always-on display. With all those advanced features, the Watch Ultra doesn’t come cheap. At $799, it costs as much as the iPhone 14 (yes, the new one), making it the most expensive smartwatch money can currently buy. However, for people heavily invested in an active or extreme lifestyle, this one might just be a doozy.

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San Fransisco Decriminalizes Psychedelics

San Fransisco lawmakers unanimously approved a resolution that decriminalizes the use of psychedelics, such as psilocybin and ayahuasca. While this measure does not yet reverse the city’s criminal justice policy, it is a crucial first step toward this goal, urging police to treat psychedelics “amongst the lowest priority” and noting that the city should not use its resources “for any investigation, detention, arrest, or prosecution arising out of alleged violations of state and federal law regarding the use of Entheogenic Plants.” This achievement could not have happened without the work of Decriminalize Nature San Francisco, who helped advance the resolution and is also advocating for the decriminalization of psychedelics across the state. Elsewhere, the resolution serves as a model forward, as places like Aspen, Colorado, have begun collecting signatures to achieve the same. Read more about this at DoubleBlind magazine.

Image courtesy of Georgia Love/DoubleBlind

The iPhone 14 and 14 Pro quite literally reach for the stars… Here’s why Android phone-makers should be worried

If there’s one takeaway from this year’s keynote, it’s that Apple wants to make all its devices more useful in practical scenarios. With crash detection, and the unique ability to connect to satellites for SOS calls, the iPhone 14 and 14 Pro are quite literally must-haves.

It’s a simple yet BRILLIANT idea. How do you get people who’ve just spent money on an iPhone 13 to switch over to the latest model? Surely a better camera isn’t a compelling enough reason to spend $999 on a new phone… but, if Tim Cook were to say that the new iPhone can literally save your life, that becomes a stronger reason to make a switch. Moreover, it now leaves Google, Samsung, and the like scrambling, because, for the past decade, the camera seems to have been the single most important piece of hardware and software on a phone. The new iPhone 14 and 14 Pro series aren’t just good iPhones with great cameras, they’re also now the potential difference between an emergency and safety.

Before really talking about the fluff that makes the phone attractive to consumers for daily use, let’s highlight the two features that absolutely change how people perceive iPhones. Debuting both on the iPhone 14 and the Watch Series 8 at exactly the same time, the Cras Detection feature is a culmination of millions of studies on how Apple’s hardware can help detect car crashes and alert emergency services in an instant. The company had perfected fall-detection over the last few years, but ‘Crash Detection’ is an absolutely different ball game. The phone uses a high g-force accelerometer, gyroscope, sensors, microphone inputs, machine learning algorithms, and data from the Watch Series 8 (if the victim is wearing one) to detect multiple types of car crashes, including impacts on the front, side, rear, or eve barrel-rolls across different car types from smaller smart cars to large SUVs. This allows the iPhone 14 and 14 Pro to know exactly when you’ve been in a crash, notifying the authorities and emergency services in an instant. Sure, Android phones have touted car-crash-detection features in the recent past, but the iPhone 14 goes above and beyond with its next feature.

Before last year’s keynote, there was speculation that the iPhone would be getting Low Earth Orbit satellite connectivity, and with the 14 and 14 Pro, it seems like Apple’s ready to roll the feature out – well, at least initially to customers in USA and Canada. The way the phone works is pure hardware ingenuity. Unlike satellite phones that are bulky and come with a massive antenna to help you get cell coverage in areas with no infrastructure or access, the iPhone 14 and 14 Pro simply redesigned their hardware and their antennas to help the phone connect to satellites in different intuitive ways. The phone’s new interface lets you connect to a satellite simply by pointing your phone at it. The interface allows you to detect the direction of the satellite, although the caveat is that you need to be outdoors and preferably in the open with no obstacles like trees or foliage blocking the connection. Once connected, you can send texts (which are now compressed to a third of their original space for faster transmission), your location, and even make voice calls. The iPhone’s new SOS UI also allows you to pre-select the nature of your emergency and your possible surroundings, to aide better search and rescue missions. Your $799 iPhone 14 can now potentially save you from being stranded and possibly being in severe danger.

Now onto the good stuff. The iPhone 14 and 14 Pro come in regular and large sizes with different nomenclatures, strangely. The larger 14 is called the 14 Plus, but the larger 14 Pro is called the 14 Pro Max. The iPhone 14 runs on the A15 Bionic chip (something we suspected, given the chip shortage), while the new iPhone 14 Pro sports the new A16 Bionic chip (with an entire part of the chip dedicated to just the interactions around the Dynamic Island). Surprisingly enough, Apple hasn’t caved in to the EU’s demands for a USB-C iPhone, and didn’t even address it in their keynote in a way that makes me think they’re taking a rather firm stance. Other features in the new phones is their always-on display, and the ability to save battery by decreasing brightness and dramatically reducing the screen’s refresh rate down to as little as 1 Hz for a battery that literally lasts an entire day.

The new phones have better cameras too, although that isn’t really a surprise. They work remarkably well in low-light conditions, with the iPhone 14 Pro sporting what Apple calls a quad-pixel sensor for much better performance. Like the Cinematic Mode from last year’s iPhones, this year Apple unveiled an Action Mode for their cameras, that provide incredibly stable videos that almost feel like they’ve been taken using expensive cinematic rigs. The iPhone 14 Pro also offers a 2X mode that works in a unique way by simply cropping a part of the 1X mode but preserving an incredible amount of detail, thanks to that quad-pixel sensor and the 48-megapixel main camera.

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