Float sofa by Sarah Ellison among new products on Dezeen Showroom

Float sofa by Sarah Ellison in a concrete interior

Dezeen Showroom: a rich-hued brown sofa that was informed by 1970s conversation pits is among 13 new products featured on Dezeen Showroom.

Float sofa by Sarah Ellison in a concrete interior

Float sofa by Sarah Ellison

Created by Australian design brand Sarah Ellison for Pantone, Float has deep, ribbed seats and tapered armrests, which are upholstered in decadent brown velvet.

The brown upholstery is in the shade Piccolo, which was created specifically for this design and brings a “sensorial richness” to the piece, according to Ellison.

Float sofa was recently featured on Dezeen Showroom, alongside a collection of storage pieces characterised by using the live edges of timber and ceramic tiles designed to mimic the appearance of wallpaper.

Read on to see more of the latest products:


White Deco floral wall tiles in a bathroom by Marazzi

White Deco wall tiles by Marazzi

Italian tile brand Marazzi‘s White Deco wall tiles aim to bridge the gap “between minimalism and decoration” by overlaying a plain white background with oversized floral and foliage-based prints.

The tiles deliver the look of traditional wallpaper in a thin ceramic tile format, allowing them to be used in all areas including kitchens and bathrooms where water is present.

Find out more about White Deco ›


Live Edge TV stand by Kobeomsuk Furniture

Live Edge furniture collection by Beomsuk Ko for Kobeomsuk Furniture

South Korean designer Beomsuk Ko has designed a range of storage units for his brand Kobeomsuk Furniture with simple forms that allow the grain of the wood to serve as decoration.

The collection is made up of a walnut TV stand, a glass cabinet, a freestanding shelving unit and a sideboard that all take visual cues from traditional South Korean furniture.

Find out more about Live Edge ›


Pale blue Borriana wall tiles in a bathroom and wet shower area

Borriana tiles by Estudio Ceramico

Informed by traditional vitrified ceramics, Spanish tile brand Estudio Ceramico aimed to create “timeless atmospheres” with their Borriana tiles.

Tiles are available in both square and elongated rectangular sizes in colourways including ocean, navy and deep green, inspired by the natural landscape of land and sea.

Find out more about Borriana ›


Plato poufs by Yasemin Toygar

Plato poufs by Yasemin Toygar

Launched at London Design Festival, furniture brand Yasemin Toygar designed its Plato poufs with geometric blocks of marble and onyx embedded in its brass legs.

The legs and bases act as a “geometric still life” and support soft upholstered seats that are available in three colour and shape options.

Find out more about Plato ›


Three crochet rugs by Gan in a dining room under a wooden table and chairs

Crochet rug collection by Clara von Zweigbergk for Gan

The result of a collaboration between designer Clara von Zweigbergk and Gan, Crochet rugs merge unusual chromatic combinations with the familiarity and comfort of knitted products.

Crochet rugs are hand-made in India from virgin wool and come in two formats – Crochet Mono or Crochet Trio – which both come in two size options.

Find out more about Crochet ›


Photograph showing sink area with geometric print tiles

Momenti wall tiles by Marazzi

Marazzi designed its range of Momenti wall tiles with the aim of reinstating colour and decoration in interior spaces.

The tiles are available in a wide range of plain, floral and botanical patterns, as well as Art Nouveau and Art Deco-informed geometric prints.

Find out more about Momenti ›


Purple, orange and yellow Mod Furniture collection by HBF

Mod Highback seating by Henrik Schulz for HBF

Furniture brand HBF and architect Henrik Schulz collaborated to expand Schulz’s existing range of Mod furniture with Mod Highback seating.

The range comprises two and three-seater sofas and a lounge chair, all with tall sides that act as built-in privacy screens. Theu are intended for use in offices as an alternative to desk working where you can comfortable sit while retaining focus.

Find out more about Mod Highback ›


Photograph showing rattan and wooden chair by side table with lamp

X lounge chair by Hvidt & Mølgaard for &Tradition

&Tradition has rereleased Hvidt & Mølgaard’s 1959 X lounge chair, named after the shape of its slender oak and walnut frame.

The chair’s design takes cues from old wooden tennis rackets and is suitable for indoor use across a range of settings.

Find out more about X ›


Panarea side board by Lebanto in a burgundy room

Panarea sideboard by Lebanto

The Panarea sideboard by Italian brand Lebanto presents an alternative to what it refers to as “the grandmother’s sideboard”, a combined bench and table that traditionally sits at the entrance of a house.

The piece combines seating, storage and tabletop space and is made from a range of materials and finishes including mirror, wood, brass, marble and upholstery.

Find out more about Panarea ›


Inland sofa by Anderssen and Voll for &Tradition

Inland sofa by Anderssen and Voll for &Tradition

The Inland sofa is the result of a collaboration between furniture brand &Tradition and Norwegian studio Anderssen & Voll, aimed at combining Scandinavian minimalism and Italian luxury.

The sofa comes in both two and three-seater options and features a deep seat for optimal comfort, with upholstery options including leather, linen and wool.

Find out more about Inland ›


Photograph showing chair and design in workspace

Loto Recycled chair by Mara

Office furniture brand Mara‘s Loto Recycled chair provides space-saving and sustainable seating for workplaces, restaurants and homes.

According to the company, Loto is both 100 per cent recycled and recyclable as well as being available in three colourways and three base options, two of which are stackable.

Find out more about Loto Recycled ›


Photograph showing metal trolley on cators with book storage

Alima trolley by Note for &Tradition

Scandinavian design studio Note and &Tradition have created the versatile Alima trolley, which is useful for storage and display in homes and hospitality settings.

The trolley’s castors make it easily manoeuvrable and its two shelves and V-shape divot allow easy display and access to books and other items.

Find out more about Alima ›

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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Holloway Li releases chubby furniture collection informed by retro 1990s design

Orange and cream seats by Holloway Li

British studio Holloway Li has collaborated with furniture producer Uma Objects on T4, a modular collection of chubby seats that evoke designs found in 1990s popular culture and launched during London Design Festival.

The studio’s first furniture collection comprises a legless and armless puffy seat made from fibreglass and coloured upholstery.

Its bulbous form was chosen for its association with the rounded furniture designs popular in the 1990s, such as inflatable chairs and the distinctive chair used on the set of the British reality television series Big Brother.

Four colourful chairs in a storage unit
Holloway Li has released its first furniture collection

“We referenced the 90s as a kind of genesis, or starting point of the idea because it’s just a bit more fun – something that’s not too sober or too polite,” said Holloway Li co-founder Alex Holloway.

“It’s a bit like if the Big Brother diary room chair and Salvador Dali’s sofa had a love child,” Holloway told Dezeen, referring to the artist’s Mae West Lips sofa.

“We wanted to get the balance between the retro aesthetic but at the same time the optimism that came at that time.”

A yellow and an orange chair by Holloway Li
T4 draws on playful shapes popular in the 1990s

The designers chose to name the collection T4 after its previous pieces T1, T2 and T3, which they created for private interior projects including the Bermonds Locke Hotel.

Coincidentally, the name was used for British broadcasting channel Channel 4’s cult weekend show T4, which became synonymous with the youthful spirit of the late 90s and early noughties.

The chubby seats, which weigh 30 kilograms each, come in four colour options called Melon Yellow, Blush Pink, Overground Orange and Cream Soda. However, users can also custom order different shades that Uma Objects can produce in its Izmir-based manufacturing site in Turkey.

Holloway Li cofounder Na Li said that the combination of contemporary colours and the seat’s retro form results in a “retro-futuristic” design that invokes nostalgia.

“I don’t think retro-futuristic has been defined yet, but colour-wise T4 can be considered modern and so we were thinking it’s kind of a way of using that nostalgic form but with modern colours,” Li told Dezeen.

A blush pink seat called T4
The seats are made from fibreglass

T4’s modularity allows multiple chairs to be grouped together to create longer sofas or lounge chairs. Holloway believes that the furniture could be used in commercial as well as residential spaces.

“It would work pretty well in the hospitality environment or a hotel lounge – anywhere like that,” he said. “It could be something that’s a bit more interesting and a bit more of a talking point.”

A modular cream coloured sofa
The individual seats can be combined to form a longer sofa

T4 is not the only puffy piece of furniture to be produced recently. Dezeen columnist and interior trend specialist Michelle Ogundehin argued that bloated curves, chubby upholstery and stout legs would become popular as furniture designers traded minimalist, skinny pieces for thicker shapes.

Designer Lara Bohinc has created a collection of curvy furniture that intends to celebrate the female form, while Ukrainian design brand Faina looked to ancient depictions of ancient goddess sculptures for Domna, a puffy armchair.

The photography is by Uğur Oluş Beklemez.

London Design Festival 2022 took place from 17-25 September 2022. See our London Design Festival 2022 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks that took place throughout the week.

The post Holloway Li releases chubby furniture collection informed by retro 1990s design appeared first on Dezeen.

See who's ahead in the Dezeen Awards 2022 architecture public vote

dezeen awards 2022 public vote

After 7,000 votes, projects by Scott Whitby Studio and Heatherwick Studio are ahead in the Dezeen Awards 2022 public vote architecture categories. Vote now for your favourite!

Other studios in the lead include Studio Saar for its factory on a seasonal lake in India and João Mendes Ribeiro for his house clad in black-painted timber in Portugal.

The public vote, which closes on 10 October, gives readers the chance to vote for projects and studios shortlisted in the architecture, interiors, design, sustainability and media categories, as well as practitioners who are competing to win the studio of the year awards.

​​Voting is open for another two weeks, so there is still time to vote for your favourites!

Click here to vote ›

Public vote winners published in October

Public vote winners will be announced 17 to 21 October on Dezeen. The public vote is separate from the main Dezeen Awards 2022 judging process, in which entries are assessed by our international panel of professional judges.

We will be revealing the Dezeen Awards 2022 winners in late November.

Who is in the lead?

Of almost 30,000 votes that have been cast and verified across all categories so far, the architecture categories received over 7,000 verified votes.

Read on to see which projects and studios have received the most support.


Dezeen Awards 2022 public vote urban house

Urban house

› 30 per cent – Keep House, Melbourne, Australia, by BKK Architects
› 22 per cent – 8 Yard House, Melbourne, Australia, by Studio Bright
› 21 per cent – Light-filled Stair Hall, Tokyo, Japan, by Kiri Architects
› 16 per cent – House in Yanakacho, Takasaki, Japan, by Taiga Kasai + Chong Aehyang Architecture / KACH
› 12 per cent – House of Voids, New Delhi, India by Malik Architecture

Browse all projects on the urban house shortlist page.


Dezeen Awards 2022 public vote update

Rural house

› 31 per cent – Gadi House, Maval, India, by PMA Madhushala
› 24 per cent – Bugok Friday House, Jangheung-myeon, South Korea, by TRU Architects
› 20 per cent – Retreat in the Delta, Delta San Fernando, Argentina, by MAPA Architects
› 14 per cent – Marfa Ranch, Live Oak, USA, by Lake Flato Architects
› 10 per cent – Piyandeling Artisan House, Sindangwaas, Indonesia, by Realrich Architecture Workshop

Browse all projects on the rural house shortlist page.


Dezeen Awards 2022 public vote update

Housing project

› 31 per cent – Cohousing De Sijs, Leuven, Belgium, by Officeu Architects
› 22 per cent – Cuatro Cielos, Tulum, Mexico, by Void Studio
› 19 per cent – Terrace House, Melbourne, Australia, by Austin Maynard Architects
› 15 per cent – Stories, Amsterdam, The Netherlands, by Olaf Gipser Architects
› 14 per cent – Nurse Dormitory Chulalongkorn Memorial Hospital, Bangkok, Thailand, by Plan Architect

Browse all projects on the housing project shortlist page.


Dezeen Awards 2022 public vote update

Residential rebirth

› 21 per cent – Nieby Crofters Cottage, Niesgrau, Germany, by Jan Henrik Jansen and Marshall Blecher
› 19 per cent – Nido House, Melbourne, Australia, by Angelucci Architects
› 19 per cent – Low Energy House, London United Kingdom, by Architecture for London
› 17 per cent – Yarra Bend House, Melbourne, Australia, by Austin Maynard Architects
› 13 per cent – Made of Sand, Devon, United Kingdom, by Studio Weave
› 11 per cent – Hlöduberg Artist Studio, Dalabyggð, Iceland, by Studio Bua

Browse all projects on the residential rebirth shortlist page.


Dezeen Awards 2022 public vote update

Civic building

› 32 per cent – Yong’an Village Community Hub, Liuyang City, China, by Tongji University and Archi-union Architects
› 24 per cent – Pilares Pedro Vélez, Mexico City, Mexico, by Rozana Montiel Estudio de Arquitectura
› 19 per cent – Project Burma Hospital, Magyizin, Myanmar, by A+R Architekten
› 16 per cent – Shajing Village Hall, Shenzhen, China, by ARCity Office
› Nine per cent – Quzhou Stadium, Quzhou, China, by MAD Architects

Browse all projects on the civic building shortlist page.


Dezeen Awards 2022 public vote cultural building

Cultural building

› 23 per cent – Ilulissat Icefjord Centre, Sermermiut, Greenland, by Dorte Mandrup A/S
› 22 per cent – Chapel of Sound, Beijing, China, by OPEN
› 18 per cent – Progeso Museum of Geology, Mexico City, Mexico, by Estudio MMX
› 16 per cent – Depot Boijmans Van Beuningen, Rotterdam, The Netherlands, by MVRDV
› 11 per cent – Argo Contemporary Art Museum & Cultural Centre, Tehran, Iran, by Ahmadreza Schricker Architecture North
› 11 per cent – Pingtan Book House, Pingtan, China, by Condition_Lab

Browse all projects on the cultural building shortlist page.


Dezeen Awards 2022 public vote update

Business building

› 44 per cent – Secure Sanand, Gujarat, India, by Studio Saar
› 24 per cent – Xinglong Lake Citic Bookstore, Chengdu, China, by MUDA Architects
› 21 per cent – Jakob Factory Saigon, Vietnam, by G8A Architects and Rollimarchini Architekten
› Seven per cent – Caisse d’Epargne Bourgogne Franche Comté Headquarters, Dijon, France, by Graam Architecture
› Four per cent – Rooftop Greenhouse Agrotopia, Roeselare, Belgium, by by META architectuurbureau and van Bergen Kolpa Architecten

Browse all projects on the business building shortlist page.


Dezeen Awards 2022 public vote update

Hospitality building

› 37 per cent – DevaDhare Restaurant, Sakleshpur, India, by Play Architecture
› 18 per cent – Hotel Terrestre, Oaxaca, Mexico, by Grupo Habita
› 18 per cent – The Relic Shelter, Fuzhou Teahouse, Fuzhou, China, by Neri&Hu Design and Research Office
› 16 per cent – Casona Sforza, Puerto Escondido, Mexico, by Alberto Kalach
› 10 per cent – Valle San Nicolás Clubhouse, Valle de Bravo, Mexico, by Sordo Madaleno Arquitectos

Browse all projects on the hospitality project shortlist page.


Dezeen Awards 2022 public vote update

Rebirth project

› 39 per cent – Jubilee Pool, Penzance, United Kingdom, by Scott Whitby Studio
› 25 per cent – Timber Adaptive Reuse Theater, New York City, USA, by CO Adaptive Architecture
› 16 per cent – Good Cycle Building, Nagoya, Japan, by Nori Architects
› 13 per cent – TMT Folding Park Reconstruction, Beijing, China, by Approach Design
› Six per cent – Incision – Nantou City Guesthouse, Nantou, China, by Neri&Hu

Browse all projects on the rebirth project shortlist page.


Dezeen Awards 2022 public vote update

Small building

› 30 per cent – Chestnut House, Valeflor, Portugal, by João Mendes Ribeiro
› 25 per cent – Cinders, Scottsdale, USA, by The School of Architecture
› 22 per cent – Grampians Peaks Trail Stage 2, Grampians, Australia, by Noxon Giffen Architecture
› 17 per cent – The Richard Rogers’ Drawing Gallery, Le Puy-Sainte-Réparade, France, by RSHP
› Five per cent – Construction Skills School, London, United Kingdom, by EBBA Architects

Browse all projects on the small building shortlist page.


Dezeen Awards 2022 public vote update

Landscape project

› 28 per cent – Little Island, New York City, USA, by Heatherwick Studio
› 21 per cent – Cycling through the Heathland, Hoge Kempen National Park, Belgium, by Visit Limburg
› 18 per cent – La Pista500, Torino, Italy, by Benedetto Camerana Studio
› 18 per cent – Wilderness Garden and Amphitheater, Yanjiao Village, China, by Z’scape
› 15 per cent – Poonehzar-Farm, Fars, Iran, by Shid Architects

Browse all projects on the landscape project shortlist page.

The post See who’s ahead in the Dezeen Awards 2022 architecture public vote appeared first on Dezeen.

Departamento del Distrito turns telecom mast into solar-power tower

When Models are Systems, a solar-powered tower by Departamento del Distrito

Mexican design office Departamento del Distrito has created a totem equipped with solar power that produces light, plays music, measures the weather and cools down the air on a Mexico City rooftop.

The seven-metre-high installation, titled When Models are Systems, consists of a repurposed telecommunications mast installed on the roof of a former lace factory that is now a cultural centre.

When Models are Systems, a solar-powered tower by Departamento del Distrito
When Models are Systems is a tower equipped with solar power

The structure integrates an 85-watt photovoltaic panel, linked to a generator and battery, which allows it to harness and store solar energy.

This is used to power various electronic devices, including spotlights, a mist cooling system and loudspeakers synced to a curated music playlist.

When Models are Systems, a solar-powered tower by Departamento del Distrito
A solar panel is used to power lighting, speakers and misters

Departamento del Distrito founders Francisco Quiñones and Nathan Friedman have also added other elements, so that the tower can become an information point as well as a gathering place.

These elements include a thermometer, an air-humidity monitor, a wind sock, a digital clock, a tarp and bucket for collecting rainwater, a mirror for reflecting light, and a lightning rod for grounding electrical currents.

When Models are Systems, a solar-powered tower by Departamento del Distrito
The tower also features elements for measuring weather and climate

“The atmospheric products of the tower are active for a finite period of time each day, determined by the amount of [solar] energy that is produced and stored,” said Quiñones and Friedman.

“Taking advantage of the rainy season in Mexico City, which spans late May through November, the project is dependent on the periods of intense morning sunshine and afternoon thunderstorms that are typical during these months.”

When Models are Systems, a solar-powered tower by Departamento del Distrito
Components include a wind sock, a tarp and bucket for collecting rainwater, and a mirror for reflecting light

When Models are Systems is one of six installations produced by winners of the Architectural League Prize 2022, an annual award granted by the Architectural League of New York.

Previous winners were asked to present works in a gallery but, since the pandemic, designers are now instead asked to create an installation in their home city.

Quiñones and Friedman saw this as an opportunity to engage with the politics of energy and climate policy in Mexico, which they describe as “an urgent and contemporary concern for the population at large”.

“Despite Mexico’s immense potential for solar energy production, the current federal administration has prioritised national hydrocarbon industries and broadcast its agenda through a new state-run oil refinery, currently under construction in Dos Bocas, Tabasco,” they told Dezeen.

When Models are Systems, a solar-powered tower by Departamento del Distrito
The 85-watt photovoltaic panel is linked to a generator and battery, so that solar energy can be both harnessed and stored

Their design aims to promote the social and economic benefits of renewable energy in a playful way.

Visitors have engaged with the structure in various ways, according to Quiñones and Friedman, with some simply coming to charge their mobile devices while others are using it as a social space and engaging with the ideas behind it.

When Models are Systems, a solar-powered tower by Departamento del Distrito
The installation creates a social space on a Mexico City rooftop

“When you encounter the installation, the climate discourse that motivated it is not immediately obvious,” explained the designers. “This is intentional.”

“First and foremost, it needs to be able to stand alone as a work that is joyful, well-executed, and has the capacity to bring people together. Then, if you want to engage with the politics, the discourse is there.”

When Models are Systems, a solar-powered tower by Departamento del Distrito
The amount of solar energy generated determines how long the tower appear active each day

The installation is temporary so will be removed at a later date to make room for new artist studios that are set to be built in its place.

The modular nature of the design means it could be potentially reassembled elsewhere, creating a solar-powered social space in a new location.

The photography is by Adriana Hamui.

Project credits

Design: Departamento del Distrito
Team: Francisco Quiñones, Nathan Friedman, Alfonso Peláez Rovalo
Technical consultant: ESYSTEC México
Support: Architectural League of New York, Rice Architecture


Solar Revolution logo
Illustration by Berke Yazicioglu

Solar Revolution

This article is part of Dezeen’s Solar Revolution series, which explores the varied and exciting possible uses of solar energy and how humans can fully harness the incredible power of the sun.

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Kelp Mini Clutch is a bioplastic bag based on 3D-scans of seaweed

Midnight blue Kelp Mini Clutch by JK3D

Austrian designer Julia Koerner has created a 3D-printed clutch bag for her fashion brand JK3D, which is made from bioplastic and modelled on tendrils of kelp.

Launched at MQ Vienna Fashion Week 2022, the Kelp Mini Clutch was informed by structures of kelp found along the coastline of Malibu in California.

Slate, mauve and midnight blue Kelp Mini Clutch bags by Julia Koerner for JK3D
The Kelp Mini Clutch is 3D-printed from bioplastic

The bag’s intricate geometry was made possible with the help of 3D printing, with strategic voids helping to create a unique visual effect while making the bag more lightweight, according to Koerner.

“Everything – the clasp, hinge and pocket – is 3D-printed out of one single material using plant-based polymers,” the designer told Dezeen.

“I analysed and 3D-scanned the naturally dried kelp and developed the 3D design based on the scans.”

3D-printed Slate Kelp Mini Clutch by Julia Koerner
The design was presented at MQ Vienna Fashion Week

Koerner had her first encounter with 3D printing as a student at the University of Applied Arts in Vienna, and has since applied her expertise to everything from haute couture dresses for Iris Van Herpen to the Oscar-winning costumes of Marvel film Black Panther.

Her design brand JK3D is based between Vienna and Los Angeles, where Koerner now resides.

“This September marks JK3D’s first year in Vienna and MQ Fashion Week was a natural fit to showcase our collection of unique products and the launch of the Kelp Clutch,” the designer said.

Close up of a mauve 3D-printed Kelp Mini Clutch by Julia Koerner
The Kelp Mini Clutch is available in three colours including mauve

The Kelp Mini Clutch, which comes in midnight blue, slate and mauve, was presented at the event alongside JK3D’s HY Clutch and the Lamella series of side tables and pedestals. Both feature 3D-printed shapes informed by the ribbed lamella structures found on the underside of mushrooms.

With JK3D, Koerner aims to utilise 3D-printing technology to create designs that mimic nature and are made from plant-based polymers.

“Our motivation is to create innovative, iconic and sustainable designs, which are inspired by nature,” Koerner said.

With the help of 3D printing, Koerner says the brand is able to produce customisable products with complex geometries.

“We 3D-print to order yet can produce a clutch in one day, which enables us to be agile and also customise clutches with initials or other personalisation,” she said.

“I believe the future of fashion is 3D-printed. The technology enables us to rethink manufacturing processes, mass customisation and personalisation.”

Black and white HY Clutch bags by JK3D on Lamella pedestals
JK3D also presented the HY Clutch and Lamella pedestals

“3D printing is a sustainable method to keep up with the constant change in style,” she added. “We can create the designs digitally, present them virtually and 3D print only those that are needed.”

Other bags made from plant-based materials that have been featured on Dezeen include a bag made using discarded grape skins from wine production and another made from fruit-leather, which dissolves to become plant fertiliser.

The photography is by JK3D.

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This trendy duffel backpack will be your ultimate travel partner

People have been enjoying traveling and going outdoors again to the point that “revenge travel” has become a trend. Whether you’re traveling out of town for a few days or simply packing for a trip to a sports complex, having a dependable bag is essential in making your trip free from stress and worry. Buying a bag can be an adventure in itself when you’re trying to pick one that can maximize storage without sacrificing usability and aesthetics. Often you have to sacrifice one or the other to reach an acceptable compromise. A good-looking bag that can meet all your travel needs might sound like fantasy, but that’s exactly the kind of experience promised by this durable duffle bag and backpack in one.

Designer: DM Supply

Click Here to Buy Now: $169 $259 (35% off). Hurry, only 325/400 left!

Different people have different travel needs. Actually, even the same person might have different needs and requirements depending on the type of travel their doing. There is really no one size that fits all, but there are designs that definitely come close to that ideal situation.

When traveling with sports equipment or clothes for a few days, duffle bags and backpacks are the go-to solutions. The Blackbriar Allround Duffle Backpack offers both in the same bag, but that’s just the tip of the iceberg of the flexibility that this travel essential has to offer.

For example, many travel-oriented bags have a dedicated pocket for shoes or dirty clothes. More often than not, however, you can’t use the same pocket for both purposes. Blackbriar’s solution is so genius in its simplicity that you’re left wondering why it isn’t more common. This duffel backpack has two such compartments on opposite ends of the bag, allowing you to store two pairs of shoes, shoes and dirty clothes, or just dirty clothes. That way, you don’t have to compromise on storage because your bag doesn’t offer you that flexibility.

You might think that having two such compartments can be a waste of space, but that’s hardly the case. The shoe pockets can fold neatly out of the way if you don’t need them, but they also have another function that you won’t see in other bags. Those pockets can become dividers to create sections inside the bag, thanks to a patented S-Partition design. Thanks to this unique feature, you no longer need to use a bag organizer that only takes up precious space inside.

The Blackbriar Allround Duffle Backpack also has all the bells and whistles you’d want from a travel bag. The three-tiered structure of its fabric not only protects it from water and scratches but also helps preserve its shape.

A magnetic main pocket makes it easy to open the bag, while zippers allow you to safeguard the contents inside when traveling under heavy conditions. Mesh pockets inside let you stash big and small objects, while a dedicated laptop pocket can be accessed both from the outside as well as from the inside.

With all these features and a flexible configuration, it might come as a shock that the Duffel Backpack comes with a $169 price tag only. Throw in another $10 add-on, and you’ll be able to grab the shoulder straps that can help distribute the weight of the load across your whole body. Whether it’s for short trips or long ones, the Blackbriar Allround Duffle Backpack offers the flexibility you need to adapt to your situation while also looking stylish along the way.

Click Here to Buy Now: $169 $259 (35% off). Hurry, only 325/400 left!

The post This trendy duffel backpack will be your ultimate travel partner first appeared on Yanko Design.

This MINI electric concept depicts natural progression of the hatchback

MINI Cooper is a compact hatchback that everyone swears by for fun, energetic drives on the freeway. Throw any city challenge at this agile, speedy four-wheeler and it doesn’t disappoint. The unique-looking car has made its own dominant space in the automotive lovers’ world all these years, and there’s no stopping!

MINI has a race car-like quality when aggression is needed, and still, it maintains the immaculate grace of a city commuter. Like all other major automotive manufacturers, BMW Group has also vowed to reduce the carbon footprint with electric versions of the compact hatchback.

Designer: Roman Ignatowski

The current generation MINI electric powered by the electric drivetrain checks some boxes while missing out on others, still, the iconic look has been a major USP. This concept design of a future MINI builds on the deep-rooted status of the brand without going overboard. The MINImalistic design of the original is apparent and thank god the original dimensions have not been tinkered with.

Transportation designer Roman has created the MINI in the cool EV avatar as his personal study project. The car gets nifty alterations to completely change the perception of a classic four-wheeler. There’s a sense of airiness to the interiors with the pillar size reduced and the sunroof more dynamic to liven up things. The headlamps and the taillight get a more aggressive treatment to reinforce the aggressive stance. The same goes for the diamond-cut finish wheels that add to the edgy personality of the otherwise contoured EV.

Interiors get the same MINImalist treatment inline with the future trends dominated by light-colored spaces. The car’s dashboard gets the all-white treatment with a digital display for the telemetry. The central console is an extension of the dashboard itself and it’s MINImal too. The iconic steering wheel of the MINI gets the biggest facelift in the shape of a yoke-style racing wheel. Those alone project the futuristic transformation of the MINI.

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This multi sensory table adds a smell and sound to your environment when in use

A lot of people from different cultures treat eating and drinking coffee/tea as a sacred time. Some even go so far as to create a sacred space wherein to consume their food and drinks in peace and/or in comfort. What if you could take it a little step further and create an oasis of your own in the middle of a busy or stressful day? Even if you’re not surrounded with an actual oasis, there are still things you can do to have some sort of “retreat” while you’re eating, using your other senses like sight, hearing, and touch.

Designers: Junseo Oh, Junwan Woo, Jihoon Park, Yoon Seoyoung, Dagyeong Kim

If you can’t afford to eat outdoors or somewhere surrounded by nature, this product concept may be the next best thing. Basically, the Oasix is a table with a planter in the middle and with a speaker built in so you can be surrounded by music as you drink your coffee or as your eat your ramen. So imagine an elongated Bluetooth speaker with a circular table on top. It’s built for a single person or maybe a couple so if you live with a family, this may not be the best dining table to have.

In the middle of the Oasix is a space to put your plant of choice. If there’s no plant in the middle, it might be mistaken for a cooker or something. The speaker built into the table will surround you with your music or podcast or audio book of choice, accompanying you as you eat or drink. The main purpose of this piece of furniture is so you’ll be able to enjoy all of your senses, not just the usual taste and smell, as you partake of your meal or snack break.

There are no other details included in their product page but the Oasix seems to be minimalist in design and basic and stark in their choice of color. It will fit right into your house if you have a minimalist or industrial aesthetic. I’m not a plant person so I’m not really sure if it adds to the appeal of this table but there are enough plant parents out there to probably want to have this in their dining room.

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These ergonomic earbuds double up as speaker controls, adding a new dimension of functionality to wearables

There have been a lot of truly wireless earbuds and earbud concepts over the past few years as wired devices have gone out of style. But basically, they serve just one purpose and that is to play something in your ears or as a secondary tool for accessing digital assistants like Siri, Google Assistant, etc. Once they’re off your ears though, they become practically useless and most of the time, they’re just sitting pretty there in the charging case. What if they had another function when they’re not in your ears.

Designer: Liam de la Bedoyere for Bored Eye

That’s one of the main ideas behind the Bored Buds, a concept for a pair of earbuds that are not just intuitively designed but are also multi-functional. Basically, they’re earbuds that are also part of a Bluetooth speaker. So when you’re not listening to music using the audio accessories, they are nestled in the speakers through the protective case and serve as the control buttons. The speaker itself does not have any interface or display so the earbuds will serve as your on/off, pause/play, and volume up/down buttons.

But as earbuds, they are also pretty well-designed. They are pill-shaped so they will fit comfortably in your ears. They are made from titanium, they are water-resistant and durable, and are 100% recyclable. They have magnetic connections and there is no cover as the buds nestle below the surface. The case is attached to the speakers through a USB-C connection. The controls themselves are gesture-sensitive both as earbuds and for the speakers.

When switching from the speakers to the earbuds, you only have to pinch them to transfer the sound back. Both the speaker and the earbuds use monochromatic colors and minimalist design. Hopefully, the sound will also be of good quality as no matter how good a design is, it’s how an audio accessory sounds that can make or break it. This is an interesting concept for audiophiles who want to have music and other aural products always on hand.

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At the Rose House is a design showcase at the home of famed landscape architect

An exhibition of hand-crafted art and design pieces, including a seminal sculpture by Charles and Ray Eames, is on display at the former New Jersey home of 20th-century landscape architect James Rose.

At the Rose House is on show at the Ridgewood home that the late American modernist landscape architect designed and hand-built for himself and his family in 1953 and lived in for almost 40 years.

At The Rose House exhibition
Pieces in the exhibition are displayed throughout the home as if they belong there

Organised by curatorial platform Object & Thing and furniture and interior design studio Green River Project LLC, the exhibition stemmed from Rose’s appreciation for craft and materials.

The show “emphasises the hand-made, beauty in nature and a sense of timelessness” according to the curators.

Living room of James Rose's Ridgewood home
Rose self-designed and hand-built the house, which features several Japanese design elements

Green River Project LLC founders Aaron Aujla and Benjamin Bloomstein, who have admired the landscape architect for some time, have produced a series of new designs based on his work.

Created in collaboration with a group of designers, these pieces include a side chair by both Bloomstein Industrial and Luck Carpentry, rice paper lamps from Preziosi Lighting and carved grooming items on shelves in the bathroom by Teague’s Path.

Ceramic pots displayed on wooden shelves
Artworks and designs were selected to reflect Rose’s appreciation for craft and materials

“The ease in which Rose expanded the home using ready-made materials was an early point of reference for our practice,” said Aujla.

“In particular, there is a kitchen with mahogany shelves and pegboard that we must have spent over 100 hours dissecting and referring back to over the last five years.”

Green River Project’s products are presented alongside the work of mid-century and contemporary designers, including Alvaro Barrington, Bode, Charles and Ray Eames, Louis Eisner, Hugh Hayden, Nancy Holt, Kiva Motnyk, Michele Oka Doner, Johnny Ortiz-Concha and Anne Truitt among others.

Clothing by Bose hung around the house
Clothing based on Rose’s personal style is hung in closets

The works are installed as if they belong in the rooms and garden, which – like many of Rose’s later projects – feature elements of Japanese design, including the exposed timber structure and shoji screens.

“[Rose] spent considerable amounts of time in Japan and became a Zen Buddhist,” said the curators. “This influence is evident in the Ridgewood house, especially on the upper floor, which contains a room for his daily mediation practice that The James Rose Center is currently restoring.”

Eames Plywood Sculpture
An edition of the 1943 Plywood Sculpture by Charles and Ray Eames is being presented in the US for the first time. Photo by Michael Biondo

Pieces on display include the Eames’ seminal 1943 Plywood Sculpture – the first time that this edition, which was made and released by Eames Office, is being presented in the US.

Among the designs created for the showcase are leather Adirondack chairs by Hugh Hayden, wood-fired micaceous pots by Johnny Ortiz-Concha and naturally-dyed framed textile works by Kiva Motnyk.

A selection of clothing by New York brand Bode, based on Rose’s “eccentric” personal style, is hung in the closets throughout the house.

Landscape paintings, rice paper drawings, flower vases, terracotta sculptures, and a screening of Nancy Holt’s 1975 film Pine Barrens that “portrays the New Jersey wilderness” also feature.

Exterior of James Rose house
The house in Ridgewood, New Jersey, is preserved by The James Rose Center. Photo by Michael Biondo

Green River Project LLC is also producing new editions of one of Rose’s lanterns to coincide with this exhibition.

These will be sold to benefit The James Rose Center – a non-profit landscape research and study foundation, which is based at the house and has preserved Rose’s legacy since his death in 1991.

Exterior of James Rose house
The exhibition, curated by Object & Thing and Green River Project LLC, runs until 2 October 2022. Photo by Michael Biondo

“Rose was an impossible maverick, called by one author, ‘The James Dean of Landscape Architecture,’ but I think he would be very happy with the vision Green River Project LLC and Object & Thing have brought to his house,” said foundation director Dean Cardasis.

At the Rose House runs until 2 October 2022. This is the latest in a series of exhibitions organised by Object & Thing within the homes of notable 20th-century artists and architects, following presentations at the houses of Gerald Luss, Robert Dash and Eliot Noyes.

Other exhibitions that showcase the work of modernist designers include an exhibition of Le Corbusier’s tapestries in Manhattan.

 See our Dezeen Events Guide for information about other exhibitions, installations and talks.

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