This Norwegian wooden tiny home on wheels was built for a flexible + nomadic life

David and Jeanette Reiss-Andersen, cofounders of the Oslo-based tiny home company Norske Mikrohus, decided to build an eco-friendly and affordable alternative to the pricier standard-size homes available on the market.” We wanted to create something for people looking for a way out of the rental and mortgage markets—something for those who want easy access to nature and to live with fewer possessions,” said David. And their efforts led to the birth of ‘Tind’ – a beautiful wood-wrapped tiny home built in Norwegian style.

Designer: Norske Mikrohus

Measuring 70 square feet, Tind is a tiny home on wheels, that draws inspiration from the forests and mountains of Norway. It’s also clad completely in Norwegian spruce, making it a sustainable little house. Not only the exterior but the interior of the home is also clad in wood – birch veneer to be specific, giving the space a very modern, natural, and warm vibe. Large glass doors connect the indoors to the outdoors, creating a lovely connection to nature. Black aluminum windows provide an interesting contrast to the otherwise pale wooden tone of the home, creating an effect that is subtle and elegant.

The home features an open-plan kitchen and a spacious living area, which showcase a flooring of ash. This further offsets the warm and minimal theme that seems to be running through the entire house. There’s also a compact built-in wooden counter in the open-plan kitchen, which serves as an efficient home office, as well as a handy dining area.

Another interesting highlight of the home would be the skylight. It provides a stunning view of the night sky, and helps you feel even closer to nature! There’s also a walk-in closet, which isn’t seen in most tiny homes. It adds a really cool and unique element to Tind. It provides the same amount of storage, you would find in the other tiny home models by Norske Mikrohus, so there’s been no compromise on the storage space.

The bathroom boasts a large shower area, which isn’t usually seen in the bathrooms of tiny homes. This was inspired by houseboats! There’s also sufficient space under the sink to fit in a washer/dryer.

Not only is Tind built from environmentally friendly Nordic materials, but it was also designed to withstand Nordic weather conditions. Tind was designed with one important goal in mind – to encourage flexibility and freedom. It’s a home you can move around in, and take wherever you want to. It supports a comfortable life on the road, and the freedom to live life wherever and however you want!

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This portable power station is perfect for camping, tailgating, and even for working outdoors

Meet the LIPOWER Mars-2000, a beer-cooler-sized power station that gives you up to 2000W of power no matter where you are. Whether you’re camping outdoors, spending a cool evening at the beach, going on a road-trip, or even taking your camera and drone on a day-long expedition for work or casual photoshoots, the LIPOWER Mars-2000 is a pretty capable portable power source that’s equipped with EV-grade LFP batteries for sustained power no matter what your requirement. It’s designed for the outdoors (and has the ability to charge via solar panels), but can even be used indoors during power outages, making it the perfect way to reclaim your energy independence so you don’t need to rely entirely on a power grid. That also means being able to occasionally lower your electricity bills!

Designer: LIPOWER

Click Here to Buy Now: $1,039 $1489 ($450 off). Use Coupon Code “yanko” to get an additional $50 off! Hurry, offer ends on 15th August!

The 1460Wh power station weighs 35.5 lbs (16.1 kilograms) and comes with built-in handles that let you load it on the back of a car and carry it pretty much anywhere you want. The LIPOWER Mars-2000 offers 10 different ports to charge/power a whole slew of devices, including 3 110V AC ports, 3 12V DC ports (including one car outlet), 3 USB-A ports (including one USB3.0 port for fast charging) and one USB-C port that outputs 60W, making it perfect for phones, tablets, and even laptops.

Power All your Needs – Capable of powering almost all your required appliances (even your heavy-duty electrical tools) both indoor and outdoor.

There’s also an input for plugging solar panels into the LIPOWER Mars-2000, charging it via solar energy up to 80% in 5 hours, according to its makers, LIPOWER. An LCD panel on the front lets you track your battery levels and power consumption metrics while the LIPOWER Mars-2000 is in use, and although this is an incredibly understated fact, it’s worth appreciating that the LIPOWER Mars-2000 comes with a flat top that allows you to place gadgets and other items on top of it. I’d keep the water bottles and soda/beer cans away, though.

LiFePO5 Battery Power Supply – Has longer life spans and offers improved discharge and charge efficiency compared to Lithium Ion.

On the inside, the LIPOWER Mars-2000 is powered by LiFePO4 (with over 3500 charging cycles) and supplemented by a pretty impressive cooling system that runs at a low 35 decibels, staying quieter than most power stations that tend to emit a steady whirr whenever operational. Even after 3500 charging cycles, LIPOWER says the battery only degrades by a mere 20%, which means you can still comfortably use the LIPOWER Mars-2000 for as long as 10 years. That being said, LIPOWER even provides an impressive 4-year warranty on their product, which is currently available for a discounted price of $1,089 (that’s just about $0.74/Wh), or energy independence for about as much as the price of a new smartphone.

Click Here to Buy Now: $1,039 $1489 ($450 off). Use Coupon Code “yanko” to get an additional $50 off! Hurry, offer ends on 15th August!

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Ainery Blue creates a modern Furoshiki denim bag using traditional Japanese design

It’s easy to take modern products for granted because of the ease of manufacturing and the ubiquity of some materials. Not everything that is new is good, however, and not everything that is old is obsolete. Newer synthetic materials eat away at our planet’s life, while the easy way of producing things doesn’t always yield long-lasting results. Sometimes, we have to take the hard-earned lessons of the past to heart in order to make something beautiful, enduring, and, more importantly, sustainable. That’s the message that Blue Ainery’s compact Furoshiki denim bag tries to send by using traditional dyeing and weaving methods to create a fashionable storage accessory whose very design pays homage to Japan’s history and tradition, many of which still apply today.

Designer: Ainery Blue

Click Here to Buy Now: $82 $94 (10% off). Hurry, only 5/10 left!

Almost everything about the Furoshiki denim bag is a nod to Japan’s past culture, design, and fashion. The term “furoshiki” itself is a reference to the traditional Japanese wrapping cloths for goods, bento boxes, and informal gifts. When worn as a bag, the Furoshiki looks more like an “Azuma Fukuro” that predated today’s modern tote bags by about four centuries. The design might look basic and even old-fashioned, but there’s also a certain charm to its minimalism. More importantly, its uncomplicated shape leaves enough room for plenty of items inside.

Ryukyu Indigo Dye – A type of natural Indigo dye that has been produced in Okinawa, Japan since ancient times. “Ryukyu” is another name for Okinawa.

The bag looks made from your typical denim material, but there is nothing typical with how it’s actually made, beginning from the way it’s dyed. It uses the Ryuku Indigo plant to create a rare natural dye using traditional and manual methods like microorganism fermentation. The warp yarns undergo a traditional soaking method to make sure that the Ryuku Indigo dye really seeps into the core of the yarn. The end result is a material that doesn’t fade quickly no matter how many times you wash it.

Uses “Kase-zome”, a Traditional Japanese Dyeing Technique – The warp yarns are soaked, then taken out and exposed to air to let the dye oxidize. This procedure is repeated during the dyeing process. By soaking the yarns over and over again, the Ryukyu Indigo dye seeps all the way deeply into the core, resulting in a unique texture.

The denim is woven using more traditional shuttle looms that yield more durable high-density fabrics compared to modern looms. That said, the fabrics are sewn by machines, but there’s still an element of quality production thanks to how it’s handled by a factory in Okayama that is also used by famous but unnamed fashion brands. Right from the start, the Furoshiki bag is made with traditional methods and materials to ensure the same long-lasting quality of traditional bags that last for decades, not just years.

Of course, the denim bag isn’t just all about the past. It also applies the lessons of modern manufacturing and design, like the use of reinforcing rivets to make the bag stronger. It is also designed with modern aesthetics in mind, like the use of denim fabric, even if the shape and form don’t conform to the modern ideas of bags. It’s a perfect example of how good design never really goes out of fashion.

The Furoshiki denim bag demonstrates how modern design thinking can apply the lessons of the past to create something that will also endure the test of time. Stylish, durable, functional, and sustainable, the bag easily stands out among modern tote bags as something that blends the past and the present in a harmonious way. Given how it’s designed not to fade easily and to match almost any fashion style, the $80 early price tag is almost perfect for a long-lasting bag to carry your stuff with you.

Click Here to Buy Now: $82 $94 (10% off). Hurry, only 5/10 left!

The post Ainery Blue creates a modern Furoshiki denim bag using traditional Japanese design first appeared on Yanko Design.

Pedal-assisted LAMBRO e-bikes are tailored for easy passenger and cargo hauling

The three-wheeled cargo bikes are slowly inching their claws towards interesting variations. This makes complete sense for various applications – be it rural or urban scenarios. Italy-based e-mobility company Repower has got a duo of three-wheeled electric trikes that boast structural integrity as well as functional superiority for real-world usage.

These three-wheeled vehicles designed by industrial design firm Makio Hasuike come in two variants – the open-bed version and a closed one for cargo hauling and passenger commuting respectively. Dubbed the LAMBROGio and the LAMBROGino, these electric trikes are pedal-assisted as well, and have each go their set of merits.

Designer: Repower and Makio Hasuike

The LAMBROGino has more of an e-rikshaw-like design to scout the city for ferrying around passengers on the lookout for an economically and comfy ride to the nearest destination. The LAMBROGio has an enclosed space for safely transporting small-sized cargo without being too much of a burden on the environment. In fact, both these e-vehicles are crafted to be recyclable to produce less e-waste. According to Makio Hasuike, the bodywork is made up of recyclable polyethylene.

Contoured shapes dominate design on these for minimum airflow resistance. The weight has also been trimmed down to the minimum which further helps in economical battery conservation and stretching out the total mileage. The cargo version has a front door that doubles as a shade for the rider. While the passenger version of the electric bike could have benefited from a similar shade for those hot or rainy days, still customization is just that auto shop’s distance away.

The multiple uses of the two come into the picture in the form of a platform for the cargo version to increase the capacity and stability of the load. Place it vertically and it can be used as a vertical clothes hanger. It also gets a front compartment with removable pockets made out of recyclable material. They can be used to store small objects, packages, or documents. On the other hand, the LAMBROgino can also be used with increased load capacity by removing the bench. There are shockproof protectors on the side handrail which is another important feature.

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Is Kanye West a Good Designer?

Is Kanye West a Good Designer?

On any random given day, if you walked up to me and asked me if Kanye West was a good designer, my answer would be a resounding NO. By my own personal standards, Kanye West’s designs are odd to look at, make me physically uncomfortable, and have me wondering if the prolific artist even knows anything about aesthetics… then it occurred to me. In a world where attention is currency, the fact that I’m sitting in front of my computer on a Monday night writing about Kanye’s designs obviously means he was really good at garnering attention and being the topic of conversation. To a brand, that’s as ‘good design’ as it can ever get.

As designers, we’re instilled with a certain set of values that make us prioritize our consumers. We solve problems for them, and a product that makes a consumer’s life measurably better is ‘good design’. However, what we’re never taught is that our client – the person who pays us the money to design stuff for them – is a consumer too. If your end-product makes life better for end-users but bankrupts the company selling the product, is it really a good design? Good design has multiple stakeholders – you/your team, your client, your planet, and your user. Everyone should stand to benefit from your work. That core belief is what made me question Kanye’s work much more objectively – just because I absolutely hate the Yeezy shoes and slippers doesn’t take away from the fact that they’re WILDLY successful products… which means customers love them, the brands benefit from them, and so does Kanye. Much to my disappointment, that’s a Win Win Win. However, we as designers aren’t wrong for looking for logic in Kanye’s work, but more on that later. First, let’s just try and ask ourselves a pretty crucial question.

Is Kanye West REALLY any different from other designers?

Try to think of as many famous contemporary designers as you can and most of them should have one thing in common – eccentricity. The kind of eccentricity that also ends up reflecting in some of their best work. Gehry’s design of the Bilbao Guggenheim is visual madness, as is Gaudi’s Sagrada Familia. Karim Rashid has made some questionably odd-looking (yet iconic) products in his career, as has Philippe Starck. Why do we laud their work as hallmarks of great design but look at the same level of creative eccentricity in Kanye as the mad ramblings of a non-designer? Well, I think I answered our question right there.

There’s a weird elitism at play here. Kanye’s designs don’t receive the same treatment as Gaudi or Karim Rashid because Kanye never went to design school. Try and put that rather odd distinction aside and your argument really falls apart, doesn’t it? We really don’t cut Kanye the same amount of slack because he’s also a controversial figure in real life and since he’s more primarily known for his music, it’s natural to think that design is some sort of ‘side gig’ for him. BUT… apples to apples, how much more different is Kanye’s design aesthetic from, say, Luigi Colani or Zaha Hadid? Don’t the Yeezy line of footwear looks just about as awkwardly organic and alien-like as Zaha Hadid’s own architectural pieces? I dare you to look at Qatar’s Al Wakrah stadium and tell me it doesn’t have the same alien-ish form language as the Yeezy Foam Runners. Or at Colani’s approach to form generation and tell me that it’s just about as bizarre and visceral as West’s. Kanye isn’t a ‘designer’ in the puristic sense – he probably doesn’t stick to a rigid design process. He probably doesn’t use Photoshop or Autodesk Fusion 360, and I bet he doesn’t quite know a thing about 3D printing. He doesn’t have clients from hell who ask for 20 iterations before selecting the first concept direction you had originally showed them, and even though this hurts, he probably doesn’t have to follow up for payments. However, he’s incredibly expressive, knows how to create iconic products, and from whatever I’ve found online, his shoes tick all the right boxes – they’re comfortable, durable, and people love to wear them. So why do we hate them?

Zaha Hadid’s Al Wakrah Stadium [Left] and Yeezy Foam Runners [Right]

To understand Kanye, you first need to understand the cultural crossroads we are at.

Remember the Sony Playstation 5? The Cybertruck? The ‘Cheesegrater’ Mac Pro? Dyson’s air purifying headphones? They all had one thing in common – they were deeply polarizing. Everyone had an opinion about them, and just like putting pineapple on pizzas or arguing whether a random dress was white and gold or blue and black, they had the internet up in arms. Similarly, you either like the Yeezy Foam Runners or hate them – there’s no in-between. That seems to be the cultural pitstop humanity is currently at.

I’ve often wondered what design movement we currently are in. Looking back at the past, you had movements like Art Noveau, Art Deco, Dadaism, Bauhaus, Memphis 2.0, Blobject, and most recently, Minimalism. So which movement are we currently in? Based just on the past couple of examples and also just the cultural moment we live in, I like to dub this phase ‘Polarism’. In a world filled with seven billion people, it’s practically impossible to please everyone… so the best you can do is garner a reaction – positive or negative. Our internet-connected world also has a tendency to jump from one subject to another at lightning speed… so a good design by that very standard is a design that occupies neural space for as long as possible – and the chances of something lingering around in your head are only maximized when the internet is debating/arguing about it. You’re forced to pick sides, and you’re forced to vehemently defend your side with the kind of mad fervor often reserved for religion or politics. As bad as that sounds, you have to admit that it’s kind of genius too.

This isn’t to say that every single designer must try to execute some Machiavellian plan and divide the internet with everything they do. I strongly disagree with this approach, and to be brutally honest I don’t think this is what Kanye is trying to do either. His approach to design, just like with his music, is to create something iconic that gets everyone talking.

A Design Analysis of the Yeezy sliders.

The original idea for this piece came from my good friend John Mauriello, who created an incredible video on exactly the same topic, where he analyzed Kanye’s work from both micro and macroscopic views. The video’s right up here for you to watch if you’re interested in hearing what he has to say. However, without further deliberation, let’s quickly perform a design analysis on Kanye’s work.

To be honest, there are a few things you need to consider while analyzing Kanye’s ‘design portfolio’ if you will. For starters, he doesn’t work alone – he DOES have a design team, led by Nur Abbas (formerly of Louis Vuitton and UNIQLO) and Steven Smith (who previously worked at Adidas and Nike), who help him realize his vision and bring a level of design and manufacturing expertise to the picture so the Yeezy products are still rooted in feasibility and reality. However, to appreciate Kanye’s unbridled rawness, it’s important to also realize that he’s never been restricted the way conventional design teams have. Adidas famously collaborated with Kanye on the one condition that he had complete and full creative control, which sort of creates a unique set of conditions that not many designers today get to experience – loads of capital and zero constraints. It’s natural for designers to dial down their wild ideas fearing client backlash, but Kanye and his team have absolutely no such qualms. This is what unrestricted creativity looks like, and if you hate it, I can’t help speculate that you’re probably a little jealous too!

Kanye’s biggest crime was making design ‘unboring’ again

Back to the footwear themselves. John makes a few rather interesting points in his video which I’m about to conveniently borrow for the purpose of this article. He highlights the similarities between Kanye’s footwear and the Cambrian Era – a 53.4 million year-long period that saw an absolute explosion in marine animal evolution. This was a time that saw probably the wildest kind of animals as nature played the role of a mad scientist, developing some incredibly unique (and terrifying-looking) sea creatures just to see what would stick. You had animals with shells, 8 legs, spiked backs, exoskeletons, the works. All these animals existed in roughly the same era, and provided incredible diversity to the oceans before oxygen levels drastically fell, wiping them all out. Kanye’s works feel like the Cambrian era of footwear design too, with this explosion of a new aesthetic that sort of defies logic, but pushes the conversation forward in unique ways.

I use the term ‘defies logic’ rather loosely here because logic seems to be the only weapon designers have in their case against Kanye. Every designer is taught the Gestalt Laws of Visual Perception – 7 laws that teach us how to guide the eyes of the user, employing different ways to entice, educate, and engage people who come across our work. For the most part, it seems like Kanye’s designs don’t necessarily adhere to these principles strictly. They look like they’re alien objects from an alien world where sense and symmetry have little value – to which my immediate devil’s advocate question is – why does a shoe need to have sense OR symmetry? The last time I checked, the overarching purpose of a shoe was simply to be comfortable, fashionable, and a commercial success.

The Hallucigenia from the Cambrian Era [Top] and the Adidas Yeezy 450 Sneakers [Bottom]

Kanye is an incredibly outspoken person too, as Mauriello’s video highlights a snippet of the rapper absolutely lambasting Lady Gaga who was briefly the creative director at Polaroid. “I like some of the Gaga songs… what the f*** does she know about cameras?!” he asks, confusedly. While he’s absolutely right, he also vindicates himself in the eyes of the design community. A pair of shoes is arguably less complex than a camera. If Kanye was left to his devices to redesign Polaroid’s imaging systems or its camera’s user interface, chances are he’d make an absolute mess of it. That’s an area that requires design expertise, systems thinking, constant reiteration, user-behavior research, workflow analyses, and a lot of UI/UX work. That aspect of design is best left to designers who are trained/experienced in those very domains, just the same way you wouldn’t ask Kanye to design the docking interface on the International Space Station. He isn’t way over his head, because he knows exactly where he brings value.

Kanye’s Creative Process

One of the interesting new approaches Kanye brings to design is his ability to collaborate. Music in itself is a collaborative process and for Kanye, the design process is relatively similar to jamming with other musicians – everyone knows their roles and exactly where to contribute. A drummer doesn’t just pick up an electric guitar on a whim, or worse, grab the microphone and start singing the lead vocals. A band is a classic example of a hive mind that works like a singular organism, with everyone contributing in their own way towards an end goal – and for Kanye, that same approach carries forward to design too.

Kanye being an outsider is actually a great thing in that regard just for all the unknowns he brings. Steve Jobs, an outsider, completely revolutionized the music industry and music ownership too. Besides, design’s inherent role is to support and supplement other professions, so as long as you’re creative (and you’ve got a team that can take care of the complexities), you can design. Sure, there’s also the fact that your designs have to be user-friendly, which is why Kanye doesn’t manufacture the shoes himself but rather has a team of fashion designers helping execute his vision. There’s a collaborative process where art and usability come together seamlessly. It’s pretty much the perfect melting pot.

So… IS Kanye a good designer?

Subjectively? I don’t see myself wearing the stuff he makes, but that can’t possibly be a referendum on his design abilities. I don’t wear wristwatches, but that doesn’t mean Audemars Piguet and Richard Mille make badly designed timepieces. Personal choice is never a parameter for judging something objectively.

Kanye may not be ‘your’ breed of designer, but he’s without a shred of doubt an incredibly talented creator. Sure, you could argue (objectively even) that his brand of design borders more on art than it does on puristic user-centered design…and truth be told, in the fashion industry, there’s nothing wrong with that at all. If Kanye ever designs MRI machines or stealth aircrafts, I’ll be the first one to call BS on his work.

I believe Kanye’s work is marvelous because it makes me question my own approach to analyzing design, and it also lets me reconnect with modern pop culture. Yes, the Foam Runners look weird to me, and maybe they do to you too… but if your only thought is “Why are the shoes shaped like that?” just try asking yourself the opposite question. Why aren’t other shoes shaped like this too? If there’s one single takeaway from this piece, it’s that let’s not equate ‘different’ with ‘bad’.

The post Is Kanye West a Good Designer? first appeared on Yanko Design.

Crazy Slice is a sideboard with a unique shelf turned 45 degrees

When I do my furniture shopping, or at least online window shopping, I always look for function over form. I look for what can best fit my needs rather than what would look good in my house. But of course, it would also be nice to have something that looks great and be decorative as well as useful. There are a lot of product designers out there who continue to reimagine what furniture could look like if it was even more well thought of.

Designer: Deniz Aktay

As someone who has a lot of books, I’m always in need of shelves or anywhere I can store all of the books that I can’t seen to stop buying. Crazy Slice is a concept for a side table or sideboard and small shelf that plays around with the shape and orientation of the normal ones that we see. What the designer did was to just tweak part of it just a little bit and what you get is a uniquely designed piece of furniture that also gives you even more storage and space.

What you get is a sideboard with two sections. One is the usual square-shaped shelf with a more elongated body. You can use it as a shelf or as a side table to place drinks, decorations, or even more books. The front part or the back part, depending on the orientation, is turned 45 degrees. This means you get to use that skewed shelf as not just a place to put your books but also as a bookmark for books and magazines. And of course, it looks more unique than just a simple shelf.

Crazy Slice has a metal triangular stand with a white coating. It seems to be attached to the shelves rather than just a stand where the shelves are placed on so this seems to be more stable. I wouldn’t mind having this sideboard in my living room since we’ve already established I do need more places for my books.

The post Crazy Slice is a sideboard with a unique shelf turned 45 degrees first appeared on Yanko Design.

Link About It: This Week’s Picks

Dreaming spiders, an AI that fixes roads, a remote-controlled robot surgeon and more this week

This Free AI Tool Fixes Old Photos

GFP-GAN is an open-source photo-restoration tool that uses AI to transform old photos that may have faded over time or become damaged. The algorithm makes an educated guess about missing or damaged details from each image, smoothing out creases and enhancing color. While the AI may not always recreate an exact replica of the original photo, the restored images have been meaningfully impressive. It’s also free and incredibly easy to use, as users only need to upload the image they want to fix, click “restore” and wait for the results. Learn more about the new tool at BGR.

Image courtesy of BGR

Pioneering Japanese Fashion Designer Issey Miyake Dies at 84

This morning, Miyake Design Studio announced the passing of its founder, Issey Miyake, the pioneering Japanese fashion designer who first rose to fame in the ’80s for eye-catching, avant-garde designs. Miyake was born in Hiroshima in 1938 and studied graphic design at Tokyo’s Tama Art University. He moved to Paris where he transitioned from studies at the renowned École de la Chambre Syndicale de la Couture Parisienne to positions with Givenchy and Guy Laroche. In 1988 Miyake introduced his signature micro pleating—born of a proprietary heat treating system that pressed into place permanent accordion-like pleats. Miyake won over many devout collectors, including Steve Jobs (whose signature look included Miyake’s black turtleneck). His designs are enshrined at NYC’s Museum of Modern Art and London’s Victoria and Albert Museum, among other prestigious venues. Read more at CNN.

Image courtesy of PL Gould/Images/Getty Images

Reimagining Roads To Be Walkable and Bike-Friendly, With Help From AI

Streets that cater to pedestrians and bikers not only offer more commuter options, but they also create areas that look and feel community-oriented—as evidenced by Brooklyn-based artist Zach Katz’s new project. Using the second version of DALL-E, the AI system from OpenAI that generates images and art from written descriptions, Katz feeds the program an image from Google Street View with details on how the street should look instead. The program generates a new, redesigned version that often inputs sidewalks, biking lanes, fountains and other public spaces. The new street attests to how accessible areas are welcoming and desirable. Since sharing his project, many people, including council members and urban planners, have reached out to the artist with requests for reimagined roadways. Learn more about how Katz hopes the project can help envision better cities at Bloomberg.

Image courtesy of Zach Katz/OpenAI

New Environmentally-Friendly, Heat-Resistant Plastic is Developed

In developing a new technique to create polymers (large molecules that are composed of smaller, structured molecules), Japanese scientists have opened the door for the creation of environmentally-friendly plastic. These scientific researchers were able to gain control over molecular weight (crucial to the formation of plastic) using two pre-existing techniques called “living cationic polymerization” and “asymmetric cationic polymerization.” This novel strategy allowed them to manipulate benzofuran, a naturally-derived precursor to a polymer that is chemically recyclable, heat resistant and transparent. “While polybenzofuran is not used as a commercially available plastic, it has a stiffer molecular structure and a higher glass transition temperature than polystyrene. We see it being used as a new plastic with good thermal properties,” says Mineto Uchiyama, a researcher from the study and lecturer at the Graduate School of Engineering at Nagoya University. Read more about the innovation at Phys.org.

Image courtesy of Journal of the American Chemical Society 2022

New Study Suggests Spiders Dream

In a new study, researchers from the University of Konstanz in Germany discovered that spiders, specifically the jumping spider species Evarcha arcuata, experience moments of rapidly shifting eye movement while they sleep—a sign that indicates they may be dreaming. These twitches are similar to that of other animals who experience REM sleep, the phase in slumber in which dreaming occurs. To find more concrete proof of a dream state, the ecologists will continue to observe spiders, experimenting with rousing spiders from slumber to ascertain how much they depend on sleep or if they are just resting their eyes. While the research is still ongoing, the study has raised interesting questions about sleep’s purpose and evolution, reflecting how humans and animals may be more alike than previously thought. Read more about it at The Wall Street Journal.

Image courtesy of Daniela C Rößler

Remote-Controlled Robots Could Perform Surgeries in Space

Slated to board the International Space Station in 2024, MIRA—which stands for Miniaturized In-Vivo Robotic Assistance—is a remote-controlled surgical robot created by Virtual Incision Corporation, a Nebraska-based medical technology company that recently signed a contract with NASA. The robot is purported to perform medical surgeries by being remotely guided from Earth, a service that could provide longterm help aboard deep space missions. MIRA is uniquely suited for the undertaking as it weighs only two pounds. While it still has to undergo further testing before it performs lifesaving surgeries, the invention could be a major development for health providers who need to reach people in remote areas—whether in space or on Earth. Learn more about it at Futurism.

Image courtesy of Virtual Incision Corporation

New Online Encyclopedia Spans Palestinian Art and History

Launched by the Institute for Palestine Studies and The Palestinian Museum in Birzeit, the Interactive Encyclopedia of the Palestine Question is a free interactive resource that journeys through Palestine’s history, art and culture. The platform, which is in English as well as Arabic, is comprised of four chapters: Beginners commences in 1795 with the development of icon painting; Pathfinders stretches across a period of art in the mid-1900s that was predominately pioneered by refugees; Explorers includes censored works that were created under occupation; and Present Tense: New Directions is a chapter on international and conceptual art. There is also a section devoted to Palestinian embroidery that details how the Nakba (the Arabic word for “catastrophe,” used by Palestinians to refer to the mass eviction created by the founding of Israel) birthed new art. In linking history and politics to visual art, the project depicts the agency, creativity and strength of Palestinians whose legacy is often obscured. Read more about it at The Art Newspaper.

Image of Ismail Shammut’s “At Erez Crossing (The Queue)” (1997), courtesy of the Institute for Palestine Studies

Link About It is our filtered look at the web, shared daily in Link and on social media, and rounded up every Saturday morning. Hero image courtesy of Virtual Incision Corporation

Top 10 desk accessories that your desk totally needs

COMM Color Options

In 2020 our lives changed completely, the COVID-19 pandemic transformed what was considered the ‘norm’, and created new norms that molded the way we lived. One of these new norms is the work-from-home culture, and it has continued well into 2022. We’ve been working from our homes for almost a year now, and although we have adapted to it, it can be quite a bore at times. I, for one, am always looking out for options and ways to spice up my work-from-home routine. And I’ve found that adding new products to my desk setup can amp my productivity immensely! The desk accessories you place on your desk are an integral part of your home office. From a multifunctional desk lamp that doubles up as a book holder to a modular hanging desk rack that frees up space – here’s a collection of interesting, super functional, and productivity-enhancing desk accessories that promise to be the best work-from-home investments of 2022!

1. Comm

COMM for Work From Home Design Details

COMM for Work From Home Design Details

COMM offers a touchscreen display that shows the different functions. The main functions are as follows: sharing information, reporting, expression of emotions, mutual understanding, and idea suggestions. Your home work environment can “feel” more like a real office with this simple device designed by South Korean designed Eunjeong with Fountain Studio.

Why is it noteworthy?

You can update your computer or maybe by a more comfortable and ergonomic workspace. The goal should always be speed and efficiency when it comes to working so in the area of communication, you must find a better way how to send messages across to a different party. The COMM is a concept device that can help people communicate from home. It’s a simpler way to send and receive messages, give feedback, and deliver what needs to be done. The result is increased work efficiency, especially with the angled screen for more comfortable viewing when sitting down.

What we like

  • Helps improve creativity and productivity by showing the information you need sans any distraction
  • Better than a smartphone or tablet, as it eliminates the temptation to check other apps

What we dislike

  • Limited compared to face-to-face communication, but still not too bad!

What do you think?

2. Blazo

Many people try to be smart by buying multi-functional products or modular furniture that can be arranged and used as needed. Sometimes, the combinations make sense, but other times you can also be left scratching your head. This desk fan, for example, looks almost ordinary, that is until you flip the switch on to shed some light on matters, literally.

Why is it noteworthy?

At first glance, Blazo looks like an electric fan attached to a camera gimbal. The design for this unconventional arm and the stand was apparently an educational globe. The Blazo’s fan can swivel up and down 360 degrees, and it can also rotate 360 degrees so that no direction is left unreached. That does mean that the lamp can also point in the same direction, though you’ll probably want to keep the fan steady in that case unless you were aiming for a makeshift light show.

What we like

  • Blazo runs on a rechargeable battery, and using the lamp alone can make it last for 8 hours

What we dislike

  • No complaints!

3. The Hanging Desk Organizer set

Many productivity gurus advocate having a proper place on your desk, even for more “transient” objects that come and go. Some have a tray, a literal inbox, or even a basket, but those often take up precious space that could be used for more permanent things. They’re also a “one size fits all” kind of thing, so you can’t really use them for anything else or even arrange their parts unless you opted for a modular bin. The Hanging Desk Organizer Set solves all those problems by hanging over the edge of your desk and giving you the freedom to rearrange it to suit your needs.

Why is it noteworthy?

As with many seemingly magical modular systems, the secret to the rack’s trick is magnets, very strong magnets. The rack itself is made from sturdy steel and doesn’t actually have any distinct markings on its own. It looks like a square root or radical symbol, where its short flap sticks to the edge of your desk without screws or magnets. The V-shaped space is where you can place things like magazines, letters, files and folders, and more. You can even hang your book over the highest edge as a makeshift bookmark in case you need to quickly pause what you were reading.

What we like

  • Intuitive organizing
  • Magnetic cable holder

What we dislike

  • No complaints!

4. The HMM Scissors

Our workspaces are often littered with two kinds of things. On the one hand, you have tools designed to accomplish a task. On the other hand, you have decorative items designed to please the senses. Of course, there are now stationary and desk tools that are designed to hit two birds with one stone, especially those that embrace minimalist aesthetics that fit well in almost any situation. These scissors from popular brand HMM are designed to bridge those two worlds together, offering a tool that not only creates a sense of wonder but also inspires confidence in every snip.

Why is it noteworthy?

Just as with the tools mentioned above, scissors often come in two classes. One type is clearly designed for cutting away at your problems, while another type almost looks too pretty to be used. The HMM Scissors is definitely not the latter, with an aesthetic that clearly exudes its power. The wide and flat blades are almost reminiscent of industrial tools, and its black Japanese steel body gives off an aura of strength and durability.

What we like

  • Flip the scissors and hold it by the blades, and you instantly have a box cutter
  • A custom-made magnet lets the scissors stand upright with its sharp tip safely hidden inside the base

What we dislike

No complaints!

5. Madang

Madang is a collection of desk accessories that take inspiration from Korea’s forgotten traditional games, bringing an element of fun to some serious productivity tools.

Why is it noteworthy?

Some of the associations are almost direct, like Juldaligi, a wrist-stretching tool that is like a miniature form of a traditional Korean tug of war. A multipurpose tray’s dividers and containers make it look like a Sabang chigi playground that children would use in yards. A magnetic clip holder that looks both like a UFO and a hat is a nod to the Jeonlip hats used in a whimsical game of Sangmodoligi. And what better way to embody a see-saw-like game than with a clip that mimics that movement.

What we like

  • The Madang set brings a tie to Korean culture
  • These desk accessories bring to mind some popular Korean dishes, especially those that use egg as a core ingredient

What we dislike

  • No complaints!

6. The Stilform AEON

The Stilform AEON is a pencil that literally lasts eons! Designed by the company that won the World’s Best Pen award for the Stilform Pen back in 2016, the AEON is the result of a nifty material innovation that turns the pencil immortal. The intriguing pen features a special tip pen that oxidizes the paper, and leaves a grey streak just the way a pencil would!

Why is it noteworthy?

Unlike graphite pencils, AEON’s lines are smudge-proof and waterproof. Besides, since this tip’s made of metal rather than graphite, you can easily put it in your pocket without worrying about it leaving any marks.

What we like

  • Machined entirely from a single piece of metal
  • Lined with beautiful FSC-certified wood veneers that provide a great contrast against the pencil’s all-metal design

What we dislike

  • No complaints!

7. The Curva Pen

You can say goodbye to the common old pens, and bring your love for writing back to life with the Curva pen! The unique Curva pen features an unconventional hook-shaped nib, which allows you to angle the pen in whichever direction you like, giving you the freedom to write to the left, to the right, or even downward. This one especially sounds like a boon for all the lefties out there (like me)!

Why is it noteworthy?

The moment you take off its cap, it is immediately evident that Curva Pen isn’t your typical ink pen and that it has an interesting story to tell. The unconventional hook-like shape of its nib might raise eyebrows, but its patented design was carefully thought out to solve two of the biggest problems with pens. More often than not, your fingers and hands block what you’re writing, especially if you’re a leftie that has to push the pen rather than pull like what right-handed people do. This makes not just writing but also drawing more cumbersome and more frustrating for some people, denying them the pleasure and the liberating experience of putting their thoughts down on paper clearly.

What we like

  • Renews our love for writing
  • Provides left-handed individuals with enhanced visibility and accuracy

What we dislike

  • No complaints!

8. The Wooden Pen Holder

There’s something almost poetic about the act of picking up a brush or a fountain pen from an inkwell, drawing your strokes, and dipping it back in to be ready for when the next inspiration strikes, a feeling that’s almost lost even with the most elaborate and extravagant pens today. Not unless you have a pen holder that brings back that atmosphere, like a block of wood that could be the most Zen pen holder to ever adorn your desk.

Why is it noteworthy?

This wooden block is both unassuming and, at the same time, beautiful in its simplicity, as many minimalist products are wont to be. Made from genuine maple wood, each piece has grains and patterns that make it unique and special. Without saying explicitly, it’s an assurance that each black will be one of a kind, giving you the feeling that this pen holder was crafted just for you. Together with an equally stylish pen, this block transforms any desk into a thinker’s workbench, where the tools of the trade are just at an arm’s reach.

What we like

  • The Wooden Pen Holder has a gently curving depression that can accommodate any pen with a standard size
  • When you pick the pen up, you almost believe that the ink will also follow it up from an invisible well of ideas

What we dislike

  • No complaints!

9. The Quick-Access Organizer

More often than not, the reason why we lose keys, glasses, or even wallets, is because we misplace them by just placing them anywhere when we take them out of our pockets. We develop that bad habit because it sometimes takes too much work to actually drop them in proper storage, like a desk or shelf organizer, partly because the storage box itself doesn’t make it easy to use it. Having to think which item goes where can be a mental burden when it has to be done multiple times a day, and the seconds you lose opening and closing most boxes add up over time.

Why is it noteworthy?

The Quick-Access Organizer tries to smooth out by making the act of organizing your everyday carry tools as effortless as possible. The lid has sections that can fit only some kinds of objects. This makes it easier to know what to put there, so you won’t have to waste precious time making that decision every time. Pretty soon, it will be second nature to put your glasses, AirPods case, or keys in those sections, so they won’t have to end up lost in uncharted territory ever again.

What we like

  • The box’s real special talent is how that lid quickly and effortlessly swivels out of the way, revealing the spacious cavern inside
  • This storage box is a minimalist beauty of contrasting and complementing elements

What we dislike

  • No complaints!

10. The Holder Desk Lamp

How about sporting a cool desk lamp that performs double duty as a book/document holder and a magnetic pin-up board to keep all your important reminders within your peripheral view?

Why is it noteworthy?

As I explored more renders of this design it started to grow on me – thanks to its useful functionality, sans any complicated design blueprints that seem infeasible to craft in real life. The idea of this desk lamp is to extend the usability of the good old desk lamp just beyond beaming soft light onto the desk’s work area. That’s because, you won’t be using the desk light at all times, and to make better use of the accessory, a book holder and a rotating magnetic pin-up board are incorporated into the product.

What we like

  • Holds all your books, journals, and important files in an organized manner
  • The inside lining of the book holder section has a dotted texture to keep all the important stuff in place

What we dislike

  • No complaints!

The post Top 10 desk accessories that your desk totally needs first appeared on Yanko Design.

The 2022 Moto Razr doesn’t look that special or cutting-edge anymore…

The Razr seems to have lost its ‘edge’.

In what couldn’t have been a more shitty time to announce the new Moto Razr, the company decided to do it in the same 24-hour period that Samsung announced their new Galaxy Z Flip4 phone. The worst part? The Moto Razr 2022 sort of looks exactly the same as the Galaxy ZFlip 4, with the vertical folding design, and what really seems like a ‘blunter design’, going entirely against the phone’s one defining character – its razor-sharp design. To add insult to injury, the phone only seems to be available to its Chinese audience, so as much as I’d like to see one on the shelves and get a better look at it, that doesn’t seem to be on the cards.

Designer: Motorola

Although the company’s strategy to only focus on the Chinese market seems odd, it makes sense given two reasons – A. The initial folding Moto Razr had a rocky start with various technical and hardware difficulties, and B. China has consistently recorded the highest number of foldable sales ever since the Royole Flexpai – so I wouldn’t be surprised if this was a business decision.

However, just an analysis on the phone itself: Objectively, the Razr 2022 is a pretty great phone. It looks a lot more streamlined and has a larger outer screen and two primary cameras. It also ditches that weird thick chin that the previous phone had, which I appreciate because it allows the folding display to look fuller, but it seems like that chin’s disappearance now makes the phone look thicker in comparison (even though it’s 0.3mm thinner than its 2020 predecessor). Besides, the top of the Razr always had a sharp edge that sat flush against the chin when closed. Without the chin, the top of the phone loses that sharp edge, making it look ‘blunt’. I’m a little confused about how I feel because not only is the Razr phone no longer razor-sharp looking, but it also means the phone looks almost exactly like the Z Flip 4, which also has a larger outer screen, two primary cameras, and a top-to-bottom folding display with a hole-punch camera. In an ideal world where the Z Flip4 didn’t exist, the Razr would look like a pretty remarkable handset, but all factors considered (along with the unshakeable feeling that the new Razr feels less ‘razor-like’), the 2022 Moto Razr just doesn’t seem ‘cutting edge’.

To just get the specifics out of the way, the new 2022 Razr now comes with a 6.7-inch foldable P-OLED FHD+ panel with a 144Hz refresh rate, along with a 2.7-inch P-OLED cover display that works for viewing notifications, accessing unique widgets, and using ad the viewfinder for the two primary cameras. The dual cameras feature a 13-megapixel ultra-wide camera and a 50-megapixel OIS-enabled shooter. There’s a third hole punch camera on the inside, which is equipped with a 32-megapixel sensor.

Don’t get me wrong – the Razr 2022 isn’t a bad phone. It’s just not as exciting anymore in visual and overall appeal, also in part because the rest of the world outside China won’t get their hands on it. The phone packs a 3,500mAh battery with support for a 33W fast charger (although I’m not sure if the charger comes with the box). Other features include dual SIM support (which is a big deal in the Asian market), 5G, Wi-Fi 6E, Bluetooth 5.2, NFC, and obviously, a USB-C charging port.

The phone is all set to launch on Monday, the 15th, with a price tag of 5999 Yuan (about $890) for a model with 8GB of RAM and 128GB of storage or 7299 ($1,082) for the higher specced model featuring 12GB RAM and 512GB of memory.

The post The 2022 Moto Razr doesn’t look that special or cutting-edge anymore… first appeared on Yanko Design.

Paper-thin retro Macintosh comes with an e-ink display and runs on a Raspberry Pi

It’s truly a testament to how far we’ve come in a matter of decades.

While I was barely a couple of months old to remember the debut of first-ever Macintosh computer, it isn’t something I’m oblivious to. The Mac has seen an immense growth trajectory, going from that clunky white box with the word ‘Hello’ scrawled on the screen to those colorful iMacs, the slab-shaped aluminum iMac, and finally the latest 24-inch iMacs that are just about as thin as a smartphone. It seems, however, that the technology has come full circle, with John Calhoun’s SystemSix – an original Macintosh emulator (of sorts) that’s paper-thin too! Running on a Raspberry Pi 3 mini PC and fitted with an 5.83-inch e-ink display, the SystemSix pays homage to the original Apple computer that started it all, 31 years ago!

Designer: John Calhoun (Engineers Need Art)

To be entirely transparent, the System Six isn’t a ‘functioning’ Macintosh computer, but rather an emulator that handles certain aspects adeptly. “It looks like a computer display you could click on or touch the screen of, but it is quite static — only displaying your calendar events and the weather forecast in a retro, computer-like interface. The source code is written in the Python scripting language and is available on my GitHub page.The display stand is laser-cut from 3mm acrylic”, said Calhoun.

The display stand is laser-cut from 3mm acrylic, and heated to be bent into the shape of the iconic computer. The Raspberry Pi and e-ink display are then mounted from behind. John managed to build the entire thing for roughly $100 USD, and has even listed out his detailed process online just in case others want to build their own Mac-inspired desktop accessory (or take this one a couple of steps forward).

Want something simpler? You could instead opt for this Elago Apple Watch dock that turns your smartwatch into a Macintosh.

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