Horizon shows you what your dream outdoor kitchen could look like

I once came across an ad featuring a woman working in a kitchen near the beach. While the idea of doing so is picturesque and romantic, I thought to myself, “How can you actually put up a kitchen on the sand and cook food there?” So when I saw this concept design for this Outdoor Kitchen Space, I thought it was cute but maybe not that practical. But it seems that the concept and design are not just for instagram-able posts but both for aesthetics and functionality.

Designer: Davide Colella

Horizon was created for the 11th International Outdoor Furniture Design Contest and is a concept for a user experience design for an outdoor kitchen. The inspiration is the “Mediterranean spirit” although it’s probably not exactly built for the beach. It is industrial-looking but each and every aspect of this kitchen module is functional and ergonomic. Every line, drawer, cover, and the surface is created to make your kitchen a fully functional one that you can use to cook and create your culinary masterpieces…while you’re outdoors.

The kitchen top not just has the sink and faucet but also the induction stovetop. Even small details like the integration of the cutting board on the work surface and the drawers and covers also being functional add to the usefulness of this module, even if it’s still a concept design. Each of the slats that is part of the structure has a latching feature so it can be used to hang things like baskets, accessories, and even plants.

The design uses horizontal lines in keeping with the Mediterranean aesthetic and it should also create some effects on the lights and shadows, depending on where the natural light falls during the day. The Horizon concept is made from various materials but mainly it uses aluminum, inox steel, and glass-ceramic. The industrial look and feel don’t really match an outdoor aesthetic but it does provide a foil to it if that’s what you’re going for.

I’m not a cooking or kitchen person, let alone someone who would want to do it outdoors. But the Horizon UX Outdoor Kitchen seems pretty interesting and may appeal to those that are looking for something that’s a bit different from their usual cooking setup.

The post Horizon shows you what your dream outdoor kitchen could look like first appeared on Yanko Design.

Mediabistro Jobs Roundup – March 18

New month, new Mediabistro roles.

Mediabistro is the #1 job board, community, and career destination for media and content professionals. Once a week, we’ll be updating this list with different types of creative jobs featured. Take a look below:

Entertainment Advertising Sales Coordinator

@ THE WRAP NEWS

(Los Angeles, CA)

Newscast Director

@ Hearst Television

(Lancaster, PA)

Digital Marketing/UX Manager

@ First Book

(Washington, DC)

Designer – Penguin Young Readers

@ Penguin Random House

(New York, NY)

None of these feel like a match? Check out more Mediabistro roles here.

A Heavy-Duty Hands-Free Door Opener

With COVID risks receding, we’re going to be left with a rash of pandemic-based objects that may or may not make it through history. Some supermarkets are removing their plastic shields, and I assume people stopped buying objects like that brass Hygiene Hand (which wound up landing $585k on Kickstarter!).

I thought of this as I came across this object today, though it was obviously designed for 2020. This Hands-Free Door Handle Lever Opener was invented by MYT Wares, a Brooklyn-based manufacturer of camera dolly equipment, and won a Good Design Award:

The $150 item (each—and you need two) certainly looks robust in operation:

We could actually use something like that here on the farm (hands full of tools, eggs or birds is common), though most of our doorknobs are actual knobs.

The company still appears to be selling these, or at least the website is still active. I wonder how much of this stuff will find a life after the pandemic’s receded completely.

REscan: A Helmet-Based System for Scanning and Capturing 3D Spaces, Hands-Free

For my design job I use a $2,000 Leica Geosystems laser to measure interior and exterior spaces. It’s an amazing tool, but it can be fiddly, and it requires I do detailed drawings of the space first, so I have a place to scribble the numbers down.

My approach is fine for residential, but it’s not viable for workers who have to measure vast industrial or commercial spaces, like factories, airports or shopping malls. A company called Radius Innovation & Development has designed a brilliant system that meets their needs, and it’s not a handheld laser. It’s a helmet you wear on your head.

Called REscan, the helmet essentially has the array of cameras and lasers that self-driving cars do, just up on your dome. Best of all, it’s hands-free, so you can carry things, open doors, take notes, sketch, etc. as you’re scanning and capturing.

“We capture indoor and outdoor locations as fast as you can walk through them. No need to shut down or empty spaces, our software automatically excludes people from the scans,” the company writes.

“One person can capture up to 250,000 sq.ft. per hour while navigating stairs, opening doors, fitting into high street shops, and capturing industrial spaces.”

One downside is that you’ve got to wear these dorky smart glasses that pair with the helment. They let you know if you’re in an area that still needs to be scanned or if you’ve already covered it.

The company’s technology turns the captured scans into detailed 3D models, and the demo looks pretty stunning:

How Amazonian Lily Pads Inspire Building Design

Not only is an Amazonian water lily massive, with leaves that can grow up to 10 feet, but it’s also strong enough to withstand the weight of a small child. For years, researchers have attempted to ascertain how lily pads can do this. A recent study from Science Advances uncovered how a network of fractal veins, which radiate concentrically from a central stem, efficiently support the leaves. In addition to being an exciting revelation for botanists, the results of this study are particularly insightful for architects as they can improve the design of floating structures, wind turbines or anything needing increased structural support. (In fact, the lily pad inspired architect Joseph Paxton’s Crystal Palace, a London landmark built for the Great Exhibition of 1851.) Learn more about the lily’s influence on building design at National Geographic.

Image courtesy of Radek Petrasek/CTK/AP Images

Experimental Furniture Design by Yuki Iriyama Gray

NYC-based furniture designer Yuki Iriyama Gray is fully capable of building conventional furniture with a twist on it. Below are two examples in his Aero Bench and Shoji Table:

But as you go into his more recent work, you find some wonderfully experimental stuff. His Dygnet Chair appears to be made from two rolls of fabric:

The Cloister Windsor is an amusing take on the classic stick-supported design:

Perhaps my favorite experiment is the Trunk Stool, which is made by making a single, partial cut through rolled-up sheets of felt:

There’s more to see here or on Gray’s Instagram.

Meng Du x Oddbird Unwasted bag collection is made from grape skin leather

Oddbird Meng Du Grape Skin Design Hero

Sustainable fashion is more than just a movement as we believe it is here to stay. It should be if we want a better future and planet for the next generation. We’re on the lookout for stylish footwear, clothing, and accessories so expect more eco-friendly and “green” products on the horizon.

There is a sudden increase in brands and designers starting campaigns for more sustainable products. Nike has its Move to Zero campaign. We also remember the Hana sneakers made from fruit waste like pineapple leaves, apple skin, grape skin, and seeds. A similar line of bags has recently been introduced and this time, the products are made from grapes. We know leather from fruits or vegetables is already possible. It’s much more sustainable compared to animal leather and is guilt-free.

Designer: Meng Du for Oddbird

Oddbird Meng Du Grape Skin Design Where to Buy

Chinese designer Meng Du has teamed up with Oddbird to design leather bags. The leather is made from recycled grape skins, which means grape waste now serves a purpose. Winemaking dates back to some 4100 BCE, and it’s not yet a lost craft. However, winemakers still need to be pro-active in making sure the industry is future-proof. We’ll never know what will happen, but we can prepare to improve the wine’s lifecycle and production.

Oddbird Meng Du Grape Skin Leather Design

Oddbird, a producer of quality wine in the Scandinavian region, knows there are obstacles in ensuring winemaking lasts. However, they can be overcome by partnering with companies and designers with the same goal in mind. Wine production waste is a reality, but good thing grape marc can now be transformed into leather. Instead of just throwing away grape skin, they can be used for next-generation leather.

Oddbird Meng Du Grape Skin Leather Planet of the Grapes

Oddbird Meng Du Grape Skin Leather Planet of the Grapes

More companies are looking for more innovative ways and sustainable methods when it comes to fashion, furniture, and accessories. This collaboration between Meng Du and Oddbird also brings Planet of the Grapes into the equation. The French leather maker has helped discover ways to produce vegan leather.

The leather bag collection is called Unwasted. The grape leather bag is a bottle holder that you can carry as a waist bag. It’s art with a purpose and is a perfect example of a zero-waste effort by Meng Du–a young Chinese designer from Parsons School of Design, New York, who is now gaining popularity for her sustainable designs. She has also come up with a virtual concept design adapted for the metaverse.

Oddbird Meng Du Grape Skin Design 2

Oddbird Meng Du Grape Skin Design

Oddbird Meng Du Grape Skin Leather Material

Oddbird Meng Du Grape Skin Leather Designer

The shape of the Merlot bag is like a squashed milk carton. The inspiration was a squashed carton the designer saw on the road. The other bag shaped like a can is called the Chardonnay. Meng Du called this project ‘Incognito’ because in her own words, “many things appear to be hidden in this project.” It looks like leather, but it’s really made from grape skin.

Oddbird Meng Du Grape Skin Leather

Oddbird Meng Du Grape Skin Design 2

Oddbird Meng Du Grape Skin Design Price

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Minimalist, Durable Outdoor Furniture: The Easy Aluminium System

The trend in outdoor furniture design, at least in the U.S., seems to be “Plastic things that look like wood.” In contrast Egli Studio, a Swiss ID firm, has created a much more appealing offering with their Easy Aluminium system of tables and benches:

The units ship flatpacked. Every component is made out of aluminum, and Egli Studio says the assembled system is “robust and durable.”

The finished parts are anodized. The toothed connector “constitutes the basis of the system. [With the connector], the standard tubes used for the top and the feet can vary in dimensions to [define] various bench and table formats.”

“Production rationality, sustainable development and environmental responsibility are the basis of our ideas. Clear lines and simple design are our tools to make our projects understandable. Showing the value of materials and manufacturing processes through our products is the core of our reflection.”

This geometric glass cabin’s layout was defined by the fjords and rock formations that surround it

The Efjord Cabin is a triple-glazed glass cabin that one newlywed couple calls home on the Hallvardøy Island in northern Norway.

When you’d rather spend your honeymoon in your own home than in a luxe hotel somewhere on the beach, you know you did something right. When Frode Danielsen and Tone Beathe Øvrevoll went on a holiday to Hallvardøy Island in northern Norway, the couple spent the next two years there designing their dream home where they’d soon spend their honeymoon and the rest of their lives together. The couple looked no further than the internationally renowned architecture studio Snorre Stinessen Architecture for help in building their dream home, The Efjord Cabin.

Designer: Snorre Stinessen Architecture

Before getting their plans off the ground, Danielsen and Beathe Øvrevoll had to work with the Ballangen municipality to develop a new zoning plan for the undeveloped plot of land. Settling on a naturally flat area to give rise to their new home, the couple chose it to keep the site disturbance to a minimum.

In good company, Snorre Stinessen also takes land disturbance seriously as the architects at the studio are “committed to developing projects that are conscious of our surroundings.” Stinessen goes on to say, “The shape of the building is both a dialogue with the close natural formations, but also with the larger landscape. Its functional aspects create privacy and indoor/outdoor connections to different zones around the building.”

The Efjord Cabin is propped up on a concrete slab and stationed between two rock formations which influenced the overall layout of the home. Split between two volumes, the larger of the two comprises two floors harbors the sleeping accommodations and spacious sauna.

Connected next door is a similarly angular structure that houses the home’s open-plan living room. Each volume is topped off with an inclined roof that offers lofty interior ceiling heights and unobstructed views of the snow-covered hills outside.

Defined by its triple-glazed glass facades, the Efjord Cabin finds thick insulation through 14-tons of glass to reduce energy demands. The home is also strategically configured on the site’s sloped hill to passively collect the available solar energy.

Stinessen also took to locally sourced timber to clad the exterior and interior of the Efjord Cabin. On the outside, core pine treated with iron sulfate provides the home’s exterior with a glossy sheen. Inside, birch veneer gives the home a warm, Scandinavian appeal.

Birch veneer frame the glass windows of the Efjord Cabin to balance the wild views with Scandinavian refinement.

The angular, geometric look follows through from the outside to the inside, with clean, neutral lines defining the inteiror.

Gray carpeting and tile flooring help cool down the inside and gives the home a darker appeal.

An in-home sauna can be found in the larger of the two structural volumes. 

Positioned on a sloped hill, the Efjord Cabin takes full advantage of the passive solar conditions.

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The Whimsical Design Within Objective Gallery’s Debut Exhibition, “Jebara X Shao”

The international organization opens an NYC outpost featuring wondrous works by 25 artists and designers

Open now through 24 April, Objective Gallery‘s inaugural exhibition—aptly named Jebara X Shao, after the destination’s co-founders—transports guests into a meticulous curation of eccentric, elevated furniture and decor. The design gallery, a new outpost of co-founder Chris Shao’s Shanghai-based operation, occupies a well-lit storefront where Tribeca, Soho and the West Village converge. Here, Shao and co-founder Marc Jebara seek to delight and inspire all those who enter.

“We found this space in September and decided to partner up and do this gallery-showroom fusion for collectible design and functional art,” Jebara tells COOL HUNTING on a bright, early-afternoon walkthrough. “I have a good network of interior designers. I do a lot of custom work. Chris has a good network of artists that he works with in Shanghai, where he started Objective Gallery. It made sense for us to pool our resources.” Jebara and Shao transformed the space to meet their needs, sectioning off a portion for Shao’s interior design firm and implementing an S-shaped floor plan elsewhere for people to wander through.

In the Jebara X Shao exhibition, everything is a highlight and nothing feels like an afterthought. Altogether, it’s a wonderland of exploratory forms and tantalizing textures, all underscored by function. “We really analyzed what was already in the market and what other galleries were offering,” Shao explains. Then they sought to present the opposite. “I think the program we have so far is a wild and diverse representation of young artists and designers,” he continues. “Most of them also do not have an art or design background. A lot of these people are cross-disciplinary. That’s key to us.”

In essence, the exhibit can be divided into three conceptual installations. “We started with a section that features Asian women artists,” Shao continues. “All of these artists make their work by themselves. They’re also all from different countries and grew up differently.” The works range from Rosie Li‘s stunning chandelier to Eny Lee Parker‘s swirling tower of lamps [both pictured in the hero image]. “We wanted to mix up the materiality,” Shao continues. In this entry room, visitors will find “ceramic and bronze and glass.”

Turning a corner, one transitions into “an interdisciplinary space, where most of the artists are from New York,” Shao says. “It is a very competitive location and there are so many artists and such limited galleries. For this room it’s more about who we are and what we like, and we did that to set a tone that lets people know what Objective Gallery is and who Jebara and Shao are. We would bring any one of these items into our own home,” he says.

“We love whimsical pieces—things that generate even more curiosity,” Shao continues. That said, the third room offers comfort first and foremost. “We will always keep a living room/lounge setting here,” he says. “As much as how avant-garde or provocative we allow the space to look, it’s really important that we have a section that feels like a home. That’s part of our program.” This third room yields cascading tranquility, from Ian Felton‘s supple couch, tubular armchairs and lava-stone capped tables to Charlotte Kingsnorth‘s endearing, imaginative upholstery of antique chair frames transforming into cozy “cookie monsters.” Shao found Kingsnorth on Instagram before they began to work together. Her contributions were the undeniable highlight to the exhibit.

As the show’s name implies, everything is presented in an objective, equally weighted way. A tissue box bears the same aesthetic value as a throne-like sculpture. “The quality of craftsmanship is a big focus,” Jebara adds. “Nothing is without perfection in its own way.” The gallery can have its pieces personalize and customized, and a thoughtful range of pricing is also represented. “A lot of these artists are part of our generation, as is a lot of the clientele,” Jebara adds. “We are coming up together.”

Images courtesy of Sean Davidson for Objective Gallery