Coffey Architects encases Norwich technology hub in perforated aluminium

Perforated metal facade of Exterior of Digi-Tech Factory

White panels made from perforated metal create a feeling of “light and airiness” at this digital-technology education centre, completed by London studio Coffey Architects for City College Norwich in Norfolk.

The 2,877-square-metre Digi-Tech Factory brings together the college’s technology, engineering and design courses in one building, with robotics labs, digital studios, classrooms and support spaces.

Exterior of Digi-Tech Factory
Coffey Architects has created a centre for digital technology at City College Norwich

In the spirit of industrial design, Coffey Architects used off-the-shelf components for the building, including an exposed steel frame, composite panels and glass surrounded by a perforated aluminium shell.

The aluminium shell, which is raised one storey on steel columns and set away from the building’s thermal envelope, defines a covered external plaza and terraces around the building.

White perforated-metal facade
The Digi-Tech Factory is wrapped in perforated metal panels

The terraces lead into a large atrium, which is lit by skylights in the building’s sawtooth roof.

Around the atrium are Digi-Tech Factory’s teaching spaces, which look out at the surrounding campus through windows that break up the perforated screen. Some windows are covered by panels to create a play of light and shadow in the day and silhouettes at night.

Outdoor terrace at the Digi-Tech Factory
Its aluminium shell overhangs outdoor terraces

“Light manipulation is a central principle of [our] design practice, often explored, as here, through the use of an external screen to provide light, texture, variation and environmental control,” explained the studio.

“In this case the building’s panels play with both nature and artificial light depending on the time of day,” it continued. “By day, natural light is diffused through the panels into the interior, and by night, light from the spaces within the building activates the facade.”

Voids in each floor and full-height internal windows allow light to travel through the atrium and create visual connections between spaces.

“As you move through to the upper floors, the feelings of light and airiness continue despite a small footprint, achieved through a combination of light wells in the roof at each end of the corridors and moments of double-height spaces on each floor,” added the studio.

White corridor with exposed steel structure
Wide corridors are designed to encourage socialising

Wide internal corridors, as well as the covered spaces surrounding the building, have been designed to encourage socialising between lessons.

The glazed ground floor extends into a corrugated metal-clad block of labs at the rear of the building, which sinks into and overlooks a gently sloping garden.

Industrial interiors of the Digi-Tech Factory
The structure and services have been left exposed

Continuing the industrial theme, Digi-Tech Factory’s structure and services have been left exposed inside, allowing students and staff to see how the building works while creating flexibility for any future additions or alterations.

The white of the exterior is carried through to the interior steelwork and walls, contrasted by doorways marked out in a vibrant yellow.

Industrial interiors of the Digi-Tech Factory
Large internal windows create visual links throughout

Coffey Architects was founded in London in 2005 by architect Phil Coffey. The studio used a similar approach of playing with light and texture at King’s Cross, where it designed a three-storey office block clad with perforated aluminium panels.

Neiheiser Argyros also recently used perforated aluminium to enclose the exhaust vents and fire escape of a London Underground station.

The post Coffey Architects encases Norwich technology hub in perforated aluminium appeared first on Dezeen.

Ten kitchen extensions that make a spacious addition to homes

Image of DGN Studio's Concrete Plinth in London

For our latest lookbook, we’ve chosen ten kitchen and dining extensions that create spacious and practical as well stylish additions to homes.

Kitchen extensions are one of the most popular building projects for homeowners. Constructed to add extra space to an existing building, they are often used for both cooking and socialising.

While they are common in homes all over the world, many of the kitchen extensions in this lookbook are found in Victorian and Georgian terraced homes in London. The traditional buildings have been remodelled to create a generous eating, dining and entertaining space.

This is the latest roundup in our Dezeen Lookbooks series providing visual inspiration for the home. Previous kitchen-related posts feature kitchen islands, green kitchens, and terrazzo kitchens.


Albion Terrace, UK, by Outpost

Albion Terrace, UK, by Outpost

Architecture studio Outpost added an extension with a zigzagging zinc facade to a Victorian terrace in east London’s Haggerston. The open-plan kitchen and dining area were set within the extension, which boasts a zigzagging roof and ceiling that follows the profile of the facade.

The kitchen features cobalt blue cabinetry and wooden worktops that contrast against the extension’s pale walls, floor and ceiling.

Find out more about Albion Terrace ›


Fruit Box, UK, by Nimtim Architects

Fruit Box, UK, by Nimtim Architects

A wooden partitioned extension that houses a galley-style kitchen was added to a 1970s townhouse in Forest Hill, London. Nimtim Architects employed plywood partitions and joinery throughout the extension to zone areas such as the kitchen and dining area.

Square white tiles clad some of the kitchen walls, forming splashbacks against tiled worktops. An adjacent island features a tiled waterfall countertop, which contains a sink and shelving beneath.

Find out more about Fruit Box ›


Cornerstone House, UK, by Merrett Houmøller Architects

Cornerstone House, UK, by Merrett Houmøller Architects

Located in the London neighbourhood of Crouch End, Merrett Houmøller Architects created a modern extension that looked to enhance the home’s connection with the rear garden.

The extension was clad in blackened zinc tiles and houses the kitchen, dining and small living area. Floor-to-ceiling windows occupy the rear walls of the extension and provide views out to the garden from the kitchen and dining area.

Find out more about Cornerstone House ›


Punta Chilen, Chile, by Guillermo Acuña Arquitectos Asociados

Punta Chilen, Chile, by Guillermo Acuña Arquitectos Asociados

Santiagao-based architecture studio Guillermo Acuña Arquitectos Asociados built a house extension on bright red-painted stilts, which houses Punta Chilen’s kitchen as well as the home’s living areas.

The extension takes shape as a large open-plan room that is primarily used for cooking and eating. Wood clads the walls, floors and ceiling of the space and extends across the kitchen to form blocks of worksurfaces and cabinetry.

Find out more about Punta Chilen ›


Mount View, UK, by Archmongers

Mount View, UK, by Archmongers

Pale pink tiles clad the exterior of this kitchen extension on a Victorian terraced home by Archmongers in north London. The extension occupies the rear of the home and houses a new kitchen and dining room, while providing the historic terrace with a 1970s-informed aesthetic.

The kitchen features a similar colour palette to the exterior tiles, boasting a pastel-toned interior that features a breakfast bar overlooking the garden.

Find out more about Mount View ›


Rydon Street, UK, by Moxon Architects

Rydon Street, UK, by Moxon Architects

Located in a conservation area of Islington, north London, the basement of this Victorian townhouse was excavated by Moxon Architects to add a bright open-plan kitchen, dining and living extension.

The basement was opened up and had a small extension added to the rear, forming an open-plan living and dining area that leads out to a sunken garden. It boasts a minimalist, gallery-like look.

Find out more about Rydon Street ›


Overcast House, UK, by Office S&M

Overcast House, UK, by Office S&M

Housed within a salmon-pink rear volume, this residential extension by Office S&M in north London’s Haringey uses trending hues such as millenium-pink and mint green for the kitchen and entertaining space.

Unlike its unusual exterior, the interior of the extension boasts a typical design and features a kitchen tucked into a recessed wall behind a large island that contains a sink and storage solutions.

Find out more about Overcast House ›


Plinth House, UK, by DGN Studio

Plinth House, UK, by DGN Studio

DGN Studio extended this semi-detached Victorian terrace in east London by adding a sunken concrete floor that aimed to maximise the kitchen extension’s ceiling height.

Light oakwood lines the ceilings of the extension between a skylight that allows daylight to flood the sunken space. A large kitchen island occupies the centre of the space, while a dining area is located at the rear.

Find out more about Plinth House ›


Edinburgh Pavilion, Scotland, by Archer + Braun

Edinburgh Pavilion, UK, by Archer + Braun

Titled Edinburgh Pavilion, Archer + Braun built this minimal extension in Edinburgh as a deliberate contrast to the Grade B-listed structure it adjoined. The volume has a glazed rectangular form that is removed from interior walls.

Red elements frame the extension’s glazed wall as well as its interior, providing pops of colour to the kitchen and dining room it houses.

The kitchen is neatly tucked within the red Corsehill sandstone volume of the extension and spills out to the open-plan glazed area, which doubles as a dining room.

Find out more about Edinburgh Pavilion ›


Exoskeleton House, Australia, by Takt Studio

Exoskeleton House, Australia, by Takt Studio

Takt Studio added a steel exoskeleton extension with a sloping roof to a 1950s brick bungalow in the foothills of the Australian mountains. The new addition opened up the home to create a single large living area that holds a kitchen and dining area surrounded by exterior decking.

The kitchen, located at the eastern side of the extension, takes shape as two rows of cabinetry and features views out to the surrounding landscape.

Find out more about Exoskeleton House ›


This is the latest in our series of lookbooks providing curated visual inspiration from Dezeen’s image archive. For more inspiration see previous lookbooks showcasing elegant wood panelling, kindergarten interiors, smart storage solutions and plywood interiors.

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Yinka Ilori creates maze of colour and sound for V&A Dundee

Maze at V&A Dundee by Yinka Ilori

Designer Yinka Ilori has created a colourful maze-like installation called Listening to Joy for the V&A Dundee, exploring the difference between how adults and children approach space.

Open to visitors of all ages, Listening to Joy is a labyrinthine interactive play area made up of curving mesh walls patterned in bright graphics.

Multicoloured maze made up of curving walls in a museum gallery
Yinka Illori’s Listening to Joy installation is located in the Locke Hall of the V&A Dundee

Unlike in a conventional maze, the mesh panels are covered in zippers that can be opened and closed, so visitors can remake the space, rather than becoming trapped in a dead end.

Ilori designed Listening to Joy as a way of honouring play, a behaviour that is instinctual to children but less so to adults. “Listening to Joy is a celebration of play, an essential experience to enjoying life as well as practising our problem-solving skills,” said Ilori.

Yinki Ilori stands among children playing in the Listening to Joy installation
Ilori creating the installation to celebrate play and kids’ uninhibited movement through space

The zippable walls are intended to reflect on what the V&A Dundee describes as “the often-contradictory spatial patterns adults and children form while experiencing space”.

Children tend to be fluid and non-rational, while adults take a more controlled and linear approach, following implied boundaries.

In addition to the maze, Listening to Joy includes a musical component. Two circular xylophones are nestled in the space, inviting visitors to make sound.

The music created through the instruments is being recorded and will be mixed into songs that intend to document the sounds of the space and, through them, the joy that visitors felt.

Maze by Yinka Ilori
The mesh walls of the installation can be zipped open and closed, allowing visitors to remake the space

“Play should be collaborative, so I have created this installation for visitors of all ages to explore sounds, colours and patterns in a shared space,” Ilori said.

“I hope that Listening to Joy will spark imaginations and remind all of us of the power of play.”

Listening to Joy was created especially for the V&A Dundee and is installed on the ground floor of the Locke Hall. It will remain open until 24 April 2022.

Two large and colourful circular xylophones embedded within waved mesh maze walls in the Listening to Joy installation
The installation also incorporates xylophones, and the music of the space will be remixed into songs

Ilori is a London-based designer who calls on both his British and Nigerian heritage in his work.

His recent projects have included colourful crosswalk installations for the London Design Festival and a temporary skatepark at Miami art week.

He was also the creative director of the 2021 Brit Awards and designed its trophies together with Es Devlin.

The photography is by Michael McGurk.

Listening to Joy is on show at V&A Dundee until 24 April 2022. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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FluidStance Level Balance Board Review

PROS:

  • 360-degree freedom of motion
  • Eco-friendly materials and production process
  • First-ever balance board with NEAT Certification

CONS:

  • Wooden deck can be slippery and tough
  • Metal base can be easily scratched
  • Expensive (especially with mats)

RATINGS:

AESTHETICS
ERGONOMICS
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR’S QUOTE:

The FluidStance Level may not be the most affordable option in the market, but you’d be hard-pressed to find one that strikes a good balance between design, ergonomics, and sustainability. Its handsome looks, 360-degree range of motion, and focus on protecting the environment make the price tag feel like a long-term investment rather than an expensive one-off purchase.

Working at home in the past two years has brought to light the poor habits and postures we develop while in the office. Standing desks have long been a fad among more health-conscious knowledge workers, but that is really only half the equation. Constant or regular movement is the other part, but that has been more difficult to observe if you’re you’re the type that’s glued to the computer for hours on end. Balance boards, although not completely new, are gaining more traction lately, and we put the FluidStance’s Level balance board under our feet to check out if its promises are worth its price.

Aesthetics

People would be forgiven for thinking you’re skating dangerously close to insane levels of fitness obsession when they see you seemingly hovering on a skateboard while standing by your desk. The FluidStance Level is indeed designed to resemble the familiar shape of a skateboard precisely because it is a familiar and well-tested design. And like a skateboard, you might feel proud of yourself after you’ve learned the tricks of the trade, perhaps forgetting how odd one might look.

Fortunately, the Level is actually a thing of beauty, which might sound odd for something that is meant to always be at your feet. You at least won’t be embarrassed when seeing the premium maple wood that makes up the top deck of the board. Available in Natural (Light) and Walnut (Dark) finishes, it almost feels like a shame to mar its surface with dirt from your shoes. In practice, you might not always see that natural wood stain if you prefer to always use the board with some foam.

Even the Level’s metal bottom isn’t something to be ashamed of. Made from military-grade die-cast aluminum, the concave form of that base provides the freedom of motion that many balance boards lack. The webbed structure, on the other hand, delivers the flexibility and strength to support people weighing 300 lbs or lighter. It also makes for an interesting visual design when you prop up the board against the wall when not in use.

All-in-all, the Level weighs only 7 lbs, which FluidStance amusingly compares to a small cat. You won’t be carrying it around a lot, of course, and will most likely place it near your desk most of the time. Still, that’s a good thing to note, in case you’ve set up standing desks at home and in your private office.

FluidStance’s choice of materials and manufacturing processes, however, does have some consequences when it comes to the product’s longevity. Wood, of course, ages and scratches over time, which can both be a source of distinctive design marks as well as damages. More worrying, perhaps, is the powder coating on the aluminum base that could wear off or be scratched more easily, depending on the floor’s surface. Fortunately, FluidStance does have solutions for both problems.

Ergonomics

As a balance board, the Level solves two problems that plain standing desks don’t sufficiently address. Simply standing at your desk all day, while an improvement over sitting all the time, doesn’t exactly heap on the benefits of being active. The famed Mayo Clinic developed a new Non-Exercise Activity Thermogenesis or NEAT Certification to indicate products or activities that keep the body active without going into a formal state of exercise. The Level is one of the first few of its kind to be awarded this new marketing metric, promising to help you burn calories while you’re standing.

Standing all day at your desk can also be unhealthy for your legs and feet, and other options like walking treadmills or even exercise bikes might be over the top. A balance board helps provide that natural movement needed by our bodies without taxing our lower limbs. The Level’s advantage over other boards is that its design allows users to pivot a full 360 degrees rather than being limited to rolling motions in one direction only. Its range of motion or ROM has been measured to be equivalent to normal walking motions.

These benefits do come with some learning curve, especially if you’re not used to standing while working in the first place. The constant motion feels anything but natural but also becomes familiar and almost second nature after a few days of continuous use. Even while constantly being in motion, it’s still advised to take breaks in between to give your legs and feet a well-deserved rest.

There are also some usability side-effects of the Level’s materials. The wooden board makes using it with just socks or bare feet a big no-no for safety reasons. At the same time, the hard flat surface can still wear out your heels even when wearing footwear. FluidStance sells a UPmat made from 100% recyclable “PLUSfoam” to provide some cushion, but that’s an extra purchase.

There will also be concerns about the metal base coming in contact with whatever material the floor is made of. Unsurprisingly, the company also sells a separate Base Mat to protect both the floor and the board’s base.

Sustainability

Although its core focus is health and fitness, FluidStance is proud to be part of the new breed of designers and companies that make sure they have as little impact on the environment as much as possible. The company, however, doesn’t simply stop at the choice of materials but also in the processes used to craft them. The powder-coating process for the aluminum base, for example, has a considerably lower footprint, almost zero emissions, when compared to typical painting and anodizing processes.

It’s also more easily repairable, too, to some extent. The wooden deck can be unscrewed if it needs to be replaced, though you might have to find ways to get your hands on a new one. If there’s any shortcoming with FluidStance’s strong sustainability efforts, it’s that it doesn’t make it non-trivial to buy replacement wooden decks. You will definitely want that UPmat to keep the top in usable shape for as long as possible.

Fortunately, FluidStance’s accessories are just as environment-friendly as the Level itself, or at least the company promises. That Base Mat may be made of 100% virgin polycarbonate to make it as strong as bulletproof glass, but it is also advertised to be fully recyclable.

Value

The Level already sets itself apart from other balance boards with its design and commitment to sustainability. Unfortunately, it also sets itself apart with its price, and not in a good way. At $249, it’s easily one of the more expensive balance boards in the market, and that’s just for the board itself.

The UPmat provides comfort and support to your feet and legs while protecting the surface of the wooden top. The Base Mat makes sure that the Level is usable on any floor surface or material you have, While keeping the wear and tear on the powder-coated die-cast aluminum to a minimum. At $69 and $99, respectively, these items look like accessories, but they might actually be necessities, bringing the total package up to $417.

The big question, however, is whether it’s actually worth that much. Fortunately for FluidStance, there isn’t much competition in the market yet, at least with its combination of design, ergonomics, and environment focus. There are definitely other alternatives, but few manage to check all those marks equally. Even better, FluidStance actually has a more affordable “The Plane” option, though that ditches the wood and metal materials and is designed for lighter people 250 lbs and below.

Verdict

When health experts preached the good news of standing desks, they seemed to have forgotten the impact those would have on our feet and legs. They also didn’t dwell much on the fact that you don’t really burn calories while simply standing and that you actually require more movement to gain the benefits of a non-sedentary work lifestyle. Balance boards are becoming the next and more viable trend after desk treadmills and bikes, and, naturally, not all of them were made equal.

The FluidStance Level brings balance in more ways than one. It doesn’t immediately strike one as an exercise product, unlike other balance boards, and is designed to be environment-friendly right from the start of the production process. The price tag might be a bit shocking, especially when you consider you might really want to get the two mats the company sells. Thankfully, it’s built to last, too, making it an investment that will keep you moving even while standing in place in front of your computer.

The post FluidStance Level Balance Board Review first appeared on Yanko Design.

LEGO master builder Mitsuru Nikaido creates detailed animal sculptures that will shock and awe you

Mitsuru Nikaido, a Kurashiki-based artist, makes sculptures of different animal species from LEGO building blocks.

Mitsuru Nikaido has been creating intricate sculptures out of LEGO building blocks for years. Backed with a wide-ranging and diverse portfolio, Nikaido feels most inspired to build his sculptures in the shapes of different animal species.

Designer: Mitsuru Nikaido

When constructing his sculptures, the Japanese LEGO enthusiast tends towards a cyberpunk aesthetic and gray-scale color palette to highlight his signature style. His varied collection includes LEGO sculptures of walruses, Huntsman spiders, crayfish, cicadas, triceratops, beetles, shoebills, and even microscopic water bears.

Based in Kurashiki, Nikaido mostly utilizes the gray-toned LEGO bricks, only relying on brightly-colored bricked to accentuate an animal’s defining feature, like a pair of electric eyes or a lustrous beak. While any one of Nikaido’s sculptures can impress without any movement, some of his works feature spring-loaded limbs, like flexible joints and a wagging tail, that shine a spotlight on the potential of LEGO building blocks.

Nikaido mostly exhibits his sculptures on his social media channels, and a select few of his pieces of artwork are for sale on his website. Alternatively, interested viewers can see his sculptures on display at the LEGO House in Denmark.

Nikaido’s Mecha Cicada creation.

Nikaido’s Mecha Beetle creation.

Nikaido’s Mecha Water Bear sculpture.

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This dog leash + smart tag design tracks your pet’s emotions to help parents communicate better

Keeping a dog is one thing but being able to care for her the way she would want is entirely another. Pet-friendly tech innovations have made keeping track of your dog, feeding them at the right time, and even monitoring their health a little easier, but what if you could also know how your dog is feeling at a given point in time? Your communication and experience would become increasingly healthy – either way – and this is what PingPong intends to do!

Allowing the pet patent to “catch what they (dogs) feel, do what they want;” the PingPong is a communication and relationship enhancer that helps dog owners understand their pet’s behavior through their activities. Being a dog parent myself, I can say from personal experience that it’s really difficult – on many occasions – to figure out how your dog is feeling. Most dog owners would vouch for being able to understand feelings properly, but the fact is there’s more to a dog’s emotions than his wagging tail or cuddled-up sleep.

With the intention to give dog owners – new and old – not very sure of the right communication with the pets an option to use technology to their benefit. And then to be able to provide their pals exactly what they want. PingPong allows communication through expression between dogs and their owners. PingPong is a name derived through feelings of dogs captured through their expression as ‘ping’ and the activities carried out after understanding feelings as ‘pong’.

Comprising a dog collar smart tracker, a leash, charger and hub; PingPong can pick up five different dog feelings and represent the same in as many color notifications. These feelings include comfort, joy, stress, loneliness and fear. The color indications are displayed on the smart chip and leash handle. A yellow color ball bouncing high and fast displays joyfulness, blue ball bouncing rhythmically shows comfort, gray ball bouncing slowly is an indicator of loneliness in dogs, stress is shown by the red ball bouncing fast, while a fanatically bouncing purple ball is an indicator of fear!

The smart clip used on a dog collar picks up these emotions through the dog’s activities. It can measure the behavior and heart rate of the pet using onboard sensors and displays the five feelings on the app, leash or the chip itself for owners to see. The sensors can pick delicate emotional changes in the dog and the app can recommend activities that owners can undertake to match the feelings. There are daily, weekly and monthly activities recommended to the owners, to build a congenial environment/routine for the pals.

Designer: Soyoung Lee, Jaewan Choi, Wonjae Lee and Hanna Yoo

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This instant film camera brings the digital camera convenience to the art of film photography

Moir 21 is an instant film camera concept designed to blend the quality of film photography with the convenience of digital cameras.

While today’s world is swarmed with endless content and digital photographs, we’ve lost touch with the art of analog photography. Most of today’s feeds feature photos taken from smartphones and digital cameras, but you can always tell the difference between those and photographs taken on film.

There’s a mystique to film photography, but for modern purposes, we tend towards digital mediums. Blending the two together, design team Sarwan Bhinder and Vishnu R conceptualized Moir 21, an instant film camera that takes the best of both worlds to meet the beauty of film cameras with the convenience of digital photography.

Moir 21 is named after the French word mémoire, which loosely translates to the concept of recordkeeping. Maintaining the integrity of a film camera and resolving the limitations set by current digital cameras, Moir 21 allows for multiple prints of hand-selected photographs. Many photographers who enjoy takings photos on film appreciate the medium for its single-shot takes.

In order to keep that spirit alive, Sarwan and Vishnu designed Moir 21 to automatically erase a photograph only a few minutes after it has been taken. Additionally, the team of designers equipped Moir 21 with a minimal control panel so that modern users can remain close to the clean display of most digital cameras.

The actual photograph won’t be erased, but the photographer will only be able to see it again after been printed. Through the electronic viewfinder (EVF), photographers can change the settings on their cameras to produce different photographs, similar to a film camera.

Speaking to this, the designers suggest, “The controls are fluid and seamless in order to give a smoother and faster experience while shooting and printing.”

Designers: Sarwan Bhinder and Vishnu R

Sarwan and Vishnu designed Moir 21 to maintain the simplicity of a modern digital camera’s display.

Moir 21 has been conceptualize din two different colors, sleek black and optic white.

The post This instant film camera brings the digital camera convenience to the art of film photography first appeared on Yanko Design.

Tools get a Minecraft-inspired makeover to add some whimsy our everyday chores

My Craft is a collection of Minecraft-inspired tools constructed in the image of tools and motifs found throughout the game to play Minecraft.

As of 2020, 200 million copies of Minecraft were sold. Becoming one of the most sold video games ever, 126 million users play Minecraft worldwide. They say life imitates art, so it’s no surprise Minecraft found an uptick in global consumers around the same time we were all renovating our homes IRL.

Minecraft is a video game where players are placed in a new world that challenges them to find resources to build shelter, acquire food, and craft tools to construct their own virtual universe. A team of designers, Minju Kim, Woojin Shin, and Sunjin Baek, aimed to construct their own starter toolkit for Minecraft players called My Craft so each player can customize their real worlds with appliances that resemble tools used to play Minecraft.

My Craft first comes with a main toolbox that contains all of the different tools, including a tape measure, hammer, driver, and spanner, all of which are necessary for Minecraft’s interior design feature. With more and more video game players turning to Metaverse and VR gaming, blending the world of video games with reality has never felt more tempting. Enter My Craft, where each physical tool conceptualized by the team of designers is crafted using virtual motifs found in the Minecraft gaming universe.

The tape measure is inspired by the Golden Apple found throughout Minecraft, while the hammer’s image is borrowed from the pickaxe used by players for virtual construction. Then, the toolbox’s screwdriver is defined by a pixelated bone-inspired case commonly seen while playing the video game. Finally, a spanner and pincers tool takes on an image inspired by the tongs used for virtual home building in Minecraft.

Designers: Minju Kim, Woojin Shin, and Sunjin Baek

The screwdriver is inspired by the bone motif found throughout Minecraft.

The spanner and pincers are inspired by tongs found in Minecraft.

The hammer’s image is borrowed from the pickaxe used by Minecraft players to build virtual homes. 

The toolkit comes with all of the aforementioned tools. 

When players use these tools in real life, our world will imitate the world of Minecraft.

 

The team of designers gave each tool a pixelated look.

The tape measure resembles the Golden Apple in Minecraft.

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Japanese architecture informs design of Minnesota house by Salmela Architect

Fifty-Acre Wood was clad in timber

A cluster of wood-clad buildings surround a central courtyard at this Minnesota residence by US firm Salmela Architect that was designed for clients who formerly lived in Japan.

The project, called Fifty-Acre Wood, is located in Stillwater – a historic town located along the St Croix River, just beyond Minneapolis. The house rests on a fifty-acre (20-hectare) parcel, the majority of which the clients granted to the Minnesota Land Trust for permanent conservation.

The entrance to Fifty-Acre Wood
Fifty-Acre Wood is a home in Minnesota that was designed by Salmela Architect

Situated near a waterfall, the property features an oak forest and farm fields that are being reseeded with native grasses. The area supports a range of wildlife, including black bears, foxes, sandhill cranes and blue herons.

The owners are a married couple – Yuko and Paul – who met and lived in Japan before moving to Minnesota with their two young sons. Paul grew up exploring the St Croix River Valley and wanted his kids to have a similar experience.

Fifty-Acre Wood was clad in timber
It is comprised of a collection of volumes which house living and sleeping areas

In contrast to Paul’s upbringing, Yuko was raised in the dense Japanese city of Fukuoka, and initially, she felt uncertain about living in a wide-open landscape.

“Her wishes were for a home that felt protected, with the inclusion of familiar cultural references in this unfamiliar setting,” said Salmela Architect, a Minnesota firm known for designing homes in a regional modernist style.

Interior image of a living space at Fifty-Acre Wood
The home has views out to the surrounding landscape

The architects conceived a series of buildings that are organised around a central courtyard. The design draws upon two references: a cluster of shed-roof agricultural buildings and a Japanese courtyard house with sheltered, exterior walkways.

The main dwelling consists of two pavilions that form an L-shape and are joined by a glazed passageway. Nearby are a detached guesthouse, a garage and a multipurpose building.

The open plan kitchen at Fifty-Acre Wood
The interior boasts a simple and minimal material palette

“Each of the five structures is positioned according to function, solar orientation and relationship to specific features of the landscape,” the firm said.

Facades are clad in cedar, and roofs are covered with standing-seam metal. Interior finishes include slate tiles, quartz countertops and ceilings sheathed in pale-toned basswood.

Windows frame different views across the home
Paved walkways surround the home

In the main dwelling, there is a clear separation between public and private spaces.

One pavilion encompasses a semi-open kitchen, dining area and living room. It sits on an east-west axis and looks upon a gently rolling field.

Image of a living area with a timber-lined roof at Fifty-Acre Wood
The living areas have views across the site in all directions

“South-facing, floor-to-ceiling windows create a sense of interior-exterior continuity, which is reinforced by horizontal wood slats on both the exterior soffit and interior ceiling,” the team said.

“This Japanese architectural reference helps softens the acoustics of the hard surfaces within the wide-open room.”

In the kitchen, the team provided views in all directions. A large, northern window delivers sight lines of the home’s courtyard, entry path and driveway, offering a sense of security.

The home lacks a traditional foyer. Instead, one enters through a threshold composed of “symmetrical blade walls” that lie between the kitchen and a mudroom.

“While the clients were initially hesitant about the atypical arrival sequence, they have expressed how comfortable it has been to welcome people into their home without the typical awkwardness associated with a formal foyer,” the team said.

The dining area at the Fifty-Acre Wood residence
The home has an open plan design

The home’s other pavilion, which holds bedrooms, runs from north to south and hugs the edge of a forest.

“The three bedrooms and two ofuro – shower and tub rooms – look out into the oak forest, which filters warm morning light through its leaves, signaling the start of the day,” the studio said.

Full-height windows allow light to enter the space
Tiles cover the floors across the shared living areas

The sleeping areas are arrayed along a corridor that doubles as a workspace.

“It remains shaded throughout the workday, creating an ideal glare-free environment until the low evening sun signals dinner time,” the firm said.

Image of a bedroom at the home
The sleeping areas are accessed along a corridor

Throughout the residence, the team incorporated a number of elements to help reduce energy consumption. These include operable windows, a hydronic in-floor heating system, an air-to-air heat exchanger and a high level of insulation.

“Six-foot-deep eaves and a south-facing orientation enable an optimal passive solar strategy that maximises heat gain in the winter while entirely blocking the mid-summer sun,” the team added.

Image of a bathroom at Fifty-Acre Wood
Windows were randomly places across the walls

The home also features three skylight boxes that open and close, enabling hot air to escape. At night, the boxes are illuminated with electric lights.

Beyond the main home, the team created a guesthouse to the west, which provides a level of separation and privacy for overnight visitors, including Yuko’s parents from Japan.

Image of a study space at the home
A sculptural firepit is framed by a squared window

To the north is a two-stall garage and the “barn”, which is a multipurpose space for playtime and storage. The buildings are accessed by paved walkways that surround the courtyard.

“Exterior walkways ring the interior courtyard that is seeded with native vegetation – a microcosm of and counterpoint to the larger landscape restoration project,” the team said.

An overhanging roof provides shade at the home
The home was fitted with a number of environmental and green systems

Other projects by Salmela Architect include a home for a physicist and eye doctor that is meant to resemble a “scientific instrument with multiple viewing apertures” and a solar-powered house that was created for an architecture professor.

The photography is by Corey Gaffer.


Project credits:

Architect: Salmela Architect
Team: David Salmela (principal), Kai Salmela (design lead), Emre Erenler
Energy consultant: Malini Srivastava
Structural engineer: Meyer Borgman Johnson
Contractor: Cates Fine Homes

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This tiny cabin rises above the ground on four stilts to mimic treehouses



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Wauhaus is a 20sqm tiny cabin on stilts that was inspired by the build of treehouses.

Even when we were little, we dreamed of escaping to some treehouse in the forest, free from the humdrum of everyday life to start a new one in the woods. Taking cues from the treehouses that defined our childhoods, Hello Wood, an international architecture studio based in Budapest, designed Wauhaus. Perched above a sloping hillside in Hungary’s Zala County, Wauhaus is a tiny cabin inspired by children’s treehouses that depends on four stilts to remain aboveground.

Spurred by the recent popularity gained by mobile lifestyles and downsized living, the architects at Hello Wood tried their hand at constructing their own tiny cabin. Describing this recent cultural shift towards tiny, mobile living, Hello Wood writes,

“Treehouses, design cabins, forest huts, glamping–the long-lasting popularity of exciting accommodations is not surprising; many of us want to leave behind the noise of the city from time to time and get closer to nature. Modern treehouses–which take the children’s tree platforms to a whole new level–provide this experience. We can retreat in a canopy-level house or a cabin with legs to watch the wildlife of the quiet forest, listen to the rustle of leaves, or immerse ourselves in the view unfolding before us.”

Envisioned to be a private workspace or remote holiday retreat, the 20sqm Wauhaus keeps a low profile and the charm in the details. Reinforced by triple screws, Wauhaus rises above the ground on four wooden beams of varying heights to form a unique silhouette and standing profile. The exterior facades are wrapped in graphite gray larch planking to maintain a discreet profile amidst the cabin’s natural surroundings.

A side ramp gradually ascends from the ground to the home’s entrance. Inside, residents are greeted by an open-plan layout that culminates as a single space that leaves enough room for a workstation or sleeping accommodations, a small kitchenette, and a bathroom. The interiors are planked by natural birch plywood, offering a sun-soaked, bright contrast to the tiny cabin’s gray-scale exterior.

Designer: Hello Wood

The post This tiny cabin rises above the ground on four stilts to mimic treehouses first appeared on Yanko Design.