This sustainable folding stool turns wasteful PET bottles into a tool for an agile lifestyle

Now you can sit comfortably anywhere you go and won’t look out of place while carrying your own stool around. Plus, it helps find a home for one of the biggest sources of pollution on the planet.

Have you ever found yourself needing to sit down only to discover there’s not an empty chair in sight? Whether at parties or meetings, there always comes a time when an extra chair or even just a stool can be a lifesaver. Those scenarios are what gave birth to a class of portable and folding stools, but one new entry in this category tries to keep you looking cool while you carry your stool around. In fact, no one might even suspect you’re bringing along your own seat.

Designer: KRETHO

Folding stools are nothing new, but few actually try to hide the fact that people are carrying something meant to be sat on. In contrast, the TAKEoSEAT flattens down to something that looks like a large portfolio, or at least a stylish bag made of felt. You won’t look odd carrying it around, nor would the seat look out of place in an office space. Designer KRETHO positions this portable stool as a perfect part of an agile arsenal, allowing people to just pick up their seats and move around as needed. No more rearranging furniture or sweating over a heavy chair.

This folding design is admittedly not exactly novel, but what TAKEoSEAT adds to the table is a bit of environmental focus. Each stool is made from PET felt, which is felt that comes from those plastic bottles that we use and throw away without giving a second thought about where they end up. PET bottles undergo a special process (that does, unfortunately, use up water and energy) that results in a material that feels familiar to the touch while also strong enough to support a load of 130 kg. Plus, the TAKEoSEAT itself is recyclable, too!

Of course, it would be better if we reduced the amount of PET bottles we produce and use instead, but this at least finds another way to recycle these harmful products. The beneficial effects on the environment will still largely depend on how many TAKEoSEATs are made and sold, not to mention how efficient the recycling process is as well. If you are in the market for a sustainable and portable seat that you can take anywhere, this might be one option you could consider.

Photos courtesy of Sedus

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Design Firm Develops High-Load, Adjustable Backpack Frame for Australian Defence Force

Australian design consultancy Cobalt had a tough assignment from the Australian Defence Force: To design “a high-load backpack frame that is adjustable to correctly fit the back of 1-percentile to 99-percentile female and male users.” In addition to fitting people of all sizes, the frame needed to be tough enough to suit the military’s needs, and it had to be backwards-compatible with older pack and harness systems.

After conducting heavy anthropometric analysis, Cobalt’s design and engineering teams came up with ONE299, a two-part polymer frame with overlapping “ladders” to solve for the required height adjustments:

“Cobalt was able to meet and exceed military expectations and outperform existing fixed-size frames,” the company writes. “In addition to size adjustability, a key element of ONE299 is the patented lumbar area which conforms to the contour of the wearer’s back. This allows for superior ergonomic fit as well as increased load.”

“The use of a correctly fitting frame reduces the potential for back injury, and the One299 frame offers this to all wearers regardless of size. Its high strength and adjustable nature also opens up new opportunities for load carriage configuration, allowing both frame and the backpack to be adjusted and configured to suit alternate load carriage scenarios.”

Here’s a closer look at their design/testing process and the system:

“In excess of 27,000 frames have been deployed in the Australian Defence Force,” the company says, “with additional interest from international military groups and adventure sectors proving a great commercial outcome.”

Nuro Upgrades Their Autonomous Delivery Vehicle with External Airbags for Pedestrians

When we last looked at Nuro, the developers of an autonomous electric delivery vehicle, they were on their second-generation R2. To refresh your memory, it was essentially a diminutive car designed to carry goods, not people, and Dominos successfully used them to deliver pizzas in a pilot program in Texas. The hope is that fleets of these zero-emission* Nuros will reduce car trips to supermarkets and eateries.

Now Nuro’s developed their third generation vehicle with improved safety measures, including self-cleaning sensors and external airbags for pedestrians, “optimized to reduce the force of impact and number of injuries in the event of collision.”

The idea of external airbags is a good one that has been around for a while; in 2017’s “Inside Auto Design: How People Getting Hit By Cars Has Changed the Shape of Cars,” we explained the dynamics of car-into-human crashes and showed you an external airbag concept by Volvo.

And in 2019, we looked at German auto supplier ZF Friedrichshafen AG’s external airbags, though those were designed to limit damage in car-to-car crashes.

For the record, Nuro doesn’t anticipate their vehicles ever crashing into people, noting that their small, lightweight ‘bots can slam on their brakes in a way that no people-carrying vehicle could. The airbags are a just-in-case kind of thing, and jives with the company’s mission to create a friendly vehicle that they hope will “become a beloved member of the community.”

The photos don’t do a good job of providing scale; the video below gives you a better sense of how tiny (and yes, friendly-looking) the third-gen Nuro is.

*Regarding the zero-emission claim: Nuro says that “in this new vehicle, we’re using 100% renewable electricity from wind farms in Texas to power our fleet and to reduce our overall carbon footprint.”

Skybeam: A Handheld Anti-Drone Jammer

We’ve grown accustomed to seeing police or soldiers armed with assault rifles at transportation hubs and public events. In the near future, we may see additional security members carrying these:

That’s the Skybeam, a handheld anti-drone jammer that targets remote-piloted drones. The attached radio modules can jam “the most popular Remote Piloted Aircraft Systems control, video and GPS frequencies,” has a one-hour battery life and is operated via a single on/off button. The range is up to 3km, and the entire rig weighs 6kg (13.2 lbs).

It’s manufactured by Mistral Group subsidiary Skylock, an Israeli developer of counter-drone technologies. “As technologies advance, drones are becoming faster, smaller and deadlier,” the company writes. “The need for anti-drone counter-measures to mitigate threats is imperative. With the ability to easily add a payload, the use of drones and UAV’s operated by malicious or criminal organisations poses a wide array of threats to public safety and national security.”

With the ubiquity of drones, and with U.S. and global unrest at an all-time high, I’m kind of surprised that drone attacks on civilians hasn’t become a thing. It doesn’t take an overt pessimist to assume we’re just a few events away from objects like the Skybeam becoming a common sight in public venues.

Poetic Artworks From Paper

C’est lors d’un voyage en Inde que l’artiste autodidacte Kanat Nurtazin, originaire du Kazakstan, a réalisé une série de créations en papier. Après avoir commencé à dessiner en 2013, ce dernier s’est rapidement intéressé aux arts mixtes. L’une de ses techniques préférées pour créer des œuvres d’art consiste à couper de vraies feuilles d’arbre. Grand amateur de voyage, il aime tout particulièrement explorer de nouvelles cultures et découvrir de nouveaux endroits « mais plus que les voyages, j’aime l’art. Ainsi, où que j’aille, ma pratique m’aide à capturer et à mémoriser les moments de mon voyage », comme c’est le cas pour cette série.

More to learn about Kanat and his work on his facebook page or his Instagram account.








This ergonomic keyboard allows users to customize each key’s placement to improve workflow

The Dygma Raise Keyboard is a customizable keyboard that splits into two halves to optimize ergonomics and streamline the workday.

For all that computers do for us, their design has remained pretty constant. You have the conventional keyboard, the rectangular trackpad, and the flat screen. No matter what kind of work you do on your computer, its design language never changes. While consistency is always a plus when it comes to design, the layout of computers and their accessories could benefit from some customization to fit different needs and physical tendencies.

Dygma, an electronic brand set on creating a paradigm shift within the industry, collaborated with designers Alvaro Navarro and Julio Redondo to create Dygma Raise, an ergonomic, customizable keyboard that can split into two halves for the ultimate bespoke experience.

The Dygma Raise was initially conceived to streamline workflow and avoid unnecessary finger movements. To achieve this, the Dygma team, along with Navarro and Redondo, worked to create a keyboard whose keys can be lifted and switched with other keys for users to have a completely unique keyboard experience.

If you find yourself using the same keyboard shortcut throughout the workday, Dygma allows users to position those keys near each other to avoid unnatural finger positioning.

Exuding ergonomics by its very design, the switching of the keys isn’t the only appeal of the Dygma Raise Keyboard. Users can also split the keyboard in half so that their wrists, hands, and shoulders can rest in a healthy, upright position throughout the workday.

Constructed from a double-coated anodized aluminum body and overlaid with PBT double-shot keycaps, the Dygma Raise keyboard also comes with removable and washable palm pads for wrists to have a comfortable resting position.

Designers: Alvaro Navarro, Julio Redondo x Dygma

Users can easily switch each key’s placement just by removing them and placing them elsewhere.

Magnetic tubing keeps the keyboard’s two halves together. 

Just like the individual keys, users can halve the keyboard by detaching the magnetic fasteners. 

The Dygma Rais Keyboard keeps a slim body to maintain a familiar look and size.

The Dygma Raise Keyboard comes in black or white with hidden neon spotlights. 

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Arsenal uses Piccadilly Underground line seat pattern as latest kit

A model wearing a patterned Arsenal shirt

Sportswear brand Adidas has collaborated with London’s public transport network Transport for London to launch a football kit for English club Arsenal that uses a pattern found on Underground train seats.

The kit uses the same pattern of circles and stripes, which incorporates stylised versions of several London landmarks, that can be seen on the seats of the Piccadilly line.

A blue long sleeved shirt and footba;l trousers
The kit is based on the pattern used on chairs on trains used on the Piccadilly line

Adidas designed the “disruptive” print in collaboration with Transport for London (TFL) to mark the fact that Piccadilly line trains stop at Arsenal tube station, which is located near the club’s Populous-designed stadium.

The pre-match kit will be worn by players before matches until the end of the season.

A footballer wearing a blue Arsenal football t-shirt
The kit will be worn for pre-match warm-ups

“The range celebrates Arsenal station – the only underground station to be named after a football club, following its name change from Gillespie Road on October 31, 1932,” Adidas said.

“This came after concerted lobbying from visionary manager Herbert Chapman, who wanted to make it much easier for supporters to instantly know how to get to see the team and to cement the identity of the club into the local area.”

A blue Arsenal football shirt on tube seats
The kit includes versions of London landmarks

The largely purple and blue seat covering used for the kit incorporates several London monuments including St Paul’s Cathedral and the Marks Barfield-designed London Eye, which is represented by a red circle.

To make clear the collaboration, the London Underground logo was placed on the back of the shirt at the nape of the neck and on the leg of the tracksuit bottoms.

The clubs’ crest is embroidered on the left-hand side of the chest while the Adidas logo is on the other.

The shirt, which has a ribbed crewneck is made in part from polyester recycled from production and post-consumer household waste.

Five clothing items including a youth jersey and a reversible padded gilet vest from the range are available to customers via the Adidas website and official Arsenal club stores.

London Underground logo on Arsenal kit
London Underground logo was used on the kit

Alongside the kits, Adidas has released an Oyster card designed by London-based artist Reuben Dangoor.

Adidas also looked back to history for its design of the chevron-covered home shirt of its 2020/2021, which took cues from the club’s art deco crest.

The sportswear company also designed a kit for FC Bayern Munich based on the facade of its home stadium, Allianz Arena.

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Adidas and Parley for the Oceans launch floating tennis court in Great Barrier Reef

Floating tennis court on Great Barrier Reef

Sports goods company Adidas and environmental organisation Parley for the Oceans have collaborated to create a recycled-plastic tennis court that floats within Australia’s Great Barrier Reef marine park.

Launched to coincide with the Australian Open tennis tournament that is currently taking place in Melbourne, the floating court was created to promote Adidas‘ latest range of apparel, which incorporates recycled plastic.

Floating tennis court on Great Barrier Reef
Adidas and Parley for the Oceans have created a floating tennis court

The colourful range of clothing is the latest collaboration between the brand and Parley for the Oceans.

It was debuted on the floating tennis court, which was placed in the Great Barrier Reef – the world’s largest coral reef system – to draw attention to the wider issue of plastic waste.

Floating tennis court on Great Barrier Reef
It is located in the Great Barrier Reef

“The new adidas tennis apparel collection, that will be worn by players during the Australian Open in Melbourne, has been inspired by the beauty of the Great Barrier Reef and consists of products from one of our sustainability innovators, Made with Parley Ocean Plastic,” said an Adidas spokesperson.

“We have chosen to launch this collection in the heritage-protected Queensland marine park to raise awareness and positive discussion around how we can help end plastic waste and protect the Great Barrier Reef.”

Floating tennis court on Great Barrier Reef
The court was created to draw attention to plastic pollution

Adidas worked with the Great Barrier Reef Marine Park Authority to assemble the floating tennis court on one of the marine authority’s barges.

The court’s surface was made from recycled plastic provided by Parley for the Oceans, which also provides the recycled plastic used in Adidas’ latest tennis collection.

Floating tennis court on Great Barrier Reef
It was used to promote Adidas’ latest collection of tennis apparel

To mark the launch, Australian sportstars simmer Ian Thorpe, canoeist Jess Fox and rugby league player Nathan Cleary, along with model Steph Claire Smith, played a game of mixed doubles on the court. Adidas stated that all balls were retrieved from the water.

Following the Australian Open, the surface of the tennis court will be recycled into a sports court that is set to be built at a school in the nearby city of Townsville.

According to Adidas, its latest tennis collection forms part of its drive to remove plastics from its apparel.

“We’re committed to help end plastic waste and, by 2024, we’ll replace virgin polyester in our products with recycled polyester wherever possible,” said Shannon Morgan, Pacific senior director of brand at Adidas.

“To achieve these goals, we foster open-source partnerships and put a high value on collaboration over competition to create sustainable solutions that go beyond our own business and influence.”

Tennis apparel by Adidas
The collection was made with recycled plastic from Parley for the Oceans

Adidas and Parley for the Oceans have previously collaborated to create running shoes and classic 1990s trainers from recycled plastic.

They have also combined to make recycled plastic football shirts for Real Madrid and Manchester United, as well as hiking boots.

The photography is courtesy of Adidas.

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Sliced openings reveal internal layout of Suzhou guesthouse by Wutopia Lab

Facade of The White Section Homestay by Wutopia Lab

Shanghai studio Wutopia Lab has completed The White Section Homestay, a guesthouse near Suzhou with rooms that appear to float within the building volume.

Located in West Lindu, a village to the south of the Chinese city, the 556-square-metre building has an unusual form designed by Wutopia Lab to reveal its internal layout.

Gable wall of The White Section Homestay by Wutopia Lab
The facade reveals the building’s internal layout

A sliced opening traces the outline of the three-storey building, creating a visual separation between the exterior walls and roof, and the rooms contained within. To add to this effect, the building’s ground floor is fully glazed.

Together, this creates the impression that first- and second-floor rooms are suspended in midair.

Drone view of The White Section Homestay by Wutopia Lab
Sliced openings visually separate the exterior wall from the interior

“I regarded the interior of the building as a cavity,” said architect and studio co-founder Yu Ting.

“I defined the first floor [sic] as the void in the cavity,” he continued. “For the guesthouse spaces on the upper floors, I regarded them as organs in the cavity. I treated each room as an independent volume.”

Entrance to The White Section Homestay by Wutopia Lab
The ground floor is glazed, to create the impression of rooms floating above

The White Section Homestay contains six en-suite guest rooms, with four located on the first floor and a further two on the second floor.

It is these rooms that appear as solid, floating blocks in the facade. Meanwhile the glazed sections relate to communal lounge and dining spaces on the ground floor, and corridors upstairs.

Courtyard in The White Section Homestay by Wutopia Lab
A courtyard is located at the centre of the building

The effect is achieved with the use of reinforced concrete cantilever beams.

“When you enter the building from the west facade, you can have a vague insight into the organisational structure of the building on this seemingly cut section,” added Yu.

Ground floor courtyard in The White Section Homestay by Wutopia Lab
The ground level features a volcanic stone floor

Planning rules stipulated that the building footprint should match the structure that previously stood on this site.

As a result, the guesthouse has a C-shaped floor plan that wraps an inner courtyard.

Folding glass doors allow the ground-floor living spaces to open up to this space. Both have a floor surface of volcanic stone, which helps to blur the boundaries between indoor and outdoor.

Staircase in The White Section Homestay by Wutopia Lab
A 16-metre window flanks the staircase

A staircase leading to the guest rooms is flanked by a 16-metre-long window facing an adjacent river.

This window slopes up at one end to track the ascent of the stairs, creating an unusual perforation in the building’s east facade.

Red room in The White Section Homestay by Wutopia Lab
Second-floor rooms are finished in red to reference a local rice wine

The guest rooms are modern in their decor, although the two on the uppermost level are painted in a shade of red that references the colour of a local rice wine that has fallen out of mainstream use.

“It is probably a stubborn expression of some things that are dying,” suggested Yu.

Guest room in The White Section Homestay by Wutopia Lab
First-floor rooms have a lighter aesthetic

A small building next door provides a private dining room for the restaurant and a roof terrace.

It is clad in mirrors, so as not to distract from the main building.

Night view of east elevation of The White Section Homestay by Wutopia Lab
The east facade faces onto an adjacent river

Wutopia Lab has completed several projects that put a contemporary spin on traditional Chinese architecture. Examples include a pavilion with a cloud-shaped centre and a museum with a facade of pleated aluminium shutters.

The White Section Homestay follows the same spirit.

Despite its unusual form, the building has a white-rendered facade and gable roof profiles that give it something in common with its more traditional neighbours.

Mirror building at The White Section Homestay by Wutopia Lab
An extension is clad in mirrors to disguise its appearance

“The renderings of this white house will make people feel [it is] a little bit unsuitable in Jiangnan, but from a bird’s-eye view after completion, there is no sense of disobedience,” added Yu.

Photography is by CreatAR Images.


Project credits

Architecture: Wutopia Lab
Design team: Yu Ting, Huang He, Li Ziheng, Zhuang Yinfei
Document development: Shanghai Sunyat Architecture Design
Development team: Zhu Yumei, Hu Wenxiao, Shi Jiaying, Mao Bo, Mao Yaqian, Wang Can, Yu Bing, Shen Rui.
Lighting consultant: Chloe Zhang, Wei Shiyu, Chen Xingru, Liu Xueyi
Plant consultant: Liu Yuelai, Xie Wenwan
Owner: Jingcheng Culture Tourism Development (Suzhou)

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Test Drive: 2022 Bentley Flying Spur Hybrid

Progress meets classic luxury in the British brand’s stunning sedan

Following the 2020 arrival of the Bentley Bentayga Hybrid SUV, the 2022 Bentley Flying Spur Hybrid is the most recent step in the British luxury carmaker’s plan to go fully electric by 2030. While the shift will be momentous, the cars remain as grand and opulent as ever. And the design language—”resting, calm, powerful and superior”—remains the same, Peter Bosch (board member for manufacturing) tells us.

Bentley engineers and designers aimed to make the sedan’s hybrid version nearly identical to the gasoline-powered model in order to avoid overwhelming customers as the brand begins its journey toward electrification. The only noticeable changes to the iconic exterior are the new “hybrid” badging and an extra “fuel” door on the rear left-hand fender, concealing the electric charging port. Otherwise, it’s classic Bentley grandeur—inside and out. “Everybody would describe it as understated luxury, not as ostentatious luxury,” Bosch continues. “Automotive design experts would say the proportions are close to perfect.”

Bentley develops its colors and materials based on fashion and luxury leather brands, offering 64 standard exterior colors in addition to its customized palette. That’s more options than any other automaker—Teslas come in five colors, while BMW provides a choice of 50. “Our color development studio is a candy shop for accessory lovers,” Bosch says.

Factoring in all of the interior color and material choices, the Flying Spur Hybrid can be specked in an astounding 56 billion combinations. (For reference, there are 1.6 million possible combinations for another hotly anticipated car, the fifth-generation 2022 Range Rover SV.) The team at Bentley has noticed an uptick in customization over the last couple of years. “A Bentley is not something that you pick off the shelf,” Bosch says.

On our test drive, we’re in an Azure Purple model that stands out in Los Angeles, as it skillfully weaves along the Pacific Coast Highway and climbs the canyons between Beverly Hills and Santa Barbara to make it up to the Glass House—a pristine aerie that sits high in the hills, and the kind of home one can imagine a Bentley driver owning.

The trip through this slice of Southern California is serene. The cabin—which seats four or five people depending upon the configuration—is identical to that inside the gasoline-powered Flying Spur. However, it differs in one crucial way: the hybrid version is quiet enough to silence the LA gridlock. “The sheer power, torque and silence that is possible with an all-electric powertrain is a perfect fit for Bentley brand values,” says Ed Kim, president and chief analyst at AutoPacific. “On the other hand, it’s a very storied and iconic brand whose legacy is tied to gasoline engines—and big V8 engines in particular.” The plug-in hybrid “serves as training wheels” for full electrification. “The owner can plug it in, but doesn’t have to,” he explains. “They don’t have to commit to going all-electric just yet.”

The car’s 410-horsepower powertrain (a 2.9-liter, twin-turbo V6 engine and a 134-horsepower electric motor) is the same as that in the base Porsche Panamera, a corporate cousin under the Volkswagen Group umbrella. The Flying Spur Hybrid boasts a top speed of 177mph, which bests the Bentayga Hybrid SUV’s 158mph max. The Flying Spur Hybrid can travel 25 miles on electric power only, which is sufficient for the average commute. Add a full tank of gas and the car can travel 435 miles before it needs to stop for gas or a charge.

From the attention to detail and expert craftsmanship to the phenomenal number of customizable options, the Flying Spur remains an icon of luxury, and this new hybrid will help Bentley straddle transformation and tradition with aplomb. “If you look at a Bentley, you should always think about a resting beast,” says Bosch. “It’s powerful and, at the same time, very relaxed.”

The Bentley Flying Spur Hybrid will command a 3% price premium over the standard model which starts at just over $200,000 and varies based on customization options chosen.

Images courtesy of Bentley