This flying donut is probably one of the safest drones around



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Who knew that ditching half the fans would actually yield in what seems to be a more stable and safer drone, which is exactly what this odd-looking drone is promising.

Drones are no longer things immediately associated with the military and warfare. Thanks to companies like DJI, commercial drones have gone mainstream and have become familiar to many people in different walks of life. Despite differences in design, almost all drones share the same four-rotor system that gives them their technical name of “quadcopter.” This isn’t the only possible design, however, and a different kind of drone is trying to sell the idea of having only two fans instead of four.

Designer: Cleo Robotics

Quadcopter drones have four rotors not just to look cool or even intimidating. Up until now, it’s the commonly accepted solution to creating stability and movement in mid-air. As many drone users know by now, this design isn’t exactly the easiest to control, nor are they the safest to handle. Even those with protectors around them can suffer a serious setback when they bump into something or, worse, someone.

Cleo Robotics’ solution is to halve the number of rotors to two placed on top of each other. This bi-rotor design creates opposing forces that create the same stability that would normally require four rotors. More importantly, this compact design allows the rotors to be completely enclosed in what looks like one tough donut. Naturally, they just had to name this the “Dronut.”

This potentially makes the Dronut X1, the first in this line of bi-rotor drones, safer not just for people around the drone but for the drone itself. It can bump into things and into people without doing serious damage. It’s also small enough to fit on a person’s hand, albeit a person with very big hands. It can even be easily be operated using a smartphone, though you’d probably want to connect a gamepad for better results.

The Cleo Dronut X1 looks like a fun device, but its $9,800 price tag clearly indicates it isn’t a toy. It comes equipped with a 4K camera, LIDAR (Light Detection and Ranging) for positioning, and LED lights for seeing in the dark. The drone is aimed more at industrial and even military applications, especially for use in space-constrained places where a traditional quadcopter drone wouldn’t even fit. If this idea takes off, however, we could be seeing more of these flying donuts available for less serious uses.

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Imbue Design completes glass-and-steel home in Utah desert landscape

Salt Lake City architecture studio Imbue Design has built a house outside Zion National Park in Utah with sweeping views of one of the USA’s most renowned landscapes.

The Watchman Cabin was completed collaboratively with a nature-loving client who was “captivated” by the area’s natural surroundings after visiting. Located in Springdale, the site is near the entrance to the Zion National Park, which is famed for its dramatic rock formations and rugged scenery.

Watchman Imbue Design
Imbue Design built the house outside Zion National Park

“All around the Watchman Cabin’s site rise massive stone megaliths that are the handiwork of water and wind and 150 million years of deposition,” explained Imbue Design.

“The client requested that Imbue empathetically design a retreat that would harmonise with its unique environment, capture the essence of the place, and resonate with his deliberate nature,” the studio added.

Utah cabin
The cabin sits against the Utah landscape

The home is sited at the foot of a hill and divided into three volumes that encompass 1,900 square feet (177 square metres).

These include a garage, a main residence, and a standalone guesthouse with its own kitchen and a small living room.

Watchman by Imbue Design
Floor-to-ceiling glazing faces the dramatic views

Each room is connected by covered, but unenclosed walkways.

“All three are threaded together by a CMU [concrete masonry unit – also known as breezeblocks] retaining wall and organised about a central connecting courtyard for gathering,” said Imbue Design.

Imbue Design kitchen
Weathering steel wraps around openings

Within the shared terrace that separates the main residence from the guesthouse, the architects included amenities such as an outdoor fireplace and a soaking tub.

“Where the retaining wall is the cabin’s spine, the courtyard is the project’s heart,” said Imbue Design.

Inside, the facades facing Zion’s rock formations are glazed from floor to ceiling, offering expansive views of the landscape, while more private areas were clad in weathering steel.

This earthy tone, as well as the masonry’s reddish shade, were inspired by the colour of the soil in the area.

Living room Utah cabin
Interior spaces offer views of the landscape

“The weathered steel skin provides privacy and protection from the harsh desert climate, while glass volumes in public spaces act as eyes taking in every magnificent vista,” said the architects.

The interiors were completed in a restrained, grey palette that is contrasted by the underside of the overhanging roof, which was finished in wood and visible throughout the home.

Watchman by Imbue Design
The cabins give their nature-loving owner immediate access to the landscape

Utah is famed for its remote, dramatic landscapes and desert climate.

Other properties in the Western US state include a home by Klima Architecture in the mountains and a low-slung gabled retreat by Studio Upwall Architects.

The photography is by Miranda Kimberlin.


Project credits:

Contractor: Fahrenkamp
Engineer: Epic Engineering
Geotech: AGEC

The post Imbue Design completes glass-and-steel home in Utah desert landscape appeared first on Dezeen.

Hana Vase

From Copenhagen-based Studio Arhoj and named after the Japanese flower, the porcelain Hana Vase collection is composed of hand-cast and -glazed vessels. The collection comprises three styles: the curvaceous and cylindrical Kiku; the round, full-bodied Ume; and the tubular Sakura. Each enchanting shape is available in small or large and in various vibrant colors. Price reflects the size small.

This holographic display could be how you do video calls in the Metaverse



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Not everyone will be keen on wearing even glasses to experience this metaverse thing. Fortunately, you might not have to, especially if this hologram-in-a-box can deliver the next best thing.

The metaverse is being hyped as the logical evolution of virtual reality, blending the physical and the digital in a single space. Most of the discussions and implementations, however, involve placing ourselves in a virtual space, often with the use of mixed reality equipment like headsets. The metaverse can also work the other way around and bring the digital into our physical realm, most likely through holograms. We’re still ways off from the holograms of sci-fi, but this new holographic display is trying to bridge the gap until that perfect time.

Designer: PORTL

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Imagine trying to keep in touch with family members in a future where the metaverse has become our world. You’d expect that we’d don glasses or headgear that would seemingly teleport us to a common space, maybe in a virtual house bought with your NFTs, but that can be cumbersome to set up for a brief call. What if you could just bring that person virtually into your house instead? That’s where holograms come in, but we’re not quite there yet when it comes to simply project people in just about any physical space.

Startup PORTL, not to be confused by Meta’s Portal video conferencing device, envisions installing cabinet-sized holographic displays in places where they might be of use, like in stores, meeting rooms, or even classrooms. Not everyone will be able to afford these PORTL EPIC boxes, though, which is why the company revealed its desktop, the PORTL M. Again, not to be confused with Facebook Portal, but the associations are really hard to avoid, especially given the design.

PORTL M is what the very first Facebook Portal would be if it were extruded into a box form to accommodate a holographic display inside. The box can be set up in either landscape or portrait orientation, depending on the content you want to display. The device itself lacks some charm, looking like a nondescript plastic box with rounded corners and a curved back. The magic, of course, is in how it will try to make people and things really look like the three-dimensional objects that they are. Or at least that’s the idea.

The PORTL M is intended to be used for full-body video chats, browsing and examining products before you buy, or even for serious work in industrial and medical fields. And, of course, you can also use these boxes to display your NFTs, at least if you have around $2,000 to spare for one.

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Frederick Fisher creates stucco buildings for California school hit by wildfire

American firm Frederick Fisher and Partners has completed a trio of hilltop buildings for a California school that was partly destroyed by a wildfire.

The Ojai Valley School Upper Campus project sits on a 195-acre (79-hectare) site overlooking the Ojai Valley in Ventura County, about two hours north of Los Angeles.

School by Frederick Fisher
The project is a trio of hilltop buildings. Photos top and above by Logan Hall

The project was designed in the wake of the December 2017 Thomas Fire, which devastated the region and wiped out two buildings on the upper campus of the school.

Founded in 1911, the Ojai Valley School (OVS) is an independent boarding school that serves kindergarteners through 12th graders. In addition to its upper campus for high school students, it has a lower campus near downtown Ojai for younger pupils.

Ojai Valley School
Light grey stucco clads the school. Photo by Tim Street-Porter

Frederick Fisher and Partners, which has offices in LA and New York, began working with the school in 2015 to devise a master plan for future growth. When the fire struck, the project shifted in scope.

“We reset from our previous planning with the OVS community and seized this rare ‘blank canvas’ opportunity to create a functionally and aesthetically unified, state-of-the-art learning, living and gathering village,” said Frederick Fisher, founding partner and design principal.

Stucco volumes
The buildings are interspersed with walkways and gardens. Photo by Breadtruck Films

The studio conceived three, rectilinear buildings that total 37,000 square feet (3,437 square metres) – the Aramont Science and Technology Center, the Littlefield Student Commns, and the Grace Hobson Smith House dormitory.

Set on a hilltop, the buildings are interspersed with walkways and gardens. Views of the surrounding terrain are ever-present.

Stucco school building
The stucco cladding is part of a fireproofing strategy. Photo by Breadtruck Films

The school has a focus on outdoor education, which led the team to ensure a strong connection between inside and out.

“In this aspect, all structures are organised around an identity that emphasises the scenic surroundings as the primary active element,” the studio said.

Dining hall
Large windows offer views from the dining hall. Photo by Tim Street-Porter

The buildings’ structural systems are made mostly of wood, with some steel columns and beams. Exterior walls are sheathed in light grey stucco – a finish that is part of the fireproofing strategy, which was formulated in accordance with the county’s strictest guidelines.

Flat roofs, enhanced sprinklers and improved site access for emergency vehicles are also part of the strategy.

Music room with concrete flooring
Interior finishes include concrete flooring. Photo by Tim Street-Porter

“The project embraces the scenic landscape while reflecting the kids of resiliency practices necessary to responsibly inhabit the area,” the team said.

The science building is one level and offers classrooms, laboratories and maker spaces. The two-storey student commons building holds a dining hall, student centre and library.

The third building, the dormitory, contains living spaces for both students and faculty and is arranged around a courtyard.

Interior finishes include wood-trimmed windows, concrete flooring and carpet in select areas.

Ojai Valley School by Frederick Fisher
The school has a focus on outdoor education. Photo by Tim Street-Porter

The project has a number of sustainable elements, including passive cooling, photovoltaic power generation and a lithium-ion battery system for storing energy. The campus can operate off-grid when needed.

The project is expected to achieve LEED Gold certification from the US Green Building Council, according to Frederick Fisher and Partners.

Ojai Valley School
Frederick Fisher placed an emphasis on surrounding vegetation. Photo by Logan Hall

Founded in 1980, the firm has completed a wide range of buildings in the US and beyond, including a residence in California’s Santa Ynez Valley that is organised around a central courtyard and clad in weathering steel.

The photography is by Tim Street-Porter, Logan Hall and Breadtruck Films.


Project credits:

Architect: Frederick Fisher and Partners
Design team: Fred Fisher (design principal), Takashige Ikawa (design lead)
Landscape designer: Pamela Burton & Company
Civil engineer: Encompass Consultant Group
Structural engineer: Parker-Resnick
Mechanical engineer: Nibecker & Associates
Electrical engineer: Nikolakopulos & Associates
Food service designer: Webb
LEED consulting: Zinner Consultants
General contractor: McGillivray Construction

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Great Industrial Design Student Work: Project Timo Urban Scooter

Here’s an impressively thorough project by Industrial Design students Sandy Zhang, Jodie Xie, Alaa Alshareef and Megan Wiles, who last year were seniors at the Wentworth Institute of Technology. Called Project Timo, the assignment was “to examine and re-think the notion of city based transportation in terms of clean technologies, specific and variable demographics, lack of choices, user/rider safety, available personal time and escalating costs,” the team writes.

In addition to the polish of the finished product, what really struck me was the depth of the students’ undertaking. The quartet did “research, mockups that help inform ergonomic considerations, iterative physical models, detailed specifications for each model, accessories, and ultimately sales website design.”

“The study resulted in the design of a range of three TIMO electric scooter presets – Jarretto, Veloce and Cavallo. Built on a modular system the stakeholder can configure a final product to perfectly accommodate their specific individual needs.”

They even worked out accessories for the scooter:

For their efforts, they were rewarded with an exhibition of the project held in WIT’s CEIS Building:

“The exhibit describes the development of an extremely well executed project by students (seniors) of the Industrial Design Department. The fundamental aim is to demonstrate the level of contemplative depth and detail necessary to create and describe a dynamic new product concept.”

Well done!

Lou Canon: Aurelie (Lido Pimienta Remix)

From Canadian recording artist Lou Canon’s forthcoming remix album, Reimagine The Body (out 26 January), the track “Aurelie” finds Colombian Canadian musician, singer-songwriter and interdisciplinary artist Lido Pimienta transforming the already heightened experimental track from Canon’s 2020 full-length release, Audomatic Body. “I was desperate to hear where this body of work could go in the hands of an eclectic group of artists,” Canon tells us. “Why not aim high,” she adds of the origin of the collaboration with Pimienta. “Lido’s voice is the ultimate authority. She’s bold, she’s brave, she’s bad ass in all the right ways. Lido is an artist in every sense of the word. I was shocked when she said yes. And I love her even more for choosing the one song on the album that seemed the least obvious to reimagine.” Pimienta’s “Aurelie” remix debuts with a voyeuristic, absorbing official music video—one of six for the album done in partnership with art collective Danuta.

This superyacht’s sharp bow and futuristic shape sets precedence for the high seas

The unusual wedge-like profile of Unique 71 concept yacht will instantly click with fat-pocketed individuals who want to own things that are an extension of their flamboyant personality.

Lazzarini Design Studio has displayed its concept superyacht designing prowess countless times in the past with no propitious match that comes close to theirs. That set to be challenged for once with the SkyStyle’s iteration of a stylized yacht for the rich and famous, designed in close quarters with Dension Yachting. The result of perfect harmony in thoughts between Max Pardo and Lucas Colombo, the founders of Denison Yachting and SkyStyle respectively, this sharp-featured water vessel is luxury personified to the brim. According to Denison’s Alex Clarke, “Unique 71 aims to satisfy the most challenging client.  The challenge will be finding a shipyard that can understand this vision and the client’s goals.”

Designer: SkyStyle and  Denison Yachting

The two visionary personalities met at the 2021 Monaco Yacht Show, and instantly their design chemistry clicked, as Denison showed great interest in the SkyStyle’s project. The 71-meters long concept yacht capable of reaching top speed of 30 knots and cruising speed of 25 knots is made up of a reinforced aluminum hull and superstructure that matches Lazzarini’s design vision toe-to-toe. This yacht is made for a luxurious getaway adventure in the summer days courtesy of the glass-wrapped sky lounge, swimming pool on the deck and space for a helipad to land. The interiors seamlessly blend into the outside views – those privacy adjustable opaque glass panels make it possible.

Up to 12 guests can have the time of their life in the cozy confines of the 13-meter beam that makes space for six cabins. It consists of a master stateroom, a VIP suite and four cabins. There’s plenty of space to socialize on the four decks which are accessible via an elevator or wraparound central staircase. What’s more? The sublime yacht has a 12-seat theatre on the main deck, sauna, gym, and an expansive swimming pool encapsulated by seating space and sun pads.  The twin diesel engine-powered yacht’s crew resides in the lower deck having nine cabins with enough space for 17 members.

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A Look Inside China's Olympic Village Robot Restaurant

Beijing is observing incredibly strict measures to contain COVID in their Olympic Village. Journalists who arrived in advance of the athletes got the first look at the Village’s cafeteria, which features robot chefs and servers, plastic partitions at each table, and a rather odd-looking ceiling:

Motorized trays descend from the ceiling holding bowls of noodles.

There’s a robotic hamburger-making assembly line behind glass.

You hold your receipt to a scanner to receive your food.

Have a look at it on video:

Designey Dremel Knock-Off Killing It on Kickstarter

First we saw the rise of designey drawing tools on Kickstarter, then designey arts-n-crafts tools like that AtuMan hot glue gun. Now that second category has a newcomer: The $90 Arrowmax SGS Pro, a “smart mini electric engraving & polishing pen.”

Aside from its size, to me it seems vastly inferior to a Dremel, particularly the bit about having to use a freaking smartphone to set the bit speed. But I guess people these days really like over-tech, magnetic charging cables and sleek form factors. At press time the SGS Pro had landed nearly $250,000 in funding on a $10,274 goal, with over a month left to pledge. I won’t be surprised if it hits the half-mil mark.

I think products in the above categories are pretty dumb, but I can’t deny the developers have a knack for correctly guessing what people will pay for, then producing it. The way they seem to tap into consumer desire reminds me of Jobs-era Apple. And while I don’t know how long-lived these tools will be—they all seem to be from companies you’ve never heard of–I don’t think the trend of people buying designey desk tools is going away anytime soon.