Offsite’s ‘Learn From Home’ approach is making great design education more accessible to everyone



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The notion that good education/learning MUST come from a university or from working is a flawed one. Offsite’s mentorship courses and programs are disrupting design education by enabling industry leaders to spread knowledge to budding design talent in a setting that’s less formal and expensive than a college, less demanding than a workplace, while still being just as (if not even more) enriching.

Offsite just announced the dates for their 2022 Spring Cohort – a twelve-week long online course (available in two stages) that introduces applicants to the concepts of industrial design and allows them to hone their design thinking abilities and develop the hard skills required in the industry. The two comprehensive courses are open to non-designers and design students alike, giving them a 12-week-long primer that helps them develop the exact skill set required by the industry today, led by senior designers and industry professionals. Enrollment for the courses has begun and applications close on the 10th of January 2022. If you’re someone who’s flirted with the idea of pursuing Industrial Design, or you’re a young Industrial Designer looking to upgrade their skill set, you can apply for the courses using the link below! Keep reading for important dates and course details.

Click Here to Register Now!

Dates:

Monday, January 10, 2022 — Applications Close
Sunday, January 30, 2022 — Acceptance Notification
Monday, February 14, 2022 — Instruction Begins
Monday, March 14, 2022 — Week Break
Monday, March 21, 2022 — Week Break
Friday, May 6, 2022 — Program Concludes

Cohort 01: Breaking into Design

Works of Aleksander Schmidt

Breaking into Design is a 12-week, four-course program. Students will learn the hard skills required to begin sketching, rapid prototyping to test and validate their ideas; alongside the soft skills of form development and the design process.

Works of Maria Jose Grijalba

Who Can Apply? If you’ve never heard of industrial design, never picked up a pen to sketch, built a prototype, never questioned where the objects around you come from, but you have a passion to learn more about it—this program is for you.

Cohort 02: Levelling Up

Works by Eugenio Schiano

Works by Eugenio Schiano

Works by Eugenio Schiano

Works by Eugenio Schiano

Leveling Up is a 12-week program that caters to teaching students skills related to – design within business, design discourse, sketching to communicate, product visualization, professional self-presentation, design for manufacturing. Students who have completed the 12 weeks of instruction will be ready to take on their next career move, whether it’s their first internship or next job.

Works of Erik Oeckinghaus

Works of Erik Oeckinghaus

Who Can Apply? If you’re a current design student or working professional looking to level up your product design skills—from fabrication, interfacing with business partners, or overall presentation of yourself and your work—this program is for you.

Click Here to Register Now!

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The LAVA ME 3 ‘Smart Guitar’ comes with its own built-in touchscreen that lets you add effects and view tutorials



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Turning the humble stringed instrument into an entire ecosystem, the LAVA ME 3 is easily the most advanced guitar you can get your hands on. Aside from being a semi-acoustic guitar that works equally well as an analog instrument and a standalone electric one, The LAVA ME 3 also comes with its own dedicated touch-sensitive tablet panel on the top that lets you access a host of features for both amateur and professional uses. From simply learning chords and playing the metronome to actually letting you create loops and add effects, the ‘Smart Guitar’ packs everything you need in a guitar… whether you’re jamming in a room or performing on stage.

Debuting just 7 months after the LAVA ME 2 was announced, the ME 3 sports the same iconic carbon-fiber body with the vivid color schemes and the offset acoustic chamber-hole that makes the guitar so unmistakably memorable. Like its predecessors, the LAVA ME 3 sports a honeycomb internal structure that gives the guitar its sheer strength (there’s no smashing this bad boy on stage) while also creating an acoustic chamber that emits a rich, balanced sound when you play the instrument. However, the most significant upgrade as far as the LAVA ME 3 goes is the iPad-esque tablet that comes built right into the guitar’s upper surface. This tablet is what effectively turns the ME 3 from a regular semi-acoustic guitar into a smart guitar… probably making it the first-ever guitar to have its own dedicated Operating System – and while that sounds incredibly gimmicky, in reality, it’s probably the most game-changing feature a guitar could have.

The 3.5-inch touchscreen interface runs LAVA’s HILAVA OS, equipped with a myriad of apps that let you do everything from tune to learn, practice, jam, perform, compose, and even record. While there’s a lot to unpack there, the guitar itself is still quite traditional in the way it works. You can use it as an acoustic instrument, jamming on the guitar just like if it were a regular wooden Spanish guitar, or you could ‘switch it on’ and have the guitar’s internal speakers play your music with amplification, just like an electric guitar. The internal speakers pump music out of the offset acoustic chamber hole, or conversely, the LAVA ME 3 even sports a traditional 1/4-inch audio output like most electric guitars, letting you hook it to an external amp.

Onto LAVA ME 3’s most exciting feature – its ‘computer’. The touch display measures 3.5-inches diagonally (about the same as an iPhone 4) and runs on LAVA’s own HILAVA OS that packs a treasure-trove of features. Just off the bat, the touchscreen lets you do the basic stuff like providing a metronome and helping you tune your guitar (to even alternate tuning arrangements), but it also unlocks a bunch of other features, notably working as a tutorial machine that lets people learn notes, scales, arpeggios, chords, and even songs. A built-in microphone can even track progress in real-time, alerting you when you’ve made a mistake and ensuring you hit all the right notes. The LAVA ME 3’s Practice App turns the guitar into a teacher, helping novices learn chords to their favorite songs while also guiding them through chord transitions, strumming patterns, and scales… all skills needed to go from amateur to seasoned veteran.

For the seasoned veterans, the LAVA ME 3’s touchscreen practically functions as a built-in DAW (Digital Audio Workstation) to let you experiment with effects, loops, and even multitracks. The Effects app is an ever-expanding library of filters and effects that you can layer onto your sound (making the guitar effectively sound like any instrument you want), and you can modulate each individual parameter too, from EQ to frequency, envelope, etc. Once you’ve got the sound you want, you can either jam to preset background music preparations (almost like guitar karaoke), or create your own by designing loops, layering samples, remixing riffs, and creating multitrack arrangements… all without a laptop, a phone, or a single cable. The guitar handles everything internally and even lets you record your sets and export them as stems or tracks, or even share them with LAVA’s own online community of budding artists and musicians.

The Smart Guitar comes priced at $999, which sounds absolutely batshit outlandish to begin with, but makes sense when you realize what you’re paying for. It’s not just the carbon fiber outer body, the semi-acoustic nature, the touchscreen, or that diverse ecosystem of features housed within the HILAVA operating system, it’s all of them combined, which effectively turns the guitar into a one-stop piece of equipment that replaces every other musical gear you’d need, from amplifiers to microphones, expensive pedals, software, or even a guitar teacher for that matter! The LAVA ME 3 also comes with a built-in 8000mAh battery that provides 9 full hours of continuous play-time or 2 weeks of standby… although when it’s discharged it can still be used as a regular acoustic guitar. The ME 3 also sports a USB-C charging port on its side (right near the 1/4-inch audio input), and if all that jazz wasn’t fancy enough, LAVA also sells an uber-futuristic $129 wireless charging dock for your fancy smart guitar!

Designer: LAVA

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Creative brick design with a built-in planter turns the outer facade of this house into a vertical garden!

Created by architecture and interior design firm OA-Lab, the ‘Alley House’ is a small multi-family housing project with a brick facade, located in Seoul, South Korea. The house sits on a developed, relatively crowded street with buildings on either side… but the lack of proper space for a garden prompted OA-Lab to devise a clever workaround – turn the house into a garden itself! The Alley House comes with a beautifully earthy exposed brick outer facade, and the lower floor uses a stretcher bond bricklaying pattern with a few unusually designed bricks that also function as planters! These wavy bricks protrude out from the wall, providing a series of ‘shelves’ or basins to grow plants in. The hollow space within the bricks is enough to lay in some soil and add a few seeds, and given that the bricks are made from concrete, they’re perfect for containing the plants in too!

Designer: OA-Lab

The bricks are located more densely on the ground level, so they can easily be watered manually every few days while also creating a vertical garden that runs along the perimeter of the building. The individual bricks are perfectly sized for smaller plants, offering the possibility of a tiny flower or herb garden, and when fully cultivated, add a beautiful touch of greenery to the white and red color scheme of the building’s exterior!

Photography by Kyungsub Shin

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DUST designs Marfa ADU for isolated desert living in Texas

A bedroom looking out onto countryside

US architecture firm DUST has completed an accessory dwelling unit for a family in Marfa, Texas, who decided to relocate permanently during the coronavirus pandemic.

The 1,300-square-foot (120-square-metre) building was added to a property in the desert city, which is located roughly halfway between Ciudad Juarez and San Antonio.

The exterior of Marfa Studio and a palm tree
DUST has built an accessory dwelling unit on a property in Marfa

Despite a population of only roughly 1,900 people, the town has established itself as an arts hub for the Southern United States, and is home to Donald Judd’s Chinati Foundation and Ranch amongst other cultural institutions.

“With the onset of Covid and lockdowns, the owners decided to change up their life plans, packed up their belongings in Tennessee, and move full-time to Marfa,” said DUST, which is based in Tucson, Arizona.

The living room inside Marfa Studio by Dust
The interior features compressed exposed earth bricks throughout

The ADU is built from compressed earthen blocks, drawing cues from some of the local area’s vernacular construction techniques.

It encompasses a bedroom and toilet, which are private, and a more public lounge and patio where the owners can host visitors.

Marfa Studio in Texas by Dust
Concrete floors contrast the brickwork

“The impetus behind the project was a desire to build a new private primary suite for a couple to seek refuge when their children, grandchildren, and friends visit,” said the studio.

“The suite became a calm respite and a place to work remotely, full time.”

A double window above a desk in Marfa Studio
A long desk runs below the lounge window

Within the lounge, a long desk runs along an entire wall and faces a large window.

There is plenty of room for two people to set up a workstation overlooking the property’s cacti and shrubbery.

“The living and work lounge receives early morning light and offers a place for the owners to view the reverse sunset, as it opens to the east and allows for unobstructed viewing across a soft grass and gently sloping valley towards Haystack Mountain,” said DUST.

In the bedroom, a large skylight is centered over the bed, which the architects said is useful for letting off excess heat built up during the day. Additionally, it offers an opportunity for stargazing in Marfa’s clear night skies.

A bedroom with geometric print bedding
The main bedroom opens onto a private terrace

A full-height sliding glass wall opens the bedroom to a small courtyard, where the owners keep a vegetable garden and can relax away from their guests if desired.

The compressed earth bricks are left exposed throughout the interiors, creating a contrast with the simple concrete flooring found throughout the home.

Marfa Studio in Texas by Dust
The clients built the unit as a retreat from the main house behind

DUST is led by Cade Hayes and Jesús Robles, who founded the studio in 2007.

The team has completed several desert homes in Arizona, including a property with concrete walls made using volcanic residue, and a rammed-earth home in the Sonoran Desert.

The photography is by Casey Dunn.


Project credits:

Architects: DUST, Cade Hayes, Jesus Robles
Structural engineer: Dan Ray
Builder: E&C construction, Eric Martinez
Compressed earth block: Dave Moshel
Millwork: Architectural Surfaces
Millwork install: Jimmy Magliozzi, Laszlo Thorsen
Plumber: Trever Warren

The post DUST designs Marfa ADU for isolated desert living in Texas appeared first on Dezeen.

The Intersection of Design and Food, 2021

Perhaps because the pandemic left so many of us confined to our kitchens, this year we saw more design@food stories than ever. Here’s what culinary-minded designers served up in 2021:

Turkish design for a tunnel-like toaster to handle long slices

A German BBQ grill with a unique rotating mechanism

The 3D-printed Pellet Pal for BBQ smokers

Lots of small, thoughtful design touches in these Latchlok food containers

Product designer Cairn Young’s nesting cutlery

The Bora X Pure downward-extracting induction cooktop

A cool mechanical jelly donut filling device

Guerilla Kitchen: A low-cost, compact, modular alternative to food trucks

Obsessive Chef Cutting Boards for precision cuts and geometry

New pasta shape designed to excel in three performance areas

Make your own candy shapes by burning sugar with a magnifying glass

Industrial Design students from Munich U. create a portable pizza oven

A twist on the barbecue: Everyone cooks their food inside their own brick

The Spark Grill, a designey barbecue combining the best of charcoal and gas cooking

Wasara: Designey, compostable disposable plates from Japan

Paolo Stefano Gentile’s ecological french fries packaging, made from potato peels

A freestanding spreading knife that suspends the mess

Fiskars’ designey take on the chef’s knife

Inclusive Industrial Design student’s invention makes cooking easier for the disabled

A coffee scoop that doubles as a clip for the bag

ID firm designs molded, edible low-carb bun substitute

Cardbox Packaging’s Karlo Spoon: Flatpack, single-use, recyclable

Cleverly designed cup and saucer reflects an animation as you turn it

“Anti-Gluttony Door” sized to prevent monks from eating too much

Image: Inazumaryoku

Porsche Design ‘drifts’ into the TWS market with its sleek noise-canceling PDT60 Truly Wireless Earbuds

With a sleek aluminum exterior that offers a stunning visual upgrade to most plastic-body earbuds, the Porsche Design PDT60 TWS Earphones aim at creating an experience that’s as good in the visual department as it is at handling audio. Porsche Design’s repertoire features a whole host of hi-end audio gear, although the PDT60 is easily the smallest in that bunch, fitting snugly into your ear to deliver immersive, balanced audio directly into your head.

Sure, one could make the case that Porsche Design is a little too late in the TWS department (with practically everyone making TWS earphones nowadays), although the earbuds are clearly designed to make a style statement more than anything. The earphones champion a minimalist design, featuring a matte aluminum body that has the same premium appeal as the matte metal finish on most high-end laptops and computers. The earphones come with the Porsche Design logo emblazoned on their front, and sit in a case that’s partly matte metal too, with the same PD monogram embossed on the case’s sliding leather lid.

On the feature front, the PDT60 performs just as well as other TWS earphones in its class. It comes with hybrid noise-canceling – combining active noise-canceling for removing background and ambient noise while listening, and electronic noise-canceling that allows for crystal clear conversations during calls and video chats. On the inside, the PDT60 is outfitted with 8mm neodymium drivers (considerably smaller than the 11mm drivers on the AirPods Pro which are within the same price range), and connects to devices via Bluetooth 5.0, pretty standard for TWS earphones nowadays. The PDT60 accommodate for touch-based input, letting you tap, hold, and slide your finger on the earphones to answer/reject calls, control music playback + volume, and summon your phone’s virtual assistant. The earphones even have a battery life of 5 hours, with an additional 15 hours when placed back in the charging case. They also support fast-charging and have the ability to charge wirelessly, allowing you to use any Qi-compatible wireless charging mat to juice the buds when they’re low on battery. The TWS earbuds ship in the charging case along with a USB-C charging cable and 3 earbud-tips for different ear sizes, although even though they provide a snug fit, with an IPX5 water-resistance rating, they’re just about good for exercising and I’d caution against wearing them in heavy rain or near a pool.

At $299, Porsche Design’s PDT60 easily falls in the ‘premium’ spectrum of the TWS market. They aren’t strictly for audiophiles (whether they sound great too is still yet to be determined), although for people who want earphones that rank higher on the style quotient, the metal-bodied PDT60 makes for a pretty compelling purchase! They look significantly more premium than Nothing’s earbuds too.

Designer: Porsche Design

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Innovative, Strange or Unusual Furniture Designs Spotted in 2021

Archaeologists must love the “Form follows function” rule, because when they dig up an old Roman chair, even the intern can tell it’s a chair. But the future archaeologists who’ll dig up our 21st-century furniture will be scratching their heads a lot: What the heck is this thing? What does it do, why was it made, what problem does this solve?

Here’s what we saw this year in archaeologist-confounding furniture designs that we’d call innovative, strange or unusual.

Peter Otto Vosding’s Spielbein: Chairs that nest sideways to form a bench

Soft Baroque’s kinetic chairs that aren’t rocking chairs

Connor Holland’s Inflated Mirror

Sander Nevejans’ ultra-thin folding chairs

Ideaco’s Tiny Walk combination side table/tray

Ikea combines an air purifier with a side table

Secretlab’s Magnus metal desk with magnetic ecosystem

Marco Manders’ rotomolded tulip-inspired public seating

The Lönneberga Stacking Bed by Richard Lampert

Seating Innovations’ chairs are mounted to the floor, but don’t have legs

Agustav’s hanging Book Rack

Moduform’s rotomolded bedroom furniture designed “to withstand intentionally abusive behaviors”

Dan Svarth’s rocker-less rocking chair

Dekay King’s shop furniture

Philippe Malouin’s nylon tables: furniture-sized standalone ball bearings

Jakob Jørgensen’s Hanger adjustable wall rack and shelf

Hitoshi Kuramoto turns industrial wire mesh into comfortable furniture

Cat-centric furniture: A chair with an attached treadwheel

Osteopath turned furniture designer makes a case for rethinking ergonomic chairs, but beware

The Opus SoundBed: A $2,000 bed you can’t sleep in, but it heals your soul, or something

Bpiu’s Eclettica, drawers that transform into a spiral staircase

Buddy the Game Chair

Farm furniture: A one-legged stool

A dining table designed so your cat can say “hey 

Lastly, a gag. “How Every Bookshelf Should be Assembled”

Reader Submitted: 1kg of Textile

Imagine a future where people would only buy 1kg of textile per year and per person to reduce their impact on the planet : What would fashion become?

Extract from the book “1kg of textile” 2

Extract from the book “1kg of textile” 3

Extract from the book “1kg of textile” 4

Extract from the book “1kg of textile” 1

The book “1kg of Textile” collects ways of reducing our textile consumption
Credit: Iris Rijskamp

1kg of textile represents approximately four pieces of clothes
Credit: Laurianne Da Rocha

A detail of the book
Credit: Alice Watel

A detail of the book
Credit: Alice Watel

View the full project here

A net-zero energy cabin is designed to bring the wilderness experience to city living

Situated in one of Seattle’s most established residential areas is the ‘City Cabin’. Jim Olson, the co-founder of the acclaimed architecture studio Olson Kundig, designed this urban retreat for a longtime friend who absolutely adored his cabin in Puget Sound. Jim had been working on this cabin since he was 18 years old, and she insisted that it should be the inspiration behind her upcoming home. She also wanted to capture the unfettered and gorgeous forested feel that lingered within and around the home.”The client wanted to feel like she was living in the wilderness when, in fact, her home is on a regular-size urban neighborhood lot,” Jim said. And, City Cabin is a true reflection of that!

The 2400 square-foot home is placed around a central gathering space, from which two wings harmoniously extend. One wing houses the master suite, whereas the other wing includes the guest room and storage spaces. The central space can be defined as the heart of the home, and it consists of an open-plan living room, a kitchen, and a dining area. A 16-foot-tall ceiling and full-height windows providing exquisite views of the surrounding garden serve as the star features of the space.

The home was strategically placed on a northwest corner in an urban lot, hence allowing the south and east sides to be completely utilized as gardens. The gardens were filled up with mature trees, creating the impression of “urban wilderness”, which was one of the client’s main visions for the home.

The interiors draw inspiration from the client’s extensive collection of Native American art. The red cedar and ochre colors in the collection inspired the architects to add a custom red hue to the concrete floors. Natural, unstained plywood walls and ceilings, and a general use of timber in the home add to the Native American aesthetic.

Sustainability and environmental conservation were quite important to the client, hence the home was built from reclaimed materials, and amped with an 8.4-kW photovoltaic array, an air-to-water heat pump, a sedum green roof, low-energy appliances, and low-flow plumbing fixtures. Passive solar strategies were also employed.

City Cabin is a rare one-of-a-kind cabin nestled in a bustling city while making you feel as if you’re living in the forest! It’s the true definition of ‘urban wilderness’, and a testament to the fact that you can remain connected to nature even while residing in the city.

Designer: Jim Olson of Olson Kundig

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Coffee Used as Painting

L’artiste italienne Giulia Bernardelli aime le café et au lieu de se contenter de le boire, elle l’utilise également comme un moyen de créer de l’art. « Mon avenir commence quand je me réveille chaque matin. Chaque jour, je trouve quelque chose de créatif à faire de ma vie », ecrit-elle dans sa bio Instagram. En effet, la boisson chaude a un fort potentiel créatif et c’est renversé qu’elle l’utilise comme de l’aquarelle. Ses œuvres sont très détaillées et leur création a commencé par hasard, un jour où l’artiste a malencontreusement renversé du café sur sa toile. Au lieu de l’éponger, elle a pris sa petite cuillère et l’a utilisé comme un pinceau afin de disposer de façon harmonieuse et figurative le liquide dans l’espace.

Pour en découvrir plus, rendez-vous sur son compte Instagram.