This AI-enabled tiny home is the perfect budget-friendly prefab house for the urban city life!

Low-cost, prefabricated, and ready to live in homes are all the rage right now! And tiny home builder Nestron has jumped on the bandwagon with their latest AI-enabled home ‘Cube One’. Cube One is a 156 square foot home perfect for all kinds of residents – from single youngsters to large families. The value for money home has been equipped with built-in furnishings, voice-controlled tech, and a galvanized steel shell that not only lends it a sci-fi feel but also protects it from extreme temperatures and natural disasters. Starting at $30,000, the Cube One can be shipped to any location in the world, and will be ready for you to move into from the moment it arrives!

Much like a Rubik’s Cube, the dynamic Cube One can be customized and played around with! The interior can be customized with various add-ons and trimmings, including a kitchen with a bar counter, a wardrobe, a bed, a living area, and a shower accompanied by a toilet and laundry machine. It also comes fully equipped with smart technology which is experienced in the form of color controllable LED lighting, a television, sound system, and air conditioning.

At an extra cost, you can integrate a compostable toilet, solar panels, and electric-heated flooring within the home, for an eco-friendly touch to the house! In fact, 90% of the materials used to build Cube One are recyclable, and compared to conventional construction methods, it requires 99% less water to construct. Rock wool insulation, nontoxic in nature, was used to pad the interiors of the home, protecting it from excessive noise and extreme temperatures. Drop-lock flooring and compressed wood panels were used to make the home resistant to humidity and moisture.

Cube One is a durable and portable prefab home that not only manages to rate high on sustainability but also reminds me of a spaceship’s cabin! Futuristic, sleek, and smart, Cube One is the future of tiny prefab homes!

Designer: Nestron

The post This AI-enabled tiny home is the perfect budget-friendly prefab house for the urban city life! first appeared on Yanko Design.

Top 10 dog-friendly products of 2021

Though I am a cat person through and through, I cannot help but go gaga over doggos from time to time. They are just so adorable, and not to mention insanely loving (a quality most cat owners aren’t used to witnessing in their pets). And as much as I love pampering my kittie cats with presents from time to time, I’m sure all dog owners feel the same. Ensuring your pet feels safe, secure, and comfortable at home is every pet owner’s priority. We want to make sure they always feel loved and truly at home! It’s important to create an environment where they feel completely safe to let their guard down, while also managing to stay active and playful. And, we’ve curated a collection of dog-friendly product designs that promise to do exactly that! These pet products will help turn your home into the ultimate safe haven for your dogs, allowing you to connect and bond with them better while ensuring they’re always comfortable. From an adaptable food bowl with a customizable stand to a carabiner-based dog leash – these products will be absolutely loved by your dogs!

1. TOMO

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TOMO gives pet gear the upgrade it’s always needed, with minimalist aesthetics and beautifully engineered designs backed by high-quality materials. Putting basic plaid collars and harnesses with those fiddly carabiner clips in the rear-view mirror, TOMO’s pet gear comes in beautiful matte black, from the leash to collar to harness, and features a unique, robust metal clasp that’s minimal, durable, and easy to secure in a matter of seconds. All the products look like they’re a part of a wonderful ecosystem (unlike current pet gear where the leash, collar, and dog tag look different because they were all bought separately. The entire ecosystem of products draws a balance between functionality, comfort, and aesthetics, giving pet-gear a modern upgrade and making them complement each other when worn together, like a well-designed suit.

2. Nest Bowl

Designed with a hexagonal shape to keep the food in place better than a round bowl, dogs can really lick their bowl clean with Nest Bowl. Coming in two different sizes, Nest Bowl’s elevated stands are included to elevate the food bowl so that it meets your dog’s height, allowing your pup to eat without having to strain their neck. In addition to its customizable height, users can choose a dual-tone color scheme to match their dog’s personality and home decor.

3. The GPCA X Clip PRO

Designed as a heavy-duty carabiner-leash, the GPCA X Clip PRO is, well, for heavy-duty dogs. It comes with a CNC-machined 360clip that easily clips onto any dog collar or harness, offering a better user experience than traditional clasps, which are fiddly and fragile at best. The 360clip is thicker and comes machined out of solid stainless steel. It clips onto any D-ring with absolute ease, and a diamond-knurled grip makes it easy to maneuver for humans, allowing you to slip it on or off with ease. The 360clip even supports a special no-pull leash looping formation, formulated via the GPCA team. By simply allowing you to loop the leash around the dog’s front legs before clipping it to the D-ring, the no-pull formation forces the dog to turn sideways every time they pull too hard against the leash.

4. In The Dog

 

‘In The Dog’ is an automatic feeder that analyses your dog’s body composition before every meal. Usually, I take my dog for his routine check-up every quarter, and their diets may need to be altered from time to time, especially if they are growing puppies and a feeding device like this is very handy for pet owners. If your dog has health issues then this automatic pet feeder can help. It is hard to gauge how much food is right for your dog because they can’t tell you (and honestly, even if they could tell you they would never say no to food) so having a pet feeder that can take the guesswork out and keep your dog rightly fed is amazing!

5. Printthinks’ dog-friendly prosthesis

Inspired by a dog who couldn’t run for over seven years due to a missing leg, Printthinks committed to research and design study periods that led to the creation of their 3D-printed prosthesis prototype. Printed from a material called PETG and solely recycled materials, Printthinks created a solution that’s both eco-conscious and pet-friendly. While everyone wants their products to look good, thoughtful design boils down to the tangible contributions it brings to the world. In designing their dog-friendly prosthesis, Printthinks set out to change the life of a dog who couldn’t run, let alone walk, for over seven years. Once the initial prosthesis prototype was printed, Printthinks saw their contribution running on all four legs and looking good while doing it.

6. Mopet

Mopet was primarily designed as a means for city residents to bring along their little pups on trips that would be too far for smaller dogs. Since safety is the number one priority when considering modes of pet-friendly transportation, Mopet is equipped with plenty of safety features. Users can turn on the e-bike’s high beam LEDs when riding at night to make their e-bike and little dog visible to oncoming traffic. Whether their city is going through its annual summer heatwave or their dog is too tired to keep walking, Mopet is outfitted with a large-capacity battery that allows travel for 60km with a full charge.

7. Pupsule

The Pupsule’s name sort of perfectly encapsulates exactly what the product is. Designed like a capsule for your pup, the tiny contraption is perfectly small enough to carry with you on your pet walks. The patent-pending Pupsule comes with a two-part design – an upper half that houses empty plastic bags and a plunger, while the lower half has a 360° grabber arm (controlled by the plunger) and a smell-proof leak-proof area to store the poo until you need to dispose of it.

8. A chair made for needy pets

In her uploaded YouTube video, A chair made for needy pets Giertz takes us through the construction of both the chair’s initial prototype and its final form. Using Fusion 360, Giertz created a 3D model of the pet chair. The model features an enclosed crate, the main dog door, footrest, stairs, and roof to also work as Giertz’s seat. Employing CNC milling to construct the chair’s top seat and roof, sidewalls, stairs, and front entryway, Giertz cut vertical ridges along the sidewalls to bend them around the radius of the chair. After mounting the pieces of plywood together to form the prototype’s planned structure, Giertz uses screws to attach them, but the finished prototype saw some improvements. Giertz turned to CNC milling to construct the chair’s bottom piece, this time formed in two sections to fit onto the CNC bed. On top of the chair’s joined bottom piece, the rest of the CNC-milled pieces of plywood came together. To help Scraps move up and down the chair’s steps with more confidence, Giertz narrowed the distance between the steps and added a railing system to border the chair’s stairs, main seat, and roof.

9. The Playground

The Playground is a doghouse that also alternates as a modular sofa! The various modules of the sofa can be arranged creating not only different sofa designs but also fun spaces wherein your doggo can hop, bounce and play about! The wooden doghouse on one side of the furniture piece seems super comfy and adorable! A little hole on its roof, allows your dog to pop his head out of the doghouse, and connect/interact with you while you lounge about on the sofa. It’s the perfect way to spend quality time! Xiao designed Playground, especially for millennial pet owners. The designer kept in mind that the homes of millennials often have space constraints, and nor do they have much free time on their hand. Hence, Playground is extremely easy to put together, and will not occupy much space in our modern-day cramped apartments. Since Playground was created for young target customers, Xiao tried to give it a trendy and cool appearance! Bright colors, minimal woodwork, and a little plant give the furniture design a modern appeal.

10. The Joyda Muzzle

The Joyda muzzle presents a more subtle, comfortable alternative to existing products. Instead of following a common muzzle design, which essentially looks like a cage over the dog’s mouth, the Joyda uses a light strip of fabric around the snout. For the most part, the Joyda muzzle hangs loosely, not restricting the dog’s mouth at all. The strap will only tighten when it senses a potential attack. How can the Joyda tell? Well, the muzzle comes with a sensor that clips onto the dog’s collar. If the monitor notices a change in heart rate or other signs that might indicate aggression, it will send a signal to the muzzle and tighten around the dog’s snout until the perceived threat passes.

The post Top 10 dog-friendly products of 2021 first appeared on Yanko Design.

SANAA's courtyard-filled campus for Bocconi University is informed by Milanese palazzi

Bocconi Campus has a perforated metal facade

Curved forms clad in perforated metal wrap green courtyards at this campus for Bocconi University in Milan, designed by Japanese practice SANAA.

Occupying the site of a former milk processing plant next to the existing university, the campus provides a headquarters for the Bocconi School of Management alongside a sports centre.

Image of the mesh sheets from street level at Bocconi Campus
Bocconi Campus is a university campus in Milan that was designed by SANAA. Photo is by Filippo Fortis

Instead of filling the 350,000-square-metre site, SANAA broke the programme into a cluster of organic, transluscent white forms that surround a public park cut through by a winding, covered walkway.

Informed by historical Milanese palazzi, each of these buildings has its own courtyard, and integrates landscaped routes, porticos and balconies.

Image of the glass buildings at Bocconi Campus
Perforated metal sheets blanket the exterior of the university buildings

“Every floor has balconies along its perimeter, screened by an undulating metal mesh that creates a porous relationship with the city,” said the studio.

“Each volume has an interior courtyard, typical in Milanese architecture, and each is designed to have its own distinct character while being part of a larger system,” it continued.

“These are lined with porticos at the ground level offering peaceful environments for socialising, studying and gathering in the open air”.

Interior image of a lecture space at Bocconi Campus
The mesh sheets aid to reduce solar gain

The business school occupies four interconnected buildings in the northeast of the site, with the sports centre to the south and residence hall – of which SANAA only designed the exterior – to the east.

To reduce the exposure and heat-gain of the primarily glass-walled buildings, each is wrapped in a metal screen with diamond-shaped perforations, giving a silvery-white finish during the day and a lantern-like effect at night that visually unifies the campus.

These mesh screens sit slightly raised above the ground level of the buildings, creating a strip of exposed glass at the base of each that visually connects them at the height of the covered walkway across the park.

“We wanted to make the building part of the park,” said SANAA principal Kazuyo Sejima.

Interior image of a sunken teaching space at Bocconi Campus
Teaching spaces are sunken below ground. Photo is by Filippo Fortis

Facing inwards to the courtyards, these mesh screens have been swapped for alternating bands of glass and opaque-panelled sections, which extend outwards to create sun-shading eaves.

A cylindrical structure called the Pod forms the entrance to the business school’s buildings, where the ground floors have been given over to large lobbies and a public cafe, restaurant and book shop lined with an undulating glass wall.

Interior image of the views out to Bocconi Campus
The campus was designed to become one with the park surroundings

Classrooms and sunken meeting spaces follow the geometry of the buildings, with curving desks and cloud-like arrangements of circular acoustic panels on the ceilings.

The large steel columns that support the concrete slabs of the structure define the edges of these spaces, and have been spaced to avoid disrupting lines of sight across the interiors.

Image of a curving wall at Bocconi Campus
Curved walls create interior courtyards

To the south, the three-storey sports centre contains an Olympic-sized swimming pool in its basement and an upper-level sports court, surrounded by a raised balcony for spectators accessed via spiral staircases.

SANAA’s new campus is the latest high-profile architectural project for the University of Bocconi, which is already the site of the 2008 School of Economics building by fellow Pritzker Architecture-prize winning studio Grafton Architects.

The practice recently unveiled plans to reconstruct Moscow’s Hexagon Pavilion for the Garage Museum of Contemporary Art.

Photography is by Philippe Ruault unless stated otherwise. The top image is courtesy of SANAA.

The post SANAA’s courtyard-filled campus for Bocconi University is informed by Milanese palazzi appeared first on Dezeen.

A Book to Discover the History of the Dance Theatre of Harlem

Le Dance Theatre of Harlem est une compagnie et une école de ballet professionnelle américaine basée à Harlem, à New York City. Elle a été fondée en 1969, à l’apogée du mouvement des droits civiques, par Arthur Mitchell et Karel Shook. Pour Dajssi DaCosta Johnosn, « leur vision reste l’une des plus démocratiques de la danse ». Les auteurs Judy Tyrus et Paul Novosel ont réalisé un ouvrage, « Dance Theater ot Harlem : A History, A movement, A Celebration ». Ce dernier retrace l’histoire de la compagnie depuis ses débuts dans le sous-sol d’une église de Harlem jusqu’à son ascension fulgurante vers la gloire internationale. « […] le Dance Theatre of Harlem a enflammé le monde avec une déclaration simple et toujours révolutionnaire : Tout le monde peut faire du ballet. Au XXIe siècle, alors que le monde et le pays poursuivent leurs luttes et leurs triomphes historiques, l’histoire de ce refuge pour les danseurs de toutes les couleurs et de toutes les origines résonne plus que jamais. Voici, pour la première fois, le portrait définitif de cette compagnie de danse communautaire unique en son genre qui a reflété et façonné notre époque, et dont le principe durable continue d’inspirer l’avenir ». Cet ouvrage regorge de superbes photographies, dont plusieurs de Marbeth. Un ouvrage indispensable pour tout amateur de danse, d’art, de culture ou d’histoire.

Pour découvrir le livre, c’est par ici. Pour en savoir plus sur la compagnie, c’est par là.

The young company c. 1969 ©Marbeth

The Company men in Robert North’s “Troy Game” (photo : Martha Swope, ©NYPL)

Diana Adams and Arthur Mitchell in Balanchine’s Agon, 1957 (Photo: Martha Swope, ©NYPL)




This minimal seating design functions as a personal enclosed pod + provides you with privacy!

Most of us stay in shared spaces with our family and friends, and as wholesome and comforting as that can be, sometimes all one truly needs is some privacy! In an attempt to “create personal space and sanctuary in shared spaces”, Megan Yeo designed ‘Mado’. Mado is more than just a piece of furniture or a partitioning system, it functions as a frame for our mannerisms and body language, helping us express our boundaries.

The minimal piece was created via a quick ideation process involving cardboard models, sketching, and a metal fabrication process consisting pipe bending, drilling and 3D printing of parts. The end result was a malleable design that can be transformed according to your needs.

In its open form, the wings of Mado are folded back, allowing people to sit, interact, and socialise. Whereas, in its enclosed state, Mado performs the opposite function. The wings can be folded inwards to create a private and comfortable pod, wherein one can sit and enjoy their own personal space. Mado’s height can also be adjusted, so it can switch between a low and high back seat, whenever necessary. The curved seating platform encourages us to sit in the centre, and lay in positions that are comfy and restful.

The seat has been designed to be low, drawing influence from the floor chairs in Japanese culture. It allows you to sit closer to the ground, and is said to promote relaxation and meditation – two things we all need a little more of in our lives!

Designer: Megan Yeo

The post This minimal seating design functions as a personal enclosed pod + provides you with privacy! first appeared on Yanko Design.

Dezeen's top 10 installations of 2021

Yayoi Kusama's polka dot trees in New York

From a giant inflated bubble to a steel-wired mosque designed to challenge Islamaphobia, we take a look at 10 standout installations covered by Dezeen this year as part of our review of 2021.


A man walks through a virtual green installation

Medusa, UK, by Sou Fujimoto

A vast gallery room in the V&A Museum was reserved for a virtual installation by architect Sou Fujimoto and mixed reality studio Tin Drum during London Design Festival this year.

Festival-goers could put on a pair of mixed-reality glasses and walk through the virtual blue structure as it changed shape in response to their movements. The installation was intended to encourage visitors to explore the potential of manipulating a perceived environment.

Find out more about Medusa ›


Crowds around L'Arc de Triomphe Wrapped
Photo is by Benjamin Loyseau

L’Arc de Triomphe Wrapped, France, by Christo and Jeanne-Claude

Nearly 60 years after artists Christo and Jeanne-Claude first planned L’Arc de Triomphe, Wrapped, the much-anticipated installation opened to the public in Paris.

For 16 days, the world-famous arch on the Champs-Élysées was covered by 25,000 square metres of silvery fabric, secured by 3,000 metres of contrasting red rope. People were able to touch the architectural work as well as observe the installation from the Arc de Triomphe’s terrace.

Find out more about L’Arc de Triomphe Wrapped ›


Yayoi Kusama's polka dot trees in New York
Photo is by Robert Benson Photography

Ascension of Polka Dots on the Trees, US, by Yayoi Kusama

Japanese artist Yayoi Kusama covered trees at the New York Botanical Garden in her signature colourful polka dots as part of the park-wide 2021 exhibition Kusama: Cosmic Nature.

Other installations by the artist in the gardens included a lake filled with 1,400 mirrored steel balls and a large pumpkin sculpture made from bronze. Several installations were also playfully placed inside the buildings of the New York Botanical Garden.

Find out more about Ascension of Polka Dots on the Trees ›


Ajlan Gharem's Paradise has many gates

Paradise Has Many Gates, various locations, by Ajlan Gharem

Saudi Arabian artist Ajlan Gharem used chicken wire to create Paradise Has Many Gates, a 10-by-6.5-metre cage-like installation that can be used as a Muslim place of worship.

The artist wanted the award-winning installation to serve as a reminder of refugee detention centres and border walls while simultaneously demystifying the Mosque by making it literally transparent and open.

Find out more about Paradise Has Many Gates ›


Grow installation by Studio Roosegaarde

Grow, the Netherlands, by Studio Roosegaarde

Studio Roosegaarde transformed a 20,000-square-metre plot of land into a light installation designed to highlight the beauty of agriculture.

After a trip to a farm, designer Daan Roosegaarde learned of the potential of photobiological lighting technology in promoting plant growth and resistance to pesticides. Inspired by the technology, he installed red, blue and ultraviolet high-density LEDs into a field to create Grow.

Find out more about Grow ›


Solar panels by Marjane van Aubel on the Dutch Biotope pavilion at Expo 2020 Dubai

The Netherlands Pavilion skylight, Dubai, by Marjan van Aubel

This year’s Dubai Expo saw a range of impressive pavilions including The Dutch Biotope, which has translucent solar panels on its roof. The designer, Marjan van Aubel, hoped that the colours and lights would demonstrate that solar panels could be beautiful while also powering the exhibition.

“At different points in the day the light, shadows and colours will change and so I hope it feels like a constantly changing immersive experience, similar to the light falling through a stained-glass window,” van Aubel told Dezeen.

Find out more about The Netherlands Pavilion skylight ›


The structure was placed ontop of a carpark

Alexander McQueen’s Spring Summer 2022 installation, UK, by Smiljan Radić

Chilean architect Smiljan Radić topped a car park in Tobacco Dock, east London with an inflated bubble-like structure for Alexander McQueen‘s Spring Summer 2022 fashion show.

A panelled membrane was supported by a web of steel tensile cables, forming a transparent dome with views of the surrounding skies. A series of vents in the floor pumped air into the dome to ensure its bulging appearance was maintained throughout the show.

Find out more about Alexander McQueen’ Spring Summer 2022 installation ›


Superflux Invocation for Hope

Invocation for Hope, Austria, by Superflux

In a year that saw multiple designers use trees to highlight the impact of climate change, design studio Superflux transferred 415 dead black pine trees from Austria’s Neunkirchen region to the country’s capital for Invocation for Hope.

Living plants were then arranged around the trees and a reflective pool, creating a tranquil oasis in the middle of the Museum of Applied Arts. The designers wanted the installation to embody “a post-Anthropocene landscape where humans learn to live in harmony with nature”.

Find out more about Invocation for Hope ›


Light installation in Chinese tea field
Photo is by Tian Fang Fang

Light, China, by Ma Yansong

Light is a steel structure wrapped in translucent fabric that shields a small copse of trees in a rural tea field in China.

MAD architecture studio-founder Ma Yansong was inspired by the surrounding nature when he created the sculptural artwork as part of the Art at Fuliang 2021 festival.

Find out more about Light ›


Feet walking over Yinka Ilori crossings for Bring London Together

Bring London Together, UK, by Yinka Ilori

In an effort to unite Londoners and encourage them to explore the city’s streets again after multiple coronavirus lockdowns, London-based designer Yinka Ilori transformed 18 pedestrian crossings at London Design Festival. Blue, orange, pink, purple and green paints replaced the traditional black and white.

“It’s about trying to bring our community back out onto the streets to celebrate,” explained the designer, who is known for his socially-conscious approach.

Find out more about Bring London Together ›

The post Dezeen’s top 10 installations of 2021 appeared first on Dezeen.

Backstage exhibition reveals "behind the facade" of Danish architecture

Backstage by Tinker Imagineers and Danish Architecture Center

Design agency Tinker Imagineers‘ Backstage exhibition, which was constructed to look like a series of theatrical stages, explores how Danish architecture is created.

Called Backstage, the exhibition was created in collaboration with the Danish Architecture Center in Copenhagen, where the show was located.

Backstage by Tinker Imagineers and Danish Architecture Center
The Backstage exhibition includes 1:1 scale installations of Danish architecture

It was designed to give visitors an insight into what happens “backstage” when urban spaces and buildings are being designed.

“It looks at the forces that drive development, the mistakes architects inevitably make along the way, and how we can fix them,” said Tinker Imagineers.

“Visitors literally go backstage to take a moment to reflect on and discuss some complex issues, to better understand what’s really at stake behind the scenes.”

Backstage by Tinker Imagineers and Danish Architecture Center
The exhibition explores architectural challenges in Denmark and globally

Designed to look like theatre stages, the exhibition consists of five sets that each address different topics and can be viewed independently. Collectively, they give a depiction of architectural challenges distinctive to Danish design.

In Backstage, visitors learn the ways in which Danish architecture maximises natural light in homes and the effect this has on the user’s well-being.

The exhibition also explores how architects design homes in Copenhagen, a city that continually ranks high in liveability.

“Denmark is known for its high liveability ranking, which each year gets them on lists of ‘must-visit’ places in influential media,” said Tinker Imagineers. “But how do architects go about creating humanistic housing in big cities? What values go into this work?”

Backstage by Tinker Imagineers and Danish Architecture Center
The Backstage exhibition invites visitors to reflect on key issues facing architects

Tinker Imagineers focused on issues that affect cities worldwide, including affordable living and how cities can prepare for climate change.

They used a range of exhibition pieces, including architectural case studies, photographs, 1:1 scale installations, models and films, to illustrate to visitors the processes involved in creating the built environment.

Backstage by Tinker Imagineers and Danish Architecture Center
The exhibition was designed to look like a theatre set where visitors can explore backstage

The project was shortlisted for the 2021 Dezeen Awards in the exhibition design category alongside Lanza Atelier’s design for the Re-Source exhibition, which features plywood display tables that are designed to be disassembled and distributed among visitors at the end of the show.

The Dezeen Award was ultimately won by Studio 10’s Fashioned From Nature exhibition, displayed at the V&A’s Shenzhen outpost.

Photography is by Rasmus Hjortshøj – COAST.

Backstage was on show at the Danish Architecture Center in Copenhagen 21 April to 3 October 2021. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

The post Backstage exhibition reveals “behind the facade” of Danish architecture appeared first on Dezeen.

Dezeen's top 10 live talks of 2021

Dezeen rounds up our top 10 live talks of the year as part of our review of 2021, featuring discussions with Neri Oxman, Es Devlin, Joseph Grima, Peter Saville and more.


Es Devlin for Dezeen 15

Es Devlin opened our Dezeen 15 festival this year, which celebrated Dezeen’s 15th anniversary with a programme of cutting edge designers and architects presenting their manifestos for a better world.

Devlin joined us live from the COP26 climate conference in Glasgow, where she had installed an indoor forest to serve as an events space. During the talk, Devlin presented her idea for a car-free future, and imagined looking back from 15 years in the future at the positive progress made since COP26.

Find out more about Es Devlin ›


 

Oliver Heath on biophilic design

Dezeen teamed up with CDUK for this live talk, hosted in Dezeen’s new Studio Space in London. Biophilic designer Oliver Heath talked to Dezeen editor-in-chief Marcus Fairs about how biophilic design principles can help improve health and wellbeing.

Find out more about biophilic design ›


 

Joseph Grima on non-extractive architecture

In April, Space Caviar co-founder Joseph Grima spoke to Dezeen about his manifesto for a new mode of architecture that conserves the Earth’s resources.

During the talk, Grima discussed how young architects are rejecting “cookie-cutter modernism” in favour of approaches that prioritise conserving the earth’s resources, and proposed an overhaul of our current industrial economies.

Find out more about Joseph Grima ›


 

Neri Oxman for Dezeen 15

Closing the Dezeen 15 festival was designer Neri Oxman, who called for a “radical realignment between grown and built environments”.

During the talk, Oxman also announced the launch of her new studio, OXMAN. “We envision it as a kind of a Bell Labs of the 21st century,” she said, comparing it to the legendary innovation department of US telecoms giant AT&T.

Find out more about Neri Oxman ›


 

Sumayya Vally on the Serpentine Pavillion 2021

To celebrate the unveiling of the 2021 Serpentine Pavillion, Dezeen broadcast an in-person interview between Serpentine Gallery artistic director Hans Ulrich Obrist and architect Sumayya Vally.

Speaking from within Vally’s pavilion, the pair discussed the influences and process behind her design for the annual commission.

Find out more about Sumayya Vally here ›


 

Gropius Bau and Hella Jongerius on weaving 

In this talk, artist Hella Jongerius and Stephanie Rosenthal, director of the Gropius Bau museum, discussed Jongerius’ exhibition Woven Cosmos.

The speakers discussed the healing properties of weaving, and Jongerius’ wider creative philosophy centred around design, sustainability and spiritualism.

Find out more about Hella Jongerius here ›


 

Rex Weyler on environmental activism and design

To celebrate Greenpeace‘s 50th anniversary, Dezeen hosted a panel discussion headed by ecologist and Greenpeace co-founder Rex Weyler, to discuss the role of designers in environmental activism.

Also joining the panel were Canadian architect Michael Green of Michael Green Architecture and Nina-Marie Lister, professor and graduate director of Urban & Regional Planning at Ryerson University.

Find out more about Greenpeace here ›


 

Peter Saville on his Technicolour collection for Kvadrat

Streamed live from 3 Days of Design in Copenhagen, this talk featured designer Peter Saville introducing his new Technicolour collection for Danish textile company Kvadrat.

The talk also included Kvadrat’s vice president of design, Stine Find Osther, and Dienke Dekker, design manager of the brand’s rug division.

Find out more about Peter Saville here ›


 

How game engines are transforming architecture with Epic Games

As part of our Redesign the World competition in collaboration with Epic Games, Dezeen hosted a live talk exploring how game engines like Twinmotion are changing architecture.

The talk discussed the future of virtual architecture and the growing link between video games and architecture.

Find out more about Epic Games here ›


 

Reiner de Graaf on his novel The Masterplan

In the last of our top 10 live talks, Dutch architect and OMA partner Reinier de Graaf unveiled details about his latest novel The Masterplan.

De Graaf was also joined by Russian architect Olga Aleksakova, the co-founder of the Buromoscow studio, and architect and writer Mahfuz Sultan.

Find out more about Reiner de Graaf here ›

The post Dezeen’s top 10 live talks of 2021 appeared first on Dezeen.

Braun Series 9 Pro Foil Electric Shaver Review

PROS:

  • Close shave with a powerful motor
  • Solid battery life
  • Convenient cleaning station
  • Lightweight and comfortable

CONS:

  • Relatively expensive
  • Loud and a bit rough
  • Proprietary charging cable

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR’S QUOTE:

Built for comfort and power, the Braun Series 9 Pro can make short work of long seven-day stubbles but stops short of delivering its close shave promise. The price tag is a major hurdle, and Braun’s backward compatibility almost makes it unnecessary to buy this particular model immediately.

Technology is meant to make our lives simpler, easier, and more convenient. That is true for the complex computers in our pockets to the mundane electrical products scattered around our homes. Electric shavers are probably some of the last things you’d consider to be technological innovations, but every new generation does try to add a little something new that tries to help us free up time for the more important things in life. Braun’s new Series 9 Pro electric shaver is one such example, and we give it a few tries to see if those incremental improvements do add up.

Aesthetics

As the name suggests, the Braun Series 9 Pro builds upon an older base model, one that was launched six years ago. The electric shaver company hasn’t exactly been sitting on its during that period but had released other incremental upgrades to the Series 9 foil shavers. The Braun Series 9 Pro may sound like the culmination of those improvements, but it’s easy enough to mistake it for its predecessors because of how they all look eerily similar.

Granted, electric shavers of this type tend to share the same basic design, and the Series 9 Pro is definitely not an outlier. Like many of its kind, its design is utilitarian rather than aesthetic, putting a heavier emphasis on handling and ergonomics rather than looks. Since a shaver is something you’ll hold for minutes on end, often a few times a week, comfort is definitely near the top of the list, with safety and performance being the greatest concern.

To that extent, it’s not really surprising that the majority of the Braun Series 9 Pro is made of plastic that’s painted to look like polished metal. Although definitely not environment-friendly nor sustainable, aluminum would have made the shaver too heavy. The plastic coating, however, is a fingerprint magnet, and you might lose a lot of time trying to make it look pristine after every use. Unlike the chrome finish on the front, the Series 9 Pro’s back is covered with a dimpled rubber material that is clearly more for ergonomics than looks.

The electric shaver doesn’t have many design elements to distract the user from its intended purpose. Aside from the large shaver head, the only other part that really calls your attention is the textured thumb rest in the middle, with a “PrecisionLock” switch and the power button below it. There’s also an LED screen for the battery and travel lock indicators, but don’t expect a high-quality display. In fact, you might even notice a bit of backlight bleeding around the icons.

The Braun Series 9 Pro comes with a 5-in-1 SmartCare Center “dock” and, depending on the actual model, a PowerCase with a built-in battery. The latter makes this travel case less conducive for travel, making the mostly plastic case heavier than it looks. The SmartCare station follows the Series 9 Pro’s very basic design, with a single power button as its only user interface.

Ergonomics

As a product that’s meant to be held with one hand for slightly longer periods of time and multiple days a week, Braun designed its Series 9 shavers to be comfortable to use. The choice of lightweight plastic materials and the rubber cover on the back work towards that end, but they thankfully don’t cheapen the feel of the device. The Series 9 Pro feels solid and durable, designed to face the wear and tear of semi-daily use.

The contours of the electric shaver let most hands grasp the body firmly, but it’s the rubber back and the textured thumb rest that really gives you a grip on it. The lack of a cord dangling out of the shaver’s body definitely adds to its usability. In fact, you can’t even use it while it’s plugged in, so you have to be sure there’s enough charge remaining for your use.

While the head can only move back and forth, the four cutting foils can each move independently, depending on the pressure applied and the surface they’re moving on. Together, this range of motions allows the Braun Series 9 Pro to smoothly move on almost any surface of your head, including your scalp. But in case you prefer having more direct control over the head’s movement, the PrecisionLock below the thumb rest can keep the head still while still letting the foils move on their own.

The Braun Series 9 Pro, just like its predecessors, is clearly designed for ease of use, but one particular part of it seems to stick out like a sore thumb, almost literally. The shaver hides a “precision trimmer” that slides out from its bottom that’s meant to be used for trimming beards. Unfortunately, its location makes it a bit awkward to use in its default position, forcing you to turn the shaver upside-down instead. It doesn’t work that well, either, so it might be the most underutilized part of the shaver anyway.

Sustainability

There is a growing trend among some consumer electronics manufacturers, including smartphone makers, where sustainability or at least eco-friendliness has become an advertising point. Although they can’t completely do away with some materials, they try to at least reduce their use, especially in packaging. Braun, unfortunately, isn’t there yet, and the Series 9 Pro definitely won’t score marks in this department.

The use of plastics and rubber might be understandable, at least given the limits of today’s materials, but the company could have still taken small steps towards reducing waste. One example is the charging cable, which uses Braun’s two-pronged connector. Given the aim of portability, it could have taken the opportunity to adopt USB-C since many people today have phones that charge over that standard. That said, it does have the advantage that you can use new accessories like the PowerCase with older Series 9 shaver models that use the same proprietary connector, saving you the expense and hassle of buying a new cord if you already have one.

Like traditional consumer electronics, Braun didn’t build its shavers with self-repair in mind. None of its shavers are easily repairable, and the only replaceable parts are the cassette holding the cutting elements and the head itself. Once broken or worn down, there is no room for repairs, and these have to be thrown out. Braun doesn’t have any guidance or system for recycling these parts either, which could have gone a long way in getting the company started in a more sustainable direction.

Performance

The Braun Series 9 Pro closely resembles the rest of its family in both design and function, but the biggest upgrade it got is one you can only see and feel after using it regularly for a while. Braun is advertising a new 4+1 Shaving Elements and a “ProLift Trimmer” that’s meant to catch long and hard-to-reach hairs, or at least that’s the theory. In practice, it gets close but not close enough.

The Series 9 Pro generally works well and gives a close shave, managing longer hairs that have grown for as long as seven days. It’s no magic wand that will make your facial hair disappear with one flick, though. You might have to do a few passes in areas like the neck. And despite the flexibility of motion, getting to those hairs under the nose can get a bit tricky, too.

Part of the Series 9 Pro’s trick is its powerful motors, but that increased power does come at some price. Although not unbearably loud, the shaver still produces enough audible noise to call attention to it or, worse, wake someone up. The shaver could also sometimes feel a bit rougher on your skin, though not enough to produce discomfort or irritation unless you have extremely sensitive skin. There’s a tendency, unfortunately, to have the occasional pinched skin or get a long hair snagged.

Braun advertises about 60 minutes of use with a full battery, and it’s pretty much on point in that estimate. Charging the shaver, on the other hand, takes a good 50 minutes to full. And that’s when the Series 9 Pro is plugged directly. The PowerCase almost doubles its battery life but naturally charges a lot slower. The SmartCare Center also charges the shaver, but only when it’s not cleaning it.

That “dock” is actually one of the biggest highlights of the Series 9 shavers and is what makes this particular family easy to use and maintain. Simply plopping the Series 9 Pro in its “cradle” and pressing the power button initiates not only a cleaning process but also a lubrication session. Of course, you can clean the shaver manually and might want to do a thorough cleaning from time to time, but this worry-free maintenance definitely takes some burden off owners’ shoulders.

Value

At $349.99, the Braun Series 9 Pro is one of the more expensive electric shaves in the market; there’s just no escaping that fact. It doesn’t have one killer feature that easily makes it stand out, but it’s the sum of its parts that can justify its price. Fortunately, there are also other aspects that help soften the blow, but it’s still a bitter pill to swallow in the end.

There is, for example, an option to buy one without the PowerCase, but that only saves you $20. Braun’s Series 9 accessories and parts are also mostly interchangeable and backward compatible, so you can at least stop worrying about your shaver being obsolete when the next Series 9 model appears. It definitely feels more like a long-term investment rather than a regular purchase, and hopefully, the shaver will last as long as you need it, at least until Braun launches the Series 10 in a few years.

Verdict

Electric shavers are almost a dime a dozen these days, but not many have been able to really deliver on the promise of a quick but close shave. Braun has been at it for years, especially with the Series 9, and the Series 9 Pro, in particular, tries to combine all those lessons learned into a single package. It definitely comes close but also comes up short in a few places as well.

Its powerful motor and new head design definitely get close and personal with longer hair, but you’ll still need more than just a few passes to weed out the more stubborn ones. Its power comes with a bit of roughness, but the real cost is in the literal price. Even Braun’s older Series 9 shavers could offer close to the same performance for less.

As far as product design goes, however, the Series 9 Pro doesn’t exactly offer anything innovative or exciting. Its use of light but durable plastic and grippy rubber is a standard among electric shavers, though it tries to add a bit of glamor with some silver coating, a few gold accents, and an ergonomic shape. It’s durable to boot, and its SmartCare Center dock helps make sure it will last longer, which is for the best since there’s very little in the Braun Series 9 Pro that’s built to last or be easily replaced and recycled.

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This colossal research vehicle is the best fit for a mystic Avatar multiverse



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I can only imagine this four-wheeled research vehicle to be a source of inspiration for sci-fi movies where annihilating the environment is no longer in our conscious will, and everything else revolves around sustainable living. It’s like going back to our deepest roots!

As we go on eating up all the landmass on the planet, the most pristine and delicate places on the face of earth risk getting exposed beyond the limits. Take Antarctica for example – where the hostile environment has kept commercial activities at bay till now, but that won’t be the case for long. The logical solution is a circular economy dominated by sustainable tourism. The Land Rover ARC – Antarctica Research Concept is an idea that stems from the core idea of minimizing carbon footprint on such locations which are not as tormented as compared to the human-dominated lands.

Though of by Oliver Ball, this gargantuan research vehicle is a movable module on wheels for research and extended missions on the snow-laden landscape. The vehicle employs solar and wind energy to suffice all the needs on-board, thereby making it a self-sustainable cozy home for scientists, as well as eco-conscious tourists. Emphasis for the interior module design is largely focused on modern, minimal, and airy space aesthetics. There are separate modules for bedrooms, dining areas, storage pods, bunk beds, meeting rooms, and secluded work areas. The designer has taken complete leverage to embellish the interiors in luxury, thoughtfully designed sections, and matching furniture.

Both for the interiors and exteriors, Oliver believes, the emphasis is on the three pillars – the minimal luxury of Range Rover, the utility of Defender and research capability of Discovery. To ensure the vehicle never runs out of power in the most tormenting conditions on the continent, the base stations will juice up the batteries as and when needed. It won’t be illogical to say, the Land Rover ARC is just the kind of vehicle evolution the Avatar sequels could do with. After all, James Cameron also has the uncanny knack of creating worlds that nobody could even imagine in their wildest dreams!

Designer: Oliver Ball

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