Concrete and travertine form minimalist chapel in northern Mexico by WRKSHP

Entrance to Monterrey chapel by WRKSHP

This minimalist chapel outside of Monterrey in northern Mexico by WRKSHP was designed with a limited palette of materials that allow natural light to define the spacious interiors.

Fuego Nuevo chapel was completed earlier this year, after the firm was commissioned directly by the congregation of El Uro, on the outskirts of Monterrey. The area is set at a high altitude, surrounded by the Sierra Madre mountain range.

Concrete and travertine chapel
The chapel is reached via an elevated plaza

WRKSHP was initially engaged for the project in 2014, and spent the subsequent years working closely with the community to design the 1,265-square-metre chapel.

“Many of the church’s resources have come from donations from parishioners and some foundations, so we also aimed to work with low-maintenance materials that could age with dignity,” explained the Monterrey-based architects. “When the project was presented to the community, it was very well received.”

Grey stone chapel in Mexico
It is located on the outskirts of Monterrey

The project is laid out on two levels. A partially sunken lower floor is accessible directly from the street, and contains a multi-purpose room and the ossuaries at the back of the space, which are meant to be the most private areas of the building.

Above the multi-purpose room, the architects created an elevated plaza that worshippers reach via a long ramp along the facade. “Here, an evergreen oak was planted that was donated by the community,” they explained.

Entrance to Monterrey chapel by WRKSHP
The facade is made from board-formed concrete

The entrance to the chapel is from this new plaza. The main facade is made of board-formed concrete, a material that references Monterrey’s industrial heritage.

The nave is a double-height space that is defined by the deep structural beams that span the width of the chapel. This design allows for a layout without intermediate columns.

“[The structure] remains as bare and heavy elements [that] are constantly repeated, generating a rhythm of solids and voids that allows natural light to play its role as a protagonist,” said WRKSHP.

Between each column, tall glass walls offer views of the surrounding mountainous landscape.

Interior of chapel by WRKSHP
Structural beams span the width of the chapel

The beams, meanwhile, also integrate clerestory windows that bring even more light to the interiors.

The altar was designed in collaboration with local craftsman Alfredo Zertuche. A large black slab of Monterrey marble was sourced from a nearby quarry in Cerro del Topo Chico, and is backed by a curved wall of wooden slats made of walnut.

Altar in Monterrey chapel
A marble altar is positioned at one end of the nave

Concrete and travertine feature in other religious buildings, including a church topped with a concrete dome by Atelier Štěpán in Brno and a church that was built as part of a larger complex in Castel di Lama, Italy, and is modeled after traditional Italian town centres.


Project credits:

Construction: Reynaldo Castillo
Structural engineer: Joaquín Sanchez Becerra
Principal architect: Rigoberto Almaguer
Design team: Ana Paula Treviño, Wendy Lopez, Laura Gómez, Eduardo Guerrero

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Commenter says "the public's perception of architects' earnings has no bearing on reality"

Architect at work

In this week’s comments update, readers are debating a report that found that architecture is among the most privileged industries in the UK and discussing other top stories.

A report titled Social Mobility in the Creative Economy by the Creative Industries Policy and Evidence Centre reveals that 73 per cent of workers in the UK architecture industry are classed as privileged.

Architectural careers such as architects, town planning officers, and technicians rank as number one in the study’s list of the 25 most elite occupations in the UK.

“Architecture is a tremendous amount of work for a minimal salary”

Commenters aren’t convinced. “As an underpaid architect in my late 40s, who held down a part-time job whilst working my way through architecture school, I struggle with my privilege every day,” joked Jay Cee.

Alfred Hitchcock continued: “I’m from an underprivileged working-class background and I worked my way through my education and paid for it myself. Public perception of architects’ earnings has no bearing on reality.”

“You are looking at the problem the wrong way,” added Jacapo. “Architecture is a tremendous amount of work for a minimal salary. Only rich kids will be able to deal with the work for free mentality around this profession.”

Felix Tannenbaun agreed: “Architecture students need huge blocks of uninterrupted time for thinking and for crafting. The work that is expected of them is intense. This time and work requirement weeds out those who are exhausted from side work. This paired with relatively low wages skews the demographic to those who have a background that allows both.”

What do you think? Join the discussion ›

Render of Guggenheim Abu Dhabi by Frank Gehry
Frank Gehry-designed Guggenheim Abu Dhabi announces 2025 opening date

Gehry is “one of a few architects doing anything remotely interesting” claims commenter

Readers are praising Frank Gehry’s design for the Guggenheim museum in Abu Dhabi, which is set to open in 2025 – nearly 20 years after plans were unveiled and 14 years after construction began.

“Gehry,” said Hosta, “still one of a few architects doing anything remotely interesting.”

Siphonophoros agreed: “It’s beautiful, grand, imaginative, ambitious, decadent, humorous, provocative, and it irritates the commoners. What’s not to like?”

“Anyone could design a massive jumbled sculpture, but not anyone can make it function as a building,” concluded BSL. “I’m not a fan of the aesthetics, but I’ve got to hand to Frank, no one does it like him.”

What do you think of the new Guggenheim museum? Join the discussion ›

Co-housing by Productora
Blue co-housing complex by Productora fits eight units onto two Denver lots

Reader thinks Denver housing complex screams “look at me”

Commenters are debating a small housing complex in Denver, Colorado, that provides eight units with shared amenities on a lot that would typically accommodate only two single-family homes.

“It screams ‘look at me, I am so minimal'”, said Karol B.

Archi was also unsure: “So when one family is eating dinner, and another family is watching a movie, do they just wave at each other between the all-glass wall?”

“I think you’re missing the point,” replied Eric. “It’s not intended to be two distinct, traditional single-family dwellings. Each building contains three units with a shared kitchen/living room. It’s supposed to be a communal living arrangement.”

Are readers missing the point? Join the discussion ›

Sara Kulturhus and hotel in Skellefteå
White Arkitekter unveils “carbon negative” skyscraper and cultural centre in Sweden

Commenter calls “carbon negative” skyscraper “a huge achievement”

Readers are divided over a timber development in Sweden, which features the world’s second-tallest wooden tower. White Arkitekter claims the tower will be carbon negative over its lifetime.

“Call me a grouch but gosh, that’s unattractive,” said Pixinator. “I do like the sustainability of timber construction but I really dislike the inevitably unfinished-looking aesthetic.”

Bunker Mentality agreed: “Looks like a really not well-aged example of a mid-seventies, small-town, power station.”

“A carbon-negative building is a huge, huge achievement,” replied a less cynical Z-Dog. “Sometimes we see the work of high-tech architects like Grimshaw or Renzo Piano as pointing towards the future of architecture. I think buildings like this may give a snapshot of the ways we will be working in 15-20 years’ time.”

Are you impressed by the Sara Kulturhus Centre? Join the discussion ›

Read more Dezeen comments

Dezeen is the world’s most commented architecture and design magazine, receiving thousands of comments each month from readers. Keep up to date on the latest discussions on our comments page.

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This smartphone accessory scans your skin for underlying problems, the hassle-free way

Always worried about your skin’s health? Then this camera-like attachment is exactly what you want.

Skin is the first line of defense that the complex body mechanism has developed to keep all the billions and trillions of external elements from reaching the internal organs. As civilizations progressed forward this largest and most important organ of the body became the most sought after in terms of care. Take the skincare industry for example which is one of the biggest out there and so much money is poured into it for mere looks. In fact, the skincare segment amounted to $18,702 million in 2021, and it is following a growth pattern of 5.01 percent annually.

After all who doesn’t want some me-time, especially with their skincare. Seeing the importance of skincare in daily routine, Borderless Design Consultancy (BDCI) has an interesting take on smartphone accessories that go beyond contemporary use. We’ve seen high-end smartphone camera attachments, medical-related accessories, and other weird gadgets, but this one is actually interesting. Dubbed At Skin, it scans the skin for any signs of skin diseases or cancer DNA for early detection of serious problems. On the skincare front, the gadget scans the skin for tissues and overall healthy signs.

You can attach this cool gadget to your smartphone, placing it just over the primary sensor and the accessory’s hardware does the rest. The device works like a dermascope to detect any skin lesions or melanoma cells at a very early stage so that you can take the precautionary measures ASAP. Since At Skin can be attached to any smartphone’s camera module, hassle-free skincare is actually possible the right way with BDCI’s attachment. The product is still in the prototyping stage and we hope to see it hit the market soon in the future.

Designer: BDCI

CLB Architects completes rural Wyoming compound influenced by agricultural buildings

The home is located on a hillside

CLB Architects has completed a holiday home in Wyoming’s Teton mountain range, drawing references from settler communities that were built as the United States expanded further West.

The property is named Five Shadows after the five distinct volumes that make up the 12,800 square-foot (1,100 square metres) estate. “The house, reminiscent of a homesteader’s settlement, is composed of five connected, symmetrical, agrarian-inspired forms,” said CLB Architects.

Five Shadows has a symmetrical design
Five Shadows was built by CLB Architects and is comprised of multiple volumes

The term refers to the Homestead Acts, a set of laws in the United States enacted after the civil war that allowed any adult male to claim up to 160 acres (65 hectares) of government land as private farmland.

This spurred the development of the country’s Western frontier, including what’s known today as Wyoming. These settlements were often built with modest means, and were characterised by simple gabled roofs.

Gabled roof structures are organised around a pool
The different volumes of the home were organised around a large terraced area

CLB Architect’s project is a single-family home, which lays out the owner’s program into several similar volumes laid out around a series of exterior terraces and a pool.

“Slightly elevated above neighbors, the compound imparts a feeling of privacy, screens nearby buildings through structural orientation and strategic window placement, and takes in broad views across the valley to the Gros Ventre Range,” said the studio, which is based in Jackson Hole, Wyoming, and Bozeman, Montana.

Wood lines the walls and floors of Five Shadows
Rooms are connected by wood-clad and glazed corridors

“The largest form hosts the public spaces, while the peripheral volumes capitalize on privacy for bedrooms and a den,” the architects explained.

Three of these buildings, which are connected by glazed walkways, contain  four of the home’s bedrooms. The last structure is off to the side, and contains a pool house.

“The layout of the multiple buildings lends an elegance to the flow, while the relationship between spaces fosters a sense of intimacy,” according to the architects. In the clearings between the buildings, the architects included a range of different spaces, such as an outdoor dining area and lounge.

Guests enter the home via a double-height glass lobby, where a monolithic black door on an offset pivot is framed by two large cabinets for storing coats. A gallery then leads to the main part of the home, for entertaining guests.

An open-tread staircase leads upstairs, where there are two additional bedrooms that bring the total to six.

A stone wrapped chimney breast is located at the centre of a living room
The interiors have a neutral palette and use woods and stone

Here, two separate living rooms at either end of the main gabled structure frame a large dining area, allowing for several groups to gather at once. To delineate the space, the architects include two fireplaces that help separate these areas from one another.

The interiors, which were designed by Philip Nimmo, feature a bright palette of rift-sawn white oak boards on the walls, floors, and ceilings, with black steel detailing and a stone that matches the exterior cladding. The restrained choice of materials emphasises the home’s “deep connection to the outdoors”.

An aerial view of Five Leaves
Each volume has a gabled roof

CLB Architects has completed several homes in Wyoming, including a property with a black steel exterior that is intended to weather and rust over time, and a home belonging to studio co-founder Eric Logan, which he renovated with a pitched steel roof.

The photography is by Matthew Millman.


Project credits:

Architecture: CLB Architects (Eric Logan, AIA, Principal; Andy Ankeny, AIA, Principal; Sam Ankenny, AIA, Associate)
Interior design: Philip Nimmo
Contractor: KWC
Landscape: Hershberger Design
Civil Engineer: Nelson Engineering
Structural Engineer: KL&A.
Mechanical Engineer: JM Engineering
Electrical Engineer: Helius Lighting Group

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Kaldewei opens up the shower with surface designed by Werner Aisslinger

Superplan Zero by Kaldewei

Dezeen promotion: German bathroom brand Kaldewei has launched Superplan Zero, a shower surface that can be accessed from three sides but still integrates seamlessly with the surrounding floor.

Superplan Zero was developed by German designer Werner Aisslinger, to offer customers a more open-plan shower experience.

The product can be placed beside a single wall with no need for additional shower screens.

Superplan Zero by Kaldewei
The shower surface is characterised by its precise lines and can be accessed from three sides

With concealed drainage and a very subtle slope to the surface, it can line up precisely with surrounding floor tiles, so there are no steps up or down to enter.

“Installed at floor level, the shower surface becomes the bathroom floor and, thanks to its very narrow edges, allows direct tiling with almost invisible joints.”

Superplan Zero by Kaldewei
The surface lines up with precisely with surrounding floor tiles

The surface is made from long-lasting and 100 per cent recyclable steel enamel. A glass surface is applied to the steel to give it a luxurious look.

The design comes in over 50 different dimensions, ranging from 70 to 180 centimetres, and is available in a wide range of colour and surface variations, so can be easily integrated into any tiling layout.

Superplan Zero by Kaldewei
A subtle slope ensures effective drainage

To make this integration even easier, the product is compatible with Kaldewei’s range of sealing sets, assembly systems and waste fittings.

The waste is located towards the rear of the surface, making it easier to stand and move around comfortably. Customers can also specify Secure Plus, an invisible anti-slip surface, to ensure stability.

Bryan Adams photos ballet dancers on Superplan Zero by Kaldewei
Bryan Adams has created a photo series with the product

Superplan Zero debuted at the Supersalone fair in Milan in September. Due to the coronavirus pandemic, it was also the first time the brand was able to present its steel enamel product to an international audience.

To mark the occasion, Kaldewei worked with Canadian musician and photographer Bryan Adams to create a unique photo series.

Bryan Adams photos ballet dancers on Superplan Zero by Kaldewei
The design is available in various colours, sizes and finishes

Superplan Zero surfaces became a stage for choreographer Eric Gauthier and dancers Arielle Martin, Tatiana Martinez and Federico Spallitta, and the photos capture their bodies in motion.

For more information about Superplan Zero, visit the Kaldewei website


Partnership content

This article was written by Dezeen for Kaldewei as part of a partnership. Find out more about Dezeen partnership content here.

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Oxford Brookes University presents 16 architectural projects

A King’s Cross Social Learning Hub and a project that aims to tackle the housing crisis in Cork by upskilling local apprentices is included in Dezeen’s latest school show from students at Oxford Brookes University.

Also included is a community hub designed to promote interactive learning through growing and cooking and a system of spaces designed for an ageing population.


Oxford Brookes University

School: School of Architecture
Courses: Apprenticeships Level 7
Tutor: Karl Kjelstrup-Johnson, Denis Vlieghe, Peter Garsteki and Mina Samangooie

School statement:

“Defined by collaborative research and knowledge exchange, The Oxford Brookes Apprenticeship programme drives for a paradigm shift in architectural education. Our vision is to future proof the profession by providing a unique and fully integrated platform for social mobility, collaborative research and knowledge exchange with our industry partners.

“Offering employers an opportunity to support talented employees who are in possession of the RIBA (Royal Institute of British Architects) Part 1 qualification and are ready to complete Parts 2 and 3. The programme integrates academic learning and preparation for professional qualification with work-based practice.”


An illustration of a community hub in Kings Cross

Kings Cross Construction Consolidation and Innovation Centre by Luke Squires

“Construction Consolidation and Innovation Centre is a collaborative workspace that aims to bridge the gaps in what has become a complex and segregated industry.

“The facility provides the necessary resources to aid the design process at every ‘workstage’ and facilitate movement of materials for Loninner-city city construction projects.”

Student: Luke Squires
Course: Apprenticeships Lvl 7 _Year 3


An illustration of a fashion studio in Kings Cross

KX FASHION – King’s Cross Fashion Accelerator Studio by Alex Murarescu

“King’s Cross Fashion Accelerator Studio addresses some of the sustainable aspects present in the fashion industry by empowering young fashion designers to establish sustainable local brands.

“The project merges the fashion design studio and retail typology into a unique fashion experience space where the general public is invited to observe, engage and emerge in the creative process.”

Student: Alex Murarescu
Course:
Apprenticeships Lvl 7 _Year 3


An illustration of Affordable, Adaptable, Low Carbon Housing by Oliver Baldock

Affordable, Adaptable, Low Carbon Housing by Oliver Baldock

“The project focuses on the affordable development of social housing, where adaptability in design and life of the building is prioritised, and social and environmental sustainability is at the centre of the design process.”

Student: Oliver Baldock
Course:
Apprenticeships Lvl 7 _Year 3


An illustration of Sanctum Metropolis by Edwin Wong

Sanctum Metropolis by Edwin Wong

“Sanctum Metropolis is a scheme designed to address everyday stress in the bustling city of London. Built around the concept of creating separation to the city and following the narrative of reincarnation.

“A journey to relaxation is curated via a sequence of key spa experiences.”

Student: Edwin Wong
Course:
Apprenticeships Lvl 7 _Year 3


An illustration of a research and learning centre based in the heart of King's Cross

Atelier REcreate by Jim Santoni

“Atelier REcreate is a research and learning centre based in the heart of King’s Cross intended to popularise the circular economy. Entirely designed for disassembly, the building changes to fit its users’ needs creating opportunities to test different materials over time.”

Student: Jim Santoni
Course:
Apprenticeships Lvl 7 _Year 3


An illustration of a centre in Cork designed to educate apprentices

Port of Cork Built Environment Apprenticeship Academy // PoC:BEAA by Tegan Ramsey

“This research-led project aims to tackle the housing crisis in Cork through the education and upskilling of local apprentices within the AEC industry.

“The project responds to local socio-economic needs, is informed by its vernacular heritage and is rooted in a commitment to place and propriety.”

Student: Tegan Ramsey
Course:
Apprenticeships Lvl 7 _Year 3


An illustration of a construction skills centre

Modern Construction Skills Centre by Thomas Linzey

“This project explores how the fabric of a building can describe the process of construction and facilitate the training of construction apprentices specialising in innovating new construction systems.”

Student: Thomas Linzey
Course:
Apprenticeships Lvl 7 _Year 3


An illustration of a learning centre where students learn to grow food

N1C Urban Farm and School by Kudzai Chirimuuta

“This project is a space designed to promote interactive learning and student participation through the experience of growing, cooking and eating locally grown food.”

Student: Kudzai Chirimuuta
Course:
Apprenticeships Lvl 7 _Year 3


An illustration of a centre designed for the elderly

User Centric Design for the Ageing Population by Katherine Birkett

“Research led design through user engagement, uncovers the key design elements for the ageing population.

“The primary research and design project simultaneously creates a replicable system of spaces, aiming to inform future later living communities, showcasing the new demographic phenomenon.”

Student: Katherine Birkett
Course:
Apprenticeships Lvl 7 _Year 3


An illustration of an interactive water-based platform in King's Cross

King’s Cross h2o (KXh2o) by Max Collins

“Architecture can facilitate playful public spaces. The playfulness associated with interacting with water can encourage both group and solo activities alike.

“King’s Cross h2o aims to aid in combating the decline in urban mental wellbeing within London by providing a platform for this interaction.

“A series of water-oriented activities allow users to move through the site in radial sequences, providing a journey of emergence and discovery between the historic industrial water tower and the natural park woodland at the edge of the canal’s waterside.”

Student: Max Collins
Course:
Apprenticeships Lvl 7 _Year 3


An illustration of The King's Cross Social Learning Hub

King’s Cross Social Learning Hub by Bola Lasisi-Agiri

“The King’s Cross Social Learning Hub is a smart village condensed from a plethora of spaces for the greatest possible diversity of activities, interests, and subcultures.

“The hub encourages local crafts, learning through discovery and immersive technologies, bringing the community together through inspirational enriched environments.”

Student: Bola Lasisi-Agiri
Course: Apprenticeships Lvl 7 _Year 3


An illustration of the Streets in the Sky project

Streets in the Sky by Billy Taylor

“A typology of dense high-rise living creates ‘Streets in the Sky’ enabling the densification of urban environments and expansion as demand requires across London, with homes, shops, amenities and a drone delivery network plugged into the system.”

Student: Billy Taylor
Course: Apprenticeships Lvl 7 _Year 3


An illustration of Adapt or Die by Matthew Burroughs

Adapt or Die by Matthew Burroughs

“This project explores a solution to the housing crisis for young people whilst evoking the spirit of London’s brutalist past. It uses interchangeable construction kits designed to adapt to changes in regulations and taste.”

Student: Matthew Burroughs
Course: Apprenticeships Lvl 7 _Year 3


An illustration ofX-Liminal by Simon Lee

X-Liminal by Simon Lee

“X-Liminal is a new leisure centre that embraces the concept of liminality, using its transitional qualities to facilitate experiential activity.

“Using Parkour theories to change the hierarchy of movement, viewing, socialising and sport, maximising the socio-physical benefits.”

Student: Simon Lee
Course:
Apprenticeships Lvl 7 _Year 2


An illustration of a material recycling centre

Kings Cross Line – A Construction Material Recycling Centre by Gabriel Pavlides

“The project calls for the introduction of a Cyclical Economy Construction Centre over the railway tracks by St Pancras Station. The modular, ever-changing building is constructed out of recycled timber components using traditional joinery and automated fabrication techniques.

“The structure restitches the urban fabric between Kings Cross and Camden by weaving green corridors across the site and through the Research Centre.”

Student: Gabriel Pavlides
Course:
Apprenticeships Lvl 7 _Year 2


Toy Town by Ieuan Evans

“Toy Town is a design-led research project focussed on the delivery of accessible, commercial infrastructure for small businesses on the site of Kings Cross, London and act as a test-bed for other central locations around the UK.

“This project research seeks to explore how modern simulation technologies can be leveraged to return practicable design information through the presentation of architectural proposals.”

Student: Ieuan Evans
Course:
Apprenticeships Lvl 7 _Year 2


Partnership content

This school show is a partnership between Dezeen and Oxford Brookes University. Find out more about Dezeen partnership content here.

The post Oxford Brookes University presents 16 architectural projects appeared first on Dezeen.

This sleek hyper boat with a gorgeous translucent hull is styled to deliver speed in its tiny package!

A speed boat made for the influential lot, who crave the adventure of riding calm waters with style and panache.

Exquisite yacht and boat designs are nothing alien to Lazzarini Design Studio, and the anticipation for what’s new coming from their kingdom is always on my radar. Such is the creative IQ of the Italian design studio headed by Pierpaolo Lazzarini. The sublime design of The Shape, the cuteness of the swan-shaped Avanguardia, or the distinctiveness of the crab-inspired Pagurus – Lazzarini Design is millimeters perfect with their skill.

Their latest creation, christened Embryon is a super cool cruise boat designed for the adventure of riding the open waters. A machine made for thrill-seekers who want to feel the air in their hair, and head towards the horizon, with no bounds. This 24 meters hyper boat is dripped in luxury on the inside as well as the outside. The high pointed nose on the front is tailored for cutting through the waves, as the Embryon glides at top-notch speeds in the seas and oceans. The translucent honeycomb design on the hull reflects the landscape around, signifying a hypnotic symphony of speed and the tranquil blue waters.

The sun deck section is where all the adrenaline-inducing action happens as the crew takes the opulent owners and their friends for the ride of their life. This area has an L-shaped lounger on either side, and further down there is a luxe sunbed. When the sun sets down and the chill in the air calls for the much-needed rest, the plush bedroom and the owner’s cabin are the ideal sanctuary for a restful time. The crew cabin gets its own small cabin for dozing off. The hyper boat can accommodate 6 people in total with additional two members of the crew, which is quite commendable.


Lazzarini Design truly impresses with this sleek boat design that looks good in the blueprint, and also when it finally hits the waters. Zooming away into the distance on this hyper boat with the golden sunset spilling over the seas is what I’m imagining right now with the Embryon. What’s your fantasy?

Designer: Lazzarini Design

Leaf Lamp by Dániel Máto for Loomiosa

Leaf Lamp by Dániel Máto

Dezeen Showroom: designer Dániel Máto’s elongated Leaf pendant light for lighting brand Loomiosa was informed by the shape of palm leaves.

Struck by the uniqueness of the palm tree leaves he came across when traveling in Asia, Máto created the Leaf Lamp to capture their design.

Like the leaves, the Leaf Lamp is designed to evoke a different visual experience from various angles.

Leaf Lamp by Dániel Máto
The shape of the lamp was informed by palm leaves

“The purpose of this unusual shape is to make this pendant a captivating and outstanding element of any room on its own,” said Loomiosa.

The Leaf Lamp has an elongated form that makes it suitable for high-ceilinged rooms, where its intricate design creates an atmospheric light.

Leaf Lamp
Leaf is made from anodised aluminium tubes

The outer shade is made from glossy anodised aluminium tubes, making for a lightweight design. These are held together by a 3D-printed plastic holder.

Six different colours can be chosen for the aluminium tubes, including gold and red.

The Leaf Lamp is one of a selection of products available through French furniture and design fair Maison & Objet.

Product: Leaf Lamp
Brand: Loomiosa
Designer: Dániel Máto
Contact: assistant@s2hcommunication.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

The post Leaf Lamp by Dániel Máto for Loomiosa appeared first on Dezeen.

Atal Chair by Form Us With Love for Alki Furniture

Atal Chair by Form Us With Love for Alki

Dezeen Showroom: Swedish design studio Form Us With Love has created the Atal Chair for Alki Furniture from a solid wood shell combined with metal tubing.

The Atal Chair collection includes a straight, high stool, an armchair, a simple chair and a comfy lounge chair, all made from a single wooden shell that has been tilted differently to create each design.

Atal Chair by Form Us With Love for Alki
The Atal Chairs are made from wood and steel tubing

The shell is made from oak veneer, which has been combined with oblong metal tubing to create a design that is both hardwearing and elegant.

The Atal Chairs are stackable, making them suitable for offices and public environments.

Atal Chair by Form Us With Love for Alki
The chairs come in different variants and colours

The chairs can come in an upholstered version with fabrics by Kvadrat or Gabriel, as well as in leather or eco leather.

The chairs are also available in six different wood stains and five different colours for the metal frames.

The collection is among a selection of products available through French furniture and design fair Maison & Objet.

Product: Atal Chair collection
Brand: Alki
Designer: Form Us With Love
Contact: assistant@s2hcommunication.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

The post Atal Chair by Form Us With Love for Alki Furniture appeared first on Dezeen.

Pro Car Detailer Demonstrates the Horrible Fit-and-Finish of a Tesla

Is there anything worse than an expensive thing that’s shoddily made?

Below, professional car detailer Jessica Tran of JT Mobile Detailing goes over the horrendous fit-and-finish of a Tesla. It’s difficult to imagine any other car manufacturer getting away with this stuff: