Rough-sawn cedar clads Whidbey Dogtrot house in Washington by SHED

Whidbey Dogtrot House

Cedar siding and a central breezeway feature in this compact home in the Pacific Northwest designed by US firm SHED for a couple who will soon retire.

The project, called Whidbey Dogtrot, is named after its location on Whidbey Island, which lies just north of Seattle. The single-storey dwelling is perched on a bluff overlooking the Puget Sound.

The house includes a breezeway
Whidbey Dogtrot overlooks the Puget Sound

The project was designed by Seattle’s SHED Architecture and Design for a couple who are transitioning into retirement. They desired a compact, low-maintenance home that embraces its picturesque setting.

“In addition, the home needed space for guests, visits from adult children, hobbies, music and a home office,” the team said.

Dogtrot house with a breezeway
The home was informed by traditional dogtrot-style houses

For inspiration, the architects looked to the dogtrot-style house, which features a central breezeway covered by a roof.

They conceived a low-lying home made up of two rectangular volumes flanking an open-ended passage, where the front door and a wooden bench are located. The building is topped with a black, standing-seam metal roof.

Open-plan living quarters
Living quarters include an open-plan kitchen and dining area

Exterior walls are clad in rough-cut, western red cedar with a semi-transparent black stain.

To ensure privacy, the team limited the amount of apertures on the front elevation, which faces west. The home opens up on the east, where large stretches of glass offer sweeping views of the landscape.

One side of the house contains the primary living quarters, which total 915 square feet (85 square metres). This area encompasses an open space for cooking, dining and lounging, along with a bedroom suite and reading nook.

The other side holds a 281-square-foot (26-square-metre) flex space and bathroom.

Reading nook in Whidbey Dogtrot house
A bedroom suite features a reading nook with surrounding views

Throughout the dwelling, the team incorporated neutral colours and contemporary decor. Interior finishes include pale wooden cabinetry, creamy white walls and concrete flooring. Heat is provided by a hydronic system.

“The home is thoughtfully designed to make the most of its square footage,” the architects said. “The result is a modest and functional dwelling strongly anchored to its site.”

House clad in rough-sawn wood
Western red cedar wraps the building

Other projects by SHED include a sustainable Seattle home that was influenced by circus tents and Japanese design, and the conversion of a horse stable into a studio and guesthouse.

The photography is by Rafael Soldi.

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Peter Pichler completes angular concrete-and-glass villa in Italian vineyard

The exterior of the villa is cream hued

The folded form of this villa, designed by Peter Pichler Architecture for the owners of a vineyard in South Tyrol, is intended to merge with the existing landscape and form a shield around its central courtyard.

The Milan-based studio won an invited competition in 2018 to design the property, which replaced an existing structure within the Kastelaz vineyard in the Termeno district in Italy.

Aerial top view of the villa by Peter Pichler Architecture
Kastelaz Hof was designed by Peter Pichler Architecture and built on an elevated site

The estate’s owners wanted to build a contemporary home on the elevated site, which enjoys spectacular views of the surrounding Alpine landscape.

The design of the house responds to its setting, nestled among trees and vines and looking along the valley towards Lake Caldaro.

Kastelaz Hof has an angular form
The structure has a low-lying form that overlooks the town

“The geometry of the villa evolves from local site conditions,” the studio said. “It creates a flowing and harmonious transition with the landscape and is barely noticeable from the nearby village.”

The angular structure appears to emerge from the earth of the hilltop, with its sloping walls connecting seamlessly with the roof.

Kastelaz Hof has views across the mountainous landscape
The studio used glass and concrete across the exterior of the Kastelaz Hof

The horseshoe-shaped plan wraps around an internal courtyard that is protected from the winds funneling up the valley from Lake Garda to the south.

The building’s external surfaces evoke the tone and texture of the chalk-stone retaining walls found throughout the surrounding vineyards.

A large driveway connects with a cave-like garage embedded in the sloping terrain, while a set of stairs leads up the hill to the house’s main entrance.

Inside, the house is arranged as three connected wings. One wing contains the main living space with the kitchen and dining area alongside, while the other two wings accommodate bedrooms, including the large main suite.

Kastelaz Hof by Peter Pichler Architecture tapers into the ground
There is an outdoor courtyard at the centre of the villa’s horseshoe plan. Photograph is by Samul Holzner

Full-height glazing along with carefully positioned windows and skylights ensure the spaces feel bright and connected with the views.

“The wide glass facades are designed to frame and highlight the surroundings and to let the landscape enter the indoor spaces while maintaining internal privacy,” the studio added.

Interior view of staircase and hallways at Kastelaz Hof
The studio applied a light and airy look throughout the interior

The architects chose materials that create a warm, yet simple and minimal atmosphere. A palette featuring concrete, terrazzo and wood ensures there is consistency between indoor and outdoor spaces.

In addition to the central courtyard, a large terrace on the upper floor provides an alternative space for outdoor relaxation and is connected to a mezzanine lounge.

A bedroom at Kastelaz Hof has full height windows and a terrace
Floor-to-ceiling windows provide views out to the landscape

Architect Peter Pichler and his wife Silvana Ordinas established Peter Pichler Architecture in Milan in 2015.

The studio’s previous projects include a hotel in a forest featuring pointed cabins set among the trees, and a mountainside restaurant with three cantilevered gables that project out towards the views.

Photography is by Gustav Willeit unless stated otherwise.

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The iPhone 14 with a sliding display could be Apple’s answer to the folding iPhone



Apple has just launched the new iPhone 13 series, which has left many of us dumbstruck with the photographic capabilities and beautiful ProMotion displays on offer. While consumers are still headed for the four beauties in the lineup with open wallets, there is still a lingering question in the mind of fans whether the iPhone 14 will be the iconic design change we are all looking for. Taking the liberty to experiment with this design, ConceptsiPhone has created extreme renders of how the next-generation Apple phones should be.

The insane renders of the iPhone 14 with a sliding concept are far and above what Apple would likely have in mind at this point. The Cupertino company however has been toiling with the folding iPhone idea since 2016. The tech giant has been through a few patents since, but it has chosen to remain silent about the possibility of an iPhone to rival the Galaxy Fold and Flip series handsets from Samsung. Apple is weighing its options as other OEMs – Samsung included – fine-tune the wrinkles in the folding devices; and it prefers to stick to the more acceptable brick form factor.

The biggest upgrade to the iPhone, many would trust, will be a folding form factor, which will be a stark difference to its image, and give fanboys a little more to consider as they weigh their options. In such a scenario, a Nokia-style sliding keyboard would make more sense than a book-like folding phone. If you are from the same school of assumptions; this new concept with a second slider screen will be a definite yes.

The renders and video of the iPhone 14 slider concept shared by ConceptsiPhone show the iPhone 14 in new and beautiful colors and revives the Touch ID biometric system under the display. In addition to the sliding design, the idea of a notch-less iPhone is what fans have been longing for Apple to adopt. That didn’t stand to change in the iPhone 13 – where the notch has been slimed slightly though – but if Apple can do away with it in the coming models, this concept shows how the phone could appear.

What has really caught my eye with these renders is the throw-back design. Yes, the images do away with the new square-edged design that Apple achieved with the iPhone 12 and has transpired into the iPhone 13. The idea is lost in this concept, which feels the iPhone 14 should reflect back the design that was before the iPhone 12. While the sliding XDR display concept is a deal for some, it’s the triple camera on the back that we would definitely want Apple to take a leaf from. The camera array is extremely sleek, no camera bump to show. Apple has a slight camera bulge in iPhone 13, in iPhone 14 we would love to see that go flat along the phone’s back.

Apple still remains adamant with switching from lightning port to USB-C, which European Union at least is pushing to become a standard for all companies to follow. There were rumors initially that iPhone 13 could be a port-less device, relying on MagSafe charging completely. It hasn’t happened this year, and ConceptsiPhone assumes, it’s not going to be the case with iPhone 14 either; but the new device could arrive with Air charging as an option along with MagSafe, which we assume is going to stay for long!

Designer: ConceptsiPhone

Flooat creates "fluctuating landscape" inside publishing office near Tokyo

Interiors of Kadokawa office in Tokorozawa

Design studio Flooat has used elevated work areas, structural columns and chunky plinths to simulate natural topography inside the offices of book publisher Kadokawa in Japan.

The 9,000-square-metre workspace, dubbed Kadokawa Tokorozawa Campus, is situated just north of Tokyo in the city of Tokorozawa.

Local studio Flooat was tasked with designing its spacious interior and decided against erecting walls or partitions to organise the floor plan.

Lounger area of office by Flooat with beige couches and tall plants
A lounge area filled with greenery sits at the heart of the office (top and above)

Instead, the team set out to create a “fluctuating landscape” of different seating areas that would suit the different work styles of staff employed across Kadokawa’s various departments.

“The publishing giant is well established in a wide range of products from literary works to comics,” said Flooat.

“But it has recently expanded into film, animation and video games. We designed the office to help employees follow their individual sensibilities within a collective of creative talent.”

Seating area in Kadokawa office with black couches and grey armchairs
Relaxed seating areas encourage staff to sit and hang out during the day

At the heart of the office is a lofty lounge area dressed with sofas and relaxed wide-back armchairs. Here, the staff is encouraged to hang out and chat throughout the day or host casual catch-ups with colleagues.

There is also what Flooat refer to as a “book bar”, with a long counter where visitors can sit and flick through the publisher’s latest releases, which are displayed on a tall gridded shelf in front.

Workspace interior by Flooat with wooden desks and bar seating
Display plinths that double up as benches appear throughout the office

Towards the outer edge of the office, a series of platforms are topped with formal desks. Set away from the hustle and bustle of the lounge, these raised areas provide a space for employees to do solo work without distractions.

Dropped ceilings have been constructed above each platform to foster a more enclosed, intimate feel.

A series of chunky display plinths have been dotted across the room to further enhance the “landscape” of the office. Some of these double up as bench seats, while others act as foliage-filled planters.

Flooat’s topographical concept has also been applied to the interior’s material and colour scheme, which has been curated to incorporate elements of nature.

The exterior of some of the office’s structural columns, for example, has been rendered to resemble layers of earth, while the surrounding surfaces are finished in wood or a traditional Japanese plaster made of earth, lime, sand and plant fibres.

Breakout area on raised wooden platform in Kadokawa office
Focused work areas have been created on raised platforms

“I wanted to use traditional Japanese techniques in a modern office space,” explained Flooat designer Yumika Yoshida.

“This material also creates beautiful shadows, so people who work here can feel the changes in the space as time passes throughout the day.”

Office hallway with grey flooring tiles by Flooat
Drop ceilings were installed to make work areas feel more private

“I chose materials that are not homogeneous and give a sense of nature,” she continued. “I wanted to create a space that would not give the cold impression of artificial materials.”

This feeling is amplified through an abundance of potted plants and an outdoor terrace that floods the interior with natural light.

Cafe-style seating area with planters in Kadokawa's office in Tokorozawa
Structural columns were designed to resemble layers of earth

Flooat’s Kadokawa Tokorozawa Campus is shortlisted in the large workspace interior category of this year’s Dezeen Awards.

Other projects in the running include Education First’s office in Denver, which is designed to reference the city’s outdoorsy culture, and the YTL headquarters in Kuala Lumpur with their luxe mixture of marble and bronze surfaces.

Photography is by Tomooki Kengaku.


Project credits:

Design: Flooat, Okamura Corporation
Design planning: Suppose Design Office

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Almaborealis designs sew-your-own clothing kit for children

Convertibles by Almaborealis

Design studio Almaborealis has created a modular DIY kit containing pieces of fabric in an easy puzzle format that invites children to sew their own clothes.

Now called Puzzleware, formerly known as Convertibles, the project has been shortlisted for this year’s Dezeen Awards in the wearable design category.

DIY clothes kit
Puzzleware is a DIY kit for kids

Almaborealis founder Maija Nygren took cues from early learning theories, such as loose parts play, to design a tactile kit for children aged four to 12 that encourages them to make their own clothes.

Puzzleware kits include pieces of colourful Scottish lambswool, which Nygren says are 100 per cent biodegradable, designed with lace holes so that children can sew the fabric together to make themselves a garment.

Children's clothes made from a Convertibles kit
The project is designed for children to make their own clothes

Each kit comes with a chunky blunt knitting needle and a Learn to Stich card printed on recycled paper, created to be accessible to children.

“The idea for Puzzleware was born through a combination of factors,” Nygren told Dezeen.

Blunt knitting needle
Each kit comes with a knitting needle

“I realised that my now eight-year-old daughter hadn’t stitched a single stitch during her time in school, and began to research the sustainability aspect (or lack thereof) of manufacturing processes for fast fashion clothes,” she added.

“This huge industry is creating a vast void where home sewing and clothes-making once was.”

“This generation and those to come are losing not only the skills to make clothing, but all that comes with it; understanding the value of materials and the skilled makers of our clothing, and where these everyday items come from,” explained the designer.

Child knitting Convertibles clothes
The project hopes to engage children in creativity

Having previously worked in children’s theatre as a costume designer-maker, Nygren was interested in creating bright and bold clothing that would entice children visually, but also engage them in learning a new skill.

“I love very textured knitting that is squeezable, like a big hug!” said Nygren. “But I wanted my knits to give something more to children than just aesthetics or protecting them from the elements  – I felt that there was a great untapped opportunity to explore whether kids could better be involved in making their own clothes.”

Young child making clothes
The kits are made for children between the ages of four and 12

According to recent findings, arts cuts in UK schools have led to a rapid decline in the number of students taking part in creative subjects.

Nygren hopes that introducing children to creative projects at a young age will contribute to them gaining skills such as improved hand-eye coordination, dexterity and creative problem-solving.

Puzzleware kits use the puzzle format for its flexibility, letting children extend their garments with new pieces of fabric as they grow.

Nygren also fitted each piece of lambswool with different numbers of lace holes according to their sizes, in order to avoid using fixtures such as poppers or buttons that might cause children discomfort when wearing their clothes.

Clothes in puzzle formation
Puzzles informed the project’s format

“I needed to figure out how children could construct clothes in a frustration-free manner, with technical guidance, but maintaining autonomy and creative freedom,” said the designer.

Puzzleware kits come in biodegradable packaging that was designed in line with the project’s sustainability ethos, according to the designer.

“Providing children with an activity that supports lifelong learning and creative and critical thinking, as well as problem-solving skills, is another aspect of sustainability altogether,”  she added.

Young boy in knitted jumper
Puzzleware intends to be sustainable

In 2018, designer and engineer Ryan Mario Yasin won a Dezeen Award for creating Petit Plit, a children’s clothing line of pleated garments designed to stretch as the wearer grows.

The photography is courtesy of Maija Nygren.

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This monitor light bar is the most important desk accessory nobody ever talks about…



Close your eyes and picture your dream setup. A sprawling desk with a nice wide monitor, wireless keyboard and mouse, probably a hub for charging stuff, a pen-stand, coffee mug… did you also think of a nice ergonomic chair? Or maybe you want one of those standing desks. What about a modular organizer/whiteboard? Thought of everything? How about a lamp to illuminate your entire workspace? Most desk setups tend to leave the lamp out because we take lighting for granted… but chances are your office space or your WFH spot isn’t as efficiently lit as you want.

Designer: BenQ Lifestyle Design Center

Click Here to Buy Now: $139.

In all honesty, table lamps are sort of an afterthought – because you just assume your room’s sufficiently lit, until you realize your WFH setup is far from a window and you don’t get enough daylight, or the tubelight’s behind you and it casts your shadow on your desk, making it difficult to perform analog tasks, take notes, or read books/printouts. I’ll admit I’ve never heard of a Monitor Light before, but BenQ’s ScreenBar Plus really does a good job of being a pretty darn amazing workspace light (it’s also a product that was first invented by BenQ). Instead of occupying actual table space, the ScreenBar Plus sits on top of your monitor. Its universal clipping mechanism can attach to any monitor type, and the long strip of LEDs help illuminate your entire workspace efficiently, without casting any shadows or leaving any blind spots.

The way the lamp’s design is rather clever. Its optically asymmetric design casts light onto your desk without casting any light on your monitor. This way, it efficiently and consistently illuminates your space without creating any reflections or glare on your screen, something that cheaper knockoff versions of the ScreenBar Plus don’t manage to achieve. The lamp is powered via USB, so it doesn’t hog a socket in your multiplug panel, and can be controlled using a small desktop dial interface. The desktop dial occupies a fraction of your countertop space, and has a rotating knob to help you adjust the lamp’s brightness or its color temperature. If you don’t want to constantly have to fiddle with the knob, a light sensor located above the knob helps power the ScreenBar’s smart-dimming feature, allowing the LEDs to instantly regulate when you push the button, based on how bright your environment is.

Designed to work with all monitors (ranging between 1cm and 3cm in thickness), the BenQ ScreenBar Plus provides an elegant, space-saving, non-intrusive way to keep your workplace illuminated, whether you’re in your regular office or your home office.

Click Here to Buy Now: $139.

The Velotric Discover is the electric bike that Tesla wished it built



Equipped with a 500W motor, a 48V battery with Tesla-grade cells, and a respectable 80 miles of range on a full charge, the Velotric Discover is a slick new e-bike designed to let you take the city by storm. The Discover comes with a slim design featuring a detachable battery unit that you can carry along with you to charge wherever you go, integrated front and rear lights for a safe ride in low-light conditions, a digital dashboard integrated into the handlebar design, and up to 3 levels of intelligent pedal-assist that automatically kick in to make your ride easier.

Designer: Velotric Bike

Click Here to Buy Now: $1299 $2099 (38% off). Hurry, for a limited time only! Raised over $150,000.

Probably the first thing that captivates you about the Discover is its slender build. Designed by Velotric’s in-house team (a collaboration between the former hardware team at Lime Micromobility and industry experts), the e-bike boasts of a lean frame, concealed electronics, and a step-through design (without a top tube) that makes getting on and off easy, especially if the rider is wearing a skirt or a dress. The main tube on the front integrates the Discover’s battery, which sits flush against the surface. Equipped with Tesla Grade 21700 Cells, the 692Wh Battery Certified by LG/Samsung, and can be detached from the bike’s frame as a security measure, or to charge the battery at home or at work.

The Discover comes in 5 colors across two broad variants – a US variant with a 500W motor, and an EU-compliant variant that sports a 250W motor. The only difference between the two rear-wheel-mounted motors is the amount of torque they provide (the US variant gives you 65Nm of torque versus the EU variant that rates at 40Nm). Both variants have a range of 80 miles with speeds going up to 20MPH, and offer 3 levels of intelligent pedal assist, brought about by 12 magnetic speed sensors that sense your pedaling speed and cadence to know when to give your ride an electric boost… a feature that makes the Discover especially handy while you’re trying to ride uphill or when you get exhausted from pedaling. Information about your speed, battery, ride status, and pedal-assist level get displayed on the Discover’s 3.5-inch backlit LCD dashboard, so you’re never in the dark about your ride stats. Speaking of in the dark, the Discover sports an integrated 12V headlight and 6V taillight too, making the road ahead of you visible, as well as allowing riders/drivers behind you to spot you from a distance.

With a Tesla Grade 692Wh removable battery you can enjoy a longer trip that takes you up to 80 miles* on a single charge.

Equipped with a 500W powerful motor and a 65Nm torque, experience effortless riding even at 15 degrees uphill.

Thanks to the reinforced aluminum step-thru frame, you can easily hop on & off the Ebike, even with items stacked on the rear rack.

With IPX5 waterproof, you can ride in all weather conditions.

The Velotric Discover makes for an ideal city-commute bike. For people who are looking to transition to electric two-wheelers, the Discover makes a pretty compelling case with its tech-specs and its urban-friendly gender-friendly design. The e-bike comes with its own rear-rack that lets you place up to 25kg worth of load on it, and even an optional front rack that mounts right above the front wheel, for things like groceries, purses, backpacks, etc. Touted as ‘Simple, Comfortable, and Reliable’, the e-bike sports an ergonomic seat and an adjustable handlebar. Its 80-mile range is perfect for daily commutes within the city, and if you want to venture beyond the city’s limits, the suspension fork on the front does help smoothen the ride. The e-bike retails at $2099, although you can back its campaign and grab it at an earlybird discount for $1299. The Velotric Discover also ships with a 2-year warranty on the bike’s parts, i.e., motor, battery, frame.

Click Here to Buy Now: $1299 $2099 (38% off). Hurry, for a limited time only! Raised over $150,000.

This cabin in the woods is actually a waterside apiary that aims at education & conservation of bees!

This lakeside apiary in Newt, Somerset has been designed to provide a home for the bees while creating an immersive educational experience. Called Beezantium, it draws on the long tradition of pavilions that evoke a sense of whimsy and playfulness – almost like a cabin in the woods full of speaking bees! Beezantium was built with a careful range of design considerations to serve and exhibit the hive in an organic yet fun way.

Beezantium occupies a former unused wasteland that has been transformed into a natural expanse, so while this waterfront property might have been cheap with the right design and purpose it’s now prime! The wooden structure is topped by a sloping roof that is wrapped in copper shingles which creates a jewel-like effect that also acts as a beacon in the woodland surroundings, drawing visitors towards the structure. It looks like a cozy cottage right out of a storybook.

The huge picturesque window invites people to explore the internal workings of the space, while also offering views out over the lake and trees beyond. The cabin is clad in oversized timber panels which distort the sense of scale of the pavilion as you get closer. The outside walls are made up of unseasoned oak because it is perfect for bees as they can enter the hive through natural holes or via a series of copper pipes that have been built into the fabric of the structure.

When you enter the space, you realize that the traditional concept of the folly is turned on its head. The interior features polished honey oak which provides a rich and warm atmosphere to enjoy the exhibit and the bees themselves. Two oculi are set into a lofty ceiling, providing much-needed light and natural ventilation for the space below. Beezantium is different because usually apiaries are usually contained in a glass box in the middle of the room but by pushing it to the edges, it was possible to create an educational showcase in collaboration with Kossmanndejong which is an Amsterdam-based design agency that focuses on the exhibition and interior architecture.

“The Beezantium has been designed to provide a sensory, otherworldly experience. It appears jewel-like, quirky, and playful – almost like a folly in a landscape with a glowing copper roof, but instead of being only about pleasure, the Beezantium is a purposeful building designed to house bees in observation hives in the external walls, that can be viewed in a range of habitats internally. There is a huge extraordinary interactive and immersive exhibit that describes the world from the bee’s perspective, that is hung from the ceiling and contained within a honeycomb structure, enabling visitors to understand bees and their place in the world,” says Piers Taylor, Director of Invisible Studio.

All elements, shapes, and colors have been designed to represent bees. My personal favorite is the bright cocoon seating which probably makes you feel like a bee in a hive yourself! Beezantium has a whimsical vibe with a purpose – it aims to conserve and educate people through the medium of design, architecture, and interior which is all centered around bees while making humans feel welcome but also reminding them of the larger picture without the gloom-and-doom tactic.

Designer: Invisible Studio

This folding electric bike shrinks to the size of a CPU, fitting under your desk!



How often do you find yourself jostling for position in the city traffic or tight parking spots? No more though, with this cheeky folding electric moped that’s perfectly tailored for urban commutes.

Urban spaces are getting constricted by the day for vehicles and people are gradually shifting to compact bikes or other compactly designed means of transport. Electric vehicles are the obvious choice for the eco-conscious lot and eventually we’ll live in a world that’s going to have 100 percent non-polluting vehicles on the roads. The Tatamel Bike designed by Japanese company ICOMA is good on both fronts with its ultra-foldable design and electric motor drivetrain which promises irresistible likeability for the urban commuters.

The one-of-a-kind bike is very compact and can be further squeezed by folding into a form factor no bigger than the CPU cabinet under a desk. In the riding position (when fully unfolded) it measures 1230mm long, 1000mm tall, and 650mm wide while in the folded configuration it is just 700mm long, 680mm tall and 260mm wide. Now that’s quite compact for a personal commuter. While the makers tout it as a bike, I would like to refer it more towards the “moped” terminology, since it is small and looks like one.

Tatamel moped runs on the power of lithium iron phosphate battery and on a single charge can go a distance of 50 km. The top speed it can hit is 40km/h which is apt for city commutes. On top of that, it can act as a portable power supply, if the need arises, which is useful in today’s gadget-dominated world. According to ICOMA the moped’s side panels can be customized for stylish looks by swapping the material or toggling the colors. Next-gen riders can also go for illustrations like a picture of a loved one or signage to reflect their own personality with the moped.

The two-wheeler is currently under development for mass production and will soon be seen on the Japanese roads. Will it be available in other parts of the world is still not clear. Personally, I’m hoping it is available in other parts of the world too – we all actually need a personal commuter like this one!

Designer: ICOMA

Samsung’s bespoke series is the inspiration behind these ergonomic, thoughtful stylus designs

Working from our computers strains more than just our eyes. Sitting for long periods at a time, typing, dragging, and clicking the mousepad often results in finger and hand cramps. Products like smartpens and assistive keyboards are specially designed to take some of the stress off our hands, leading to streamlined and more productive workdays. Korean designer Jo Yoon unveiled their smartpen product idea called Bespoke, conceptualized using Samsung’s Bespoke appliance’s design language.

Draped in a velvety aluminum finish, Bespoke smartpens come in a few different color schemes, spanning from blush yellows to matte blacks. Paired with an accompanying smart notepad, users can write with the Bespoke smartpens on the attached notepad which translates the written text to the computer screen.

Instead of typing from the same hand position throughout the workday, Bespoke smartpens break up the monotony of computer work by bringing a more tactile, ergonomic typing tool. Along the body of each pen, an action button works as a clicker and on/off control.

Taking Bespoke’s ergonomic usability one step further, each smartpen gradually tapers towards its bottom to fit more comfortably in each user’s grip. Yoon also outfitted each smartpen with silicone grips to ensure convenient use throughout the workday without any slippage resulting from palm sweat.

In addition to the smartpen and notepad, Joon conceptualized a Bespoke charger that resembles an inkwell for when the workday slips into overtime. Each charging base comes with its own wire to plug into your computer or laptop, ensuring no power is lost during use, however, the actual charging sink is wireless.

Designer: Yoon Jo

Three small LED lights indicate how much charge remains in each charging sink.

The charging base is wireless.