Carlo Ratti Associati designs MAE Museum dedicated to carbon fibre

MAE Museum exterior rendering by Carlo Ratti Associati

Italian studio Carlo Ratti Associati and architect Italo Rota have designed a museum dedicated to carbon fibre, which will be partially made from the material.

Created for carbon-fibre manufacturers MAE, the museum will feature objects from the company’s 53-year history that show how the ultra-strong, lightweight material is used across the automotive, cycling and fashion industries, among others.

According to Carlo Ratti Associati (CRA), the MAE Museum will be the world’s largest archive of acrylic fibre technologies.

Rendering of white robotic archive room in the MAE Museum
The MAE Museum will include an archive fitted with robotic arms that fetch documents

It will be situated in a renovated warehouse in Piacenza, Italy, next door to a new MAE pilot plant, and will have an interior largely made of carbon fibre, including some sections made with recycled fibre.

The carbon-fibre elements will include an entrance door that “opens like a curtain”, while another feature of the museum will be its heavy use of robots in the exhibition experience.

Its first room will be a robotic archive warehouse, where mechanical arms move along the walls to extract historical photos and documents and place them on a raised viewing platform for the viewer’s perusal.

Carbon fibre front door that opens like a curtain
Elements will be made of carbon fibre, including the curtain-like door

Elsewhere in the museum, visitors will be able to observe the process through which acrylic fibre is transformed into carbon fibre and see objects demonstrating its contemporary use.

In a black room filled with immersive installations, they will be able to interact with cutting-edge prototypes and objects that use the material more experimentally.

CRA founder Carlo Ratti said that the MAE Museum project was an opportunity to explore the ecological potential of the material through such actions as using recycled fibre.

“From high-performance bikes to the Lamborghini Aventador car, carbon fibre is driving innovation in multiple sectors,” said Ratti.

“The MAE museum celebrates a defining material of modernity, by focusing on its new circular frontier and envisioning new applications for its use.”

Currently, carbon fibre is made with fossil fuels through a highly polluting process. However, its strength and lightness have made it the standard for aircraft, and it is also sometimes used in cars, bicycles and tennis racquets.

Black room with immersive installations showing carbon fibre objects
A room with immersive installations will also feature in the museum

Bio-based and recycled carbon fibre are now being explored but have their limitations.

MAE first produced synthetic fibres for clothing, which became popular after world war two in Europe, before moving on to carbon fibre.

The connection to clothing remains — similar synthetic fibres are put through complex chemical processes to turn them into carbon fibre.

CRA has designed the museum with Rota, which specialises in museums and exhibitions and previously designed the Arts and Food exhibition at the Triennale di Milano.

Rota and CRA have undertaken a number of recent collaborations, including creating a shipping container intensive care unit for a Turin hospital and the MEET centre for digital culture in Milan.

Renderings by CRA.

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Competition: win a $500 or $150 gift card from Grovemade

For our latest competition, we’ve teamed up with desk company Grovemade to offer readers the chance to win a $500 or $150 gift card to spend on their products.

American brand Grovemade designs and makes desk accessories to help create the ideal workspace.

One reader will win a $500 gift card and four readers will win a $150 gift card to spend on their products online.

Grovemade’s black leather desk pad and walnut iPad stand

All of Grovemade’s pieces are designed by the brand’s team and produced either in-house or with other manufacturing partners in the USA.

Each of the designs is based on extensive research into how people use their workspaces.

“Over a decade of manufacturing experience helps us to push the limits of physical products,” said Grovemade.

“Our focus is always on creating innovative products that fill specific needs in your home workspace while keeping the appearance minimal and clean.”

Tall laptop stand in walnut and leather desk pad

Winners will be able to choose from a wide range of products, such as the best-selling desk shelf system and desk pads.

The desk shelf system is intended to bring clarity to your workspace, helping you to manage clutter and provide a place for all of your items.

Screens are elevated to improve ergonomics and subtle organisation zones help everything on your desk live in harmony, including your keyboard.

The desk shelf systems are available in American walnut and maple.

Desk pad in merino wool felt

Desk pads provide subtle, effective organisation of your workspace, creating functional boundaries and zones. The benefit is an optimised workspace, improved work and a protected desk.

They are available in vegetable-tanned leather, merino wool felt and natural matte linoleum, which is crafted from linseed oil, natural pine rosin, wood flour and calcium carbonate.

“Your workspace should help you get your best work done – it’s a place where you should feel inspired,” said Grovemade co-founder Ken Tomita.

Other items up for grabs include mouse pads, coasters, monitors, laptops, headphones, iPad and screen stands, as well as stationary.

The Grovemade pen in titanium

Grovemade was established in Portland, Oregon, in 2009. The brand is, “committed to helping people feel inspired in their workspaces, with a focus on natural materials and clean design”.

One reader will win a $500 gift card and four readers will win a $150 gift card. They are also available to buy online.

The competition closes on 30 August. Terms and conditions apply. Five winners will be selected at random and notified by email.

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Competition closes 30 August. Terms and conditions apply. Five winners will be selected at random and notified by email.

Partnership content

This competition is a partnership between Dezeen and Grovemade. Find out more about Dezeen partnership content here.

The post Competition: win a $500 or $150 gift card from Grovemade appeared first on Dezeen.

Liv.e: _21

Liv.e shares CWTTY+, an EP of six previously unreleased songs, as an extension of her debut album, Couldn’t Wait To Tell You. One of the tracks, the opener, “_21” combines neo-soul, R&B and even a little country for a laidback, effortless tune. Her soft vocals, with plenty of ad-libs, float along the gentle beat. “I’m so glad I get to reveal with you the true ending of this project along with some live versions showcasing the ever-evolving energies of the songs,” she says.

Minimalist hanging leather chair is the hammock-alternative that’s perfect for lounging indoor spaces

Perfect for that break between attending Zoom meetings and responding to work emails, Studio Stirling’s Sling Hanging Chair gives you that stress-melting effect you get from a hammock, but indoors. The hanging chair comprises a metal hoop suspended from the ceiling, on which lies draped a piece of thick leather that you sit on. Quite like how a hammock adjusts to your shape and posture when you sit on it, Studio Stirling’s Sling adjusts to your frame too, letting you hang out for a bit… quite literally!

The Sling hanging chair is an exercise in form, function, and minimalism. Stripped away from anything excess, it reduces the chair to its most abstract form, even ditching the legs in the process! The circular frame and leather sheet do two jobs – the more obvious one of allowing a human to sit comfortably, as well as creating an iconic silhouette that makes the Sling chair instantly recognizable and incredibly inviting. Tell me you DON’T want to sit on that beauty!

Each Sling is handmade with care by craftsmen, with a powder-coated mild-steel circular frame upon which sits the thick oil-tanned leather sheet that comes in a variety of colors including the traditional brown and black, or the more unusual bronze, silver or gold upholstery leather, lined with South African shwe-shwe fabric, and capped off with a comfortable head-bolster that can be removed, unrolled, and used as a blanket!

Designers: Joanina Pastoll & David Pastoll (Studio Stirling)

A Garbage Disposal Designed for Seamless Composting

Composting is increasingly popular, and many state-run programs have made it easier than ever to reduce food waste. Yet despite the growing accessibility of composting, 50 million tons of compostable waste ends up in American landfills at the end of each year. Scientists in organizations like the Intergovernmental Panel on Climate Change have found that food waste has a substantial carbon footprint, accounting for approximately 10% of global greenhouse-gas emissions. As research shows that wealthier countries like America carry a significant brunt of this responsibility, the choice to compost is increasingly political. But what would lead consumers to make that choice?

In hopes of answering this question, Canada’s Anvy Technologies created an eco-friendly composting system called the Sepura Home. While traditional garbage disposals send food waste straight to the sewer, Sepura Home redirects it to a clean, simply designed compost bin. A separator device within the product uses a patented electromechanical auger to send food straight to the collection bin without altering the sink’s plumbing. The Sepura Home is easy to install and features an adjustable body that can fit securely under 95% of sinks. A carbon filter cover, gasketed sliding door, and air vents keep the odors of food scraps from leaving the bin and stinking up the kitchen. The Sepura Home also features several functions that take the unpleasantness out of emptying the bin, like a large bucket that’s easy to carry and LED lights that indicate when it’s filling up.

Since this product is the first of its kind, its design required intensive research and cutting-edge innovation. This involved interviews with people who interact with sinks in a variety of ways, from builders and plumbers to homeowners. Thanks to their insight, the Sepura team was able to design a product from several different approaches that were integral to its function. The resulting system is easy to repair, install, and maintain, with a robust structure designed to last at least a decade. More than anything, Sepura’s design team knew their mission required building a product with a long life.

“We didn’t want to design something that was meant to prevent food waste from going to landfills but that itself would breakdown and quickly end up in a landfill,” Sepura said in a printed statement. “That’s why we selected materials, such as ABS for the main enclosure, that could handle the harsh environment under the sink. We also didn’t want to use components or electronics that would become outdated and out-speced.”

The Sepura Home is commendable for making sustainable practices more accessible to the general populace in order to reduce food waste. A product that takes the work, inconvenience, and unpleasantness out of a sustainable practice like composting might be all it takes to encourage more people to participate. Socially conscious designs like this one will hopefully inspire more consumers to think critically about how they engage with waste in their everyday life.

Sepura Home is a Professional Winner in the Home & Living category of the 2021 Core77 Design Awards. You can check out all of the 2021 winners now on the Core77 Design Awards website.

Digital twins will lead to "a huge revolution" for designers says Anne Asensio of Dassault Systèmes

Anne Asensio portrait

Promotion: Architecture and design are about to be revolutionised by digital twins – virtual representations of real-world products, buildings and even entire cities – according to Anne Asensio, vice president of design experience at Dassault Systèmes.

“We are at the very beginning of a huge change that may transform the way we design,” said Asensio, who spoke to Dezeen as part of our Design for Life collaboration with Dassault Systèmes.

“It’s a huge revolution for the future and we’ve only seen the first stage so far.”

Digital twins provide “an incredible power”

Digital twins, which are also known as virtual twins, are virtual counterparts to real-world objects or processes.

Existing alongside their real-world siblings, digital twins can be used to represent a physical object or its process and to monitor what is happening in the real version as a testbed to explore the impact of proposed improvements or unexpected changes.

According to Asensio, this emerging technology will enable architects and designers to demonstrate the full life cycle of a product, a service or an experience.

It will also, she believes, enable designers to imagine and test new ideas more easily and at an earlier stage than was previously possible.

“This ability to visualise any given element in 3D – it could be an object, a service, a system or an entire city – and play with all the physical rules within the conformity of science is an incredible power,” she said.

“For designers, it is a clear access to design not just the product but its behaviour, the experience and its entire life cycle at the front end of the creative process.”

The rise of digital twins

The concept of digital twins has been around for some time. NASA was an early pioneer, building virtual models of its spaceships so it could improve their performance.

But their use has accelerated in recent years thanks to the rise of the internet of things. This has created a rich stream of data that gives an up-to-date picture of what is happening in the physical world.

A digital twin works by monitoring data generated by sensors in objects such as aerospace engines, buildings or road networks and constantly updating itself so it perfectly mirrors its sibling.

Recent examples include the Battersea Power Station project in London, where architect Foster + Partners is using a robot dog to collect data to update the digital twin; while a futuristic urban development at Innisfil in Canada by architect Partisans will feature a digital twin that will be used to optimise transportation systems including autonomous buses and drones.

However, Asensio believes the true capabilities of the technology are not being used fully, comparing its use today to how the internet was used at the start of the millennium.

“The virtual twin is going to grow quite intensively,” she said. “We can [use digital twins to] demonstrate other ways of designing a city – leveraging the participative actions of citizens through immersive co-design of the city on one hand and, on the side of professionals, redesigning buildings to be resilient to climate or extreme temperatures, or rebuilding after the learning of a simulated tsunami. There are plenty of solutions.”

A new approach to design

Dassault Systèmes has integrated virtual twin technology into its 3DExperience 3D software platform, which includes modelling software programs Catia and SolidWorks.

Construction and development company Lendlease is using the software to create digital twins for many of its projects in Europe and North America to improve efficiency.

The technology was also used to optimise the manufacture and construction of Brock Commons, a student housing block at the University of British Columbia (UBC), which was the tallest mass-timber building when it was completed in July 2017.

As Asensio explained in a recent talk with Dezeen, her ambition driving the development of these digital tools is to “shift the posture of design” by encouraging designers to focus on creating sustainable materials and processes, rather than consumer products.

Asensio believes that digital twin technology is an example of how software can become more integral to the design process, rather than simply being a presentational tool, which she hopes will equip designers with the tools they need to “build a better world”.

“Today, 3D renderings and representations are only being used to sell an idea,” she said. “We want to move from this behaviour to a behaviour where designers can systematically represent another way to do things. The virtual twin will be a place to do that.”

The future of digital twins

However, the use of digital twin technology is not yet widespread throughout the design and architecture industries.

According to Asensio, the key limitation that prevents more designers from utilising the technology is not to do with access or understanding of 3D software but rather the difficulty in capturing the data required to inform the digital model.

In order to create a useful digital twin of a complex design or system, large quantities of accurate data are required.

“A virtual twin is a replication of something, but that thing could be very complex,” Asensio said.

“It’s not a question of whether the 3D model could be complex; we know how to produce a very complex 3D model. What is difficult is controlling the model. You need to have the right people around, the right expertise and that is a challenge for designers.”

Opportunities for collaboration

Asensio believes the answer lies in greater collaboration between designers and experts in other fields, such as scientists, academics and industry professionals, who have more experience in capturing and processing data.

By creating more connections between different disciplines, she believes we will be able to develop digital twins that draw on more diverse sources of data. Only then will we be able to fully benefit from the technology’s potential.

“Going forward, we are at a crossroad where we can imagine incredible futures,” she said. “But we have to create the environment where this is possible.”

Asensio spoke to Dezeen as part of our Design for Life partnership with Dassault Systèmes, which highlights designers who are using technology and research to build a better world.

Examples include Exploration Architecture, which uses computational design tools to explore biomimicry-focused architecture, and Studio INI, which uses software to create interactive environments.

Cloud-based design solutions for architects and designers

Dassault Systèmes provides a range of 3D tools for architects via its 3DExperience platform, which it offers at a reduced cost for startups and new businesses.

“At Dassault Systèmes, we are passionate about helping companies, designers, architects and urbanists launch innovative projects with confidence,” the company said.

“We’ve developed a comprehensive offer for startups, early-stage businesses and design agencies to benefit from the entire 3DExperience platform on the cloud at an unbeatable price point.”

Find out more about Dassault Systèmes’ startup offer here.

Partnership content

This article is a partnership between Dezeen and Dassault Systèmes. Find out more about Dezeen partnership content here.

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How to Make a Sandy Beach Wheelchair-Accessible

Baie de Beauport is the beach that Quebec City’s residents flock to during the summer. But some residents, Baie de Beauport operations manager Christophe Roy observed, could only go so far. Seeing “people with reduced mobility who would come to Baie de Beauport…hit a wall as soon as they got to the sand,” Roy told CBC News, “was an incredible injustice.”

As a solution, Baie de Beauport secured funding from both the City of Quebec and the Port of Quebec to install an 82-meter (269-foot) plastic mat stretching from the boardwalk to the water. Wheelchair users can now traverse the beach under their own steam, without needing to be carried by friends, as was beachgoer Maxime Boily’s previous routine. With the new mat in place, “I can push my wheelchair alone — I don’t need help,” Boily says.

Hamburg Town Park Beach in upstate New York has also installed a mat, which appears to be from the same manufacturer:

There’s no word on what type of plastic the mats are made from, but I imagine it’s something UV resistant. They’re also quite pricey: Baie de Beauport’s ran CAD $17,000 (USD $13,600).

A Utility Knife That Transforms Into a Scraper, Using the Same Blade

We’ve all seen our share of gimmicky transforming tools, but this one looks like it has true utility:

Not shown in the video above: It’s also got a built-in paint can opener.

It’s branded as a ToughBuilt product, but curiously it does not appear on their website. Instead the tool appears to be sold exclusively at Lowes, for $18.

Land Art: Justin Bateman "Draws" With Rocks

British artist Justin Bateman has been active since 2001, but it was the 2019 pieces he created below (“Stona Lisa,” “Pebble Picasso”) that went viral:

In early 2020, Bateman took what was supposed to be a one-week vacation to Thailand. The global lockdown struck, and the artist found himself confined to the region, where he had plenty of time—and rocks—to create more work:

“I have been exploring land art for many years, inspired by artists such as Andy Goldsworthy and the spiritual practices of Tibetan Monks. The monks will spend many hours creating sand mandalas, only to blow them away once complete. Impermanence is an important feature of my work; how long does an artwork need to exist in order for it to have value? Rejecting the materials of ‘high art’ such as bronze and oils (the stuff of ‘Renaissance God’s) and returning to a simplicity more akin to our cave-dwelling ancestors. You might say pebbles are my pixels.

“In a world with a relentless appetite for more, I prefer to use less; the record of my work is only a digital footprint as I leave no physical trace of my presence in the environment. My work explores themes of people, place and time, order and chaos…. ‘The entropy of life’.”

You can see more on Bateman’s website and Twitter.

Sophie Taeuber-Arp: Living Abstraction

To celebrate the first retrospective of Swiss artist Sophie Taeuber-Arp’s work in the US in four decades, Sophie Taeuber-Arp: Living Abstraction traces her immense career—which has largely been omitted from the history of Constructivism, Dada and Modernism. Taeuber-Arp worked from 1906 to 1943, and this extensive catalog illustrates her contribution through 400 artworks spanning sculpture, textiles, beadwork, stained glass windows and even marionettes.