What would the Pontiac Firebird look like if it made a Lamborghini Countach-style comeback in 2021?

We live in an age of comebacks. Movies, music, and culture are doing a full 180° as we throwback to the good ol’ days; technology may be advancing, but retro tech is pretty much still loved and respected (nixie tubes are increasingly popular today, and vinyl sales have actually gone up in the past few years). Cars too have seen retro throwbacks, with the likes of the Delorean DMC-12 making a glorious return, Hyundai making an EV version of its popular Pony, and Lamborghini reissuing the Countach from the 70s with an amped-up design.

The folks at Budget Direct and NeoMam studios took the idea a step further – rather than reviving defunct cars, why not revive defunct car BRANDS instead? Taking brands like Pontiac, Daewoo, Hudson, and a few more, Budget Direct and NeoMam Studios decided to reimagine what their most iconic cars would look like in 2021. The image above shows what Pontiac’s wildly popular Firebird would probably look like if it was redesigned for the modern era. “Admittedly, it’s not easy to redesign an iconic GM muscle car shape and not make it look like a modern Camaro. We exaggerated the pointy bits and gave it a progressive coupe profile. The sharp body lines remain, but it’s clear this isn’t your grandpa’s Firebird”, say the designers at NeoMam. The car retains its hood scoop for the fire-breathing V8 engine underneath, with nostrils that ‘only a mother could love’. Finally, a coating of vibrant crimson red paint literally brings the firebird back to life!

Designer: NeoMam Studios for Budget Direct.

Before Pontiac declared bankruptcy and was acquired and eventually dissolved by GM, it was known for its era-defining sports and muscle cars. Some may remember the Firebird (and the Trans Am) as well as the GTO, but another car that really made an impression was the mid-engine sports-car, the Fiero (rather unfortunately named because a design failure caused it to often catch fire). For those old enough to remember, General Motors made a next-gen prototype of the Pontiac Fiero in 1990, but it never made it to production. However, reimagined for 2021, a little over 30 years later, the new Pontiac Fiero now has a lower silhouette with a wraparound windshield, a longer hood, and a hatch-like rear glass. And instead of fitting hidden headlights like in the original, the newer iteration has a permanent set of Countach-inspired eyes and a pointier nose.

Designed and produced between 1951 and 1954, the Hudson Hornet came from the long defunct Hudson Motor Company based out of the motor city of Detroit Michigan. It had a unique step-down chassis design with a lower centre of gravity, making the Hornet one of the best-handling vehicles of its era. In 1999, Popular Mechanics even wrote that “the car’s unique, low slung appearance and silky handling earned Hudson an image that — for many buyers — eclipsed luxury marques like Cadillac.” The modernized Hornet, however, is a fusion of 50’s design and contemporary art. The original Hornet’s ‘pontoon styling’ is still there, most notably in the rear, no doubt inspired by the hidden rear wheels of the Citroen DS. It also has a canopy windshield, a ridiculously long hood, and chrome detailing all around.

It seems the entire world got a taste of the Daewoo Matiz in one form or another. Now known as the Chevrolet Spark (since GM acquired Daewoo Motors), the Matiz’s tall-boy styling always had a quintessential appeal both in the east and the west. The new Matiz sports a larger windshield and a slopier hood to give it a lower, sportier stance than the first-gen Matiz. Now, the window line is in sync with the base of the windshield. With edgier body lines and a redesigned façade with oblong headlights and familiar detailing, this modern Matiz looks good enough to give other superminis a run for the cash.

I dare you to name a more iconic roadster than the AC Cobra. The British carmaker claims it’s relaunching the world’s most popular sports car as an all-electric restomod with an electric motor hiding under a vintage body shell… However, this modern interpretation of the iconic AC Cobra is enough to make the late, great Carroll Shelby smile in motoring heaven. “The classic AC Cobra shape and detailing remain, but we enhanced certain areas like the front fenders, hood, and a rump that will make Marilyn Monroe blush in envy”, say the designers at NeoMam Studios. They got rid of the classic round headlights to make room for teardrop-shaped lighting units with C-shaped DRLs too… plus, check out those rims!

Perhaps the most peculiar of the bunch, the Reliant Robin is a three-wheeled British oddity that captured the hearts of pop stars, royalty, and commoners alike. It had a fiberglass body, three doors, and a dinky straight-four engine. Sure, it had a balance issue, to be quite honest, but three-wheel oddities are making a comeback in our modern times. The modernized Reliant Robin, however, sort of resembles a space-pod. Still, it remains a fun-to-throw-around daily driver with progressive detailing like flush door handles and a more streamlined persona.

We end this series with the Holden Torana. First released in 1967 to replace the aging Vauxhall Viva in Australia, the Holden Torana has a special place in muscle car culture, particularly the third-gen LX Torana SS and SL/R 5000 from 1976. The modernized Torana uses this ’76 LX as its baseline and boasts of a sleeker, more muscular shape, all without alienating the retro vibe. The designers enhanced the wedge-inspired design and gave it a hatchback-like rear profile, bulkier fenders, and an aggressive face. Keen-eyed viewers will notice the front fenders are an extension of the hood line, extending to form the angular bumper.

[Via Budget Direct]

Miles4Migrants Donates Frequent Flyer Miles to Those in Need

Miles4Migrants, a non-profit founded back in 2016, has been using donated frequent flyer miles to provide people impacted by war, violence, persecution and disaster with the opportunity to migrate safely. Focused on individuals and families who are legally allowed to travel, but can’t afford airfares, Miles4Migrants relies on public donations and also collaborates with other non-profits to make these difficult journeys a little easier. In just two days this week, between 16 and 18 August, the organization received 52 million frequent flyer miles and credit card points, $15,000 in travel vouchers and $100,000 in cash donations. Find out more about the organization at Miles4Migrants.

Image courtesy of Miles4Migrants

This iPhone Magsafe charger comes with a wireless attachment that doubles as your backup power bank!

Chau is a new modular charger that comes with a charging dock station and wireless charger the size of a pop socket so you can charge on the go without the bulk of portable charging packs.

Leaving the house at 25% always feels like a gamble. When our phones aren’t fully charged, we know we’ll have to compromise our precious screen time if we plan on Ubering home at the end of the night. Wireless chargers come in handy, but their bulkiness makes it feel like lugging around another iPhone altogether. Designer Seo Youngeun collaborated with Designer Dot to conceptualize a wireless iPhone charger called Chau that adds as much bulk to your smartphone as a pop socket.

Chau is a wireless charger that can be either mobile or stationary. Much like wireless chargers already on the market, Chau comes in two parts: a wireless charger and its charging dock. The charging dock can be plugged into any outlet and features two charging stations for Apple products. The raised charging station holds the auxiliary charger in place so users can either leave their phone to charge on the dock or dislodge the auxiliary charger from its magnetic port and charge on the go. Working from home, we don’t have all of the supplemental charging accessories that fill up the office and our appliances with juice. Chau is designed especially for new WFH circumstances, where we move from one room to the next with our iPhones in tow and our chargers left behind. With Chau, our iPhones can always have access to some extra battery juice.

Besides the wireless charging port, Chau features a flat charging surface similar to Apple’s MagSafe Charger that can charge any EDC Apple product from your Apple Watch to your AirPods. Made from silicone and coated in varying shades of matte plastic, Chau has a similar texture to that of other Apple charging products. Having Chau in your home office will help streamline our workdays and keep our iPhones running as long as we are.

Designer: Seo Youngeun x Designer Dot

Before settling on Chau’s final form, Seo Youngeun went through multiple ideations.

Chau is compact by design so it can fit on any desk or in any workspace.

Chau allows for landscape positioning so you can stream or watch movies while charging. 

Chau’s flat charging surface lets users charge their EDC Apple items like AirPods and Apple Watches. 

Chau’s modular auxiliary charger comes with its own charging ports so users can charge it while away from home. 

Seo Youngeun adapted Apple’s silicone and matte plastic design language for Chau.

Chau’s charging dock can standalone and remain fully charged in place on your desk. 

Coming in an array of different colors, Chau adds some color to your home office. 

Los Angeles ranch house becomes Zen Den by Working Holiday Studio

The owners of design firm Working Holiday Studio have renovated their own mid-century residence by opening up the kitchen, adding skylights and filling the interior with contemporary decor.

The house, called Zen Den, is located in Woodland Hills, a suburban community in Los Angeles that lies about 20 minutes by car from the beach.

The home belongs to the owners of Working Holiday Studio
The house is a 1960s ranch-style property

Carlos Naude and Whitney Brown – the couple behind Working Holiday Studio and its companion interior design practice, Working Holiday Spaces – purchased the 1960s, ranch-style house last year during the coronavirus pandemic.

The duo, who have a toddler son, formerly lived in a compact urban residence and desired more space. The house checked many boxes, yet it was in need of a major overhaul.

Zen Den by Working Holiday Studio
Skylights were added to the kitchen during the renovation

“We wanted to restore the residence to its original glory while reimagining it for modern living,” the couple said, noting that they also served as the project’s general contractor, with input from their friend Zach Leigh at Goodboy Develops.

On the exterior, the home’s stucco cladding was repaired and repainted. The duo also installed a new roof, along with new windows and patio doors.

Scandinavian design elements feature in the kitchen
Zen Den was designed to double as a furniture and product showroom

Inside, the single-storey, four-bedroom home was gutted. Upgrades were made to the floors, insulation, plumbing and electrical systems, and a significant portion of the drywall.

The team added skylights and reconfigured certain areas of the house. In particular, a wall between the kitchen and the dining room was removed.

“We opened up the kitchen so you could take in the views, added skylights throughout the house to bring in more light, and completely reconfigured and renovated both bathrooms,” the designers said.

For the finishes and decor, the duo took inspiration from Japanese, Scandinavian and Mexican design styles. The home is meant to double as a showroom.

The living room has a velvet sofa
A white chair by Noom is included in the living room

“We worked with designers and brands to display their products in our home,” the designers said. “We are in the process of creating an online shop where people can buy the products.”

The living room is fitted with a rust-coloured, velvet sofa from Normann Copenhagen and a round coffee table with tube-shaped legs from Hedge House. A white accent chair is from Noom, a young studio in Ukraine.

Zen Den features eclectic design elements
The breakfast nook features a custom terrazzo table

The adjoining dining room has a black marble table from the Mexican brand Casa Quieta, which also supplied the chairs. Overhead is a Mori pendant from Brooklyn’s RBW.

In the kitchen, the designers sought out premium materials that would be easy to maintain. The prefabricated cabinets are from the Danish company Reform, and the quartz countertops are from Caesarstone.

A bunkbed in the children's bedroom
A children’s bunkbed has a rearrangeable configuration

A breakfast nook features a custom table made of terrazzo from California-based Concrete Collaborative. The terrazzo was actually leftover from a refurbishment of the guest bathroom.

The table has a white oak base – the same wood used to fabricate the surrounding bench. Oak also was used for the flooring throughout the home.

Zen Den has bathrooms with tiles from Fireclay
Green ceramic tiles feature in the bathroom

The sleeping areas feature neutral colours and cosy decor. In a kid’s bedroom, the designers installed a wooden bunk bed from Oeuf that can be arranged in different configurations.

Bathrooms feature sinks from Concretti, countertops from Concrete Collaborative and ceramic tiles from Fireclay. Kuzco lighting and Kohler fixtures round out the selection.

An outdoor living area includes a large dining table

Given Southern California’s pleasant climate, the designers wanted to incorporate an opportunity for indoor-outdoor living. A rear patio is adorned with a sectional sofa from Neighbor and a chunky accent table from Zachary A, along with a custom dining set that seats up to 12.

Other projects by Working Holiday Studio include Casa Miami, an all-white holiday home that stands in stark contrast to its desert setting in California, near Joshua Tree National Park. Like Zen Den, the house is meant to be shoppable, with guests able to purchase the decor via a dedicated website.

The photography is by Candida Wohlgemuth and Carlos Naude.

The post Los Angeles ranch house becomes Zen Den by Working Holiday Studio appeared first on Dezeen.

The Eco-Friendly Nutshell Cooler Performs Better Than Styrofoam-Filled Coolers

David Cutler is a designer. Tamara Mekler is a Behavioral Biologist. While gaining their respective graduate degrees at Stanford, the duo traveled to the Philippines to collaborate on a school project to improve the design of fish packaging.

In one of those curveballs that life throws you, Cutler and Mekler found themselves learning about another industry in the Philippines: Coconut farming. They learned that that industry’s waste is coconut husks, which were considered worthless. Farmers burn them in bonfires just to get rid of them.

However, when Cutler and Mekler investigated the material, they found it had some potentially very useful properties, if it could be connected to another industry:

“Coconut husk fibers are hollow and contain tons of tiny trapped air pockets–the same exact structure that plastic foam insulation uses to reduce heat transfer (i.e. conduction). In fact, if you compare Expanded Polystyrene foam (EPS, a.k.a. Styrofoam) and coconut fiber side by side under a microscope, you’ll hardly see a difference. Yet every cooler brand, and almost every outdoor gear company, relies on polluting plastic foam insulation without thinking twice about it.”

Cutler and Mekler subsequently figured out a way to process the husks into sheets of insulating material. They also teamed up with design firm Box Clever to design this eco-friendly, collapsible soft-sided Nutshell Cooler:

The performance sounds nothing short of amazing:

Nutshell kept ice frozen for more than 48 hours in our tests, outperforming the Yeti Hopper Two, Coleman Excursion, Styrofoam, and several other coolers in identical conditions. There are many variables that affect ice retention including contents of the cooler, ratio of ice, original ice temperature, type of ice (crushed, block, cube), ambient temperature, exposure to direct sunlight, etc. Therefore, we can’t tell you exactly how long ice will last inside your Nutshell, but we can tell you it will last longer than it would have inside most plastic alternatives.

At press time the Nutshell Cooler had been successfully Kickstarted, with $69,572 in pledges on a $30,000 goal, with 27 days left to pledge. Congratulations to Cutler and Mekler!

A bright red bridge features in today's Dezeen Weekly newsletter

The latest edition of our Dezeen Weekly newsletter features a bridge designed by Moxon Architects for King’s Cross in London.

Moxon Architects has teamed up with engineering firm Arup to install a bright red bridge across Regent’s Canal at King’s Cross in London.

The bridge forms a new route into the Thomas Heatherwick-designed Coal Drops Yard shopping development.

Readers are fairly impressed. One said, “To the designer’s credit, it looks like a bridge”.

Elgin Cafe by Renesa Architecture in Punjab, India
Studio Renesa creates green granite interior for restaurant in Punjab

Other stories in this week’s newsletter include a green granite restaurant in Punjab, India, the conversion of a 1990s van into a mobile home, and a red metal and brick boarding house in Indonesia.

Subscribe to Dezeen Weekly

Dezeen Weekly is a curated newsletter that is sent every Thursday, containing highlights from Dezeen. Dezeen Weekly subscribers will also receive occasional updates about events, competitions and breaking news.

Read the latest edition of Dezeen Weekly. You can also subscribe to Dezeen Daily, our daily bulletin that contains every story published in the preceding 24 hours.

Subscribe to Dezeen Weekly ›

The post A bright red bridge features in today’s Dezeen Weekly newsletter appeared first on Dezeen.

Versatile and Feather light, Leatherman pocket multi-tool is the ideal all-in-one EDC for newbies!



Elegantly designed Leatherman multi-tool that shaves off the less required tools while adding some important ones – making it the ideal EDC for every pocket.

For any situation in life, you need to be ready with the right tool at the right time. The Leatherman Curl EDC inspired by the Wave Plus does exactly that with a touch of style. This multi-tool carries the essence of the Portland, Oregon-based origins established more than 37 years ago. Why I say that, well because it has the brand’s iconic features coming at an affordable price tag for first-time users. To be precise, the Curl EDC is a classic while being highly capable of tackling anything or everything coming its way.

Made out of 100 percent stainless steel material, the pocket tool is just the right palm-sized utility that’s so wantable. What piqued my interest about this multi-tool is the unification of 15 tools into a slim package weighing just 7.5-ounce. Leatherman has truly ticked all the right checkboxes here to appeal to a wide array of audiences. And be rest assured about its performance for a long time – after all it comes with a 25-year warranty. Virtually making it last a lifetime!

Leatherman Curl comes with a carefully chosen selection of tools like 420HC knife, bottle opener, can opener, diamond-coated file, hard-wire cutters, large bit driver, medium screwdriver, needlenose pliers, normal pliers, a ruler, spring-action scissors and wire stripper. To make it ultra-easy to carry around Curl also gets a removable pocket clip and nylon belt sheath.

 

Compared to the Wave, the Curl here gives up on the saw and serrated blade for outside accessible tools. It swaps the micro driver with an awl for the inside accessible tools. It also does away with the replaceable wire cutters and locking mechanism which I think is not much of a loss unless you cutting wires or fences every other day!

Designer: Leatherman

A Potential Design Fail, Disguised as a Design Success

You know those little plastic thingies that hold bread packaging closed?

Those are mostly made by Kwik Lok, the Washington-state-based company that dominates the market. They’re made of plastic, which is of course recyclable. But as we all now know, it turns out that most of the world’s plastic is simply never recycled. (The overall rate was less than 9% in 2018, according to the EPA, based on data from the American Chemistry Council and the National Association for PET Container Resources.)

Kwik Lok’s market dominance isn’t going to evaporate, but the company is trying to do the right thing and has developed both Fibre-Lok and Eco-Lok, which are fiber-based and biobased-plastic alternatives to the standard tags:

Meanwhile in New Zealand, two major food brands, George Weston Foods and Goodman Fielder, have announced they’ll stop using plastic bread closure tags and are switching to a recyclable cardboard alternative. (Neither has mentioned the manufacturer, so it’s not clear if these are Fibre-Loks or not.) Sounds great, right?

Well, read the fine print. New Zealand food industry website FoodTicker, reporting on the switch, writes:

“The cardboard bread tags would be fully recyclable, and made from 100% recycled content, according to Goodman Fielder. The company added that due to their small size the best way to ensure the tags were properly processed was to collect them in an envelope before depositing with general paper/cardboard recycling.”

How many consumers will take the time to collect their tags in an envelope rather than just tossing them in the recycling bin? How many consumers will even know that they’re supposed to do this, how will it be communicated to them?

I think this is a great example of companies trying to do the right thing–and whomever developed their cardboard tags can claim they’ve produced a design success–but there’s just no way to verify the follow-through. If these cardboard tags don’t get recycled due to their small size and/or consumer unwillingness to take the extra step, it goes from design success to design fail.

I suppose one bright spot is that, whether they get recycled or not, they’re made from fiber rather than plastic. We can make more plants and trees, but we can’t make more petroleum.

Freitag's New Upcycled Material: Airbags That Never Saw Deployment

Bag manufacturer Freitag, which has been making their wares from upcycled truck tarps and recycled plastic bottles for some 30 years, has secured a new, durable and unusual material for their BOMs: Undetonated airbags.

Their new F707 STRATOS backpack “is made from B-stock airbags that were taken out of commission after failing one of the many quality tests airbags face before they’re loaded into a vehicle,” the company writes. “This new material represents Freitag’s latest step towards finding new, well-designed uses for all of life’s discarded parts.”

The colored part you see in the images is their good ol’ truck tarp; the white stuff is the airbag. The backpack folds up compactly into the tarp material.

And here is the weirdest product introduction video we’ve ever seen:

Nine art and design projects from the Chelsea College of Arts Graduate Showcase

A red and yellow textile project

A physio-rehabilitation centre designed to enhance patient recovery and a project exploring the traditional weaving craft of the Li people in China‘s Hainan Province are included in Dezeen’s latest school show by students at the Chelsea College of Arts.

Also featured is a textile installation referencing the importance of plants to a student during the coronavirus lockdown, and a textile project made out of discarded tea and Irish moss.


Chelsea College of Arts

School: Chelsea College of Arts

Courses: BA (Hons) Graphic Design Communication, BA (Hons) Fine Art, BA (Hons) Interior Design, BA (Hons) Textile, DesignBA (Hons) 3D Design (now BA (Hons) Product and Furniture Design at Chelsea College of Arts), Graduate Diploma Textile Design, Graduate Diploma Fine Art, Graduate Diploma Interior Design and Graduate Diploma Graphic Design

School statement:

“The challenges of the past year have brought Chelsea’s global networks to the forefront of our students’ experience.

“Working together with classmates and colleagues internationally, our artists and designers have developed complex creative responses to the social, cultural and political issues arising from uncertain circumstances.

“Chelsea College of Arts Graduate Showcase is the place to discover the newest names in art, communication and design. You can view work online at the Graduate Showcase website.”


An Audition by Katie Beddoe

“Led by both historical and modern contexts, this is a playful film and photography project which works at the intersection between multiple creative crafts.

“Literature, textiles and dance interact to redesign the costumes of three Shakespearean characters. The project draws on not just their original forms, but later creations within ballet, film and popular culture.”

Student: Katie Beddoe
Course:
BA (Hons) Graphic Design Communication


A beach in Greece with green and blue water

Live Your Myth In Greece by Katerina Mimikou

“Join us in Greece, where all your dreams can come true! Experience the untold ancient myths, hang around with the gods and goddesses, visit the place where true democracy was born. Have some souvlaki, some tzatziki, some spanakopita! And ouzo! And let’s break some plates.

“Many times these questions are asked: ‘Why did you ever leave such a beautiful country?’ and the much-heard phrase ‘Stay abroad. Don’t come back to Greece.’

“Live Your Myth In Greece is a project based on antithesis. The antithesis of dark and light, of what’s advertised and happening in reality. The laughing and crying, the myth of a country and the real version, the intimacy and the impersonal.

“A project based on the crisis, personal and collective. It’s a project about living in capitalism.”

Student: Katerina Mimikou
Course: BA (Hons) Fine Art


Plans of Fish and Coal Offices in King's Cross

The Immaterial Institute by Catrinel Visan

“The Immaterial Institute is a cultural centre placed in a hundred years’ time in the socio-cultural context of a genderless community. The project analyses the influence that the lack of unconscious gender biases has on the built environment. It proposes an ultimate goal: the complete removal of prejudice, presenting a society in which everyone focuses on the importance of multiculturalism and communal living.

“The proposal is situated inside the present Fish and Coal Offices in King’s Cross, utilizing the second and third units from East to West due to their higher visibility on site. The first section hosts a performance space where people are enabled to interact inside zero-gravity spheres.

“The second section of the building contains a sensory experience that awakens the five trivial human emotions at the ground floor, as a preparation for the cogitation journey placed on the first level through which people can experience the present or the past. The programme aims to challenge unconscious biases and promote the beauty of multiculturalism and communal living.

“The space is designed to adapt and evolve to the ever-changing needs of humans, the development of the space being organic within a fixed structure and following the queer architectural proposals whilst binding the aesthetics of binary spaces. The whole design pursues creating an unbiased world, just like the gender removal process aims to remove the sex preconceptions.”

Student: Catrinel Visan
Course: BA (Hons) Interior Design


Textile project made from dried flowers and moss

An Alternative Practice by Lora Aleksandrova

“I am concerned about the waste we as designers produce while working on a project. Even though the goal could be to create a sustainable object, the process still involves tests and models, which get thrown away and turn into waste.

“I wanted to change my practice through this project which is why I called it ‘An Alternative Practice’. I was trying to create material out of discarded tea and carrageen (Irish moss). However, while working, I realised that sustainability is a tricky subject.

“And even sustainability leaves some footprint on the environment. After I came to that conclusion, my project switched direction. Rather than trying to create a practical object of the material, I wanted to show the fragility of sustainability.

“The background is an essential part of the piece. I used the pieces of paper which got stained during the drying of the material. They are a symbolic sign of the footprint of sustainable practice.”

Student: Lora Aleksandrova
Course:
BA (Hons) 3D Design (now BA (Hons) Product and Furniture Design at Chelsea College of Arts)


A textile project of green moss

Inside the Greenhouse by Xianxuechun Xiao

“We have been forced into a controlled environment with a lack of connection to the physical world, a non-native environment. This change in circumstances forced me into implementing a safe space for myself, highlighting the safe space implemented for the plants within the greenhouse and terrariums. I wanted to highlight the feeling of being protected yet restricted and trapped at home.

“It is using symbolism, metaphor and imagination in the textile fine art form. My project engages with the plant matter and nature around me, expressing the frustrating miscellaneous attitudes about staying at home for safety, and desire for the outdoor and future.

“‘Inside the Greenhouse’ is a collection of 3D installations of textile art with mix-media embroidery. Using machine embroidery with water dissolvable fabric and drying it out as different uniques 3D forms to create unexpected 3D organic sculptures. The unique stitch techniques with fabric manipulation create both soft and intricate sculptures.”

Student: Xianxuechun Xiao
Course: BA (Hons) Textile Design


A textile project with red and white patterns

A Contemporary Manifesto for Traditional Craft by Yifan Yang

“My project focuses on the traditional brocade weaving craft of the Li people in Hainan Province, China. Li brocade textiles are a living fossil in the history of Chinese textiles and represent the highest level of Li craftsmanship, covering three primary techniques: spinning, tie-dyeing and weaving.

“These are three works that relate to the traditional crafts of the Li people and are abstractly combined with contemporary art.

“The first two pieces provide a step-by-step interpretation of the traditional process of Li tie-dyeing. By deconstructing the methods of tie-tying and herb-dyeing, they abstract the process and then design the artworks that use contemporary abstract art techniques.

“In the video, images of the crafting process are reflected in the woven pieces, and this dynamic form of video is an independent statement of the traditional craft in the context of contemporary art. This transformation is a continuation and interpretation of traditional handicrafts in the language of contemporary art.”

Student: Yifan Yang
Course: Graduate Diploma Textile Design


A fine art project of four men in white shirts

Broski by Joseph Ijoyemi

“My practice represents a critical view of social and cultural issues. I have deep interests in mental health, the Black Lives Matter Movement and Nigerian African culture.

“The inspiration for my work comes from my own life experience and through conversations with my community. I aim to tell a story. Each project usually consists of multiple works grouped around specific themes and meanings to create a series. A new piece of work usually stems from the personal research and key events in my life.”

Student: Joseph Ijoyemi
Course:
Graduate Diploma Fine Art


A rehabilitation centre with brown and white patterns

The Royal Brompton Hospital Physio-rehabilitation by Zainab Al-Rawi

“The Royal Brompton Hospital Physio-rehabilitation is designed to help patients engage with other patients with similar health issues.

“This is to exercise and enhance patient recovery by combining patients, patients’ families and children in a playful atmosphere and help patients exercise confidently independently.

“This design is an environment-friendly and self-containing sculpture where most of the physiotherapy equipment is built-in.”

Student: Zainab Al-Rawi
Course: Graduate Diploma Interior Design


A purple and green graphic design project

Time Rebels by Thais Mota

“The manifesto was one of the essential tools for this project. Placing the Time Rebels’ movement into the real world and defining its values guided me through the process. I designed participatory open-access workshops where each idea was formed from concepts mentioned in the movement’s manifesto.

“I used different approaches – stamping, layering, filling spaces and drawing according to arbitrary instructions – to engage with the highlighted concepts.”

Student: Thais Mota
Course: Graduate Diploma Graphic Design


Partnership content

This school show is a partnership between Dezeen and Chelsea College of Arts. Find out more about Dezeen partnership content here.

The post Nine art and design projects from the Chelsea College of Arts Graduate Showcase appeared first on Dezeen.