Curators Collective overcomes "barriers of borders and politics" at Venice Architecture Biennale

The Curators Collective logo

Curators of fifty national pavilions at this year’s Venice Architecture Biennale have come together to collaborate and share resources as part of the Curators Collective.

The newly-founded Curators Collective challenges the usual approach to the Venice Architecture Biennale, where participants develop pavilions in isolation in response to a shared theme.

Instead, the fifty members are working together and supporting each other through the sharing of resources, promotion of each others’ work and a shared programme of events they have curated for the festival.

“This biennale was an opportunity to respond in a different way”

The collective was initiated by Hae-Won Shin, the curator of the South Korean pavilion, in response to the uncertainty faced by participants in the lead up to the festival.

The event was due to begin on 23 May 2020 but was postponed until May 22 2021 due to the coronavirus pandemic.

The Curators Collective logo
Above: the Curators Collective logo. Top image: a virtual meeting with the group members

“No one knew what was going to happen to the biennale, whether anyone would ever get to see any of the exhibitions we had been working on,” said Shin, acting as spokesperson for the collective.

“This biennale was an opportunity to respond in a different way, to pool resources, create collaborative projects, share information and support each other tangibly,” she told Dezeen.

“Times have changed”

According to Shin, the collective is also a direct response to the theme of this year’s festival set by chief curator Hashim Sarkis: How will we live together?

The group, which represents 50 out of the 60 national pavilions, believes it is a microscale demonstration of how global challenges such as Covid-19 can be tackled through international collaboration and solidarity.

“This question has taken on a new significance over the last year and a half, and it forces us to confront questions that, as architects and curators, are fundamental,” Shin explained.

The Venice Biennale Giardini
The group was founded to support participants of the 2021 Venice Architecture Biennale

“Times have changed. Humanity is facing very big challenges that will affect us all. To actually achieve change in relation to the climate crisis, migration, inequality, and technological overload, we need to work together,” she said.

“Through our regular meetings, we have identified a large number of commonalities in our approaches and themes, creating connections that overcome the barriers of borders and politics,” added Shin.

“This collective is one, very small example of how collaboration can lead to something more interesting, another dimension in how we will live together.”

Collective offered “important morale boost”

According to the group, the network has already made a “significant difference” to the participants during the lead-up and opening of the Venice Architecture Biennale.

At a basic level, curators have been able to find and share storage areas and report back from Venice on the progress of pavilions to collective members who have been unable to attend.

Now it is preparing its own programme of events, including a “pavilion festival” involving a guided tour of the national pavilions that will take place in October.

“Being able to communicate and share thoughts around how to find a life and an audience for the work that had already been created was an important morale boost,” Shin said.

“For now, our priority is 2021, opening our pavilions, organising successful and inspiring collateral events, and actively contributing to a worldwide conversation about the future of architecture in an uncertain world.”

Group will have presence at future biennales

Moving forward, the group is working to ensure Curators Collective has a presence at all future Venice Architecture Biennales to help participants adapt to future needs and scenarios.

It has received official recognition by the biennale and inclusion in the festival’s Historical Archives of Contemporary Arts (ASAC), and will now develop a strategy for handing it over to the next set of curators.

“We hope to see the Curators Collective become an integral part of all future architecture biennales,” concluded Shin.

“We are hoping that we can build something lasting that can be handed down through the hands of each year’s curators,” she said.

“We want to support the structure of the biennale by illustrating how much potential there is in international collaboration, how many commonalities there are between all these different nations and how much goodwill can be harnessed towards powering projects that actively engender positive change.”

The ambitions of the Curators Collective echo the reflections of chief curator Sarkis, who told Dezeen that the postponement of the event had some positive repercussions such as increased collaboration.

“Many [curators] relied on local architects to help them install their buildings and their projects, which created partnerships between Italian firms and non-Italian firms, so that has been very moving to watch,” he said.

“You see this level of solidarity among the participants where, because of this extra year, they got to know each other more and exchange ideas and learn from each other. Because of the extra year, they became friends.”

Images are courtesy of Curators Collective.

The Venice Architecture Biennale takes place from 22 May to 21 November 2021. See Dezeen Events Guide for all the latest information you need to know to attend the event, as well as a list of other architecture and design events taking place around the world.

The post Curators Collective overcomes “barriers of borders and politics” at Venice Architecture Biennale appeared first on Dezeen.

Dezeen Awards 2021 entries close today

Dezeen Awards 2021 entries close today

Today is the last day you can enter Dezeen Awards 2021, and the final chance to take advantage of our 50 per cent discount on studio categories!

There are 36 categories spanning architecture, interiors and design, as well as five media categories and six studio categories. Each will celebrate the architects and designers producing the most outstanding work.

Enter Dezeen Awards now ›

Enter a studio category and save 50 per cent

You’re running out of time to enter one of our studio categories for the chance to be crowned architecture, interiors or design studio of the year!

There are categories for both established and emerging creatives, which are open to both individuals and companies.

Enter STUDIO50 at the payment stage to receive a 50 per cent discount on your last-minute studio category entry!

Enter a studio category now ›

Entries for Dezeen Awards 2021 close today, 2 June at midnight BST.

The post Dezeen Awards 2021 entries close today appeared first on Dezeen.

Finex’s Design-Forward Cast Iron Pots + Pans

An age-old material meets modern aesthetics and technology for premium cookware

Founded back in 2012, Portland, Oregon’s Finex was successfully funded both through private capital and Kickstarter and became a darling of the culinary community for its labored-over quality and style. The brand’s goal from the start was decidedly low-volume perfection, and it was such a success that heritage cast iron brand Lodge acquired the brand in 2019. Lodge now makes Finex in its own Tennessee forge, but wisely left the products’ best elements and fine details alone—including the striking eight rounded corners that function as spouts.

We used some Finex wares recently, putting them through heat testing (up to 900 degrees in a pizza oven), grilling, brazing and sautéing. From the spring handles (which not only feel good, but also cool down quickly) to the hand-seasoned surface, we were impressed. We decided to speak with brand director Michael Griffin and chef Gregory Gourdet (who cooked and served meals on Finex at his pop-up Portland outpost, Kann) about why the designs are so successful.

Cast iron is always heavy, and Finex clearly wasn’t designed to skirt that. It leans into the heft and also evolves the shape with each pot and pan having eight sides. Can you talk a bit about why that’s important?

Michael Griffin: The basic skillet design was ossified. It’s this round pan with a short handle. It’s forged by pouring molten iron into a sand casting. But that shape—that’s already wrong because a heavy pan with a short handle means you have no leverage. Finex was founded because there’s a lot of other technology that has changed. Our knowledge of how to melt iron and how to get a uniform pour, and also how to CNC machine and, obviously, CAD and other design tech have evolved. As for the weight, the thicker you go, the fewer hot spots you have. Cheap cast iron may be lighter, but then your food will stick. We used thermal-imaging and a lot of experimentation to get the right material density so you’d have super-even heating. It’s maybe half a pound heavier per piece, but that makes a massive difference.

There’s also a grooved pattern in the base of every pan, except the grill pan with grates. Can you explain why and the “telltale” of having it?

MG: Unlike a lot of mass-market or non-US-made cast iron, we run our pans through a CNC mill. It’s tough to do right; there can be a lot of issues and the heat of the machining can warp the pan. But that’s also how we get them as flat and smooth as possible. We wanted that surface to get to non-stick performance. Anyway, our process leaves spirals. We talked about taking those out, but we found they don’t make any difference in the cooking performance and we really like how it catches this bowtie of light across the surface. We want people to walk over and be like, “Oh wow, what the hell is that!”

The coiled-steel handles riffed from the door handles of vintage cast iron stoves are definitely eye-catching. They also do work; in our testing, we found they’re long enough for better leverage. How did Finex land on this design?

MG: The handle had to be longer and a lot of cast iron gets these handles with rough edges around the sides. A rounder shape was part of what we wanted because that gives your hand more purchase and then we also wanted a design that would dissipate heat, so you could at least fry an egg without needing an oven mitt. Of course, with our other design principles, it’s got to be good forever. And it’s got to be something that we can iterate on and use on our complete line. Coils had been used in wood-stoves and we tried a variety of spring formulations, but after a variety of heat cycles, too many of them would get loose. Ours is actually tensioned and rotated from both ends, so it’s clocked against its desired rotation and that doesn’t require any mechanical element like a screw that could corrode or loosen. Then the brass end-cap ages with the pan; it’s functional because the softer brass bites into that pin that holds the spring, but it also gets a patina and tells the story of your life of cooking.

Chef Gregory, since you cook and serve on Finex, tells us what appeals to you about the products.

Gregory Gourdet: The eight-sidedness is really useful. You can rotate the lid a little bit to let a sauce reduce and each corner just gives you more of an open angle to get a spatula underneath what you’re cooking to flip it—and that really matters for something delicate like a piece of Columbia River steelhead. Home cooks might not realize, either, that that ultra-flat surface is kind of critical.

Can you explain why?

GG: It’s a core principle of cooking. You never want a tool that makes the work harder. A sharp knife cuts more cleanly and safely than a dull one, and a really flat pan with consistent heating makes your ingredients shine. I’m a big fan of crispy skin, so take a piece of salmon—all the omega threes are mostly in the skin, burn it and you’ve lost the flavor as well as the health benefits. When we talk about searing tenderloin steaks, you definitely don’t want to overcook. It’s a pretty mild-mannered piece of meat so you want to develop a little bit of a crust, that Maillard reaction, to develop some flavor. Then what’s so important there is not losing any of that in the floor of the pan, and that’s why that surface really matters.

Do you think better pots and pans matter more than the stove you’re cooking on?

GG: I think people are attracted to an aesthetic and that happened with me. My first piece of Finex was a gift; I was a little bit in awe. But I’ve cooked just about every type of ingredient in that eight-inch pan. It’s going to outlive me for sure. It’s really tough. During the pandemic, I was testing dishes for the cookbook and took it to the beach to make Oregon clams in coconut milk over an open fire right on the edge of the ocean. I’ve made dessert in it. You name it. I personally feel that you don’t need a lot of tools. It’s really about quality. Everyone’s pantry or cupboard or repertoire of equipment needs that one tool like this that you just have as your everyday go-to.

Images courtesy of Finex

Theodore standing desk by FlexiSpot

Flexispot standing desk

Dezeen Showroom: UK brand FlexiSpot has created the Theodore standing desk with designers, gamers and basketball players in mind.

Theodore is a height-adjustable desk with a quiet dual-motor lifting system that can support the heavy computer equipment required by professional designers and video game players.

It has a height range of more than a metre and the frame can be customised to provide extra legroom for taller uses.

Theodore standing desk with white legs in a neutral-toned home office
Theodore is a height-adjustable desk

Users can set the Theodore desk to three different personalised height settings via an LED display and a keypad. It also has a sit-stand alert system that reminds users to change positions.

According to FlexiSpot, the scratch-resistant, powder-coated steel frame can be assembled using a three-step process that takes just 10 minutes.

The Theodore standing desk comes with three USB charging ports, storage drawers and the option of a solid wood or walnut veneer desktop.

Product: Theodore standing desk
Brand: FlexiSpot
Contact: joey@flexispot.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

The post Theodore standing desk by FlexiSpot appeared first on Dezeen.

Official Swiss Railway Evo2 Gold Large Case Wristwatch

With a variation of the official Swiss Railway clock as its watch face, Mondaine’s new Evo2 gold timepiece nods to a heritage of precision and design iconography, while employing contemporary attributes like a brushed ion-plated gold case finish. The Swiss-made watch also features sapphire crystal and a genuine leather strap. Inside, a RONDA 519.S Quartz movement keeps the time.

Badass EDC Essentials to literally save your life and rescue you during emergencies!

EDCs are always super cool! They are great examples of form meets functionality. These smart little tools can come in handy during the most sudden times and the trickiest situations. But some EDCs go beyond even that and perfectly come to your rescue during emergencies. These EDCs can save lives, help keep you safe, and provide aid in risky situations. From a carabiner that could literally save your life to an EDC that helps you escape car emergencies – we’ve curated a whole range of versatile and innovative EDC designs to help you through any situation that the world may throw at you! These EDC essentials are a must-have for your emergency kit.

The GPCA Carabiner is a multitool designed to get you through any sort of situation. Fine-tuned to be the multitool to end all multitools, the handy carabiner comes with a set of essential instruments integrated into its design, for every brand of emergency imaginable. The GPCA’s titanium construction (there are stainless steel and aluminum variants too) literally makes it one of the toughest EDCs to fit on your belt… so much so that you can literally use the GPCA as a pair of brass knuckles to fight off any threat outdoors. The carabiner itself is sturdy enough to carry up to a few hundred pounds more than any EDC carabiners *Not rated for climbing, yet compact enough to work as a keychain. Integrated into its outer frame are a Philips head and a flathead screwdriver, as well as a box-cutter that can also be used to whittle wood, pierce packets of food, or cut cords; while the frame itself is optimized for function too, with a bottle opener and a prybar built right into its bottom.

The WYN Bullet is one of those rare examples of EDC that was designed to save lives. Smaller than your finger, the WYN Bullet is a spring-loaded glass-shattering tool that helps you make a quick escape/rescue by instantly breaking a car’s toughened glass. Whether you’re inside your car trying to get out, or outside the car trying to save someone on the inside, the WYN Bullet’s one-push system can instantly shatter toughened glass panels, giving you swift entry into a locked car in emergencies. Toughened glass is exceptionally difficult to break through, by design. It takes repetitive strikes with incredible force to just make a hole large enough for your hand to pass through – even though Hollywood would have you believe that Dwayne Johnson can literally shatter glass with the flick of his finger. The trick to breaking toughened glass is to strike it with something incredibly hard and sharp that focuses the pressure on an infinitesimally small area, causing shockwaves to break the entire glass panel in a single strike.

evade_clip_1

evade_clip_2

Introduce one, just one Evade Clip into any kidnapping movie and its outcome would be completely different. That’s because, just as its name suggests, the Evade Clip was designed to let you escape from virtually any scenario. Tied up by ropes? The Stainless Steel blade will cut through the toughest paracords. Trapped in a car? The clip comes with a carbide tip that can shatter most glass panes with a single strike. Locked in/out of a place? The Carbide rod will literally cut through metal padlocks and chains. How about door-locks? The Evade Clip even comes with a 3-piece lockpick set that can best any lock, if you choose. Designed to fit easily into pockets, the Evade Clip is a literal key to freedom. In the unlikely event that you may need to escape, the Evade Clip provides you with potentially life-saving tools in an incredibly small form factor

First aid kits are essential, especially when we hop on an outdoor adventure. However, lugging around the usual box-like first aid kits can be quite cumbersome. Hence VSSL launched its new First Aid Kit, built for extreme environments. One look at it, and it’s hard to believe it’s a first aid kit since it looks like a regular flashlight! Created from military-grade aluminum, the indistinct-looking device functions as a first aid kit, flashlight, and compass. Far from your typical first aid kit, it features a sleek fire red body measuring 9 and 3/8 inches with a diameter of 2 inches. One end of the VSSL’s First Aid Kit boasts a powerful 200 Lumens LED light, it’s flooding beam is strong enough to light up large spaces. The flashlight has four lighting modes: bright, dim, red, and SOS. From a subtle dim mode, it can jump to an alert SOS mode, imperative in sending out distress calls. On the other end, you have an oil-filled precision compass!

Powerful as individuals with their unique skill sets, and practically invincible when brought together, the Klip EDC Knife and the TL Micro EDC Torch make a perfect duo. Perfectly capable in their own right, they combine to help you see and then conquer. The Klip captured our hearts earlier this year with its compact design, titanium build, and versatile tanto-style blade. After its wildly successful run on Kickstarter, Klip is making its comeback with a sidekick of its own… the TL Micro flashlight. Just 54mm long, and 25mm wide, the TL Micro puts a powerful 280-lumen torchlight into the form factor of a key-fob. With a rechargeable lithium-ion battery that can run for as long as 17 hours on the torch’s low-brightness setting, the TL Micro comes with three brightness settings (the highest being more than 5 times brighter than your phone’s flashlight).

The Lumos Ultra smart helmet’s approach to protection is two-fold. Not only does it function as a traditional helmet, guarding your head against any impact-related injuries, it dramatically increases your visibility and your predictability to drivers around you. The Lumos Ultra is a high-quality and aerodynamic cycling helmet that’s integrated with front and rear bike lights, as well as rear-mounted indicators to help people behind you see, and react to your intentions. The helmet’s integrated bike lights are a more effective alternative to bike-mounted lights that often get stolen, or just aren’t visible enough because they are located down low. As the lights are positioned on your head, they are now at eye level which provides maximum visibility, and can also be an indication of the direction that you are looking at.

The Kershaw Barricade is EDC that’s absolutely worth carrying, especially while traveling. Its design doesn’t just pack a nice, black-oxide-coated 8Cr13MoV steel blade with a drop-point edge, it also packs two other potentially life-saving features. Built into the Barricade’s practically unbreakable glass-filled nylon handle (that’s also colored fluorescent orange, making it easy to spot in emergencies) are a Seatbelt Cutter, and a Glass-breaker, two exceptionally handy things to have on you no matter where you travel. The seatbelt cutter, integrated into the base of the handle, allows you to swiftly and smoothly slice through seatbelt fabric, and the carbide glass breaker tip right at the bottom, allows you to instantly shatter the tough triplex glass used in automobiles. Together, the Barricade isn’t just a useful tool for getting yourself out of a fix, it could also potentially help you save a lot of other people’s lives… especially if you’re a first-responder.

Made for rugged outdoor use, the EST Torch L1 comes with all the obvious outdoor requirements and some rather pleasant new ones too. Its body is machined entirely from a single billet of aluminum, complete with a hard-anodized Type 3 scratch-resistant finish. The EST Torch L1’s build is durable enough to easily withstand long drops, and even survive being run over a car. The Torch L1 is rated IP68 dust and waterproof, allowing it to be used even underwater without any fuss. On the inside is a 1200 lumens light with a 120-meter beam distance. The Torch L1 runs on a high-capacity 3600 mAh rechargeable AA battery provided by EST, giving it a run time of up to 20 days.

Fitting comfortably into the form factor of a dog-tag, the B2 blade from the guys at Bomber & Company literally hangs in its tag-shaped sheathe around your neck. The Nano-blade pocket knife remains fully concealed within the dog-tag-shaped pendant and its lightweight, compact design makes it the perfect EDC because of its ability to be both a useful product and a fashion accessory. The tiny sheeps foot-style blade hides within its matte black metal casing, and can easily be deployed by unsheathing it and clipping it back into its holder with the blade facing outwards. When out, the small blade becomes a really handy piece of gear both indoors and outdoors. The 1-inch blade can do everything from cutting boxes to whittling wood and slicing through paracords.

400. That’s how many units of the Sniper Bladeworks 2020: Reload Collection are being put into production, making them some of the most exclusive high-quality blades you could get your hands on. Designed by award-winning knife-maker Lance Abernathy of the iconic Sniper Bladeworks based out of Kansas City, the 2020: Reload collection reimagines a few classics and adds a couple of new knives to the mix, creating what Abernathy claims is his best offering yet… knives designed and engineered to excel in everyday use or make a stunning addition to your collection. Every single one of the 2020: Reload collection’s knives come made from the highest quality performance steel, meticulously designed and manufactured by ace knife-smith Lance Abernathy himself, and with the Sniper Bladeworks’ seal of approval and Lance’s signature.

Japan creates exhibition from dismantled old house at Venice Architecture Biennale

Japan Pavilion at the 2021 Venice Architecture Biennale

Japan has sent the dismantled remains of a 65-year-old house as its contribution to the Venice Architecture Biennale, staging an exhibition that explores the potential for material reuse.

Titled The Co-ownership of Action: Trajectories of Elements, the exhibition on the terrace of the Japanese Pavilion features benches made from the old house’s roof and screens constructed from its exterior walls.

Entrance to Japan Pavilion at the Venice Architecture Biennale
Old house walls form exhibition screens at the Japan Pavilion

Inside, yet-to-be-reused elements of the house are lined up on display as if in a warehouse.

Prompted by the 2021 Venice Architecture Biennale theme, How will we live together?, curator Kozo Kadowaki and his team wanted to explore sustainable alternatives to two waste-generating architectural practices: house demolitions and international exhibitions.

The team’s answer was to rescue materials from the scrap heap in a way that honoured and documented their past, while also giving them a future. It sees this as a “co-ownership of architectural production” generated through movement and reconstruction.

Inside of Japan Pavilion at the Venice Architecture Biennale
Material from the old house is stored in the Pavilion as in a warehouse

The team is made up of architects Jo Nagasaka of Schemata Architects, Ryoko Iwase of Studio Iwase, Toshikatsu Kiuchi of Toshikatsu Kiuchi Architect, Taichi Sunayama of Sunayama studio, and Daisuke Motogi of DDAA.

“Over the past few years, while participating in the Salone del Mobile Milano and other international events, I have been questioning the way international exhibitions should be held, especially when people have the tools such as Instagram and Facebook to communicate with the world whenever they want,” said Nagasaka, who is the founder of Schemata Architects.

Benches in the garden of the Japan Pavilion
Parts of the old house have been made into benches

“Of course, it’s important to actually see the works to scale with our own eyes, but in this day and age I personally think it is more suitable to inquire individually if you find specific works you are interested in, and you can visit the place where the works were actually created and have one-on-one conversations with artists or designers,” he added.

It was while considering these questions that the curator invited Nagasaka to participate in the Venice Biennale exhibition, commissioned by The Japan Foundation.

“As a member of the participants, I told him that if I were to be involved, I would like to create an exhibition that would make people understand the meaning of moving,” Nagasaka said. “This idea was well received and shared by everyone.”

“In addition, we all agreed that if we were going to use new materials, we should make an exhibit using scrap materials that were being destroyed and thrown away.”

Japan Pavilion at the Venice Architecture Biennale
The exhibition is made almost entirely of material from the old house

The materials they found to rescue are from the 65-year-old Takamizawa residence, a house that was set for demolition in front of Kadowaki’s own home. They named it after the property’s first owner.

The building contained layers of material from different periods generated by decades of renovations and expansions — developments that are documented as part of the Co-ownership of Action exhibition.

Wood cut with a circular saw lathe
The Pavilion’s workshop is experimenting with a circular saw lathe

The materials also have a future after the biennale, as there are plans for them to be used as part of a community facility for residents of an apartment complex in the suburbs of Oslo, Norway.

As well as the exhibition space in the courtyard and the material storage area inside, the Japanese Pavilion incorporates a workshop, which the team is using to explore the potential to reuse wood for furniture production.

Wooden posts in a workshop
The architects have shaped the old posts into interesting forms

Having devised a lathe process using a circular saw, they have shaped wood posts from the house into interesting forms, while leaving parts of them raw and untouched.

“The aged posts and beams, the distortions and scratches on them, all appear as rich expressions,” said Nagasaka.

The Co-ownership of Action: Trajectories of Elements will be on display in the Giardini as part of the Venice Architecture Biennale, which takes place from 22 May to 21 November 2021. See Dezeen Events Guide for all the latest information you need to know to attend the event, as well as a list of other architecture and design events taking place around the world.

Photography is by Alberto Strada.


Project credits:

Curator: Kozo Kadowaki
Architects: Ryoko Iwase, Toshikatsu Kiuchi, Taichi Sunayama, Daisuke Motogi, Jo Nagasaka
Designer: Rikako Nagashima
Researchers: Norimasa Aoyagi, Aya Hiwatashi, Naoyuki Matsumoto, Tetsu Makino, Building System Design Laboratory at Meiji University (Kozo Kadowaki, Makoto Isono, Kimihito Ito)
Editor: Jiro Iio
Advisor: Kayoko Ota
Exhibition Design: Schemata Architects (Jo Nagasaka, Sanako Osawa, Yuhei Yagi), Studio IWASE | Architecture + Landscape (Ryoko Iwase, Kaoru Endo, Musashi Makiyama), Sunayama studio + Toshikatsu Kiuchi Architect (Taichi Sunayama, Toshikatsu Kiuchi, Risako Okuizumi, Takuma Shiozaki, Kei Machida / Zu Architects), DDAA (Daisuke Motogi, Riku Murai)
Graphic Design: Village (Rikako Nagashima, Kohei Kawaminami, Hiroyuki Inada)
Web developer: Kei Fujimoto
Structural Engineering: TECTONICA (Yoshinori Suzuki, Kakeru Tsuruta), Mitsuhiro Kanada Studio at Tokyo University of the Arts (Mitsuhiro Kanada), Yasuhirokaneda STRUCTURE (Yasuhiro Kaneda)
Exhibition Construction: TANK (Naritake Fukumoto, Ai Noguchi, Takashi Arai), Takahiro Kai, Tsuguhiro Komazaki
Takashi Takamoto, Masayasu Fujiwara, Mauro Pasqualin, Pieter Jurriaanse, Paolo Giabardo, Valentino Pascolo, Jacopo David, Tommaso Rampazzo
Fabrication Cooperation: So Sugita Lab at Hiroshima Institute of Technology
Local Coordinator: Harumi Muto
Exhibition Design Management: Associates (Kozo Kadowaki, Akiko Kadowaki)

The post Japan creates exhibition from dismantled old house at Venice Architecture Biennale appeared first on Dezeen.

This microwave’s swinging front door carries your MasterChef-worthy meal, hot and ready to eat!

The ‘50s were home to some of the most innovative pieces of design and technology for their time. Invented just before the boom era in 1946, microwaves have changed a great deal since their debut, and still, designers remain inspired by the microwave oven’s convenience and timelessness. Bringing his interpretation to the table, designer Keereem Lee designed Waiter, a 3D visualization of a microwave that features a swinging door with an attached glass plate so users don’t have to bend down to place their food inside.

Narrowly dubbed ‘America’s Golden Age,’ the ‘50s saw innovations like the transistor radio, hard disks, and the Barbie doll define an era. However, ushering in this impressive lineup of inventions was none other than the microwave. Lee’s microwave design, Waiter, takes the classic compact build of the traditional blocky microwave, rounds its edges, and revises the inside to enhance its usability. Microwaves are anything but inconvenient. Spurred to only up that convenience factor, Lee’s main door on Waiter opens up once its quick-release trigger is pushed and reveals an attached glass plate that swings out with the door. Conceptualized so that users wouldn’t have to bend down to place their food inside the microwave, Lee also outfitted the Waiter with a transparent hood so that users wouldn’t even have to bend down to check on their food’s progress.

Most of the operations on the Waiter are featured on the design’s top lid, where the main control panel to set the timer and function is located. Waiter’s heating methods are activated in the same fashion as traditional microwaves, users need only push the door open and set the timer. It’s Lee’s attention to details that sets his microwave apart from the rest. Moving the control panel’s and glass plate’s locations, Lee leans on this reconfiguration to help make the Waiter that much more efficient.

Designer: Keereem Lee

An attached glass plate allows users to place their dish into the microwave without bending their backs.

A clean design, the Waiter features minimal technological details, equipping its front facade and top lid with only the essential control panels.

Users need only push the front door’s quick-release trigger to open the door and place their food on its glass plate.

A transparent hood allows users to check on their food’s progress.

The minimal look of Waiter only adds to its ease of use.

The quick-release trigger on the Waiter swings the door open to reveal its glass plate.

A control panel uses an intuitive design to simplify the cooking process.

Illustrations of Woman In Daily Life Situations

Basée à Los Angeles, Stephanie Deangelis est une illustratrice et une designer interdisciplinaire. Dans ses illustrations, elle représente des femmes dans différentes situations de la vie quotidienne. On peut par exemple les voir se détendre entourées de leurs plantes, jouer de la guitare ou manger une assiette toute seule au restaurant. Centré sur l’humain, son travail rappelle des situations très courantes qu’elle propose de voir à travers son propre regard et son talent artistique.

Pour en découvrir plus, rendez-vous sur son site internet et son compte instagram.






Ten interior architecture projects by undergraduate students at the Corcoran School of the Arts and Design

George Washington University

A clothing store that imitates an art gallery and an animal hostel designed to increase adoption rates are among the interiors projects presented by undergraduate students at the Corcoran School of the Arts and Design in our latest school show.

Other designs include an indoor park, a meditation space that uses the play between shadow and light to encourage meditative moments, and a micro-hotel designed to connect visitors with Colorado’s mountainous environment.

The projects are from students on the Interior Architecture BFA course at the Corcoran School of the Arts and Design at The George Washington University in Washington, DC, USA.


Corcoran School of the Arts and Design at the George Washington University

School: Corcoran School of the Arts and Design at George Washington University
Course: Interior Architecture BFA
Email: ciarc@gwu.edu

School statement:

“The undergraduate Interior Architecture (BFA) programme at the George Washington University’s Corcoran School of the Arts and Design in Washington, DC, offers students a unique opportunity to study, learn and create within a creative environment at a major research university.

“Our programme is the only Council for Interior Design Accreditation-accredited programme within DC and one of 10 interior programmes located at universities that rank in the top 70 of US News and World Report’s list of national research universities.

“Through our studio-based curriculum – the core of our programme – students learn to design three-dimensional environments through the use of dynamic concepts, cutting-edge materials, and innovative methods and techniques.”


Altitude Micro Hotel by Sophia DeNezza

“Altitude Micro Hotel is a luxury ski-in, ski-out boutique micro-hotel. It is designed to create a luxurious yet practical vacation experience while connecting the interior spaces with the resort’s mountainous environment.

“Altitude will provide a comfortable stay away from the typical touristy resorts and will give guests a chance to unwind through the many accessible amenities on-site. The design revolves around the concept of altitude, which reflects the Colorado landscape and the feeling of movement while skiing.

“By utilizing the site’s existing architecture and creating a contemporary, conceptual and practical design, Altitude Micro Hotel is designed to provide guests with a luxurious and unforgettable experience.”

Student: Sophia DeNezza
Advisor: Karen Gioconda
Course: Studio 5 – undergraduate
Email: sophia.denezza@gmail.com


George Washington University

Clash by Victoria Gogick

“With fast-fashion retail stores having a hold on many people’s shopping habits, in recent years the world has seen soaring amounts of textile waste generated. Clash aims to break these bad habits and offers a limited selection of curated clothing pieces that behave in the store like art does in a gallery.

“The process of creating garments is an art form. Clash aims to showcase each piece, emphasising the clothing’s construction and quality, aiming to spark conversations about consumer overconsumption through the store’s design.”

Student: Victoria Gogick
Advisor: 
Karen Gioconda
Course:
Studio 5 – undergraduate
Email:
vgogick@gwu.edu


George Washington University

Ikhaya Women’s Shelter by Alexa Greig

“The Ikhaya Women’s Shelter provides a place of refuge and a support system for women and their children escaping domestic violence. The shelter aims to create an inclusive community by using an indoor/outdoor canopy that intersects with all of the 13 buildings on-site.

“The outdoor canopy provides a sense of connection between the buildings and partial shade from the hot South African sun, while the indoor canopies influence the layout and flow of the interiors.”

Student: Alexa Greig
Advisor:
Kristin Carleton
Course: 
Studio 5 – undergraduate
Email:
alexacgreig@gmail.com


George Washington University

Luna Meditation Hall by Jana Khalil

“Luna Meditation Hall is dedicated to creating an environment where people can come for an energetic reset. The hall is made up of a meditation hall, private meditation enclaves and classrooms. It is designed to encourage people to turn inward, either alone,  in connection with others or with guidance.

“The project takes reference from phases of the moon. The space focuses on layering and the play between light and shadow to reflect the journey inward during meditative moments.”

Student: Jana Khalil
Advisor:
Kristin Carleton
Course: 
Studio 5 – undergraduate
Email:
khaliljana99@gmail.com


George Washington University

Movie Theatre and Film History Museum by Caitlin MacGregor

“The Movie Theatre and Film History Museum is designed for people to see parts of film history in the museum while also viewing new movies that could be a part of that same history someday.

“The site for the project is the Car Barn in Georgetown, D.C. The aperture of a movie camera inspired the main concept. The theatres are tucked away from sunlight, like film in the exposure compartment of a camera. But they are lit up by the screens inside the theatre, similar to film when exposed to light coming through the aperture of a camera.”

Student: Caitlin MacGregor
Course: 
Studio 5 – undergraduate


George Washington University

Farm Stay by Salli Mandel

“Farm Stay promotes slow food through an immersive retreat in Middleburg, Virginia. Guests learn sustainable farming practices and follow the path of produce from planting to cooking to eating. The life cycle starts in the main house, where cosy guest rooms cradle visitors as they begin their journey.

“Just as a plant grows into a seedling, the garage promotes growth and provides an opportunity for visitors to soak up new ideas. Finally, when the plant is fully grown and harvested, the guests dine at the restaurant and enjoy the feast. The life cycle continues when guests sow the seeds of knowledge with others.”

Student: Salli Mandel
Advisor:
Karen Gioconda
Course: 
Studio 5 – undergraduate
Email:
sallismandel@gmail.com


George Washington University

Books and Beyond by Sibyl Frances Natad

“Books and Beyond is designed for learning, socialization and a sense of community. The design is a dual concept of a bookstore, café and bar. The programme includes a writing centre for aspiring authors, a space for gatherings, and a communal work area.

“During the digital age, when information is easily accessible through the tap of a finger and people have a rapid lifestyle, it is fitting to create a space that is meant for an individual to slow down and enjoy perusing books leisurely. Books and Beyond is the best place to immerse oneself in literature and connect with others with a similar interest.”

Student: Sibyl Frances Natad
Advisor:
Kristin Carleton
Course: 
Studio 5 – undergraduate
Email: sibylfrances29@gwu.edu  


George Washington University

RE.turn: End of Life Centre by Grace Poillucci

“RE.turn aims to utilize design to initiate cultural change around death. It looks to develop an experience that allows mourners to grieve in the ways best for them, erasing the standard of a quick ceremony and moving toward a multi-day process of renewal.

“By providing the facilities for an extended stay, RE.turn creates an environment in which friends and family can gather, grieve, and extol life. It looks to answer: What power does architecture have to initiate mass culture change? Does design have the ability to diminish the long-standing stigma around death and mourning in the United States?”

Student: Grace Poillucci
Advisor:
Karen Gioconda
Course: 
Studio 5 – undergraduate
Email:
gracepoillucci@gwu.edu


George Washington University

14th & U Street by Morgan Richmeier

“Inspired by DC’s impressive array of parks and lively street culture, 14th & U Street is a public indoor park. With bike parking, short-term lockers, restrooms, and various fixed and unfixed seats, the indoor park caters to the heavy pedestrian and cyclist traffic.

“On the first floor, the resource area situates users and directs them to the functional programme. Connected through an atrium space, the second floor doubles as a reservable community space and social seating floor. Finally, the third floor is the most removed from the energy of the streetscape, featuring tranquil plant life and patio seating.”

Student: Morgan Richmeier
Advisor:
Karen Gioconda
Course: 
Studio 5 – undergraduate
Email:
mvrichme@me.com


George Washington University

The Animal Hostel by Alaina Willard

“The Animal Hostel is a shelter focused on helping improve adoption rates by providing a safe, wellness-focused environment designed to enhance connections between the community, individuals, shelter staff and animals.

“Through the concept of unity, Animal Hostel incorporates interior and exterior design elements that encourage natural interaction between pet and potential owner and establish a connection to the neighbourhood, generating a positive outlet for residents, business owners and consumers.

“A central glass core unites the building’s verticality, providing natural light that is critical to the wellbeing of the animals and evoking a feeling of openness, freedom and transparency.”

Student: Alaina Willard
Advisor:
Kristin Carleton
Course: 
Studio 5 – undergraduate
Email:
awillard@gwu.edu


Partnership content

This school show is a partnership between Dezeen and the Corcoran School of the Arts & Design at the George Washington University. Find out more about Dezeen partnership content here.

The post Ten interior architecture projects by undergraduate students at the Corcoran School of the Arts and Design appeared first on Dezeen.