Studiopepe draws on Milanese stations for La Rinascente womenswear department

Rinascente womenswear department by Studiopepe

Design and architecture agency Studiopepe references Milan’s offices and metro stations in its revamp of the fourth floor of the city’s renowned luxury department store La Rinascente.

The fourth floor, which is home to the store’s womenswear department, has been reimagined by the Milanese studio using bold graphic elements and pop colours.

Illuminated display columns with red armchair in Rinascente womenswear department
The interior is dotted with colourful accents including changing rooms encircled in orange curtains (top image) and Rodolfo Bonetto’s Boomerang armchair (above)

Studiopepe, founded in Milan in 2006 by Arianna Lelli Mami and Chiara Di Pint, conceived the space as a series of zones subtly organised by functions and visual references.

1980s Milanese workplaces as well as the city’s rationalist M1 metro stations – the latter designed in 1964 by Italian architects Franco Albini and Franca Helg – were among the studio’s inspirations.

Curved plexiglass shelving displaying trainers on blue carpet in retail interior by Studiopepe
A system of curved plexiglass shelving meanders through the womenswear department

“The use of graphic elements and pop tones echoing Milan street style convey a new genderless approach to retail design,” explained the studio.

“Colour is conceived as an architectural tool – an intense emerald green, silver and black create an unusual palette animated by hints of coral and bright yellow tones.”

Overview of La Rinascente womenswear department with blue carpet and grey displays
The department is accessed via a bright yellow staircase

The steel tubes – which are used to clad display columns and create table legs – are a direct reference to the city’s underground stations.

Materials such as satin steel, plexiglass and terrazzo are paired with experimental materials with contrasting textures such as Silipol – a material which was originally selected by Albini and Helg to cover the Metro stations’ walls; Alusion, the stabilised aluminium foam that is used to clad the city’s Fondazione Prada; and Milleform, a bio-based cotton acoustic tile.

To create a domestic feel, the space is furnished with a mix of bespoke rounded furniture and display cabinets, as well as classic design pieces like the Boomerang armchair by Rodolfo Bonetto.

Curved satin plexiglass shelving systems that display the store’s trainer offering also serve as space dividers.

The department’s distinctive circular changing rooms are enclosed in orange curtains made from structured leather – a feature that Studiopepe said nods to the textile folding doors often used by Italian architect Gio Ponti.

Turquoise stone table and upholstered pouf in retail interior by Studiopepe
Studiopepe used contrasting textures throughout the interior

A previous incarnation of La Rinascente’s fourth-floor womenswear department was designed by Japanese studio Nendo. Designed in 2013, the studio drew upon architectural elements observed while exploring Milan to create a calming, neutral space.

The studio said that it was “inspired by the unexpected encounters with shop windows, courtyard gardens and public squares that come from wandering Milan’s back streets.

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7 Award-Winning bicycles and travel-gear from iF Design Award’s global design community

The iF Design Award has been consistently hand-picking the best, most innovative designs since 1953, honoring top-class achievements in categories spanning Product Design, Communication Design, Packaging, Service Design, Architecture, Interior Architecture, and UI and UX for 67 years in a row. The entire iF Design Award program saw as many as 10,000 submissions this year, which were evaluated by 98 international design experts from 21 countries, on the iF Jury.

Just this year alone, 1,744 designs received the iF Design Award for their creative accomplishments across various categories, while an additional 75 designs went on to win the highly-coveted iF gold award for their outstanding work. The iF Design Award always culminates in a grand ceremony in Berlin, although owing to the pandemic and global travel restrictions, award-winning products and projects this year are being celebrated digitally with an international content campaign encapsulated by the slogan “The CreatiFe Power of Design” in cooperation with renowned design platforms and seven renowned design museums.

Over the course of the next few months, Yanko Design will be curating and featuring winning designs from this year’s program too – we’ve hand-picked seven award-winning designs from the Bicycling category below! All the iF Design Award winners can also be viewed on the newly-launched iF Design App that gives you access to a grand database of award-winning design projects and their creators, right at your fingertips!

To view all these designs and many more, visit the website of the iF DESIGN AWARD.

Click Here to download the brand new iF Design App – a new experience in discovering outstanding designs


Award-Winning Bicycles and Travel-gear from the iF Design Award 2021

Halfway Folding Bicycle by Giant Co. Ltd. (iF gold award Winner)

The iF gold award-winning Halfway bicycle solves every commuter’s biggest headache – carrying their cycle on public transit or into buildings. Its unique folding mechanism allows the entire bicycle to pack up into a hand-pulled strolley that you can easily wheel around with you. The bicycle even comes with its own front-basket for storing your bag while cycling, and caster-wheels on the basket allow the cycle to be rolled around when completely folded! “The term Halfway refers to the folding system of the bicycle – utilizing a single-sided fork and chain-stay which equates to a more compact enclosure size. The auto-lock system provides fewer steps for folding and introduces a new level of safety while riding”, mentions the Chinese design studio and creator behind the Halfway, Giant Co. Ltd.

Litelok Go Flexi-U by Prof. Neil Barron for LITELOK

Litelok Go Flexi-U is the world’s first insurance-rated, flexible U-lock for bikes. Unlike conventional U-locks that come with a rigid design, the Go Flexi-U sports a flexible design that can easily wrap around poles, fences, and other objects. It matches the strength and durability of traditional U-locks while being incredibly lightweight (641 grams). Moreover, it easily straps to your bike’s frame, making it rather easy to carry around with you as you ride!

Gmigo One by Baron Design Studio and Tianjin Jidian Road Technology Co. Ltd.

Designed to be a smart, modular scooter for urban commuting, the Gmigo One comes with a shape-shifting design that allows you to alternate between sitting and standing scooter designs just by plugging in different modules into the scooter’s unique frontal frame. The minimal design and Stormtrooper color-way forms a perfect foreground against the urban backdrop, and the small wheels are perfect for in-city commute. The scooter’s easily detachable hub makes the folded volume smaller and easy to store, and the magnesium alloy die-cast body helps dramatically reduce the scooter’s overall weight.

Canyon Fix 3-in-1 Minitool by Canyon Bicycles

Don’t let its unseemingly tiny design fool you, Canyon’s Fix 3-in-1 tool houses a veritable bicycle-fixing tool-shop in a compact yet extremely versatile form factor. Combining 3 tools into 1 small, light mini-tool, it features a ratchet with 4 double-sided bits, a Dynaplug® tool to fix punctures on tubeless tires, and a CO2 inflator to pump up flats. With a CNC-milled aluminum body, it weighs just 45g yet can deliver up to 30 Nm of torque, helping you pull apart your cycle and fix it together with no fuss. Plus, it’s about the size of your finger, so you can easily stash it anywhere while riding.

Canyon Speedmax by Artefakt Design for Canyon Bicycles

From the makers of the 3-in-1 minitool also comes the Speedmax, an incredibly capable bike designed to dominate triathlons. By providing more configuration options, optimized aerodynamics, even more innovative integration solutions, and storage spaces with a more streamlined design, the bike was built to give the triathlete every possible performance advantage. Canyon also worked hand-in-hand with Artefakt, a German-based design studio that played an instrumental role in developing the Speedmax series ever since its debut in 2010.

Thule RoundTrip Bike Duffel by Thule Group

Designed by the popular Swiss-based outdoor and transportation gear company, the Thule RoundTrip Bike Duffel is nothing short of a bike-gear-locker that you can carry with you. Designed on the format of popular camera-gear bags, the RoundTrip Bike Duffel comes purpose-built for dedicated cyclists, with a structured, organized interior that provides dedicated storage spaces for clothes, accessories, and EDC. Designed with individual cell pockets, tarpaulin-lined zippered pockets and a toolbox structure to easily see and access items, the Thule RoundTrip Bike Duffel is the perfect travel companion as you’re cycling, allowing you to easily access clothes, bike-repairing gear, or even your camera equipment when you’re outdoors!

FORE_Bicycle by GK Kyoto Inc. and GK Design Soken Hiroshima Inc.

Envisioned as a bicycle that’s designed for everyone, the FORE_Bicycle takes on the format of a scooter, with a minimal U-shaped frame that lets even women ride it while wearing skirts. The bike comes with a nude silver aesthetic that feels natural and allows it to easily blend into environments and boasts of a unique chainless format that makes it easier to maintain. The chainless design also eliminates the stress of getting grease on your clothes, or worse, getting your clothes caught in the chainlinks. By adopting this new foolproof format, the FORE_Bicycle improves the cycling experience, making it safer and much more hassle-free for everyone who rides it!

To view all these designs and many more, visit the website of the iF DESIGN AWARD.

This $700 million superyacht is a climate-research vessel that runs entirely on nuclear power

Forget Jeff Bezos’ superyacht, the Earth 300 Climate Research Vessel is so large, it even puts the Titanic to shame.

Designed to be 300 meters in length and capped with a 13-story-high ‘science sphere’ on top, the Earth 300 was conceptualized by naval architect Iván Salas Jefferson (founder of Iddes Yachts) as the torchbearer of global science, allowing us as a species “to expand our knowledge and understanding of the universe, both above and below the ocean’s surface.” It comes equipped with 22 state-of-the-art laboratories for research, a cantilevered observation deck, and has space for 160 scientists (along with dozens of other experts and student researchers), 164 crew members operating the vessel, and finally 40 additional slots for ‘VIP guests’. However, here’s the most impressive part of the Earth 300 vessel… it runs entirely on ‘clean’ nuclear energy.

The Earth 300 vessel boasts of an incredibly captivating design, with its ‘floating marble on a surfboard’ aesthetic that’s supposed to resemble the planet earth on a path to the future. The vessel has an almost sculptural quality to it, of which designer Iván Salas Jefferson said “We wanted to create a design that would inspire. When one looks at the sphere, we want them to be inspired to protect Earth. When one walks into the sphere, now housing the science city, and feels the action of all the ongoing scientific works, we want them to be inspired to become an alchemist of global solutions.”

Expected to set sail as soon as 2025, the Earth 300 vessel is currently being constructed by Polish naval architecture firm NED. The construction of the gigayacht is projected to cost anywhere between $500-700 million, and prominent backers of this project include names like IBM, Triton Submarines, EYOS Expeditions, and RINA, an international leader in maritime safety. The Earth 300 will also be powered by a unique ‘Molten Salt Reactor’, a new generation of atomic energy that’s safe, sustainable, 100% emission-free, and is developed by TerraPower – the nuclear innovation company founded by Bill Gates.

“The oceans are dying,” Salas Jefferson mentioned to Architectural Digest in an interview. “Having been born in Palma de Mallorca, I’ve seen it firsthand in the Mediterranean. Now is the time to reboot, reconnect, and redirect our planet’s destiny. Our oceans keep us—and our planet—alive, and Earth 300’s mission is to protect our oceans and ensure their health for generations to come.” Space may be the future, Salas Jefferson says, but “today, Earth is our only home.”

Designer: Iván Salas Jefferson (Iddes Yachts)

This wooden cabin comes in a flat-pack DIY kit so you can assemble your own tiny holiday home!



Setting up camp has never looked so good and it setting up a minimal glamping cabin just got a whole lot easier thanks to Den! The cabin design studio has a range of flat-packed DIY-style kits that let you assemble your own A-frame cabin in a few days.

The average size is 115-square-foot (10.68-square-metre) with models that are larger and smaller depending on what you are looking for. Once assembled, you can see the slanted wooden walls and a floor-to-ceiling triangular window just like how we drew a picture of a cabin as children. The space is minimal and can be transformed into a cozy getaway, a yoga studio, or a creative retreat! The prefab pieces for the cabin are made in New York and come with pre-drilled holes, all wooden structural parts that lock together, bolts, and even door hardware. They are super easy to assemble and the details make the cabin stand out from other flat-packed structures. It is well insulated and can be set up wherever your heart desires. Even though it is a semi-permanent shelter, it has all-season compatibility.

“Under the hood (roof) we have components that are cut with CNC precision, a design that slots together intuitively, and a kit so complete even the door hardware is included so you won’t need to make any trips to the hardware store. The cabin bolts and screws together and all the holes are pre-drilled for fast assembly,” explained the Den team. “If you don’t have any construction experience you can certainly make up for it with tenacity, and a few friends to help you with the job,” Den explained. “Building something even as easy as this still requires some hutzpah mind you. You need to be comfortable on a ladder a story off the ground to set the ridge cap and screw in the roofing panels, and you and your friends (or team) need to be careful with the large windows while setting them in place,” they added.

Den’s cabin kit is designed to be assembled with minimal equipment including a ratchet set, a power drill, a ladder, step ladder and a staple gun. The flat-packed materials arrive stacked according to the order in which they are needed which makes the process stress-free and less confusing. You don’t need to have construction experience, just some friends and enthusiasm for this project! Although you might need a contractor to help you out in bolstering the cabin if it is being built on a sloped site or any area with harsh weather conditions to make sure the foundation is solid. The cabin is made such that it touches the ground lightly so it can be disassembled and rebuilt elsewhere easily. That is also a reason why it is designed to be constructed without nails!

Designer: Den

Safdie Architects designs interconnected housing blocks alongside park over train tracks

Orca by Safdie Architects

Orca is a mixed-use development in Toronto designed by Safdie Architects that will have nine interconnected residential towers alongside a park that will be built over a railway.

Safdie Architects revealed plans to build decks over a 100-metre-wide and 800-metre-long stretch of the train line that leads to Union Station.

The decks will form a 10.5-acre public park and retail area set over multiple levels, next to nine high-rise towers. Renders show the towers being supported on large piloti.

One of the Orca towers will contain office space, while the other eight with contain 3,000 apartments. The high-rises will be connected together by bridges featuring gardens and amenities for residents.

“As the city has expanded westward, the railway lands have increasingly become a brutal barrier between the King West Community and the growing waterfront district,” said Safdie Architects founder Moshie Safdie.

“Our design aspires to forge a reconnection in the community fabric by creating a lively park that is economically viable and promises a unique destination experience for Toronto,” he added.

“As an isolated park is unlikely to generate the diversity of activity required to animate the neighbourhood, our design integrates amenities for city life like shops, restaurants, and offices into the park itself, drawing in residents and visitors alike.”

Boxy protrusions on renders of the towers recall Habitat 67, Safdie’s iconic brutalist complex in Montreal.

Safdie Architects worked with PWP Landscape Architecture, which designed the Salesforce Park on terraces over a transit centre in San Francisco, to create the park. It will feature playgrounds, walking trails and bike paths linked by ramps and elevators.

The shopping galleria area will be covered during the winter but will be able to be opened to the park in the summer during good weather.

Orca will join other upcoming developments in Toronto including as an esports stadium by Populous and a pair of twisting reflective skyscrapers from Frank Gehry.

Boston-based Safdie Architects was founded in 1964 and has offices in Singapore, Shanghai, and Jerusalem. Recent projects from the practice include the Crystal skybridge at Raffles City Chongqing and the Jewel Changi Airport in Singapore.


Project credits:

Architect: Safdie Architects
Landscape: PWP Landscape Architecture
Engineering: Arup
Local architect: Sweeny&Co
Clients: Craft Development Corporation, Kingsmen Group,Fengate Asset Management

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Braun marks its centenary with Good Design Masterclass by Ilse Crawford

Braun Masterclass

Dezeen has teamed up with Braun to present a three-episode masterclass series with British designer Ilse Crawford, which aims to mark 100 years of the German design brand by inspiring “good design for a better future”.

Called Good Design Masterclass, Braun produced the online series to showcase the three core design principles that it believes creates good design: “simple, useful and built to last”.

In the masterclass, Crawford discusses how these three principles can be applied to the current design industry to inspire both young designers to shape the products of tomorrow, and for us all to embrace good design in our day-to-day lives.

Over the coming weeks, Dezeen will publish each of the three masterclass episodes, which are also available to watch on Braun’s website.

Braun Good Design Masterclass Ilse Crawford
Above: the history of the spoon is one of the topics covered in the first masterclass episode. Top: the masterclass is led by designer Ilse Crawford

Each masterclass explores how design can “make life better for society and the environment,” according to the brand.

“As the founding editor of Elle Decoration UK, Ilse has cultivated a reputation for empathetic designs that integrate both the functional and useful,” said Braun. “She founded her eponymous multi-discipline design house Studioilse in 2001 and has led respected projects such as New York’s Soho House.”

Braun Masterclass
In episode two Ilse discusses VanMoof’s S3 bike

The series starts by discussing Braun’s first principle – simple. It explores how “good design” should almost be “invisible” yet clear to understand.

“Examples include the essentiality of the U-bend toilet (1775) by Alexander Cummings or even the spoon,” said Braun.

Braun Good Design Masterclass Ilse Crawford
The second episode also features Össur’s i-Limb Quantum robotic prosthetic hand

The second episode considers how design is “useful” and highlights that “design at its base level is a tool to provide sometimes profound solutions for real needs,” according to the brand.

In this episode, Ilse references VanMoof’s S3 bike and Össur’s i-Limb Quantum robotic prosthetic hand (2020).

Braun Masterclass
The masterclass series marks Braun’s centenary

The final episode focuses on designs that are built to last. Ilse examines durability and how products can be engineered to last, focusing on the plastic Melting Pot Table Multichrome from Dirk Van Der Kooij (2017), the Braun T3 radio designed by Dieter Rams and the Ulm School of Design (1958).

To find out more about the Good Design Masterclass, please visit Braun’s website.


Dezeen x Braun Good Design Masterclass

This article was written by Dezeen for Braun as part of our Dezeen x Braun Good Design Masterclass partnership. Find out more about Dezeen partnership content here.

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Diversity in Design Collaborative to offer more opportunities for black creatives

Diversity in Design logo by Forest Young

A group of US-based companies has launched an initiative to increase racial diversity across all fields of design through systemic change.

The Diversity in Design (DID) Collaborative announced its formation on 15 June 2021, outlining an immediate mission to increase the representation of black creatives across all design disciplines.

The initiative was spearheaded by US furniture group Herman Miller. It is co-led by the company’s senior vice president of special projects Mary Stevens, and Caroline Baumann, the former director of New York City’s Cooper Hewitt Smithsonian Design Museum.

Diversity in Design logo by Forest Young
The DID logo, which is built from four squares and a circle, was designed by founding advisor Forest Young

They are joined by a group of founding advisors that includes D’Wayne Edwards, founder of Pensole Design Academy; Lesley-Ann Noel, associate director for design thinking and social impact at Tulane University; and Forest Young, chief creative officer at Wolff Olins.

“As a Black designer I have waited three decades to receive Herman Miller’s call proposing the concept of DID,” said Edwards. “The lack of diversity in design is too large an issue for one brand to try to solve itself.”

“To me, DID is about more than purposely creating more diversity in design, it is about an entire industry creating a more meaningful relationship with a consumer that goes beyond them being a consumer,” he added.

Collaborative to offer “commitment, strategic action, and financial support”

The group of 20 founding companies and organisations spans the fields of architecture, interior design, furniture, fashion, branding, product design and technology.

They include Adobe, Architecture Plus Information (A+I), Dropbox, Fossil Group, Fuseproject, Gap, Herman Miller Group, Knoll, Levi Strauss & Co, Pentagram, Studio 0+A and Wolff Olins – the full list can be found on the DID website.

All members have pledged to create more career opportunities in design for black people – within their own organisations and through partnerships – and to build education pathways, offer grants, and provide exposure to black youth entering the creative industries.

The collaborative aims to spend its first year recruiting more creative studios and corporations to join its mission, while sharing information and resources on potential programs and partnerships to explore.

Part of the initial pledge involves working together on a DID Design Fair in Detroit in 2022, which is to be used as a model for future events in other cities throughout the same year.

Immediate need to address lack of black representation in design

The collaborative’s first directive is to address the lack of black designers in the workforce. According to its sources, 12 per cent of the US labour force identifies as black, but less than five per cent of designers employed on a full-time basis identify as black.

Furthermore, the average black student enrollment at design colleges and universities in the US is less than 10 per cent, and fewer than 10 out of more than 100 historically black colleges and universities (HBCUs) offer a design degree.

“As a professor of design, who has not taught any black students in the last two years, and only three students of color in total, I’m very excited about this initiative,” said founding advisor Noel.

“Access is an issue that we all can work together to overcome by creating many pathways into design for students of color, rural students, students with disabilities, and students who are facing barriers to access to great design education.”

Illustrations of historic design by Black designers
To mark the launch of DID, Kelly O’Hara created a series of graphics that celebrate historic designs by Black designers

The DID logo was designed by founding advisor Young as “a simple story of three squares and a circle” to visualise the current status quo and reflect the work that needs to be done.

“The mark is a charge: our profession will only become legible when diversity is re-lensed as a beacon of industry,” he said.

Young also provided creative direction for a series of illustrations to accompany the DID launch by Herman Miller art director Kelly O’Hara. The graphics celebrate historic designs by black designers: from a doorknob and golf tee to the inventor of automatic elevator doors.

The DID website strategy, design and development was completed by collaborative members Work & Co.

DID is latest move to improve racial diversity in design

The launch of the DID Collaborative comes a year after widespread protests over police brutality against black people, sparked by the murder of George Floyd, spurred a global movement against racial discrimination and inequality.

Since then, several initiatives have been set up to help promote racial diversity across the design industry, including United in Design, the Where are the Black Designers? conference.

Meanwhile, high-profile design institutions including London’s Bartlett School of Architecture and the Rhode Island School of Design have launched anti-racism investigations and programs to help improve racial diversity.

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NASA’s List of Plants That Best Filter Indoor Air

NASA’s 1989 Clean Air Study ascertained that certain plants act as an effective natural filter and remove organic pollutants from the air in enclosed spaces. To counter the effects of reduced ventilation in buildings at the time, and the lack of fresh air in this abodes, researchers documented the percentage of chemicals (like formaldehyde) that were naturally removed from sealed spaces within 24-hour periods by plants. 18 of them—including the pothos plant, aloe vera, peace lily, heartleaf philodendron, red-edged dracaena and weeping fig—proved most effective. See the full list at designboom.

Image courtesy of The Sill

These detailed product designs complete your home furniture to make it an inclusive interior design

Furniture and accessories – IKEA has made a fortune over selling us products and them accessorizing these designs! In fact, I’ve come to the point where I have more chair accents, pillow covers, or even tableware rather than my actual furniture count. Studio Fountain thinks of furniture as 90% complete. As for the remaining 10%, they have designed a series names the 10% furniture!

The series consists of four unique shapes. The first one is 1/8th of a sphere, made of a soft, foamy material that fits perfectly onto the edge of our pointy surfaces – be it a table, a cabinet, or a stray shelf. Second in line comes a twisted ring-shaped design that sits more comfortably on your doorknob. No more accidentally banging the doors and waking up the baby! Third in line is a soft wedge to stop those annoying rickety tables without measuring out the exact wedge size every time. And finally, we have a cube with cuts that allow the leg of your chair, table, stool to slip into it with ease and keep your flooring safe from any scratchy sounds as well as marks.

Almost whimsical in design, the 10% furniture is attention to detail at its finest. Small product designs make small tweaks to your regular furniture to make it 100% more user-friendly, we are in for it!

Designer: Soil with Studio Fountain

The R2: An Autonomous Car Designed to Carry Things, Not People

All established automakers have definitely asked their design teams: How should the design of a car change when a driver is no longer required?

It takes a startup, however, to ask the question: How should the design of a car change when it drives itself—and it’s not meant to carry people at all?

Nuro‘s answer has already been rolling around on the streets of Houston. The startup is in the business of last-mile delivery—ideally in underserved areas, the company says—and reckons the best way to get goods to people is to save people as much of the trip as possible. “It’s time for robots to do the driving,” the company writes. “Our custom autonomous delivery vehicles are designed to drive in neighborhoods. And because they only carry goods, they prioritize the safety of others. It’s a safer, smarter approach to everyday errands.”

In April the Nuro R2 began delivering Domino’s pizzas to select customers in Houston, after exhaustively mapping the test neighborhoods with a fleet of instrument-riddled Priuses. Now they’ve announced a partnership with FedEx, who has committed to using a fleet of Nuro’s deliverybots (which are electric, by the way). The eventual goal is to grow that fleet “to a scale that will be transformative for logistics and for everyday life,” writes Dave Ferguson, Nuro’s Co-Founder.

Back to the design of the R2 itself. It can’t be a coincidence that it shares its name with a certain friendly robot, and like R2-D2, Nuro’s vehicle is electric. (I always assumed R2-D2 was electric, you never see Luke pouring gas into him.) And by looking at the R2, we can guess at least two things the designers were thinking:

It’s got to be friendly-looking. This is a new type of vehicle and we don’t want it freaking people out.

Thus the form of the R2 has no caffeinated-CAD-jockey creases, brutal surface changes, zigzags or pointy bits. The body style is rounded, soft-looking, gentle even. No angry, slit-like LED headlights, but old-school round ones, like on a VW bug. An expansive windshield, even if no human is looking out of it, as if to say “Relax, I’m obviously a car-like object, you’ve seen stuff like me before.”

There’s no reason the thing needs to be car-sized.

Since the designers decided—presumably for safety reasons—to have the packages only accessible from the curb-side of a two-way street, there are only doors on one side. And you don’t want delivery recipients having to lean into the vehicle and reach across the entire width of a car to get at a package in the back. Thus the R2 is accessibly narrow, which I feel is good UX design. And the gullwing doors are a nice touch as well, admitting plenty of natural light, revealing both the packages and the friendly teal color within. There’s no ducking and having to reach into the dark space of an unknown vehicle.

The company doesn’t actually say much about the design, but does confirm that “We designed it differently on purpose,” on their website. “When we founded Nuro, we set out to build a new class of vehicle designed purely for transporting things instead of people. We wanted to build a self-driving vehicle, but not just a driver-less vehicle—a passenger-less vehicle, too.

“We were convinced that this kind of vehicle had the potential to be safer than passenger vehicles: more nimble, narrower, and better able to prioritize the well-being of other road users. And by building such a vehicle, we could also lower vehicle cost, improve the customer experience, and accelerate autonomous technology deployment by solving problems jointly through both hardware and software development.”

In terms of safety, it’s worth noting that with no passengers to worry about jostling, the R2 can slam on its brakes as hard as it wants. “R2 can come to a quick emergency stop when necessary without concern for the groceries, pizza, or other items onboard,” the companys says. “But rest assured: if your pizza gets damaged along the way, we’ll make sure to send another one without delay.”