Rodrigo Amarante: I Can’t Wait

From Brazilian recording artist Rodrigo Amarante’s forthcoming album, Drama (out 16 July on Polyvinyl), “I Can’t Wait”—a track both gentle and urgent—beguiles with harpsichord woven into guitar, synth and percussion. The accompanying music video commences with the chirping of birds and a jangling wind chime that wake Amarante from a dream and project him into intimate moments of lovelorn reflection. It’s a beautiful character study with a particularly cinematic repose.

This spherical multipurpose seating solution swivels to face any side of the room!

Transforming and multipurpose furniture is a trend that never dies. While the former offers customers the freedom in re-organizing home’s décor, the latter offers versatility and ensures the unit can adapt to any interior setting. Irrespective of your home size and the décor style, multipurpose seating like the Sphere Bench provides a practical and simpler way to serve you in various ways without taking up much space.

Designed to be placed in a central position in your living room, Sphere, with its flexibility and multipurpose approach, allows a user to manipulate its form, so it adapts to the activity – sitting, reclining – that the user intends. Presented in an egg-like form factor with a wooden base, Sphere Bench has a gray fabric upholstered seating area divided in half by a high backrest. The top seating portion spins around to allow the user to face any side of the room instantly.

What’s more interesting is that its wedge (in contrasting yellow) doubles as a pillow when you want to relax and recline on the Sphere. On removing the wedge, the vacant space can be used as a cubby to keep your belongings or maybe have your partner or pet jump up to fill the void and cuddle up right beside you. We can use the multipurpose bench for sitting or reclining on; the backrest design seems a little too upright, which could be uncomfortable for long sessions. But for occasional chit-chat in the room, the Sphere looks very stylish and modern.

Designer: Maggie Jo

 

The 2021 Core77 Design Awards Strategy & Research Honorees

The 2021 Core77 Design Awards Strategy & Research category honors projects or products that predominantly utilize design research and strategy. Examples include: brand strategies, product and project strategies, research methodologies such as surveys, interviews, studies, observations, varied research throughout projects, etc.

This year’s Core77 Design Awards Strategy & Research team was led by Emily Privot McNamara, Senior Researcher of Industrial Design at Amazon. Joining Emily on the panel was Charles Erdman, Head of Product Design at Small Planet, Karina Totah, Chief of Staff to the President & CMO at Thyme Care, Michal Levin, Vice President of Product at Hero and designer Parul Vora.

The Strategy & Research honorees are as follows:

Congratulations to all of this year’s honorees! You can view the honorees in all 18 categories on the Core77 Design Awards website.

Check out all the 2021 Core77 Design Awards honorees by category:

Built Environment | Commercial Equipment | Consumer Technology | Design Education Initiative | Design for Social Impact | Furniture & Lighting | Health & Wellness | Home & Living | Interaction | Packaging | Personal Accessory | Service Design | Speculative Design | Sports & Recreation | Strategy & Research | Tools & Work | Transportation | Visual Communication

The 2021 Core77 Design Awards Service Design Honorees

The 2021 Core77 Design Awards Service Design category honors all projects entailing the organization of communication, transactions, end-users, infrastructure, institutions and organizational systems for greater efficiency and ease of use. Examples include: distribution or delivery systems, ways of connecting people or enabling transactions, funding platforms, web-based communities, etc.

This year’s Core77 Design Awards Service Design team was led by Emily Privot McNamara, Senior Researcher of Industrial Design at Amazon. Joining Emily on the panel was Charles Erdman, Head of Product Design at Small Planet, Karina Totah, Chief of Staff to the President & CMO at Thyme Care, Michal Levin, Vice President of Product at Hero and designer Parul Vora.

The Service Design honorees are as follows:

Congratulations to all of this year’s honorees! You can view the honorees in all 18 categories on the Core77 Design Awards website.

Check out all the 2021 Core77 Design Awards honorees by category:

Built Environment | Commercial Equipment | Consumer Technology | Design Education Initiative | Design for Social Impact | Furniture & Lighting | Health & Wellness | Home & Living | Interaction | Packaging | Personal Accessory | Service Design | Speculative Design | Sports & Recreation | Strategy & Research | Tools & Work | Transportation | Visual Communication

The 2021 Core77 Design Awards Sports & Recreation Honorees

The 2021 Core77 Design Awards Sports & Recreation category honors consumer products or services created to encourage play, movement or learning. Examples include toys, games, athletic equipment, athletic wear and accessories, outdoor gear and equipment, etc.

This year’s Core77 Design Awards Sports & Recreation team was led by Katie Becker, Vice President of Creative at Arc’teryx. Joining Katie on the panel was Ashley Anson, Senior Design Director of Advanced Concepts Apparel at Adidas, Ricardo Camargo, Creative Director and Owner at Vapor Studio and Matthew Dainty, Vice President of Creative at Salomon.

The Sports & Recreation honorees are as follows:

Congratulations to all of this year’s honorees! You can view the honorees in all 18 categories on the Core77 Design Awards website.

Check out all the 2021 Core77 Design Awards honorees by category:

Built Environment | Commercial Equipment | Consumer Technology | Design Education Initiative | Design for Social Impact | Furniture & Lighting | Health & Wellness | Home & Living | Interaction | Packaging | Personal Accessory | Service Design | Speculative Design | Sports & Recreation | Strategy & Research | Tools & Work | Transportation | Visual Communication

KPF designs Blue Pool Road semi-detached residence on Hong Kong Island

Hang Lung Properties

Dezeen Promotion: developer Hang Lung Properties has unveiled the 23–39 Blue Pool Road development designed by architecture studio, Kohn Pedersen Fox, to “offer a unique lifestyle that combines urban buzz with residential comfort”.

The site includes 18 semi-detached three-storey residences that are each equipped with a private rooftop, courtyard, five en-suite bedrooms, balconies and a garage.

According to Hang Lung Properties, “The crown jewel of the development is undoubtedly House 31”.

House 31 totals 850 square metres and is made up of two adjacent semi-detached houses with interiors designed by international studio Hirsch Bedner and Associates (HBA).

23-39 Blue Pool Road
A custom hand-blown glass chandelier emphasises “the verticality of the double-height living and dining area, which enjoys ample natural light”

“From the very early stages of the design, we agreed that this was a great opportunity to create a timeless, modern yet opulent and comfortable interior,” said HBA Hong Kong associate director Paulo Dias.

“And who were the clients they imagined this one-of-a-kind home for? A well-travelled, cosmopolitan couple, avid art collectors and patrons.”

23-39 Blue Pool Road
The artwork in House 31 is sourced from private collectors and galleries

The house’s ground floor includes an Italian Boffi kitchen, courtyard and island bar for entertaining, while its landscaped rooftop garden features a barbecue and bar.

House 31’s master-chamber floor is designed for privacy and includes a master suite and second suite, both equipped with walk-in wardrobes. The residence also has a wellness and spa quarter, study, games room and theatre. The interiors of the home incorporate Italian and local Hong Kong-made fabrics.

Dias and his team chose furnishings to create “different layers that add interest and enhance the overall level of luxury,” according to the brand.

23-39 Blue Pool Road
Wooden and green coloured designs feature on the rooftop of 23-39 Blue Pool Road

“HBA is known for developing bespoke finishes that make each project one of a kind,” said the developer.

“Unique touches include custom-dyed wood veneers, unique glass and lacquer finishes and custom-designed carpeting,” it continued.

“Other exclusive materials include exotic marbles, like South African gemstone tiger’s eye for the bar and cow horn in one of the millwork units.”

23-39 Blue Pool Road
The home is designed by Hirsch Bedner and Associates (HBA)

The artwork across the home was curated by the in-house HBA team, sourced from private collectors and galleries worldwide. The living room includes works by Andy Warhol, Kazuo Shiraga and DanHôo in a “bold salon-style display”.

“Elsewhere in the home are works by the likes of Damien Hirst, Lai Chi Man and Elsa Jean de Dieu,” said the developer.

23-39 Blue Pool Road
The home’s interiors are made up of Italian and locally sourced materials

“The result is a living experience that is about “simplicity, elegant detailing and beautiful bespoke finishes, accentuated by unique art,” Dias said.

“The overall impression is one of drama and luxury, but that is still welcoming.”

For more information about 23-39 Blue Pool Road and House 31, visit the development’s website.


Partnership content

This article was written by Dezeen for Hang Lung Properties as part of a partnership. Find out more about Dezeen partnership content here.

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Electric airship designed to replace short-haul plane trips

UK manufacturer Hybrid Air Vehicles has designed a hybrid-electric version of Airlander 10, an airship that could provide a less carbon-intensive alternative to short-haul flights.

Hybrid Air Vehicles (HAV), which is based in Bedford, has designed a dirigible that could take 100 passengers on popular, short routes such as Liverpool to Belfast.

The company calculates that using their airship would produce “75 per cent fewer emissions than conventional aircraft in similar roles”.

The Airlander 10 went viral in 2016 when photographs released of its test flight earned it the nickname of the “flying bum”.  Subsequent redesigns have made it svelter and less peach-shaped.

Airlander 10 on its test flight
Airlander 10 went viral in 2016 when it was nicknamed the “flying bum”

The hybrid-electric Airlander 10 would be filled with helium and propelled by two electric motors powered by hydrogen fuel cells at the front and two combustion engines at the rear.

“Using lighter-than-air technology means that Airlander 10 requires significantly less power to generate lift and fly,” a spokesperson for HAV told Dezeen.

“Airlander 10, therefore, produces far fewer emissions even before electrification.”

Interior render of the Airlander 10
A new hybrid-electric version could have less carbon impact

HAV calculates that a passenger’s individual carbon impact for a flight between Barcelona and Palma de Mallorca would be 4.5 kilograms on an Airlander 10, versus 53 kilograms taking the same trip on a traditional aeroplane.

Although airships are slower than traditional fixed-wing aeroplanes, HAV pointed out that they can deliver passengers closer to their final destination as they can take off and land on any flat surface – including water.

“Over shorter routes, this is balanced by Airlander 10’s ability to operate much closer to the final destination and fly point-to-point,” said HAV.

“In some cases, this makes the total journal time very similar or only slightly longer but with all the benefits of comfortable travel with very low emissions.”

HAV has proposed airships as a less carbon intensive mode of flight
The airship could be a less carbon-intensive alternative to inter-city flights

Aeroplanes power their engines by burning aviation fuel, which is typically petroleum-based. Jet fuel, for example, uses kerosene – a combustible hydrocarbon made from petroleum.

Filling airships with helium makes them light enough to float, as helium is lighter than air, so the engines are only required to direct the craft rather than keep it airborne.

Although helium is the second-most abundant element in the universe after hydrogen, it is a finite resource on earth because it floats away out of the atmosphere.

Airlander 10 would produce 75 per cent fewer emissions than a jet plane

It is the only element on Earth that is completely non-renewable and is only generated deep underground via the radioactive decay of uranium and thorium.

However, HAV claims that Airlander 10 would not significantly deplete the planet’s resources.

“Although helium is a finite resource, there are ample reserves and new helium fields are being identified now,” said the company.

“Even with 600 aircraft in use in the world, Airlander 10s would make up just 1 per cent of the world’s annual helium consumption.”

HAV is partnering with British aviation business 2Excel Aviation to offer Airlander 10 to airlines and cruise companies.

“It is HAV’s plan to produce at least 12 aircraft per year,” said the company.

More low-emissions aircraft design includes these three concepts for zero-emission commercial aircraft by Airbus and a V-shaped aircraft by Dutch airline KLM and TU Delft.

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Natural materials "lack investment and innovation" says Allbirds sustainability head

Futurecraft.Footprint trainer by Adidas and Allbirds

The race to tackle carbon emissions is being hampered by underinvestment in new plant-based materials, according to Hana Kajimura of Allbirds, which has launched a low-carbon trainer with Adidas.

“We lament how natural materials maybe don’t perform as well as synthetics,” said Kajimura, head of sustainability at the New Zealand footwear brand.

“But this is just because of the lack of investment and innovation in this space.”

The new collaboration with Adidas, called Futurecraft.Footprint, is the latest in a series of moves by the sneaker industry to reduce the carbon footprint of its products. The two brands believe it is the lowest-carbon trainer ever made.

Last year, Belgian brand Norm managed to whittle the footprint of its unisex 1L11 shoe down to 6.5 kilograms of carbon dioxide equivalent (CO2e) by using recycled plastic while Nike’s lowest-carbon trainer to date, the 2020 Space Hippie, weights in at 3.7 kilograms of CO2e.

Close-up of carbon footprint label on Futurecraft.Footprint trainer
The carbon footprint of the Futurecraft.Footprint trainer (top) is labelled on its midsole (above)

The new Futurecraft.Footprint pushes this even lower to 2.94 kilograms of CO2e.

By contrast, the average sneaker emits around 13.6 kilograms of CO2e throughout its life and is constructed from 65 distinct components – most of them plastic.

But to create a zero-emission trainer, Kajimura believes the industry needs to invest in developing plant-based materials that are capable of storing carbon while rivalling the performance of petroleum-based plastics.

“We’ve been innovating on synthetics for decades, since the 1800s when we discovered and started drilling for oil,” she said.

“And we just haven’t placed that same amount of investment on natural materials and really figuring out how to increase their performance.”

Sneakers responsible for 1.4 per cent of all global emissions

Sneaker production is responsible for 1.4 per cent of all global greenhouse gas emissions compared to the 2.5 per cent that is contributed by air travel.

To mitigate this, Adidas has committed to going climate neutral by 2050 in line with the targets set out in the Paris Agreement.

So far, the brand has created an endlessly recyclable trainer and one made from recycled ocean plastic but has not revealed the carbon footprint of these products.

Now, the company has teamed up with footwear brand Allbirds, which has created its own carbon footprint calculator and has been declaring the emissions of all its shoes since last April.

The brand was also among the initial signatories of the B Corp Net Zero 2030 pledge, committing itself to reaching net-zero emissions 20 years ahead of the Paris targets.

Low-carbon trainers by Adidas and Allbirds
Created by Allbirds and Adidas, the trainers emit 2.94 kilograms of CO2e throughout their whole life

Adidas and Allbirds worked together over the course of a year to develop the Futurecraft.Footprint trainer, which will be available in limited quantities from the end of 2021.

According to the brands, the sneaker emits 63 per cent less carbon throughout its life than a comparable running shoe such as the Adizero RC3, which emits 7.86 kilograms of CO2e.

“What’s really exciting about this project is that we were able to get from 7.86 to 2.94 kilograms in 12 months with stuff that’s completely available today,” Kajimura said.

“It basically proves that maybe we can’t get to zero with what exists today but we can get the majority of the way there. And if we can do that with this one shoe, imagine what that could do for the industry.”

Simplifying construction drives down footprint

According to Kajimura, simplifying the trainer as much as possible and reducing its components down to seven had the single biggest impact on its carbon footprint.

Among other things, the design cuts out the many layers of polyurethane (PU) foam that are normally used in trainers to support the runner’s foot and replaces them with a strategic embroidery pattern on the shoe’s upper.

The final Futurecraft.Footprint trainers weigh only 154 grams, around as much as a bar of soap.

“That really plays out across every element of the carbon footprint,” she said. “It doesn’t just help with the materials aspect but it means fewer transportation emissions and less energy use.”

The lining, laces, embroidery and 70 per cent of the upper are made from recycled polyester and a portion of the shoe is already made from natural and plant-based materials.

Tencel, a type of cellulose fibre derived from wood pulp, was used to form the remaining part of the upper, while 10 per cent of the outsole is made from natural rubber and the midsole, sock liner and tongue consists of between 18 and 28 per cent of a sugarcane-based bioplastic called SweetFoam.

Natural materials can act as carbon sinks

But a significant part of the shoe is still made from virgin, petroleum-based plastics, such as the thermoplastic polyurethane (TPU) used to form more than 80 per cent of the midsole.

Senior Adidas designer Florence Rohart says this is currently still necessary to guarantee the performance of the running shoe.

Material anatomy of the Futurecraft.Footprint trainer
Parts of the shoe are constructed from recycled and plant-based materials

“We want to have a shoe that allows runners to perform to their highest level,” she said.

“So having good durability, good responsiveness, [a structure that is] lightweight but strong enough – these are elements of designing for performance that define how low we can go.”

In the future, to get all the way to zero and beyond, Kajimura says more money needs to be poured into ensuring that natural, plant-based materials can fulfil these same performance requirements.

“It really requires innovation and it requires really focused investment in natural materials,” she said.

“To balance out whatever emissions are created in other parts of the shoe, the materials have to be carbon negative and act as carbon sinks.”


Carbon revolution logo

Carbon revolution

This article is part of Dezeen’s carbon revolution series, which explores how this miracle material could be removed from the atmosphere and put to use on earth. Read all the content at: www.dezeen.com/carbon.

The sky photograph used in the carbon revolution graphic is by Taylor van Riper via Unsplash.

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Ten architecture projects from students at the Academy of Art University

Academy of Art University

An aquarium designed to protect marine biodiversity and a healing centre using horticultural techniques to help treat mental illness are included in our latest school show by architecture students at the Academy of Art University.

Other projects include a “public living room” that blends neighbourhood life with areas for privacy and a residential hub designed to enable economic self-sufficiency for residents.


Academy of Art University

School: Academy of Art University, School of Architecture
Courses: M.Arch M.Arch2 B.Arch MA and BA
Tutor:
Mark Mueckenheim, David Gill, Nicole Lambrou, Sameena Sitabkhan, Eoanna Harrison, Philip Ra and Mini Chu

School statement:

“We are a progressive design laboratory of highly passionate students and a distinguished faculty of practising architects who work together to explore the boundaries of architecture. Our interactive onsite and online studio experience harnesses digital tools to mentor students throughout our rigorous curriculum.

“We offer an excellent design education by developing each student’s capacity to synthesise critical thought, architectural vision, and technical comprehension. Our programmes engage with current global issues, empowering students to be change-makers and leaders advocating for social equity. Our diverse international community enables us to propagate a unique cultural response to build a better world.”


Academy of Art University school show

Outer Mission Ramp Library – a knowledge connector for rapidly changing communities by Yi Hsien Rachel Wang

“The typology of library buildings has evolved throughout history, reflecting the changes in information systems and learning activities. By combining social, functional and environmental benefits, the thesis is projecting a new sustainable library typology as a prototype for a public learning infrastructure.

“The main conceptual idea is to design the library as a continuous ramp, connecting previously separated areas in the diverse local city fabric. The architectural intervention shortens the neighbourhood’s physical and social distances by combining pedestrian bridges, casual and formal learning infrastructure as a public living room for residents to gather, work, exercise and entertain.”

Student: Yi Hsien Rachel Wang
Course: Master of Architecture Thesis
Tutor: Mark Mueckenheim


Academy of Art University school show

Self-generating Architecture: Pier 28 by Valeryia Haletskaya

“The design for a hybrid aquarium and research-development centre at Pier 28 on the San Francisco waterfront employs organic, metabolic and self-generating materials. Artificial organisms – protocells that in time grow into artificial limestone – help to decrease levels of carbon dioxide while reinforcing the existing structure and building its sea-wall reef, skeleton, and envelope.

“Researchers, students and visitors share spaces for learning, interaction, and collaboration. The scheme offers protection for marine species and enhances biodiversity. The living architectural intervention is aimed as a long-term solution for coastal cities and other areas at risk from storms surges due to climate change.”

Student: Valeryia Haletskaya
Course:
Master of Architecture Thesis M.Arch
Tutor:
Mark Mueckenheim


Academy of Art University school show

Outer Mix Investigating mixed-use development as a means to fostering a healthy year-round community on the Outer Cape by Christian Fish

“A lack of affordable, year-round housing has become an urgent crisis on Cape Cod, afflicting low and middle-income families depending on a largely seasonal economy. Outer Mix imagines a new residential, social and economic hub on a 10-acre area in the Eastham Corridor Special District.

“Organised into four blocks repeated throughout the site, 95 residential units are combined with nearly 30,000 square feet of economic and social programming. This includes artist studios, co-working spaces, cafes, a library, daycare and community greenhouse. This programme mix enables economic and sustainable self-sufficiency and a community for residents.”

Student: Christian Fish
Course:
Master of Architecture Thesis
Tutor:
Nicole Lambrou


Academy of Art University school show

Eco-Tecture – Unifying Ecology with Architecture by Kevin Brady

“How can architecture enhance, improve and support educational and public awareness of the conservation and preservation of our local natural resources? Exposure and access to the elements of nature enliven the spirit, inspire curiosity, and encourages a ‘critical thinking’ response while promoting a healthy interactive lifestyle.

“This thesis seeks to determine how architecture could positively impact an ecological setting that strengthens community health, productivity, conservation and ecological awareness. This design approach engages user groups with the natural environment while preserving the ecological habitat.”

Student: Kevin Brady
Course:
Master of Architecture Thesis
Tutor:
David Gill


Academy of Art University school show

A Living Architecture by Aishwarya Naidu Bobbili

“This project is a healing centre incorporating earth and plants into its form and structure to create a holistic, sustainable space for wellness and rehabilitation. Farming, nature and architecture form a dialectic relationship. Horticultural techniques such as pleaching aid in the treatment of mental illness and serve as a therapeutic strategy.

“Located in Bakersfield, near Oil City in Kern County, California, the site is near the highest polluted city in the United States. The project aims to aid in healing people with a tranquil environment that incorporates sustainable and biophilic design.”

Student: Aishwarya Naidu Bobbili
Course:
Master of Architecture Thesis
Tutor:
Mark Mueckenheim


Academy of Art University school show

Unity Pavilion for Northridge Cooperative Housing by Naomi Rojas, Shunyi Yang, Dylan Ingle, Rhonuel Domingcil, Fabio Lemos, Corona Xiaohuan Gao, Malak Bellajdel, Kenta Oye, Jacob Delaney, Harikrishna Patel and Daniel Cervantes

“A design-build project by the B.Lab group, the pavilion fosters cooking, eating and storytelling within a community garden in the Hunters Point neighbourhood of San Francisco.

“Due to a lack of access to healthy, affordable food in the area, the pavilion integrates counters, benches, and a movable kitchen table for cooking demonstrations using produce directly from the garden, while a series of frames offer shade and a vista of the bay.

“The design was derived from several communities and youth workshops together with feedback from garden volunteers, and the pavilion was measured and tested on full-scale prototypes before construction.”

Student: Naomi Rojas, Shunyi Yang, Dylan Ingle, Rhonuel Domingcil, Fabio Lemos, Corona Xiaohuan Gao, Malak Bellajdel, Kenta Oye, Jacob Delaney, Harikrishna Patel and Daniel Cervantes
Course:
B Arch Collaborative Project / Building Lab – b.Lab / ARH 498
Tutor:
Sameena Sitabkhan, NOMA and Eoanna Harrison, AIA


Academy of Art University school show

Sign-Up Sheet by Daniel Joonhee Lee

“The project investigates the relationship between the sacred and the political, and the role of the autonomous citizen therein. Sign-up sheets are simple yet contractual.

“Where public services are exchanged, they are activating devices bringing citizens together to achieve common goals. Sacred architecture has been a beacon of alternative governance by becoming places of refuge and political action.

“This thesis frames those events as distinct from the economic agenda of neoliberalism. Sign-Up Sheet reimagines the site with an urban sanctuary in San Francisco’s Tenderloin where non-profit staffs and community members live and work in a hub of collective activity.”

Student: Daniel Joonhee Lee
Course:
Bachelor of Architecture Thesis
Tutor:
Philip Ra and Mini Chu


Academy of Art University school show

Kid of Parts for the Bayview Commons Apartments by Adam Nuru, Markish Siojo, Dylan Ingle, Fabio Lemos, Xiaohuan Corona Gao

“Through a series of community events at the Bayview Commons Apartments, an affordable housing community in San Francisco, we learned that residents wanted an active, intergenerational, and flexible space that allowed for relaxation, interactive play and community events.

“Our final design incorporates a set of flexible, movable furniture that can be set up in different configurations. Intergenerational play, imagination, and socializing are emphasized through the design of different panels on the modular pieces. The colourful groundscape is coded to give clues for spatial use and provide a vibrant surface that complements the colours of the wall mural.”

Student: Adam Nuru, Markish Siojo, Dylan Ingle, Fabio Lemos, Xiaohuan Corona Gao
Course:
B Arch Collaborative Project / Building Lab b.Lab / ARH 498
Tutor:
Sameena Sitabkhan, NOMA


Academy of Art University school show

Infilling the Void by Kenta Oye

“Urban planning in San Francisco has confined ethnic neighbourhoods to inhuman spaces. My ancestral heritage includes the repeated displacement of the Japanese community to unwanted or forgotten territories.

“The design reveals the lost layers of the site – where the first Japan town took root in 1900 – by activating the alleys, offering a cultural centre that borrows from museum and immigration centre programmes.

“The act of making was the catharsis that enabled this community to cope creatively. Ceramic, wood, and sewing galleries are paired with adjacent workshops, providing spaces to congregate, exchange ideas and share experiences through craft.”

Student: Kenta Oye
Course:
Bachelor of Architecture Thesis
Tutor:
Philip Ra and Mini Chu


Academy of Art University school show

Urban Living Room by Zoe Qiaoyu Zheng

“The project brings neighbourhood life into public space while blurring boundaries and creating conditions of privacy. Public programmes and varied open spaces blend traditional library and private spaces with adjacent buildings.

“The design responds to natural light, wind, and views but also create opportunities to block visual contact with adjacent residences. People are welcome to celebrate their time here, and the architecture makes invisible boundaries to protect their personal space as needed.

“This is not just a library or another place to hang out; the proposal also provides opportunities for people to safely interact in acceptable proximities.”

Student: Zoe Qiaoyu Zheng
Course:
Bachelor of Architecture Thesis
Tutor:
Philip Ra and Mini Chu


Partnership content

This school show is a partnership between Dezeen and the Academy of Art University. Find out more about Dezeen partnership content here.

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Horizon room dividers by 3form

Horizon Collection by 3form

Dezeen Showroom: American manufacturer 3form has introduced the Horizon collection of room dividers, which is made from gradient textiles embedded in translucent resin and etched, coloured glass panels.

The Horizon range has a tactile quality that results from the translucent materials combined with the fabric patterns.

The space dividers are made using 3forms‘ Varia resin as well as coloured glass panels with an etched pattern informed by the gradient motif of the textiles.

Horizon Collection by 3form
More yarn is embedded at the bottom of the panels, creating a gradient effect

Each resin panel is unique and comes in a range of colours informed by dawn and dusk.

“The Horizon collection textiles are washed in rich transitional shades from light to dark blue, light to dark grey and orange to gold, which become gradually softer and more translucent as the panel ascends,” the brand said.

Horizon Collection by 3form
Horizon Etch is made from glass

The etched glass version, called Horizon Etch, was inspired by the gradient motif of the textiles. The panels are available in dusty blue, neutral taupe and dark grey.

“Horizon leverages our love for open spaces,” said 3form’s vice president of design Christian Darby.

“It allows us to be connected to those around us while having some level of privacy. When you can see a person’s shadow behind a translucent 3form panel, there’s comfort knowing there’s somebody on the other side.”

Product: Horizon collection
Brand: 3form
Contact: info@3-form.com

About Dezeen Showroom: Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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