Google-inspired designs that every techie would love to see come true in 2021!

Google is always surprising and delighting us with its groundbreaking products – from the Google Pixel phones to their Nest Smart Speakers. Google’s cutting-edge technology and innovative design philosophies have been a major source of inspiration for designers and creators all over the world. And, we’ve curated some of the best Google-inspired designs that we have come across! From a Google Pixel smartwatch concept to a PixelBook Pro laptop concept – this collection of conceptual designs will have you wishing that Google transforms them into a reality soon!

The Pixel smartphone went onto redefine what a pure Android experience could look like, becoming the gold standard in the Android OS experience. James Tsai’s Google Pixel Smartwatch concept does the same for the Android Wear OS. Embodying Google’s playful-serious aesthetic, the Pixel Smartwatch concept comes in a traditional round format, and in a variety of quirkily named colors. The Android Wear OS logo displays clearly on the always-on display of the watch, transforming into a colorful set of watch hands every time you look at it to read the time. The watch comes with Google’s top-notch voice AI, all of Google’s native apps, and a heart-rate monitor on the back, which ties in well with Google’s plan of acquiring Fitbit and their entire fitness-tech ecosystem. I wouldn’t be surprised if this wearable concept were entirely waterproof too, just to fire shots at Apple!

The PixelBook Pro concept, created by India-based designer Ayush Singh Patel (who coincidentally happens to share his birthday with Google too), is an ode to the very best elements of all laptops and phones, combined into one product… If Google is a search-aggregator that finds the best results based on a query, the PixelBookPro is a Chromebook that aggregates the greatest elements of consumer tech into one well-made device. On the UI front, it feels every bit like a Chromebook – robust, reliable, great for an entire day’s worth of regular computing, but on the design front, you’ll notice that it shares the flexibility of the Lenovo Yoga series (with a similar hinge detail), the general silver aesthetic of the MacBook line (even with a silver G on the back of the screen), a flat metal edge that’s highly characteristic of the iPad Pro (and even the upcoming iPhone 12, according to rumors), an Alcantara-fabric base surrounding the keyboard as found in Microsoft’s Surface Pro, ASUS ROG-inspired cooling vents on the back, and Bang & Olufsen audio-drivers above the keys as found in HP’s Envy and Pavilion laptop series.

Here’s a look at the Project Stream controller, a visualized concept based on Google’s patented design… a concept, if executed perfectly, that could tank XBox and PS sales, and even kill the gaming laptop industry. The Project Stream (I made the mistake of calling it Steam a bunch of times. I wonder why Google hasn’t caught onto that glaring possibility) helps integrate quite a few community features into the gaming experience too. For starters, since you’re gaming on the cloud and having the game streamed to you in real-time, you can stream your game to other people too. The controller has a chat/voice button built into it, aside from a Stream button, home button, options button, and your regular control sticks, action keys, a directional pad, shoulder buttons, and triggers.

If you’ve got Google‘s slew of products around your home, there’s a lot of information you can access right at your fingertips, from the time of the day to the weather, weekly forecast, indoor temperature, your appointments, new email notification, to mention a few. The Google Nest Clock concept gives you a display to view that information on the wall of your house, offering a better alternative to browsing through your phone, or asking your Google Nest Home smart speaker and having it narrate things in audio back to you. The Google Nest Clock concept builds on the design format of the Nest thermostat, but strips away the thermostat functions and just makes it a sleek, elegant-looking clock. With a variety of clock-faces and the ability to layout crucial information for you, from the weather to what the traffic looks like on the way to work, the Nest Clock provides the experience of having a smart display you can speak of commands to.

Chris Barnes’ conceptual Google device caters to the niche audience that needs connectivity the most but struggles to keep up with technology or to avoid the complications associated with advanced tech. The Google Home Phone is a fusion of the Google Home smart-speaker (now the Nest Audio smart-speaker) and the Google Pixel), but its spiritual ancestor is, in fact, the landline phone. Designed to be a smart device with a dockable receiver or ‘phone’, the Google Home Phone lets the elderly connect with their relatives and friends who are also a part of the Google ecosystem. Once set up, the Home Phone works like a smart speaker, allowing you to ask for help, access information, or contact people, while the detachable ‘handset’ functions as the receiver on a landline, allowing you to lift it off the base and talk to people, not just using audio, but using video too!

Waqar Khan’s renders give us a clue of what a folding Pixel would look/feel like. Schematically, it’s no different from Samsung’s first folding phone; although with significant developments made in the world of flexible OLED displays, maybe the ‘Pixel Fold’ could avoid the pitfalls of the Galaxy Fold that came 2 years before it. The renders show a clean matte body (like last year’s Pixel device) along with the presence of a fingerprint reader on the back. That particular detail could be a creative call on Khan’s part, given that in-screen fingerprint readers seem to be quite the norm with Android phones over the past year.

As we’re experiencing the eventual explosion of mobile gaming thanks to Apple Arcade, Google Stadia, and Xbox Game Pass, Elastic Force hopes to give mobile gaming its Wii moment. A series of accessories designed to bring physicality to digital gaming, Elastic Force relies on resistance training as a gaming control. In short, the more force you apply, the more control you exert in the game. Instead of simply mashing buttons together, Elastic Force’s accessories invite you to perform actions like pulling, lifting, twisting, and squeezing to control aspects of the game. Sure, it makes the game more difficult, but it adds a sensory element to gaming, immersing you more. Ultimately, you interact both mentally and physically with the game, exercising not just your mind and eyes but your body too… and the positive reinforcement of the game makes you enjoy it all too!

Simply called Sight, this personal telescope was inspired by Google’s existing line of sophisticated electronics. A sports a robust yet minimalistic form with expert ergonomics, including a comfortable, padded viewing eyepiece located on top rather than behind the unit. It harnesses the latest tech to optimize the magnification experience including a dual-lens system with First Light Adaptive Optics (FLAO) for enhanced clarity. In a myriad of cool color combinations including their Very Silver and Really Blue, there’s also one for every stargazer’s unique style.

Prosser is back for yet another prediction/leak which he feels is right on point. It’s the Pixel 6 and 6 Pro, which Google is slated to release this year… with Google’s first homemade silicone chip on the inside to rival Apple’s M1, and more noticeably, a whopper of a camera bump. I wouldn’t really call this a bump because it’s so wide and protruding, it’s practically a shelf. Like I could literally place a SIM card on top of it and it wouldn’t fall off. Objectively speaking, the band protrudes at least 2-3 millimeters from the phone’s back, making it look almost like a belt or a shelf emerging from the phone. Subjectively, it kind of makes the phone look like a criminal – serves them right for stealing the ‘Pro’ nomenclature from Apple! However, that really isn’t an indictment on the phone’s design itself, it gives the Pixel a strong new character, which makes sense because this is a new era for the Pixel.

It’s called MoDi and it transforms your precious device from something that disturbed your sleep cycle into a sleep aid that combats smartphone addiction. Placed next to your bedside, you first dock your smartphone in MoDi. (Placed in its holder, the glow from the screen is diffused through a screen, creating an ambient light.) Engage the sleep system by using your voice. MoDi will guide you through a breathing meditation to put your body and mind at ease. You’ll begin to calm and slowly drift off to sleep. If you happen to wake up in the middle of the night, you can ask for the time rather than glance at a bright screen which could end up keeping you awake for hours. At your scheduled wake-up time, a soft LED will slowly brighten along with your designated alarm sound. It’s smart tech to kick off your day and help you wind down!

Cheapest Ride to Space: $125K, by Balloon-Towed Capsule

A ticket to space on Blue Origin’s rocket went for $29.7 million this month, with an additional cost: The winning bidder must share the ride with Jeff Bezos.

For those looking to spend a little less, a company call Space Perspective will be selling rides for just $125,000. They can do it on the cheap, relatively speaking, because they’re not paying for rockets and rocket fuel. Instead their Spaceship Neptune will ascend via “spaceballoon,” a 700-foot-tall football-stadium-sized balloon that will offer an easier, if slower, ride. “Instead of rocketing away from the Earth at high velocity,” the company writes, “you ascend on a gentle, yet thrilling journey and look back at our planet from an entirely new perspective.”

Passengers won’t be riding in a bucket, but in a pressurized capsule designed to seat eight “Explorers” and one pilot. Details on the capsule interior are light, but the company does mention that it “will have a bar, as every self-respecting spaceship must have for its space tourists;” there will also be a toilet somewhere in the craft, in case you hammer too many shots. Lastly, there will be Wi-Fi, because God forbid you do anything without livestreaming it.

In addition to the reduced price, Space Perspective’s m.o. should appeal to those who aren’t keen to get into the kind of shape required for a rocket-based launch. In other words, there’s no physical training involved. “Currently,” the company writes, “there is no individual weight limit for passengers.”

The total travel time is six hours: Two going up, two hanging out, two going down.

The first flights are scheduled for late 2024.

Frank Gehry unveils stainless steel-clad tower for Luma Arles arts centre

Luma Arles arts tower by Frank Gehry

Pritzker Architecture Prize-winning architect Frank Gehry has revealed a tower for the Luma Arles arts centre in southern France ahead of its public opening tomorrow.

Named The Tower, the stainless steel-clad cultural building is the centrepiece of the Luma Arles arts centre in the city of Arles.

According to Gehry, the design references Arles’ Roman architecture, nearby mountains and Vincent van Gogh’s Starry Night painting, which was painted nearby.

The Tower by Frank Gehry
Frank Gehry designed The Tower for the Luma Arles arts centre

“We wanted to evoke the local, from Van Gogh’s Starry Night to the soaring rock clusters you find in the region,” said Gehry.

“Its central drum echoes the plan of the Roman amphitheatre.”

Luma Arles arts tower
The stainless steel-clad building is the centrepiece of the Luma Arles campus

The 56-metre-high arts tower contains the exhibition galleries, archives, a library, offices, seminar rooms and a cafe for Luma Arles.

Clad with 11,000 irregularly arranged stainless steel panels, the distinctive tower was designed to be a landmark structure for the arts centre, which was established in 2013 by Swiss collector Maja Hoffmann.

Stainless-Steel clad building
The building was designed to be a local landmark

“The skyline of Arles is populated with towers built from the ancient times to the Middle Ages up to the present,” said Gehry.

“The new building will help establish Luma Arles as a significant site among the other landmarks of the city.”

Stainless-Steel cladding
The stainless steel cladding was informed by the paintings of Vincent Van Gogh

The form of the building and the arrangement of the stainless steel cladding was informed by the nearby Les Alpilles mountain range northeast of Arles and how they were depicted by Dutch post-impressionist painter Van Gogh.

“The manner in which Van Gogh rendered Les Alpilles influenced the development of the exterior cladding of the building,” said Gehry.

“The design of the tower seeks to capture the movement of discrete elements across a surface,” he continued.

“This manner of breaking down the surface to visible modules became an important theme in the surface development of the building as it reinforced the idea of a ‘painterly building’.”

Reflections of The Tower by Frank Gehry
The tower rises out of a cylindrical glass base. Photo is by Hervé Hôte

The arts tower rises from a cylindrical glass base that recalls Arles Amphitheatre, which was built in 90AD and still stands in the nearby town.

“Like the arena, the scale and clear geometry of the drum reflects the ancient Roman planning influences that set the foundation of Arles,” said Gehry.

“The Romans used civic buildings to organise the densely situated buildings around it,” he continued.

“The drum is both transparent and porous, with walls that open to the surrounding industrial buildings turning it into the central hub of the campus. The building grows out of the centre of the drum and is oriented towards the historic centre of Arles.

Industrial building in France
A series of industrial buildings on the site have been renovated by Selldorf Architects. Photo is by Victor Picon

The Tower stands within the 27-acre former railyard that was left vacant in 1986, which has been turned into Luma Arles, funded by a €150 million donation from Hoffmann.

Along with the Gehry-designed centrepiece, a series of industrial buildings on the site have been renovated by New York-based Selldorf Architects.

Exhibition space at Luma Arles
Some of the industrial buildings are now exhibition spaces. Photo is by Hervé Hôte

These buildings, which once formed a railway manufacturing factory, have been converted into exhibition spaces, performing Arts residencies, a hotel and a restaurant.

“With every space in the complex we seek to create a balance allowing the 19th-century industrial vocabulary to coexist simply with contemporary purpose, all the while creating well-proportioned spaces with controllable natural light and clear circulation,” said Annabelle Selldorf, principal of Selldorf Architects.

Parc des Ateliers
The complex stands next to Parc des Ateliers designed by landscape architect Bureau Bas Smets. Photo is by Remi Benali

A public park designed by Belgian landscape architect Bureau Bas Smets, which is named Parc des Ateliers, completes the complex.

Canadian-American architect Gehry is one of the world’s leading architects. The Walt Disney Concert Hall in Los Angeles and Guggenheim Museum in Bilbao are among his best-known buildings.

In a recent interview, he revealed that his “neighbors got really pissed off” by his seminal 1978 home when it was built in Santa Monica.

Photography is by Adrian Deweerdt unless otherwise stated.


Project credits:

Architects: Frank Gehry, Gehry Partners, Anabelle Selldorf, Selldorf Architects
Executive architecture team: Studios Architecture, C + D
Landscape architect: Bas Smets, Bureau Bas Smets
Project management: MYAMO
Technical consultants: Setec, Terrel, Tess, BMF, Socotec, Transsolar, Lamoureux, Teraro, C&C, Casso

 

The post Frank Gehry unveils stainless steel-clad tower for Luma Arles arts centre appeared first on Dezeen.

This public horticultural pod cultivates plants and multi-generational relationships through gardening!

The act of gardening provides many proven physical and mental health benefits that alone make cultivating your own garden worth it. Taking it one step further, community gardens carry the same benefits and then some. Interacting with members of your own community while growing plant life, crops, and flowers not only makes fresh food available for all of those who help cultivate it but also brings people closer together in the process. Enrich Group, a team of designers with Virginia Tech University, created their own community greenhouse to help forge human connections and bridge generational gaps within the community.

Gardening promotes many physical and mental health benefits, including an increase in physical activity, relaxation, and access to fresh food. Enrich Group aimed to combine physical activity and mental relaxation with an environment that cultivates multi-generational relationships with their community greenhouse. Following a year of social isolation, Enrich Group built their own community greenhouse because they believe age is nothing but a number and doesn’t change each aging individual’s desire to connect and build meaningful relationships within their own community. Cultivating genuine relationships between people from different generations through the act of gardening is the “embodiment of purposeful living,” notes Enrich Group, ensuring that “we all have the chance to grow, together.”

The greenhouse’s interior is designed to feel similar to traditional meeting spaces, with an island or table in its center that contains the garden’s main communal herb garden. The main island is also multi-tiered to optimize the greenhouse’s interior space. Hanging plant fixtures form an outer ring above the island’s main communal herb plot. In addition to the plants’ tub, gardening spaces around the pod’s perimeter feature health monitors for each plant, sliding storage bins with open handles for easy accessibility, as well as a general working space. The greenhouse appears as an approachable, modern, and public hub with glass-coated acrylic panels, aluminum ribbing, and a wooden entryway.

Designer: Enrich Group

Enrich Group’s community garden, called Enrich features an exterior design close enough to traditional greenhouses to fit any outdoor space.

Inside, community members can develop interpersonal relationships as well as grow crops.

Enrich wears an approachable design, inviting community members to come inside and tend to the garden.

Around the perimeter of the gardening hub, plant pots and tubs can be found alongside workspaces and sliding drawers.

In the center of each pod, a communal herb plot creates more space for gardening.

Before tending to your own plot, Enrich provides a preliminary survey that reveals what type of gardener you are.

The location of your garden can be chosen according to your community of residence.

Gardeners can also select what types of crops they’d prefer to grow.

At its core, Enrich operates as a social hub for multi-generational relationships to thrive.

Studio Edwards conceals "jewel-like" eyewear store behind perforated aluminium facade

Vision Studio interior by Studio Edwards

Cool-toned industrial materials such as aluminium and concrete are paired with marble surfaces and translucent pastel shelving in this eyewear store in Melbourne, Australia.

Designed by local firm Studio Edwards, the first flagship store by optometrist Vision Studio is housed in a shopping centre in the city’s Glen Waverley suburb.

Transluscent pastel pink sunglasses displays with marble counter in retail interior by Studio Edwards
Vision Studio’s perforated aluminium facade (top image) hinges open to reveal a jewel-like interior (above)

Half of the store’s 3.6-metre-high perforated aluminium facade hinges open to reveal what the studio describes as a “jewel-like” interior, framed by marble tiles that contrast with the raw concrete of the existing shell.

Inside, Studio Edwards set out to create a space reminiscent of a gallery, including enough display space for 200 spectacles and storage for an additional 800 pairs alongside three consultation rooms with waiting areas and a staff and store area.

Marble accents and bright orange tap in Vision Studio interior
A bright orange tap and pastel pink doorframe act as pops of colour in the otherwise monochrome interior

To accommodate these functions, the floor plan is split into two zones with the store and display area at the front, and the optician and consulting spaces at the rear.

“The space is zoned via an angular plan configuration with the areas requiring most privacy to the rear and semi-private consulting spaces tapering to the front,” Studio Edwards founder Ben Edwards told Dezeen.

“One challenge was to work with the existing air conditioning ceiling ductwork – we chose to expose them and include them within the overall aesthetic.”

Pastel-coloured accents are applied to the shelving and cabinets that run along the walls on either side of the Vision Studio store.

The material palette, which the studio described as “a balance between raw and refined”, blends industrial materials such as aluminium and concrete with marble surfaces and translucent shelving that seems to hang in midair.

Perforated aluminium facade of retail interior by Studio Edwards
The shop is located in a Glen Waverley shopping centre

Other studios that have combined industrial materials and soft, powdery colours include Spanish studio Lucas y Hernández-Gil, which contrasted pastel furnishings against concrete walls in this restaurant in Seville.

Photography is by Tony Gorsevski.

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The Portrait Festival of Vichy Praise French Photography

Le festival photographique Portrait(s) aura lieu à Vichy du 11 juin au 19 septembre. Dans cette année si particulière qui a fragilisé le monde de la culture, le choix a été de se concentrer sur des photographes français afin de mettre en avant les talents émergents ou confirmés de l’hexagone. Qu’elles soient documentaires, intimes, fruits d’une recherche personnelle, ces expositions photographiques veulent encourager la rencontre avec l’altérité, avec ces autres dont on a été éloignés pendant plus d’un an. Un voyage aux écritures multiples à découvrir dans plusieurs lieux au sein de la ville au travers de 11 parcours photographiques tissant des histoires humaines et collectives émouvantes et bouleversantes de vérité.

Abdou. Marseille, 2017. Série Gyptis & Protis. © Yohanne Lamoulère / Tendance Floue

Hôpital Bagatelle. Bordeaux, avril 2020. Série Virus. © Antoine d’Agata / Magnum Photos. Courtesy Galerie Les filles du calvaire, Paris

Jeanne/Jean-Pierre dans le garage de l’entreprise familiale de transport à Sarcelles, 2011. Série Mon neveu Jeanne. © Patrick Bard / Signatures

Sur le pont, 2000. Série Isabelle Huppert. © Carole Bellaïche

Aviron Vichy, octobre 2020 © Frédéric STUCIN

Stéphane, parapente Vichy, octobre 2020 ©Frédéric STUCIN

Cheyreen au pays d’Alice. Marseille, 2020. © Yohanne Lamoulère/Tendance Floue

Hyenjae, Séoul. Série Flower Beauty Boys, 2018. © Corinne Mariaud








Manchester School of Architecture spotlights 11 student projects

Manchester University school shows

A project exploring whether dreams could influence the design process in architecture and a ‘vertical village’ that adapts to rising sea levels are included in our latest school by students at the Manchester School of Architecture.

Also included is a neighbourhood plan informed by how children experience space and a sustainable community project with a core purpose to connect people through buildings.


Manchester School of Architecture

School: Manchester School of Architecture at the Manchester Metropolitan University and The University of Manchester
Courses: Master of Architecture
Tutors:
Sally Stone, MArch programme leader

School statement:

“Alongside the seven Master of Architecture (MArch) design-led studios, the Manchester School of Architecture’s digital exhibition also introduces the course’s professional studies, research and dissertations modules – Master of Landscape Architecture (MLA) and Master of Arts in Architecture and Urbanism (MA A+U).

“The MSA postgraduate programmes are proud of its northern roots – to be situated in the heart of Manchester and part of the ever more influential northern powerhouse. The MArch ateliers also have strong international connections – whether these are collaborations with remote universities, competitions in foreign climates and projects focused on various cultures.

“Debate and discussions centred around climate change is embedded in the academic curriculum of the postgraduate programme. Differences in climate, locations and needs are explored. The necessity to address climate change is a fundamental part of the programmes. It is something that all students need to embrace and fight for while developing creative methods to address it.”


University of Manchester School Show

Urban Space for Urban Childhood by Veronica Wong

“Covid-19 has amplified long-standing inequalities across the globe. Atelier &rchitecture seeks to understand the potential for architects to affect positive change through inclusive and engaged practices.

“Students developed individual thesis projects based on an issue, cause or consequence of social exclusion that interests them. They developed non-linear, productive and iterative design research methodologies, ranging from physical prototyping to augmented reality games.

“As part of the programme, Veronica Wong’s thesis stands for empowering children’s voice to be heard and their ideas to be ‘seen’. The project establishes direct engagement with children to investigate their experience of their neighbourhood. More than 140 children (from different backgrounds) participated in the research, which resulted in Wong developing a neighbourhood plan based on how the children experienced the space. The image represents the investigation and design process, and a video can be watched here.”

Student: Veronica Wong
Course: MArch Atelier &rchitecture


University of Manchester School Show

The Cymatics Revival by Islam Zakaria

“This atelier is conceived as a think tank and testbed – a platform for research and experimentation in architectural design, concerned with holistic understandings of design and sustainability in light of the climate emergency.

“Islam Zakaria investigates the ‘Revive the Spirit of Mosul’ located in The city of Mosul. Meaning “the linking point” in Arabic, it is one of the oldest cities in the world. Due to its strategic location, it became home to many people from diverse backgrounds, ethnicities and religious beliefs. However, this unique location also made it a target for ISIL/Daesh. In 2014, the Islamic State took the city and three devastating years (from 2014 to 2017) of occupation passed before the shackles of violent extremism could end.

“By rehabilitating the historical Nouri complex, Zakaria intended to revive its spirit through investigating acoustics. Using Ayah 22 from Surah al-Baqarah from the Holy Qur’an, a verse about how Allah (God of Islam) is here, even when there is a hardship. The reverberation and resonance generated from the recitation were used to augment anomalies – a complex algorithm simulating atomic collision physics. This created a four-dimensional multi-faceted shape that connects the mind and soul.”

Student: Islam Zakaria
Course:
MArch Atelier Advanced Practice


University of Manchester School Show

Design as a Process – New Compositions: Contentious Heritage by Tahreem Amjad

“The Continuity in Architecture atelier believes that the city is an exciting, complex and crowded place, full of contrast, juxtaposition, discord and contradiction. We believe that the constructed environment is charged with narrative content, that it is a place in which certain elements come to the fore, while others are more modest but no less important or carefully considered.

“Contentious Heritage is part of the atelier and it addresses the negative histories of the built environment and focuses on how we can incorporate these histories into the development of new design. Encouraged by this, Tahreem Amjad’s thesis represents foreign identities in Manchester’s urban fabric after looking into the issues surrounding institutional discrimination of foreign bodies in the city.

“Amjad based the project around Manchester’s Italian community due to their positive integration into Manchester in the late 1800s and the clear discrimination they felt during the war. The rich architectural composition of Manchester’s Aytoun Street was selected for experimentation.

“It concluded that communication and education are necessary components in understanding the extent of British heritage and history. This was translated into architectural spaces through drawing, painting and stitching. Through this process, a collection of buildings emerged. This thesis comments on the importance of memorialising tragedy, educating others about the negative aspects of history and using that information to move forward.”

Student: Tahreem Amjad
Course:
MArch Atelier Continuity in Architecture


University of Manchester School Show

Gateway to Zero-carbon City: a custom-built generative and analytical tool to explore design pathways to a zero-carbon future city by Yan Chen, Yirui Chen and Linyu Li.

“[Complexity Planning & Urbanism]ai uses a complexity framework to develop a new design science approach referencing systemic forms of design (R. Buckminster Fuller) and the study of design/the artificial (Herbert Simon). This year [CPU]ai explores ‘resilient urban futures’ from multiple sustainability perspective.

“A collaborative project by Yan Chen, Yirui Chen and Linyu Li, Zero-carbon City used a generative approach to resolve the contradictory correlation among morphological compactness, building solar optimisation and green space distribution to design a zero-carbon northern gateway. The generative tool aims to minimise building energy demand and enhance solar energy utilisation to respond to the challenge brought out by Manchester City Council and Northern Gateway developers.”

Student: Yan Chen, Yirui Chen and Linyu Li
Course: [Complexity Planning & Urbanism]ai


University of Manchester School Show

Composite mapping by Julia Arksa, Joe Copley, Remi Phillips-Hood and Tom Register

“Infrastructure Space uses large territories and novel mapping techniques to explore space, approaching it with neutrality to form objective views of how it is produced and used. This year the territory under investigation was the M58 motorway corridor that connects the M6 with Liverpool’s docks.

“The students developed research questions based on preliminary group studies that considered digital connectivity, urban-rural dynamics, planning policy and complexity, flooding and water scarcity, density and dispersion, and infrastructural economies. Thesis projects typically explored conditions such as these and then speculated on the potential spatial and material outcomes.

“As the City of Liverpool and the Merseyside area begin to grow in population, there is an opportunity to readdress some of the issues that the post-war developments fell short of.

“Redistributing the balance of the city region as the city embarks on a period of urban renewal could help to reenergise areas of the site that are segregated from the socio-economic shifts taking place. The wider city region is at a point of reinventing itself, making it an opportune time to seek alternative ways of achieving urban renewal aside from market lead growth.”

Student: Julia Arksa, Joe Copley, Remi Phillips-Hood and Tom Register
Course:
MArch Atelier Infrastructure Space


University of Manchester School Show

View over the City by Rachael Aylward-Jones

“Praxxis is an all female-led feminist studio atelier and research collective. It takes an explicitly feminist approach. In particular, intersectional feminism explores the inequalities in society and what that may mean for the built environment.

“Intersectionality acknowledges that the various layers of what we see as social and human characteristics – class, race, sexual identity, religion, age, disability, marital status and gender identity do not exist separately from each other but are interwoven in a complex matrix.

“For the year-long thesis project, our students use feminist tools as a way of constructing project briefs that always respond to the personal and the political each project explores inclusive understandings of how our identity affects our life and our work.

“This thesis explores whether dreams could influence the design process within architecture to enable greater creative involvement from both the public and architects. Here everybody explores their unique struggles and aspirations for space within their dreams and utilising them could be the key to fulfilling our subconscious wants, needs and desires.

“To test the effectiveness of dreams as a design process and source of design inspiration, Rachael Aylward-Jones explored her dreams and created a deeply personal methodology to utilise every aspect of the dreams, influencing the project from concept to detailed design.

“This process was the creation of a Feminist Dream City that provides equitable fun and empowerment for residents. When people become true feminist, in reality, they are granted access to the dream city when they sleep. As a community of feminists take residence and continue to add to the city, it begins to multiply and expand, sparking chaos and excitement.”

Student: Rachael Aylward-Jones
Course: MArch Atelier Praxxis


University of Manchester School Show

Rising Tides by James Robinson

“This atelier explores the boundaries of architectural practice and uses the techniques and working methods of other creative disciplines (in particular fine art). This year’s topic was to develop projects and spatial strategies that explored resistance. This theme ran throughout the atelier in all cohorts.

“Led by thorough research, student proposals included bird sanctuaries, workshops, bathhouses, and art galleries. All solutions were encouraged to adopt sustainable technologies whilst maintaining a poetic and artistic approach within their narrative. Each project used experimental methodologies to create solutions to their developed brief and sought to enhance the landscape of the reservoir setting whilst furthering USE atelier values.

“With the current climate disaster outcome too complex to predict, current architecture needs to prepare for an uncertain future. This thesis project explores how climate change will affect the world in the worst-case scenario sea-level rise of 82 metres and developed an alternative way to look at urban skyscraper architecture due to mass migration to the north of Europe due to the disaster. A masterplan for a metabolic vertical village was developed for Manchester, including key components that allowed it to be self-sustainable and encourage community interaction, as well as being adaptive to the rising sea levels and the needs of the village.”

Student: James Robinson
Course:
MArch Atelier Urban Spatial Experimentation (USE)


University of Manchester School Show

Model of Drax Power Station and its networks by Ellen Faulkner, Cameron Smith, Madhumitha Babu, Christy Chu, Eunice Ng and Anubhav Rana

“The research one: methods workshop is a taught programme introducing first-year master students to research in architecture, developing methodological and conceptual capabilities that apply to the disciplines of architecture.

“The subject of the different workshops reflects the symbiosis between design practice and history and theory and allow for scholarship within individual specialisms to be placed within a deeper understanding of architecture as a whole.

“The course focussed on the interconnected infrastructural landscapes of the Yorkshire coalfield, addressing issues of transitioning from carbon economies and the relation between power generation and climate change. Using archive materials, field study, interviews and desktop research, the students produced analytical case studies that synthesised information through mapping, diagramming and model making.

“In this case, looking at Drax coal-fired power station, the student group asked the question: what impact did Drax have on the wider network at varying scales, and how might this have influenced its design? The model shown here investigates the infrastructural networks that combined to enable power generation at Drax in its local, regional and international contexts.”

Students: Ellen Faulkner, Cameron Smith, Madhumitha Babu, Christy Chu, Eunice Ng, Anubhav Rana
Course:
Research one and two – methods and dissertation


University of Manchester School Show

‘Everything and the Kitchen Sink’ by Proto-practice

“At part two (MArch) level, Professional Studies ensures that students have the opportunity to evidence how they have gained knowledge of the industries, organisations, regulations and procedures involved in translating design concepts into buildings and integrating plans into overall planning. Through a series of lectures by staff and practising experts, the students gain a better understanding of the professional world of architecture before demonstrating how they can apply that to their projects.

“This year, the students relished the opportunity to review a previous studio project and discuss how they could improve it with their enhanced knowledge. They also formed a theoretical practice to showcase how they might put a business together and benefit from current or future trends in construction and design, often reaching beyond the traditional practice model.

“The co-operative Proto-practice set up Everything and the Kitchen Sink as part of their professional studies module and actively chose to take a feminist approach to practice management. The team worked closely together, creating a robust and accessible identity for the network, ensuring their ethos was centred around providing social viability and ‘everything’ when it comes to architecture, design and research projects.

“The team designed a toolkit to ensure this social value was effectively delivered to the clients and communities at every RIBA stage with a strong emphasis on collaboration and participative consultation. The practice structure developed over a hypothetical time frame of ten years from a group of friends at university operating as a collective, progressing to a community interest company and eventually forming a co-operative.”

Students: Proto-practice
Course:
Professional Studies


University of Manchester School Show


Manifesting Manchester’s historical relationship to slavery and black liberation through a metaphorical sequence of spaces expressing stages on the journey from enslavement to freedom by Jakir Noor

“Landscape architecture has an immense amount to offer as a stitcher-together of communities, ecologies, and places. This year we implemented several changes to our course. First, we brought landscape architecture and architecture students together through research, live projects, and the MSA atelier system. Second, we aim to afford a dialogue between built environment professions, encouraging mutual learning, respect, debate, and cooperation.

“In Jakir Noor’s project, the River Medlock is a symbol of black history – neglected, ignored and forgotten. Experiential landscape architecture was brought forward in this project, getting back to life the river itself and the black history of Manchester. The Trans-Atlantic slave trade was the basis of this journey along the river. Five different sites were assigned a typology based on the emotions felt in the existing spaces.

“These emotions are linked to the feelings experienced in this infamous period. Chronologically the typologies include fear and anxiety, assimilation, grief, rebellion and escape. Each typology provides an evocative, experiential space that aims to educate black history in Manchester whilst serving the black community from a health and social point of view.”

Student: Jakir Noor
Course:
Master of Landscape Architecture


University of Manchester School Show

Workhouse project by Mariana Camacho Gonzalez, Xiao Chen, Lauren Fearon, Kisanet Goitom, Athina Ioannidou-Lemonidou and Jiaqi Wei

“The research offering this year focused on six optional projects exploring a plethora of urban issues in a variety of locations. In addition to local territories in Manchester and Trafford, other settings were examined in Stoke-on-Trent, Wolverhampton, Crewe, and further afield in Barahona de Fresno, Spain, resulting in a range of proposals through which students learn as a group about the transformative potential of urban design.

“The introduction of this second cohort, coupled with students spending much of the year in their home cities, has led to an incredibly varied range of thesis projects and dissertation topics with a notably international agenda – from the future of historic city quarters in China to issues of the provision of homes and planning concerns in the UK.

“Here a co-operative group of students created a vision for The WorkHouse Project – a community interest company based in Hulme and Moss Side, to create a sustainable community at its heart. The students planned a scheme that had as its core purpose the connection of local people, mentally and physically, through linking key principal sites for community use and public spaces.”

Students: Mariana Camacho Gonzalez, Xiao Chen, Lauren Fearon, Kisanet Goitom, Athina Ioannidou-Lemonidou and Jiaqi Wei
Course:
Master of Arts in Architecture and Urbanism


Partnership content

This school show is a partnership between Dezeen and Manchester School of Architecture. Find out more about Dezeen partnership content here.

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Front designs seven reflective objects to reveal the 8,000-year history of the mirror

Obsidianian Mirror by Front

Swedish design duo Front presents Seven Stories About Mirrors, an exhibition that explores the complex relationship between humans and their reflections.

On show at Galerie Kreo in Paris, the exhibition features seven mirrored objects that each represent a crucial stage in the development of the mirror, from the first ever use of reflective materials, to the evolution of glassblowing.

Seven Stories About Mirrors by Front at Galerie Kreo
The exhibition features seven objects that chart the history of the mirror

Front designers Sofia Lagerkvist and Anna Lindgren hope to show the scale of progress involved in this journey, and how it mirrors the evolution of humanity.

“From the first stone mirror made 8,000 years ago, the history of mirrors is laced with magic and poetry, luxury and vanity, myth and faith, medieval industrial espionage and modern psychology, craft and technological advances, culture and self-consciousness,” said the duo.

Seven Stories About Mirrors by Front at Galerie Kreo
Each design represent a crucial stage in the development of the mirror

“In these pieces, we see humankind’s strong desire to find the perfect reflection of ourselves,” they continued.

“We also find mirrors as tools of divination, which – as well as artistic and technical achievements like the telescope and microscope – have given people the opportunity to see beyond what the naked eye can see.”

Water Reflection Side Table by Front
Water Reflection Table was produced using a 3D scan of a water puddle

The chronology begins with Water Reflection Table, a design that evokes a natural pool of water – the natural phenomena through which humans would have first seen their reflections.

Lagerkvist and Lindgren created this by 3D-scanning a water puddle they found in a forest, which they turned into a mould for glass. Mounted as a tabletop, the glass has a lightly rippled surface, just like a real puddle.

Obsidianian
Obsidian Mirror is a recreation of the oldest mirror in history

Obsidian Mirror is a recreation of the oldest manmade mirror in history, produced from a drawing supplied by archaeologists from Cambridge University.

The mirror is made from obsidian, a volcanic stone, set in a silver case. The stone was shaped and polished by hand using clay and water, rather than with modern tools, as it would have been 8,000 years ago.

Bronze Mirrors by Front
Bronze Mirror is a trio of designs based on metal mirrors from ancient China

The historic use of metal for mirrors is reflected by Bronze Mirror, a trio of wall-hung mirrors.

Taking cues from ancient Chinese designs, these pieces feature decorative edges and are supported by a hand-crafted rope – a reference to the ribbons that wealthy people in China would use to attach these valuable objects to their clothing.

However, while their predecessors would have been made from pure bronze, which would require daily polishing, these three mirrors are actually made from bronze-tinted glass.

Convex vases by Front
Convex Mirror Vase explores a technique that involved cutting a lens from a blown-glass globe

The Convex Mirror Vase tells the story of how the first glass mirrors were made in Ancient Rome, a technique that involved creating a blown-glass globe and cutting out a lens-shaped piece.

The next progression of this is shown by the Cut Mirror Vase, which shows the first technique for creating flat glass mirrors.

In the 13th century, glass would be blown into a cylinder and then unrolled, to create a flat plate. Front has created a mirrored vase that captures this process.

Cut Mirror Vase by Front
Cut Mirror Vase showcases the first technique used for creating flat glass

The Secret Mirror celebrates the Venetian glassmakers who moved to the island of Murano to safeguard their pioneering craft techniques, producing plate glass mirrors that were highly valued around the world.

Front collaborated with the Murano-based Barbini family, whose ancestor Gerolamo Barbini was one of the makers the Hall of Mirrors in Versailles, to create a design that showcases the craft of plate glass.

The Secret Mirror by Front
The techniques of Venetian glassmakers are celebrated in The Secret Mirror

The final piece in the exhibition brings us to the present day, where mirrors are now an everyday item.

Reflection Vase explores how a mirror image can take on a new purpose. This glass vase appears to be offering a reflection of its surroundings, when in fact – thanks to an innovative engraving technique – the image is fixed to a point in time.

Reflection Vase by Front
Reflection Vase tricks the viewer by showing reflections that are frozen in time

Seven Stories About Mirrors is a research project that Front has been developing over the past five years.

While the design duo is best known for furniture designs they have produced for brands – for example, their Horse Lamp for Moooi, the Resting Animals for Vitra or their bent wood furniture for Gebrüder Thonet Vienna – they’re also interested in a more experimental approach to design.

“We were interested to follow and understand how an object transforms its function, value and status through history,” they concluded.

Seven Stories About Mirrors is on show from 20 May to 24 July at Galerie Kreo in Paris. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

The post Front designs seven reflective objects to reveal the 8,000-year history of the mirror appeared first on Dezeen.

This modular gadget can transform into every travel essential you need, from an iron to an electric toothbrush



Think about how a handful of AA batteries can power everything from an electric toothbrush to your television’s remote control to even the mouse you’re probably using to scroll through this webpage. Those AA batteries are a truly universal source of energy, but what if they were designed to house an ecosystem? What if the battery-unit played a central role in a modular ecosystem of products? That’s sort of what the Esino Go is. It isn’t a handful of AA batteries, but is something far more powerful and versatile.

The Esino is your ultimate travel gadget-kit that allows you to snap multiple modules to a central battery-pack, turning it into an iron, an electric shaver, an electric toothbrush, a fabric shaver (for removing lint and pilling), or even a UV disinfection light. The modular set is perfect for travel (although it can be used at home too) and creates a compact universe of useful products that are easy to carry around with wherever you may be.

Click Here to Buy Now: $64.99 $89.99 (28% off with coupon code “YANKODESIGN5OFF”). Hurry, sale ends June 27th.

Iron

Fabric Shaver

Power Bank

The idea behind the Esino Go is a pretty interesting one. All your gadgets require batteries, so why not make the battery a hub around which you could build an ecosystem of products? The Esino Go comes with what’s essentially a 5,000 mAh battery pack enclosed within an ergonomic handle-shaped form. The handle then lets you snap on the accessories/modules, which draw power from the battery.

The travel iron module is perhaps the most interesting one, with a teardrop-shaped ceramic heat plate that’s perfectly sized to chuck into your suitcase along with your belongings. The iron comes with 3 heat-settings (operated from the button on the battery pack) and even has its own water spray for steam ironing! The ceramic plate heats up fast and cools down just as rapidly, making it ideal considering it goes inside your travel case once you’re done! For more fussy fabrics that end up getting lint/pilling/fuzz on them, Esino Go’s fabric shaver comes to the rescue. Perfect for winter-wear (which often doesn’t really need ironing), the fabric shaver smoothens your clothes by removing lint, pills, and stray fibers sticking out.

The beauty of Esino Go’s collection of products is that it opens itself to expansion. The company behind it is developing even more modules and attachments, with an electric shaver, a UV disinfecting wand, and an electric toothbrush in the works. The battery-pack (which serves as a handle) unites all these modules and any other attachments that may come in the future… and the most convenient bit is that it even doubles up as a portable power-bank, providing a USB port for charging your phone and other gadgets. The fact that the Esino Go is centered around a removable battery makes it convenient and safe to travel with too. Just detach the battery and carry it in your cabin luggage while the travel iron and other modules go right into your check-in bags. Pretty ingenious, if you ask me.

Designer: Esino Team

Click Here to Buy Now: $64.99 $89.99 (28% off with coupon code “YANKODESIGN5OFF”). Hurry, sale ends June 27th.

Click Here to Buy Now: $64.99 $89.99 (28% off with coupon code “YANKODESIGN5OFF”). Hurry, sale ends June 27th.

Stay cool this summer in an eco-friendly way with these innovative product designs!

Summertime means there is excitement in the air, Pina Coladas in our hands, and of course beads of sweat on our forehead! As much as I love and thoroughly enjoy summer, I’m almost always on a mission to beat the heat. And with the pandemic bringing our unhealthy lifestyles and complete disregard of Mother Earth into focus, I try to do this in the most eco-friendly way possible. This collection of super cool and environment-conscious product designs will help you have the best summer, while also taking care of the planet. Have a fun and safe summer!

With summer comes an increase in usage of air conditioners and we know they are not exceptionally healthy for the planet. To help maintain the electricity usage, designers Aileen Ooi and E Ian Siew created an attachment to the common standing fan everyone has stashed away at their homes to make the room cooler. The attachment, named KYL is a humidity filter that funnels airflow output to cool a closed room. KYL would be able to lower temperatures by 1.5degrees Celsius and also make the room arider (a boon in humid places like Singapore, India, and more). Utilizing Bernoulli’s principle to create a cooling effect, KYL comes with a removable filter made up of tiny pieces of silica gel which absorbs moisture from the air. This lowers the humidity in the room and we can reuse the silica gel by washing it then leaving it out in the sun to dry, minimizing the usage of electricity.

A portable, wearable, air conditioner is no more a thing of futuristic TV shows. The Reon Pocket is a smartphone-controlled personal gadget that was designed to be compact and cool. It works using thermoelectric cooling and can cool the user’s body temperature by 13 degrees celsius (23 degrees Fahrenheit) and raise your temperature by about 8 degrees Celsius (about 14 degrees Fahrenheit). Reon sits on the base of your neck in a special undershirt designed for it. It uses the Peltier effect which means a temperature difference is created by applying a voltage between two electrodes connected to a sample of semiconductor material. The heat is absorbed or emitted when you pass an electrical current across a junction to either lower your temperature or increase it without bulk or noise.

Boasting an enameled steel construction, the Noori V02 AIRY is a multifunctional outdoor grill, pizza oven, rocket stove, and a fire pit – all in one! Not to mention, it’s probably one of the best-looking grills I’ve seen in a long time, it’ll be the perfect visual accessory to your backyard. The grill consists of six refractory concrete internal plates. These plates + an AIRY cylinder make up the grill’s innovative AIRY system (which also gives the product its name). This basically means that to set up an open fire, you simply need to remove a few refractory plates from within the AIRY cylinder, which instantly exposes the flames, creating the mesmerizing flame dance we all love to watch in an open fire! Much like its predecessor the Noori V02 AIRY also features a pizza disc, allowing you to not only bake up some pizzas but bread as well.

Eisner Design’s renovation pads the children’s basement playscape with cushioning from the floor to the ceiling to ensure rowdy and safe play. From the bookshelf to the tree swings, the designers at Eisner envisioned kids’ imagination and brought it to life. Stenciled between cubbies and bookshelves, Eisner Design lodged cushioned seats that work as hideouts tucked away from the action for when playtime gets too tiring. One shaped into a perfect circle and the other forming the shape of a lima bean, the new seating nooks offer kids their own midday nap destination, à la mom and dad. Rooted just in front of the seating nooks, a modular, cushioned playground is stationed next to an indoor tree trunk that can be used for climbing or as a base during games of tag. It’s the perfect spot for kids to spend their summers!

This beach umbrella comes with an origami-inspired design that unfolds to display a photovoltaic array that generates electric power which gets used for further refrigeration and cooling for the beach people. Measuring 2.5 meters high and a 3.2-meter diameter, this umbrella’s transformation brings to mind the mechanisms we see on the NASA spacecraft. The entire setup can be used individually or be rigged together to generate electricity that can even run an ice cream freezer on the beachside. It’s perfect for a private beach or even a luxury beach resort where these umbrellas can be deployed to keep the machines churning.

Staying cool in the summer can often pose a bit of a challenge, especially when it comes to maintaining a comfortable temperature whilst we are sat at our desks. Whilst there are solutions to this problem already, they often carry an undesirable, unconsidered, and mundane aesthetic that can interrupt the flow of our workspaces. Does this need to be the case? The team at BOUD certainly doesn’t think so, as they’ve created what could possibly be the cutest fan! The compact device features soft-rounded edges and oversized detailing to achieve a rather adorable aesthetic that gives it a friendly persona. But it isn’t ‘just a pretty face’, as it holds a rather clever and desirable feature… it can become handheld! Simply lifting the main section away from the base reveals a handle, this can now be used to provide a more directed stream of cool air.

Weighing 35 pounds, Yeti’s The V Series offers 50% better ice retention than its Tundra. And since the Tundra was as good as a cooler could get, we can assume that the V Series is going to be giving other coolers on the market an even stiffer competition. Sleek, with a retro appeal, the cooler has been equipped with cast-aluminum hinges that are guaranteed to last a lifetime and stainless steel handles. The usual double latches on coolers have been abandoned for a more convenient single center-mounted latch. 1.5 inches thick, it promises to hold 46 cans of beer, assuring you that your beverages will never run out!

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We love the sounds and smells of sizing meat, we hate the clean-up afterward. To keep the ashes from spreading all over your party plans, designers Li Yuan & Zhou Yan have invented the FlameOn Barbecue Grill. It seems like there’s no easy way to remove the ash leftovers in your average charcoal/wood-fire grill. Rather than scoop out the soot or sift it out of the bottom (which inevitably ends up all over your hands and face), the FlameOn Barbecue Grill provides an all-new functionality that eliminates the mess factor. When you’re finished grilling and the device has cooled off, simply unlock the turning mechanism and tilt it on its side. The leftover ash will fall into a removable compartment for easy disposal. Better yet, in this position, it also takes up a smaller footprint than the average backyard barbecue.

Saiga is the result of a team project by the Royal College of Art & Imperial College London, Innovation Design Engineering students – Harry Barber, Kevin Chiam, Wei Haw Huang, and Nacho Vilanova. This wearable neck air conditioner makes use of conduction to cool down the area around the neck using the user’s own breath. So why did these mindful students design a prototype that needs very negligible external battery power? For a simple reason – the air conditioners are energy demanding and adversely affect the environment as they increase the environmental temperature and are also polluting in the long run. How one feels around the neck contributes a lot to the perception of environmental temperature, and the Saiga neck wearable does exactly that.

Nothing says summer is here like a chilled drink and a cactus-themed celebration to support it. Holding your munchies while you sip through the straw, the Cacnuts is a must-have for every green lover.