The Podbike may look like a car, but it’s actually a pedal-powered e-bike with an enclosed cockpit

The Canyon Podbike is the kind of vehicle you’d do a double-take with. It looks quite like a car from the side profile, and only when you walk around it do you realize something’s off. The vehicle is MUCH slimmer than most conventional cars… with enough space for just one rider.

It isn’t a factory-line goof-up though, the Podbike is a hybrid e-bike with an enclosed cockpit… sort of like a car-meets-bicycle. The pedal-powered e-bike’s closed cockpit gives it the advantages of both modes of transport, with the sustainability and health benefits of a bicycle, and the storage space and protective enclosure of a car. The Podbike comes with four wheels to help give it the stability it needs, with pedals that control the two wheels on the front. A 2000Wh battery pack gives you an added power boost, allowing the Podbike to be more energy efficient – a much-needed feature because it’s bulkier and slightly heavier than most bicycles.

The unusual concept was designed to improve urban mobility. With air quality deteriorating, and traffic increasing, the Podbike hopes to nudge doubtful bike-owners in the right direction. After all, it has most of the benefits a car does, with a neat enclosed design that works especially well in the rain, and storage space that’s great for when you’re carrying stuff to work and back. A sliding roof enables ingress and egress, while boosted speeds of 37mph and a range of 90 miles make it a great hybrid vehicle-of-choice, both for you as well as the environment… although no, I’m pretty sure you don’t get to drive this in the bike lane.

Designer: Canyon Bicycles

How to Get Accepted: Tips for Acing Your Application to UPenn's Integrated Product Design Program

This post is part of our new “Getting Accepted” series, a guide to prepping portfolios and getting into the best design programs across the United States. For our first edition, we’re focusing in on The University of Pennsylvania’s Integrated Product Design graduate program, which has an upcoming application deadline for their 2021 program on February 1, 2021.

UPenn’s Integrated Product Design Program (IPD) began in 2007 with the idea that designers’ work thrives in an interdisciplinary environment. “There is this fundamental belief that in order to design well, you need to understand more than design,” says Sarah Rottenberg, Executive Director of the IPD Program. “You need to really understand the business side of things, the engineering side of things as well as the design side so that you have more control over the ability to implement and execute your ideas.” One of the IPD program’s core strengths lies in its relationships with the Ivy League university’s Weitzman School of Design, School of Engineering, and the Wharton School of Business. IPD students take courses within each of these school as a way to control and customize their own education to their liking. “As an example, we get students who are interested in healthcare design, and there are healthcare classes they can take in Wharton,” Rottenberg notes. “And there’s an Architecture of Health class in the School of Design. There’s a Rehab Engineering and Design class in engineering. So they can kind of personalize the degree to address the things they’re interested in.”

So who is this program for? The type of student who understands the benefit of knowledge in multiple fields with a clear idea of their direction for the future. Whether the idea is to become the founder of a company, or eventually a director within a small consultancy, IPD’s goal is to get you ready to roll with any punches the future may throw you.

We recently chatted with Rottenberg to hear more about what it takes to get into IPD’s small, prestigious program and what students can expect to get out of their two years there.

Core77: What kind of industries do your students often go into?

Sarah Rottenberg: One thing that surprised and delighted me this year was our students were still getting hired even in the middle of a global pandemic. Once April hit [I worried], but they are getting super interesting jobs. There are always a portion of our students who start their own companies right after graduating, and typically they are pursuing ideas that they developed in school, sometimes they’ve gotten some funding from various entities within and outside of Penn. So founder or co-founder is definitely one pathway, but it’s not the biggest pathway. Students go to work for design consultancies in a variety of roles. Sometimes it’s design strategist, design researcher, product designer, design engineer, because they come in with different backgrounds. They go to work in-house for big and large, big and small corporations. There are a lot of paths.

I was just texting with an alumni who works for Tushy, they make bidets. We now have four IPD alumni who are working there, which is great and they love that company. I think that small startups like that value the skills of IPD students because they can wear multiple hats. And then in larger companies, you know, students who want to take a more specific, concrete role can really thrive. We have a number of students, for example, in various engineering roles at Apple right now. So it’s pretty varied and diverse.

How would you define what makes for a successful IPD grad student, and what do students who get in need to do to excel in the program? 

I think a successful student has a good balance between drive and open mindedness. You get out of grad school what you put into it, so being willing to put your all into it is really important. Students who are tackling hard courses, stretching themselves and participating in extracurricular activities [do very well]. We have a really active graduate association, a group of students who do programming for the students, so engaging with that for example. And students who take responsibility for helping to create their own experience and the experience of others, I think really thrive in the program. We’ve been around long enough that we have a strong culture. So I think that the idea of being excited about everything Penn has to offer and taking advantage of it, also being excited about taking a little bit of responsibility for creating your own experience and a great experience for others are two things that really make for a good experience.

UPenn’s brand new Tangen Hall facility includes incubator spaces and maker spaces to pilot student-led ventures, a test kitchen for food-centric startups, and the Integrated Product Design Program.

I was curious if you could expand on what the typical backgrounds of IPD students are and what they’re interested in.

We try to create a deliberately diverse cohort from a number of different perspectives, one being academic background. We take students from design, engineering and business backgrounds. It tends to be 40% design / 40% engineering / 20% business; that is not a hard and fast rule where we’re slotting people, but that tends to be kind of what we shoot for.

We have diversity from an age perspective. Some are just out of school, we don’t require that they’ve worked, but some have worked for 10 or 15 years and we like to have that spectrum. The majority are in this sweet spot of probably two or three years out of school. We look for diversity of country of origin. The program is predominantly students from the US, but within the US we try to get diverse representation, and then we have students in the program right now from Norway, Argentina, Ecuador, Peru, China, India, Korea, the Philippines. The students learn so much from each other. The more diversity we can introduce, the more different perspectives and life experiences we can have, the better.

They need to be strong students and have strong academics because it’s an Ivy League University—the standards are high, the work is hard. But we also want students who show creativity and quirky perspectives on the world. So I’m always looking for, what’s your interesting take? I look for that in essays and portfolios. We know students are here to learn, so we don’t expect them to know everything, but we expect them to have a strong background in one of the three fields—design, engineering or business—and to be able to show an aptitude for the others. Sometimes that’s an engineer who minored in entrepreneurship, or somebody who went to school for engineering and then worked in finance for two years, or a designer who co-founded a company. And again, because they learn so much from each other, we’re interested in what kind of stuff they have done outside of school, extracurricular engagement, we’re looking for evidence of people who are likely to be really engaged in the community. For example, we love Peace Corps workers and people who were RAs in their dorms, things like that.

What types of skills should accepted students expect to come in with in order to excel? And what will they learn that they might not know already?

It’s pretty varied because they come in from different disciplines. We do have some required Foundation classes. So if you have a background in industrial design and you’ve never taken an engineering or business class, you will likely be required to take an engineering Foundation, which is an intensive summer class, and a business Foundation, which happens your first or second semester in the program. And it’s the same for every class, so they should have the skills associated with their discipline, but we don’t necessarily expect everyone to be even adept at something like Adobe Suite. When we look at portfolios, we really look differently at a portfolio from someone with a business background and someone with a design background. There isn’t one set of skills required, but we want to see curiosity. We want to see, are they passionate about the work that they’ve done? Do they care about people? Because that’s sort of a core underlying theme of the program is designing things that matter to people. So it’s more about mindsets, I would say, than skills that we’re looking for.

To any prospective student looking to apply next year, what should they be doing right now to prepare their applications and portfolios? And what kind of projects do you want to see from an applicant?

We like to see a mix ideally of academic and no- academic projects. Even if someone doesn’t have a ton of work experience, show us stuff from internships, or even hobbies. Visual Communication and storytelling is something we really work with all of our students on. And they do come in at different levels, but the better they are at telling a story in their portfolio, the better their chances of showing us who they are. So start by looking at a wide variety of portfolios that are available online, I would look at IPD alumni‘s current portfolios. Think about what projects you have or what stories you can tell us through your portfolios in terms of, you know, taking work from a class project and turning that into a concrete story. Or sometimes it’s something like building a desk, I’m sure people are building desks for themselves as they’re working from home. I bet we’ll see a lot of those! So it can also be hobbies and personal projects, those are very interesting to us.

Then in the personal statement, one of the things we’re really looking for is, are you going to be a fit with us and our community? Can we offer you what you want to get forward to the next level? Are you going to be happy at Penn, are you going to get what you want out of the program? I think doing research into the program, the culture, or reaching out to me or current students or alumni is also really important so that they can have that sense of fit and whether it’s right or not.

What sort of qualities are you seeking in an IPD applicant?

I want them to be collaborative. I want them to be curious. I want them to be doers, and experimenters and tinkerers. I want them to care about people, care about who they’re designing for and what they’re making. And I want them to care about what positive impact they can have on the world through the things they make in the program and beyond. I think that’s my ideal candidate.

What does it take to get in? And are there any examples of applicants who came close but missed the cut? And if so, what were the deciding factors? And obviously, this can be vague.

Again, I think it goes back to fit. Students should do their research and understand what the programs are. Not everyone knows exactly what they want to do when they graduate from the program, and in fact, I would say that of the people who think they know exactly what they want to do when they graduate, 90% of them change that while they’re in school. Which is fine! But I think really being conscious of who they are and what they hope to get out of the program helps.

I think sometimes people don’t tell their stories very well. We actually had a student who was waitlisted and then he got in, and after a year in the program, he said, “Oh, I realize now that if I had just structured my portfolio differently, I probably would have gotten the first round.” I think the more that they can really tell the story of who they are, what they’re capable of and what they want to do, if they don’t get into Penn it might be because Penn is not the right place for them and they will get in somewhere that is the right place for them.

“Jarvis” is a mixed reality headset for diagnosing ADHD in children designed by IPD students Parker Murray, Varun Sanghvi and Michael Yates.

What differentiates an application that is satisfactory from one that’s exceptional?

There are so many ways for people to learn how to do a human centered design process. A lot of people can show you how they’ve gone through these steps. But not a lot of people can show you, ‘this is the insight I gathered based on step A, that led me to solution B.’ And I think that’s the thing, whether that’s about a penetrating insight about people’s needs or about something you learned in an experiment that you are doing with a technology that drove you to make a different choice. It’s not always insights about human behavior, but being able to really be articulate about your thought process and learning from what you do and then changing what you do next. I think that is unusual to see in a portfolio and when we see that we are always thrilled, because that tells us a lot.

I would say the other thing is, I like to see stories about projects where people peeked into corners of the world that maybe I didn’t even know existed, explore them deeply and create something in them. For example, there was an engineering student who did a senior design project where she was designing for students at a school for blind children, and showed a lot of like, “I created this and then I prototyped and tested that.” The unusual projects, where someone really dug into a topic and made a lot of progress, I think is always compelling.

But don’t feel like you have to go out and design for blind children, right? There are a lot of great ways to show interesting [work]. You see the same projects over and over because design schools only have like a certain number of topics explored and identified. But then you see a solution to that problem that you’ve never seen before. That’s always delightful. So surprise us in some way with the work that you do.

Any last thoughts you’d like to share about the program or the application process?

I think it’s super interesting right now how design is changing. The way people understand design is changing, the way people practice design in the industry and in different kinds of businesses is changing. I think schools are also changing pretty quickly. Something that students should do when applying for schools is look at the programs where you have the ability to explore those changing dynamics and be on the edge of it. [Design] is just going to be a rapidly evolving field as technologies change, as commerce changes, so we always kind of have to be able to understand the implications of those changes and keep up with them.

[At UPenn] I think we teach students how to learn new things, and how to learn things that are maybe outside of their comfort zones because of this interdisciplinary nature that helps them keep up as things continue to evolve. So I think that is one of the more important things we teach is just how to keep learning and keep integrating new things into your process.

UPenn’s IPD Graduate Program is now accepting applications for 2021, with an application deadline of February 1, 2021. Take what you’ve learned here to finish your IPD application! Apply now at ipd.me.upenn.edu/admissions/.

Pocket Door Slides: Specialty Cabinet Hardware for Disappearing Doors

You’ve probably seen a door, whether wardrobe- or cabinet-sized, that can perform this little trick:

Manufacturers of cabinetry hardware refer to that as a pocket door, and the attendant hardware as pocket door slides. (In overhead applications, where they disappear in the manner of a garage door, they may be called flipper doors and flipper slides.) The nomenclature’s a bit confusing, as the term “pocket door” also refers to interior doors between rooms that slide sideways into the wall, Star-Trek-style, so you’ll want to be careful if ordering “pocket door hardware” online.

Hooking up a set of pocket door slides is a little more work than installing regular drawer slides–for one thing, you’ll need to whip up an extra “follower strip” that attaches to the slides, and the door then hinges to the follower strip–but a dedicated DIY’er should be able to pull it off.

The hardware doesn’t come cheap: On the affordable end, a pair of these with 12″ to 24″ of slide travel runs $45-$50 at Rockler.

Rockler’s EZ Pocket Door System Pocket Door Slide

If you’re doing high-end work for a client, however, you’ll probably want to step up to German manufacturer Häfele’s Accuride line of pocket door slides, available at retailers like KitchenSource.com.

Häfele’s Accuride system

Häfele’s high-end hardware is eye-wateringly expensive: a pair with 12″ of slide travel costs $110, and stepping up to 32″ of travel will set the client back $135 per pair.

Regardless of the manufacturer, note that these prices are just for the slides–the hinges aren’t included.

LARQ launches pitcher that purifies water using UV light

Dezeen promotion: LARQ, the Californian company behind a self-cleaning water bottle, has launched the “world’s most innovative” pitcher, which cleans water with UV light and a plant-based filter.

Like with the bottle, which won product of the year in Dezeen Awards 2019, LARQ created the pitcher as part of its mission to provide clean drinking water sustainably, while working to omit plastic pollution caused by bottled water.

The LARQ Pitcher was designed to provide filtered tabletop water without the build-up of contaminants found in typical water pitchers.

“The LARQ Pitcher furthers our mission to lower dependency on single-use plastic while providing the healthiest hydration option for our customers,” said LARQ co-founder Justin Wang.

“Our foray into the home is the next step in bringing sustainable, clean, and safe water to more people by making it accessible across all of our daily hydration needs.”

LARQ Pitcher

Along with filtering the water, the LARQ Pitcher uses UV light to purify water once it has passed through the filter. LARQ claims this makes the product the “world’s most innovative water pitcher”.

The UV-C light is in the 280-nanometre range, the same that is used in LARQ bottle, which the company said eradicates almost all harmful and odour-causing bacteria and viruses.

The system works to removes 90 per cent of lead, chlorine, mercury, cadmium, copper, zinc, volatile organic compounds (VOCs) and Radon from the water.

Cleaning automatically takes place every six hours or can be activated at the touch of a button on top of the lid, and is marked by a racetrack-like LED light underneath the lid.

LARQ Pitcher

LARQ Pitcher has a unibody design, with water filtering taking place inside an opaque top slotted on top of a clear base. The lid is filled up via a spring-loaded door that drops under the pressure of water, which means that it can be filled up using one hand.

The filter is made from plant-based materials, including coconut carbon, rather than plastic in order to make it more environmentally friendly than traditional cartridges. It is also designed without a plastic casing, which in turn has reduced the amount of plastic typically used in filters by 75 per cent.

Other features of the LARQ Pitcher include an intelligent filter life tracking, which provides alerts when the filter needs to be replaced.

LARQ Pitcher

LARQ Pitcher is available for pre-order with either a Monaco Blue lid or Pure White top on both LARQ’s website and Kickstarter, which is currently 605 per cent funded. It will retail for $135.00 and ship this winter.

Based in the San Francisco Bay Area, LARQ first launched its bottle in the US in October 2018 and in the UK in June 2019, following a successful crowdfunding campaign where the company managed to raise $1.4 million (£1.04 millon) in under 30 Days.

The post LARQ launches pitcher that purifies water using UV light appeared first on Dezeen.

Shadow Games at Sunset by John Marshall

Un carton et un coucher de soleil : il n’en faut pas plus à John Marshall pour réaliser des scènes d’action à la fois comiques et spectaculaires, en images. Ce photographe, artiste et créateur de bande dessinée américain s’amuse à découper des silhouettes dans du carton avant de se mettre en scène pour créer des selfies amusants, à l’heure où le soleil se couche. Ce projet, nommé “Sunset Selfie”, est accompagné de petits textes qui insèrent l’image dans un récit et renforcent le côté humoristique de la série.

Images : © John Marshall

Mon amie a peur de sortir pendant la pandémie, alors elle m’a demandé de promener son dragon. « Ne la laisse pas tirer », m’a-t-elle dit.

En attendant la fin du confinement, j’ai finalement décidé de couper la vieille souche effrayante dans ma cour arrière. Mais en l’approchant au coucher du soleil, j’avais le sentiment qu’elle n’allait pas se laisser faire.

Aujourd’hui, je savourais une banane au coucher du soleil au bord du lac lorsqu’une chose étonnante s’est produite. Tout à coup, j’ai senti une brise chaude souffler dans mon cou, et ça sentait aussi la banane.

De tous les chevaux du Cardboard Corral, Shadow adoooore sauter.

Certains moments dépassent les mots.

Ce que j’aime le plus avec le nouveau Iron Man Café, c’est le service de boisson rapide.

Je n’ai pas demandé comment la petite sirène s’était retrouvé avec un porte-bière en plastique autour du cou. J’étais juste content de l’aider. 

Quand Impala Safari promet un « tour proche de la nature », ils ne plaisantent pas. 

J’ai proposé de conduire pour notre rendez-vous, mais Supergirl a dit qu’elle connaissait un raccourci.

J’étais un peu nerveux à l’idée d’emmener Helen au Zombie Ball. Mais après les premières danses, plus nous parlions et rions, moins je m’inquiétais qu’elle dévore mon cerveau.











Temples: Paraphernalia

With a dash of disco and a dollop of psychedelia, Temples’ latest single “Paraphernalia” swirls together a mass of sonic influences into a danceable return track. Sean Ono Lennon produced the tune, which was initially recorded as a demo for (but not included on) the British psych-rock outfit’s 2019 LP, Hot Motion. Amidst the kaleidoscopic instrumentals, the lyrics question our ability to make real connections in the digital age of distraction.

Guallart Architects designs post-covid housing for new city in China

Self-Sufficient City proposal by Guallart Architects for Xiong'an New Area in China

Self-Sufficient City by Guallart Architects is a concept for a housing development in Xiong’an New Area, China, which would be able to produce its own energy and food during another coronavirus lockdown.

Spanish studio Guallart Architects included greenhouses for growing food, large sloping roofs covered in solar panels, and workshops filled with 3D-printers in its design.

Its scheme won the residential and communities category in a competition to design new urban typologies for Xiong’an New Area run by the local government.

Self-Sufficient City proposal by Guallart Architects for Xiong'an New Area in China
The urban area could be self-sufficient in a lockdownn

Designed for an area of Hubei province 80 miles from Beijing that is being turned into a new green city, Guallart Architects designed their winning entry under coronavirus lockdown restrictions and used this as inspiration for the Self-Sufficient City.

“We developed this project during confinement,” said studio director Honorata Grzesikowska.

“The entire team worked from home and we decided to include all those aspects that could make our lives better.”

Self-Sufficient City proposal by Guallart Architects for Xiong'an New Area in China
3D printers and rapid prototyping machines would be in co-working spaces

As the title suggests, the residential development would be entirely self-sufficient in the event of a full lockdown.

Food could be grown in the greenhouses that would cover many of the buildings, and small scale “co-working digital factories” would use 3D printers and rapid prototyping machines to make replacements for missing or broken items in the event of supply chain disruption.

Self-Sufficient City proposal by Guallart Architects for Xiong'an New Area in China
Food could be grown in greenhouses and allotments

“We cannot continue designing cities and buildings as if nothing had happened,” said Guallart Architects.

“Our proposal stems from the need to provide solutions to the various crises that are taking place in our planet at the same time, in order to create a new urban life, based on the circular bioeconomy, that will empower cities and communities.”

A circular economy is a system where pollution and waste are minimised in favour of reuse and environmental protection, and a bioeconomy refers to the use of renewable energy and resources to make food, energy and materials.

Self-Sufficient City proposal by Guallart Architects for Xiong'an New Area in China
Cross-laminated timber is a renewable construction material

To create the Self-Sufficient City model, Guallart Architects merged a traditional European courtyard-style city square with modern Chinese housing towers, interspersed with greenhouses.

Comprising four blocks, the development would intermingle housing with offices, shops, and a food market, as well as a kindergarten, swimming pool and fire station.

Self-Sufficient City proposal by Guallart Architects for Xiong'an New Area in China
The blocks would be a mix of apartments, shops and offices

Guallart Architects stipulated the buildings would be made from cross-laminated timber, as wood is a renewable resource.

Different apartment layouts would be able to accommodate couples with or without one or two children, as well as multigenerational families, as well as elderly couples or young single people wishing to share common facilities.

Self-Sufficient City proposal by Guallart Architects for Xiong'an New Area in China
Homes would have outdoor terraces and balconies

South-facing terraces that would catch the sunlight and help to regulate the homes’ temperature. In case of another pandemic-induced lockdown, it would ensure every household still has access to their own outdoor space.

Apartments would also come with spaces suited to remote working, with 5G connectivity as standard.

Self-Sufficient City proposal by Guallart Architects for Xiong'an New Area in China
Solar panels on sloping roofs would provide electricity

The 5G network would also serve Guallart Architects plans for a neighbourhood app, which could send residents an alert about lockdowns, as well as everyday notifications about local concerts, vegetables coming on sale at the market, or children’s toys available to swap or share.

While cars would be allowed in certain areas, some streets would be for pedestrians and cyclists only, with public transport and electric taxis included to help people reduce their reliance on personal vehicles. Drones would be used for deliveries to free up the roads.

Self-Sufficient City proposal by Guallart Architects for Xiong'an New Area in China
Each apartment would come with its own birdbox

Rainwater runoff from hard surfaces would be collected for reuse, and green areas would all have sufficient soil depth for planting vegetables.

Inside the greenhouses, a mix of hydroponic farming and LED grow lights systems would provide facilities for indoor farming to supplement outdoor allotments and medicinal herb gardens.

Self-Sufficient City proposal by Guallart Architects for Xiong'an New Area in China
Gardens and orchards would attract butterflies

Green roofs, public gardens and orchards planted with butterfly-friendly flowers would help sustain biodiversity, and to further welcome nature into the city, each apartment would have its own birdbox and shelves for swallows to nest in.

Guallart Architects was founded in Barcelona in 1993 by Vincente Guallart.

Other designers considering the future of housing in light of the coronavirus pandemic include Ukrainian architect Sergey Makhno, who also champions self-sufficient housing, and Michelle Ogundehin, who drew up 11 proposals for homes under the new normal.

The post Guallart Architects designs post-covid housing for new city in China appeared first on Dezeen.

A Series That Explores Self-Care

Dans sa dernière série « Take Care », Katie So, une artiste visuelle de Vancouver, BC, dépeint des situations qui peuvent parler à tous. On peut y voir différents moments de la vie, qui apportent une sorte de sentiment de sécurité et de réconfort. Ses œuvres rappellent en fait des moments pour soi, pris quand ils se font ressentir. Dans l’une d’elles, nous pouvons voir quelqu’un blotti sous une couverture et qui regarde quelque chose sur son ordinateur. L’impossibilité de voir le visage du sujet rend l’identification plus facile à qui la regarde.

La délicatesse des couleurs et des traits de dessin apporte un aspect poétique. Ici, Katie So a réussi un savant mélange de sérieux avec une touche d’humour.

 

 

 

 

 






Redefine Meat’s 3D-Printed Plant-Based Steak

This week, Israeli start-up Redefine Meat teased their newest product: a 3D-printed steak made from soy and pea proteins, coconut fat and sunflower oil. While plenty of companies have brought ground “meat” products to market, whole cuts account for the majority of real meat purchases globally. “Steaks, roast, slow-cooking, grilling—everything that an animal can do we want to do the same or even better,” Redefine Meat CEO Eshchar Ben-Shitrit tells Reuters. Right now, his company’s machines can print 13 pounds of meat an hour; the next generation of printers, which are set to be available next year, could produce as much as 44 pounds an hour. Redefine Meat also plans to keep their products comparable in price—from $5 to $12 per pound. Read more at Business Insider.

Image courtesy of Reuters

This powerful silicone bristle toothbrush cleans for 4 months on a single charge!

There’s a case to be made for all-silicone toothbrushes. Aside from being just as, if not more efficient than nylon bristles, they’re food-grade, easy to clean/maintain, and they’re durable. A silicone toothbrush will outlast your regular toothbrush by years, allowing less plastic waste to enter the environment. Combine that with a beautiful minimal aesthetic and you get something as sleek and beautiful as the Pomabrush, an A’ Design Award-winning toothbrush with a silicone body and bristles, and an internal motor that vibrates at 15,000 vibrations per minute, allowing those bristles to gently but effectively scrub your teeth as well as massage your gums.

Pomabrush’s silicone bristles are much more gentle on your teeth than a regular toothbrush. The wide bristle design cleans between your teeth as a soft toothpick would. Silicone’s natural friction allows it to scrape food and plaque off your teeth with incredible efficiency (if you’ve ever used a silicone spatula, you know how effective those are), while making sure it doesn’t damage your tooth’s enamel or hurt your gums. Pomabrush’s design helps give you a delicate yet efficient brushing experience in a format that’s 20% smaller than most electric toothbrushes, but lasts 10 times longer when it comes to battery life.

Ditching the notion that a toothbrush should come with a multicolored handle and color-coordinated bristles, the Pomabrush’s aesthetic is as clean and as pure as it could possibly be. The brush literally embodies the sleekness of Italian design, with a single color body and matte surfacing, silicone bristles, a comfortable grip, and a single recessed button to switch it on or off. IPx7 waterproofing means you can use the brush in the shower too, and those silicone bristles are designed to be non-porous and anti-bacterial too, making your brush safe enough to use for years. The Pomabrush comes with its own slim wireless charging case that sits beautifully on your bathroom countertop or slides right into your bag or backpack while traveling, so you can carry your brush with you and use it wherever you go, be it on the road, at an airport, in a hotel, or even at a sleepover. Plus let’s not forget that it’s also lighter, smaller, infinitely classier, more delicate/efficient than most toothbrushes, and lasts years but needs charging only once every 4 months!

Designer: Taras Polishchuk

Click Here to Buy Now: $83 $157 (47% 0ff). Hurry, less than 48 hours left! Raised over $450,000.

PomaBrush – The Silicone Electric Toothbrush

The PomaBrush is a lightweight, soft all-silicon body electric toothbrush designed to painlessly deep clean (15,000 vibrations per min) and won’t hurt your gums or enamel.

PomaBrush captures the essence of minimalist toothbrush design. No Wi-Fi. No AI. No Bluetooth. And none of those extra bells and whistles you’ll never use. This means it’s 5x lighter, and 20% smaller than its competitors. And not even 3x heavier than a non-electric toothbrush.

Charge Just 3x Per Year

PomaBrush is built for your on-the-go lifestyle. Whether it’s for an overseas trip or a last-minute office meeting, the PomaBrush powers for 4 months on a single charge.

PomaBrush has no stand or attachments. Instead, it comes with the wireless charging PomaCase. The compact travel-friendly case protects and keeps your toothbrush clean, wherever you go. The cool toothbrush holds 1 month of charge, and its compact wireless case extends this for an additional 3 months.

Full Silicone Head & Body

Its soft antimicrobial silicone bristles won’t hurt your gums or enamel, as they gently massage and strengthen them. And as silicone is naturally antimicrobial, the bristles stay clean for longer. This means you only need to change them once every 6 months.

Enjoy Painless Deep Cleaning

Enjoy a powerful deep clean thanks to PomaBrush’s 15,000 vibrations per minute. PomaBrush automatically buzzes every 30 seconds to let you know you should switch to the next quarter. And turns off after the recommended 2 minutes. Its specially designed brush head also carefully removes plaque from your tongue as you brush. And thanks to its soft silicone bristles, you don’t need to worry about hurting your gums. Even if you brush more than 2 times a day.

Built to Get Wet

Use it in the shower, or even in the tub. PomaBrush is 100% waterproof, certified to IPX7.

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