Using the eruption of Mount Vesuvius and its impact upon Pompeii as an example, Wired writer Cody Cassidy (author of Who Ate The First Oyster?) delves into the factual ways people survived the perils of magma, raining ash and explosive gas. With the help of Pier Paolo Petrone (forensic anthropologist at the University of Naples) and James Moore (volcanologist and scientist emeritus at the US Geological Survey), Cassidy exposes misconceptions (that heading into the water may help, or that lava travels quickly) and affirms that those who take immediate action survive. In fact, Petrone states, “Probably only those who managed to understand from the beginning the gravity of the situation escaped in time.” Read the details at Wired.

Image via Pixabay

In this week’s comments update, readers are discussing No Footprint House in Costa Rica and sharing their views on other top stories.

The architect who designed a prefabricated house in Costa Rica, which was created as a prototype for a series of future zero-carbon homes, is engaging with readers who have commented on the story.

Studio A-01 built No Footprint House in the Central Valley of Costa Rica before transporting it to its site in Ojochal, a small village located in the Puntarenas province.

“Is there any protection against bugs and creepy-crawlies?”

But readers have questions for the architecture studio. “Nice effort, but a bit impractical,” said Apsco Radiales. “Is there any protection against bugs and creepy-crawlies if you open the slats?”

“There is no absolute protection,” replied architect Oliver Schuette. “It helped tremendously to raise the building from the ground and to surround it with edgy pebbles. Landscaping and plants can do a lot to keep certain ‘unwanted guests’ away from your house. We try to go with nature-based solutions as much as we can. Beyond that it’s co-existence and survival of the fittest.”

“Prefabrication of passive houses is really delicate because passive houses have so many orientations: the site, the sun path, the wind direction, the urban orientation,” continued Bras Cubas. “But this house has no orientation at all.”

Schuette replied: “The most sensitive issue we discussed when we went through the design process was how can you create a generic and prefabricated building system that still has the capacity to respond to personal needs and site-specific conditions? Our answers included the overall building positioning, a centralised service core to keep all technical components away from the facades, an open plan around the core that can be naturally ventilated on all sides, and – maybe most important of all – a double layered facade that gives us the opportunity to react on a smaller scale and on each side of the building.”

Do you have any queries for the architect? Join the discussion ›

“Actively trying to dislike this but I can’t” says reader

The aptly named Berlin Cube Office block, designed by architecture studio 3XN, has sparked debate thanks to being shaped like a cube and its faceted glass facade. It was built on Washingtonplatz in central Berlin.

“Interesting but sort of one note,” said Bubba10. “No subtlety or having the design unfold. You get it all at once. Bam, done.”

“Actively trying to dislike this but I can’t,” replied Heywood Floyd, on the other hand. “I think it is executed very well and the photography is really helping the facade concept. It’s like a one-liner in comedy – just because it’s short doesn’t mean it’s not funny.”

JZ agreed: “Conceptually strong and optically fascinating. In a constant state of assembly and fracture. So flat while maintaining a crazy amount of depth in perspective.”

Are you a fan of the Berlin Cube Office block? Join the discussion ›

Commenter asks if glass-bottomed bridge is “sponsored by Instagram?”

The longest glass-bottomed bridge in the world has been completed by the Architectural Design & Research Institute of Zhejiang University in southern China, but readers are cynical.

“Sponsored by Instagram?” asked Steve Hassler.

“No way I’m stepping foot on this,” said Miles Teg. “No way sir.”

“Also known as the world’s longest slip and slide,” added Kevlar.

Are you brave enough to walk the Guinness World Record-breaking bridge? Join the discussion ›

“I want to dress like a jester and hang out on this street” says reader

Commenters are divided over Camille Walala’s design for a large-scale mural, which covers eight different buildings on Leyton high-street in London. The project was crowdfunded by the local residents in an attempt to overhaul the area.

“I want to dress like a jester and hang out on this street,” said Erich Trumpelstiltskin.

Le Ego was less enthusiastic: “Whilst I commend the great effort and sentiment behind it, simply slapping some paint on a few buildings isn’t going to revive a high-street whose problems extend far beyond its aesthetics.”

“Rampant subjectivity at its worst and most public,” concluded J Hardman. “Imagine a designer or architect just proclaiming ‘I’ve done this because this is my style’ – they would get pilloried for it. But hey, it’s colourful and kooky so yeah, crack on, do whatever.”

What do you think of Walala Parade? Join the discussion ›

Read more Dezeen comments

Dezeen is the world’s most commented architecture and design magazine, receiving thousands of comments each month from readers. Keep up to date on the latest discussions on our comments page.

The post “It’s co-existence and survival of the fittest” says architect appeared first on Dezeen.

This school show by the Rensselaer Polytechnic Institute features speculative designs from current and former students, including a “shrine to science fiction” made from mechanical debris and a replacement for Steven Holl’s Hunter’s Point Library.

The projects were created as part of the students’ undergraduate degrees at the Rensselaer School of Architecture in Troy, New York.

Although created in different years, all of the designs focus on the “benevolent power of architecture” to tackle the most pressing social and environmental concerns of our time.

Rensselaer Polytechnic Institute

University: Rensselaer Polytechnic Institute, School of Architecture
Courses: BArch

Statement from Evan Douglis, Dean of the Rensselaer School of Architecture:

“Situated within one of the premier technological research universities in the US, the School of Architecture at the Rensselaer Polytechnic Institute works in collaboration with leading scientists, engineers, technologists, artists and entrepreneurs.

“Together, we reimagine the future built environment as an ecologically responsive, energy-efficient, socially conscious and poetically charged constellation of buildings and infrastructures that reinvigorate and empower diverse communities around the world.

“We believe in the benevolent power of architecture to contribute to the environmental restoration of our planet, to establish a more productive, harmonious and symbiotic relationship with the natural world and to imbue our buildings with an awe-inspiring sense of wonder and delight.”

Biogas House & Turntable Garden by Aida Ayuk

“The tearing down of domestic objects into their constituent parts provides the backdrop for architectural speculation in this foundation studio. The house began as an investigation of the aesthetic categories of a household record player and the ways it transfers energy.

“The house is conceived as a system of overlapping domestic programmes that produce, store, circuit and consume energy. In this process, domestic waste is collected and processed into bio-slurry. The house consists of a one-storey podium surrounded by a turntable composed of storage tanks, skylights and digesters. The caretaker’s tower consists of three rings, which intersect to form the living quarters around an interior balcony and composting tank.”

Course: first-year BArch, 2019
Studio: Architectural Design 2

Email: ayuka@rpi.edu
Tutor: Rhett Russo

Thermo House by Emmy Chen

“This house consists of a constellation of globes, with each holding a different living area at its centre. The spaces where the spheres overlap allow for movement in-between. The house is set in a cold climate, so based on ecogeographical rules each room is formed with a minimum surface-area-to-volume ratio to prevent heat from dissipating and offer thermal insulation.

“The aggregation of the spheres results in valleyed intersections on the exterior. This is where the steel supports emerge and elevate the aggregates from the ground, creating a minimal footprint to further increase the building’s energy efficiency.”

Course: BArch, first year, 2019
Studio: Architectural Design 2
Email: cheny55@rpi.edu
Tutor: Ryo Imaeda

Habitat Nexus by Daniel Rothbart and Andrew Tice

“In designing housing, we envision a way of life. We dream of utopia, imagine dystopia and hope to influence how we imagine communal living – as a network of relationships, even an ecology. Located on the riverfront in Cohoes, New York, this project is designated for residents nearing the Third Age, meaning people upwards of 65 years old.

“The intent of Habitat Nexus is to deliver on the promises of connection and community, which were originally espoused by technological platforms but which they failed to deliver. Through extreme architectural environments, this building awakens its inhabitants from their fabricated reality and enables new associations and relationships.”

Course: BArch, second year, 2018
Studio: Architectural Design 4 – Housing
Emails:  ticea@rpi.edu and rothbd@rpi.edu
Tutor: Yael Erel

Cohoes Gateway Boathouse & Recycling Plant by Caroline Golota


“Beginning with a study of discarded mechanical objects, Cohoes Gateway repurposes waste into experimental architectural forms. The project takes a postindustrial site in upstate New York as its basis and seeks to update its hydroelectric power infrastructure in a contemporary way.

“Emerging renewable energy technologies are integrated into a spatial grammar reminiscent of geological configurations, combining both natural and artificial elements into a hybrid language. The network of tendril-like formations constituting the project’s ground floor double as hydropower storage units and public spaces, which have the potential to branch out of the site and acquire an urban dimension.”

Course: BArch, second year, 2017
Studio: Architectural Design Studio 3
Email: golotc@rpi.edu
Tutor: Stefano Passeri

Botanical Library for Endangered Plants by Renwen “Annie” Yu

“This library proposal is located on the East River waterfront in Long Island City, New York, on the site of Steven Holl‘s recently completed Hunter’s Point Library. It reconsiders the function of a library in contemporary society and, rather than primarily storing books, serves as a botanical archive designed to educate visitors about plant species that are at risk of extinction due to climate change.

“The project also reconsiders the image of a library, with its form and aesthetics derived from ‘glitched’, projected images of OMA’s Seattle Public Library. The facade is an exploration of colour and complexity, realised via full-scale 3D-printed panels.”

Course: BArch, third year, 2020
Studio: Integrated Design Schematic Studio
Email: yur2@rpi.edu
Tutor: Adam Dayem

Museum of Science Fiction & Speculative Media by Ayesha Ayesha

“Science fiction tells us about the world we live in by exploring the present through images of the future. In this way, it serves a critical function. Apocalyptic visions, utopian futures and social experiments are all familiar scenarios found in this multilayered and complex genre.

“The Museum of Science Fiction & Speculative Media, located at 57 State St Albany, New York, is an elaborate shrine dedicated to science fiction. This referential mass contains a series of gallery spaces, exhibiting a robust timeline of the genre supported by a theater and performance space, media research labs, administrative offices and retail spaces.”


Course: third-year BArch, 2018
Studio: Integrated Design Schematic Studio

Email: ayesha@rpi.edu
Tutor: Matthew Lopez

Expo ’51 Detroit by Cody Seipp

“This project imagines a world in which Amazon began orchestrating a redevelopment plan for Detroit in 2018. The revamped image of the city centres around Amazon’s new headquarters, while rejecting cars in favour of a public transport system and pedestrian walkways.

“The urban overhaul would conclude with Expo ’51, an international exhibition welcoming works by celebrity architects to increase tourism and give Detroit a global presence.”

Course: fifth-year BArch, 2018
Studio: Final Project Design Research Seminar & Studio
Email: cdseipp@gmail.com
Tutor: Chris Perry



Intimatopia by Mincong Huang

“Intimatopia explores how the increasing speed of cultural production and bifurcation can disrupt existing urban fabrics, in the hope of ultimately fostering a new sense of togetherness. Clustered habitats are injected into the cityscape and interconnected through synchronised electronic drum beats, reminiscent of the emergent collectivity of the 1980s.

“Yet, through this constant shape-shifting, it becomes apparent that togetherness dissolves into each and every one of us. Through the agency of our bodies, it has become impossible to capture our culture in the built environment. This stability has long been forgotten and what unites us as a community is also what inspired the forgetting in the first place. Sounds and rhythms are the only monuments that communicate and reverberate togetherness across the new cityscape.”

Course: fifth-year BArch, 2018-19
Studio: Final Project Design Research Seminar & Studio
Email: huangm5@rpi.edu
Tutor: Carla Leitao

Power – After the Flame by Varun Chillara

“Politics and power in architecture have reemerged as prominent topics in the last decade and the increasing instability of international political structures has correspondingly influenced the built environment.

“Los Angeles hosted the Summer Olympics in 1932 and 1984, and will again host the Olympic Games in 2028. However, when they come to a close and the flame is extinguished, what will become of these venues? This project charts the interaction between different social and technological scenarios at varying scales from the city to the individual, so we can identify obvious but latent conditions that continue to affect today’s city.”

Course: fifth-year BArch, 2017-18
Studio: Final Project Design Research Seminar & Studio
Email: varunkamesh22@gmail.com
Tutor: Brian De Luna

Beyond Ornament: Transforming the Mundane & Overlooked by Claire Liu


“The advent of digital technologies in architecture has opened up new possibilities for design. With the tools at our disposal today, ornaments can be pushed into unexplored territory by assembling them in a new way.

“Through excessive use, ornaments lose their decorative character and become something new. In order to push beyond the decorative, this project investigates the representational and functional dimensions of ornamentation in architecture. Through exploring excessiveness, a new artefact emerges based on the typology of a motel on Route 66.”


Course: fifth-year BArch, 2017-18
Studio: Final Project Design Research Seminar & Studio

Email: lliuj18@gmail.com
Tutor: William Virgil

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Across a sprawling six minutes, Bilal’s “DAY THREE – Voyage to a New World” features a slew of talented artists including Erykah Badu, Nick Hakim, Madison McFerrin, Robert Glasper and others. Opening with birdsong and Badu’s poetry, the tune begins as a kind of meditation before taking various twists and turns. Distorted vocals and chaotic percussion lead to a lush, soulful flute-laden melody that soon morphs again. The track features on VOYAGE-19, an experimental EP (co-produced by Tariq Khan) that was recorded over three days, with 30 musicians and vocalists contributing from their home studios in real-time as part of a live online event.

Bilal + HighBreedMusic present: VOYAGE-19 by Bilal x HighBreedMusic

If you’re a sustainability-minded designer who’s also responsible for the packaging of your products, MetsäBoard is a resource worth taking down. The Finland-based company specializes in producing paperboard solutions, which they reckon yields “the best possible packaging solutions with the least possible environmental impact.”

Plastic-free, lightweight and easily recyclable, the company’s paperboard offerings “consume less raw materials, reduce transport weight and produce less waste. They also ensure product safety and protection, as well as enable appealing promotion.” Their areas of application are broad, encompassing food & beverage, wine & spirits, beautycare, healthcare, consumer electronics and graphics.

MetsäBoard’s line-up includes Folding Boxboards and White Kraftliners in a wide range of grades/finish levels (Natural, Classic, Pro and Prime), as well as Prime FBB EB, a plastic-free “eco-barrier” paperboard that’s suitable for food contact, provides a barrier against grease and moisture, and is printable.

The company has been industrious during the pandemic; they’ve just launched a new 1,500-square-meter Excellence Centre consisting of a package design studio, a laboratory, an R&D skunkworks and a customer feedback center.

Customers will be able to visit the Excellence Center, both physically and virtually, for collaborative package design workshops. You can learn more here.