University of Westminster architecture students share "varied design approaches" across 10 projects

A dementia clinic that celebrates the joy of eggs and a dance school for the over 60s feature in this VDF school show of work from the University of Westminster‘s architecture students.

Of the more than 750 graduates and undergraduates that make up the university’s School of Architecture and Cities, 10 students’ work is showcased below, spanning disciplines from environmental and urban design to interior architecture.

The rest of the department will exhibit its projects at the Virtual OPEN 2020 exhibition starting from 16 July.


School of Architecture and Cities, University of Westminster

University: University of Westminster
School: School of Architecture and Cities
Courses: BA Architecture, BSc Architecture and Environmental Design, BSc Architectural Technology, BA
Designing Cities, BA Interior Architecture and Master of Architecture (RIBA Part II)
Tutors: Ro Spankie, Julian Williams, Jane Tankard, Benson Lau, Richard Difford, Giulio Verdini, Roudaina Alkhani, Thomas Grove, Sean Griffiths, Kester Rattenbury, John Cook, Laura Nica, Ben Pollock, Gill Lambert, Geoff Shearcroft, David Scott, François Girardin, Constance Lau and Stephen Harty

Course statement: 

The School of Architecture and Cities offers a wide range of undergraduate and postgraduate courses as well as research degrees a few moments from Baker Street. Here, students can enjoy access to state of the art facilities including the extensive Fabrication Laboratory and dedicated open-plan design studios.

“OPEN 2020 is a rolling programme of events and an evolving virtual platform being created by the school’s staff and students, which reflect the varied design approaches of the School of Architecture and Cities and their place at the heart of London.

“It will feature the works of more than 750 students, drawing on the vast body of developmental and finished work imagined and realised over the course of the last academic year. The show will transform student work into digital assets, creating an extraordinary display of new architecture and a compelling visitor experience.

“The show is set to run until 30 September at openwestminster.london.”

Thursday 2 July, 6:30pm 
OPEN 2020 catalogue and film presentation
Introduction to the VirtualOPEN2020 programme and the collaborative openwestminster.london exhibition platform

Thursday 16 July, 6:30pm 
Opening of the Virtual OPEN 2020 Exhibition Platform
Opening speech by Professor Sadie Morgan OBE


Alive Inside by Anna Gregory, BA Interior Architecture

“Alive Inside is a dedicated dance school for people over 60. It provides classes that encourage movement and enable those with deteriorating bodies and minds to feel alive and reduce their social isolation. This proposal consists of pneumatic cushions restrained in aluminium extrusions and supported by a lightweight structure.

“When you have dementia, you are lost in time as much as you are lost in space. Therefore, semi-permeable modular cushions create a freestanding, multi-sensory interior and modest furniture interventions, that helps occupants to orient themselves in space using textiles and light. The structure itself is like a drawing in space, marking out territory and framing key visual landmarks to prompt memory when cognitive mapping fails.”

Award: VOLA Award for Best Design Research
Website: annagregoryinteriors.wixsite.com


Theatre of Senses by Carina Tirnavean, BA Interior Architecture

“This project embraces the concept of performance and transforms a traditional theatre into a Theatre of Senses. The silhouette of the building merges with the colourful silhouettes of its interior design and with those of the visitors, creating an atmospheric, mysterious and innovative theatrical path.

“By walking through the interior, visitors’ senses are animated and six fundamental feelings are elicited through a sequence of performance sets. These represent anger, happiness, sadness, disgust, fear and surprise. Theatre of Senses becomes a collection of performance rooms and stages, each one facilitating an alternate play of colours and recreational atmospheres as a play of senses and light.”

Email: carina.tirnavean@gmail.com
Instagram: @archiconic_


The Borough SET by Rowan St John, BA Architecture

“Faced with an uncertain future the founders of the MayDay Rooms, a collaborative radical organisation, are deliberating their next move. The Borough SET is an urban enclave and archive that enables an artistic community to operate with access to the library of documents that inspires them.

“The project facilitates low-cost living, working and growing as part of a collaborative, intentional community. The complex is as self-sufficient as possible and feeds off the waste of the city. Rather than being fixed and immobile, it is designed to grow and adapt over time, permitting decay and renewal within the predetermined limits of its mountainous superstructure.”

Website: rowanstjohn.co.uk
Email: rowanstjohn@gmail.com


The Lion and the Unicorn: Taxidermy and the Vertical Garden of Pleasures by Silvia Galofaro, BA Architecture

“This 21st-century version of an urban pleasure garden is inspired by London’s historical approach to leisure and the 1951 Festival of Britain. Originally the lion, as a symbol for the United Kingdom, alluded to establishment, tradition, strength and dependability while the unicorn was whimsy and at times mercurial and capricious.

“This dualism is translated into the architectural language of the project, where the Lion takes on a calculated rigour inspired by baroque geometry. This is contrasted with modern glass and steel to represent the unicorn. This Janus-faced approach programmatically alternates between the science of freeze dry-mounted taxidermy and the pleasures of urban landscapes.”

Email: silvia.galofaro@outlook.com


Meditation Healing Retreat by Ella Reed, BSc Architecture and Environmental Design

“This design brief proposes a meditation healing retreat centre, where visitors are taught meditation to improve their mental health long-term. Guests will be referred to stay at the centre for a period of time through the NHS and will have the opportunity to learn mindfulness meditation as a non-traditional means to manage mental health issues such as depression and anxiety.

“The aim is to remove the stigma around mental health and to educate people about how they can change their life for the better without the need for expensive therapeutic treatment and medication.”

Email: ellareed@hotmail.co.uk


St Saviour’s and St Olave’s Church of England School by Elina Mieme, BA (Hons) Designing Cities

“Old Kent Road in Southwark has been recognised by the mayor as one of London’s ‘opportunity areas’. It will be redeveloped and become home to thousands of new people in the near future. This project looks at the site of the St Saviour’s and St Olave’s Church of England School and explores ways of using the space more efficiently, improving quality of life for residents and students.

“It provides much-needed facilities such as a modern and sustainable sports hall, covered courtyard, cultural centre and public library, as well as attempting to reimagine the area around Bricklayers roundabout as a place for people.”

Portfolio: behance.net/elnamieme
Email: elinamieme@gmail.com


The Really Really Real by Sinead Fahey, Master of Architecture

“This proposal encompasses a student accommodation block, located near and inspired by the eclectic Dagenham Sunday Market on the riverside in Barking, East London. The building is situated within a wider masterplan for a technical college, developed collaboratively using experimental methods by four members of the studio.

“The architecture derives from various types of ‘chance operations’, which generate compositional studies characterised by experimental representational techniques, alongside an array of unique architectural components with distinct material and formal qualities. The project is also influenced by our studio’s trip to see the buildings of Le Corbusier.”

Email: w1703713@my.westminster.ac.uk


The Micro-Plastic Parliament by Katherine Dechow, Master of Architecture

“The Micro-Plastic Parliament aims to encourage debate and policy formation around anthropogenic air particle contamination and air-based micro-plastics. The masterplan is defined by local wind movements and areas of high and low velocity, which dictate the shape of a space for public engagement.

“The envelope of the building aims to accelerate the deposition of micro-plastics through its form and use of electrostatic charge, building up over time to conceal the building and make visible the downwind consequences of urban life.”

Email: w1698831@my.westminster.ac.uk


Watney Plaza Reminiscence Home by Archie Stroud, Master of Architecture

“Buildings should make our lives more joyful. But to create joy, I first had to define it. This intensely personal investigation resulted in the thesis that eggs are the purest form of joy. To apply this thesis to architecture, I turned to Tower Hamlets where I highlighted a public service that joy would best serve.

“The resulting proposal gives people with dementia a positive blast from the past through reminiscence therapy. By creating an artificial bubble that mirrors the past, the scheme helps to slow the decline of cognitive abilities in its residents, allowing them to live a fulfilling final chapter of their lives.”

Email: w1700174@my.westminster.ac.uk


Eiderland Wildlife Data Gathering Centre by Martynas Kasiulevicius, Master of Architecture

“Eiderland investigates pressing issues surrounding the remote island of Flatey in Iceland‘s Westfjords region. Problems such as rural depopulation and ageing pose a threat to the harvesting of feathers, called Eiderdown, from local Eider ducks. With the aim of preserving the current state of Flatey and conserving the historic down collection process, the Eiderland centre occupies one of the adjacent remote islands.

“The project proposes a diverse set of interventions that aim to use local wildlife as a means of gathering ornithological and climatological data for the Icelandic Institute of Natural History, thereby adapting the remote islands to the Networked Age.”

Email: m.kasiulevicius@my.westminster.ac.uk


Virtual Design Festival’s student and schools initiative offers a simple and affordable platform for student and graduate groups to present their work during the coronavirus pandemic. Click here for more details.

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Interactive Speaker Designs for tech lovers who believe music is life!

Call me a fool, but I have never been very invested in a speaker. My focus would be on the lyrics of the song and as long as I got to hum along with the lyrics I was a happy soul. This cocoon of mine shattered after I took an interest in product design and joined Yanko! The sheer variety and functionality of the speaker designs we showcase have made me a fan of these designs, with a special focus on interactive speakers. The process of manually changing a speaker’s controls now feels like an almost meditative process to me and now that I have a better collection of speakers with me, I still find myself in awe when a designer mixes this essentially physical product with a physical interaction that helps us feel the melody. This is the collection curated here today – speakers that attune themselves to your needs – be it associating color to music, using non-traditional interfaces or adding a new digital element to the design, each speaker will inspire you to look at this humble everyday object in a whole new light!

sound tool

The motive for Ben Lorimore’s Sound Tool was to have a speaker whose operation relies upon physical intuition, leading it to be emotionally stimulating! The main source of inspiration comes from the eccentric movement of a Conductor; as the volume of the orchestra increases, as too does the Conductors physical presence. This has been beautifully translated into Sound Tool by encouraging the user to increase the volume of the music by grabbing each end of the speaker and pulling them apart! To increase the volume of Sound Tool, grab it and make it bigger. To decrease the volume, compress it. Fully collapse it to pause, Sound Tool will not play at 0% volume. It’s welcoming to see a product that encourages tangible interactions!

Atelier” is a hybrid entertainment system that marries high-end audio and television into one elegant unit. According to designer Kwanjun Ryu, it’s first and foremost a speaker to appeal to younger generations less concerned with TV. Created to rest close to the floor, it’s capable of delivering multidirectional, high-def sound that will envelop the user in their favorite tunes or talk radio. With the press of a button, a 32″ screen automatically raises to reveal a full HD color screen. This means, when it’s not in TV mode there’s no blank, black box cramping your room’s style!

The Layered, at first glance, won’t give you even the slightest idea of what it is. So I’ll help you out. Designed by X-Factor, the Layered is a Bluetooth speaker, with the equalizer turned into an interactive tactile element on the top. Taking bands of frequencies and dedicating different controls to them, the Layered contains six transparent discs lit from the bottom. These discs correspond to different frequency bands (calibrated to help control the presence of a particular instrument) and can be rolled up and down the Layered’s surface to work as an equalizer, allowing you to amplify or attenuate the effect of instruments in your music.

Sound project

The Sound Project, by Pascal Grangier, offers a new way of interacting with music using color tones. Colour and emotion are directly linked to one another, from subtle, pastel blues which are associated with calmness and a state of relaxation, through to vibrant reds which symbolize excitement and energy. Protruding out of the top of the speaker is a polycarbonate layer, where the mood and information are elegantly displayed. The music is controlled via a separate device that resides on the top of the module; by physically moving the device, the music levels alter.

You’ve heard of 2.1 audio, 5.1 audio, even perhaps 7.1 audio… but have you ever heard of 12.1 surround sound? That’s what Lingsong Jin’s Actinia speaker is about. Inspired by the tree-shaped sea anemone, the Actinia Speaker has 12 tweeters on its radially symmetric top, and a woofer right at the base. With a gradient-tinted glass body, the Actinia is virtually see-through, bringing an element of transparency to the uniquely shaped organic speaker body, almost reminiscent of how curvy Harman Kardon’s Soundsticks were, back in the day.

The Waving Multifunctional Speaker by RuiWang Xiang is a perfect example of how form and function can help redefine a product’s design. Given that wireless speakers are almost always used with smartphones, the Waving Multifunctional Speaker even doubles as a dock/stand for your mobile, allowing you to watch videos on it while the three mid-range audio drivers on the front pump sound out. The Waving Multifunctional Speaker even comes with a distinct wave-texture on its top which serves as a nifty area to rest stationery. Aware of the fact that most speakers find themselves placed on work desks, the Waving Multifunctional Speaker integrates clever and convenient solution, allowing you to rest your pens and pencils on it while you work. The Waving Multifunctional Speaker is also a winner of the A’ Design Award for the year 2020!

Mindaugas Petrikas’ Hevi speaker comes crafted from a mixture of rough concrete and wood, Hevi is a 360-degree modular speaker, with a warm and rustic aesthetic. With a glossy plastic plate stuck right in the middle of it, a surreal modern contrast is created to the otherwise homely materials, that are wood and concrete. What makes Hevi even more interesting is that it dissociates into two speakers! The top portion of Hevi consists of a mid-high frequency speaker, whereas the lower portion is a mid-low frequency speaker. The two can be detached, allowing you to carry either of the speakers wherever you wish. The compact upper speaker is, of course, the more portable option, something you could even carry for your outdoor adventures! When combined, both the speakers create a resounding high-quality sound.

Designed to be like an Amazon Echo Show but in the shape of an Amazon Echo, Royole’s new Mirage smart speaker tries to integrate flexible displays into smart speakers. The Mirage is a cylindrically shaped smart-speaker (with a floating halo) that responds to Amazon’s Alexa, but the most noticeable element about it is the screen that envelops nearly half the device, wrapping around from side to side. Royole’s always been an advocate of flexible electronics, with a folding tablet, phone, and even keyboard in its catalog of products. The Mirage adds itself to that list with the flexible display, which provides a new way of showcasing information that your smart speaker relays to you.

The Saturn hybrid speaker-light by Angie Kim & Heejae Choi begs the question: why shouldn’t our devices also be works of art?! The obvious answer is that everyone has largely different aesthetic tastes, but there’s no denying that Saturn’s sculptural form is better looking than plenty of other standalone Bluetooth speaker designs. Aside from providing high-quality audio streaming and stylish accent lighting on its rings, it also features a spinning feature that captivates with motion. Depending on the music tempo, its centered orb will turn to the timing of your favorite tunes!

Portable speakers don’t usually have intriguing aesthetics, so Arvin Maleki’s Seda was created with the intention of blending both visuals and technology to make it stand out. Its physical form radiates a zen feeling while also having a multifunctional appeal. Seda isn’t just smart, it was made to be intelligent. Seda has a pen holder in the center which also acts as a small space organizer. It features an embedded light bar in its external body which works as a desk light and it also has a dim ambient light – to be honest, this speaker is more lit than the playlist I made for it. It almost looks like an accent interior piece for your home than a portable speaker.

With an aesthetic that melds Japanese and French aesthetics together, the iFi Aurora by Julien Haziza is a hi-fi speaker that literally looks like it’s levitating off the surface of the table or mantelpiece it’s kept on. The audio unit is clad in a casing made of bamboo, with slatted strips around its periphery, adding contrast while also creating what one would perceive to be the grill for the speaker’s 8 drivers. The speaker’s semi-vintage look comes with a reason. It opts for analog signal processing over digital, delivering a sound that’s grand, lossless, and well balanced. Its in-built PureEmotion amplifying technology delivers room-filling, rich audio that engages you with music in its purest, hi-definition format. The speaker comes with Wi-Fi connectivity and Bluetooth 5.0, but even has more than its fair share of wired cable inputs, ranging from optical and coaxial to USB and even Ethernet.

Now that you are set with a speaker design, check out these innovative keyboard and mouse designs to help you create that dream desk setup!

Open Architecture unveils Pingshan Performing Arts Center

Pingshan Performing Arts Center by Open Architecture

Beijing studio Open Architecture has created the Pingshan Performing Arts Center near Shenzhen as a “counter-statement” to other more extravagant theatres that have recently been built in China.

The architecture studio designed the performing arts centre in the Pingshan district of Shenzhen with a simple form to demonstrate an alternative to the landmark structures that are being built across the country.

Pingshan Performing Arts Center by Open Architecture

“We entered the design competition at the time that so many extravagant, grand theatres were being built in China and elsewhere, spending millions and millions of taxpayer money seemingly without blinking an eye,” said Open Architecture co-founder Li Hu.

“We wanted to make a counter-statement,” he told Dezeen.

Pingshan Performing Arts Center by Open Architecture

Rather than creating an elaborate exterior form, Open Architecture focused on adding drama to the interior spaces by creating unexpected routes through the building.

“The form of the floating-box itself is an anti-thesis to the world of theatre design taking dramatic forms for granted,” said Li.

“Instead, we packed the ‘drama’ inside. Unexpected programs and spaces, twists and turns, in and out, to wrap around and above the grand theater space at the core, which activates the urban facade day and night,” he continued

“We took the inspiration from the concept of the ‘Chinese box’ – a cubical wooden treasure block made of complicated interlocking pieces – sophistication inside the simplicity.”

Pingshan Performing Arts Center by Open Architecture
Photo is by Jonathan Leijonhufvud

Although the original brief was for a stand-alone theatre, Open Architecture convinced the client to expand the program to include a performing-arts centre, dance studio, educational facilities as well as a restaurant and a cafe.

“We were lucky to have the support from our client who ultimately agreed to our proposal of ‘redesigning’ the original program, so we turned the mono-functional grand theatre building to a much more sustainable performing arts centre with programs that are accessible and much more ‘useful’ to the local community,” said Open Architecture co-founder Huang Wenjing, who is a judge of this year’s Dezeen Awards.

Pingshan Performing Arts Center by Open Architecture
Photo is by Jonathan Leijonhufvud

The 1,200-seat main auditorium was placed at the centre of the building and is clad in dark-red-toned wood panels, which contrast with the largely white interiors of the surrounding spaces.

Internally, the auditorium’s walls and seats are coloured a deep blue, while bamboo panelling is used on the roof and balconies.

Pingshan Performing Arts Center by Open Architecture
Photo is by Jonathan Leijonhufvud

“A deep and somewhat mysterious blue colour was chosen for the textured interior walls of the grand theatre, it nicely contrasts with the warm yellow tone of the bamboo panels on the ceiling and at the back of the seats,” Wenjing told Dezeen.

“Blue is our way of paying tribute to the oceanic context as Shenzhen is a subtropical metropolis near the sea; blue is also the main colour of a characteristic fabric worn by the local hakka people.”

Pingshan Performing Arts Center by Open Architecture
Photo is by Jonathan Leijonhufvud

Alongside the main theatre is a glass-walled lobby and entrance area, which also provides access to the smaller, black-box theatre. This entrance hall is cantilevered from the building to provide a shaded area alongside the complex.

The theatre is topped with a publicly accessible garden that is reached by a stepped route that wraps around the outside of the building and connects the cafe, black-box theatre and teaching studios.

Pingshan Performing Arts Center by Open Architecture

Overall, Open Architecture designed the building to be an inclusive space and believe it demonstrates the sort of attitude that architects in China should take towards creating cultural buildings.

“Of course, you can come here for a high-quality opera, but you can also take a stroll to enjoy all the gardens along the promenade and be happily surprised by the expansive roof garden together with the panoramic view – all without entering the building or paying for a ticket,” said Huang.

“You can also come here for some dancing classes, singing rehearsals, or small group practices,” she continued. “What’s most important to us was the attitude an urban cultural building should have, not simply to shock and awe by its form, but the ability to provide a welcoming shelter for the heart and soul of all walks of life.”

Pingshan Performing Arts Center by Open Architecture

Li and Huang established Open Architecture in New York in 2003, with the Beijing office opening five years later. The studio has previously converted a series of airport fuel tanks into gallery spaces in Shanghai and built a cave-like art gallery inside a sand dune in Qinhuangdao.

Photography is by Zeng Tianpei, unless stated.


Project credits:

Architect: Open Architecture
Principals in charge: Li Hu, Huang Wenjing
Project team: Ye Qing (project architect), Zhou Tingting (project architect), Zhang Hanyang, Han Ruyi, Xing Shu, Luo Ren, Andrea Antonucci, Sun Xinying, Zhang Chang, Jia Han, Sabrina Wu, Zhang Hao, Cynthia Yurou Cui, Angela Nodari
Local design institute: Shenzhen Aube Engineering Design Consultant Co
Curtain wall consultant: Schmidlin Façade Consultancy
Theatre consultant: JH Theatre Architecture Design Consulting Company
Stage equipment consultant: Zhejiang Dafeng Architecture and Decoration Co
Lighting consultant: United Artists Lighting Design Consultants

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Pantone’s $15 rainbow card turns your smartphone camera into a highly accurate Color-Picker

The smartphone camera is a great tool for capturing photos of things you like. It could be as direct as photos of friends, family, animals, landscapes, but it could also be photos of things that inspire you. Pantone’s latest product wants to extend your smartphone’s ability to capture items of inspiration by allowing it to turn into a real-life eye-dropper tool that can pick and identify colors with incredible, Pantone-backed accuracy!

Meet the Color Match Card… an innocuous-looking card with a grid of colored swatches and a hollow cutout in the middle. All you do is place the card on an object who’s color you want to scan and point your camera at it. The Pantone Connect app does the rest, automatically analyzing the color within the hollow cutout and giving you matching Pantone color values that you can either document or save within the Pantone Connect app or even send directly to a palette that you can access using Adobe’s suite of creative tools. The tech behind the Color Match card is pretty simple. The colorful swatches (and the tracking markers around it) help the Pantone app calibrate the way it captures colors, allowing you to accurately grab hues in all sorts of lighting conditions with great accuracy. The color swatches help the Pantone app understand what sort of lighting (warm, cool, or neutral) you’re in and white-balance the image on its own as a calibration measure. The app then scans the hue within the cutout at the center of the card, matching it with Pantone’s vast color library to give you a list of Pantone values you can easily use for your next project!

Designer: Pantone

These smart-home devices are disguised to look like balancing Zen Stones!

If the future of the smart home is all-around integration, what’s a better example than products that absolutely integrate themselves into your domestic surroundings? The Wepoom is a series of home-cameras and a projector that pull inspiration from zen stones, creating what is best described as an IoT Japanese rock garden in your home. The Wepoom is characterized by multiple pebble-shaped devices that nest one above the other on a wireless charging mat to periodically recharge their batteries. When they’re fully charged, the camera units can be strategically placed at various points in the house, while the projector unit itself could be used to have video chats with people in different rooms or to see who’s at the door. Conversely, Wepoom’s charging mat can even be used to juice your smartphone when its own devices aren’t getting re-energized.

The Wepoom explores an interesting design direction by making gadgets look more unassuming and allowing them to blend into home decor as interesting products (quite like this kinetic-sculpture WiFi router). Wepoom’s design explores an aspect of cultural relevance too, bridging the gap between tech and tradition in an unusually pleasing way. The individual pebble-cameras don’t just do their jobs, but also have an interactive element that doesn’t seem forced. I’d argue that balancing the zen-stones on top of one another (which get fixed in place magnetically so they don’t accidentally topple over) would be a sort of highlight that people would look forward to and enjoy, unlike the absolute chore it is to usually charge devices.

I imagine the only logical next step would be to design a silicone housing for the Nest Home Mini that resembles a Feng Shui Lucky Cat!

Designer: Seongmin Kang

Mississippi to redesign state flag to remove Confederacy emblem

Mississippi state flag

Mississippi has voted to redesign its flag to remove the Confederate battle emblem, making it the last US state to remove the controversial symbol that was used by southern states during the American Civil War.

Mississippi legislature passed a bill on Sunday 28 June to remove the blue saltire cross with white stars from its state flag.

A commission will now be established to design a new state flag that will include the words “In God We Trust”,  the official motto of the US that is used on all paper bills.

Public to vote on new flag design in November

The new flag design will be presented to legislature by 14 September and a colour picture or drawing will be placed on a ballot in a special election held on 3 November.

The design will be approved and enacted into law if a majority votes for it. If not, the design will be revised.

“If a majority of the qualified electors vote against the new design, then the commission shall reconvene to recommend another new design for the Mississippi state flag to be presented to the legislature during the 2021 regular session,” the bill said.

The bill also commits the state to removing the current flag from all public buildings within 15 days.

The redesign comes amid a call to end the use of symbols of the Confederacy, which was established by seven slave-holding states – South Carolina, Mississippi, Florida, Alabama, Georgia, Louisiana, and Texas – in 1861.

The succession of these states led to the American Civil War, which was won by the northern states leading to the abolition of slavery in 1865 – emancipating millions of black slaves.

Confederacy symbols were adopted by white supremacists during the civil rights movement in the 1950s and 60s and the use of the battle flag is now highly controversial.

Previous attempts to remove battle flag unsuccessful

The decision to remove the emblem marks the changing attitude towards the Confederate battle flag following several unsuccessful previous attempts to remove the emblem.

In 2001, a referendum held to replace the state’s flag with a design created by an independent commission was defeated, with 64 per cent voting to retain the existing flag.

A move to remove the symbol from the Mississippi state flag was also pushed in 2015 after the racially motivated Charleston church shooting but was also unsuccessful.

Mississippi is the last US state to remove a Confederate emblem from its flag, with Georgia adopting a new flag in 2003 to replace a 1956 design that included the Confederate battle flag.

Its decision was made following the killing of African-American George Floyd in police custody, which caused anti-racist protests in every US state.

The movement, led by Black Lives Matter, has spread across the world and resulted in the tearing down of other symbols of racism, including the statue of a slave owner in Bristol, England, which Dezeen editor Tom Ravenscroft argued was “long overdue”.

Earlier this month, the National Association for Stock Car Auto Racing (NASCAR) announced that it will now prohibit people from flying the Confederate battle flag at its events.

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An International Weekly Publication Made for Inmates, InHouse Magazine

An offshoot of InHouse Records (a non-profit organization that offers graphic design courses as well as existing as a record label that functions inside and outside UK prisons), InHouse magazine recently launched and contains content aimed to inspire, educate and entertain inmates—who are currently spending more time alone due to COVID-19 precautions. Helmed by London-based graphic designed Hannah Lee and founded by Judah Armani, the 16-page, weekly publication is divided into “Creativity, Writing, Music, Wellbeing, Rhythm, Production and Recording, and Culture, plus a poem from one of the InHouse graduates each week.” It reaches 2,500 incarcerated people across the UK and the US. Lee explains the entire organization (some of which has been halted due to the pandemic) aims to create “safe and enabling environments for individuals to improve their technical and social skills… focusing on prisoners’ rehabilitation and employment with dignity and aspiration.” See some of the magazine at It’s Nice That.

All your kitchen measuring instruments fit right into this cube’s creative design!

Designed to be your go-to for any cooking measurements, the Kitchen Cube integrates all measuring vessels into its singular, yellow, cube-shaped body. With over 19+ measuring units designed into its 6-sided shape, the Kitchen Cube can be used to measure anything from teaspoons and tablespoons to even cups, working with both wet and dry ingredients alike. The cube comes with both metric and US measuring units molded into its unique design, allowing you to even measure out your ingredients in milliliters if the recipe calls for it. Molded from food-grade plastic, the cube is dishwasher-friendly and even safe to use in the microwave, so you can swiftly heat up or melt your ingredients once you measure them out! Besides, its singular design helps instantly de-clutter your kitchen drawer or counter, but most importantly, it integrates all your measuring instruments into one cube so you don’t accidentally ever lose small measuring spoons!

Designer: The Kitchen Cube

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LEGO Art’s Puzzle-Like Reproductions of Famous Works

LEGO’s newest category, LEGO Art, allows kids and adults alike to assemble reproductions of famous artworks, grand depictions of film figures and more. The pieces are slightly different than LEGO’s signature blocks, resulting in a vertical image to hang on a wall (rather than a 3D structure). It’s easiest to imagine them as caps on a cylindrical peg. Andy Warhol’s famous Marilyn Monroe will be available for $119, and so too will portraits of The Beatles, several of Star Wars’ Sith Lords, and Marvel’s Iron Man. But be prepared for quite the process: Monroe is comprised of 3,341 pieces. Read more at Creative Boom.

Finally, a transparent face mask that allows us to breathe clean air but still be social!

I’ll be honest… we’re wearing these opaque fabric face masks that prevent us from smiling at people or talking to them (we aren’t hugging or hi-fiving anyone either), but all this is in the interest of coming together as a community and species to stay safe. Sounds like a very weird trade-off. These masks can often be the difference between life and death, but here’s the caveat – they absolutely erode the very social fabric that makes our species such a socially strong bunch. Masks end up shrouding your identity, your emotions, and your intentions… and the Civility mask wants to usher a change in mask design that helps you breathe healthy, clean air while retaining our social micro-behaviors to help us be better, kinder, friendlier humans. The Civility mask, named after the very aspect of human behavior, it’s trying to help portray, comes with a uniquely innovative transparent design that shifts the air-filters from the front to the side in a bid to deliver clean air to you, but without concealing your face.

Designed in France, the Civility mask sports a design that embraces safety without compromising on aesthetics. Its defining feature is its transparent shield on the front, made from a lightweight, resistant glass that provides a crystal-clear view of your face. Air filters on each side help deliver 98% pure air directly to your mouth and nose, while also allowing exhaled air to pass through so that your mask doesn’t fog up. An innovative TPE ring around the mask ensures an air-tight seal that works universally across multiple face-shapes and even on people with beards.

On the aesthetic front, the Civility mask comes in a variety of styles with color combos, options for tinted glass shields, and even patterned face-straps. The face-straps come with adjustable buckles that allow you to tighten or loosen the mask based on your comfort, and their wraparound design ensures a secure fit while allowing you to wear a mask for long without facing any strain or fatigue with prolonged wearing. Its desirable aesthetic is also environmentally conscious, by design. Created as a mask you’d want to own, wear, and show off everywhere you go, the Civility mask is designed to be infinitely reusable, with a disposable filter system that allows you to retain the mask body and simply switch out the filtration sheets every 12 hours (the mask comes with a 1 month pack or a 3 months pack for the Air Premium one). The two circular valves on each side of the mask unscrew off to reveal the swappable EN 14683 / ASTM F2100-19 standard filters that help trap 98% of particles as small as 0.3 microns, helping form a line of defense against pollutants, microorganisms, and even microparticles like pollen, keeping you safe from dust, diseases, and allergies. The disposable filters help drastically cut down on the amount of environmental waste generated by PPE every month as a result of the pandemic, and the masks themselves can easily be sanitized with any 70° alcohol solution (the glass shield is non-reactive, so it shouldn’t be a problem)… conversely, the mask can be placed in a dishwasher for thorough cleaning too.

The shift to transparent masks, a feat being kickstarted and propagated by Civility, could have a noticeable positive on our society. Aside from providing us with healthy, clean air, the masks could help us socialize and bond with humans better, allowing us to smile at people, or communicate effectively by allowing them to read our lips as we speak, all being done from a safe distance! Besides, the fact that I can use face-unlock on my phone while wearing my transparent mask is also a pretty nifty added benefit!

Designer: Civility

Click Here to Buy Now: $39 $44 (10% off). Hurry, for a limited time only! Raised over $50,000.

Civility – Next Gen Transparent Mask

A French startup launches Civility, a transparent face mask that helps you breathe clean air while retaining our social micro-behaviors to help us be better, kinder, friendlier humans.

Founder Pierre Blondon combined the efforts of an international team of 14 designers (including France, Italy, Russia, Senegal, Mexico…) and 15 French engineers to produce a 100%-Made-in-France product. The result is the Civility Mask, a lightweight, easy to use, comfortable transparent face mask for family members, care-givers, sportspeople, hospitality and tourism workers.

First Prototypes

These are the first functional prototype. The design, the materials and the finishes will be upgraded.

Secure & Futureproof

Airtight – The Thermo-Plastic Elastomer (TPE) seal suits any type of faces giving you an optimal airtight of 98%: there is almost no inputs and outputs between the outside and the inside of your mask. This particularity limits the probability to breathe and expire unfiltered air in order to protect you and the others.

Filteration – Their high-performance filters are governed by the standard: EN 14683 / ASTM F2100-19: they filter 98% of 0,3 microns particles. Breathability: less 40 Pa/cm².

Replaceable Filters – Features an easily-interchangeable filter, each of which has a 12-hour lifespan.  The mask is eco-friendly: a wipe with a 70-percent alcohol solution (hand sanitizer) does the job; no need to put it in the dishwasher. And, the Civility Mask can last for years.

Lightweight – It is adjustable to fit any head size and weighs half as much as a smartphone, thus making it comfortable and easy to wear all-day.

Click Here to Buy Now: $39 $44 (10% off). Hurry, for a limited time only! Raised over $50,000.