ASICS creates face mask for exercising during the coronavirus pandemic

Asics runners face cover

Sportswear brand ASICS has designed air vents into its Runners Face Cover so that people can wear a mask while working out during the coronavirus pandemic.

The Runners Face Cover was designed to have extra space for breathing hard and strategically placed vents that allow for airflow without spreading droplets.

Asics runners face cover

The ASICS Institute of Sport Science (ISS) developed the face cover to have a unique curved structure, which carves out a pocket of space between the nose and mouth.

Air vents are located on the underside to minimise the risk of droplet spread.

Asics runners face cover

The Runners Face Cover was made of a washable and water repellent fabric that consists of 31 per cent recycled materials.

It has adjustable cords with lock and pull tabs that loop around both ears and behind the head that were designed to hold the mask on as securely as possible during exercising.

“We know how important it is for runners to protect themselves and others when running, but also that many find face covers uncomfortable and restrictive,” said ASICS executive officer Kenichi Harano.

“So, we created the ASICS Runners Face Cover, uniquely designed for runners with cutting-edge technology,” Harano added. “The innovative design gives runners room to breathe comfortably while performing at their physical peak.”

Asics runners face cover

In a survey, eight in 10 regular exercisers told ASICS they found standard masks uncomfortable when running, but over half would prefer to wear a face cover during exercise.

“When I used to run with a normal mask it was hard to breathe, but with this mask, I was able to run very comfortably,” said ASICS chief operating officer Yasuhito Hirota.

Asics runners face cover

ASICS is a Japanese sportswear company founded in 1977. Adidas, another sportswear company also designed a branded reusable face cover for the pandemic made from recycled material.

The World Health Organisation currently advises people to wear non-medical fabric masks that cover the mouth, nose and chin and to wash it once a day.

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Photography Annual 2020 is open for entries!

Creative Review Photography Annual 2020

Creative Review’s Photography Annual 2020 is open for entries. Now in its 14th year, the awards scheme seeks to celebrate great images, those who make them, and those who commission them. In this edition, we are looking for the very best images from a unique and seismic year.

There are six categories for creatives to submit their work in, including Personal, Editorial, Advertising & Marketing, Student & Grads, Stock Photography, and, for the first time this year, Fashion.

We have a bigger judging panel than ever this year, with work judged by a panel of 20 experts from the across the field of photography, including representatives from the New York Times, Getty Images, WeTransfer, New York magazine, Vogue Italia, Droga5, Mother, and more.

Last year’s winners included work by Catherine Hyland, David Ryle, Enda Bowe, Sophie Mayanne, Todd Antony and Tommy Kha. All of the 2019 winning work can be viewed here.

WHY ENTER

Be seen by over two million creatives worldwide
Have your work featured in the Photography Annual 2020, in both print and online, and through our social media network.

Be recognised as being at the forefront of creativity
Your chance to win one of the most widely respected photography awards in the creative industries.

See your work beautifully presented
Receive your own copy of the beautifully made print edition, and showcase your achievement to both new and existing clients.

The deadline for entries is August 21. For all information on entering see here

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What Would I Change: Izzy Kertland, Unit9

In the latest in our series asking creatives what they would like to change about their industry, we talk to Unit9’s Izzy Kertland about creating more meaningful experiences, embracing remote working and putting sustainability front and centre

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A visual tribute to the athletes missing this year’s Olympics

This summer, Tokyo was set to welcome the world’s best athletes for the 2020 Olympic Games. Due to the Covid-19 outbreak that disrupted life around the world, the International Olympic Committee announced in March that the event would be postponed until next year.

While the coronavirus pandemic has seen events in their traditional format cancelled the world over, for Olympic hopefuls – who spend their lifetime training to hit their peak in time for the Games – it was a momentous decision.

To document how women athletes are coping with, and responding to, the change of events, Butter Studio has created a celebratory project uncovering the challenges of staying motivated during a potentially life-changing period.

The project was prompted by the upheaval of day-to-day life experienced by athletes, namely disruptions to training, travel and mental preparation. The team at Butter Studio became curious as to what “top tier female athletes are thinking, feeling and doing during this moment,” explains Cari Sekendur, the studio’s principal and creative director. “How are they adjusting? What are they experiencing? More specifically, how is lockdown and the postponement of the Olympics impacting the daily lives of top tier female athletes? How can we document this through graphic design?”

Titled She’s Going to Tokyo, the project spotlights conversations with ten international athletes from different sports. The interviews take a closer look at the everyday rituals and routines that the athletes have adopted to keep themselves physically and emotionally engaged, and how they’re adapting to a summer far from the track, field, pool or gym.

The conversations are brought to life through a mixed-media aesthetic, blending photography, typography, video and 3D motion graphics to create an irreverent visual language that channels the uniqueness of each athlete.

While the Olympics have long had a close history with graphic design, the team at Butter Studio wanted to use design to amplify the experiences of women in sport in particular, as they found women’s sport – which still lacks brand investment at the best of times – to be the most vulnerable to budget cuts and loss of sponsorship.

Olympics graphics She's Going to Tokyo


The project takes a documentary style approach to sharing the athletes stories, ranging from Canadian skateboarder Annie Guglia’s adapted at-home training regime to Somalian taekwondo athlete Munirah Abdiwahid’s reflections on her sport. The visuals are being shared across Butter Studio’s social media throughout the two weeks when the Olympic Games were meant to take place, from July 24 until August 9.

“The hope is that this project will shed light on how the strongest, most disciplined women out there are living right now, so that perhaps the rest of us can learn some lessons from them,” says Sekendur. “How can they reflect our shared humanity and propensity towards joy and hope even during the most difficult times?”

butterstudio.co; @butterstudio.co

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Biasol channels 1980s nostalgia inside Melbourne restaurant Billie Buoy

Billie Buoy restaurant in Melbourne designed by Biasol

Design studio Biasol clashed hot pink and midnight blue to form the bold interiors of this 1980s-inspired restaurant in Melbourne, Australia.

Billie Buoy occupies a corner plot in Melbourne’s Essendon neighbourhood and has been designed by local studio Biasol as a “1980s character who was radical, hip and a little offbeat”.

To capture the mood of the 1980s, the studio closely studied the era and its quirky pop culture.

Billie Buoy restaurant in Melbourne designed by Biasol

“We looked back to the days before the internet and cell phones – we dusted off our Atari and Walkman, put a John Hughes movie in the VHS, and jammed to New Order and Madonna,” said the studio.

“The interiors and branding were developed in unison to create high impact and strengthen Billie Buoy’s appeal.”

Billie Buoy restaurant in Melbourne designed by Biasol

When it came to creating a colour palette for the 60-square-metre restaurant, the studio selected two shades that it felt were synonymous with the 1980s – blue and hot pink.

Where possible, different textures and materials have been introduced to foster a greater sense of “depth, richness and variation”.

Billie Buoy restaurant in Melbourne designed by Biasol

Midnight-blue paint covers the walls and ceiling. The same hue of felt has been used to upholster the seating banquette that curves around the wall of the entryway and the accompanying stools.

A mixture of navy and speckled black bricks have then been laid across the floor, while white-terrazzo dining tables inlaid with blue flecks of aggregate have been dotted throughout the dining rooms.

A glossy, powder-blue service counter that features a bold scallop pattern has also been erected in front of the drinks bar.

Billie Buoy restaurant in Melbourne designed by Biasol

Vibrant hot-pink details come in the form of the coffee grinders and a neon text sign on the wall. A series of vaulted steel storage shelves also appear throughout the restaurant, two behind the bar and three in the entrance dining area which are used to openly display crockery.

Doorways that lead through to the customer bathrooms and back-of-house facilities for staff are also arched in form.

The project also saw Biasol apply midnight-blue paint across the restaurant’s exterior.

One street-facing wall is emblazoned with the words “wake me up when I’m famous”, which the studio hopes will become a prime spot to snap photos for Instagram.

Billie Buoy restaurant in Melbourne designed by Biasol

Biasol was founded in 2012 by Jean-Pierre Biasol and works out of offices in Melbourne’s Cremorne suburb.

Billie Buoy is one of several eateries that the studio has designed around the city of Melbourne. Others include Main Street cafe, which is decked out with monochrome tiles and deep-green furnishings, and Pentolina, a pasta bar with worn concrete walls which are meant to emulate the streets of Ancient Rome.

Photography is by Timothy Kaye.

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Footwear Designed using modern technology to give you the ultimate fashionably ergonomic design!

Did you know that the earliest known shoes are sagebrush bark sandals dating from approximately 7000 or 8000 BC, found in the Fort Rock Cave in the US state of Oregon in 1938? This humble and original everyday carry has been around for a while, with every generation leaving a distinct mark on the timeline of shoe design – be it the Chinese wooden shoes worn by women to keep their feet tiny to Kanye West’s Yeezy shoes. This versatile product has grown from a necessity to a fashion accessory, and this collection brings to mind the best of shoe designs for our modern, futuristic times. You check these out while I go research when the first high heel shoes were designed!

This is the Link by Padwa Design, Olga Kravchenko & Yehuda Azoulay, a shoe that has no shoelaces, straps, or even an upper cover. It’s literally a sole that ‘snaps to your feet’! Link presents a very unique approach to footwear. Just step into the soles and they automatically hug your feet, securing themselves in place. Without any upper cladding, the Link feels quite like walking barefoot. They allow your feet to remain ventilated, and providing all the freedom of movement and security you’d get from a pair of sneakers, but with the airy feel of flip-flops. Designed like a massive bumper-case for your feet, the Link is made with an EVA insole that provides the comfort and the grip, and a hard TPU outsole that comes with a fragmented design, allowing it to bend and flex with your feet. Together, the two materials make up Link’s construction, giving it flexibility, openness, friction/grip, and even a protective bumper around your feet, preventing your toes from accidental stubs and bumps.

Carota Design’s Nike self-lacing sneaker concepts literally look like they’re from the future. With hard-shell components and gloss/matte finish contrasts, they don’t look or feel like traditional shoes at all, aside from the familiar silhouette, which definitely is a good thing. Designed to highlight the futuristic aspect of shoes that secure themselves, the conceptual sneakers come with a red lace that stands well against the black sneakers. The laces travel from the outsole to the front, and then to the heel, where they connect to a motor that’s triggered by a button. Tap against the button and the motor tightens the laces up, securing the shoe in place. Tap a second time and the laces loosen, allowing you to slip your shoe out! A textbook ‘shut up and take my money’ product!

Using 3D printing, Ausin’s New Balance Study aims at redesigning fencing shoes keeping varying usage in mind. The result is two shoes that look a part of the same family, but you can immediately notice how the soles of both feet are completely different, molded by the areas of the feet that feel the most pressure during the lunge forward. Imagine this design philosophy for differently designed footwear carrying forward to other sports like bowling or golf!

The Plant Shoe by Mike Belgue (Native Shoes) doesn’t use new materials, but rather introduces old materials into a new, one-of-a-kind product. Each part of the shoe is plant-based, using materials like jute, pineapple husk, kenaf, linen, treated with natural oils like olive oil for suppleness and comfort. Tricky bits of the shoe’s design involved finding a workaround for the sole, which Native managed to solve by partnering with France-based Reltex to create a sole that comprises a eucalyptus-pulp insole, kenaf (hemp) and corn cushioning, and a sap-based tread that gives the shoes its grip. Binding all the shoe’s parts together formed the next challenge, as most shoe companies rely on toxic, non-biodegradable petrochemical-based glues to hold the sneaker’s parts together. Native’s solution involved stitching all the parts together using entirely plant-based threads that are strong enough for sneaker construction.

Teaming up with the renowned Japanese Architect Kengo Kuma, ASICS has unveiled the latest edition of the Metaride, an all-white running shoe with a pattern inspired by Japanese Yatara bamboo-weaving, on the shoe’s body. The fabric strips wrap themselves in a seemingly chaotic way, but in fact, are strategically placed to hold the foot steady by binding with the shoe’s innovative Flytefoam base that uses cellulose nanofiber, a strong and lightweight wood-pulp derived material currently being researched and explored in Japan. The shoe is described as ‘moving architecture’ by Kuma, who relied on the age-old technique of Yatara to provide aesthetic dynamism as well as a comfortable fit.

Designed for bespoke comfort, and for unparalleled lightness while running, Nike’s Joyride Run Flyknit literally has a sole that’s filled with multiple tiny squishy spongy beads. Resembling a beanbag for your feet, the Joyride give your feet the same feeling a beanbag gives your body. A cushioned experience that takes the shape of your foot. Engineered to perfection, these beads have absolutely the perfect density, allowing you to run on any surface without feeling the stress on your heels, shins, or knees. Made from thermoplastic polyurethane or TPE, the beads are size-calibrated and placed exactly at crucial areas of the sole so as to expand in all directions when you land your feet on the floor, cushioning impact and letting you literally feel like you’re running on a bed of memory foam… or if you’re looking for a more poetic comparison… running on air.

Shoe Kenton Lee

Kids grow fast, which means they outgrow their clothes and shoes rapidly too… forcing low-income-family children to either wear shoes even after they stop fitting, or walk around barefoot. On a mission to make one shoe that lasts through this growth process, Kenton launched The Shoe That Grows, an innovative piece of footwear that expands to fit children as they grow with age. Ill-fitted shoes are uncomfortable, but walking barefoot leaves children vulnerable to soil-transmitted diseases and parasites that can cause illness and even death, aside from the cuts, burns, and blisters. The Shoe That Grows combats the unfortunate scenario where children outgrow their footwear by being the one pair of footwear that grows with them. Extending at the front, sides, and the back, the sandals work simply like a belt would… expanding with size and necessity.

The 3D Surprise shoe by Dewayne Dale was created as a result of conceptualizing directly in 3D CAD software, rather than sketching first and building later. The conceptual shoe features a unibody design with a subtle gradient from top to bottom, visually creating a separation between shoe and outsole, while there’s no surface break between the two. Harnessing the shape of the foot, building on the bones and muscles within, the 3D Surprise was envisioned as a new-age hiking boot with a design that was simple and sophisticated looking. The shoe comes with an exaggerated protrusion detail for the ankle bone, and a textured sole that looks industrial and organic at the same time.

Made to bend around your heel and fit onto any shoe of any size, the Spurz by 4id come in a wide variety of colors and can be configured to either flash a steady light or blink continuously. With a run time of 70 hours when on steady light and 100 when blinking, the Spurz will need a battery replacement probably once every 3 months. They’re even designed to be absolutely weatherproof, so whether you’re out in the sun, rain, snow, you know you’re visible, and literally ‘marked’ safe!

Pierre Hardy’s Vibe Sneakers are a perfect embodiment of that stormtrooper aesthetic, with its jagged zebra-esque design that gives the shoes heavy dynamism and contrast, making them absolutely eye-catching and jaw-dropping. Built with a gum sole and a calf-leather upper, the Vibe sneakers from Pierre Hardy are luxury and style wrapped in a singular package. Creating an edgy contrast with the racy geometric stripes, the Vibe’s patterns actually draw inspiration from sound waves, which are translated onto the shoe’s body by pairing leather cuts all the way from the bottom to the very top.

 

The Roots: 100% Dundee

An immensely talented rapper, singer and songwriter, and founding member of the legendary hip-hop group The Roots, Malik “Malik B” Basit has passed away at just 47 years old. Basit began performing with Black Thought and Questlove in Philadelphia in 1987 and appeared on The Roots’ first four albums—widely considered their best—Organix (1993), Do You Want More?!!!??! (1995), Illadelph Halflife (1996) and Things Fall Apart (1999), and also returned to cameo on others. After leaving the band, he released two albums: Street Assault (2005) and Unpredictable (2015), which was made with DJ/producer Mr Green. A nimble rapper, he told rich, visceral, moving stories, and here is one of our favorites.

World's tallest prefabricated skyscrapers set to be built in Singapore

Avenue South Residences, world's tallest prefabricated skyscrapers in Singapore by ADDP 

Architecture studio ADDP has designed a pair of 56-storey skyscrapers in Singapore that will be built using Prefabricated Prefinished Volumetric Construction, making them the tallest prefabricated buildings in the world.

Named Avenue South Residences, the pair of high-rise residential tower blocks will be built within an existing housing estate in Singapore.

ADDP chose to contrast the existing building with a modern-looking structure that was designed using modern, prefabricated construction techniques.

Avenue South Residences, world's tallest prefabricated skyscrapers in Singapore by ADDP 

“The site consists of two super-high-rises set against the original backdrop of four-storey heritage Art Deco apartments and an avenue of grand rain trees,” said Markus Cheng Thuan Hann, associate partner at ADDP Architects.

“Its location alongside the historical KTM Rail Corridor strengthens its eclectic quality of new versus old, geological heritage versus modern concepts of live-work-play,” he told Dezeen.

Avenue South Residences, world's tallest prefabricated skyscrapers in Singapore by ADDP 

Both skyscrapers will be built using Prefabricated Prefinished Volumetric Construction (PPVC), which the studio believes will make the 200-metre-high skyscrapers the tallest buildings built using substantial amounts of prefabrication.

ADDP estimates that around 80 per cent of each housing module will be built off-site, with waterproofing, tiling, painting, glazing, cabinetry, plumbing and electrics completed before being delivered to be “stacked and joined together on-site”.

“As each module is almost 80 per cent finished off-site prior to assembly on-site, this will greatly reduce the construction time required on-site – as the modules are only required to be‘stacked’ and ‘joined’ together on-site,” explained Hann.

“This will enable the project to reduce wastage both on-site and off-site with better control of the production processes through a central materials and logistics platform.”

Avenue South Residences, world's tallest prefabricated skyscrapers in Singapore by ADDP 

Large amounts of prefabrication had to be used for the skyscraper as the government had determined that PPVC had to be used on the site where the Avenue South Residences will be built.

“To raise construction productivity and fundamentally change the design and construction processes, the industry is encouraged to embrace the concept of Design for Manufacturing and Assembly (DfMA), where construction is designed and detailed for a substantial portion of work to be done off-site in a controlled manufacturing environment,” said Hann.

“The site of Avenue South Residence was selected and set a minimum level of use of PPVC, where this align with government’s initiative to improve construction productivity by up to 40 per cent in terms of manpower and time savings – depending on the complexity of the projects.”

Avenue South Residences, world's tallest prefabricated skyscrapers in Singapore by ADDP 

The architecture studio expects to see a variety of benefits for using prefabrication to construct the skyscraper over traditional methods.

“It will encourage a better construction environment as the bulk of the installation activities and manpower are moved off-site, it minimises dust and noise pollution and improves site safety,” explained Hann.

“Besides, it also enhanced project quality control. Off-site fabrication in a controlled factory environment can produce higher quality end products.”

Avenue South Residences, world's tallest prefabricated skyscrapers in Singapore by ADDP 

The prefabricated units will contain over 1,000 residences and be broken up by a series of 16 “pocket sky terraces” and larger communal terraces on the 19th and 36th storeys.

“The distinct 56-storey tall twin towers are characterized by their pristine elegance and sharp lines coupled with rhythmically located pockets of sky terraces,” added Hann.

Avenue South Residences, world's tallest prefabricated skyscrapers in Singapore by ADDP 

When the project completes in 2026 the towers will overtake another pair of residential buildings in Singapore – the 140-metre-high Clement Canopy built by Construction company Bouygues Bâtiment International as the world’s tallest prefabricated towers.

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A portable pocket-knife with an aesthetic that’s fit for Aquaman!

I imagine Arthur Curry’s go-to weapon is his shining trident, but sometimes a small pocket-knife is all you need to get the job done. Launched as a highly limited edition run, the Hirin is designed by Dew Hara, son of eminent blade designer Koji Hara in partnership with CRKT.

Limited to just 500 pieces, the Hirin comes with a drop-point blade made from Böhler M390 stainless steel that folds right into its exquisitely styled 6AL4V titanium handle. The Hirin measures 5.2 inches when closed, opening up to become an 8.6-inch pocket-knife that’s really ideal for most outdoor tasks The blade opens in an ambidextrous fashion, allowing it to open or close either through the left or the right with a comfortable flick, thanks to CRKT’s IKBS ball bearing system. Each knife comes manufactured to perfection in Maniago, Italy, along with an exclusive leather case, designed by Hara too. And while the Hirin may look like something out of Aquaman’s arsenal, CRKT explicitly states that it doesn’t have any superpowers… unless looking spectacular is a superpower.

Designer: Dew Hara for CRKT

Detroit’s Art Mile Opens With Nearly 60 Participating Institutions

Museums, galleries, studios and alternative spaces band together for a citywide digital exhibition

Click to view slideshow.

From today, 29 July, through 5 August, the art institutions of Detroit unite for Art Mile—a digital celebration of the city’s diverse artists, galleries, museums, non-profits and alternative art spaces. Nearly 60 local venues join the programming platform to host virtual museum tours, studio visits, DJ sets, film screenings and panel discussions. From CH favorites including Cranbrook Art Museum, Wasserman Projects and Dabls Mbad African Bead Museum to emerging galleries of local talent and even Cinema Detroit and the Hamtramck Ceramck /Portage Garage artist collective, Art Mile magnifies the vibrancy of the city’s artistic community.

Left: Darryl DeAngelo, “With Expensive Taste… That’s It, Ain’t Nothing Broke Over Here” (2019) Courtesy of the artist and presented by ArtWork Right: Ricky Williams, “Untitled (from Grounding)” (2017) Courtesy of the artist and Bulk Space Artist Residency

Highlights across the week-long schedule are aplenty—commencing with a livestream opening night party with a two-hour DJ set by Detroit’s Omar-S from the Conant Gardens Party Store. Two must-see experiences: ArtWork sees former MOCAD curators Jova Lynne and Tizziana Baldenebro present works by Detroit’s art workers; In Media Res: Detroit Artists in Motion includes seven filmic works curated by Lucy Mensah. All the while, “empty museum tours” will offer unprecedented access to beloved and alternative spaces.

Left: Matthew Angelo Harrison, “Dark Povera: Manufactures Primitives” (2019) Courtesy of the artist and Cranbrook Art Museum. Right: Conrad Egyir, “Yonder” (2018) Courtesy of the artist and Cranbrook Art Museum

Art Mile has been organized (by the Michigan gallery Reyes | Finn and acclaimed art consultancy Cultural Counsel, with the support of Red Bull Arts) to be a forum for the amplification of art in Detroit on a local and global level. In addition to the programming, Art Mile’s fundraiser will benefit 482Forward, InsideOut Detroit and Living Arts—three local non-profits dedicated to arts education for youth.

Hero image courtesy of Dabls Mbad African Bead Museum