Freedom Headrest chair by Niels Diffrient for Humanscale

Freedom Headrest chair by Niels Diffrient for Humanscale

The Freedom Headrest was developed by the late American industrial designer Niels Diffrient for Humanscale as a “truly ergonomic task chair” that automatically adapts to its user.

Freedom Headrest features an automatic recline mechanism, developed to allow sitters to move freely from posture to posture without the need for complex recline levers and back tension dials.

As its name suggests, the office chair also incorporates a headrest to support the user’s head and neck as they recline and help them stay comfortable in any position. Together, these features provide total support for the sitter’s spine.

Freedom Headrest is completed with a lining of sculpted cushions that mimic the natural contours of the body for added comfort and to decrease pressure point loads.

Humanscale and Diffrient’s ambition for Freedom was to “redefine the concept of traditional task chairs” and offer a truly ergonomic alternative.

“The Freedom chair redefines the concept of traditional task chairs,” said ergonomic furniture manufacturer Humanscale. “Diffrient aimed to design an office chair that automatically adapts to the user, allowing them to move freely from posture to posture.”

“His unique approach removed complexities found in other chairs, such as cumbersome recline levers and back tension dials for a truly ergonomic task chair.”

Product: Freedom Headrest
Designer: Niels Diffrient
Brand: Humanscale
Contact address: adrep@humanscale.com

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WellGuard Separation Panels by Humanscale

WellGuard Separation Panels by Humanscale

WellGuard Separation Panels are desk dividers designed by furniture brand Humanscale to offer visual and acoustic privacy in open-plan offices.

The range was developed by Humanscale in an effort to help boost employee wellbeing and productivity by eliminating “constant peripheral interruptions”, while also limiting the spread of airborne viral particles that can lead to illness.

WellGuard Separation Panels are made from PETG plastic, available with either a clear or frosted finish, or lined with light or dark grey felt for improved sound absorption.

Users can choose between six mounting options that have been developed to ensure they can be easily attached to any type of new or existing work surface.

“Studies show that constant peripheral interruptions in the workplace can have a negative effect on employee well-being and productivity,” explained Humanscale.

“Humanscale’s WellGuard Separation Panels offer the perfect balance of visual and acoustical privacy as well as personal protection in collaborative open-office desking applications.”

Product: WellGuard Separation Panels
Brand: Humanscale
Contact address: adrep@humanscale.com

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Amazing Paintings made with Excel

Le Japonais Tatsuo Horiuchi, 80 ans, est connu dans le monde entier pour ses incroyables talents de dessinateur. Cependant, il n’utilise pas de crayons, de stylos ou de peinture pour son art. Il crée plutôt des chefs-d’œuvre dans Microsoft Excel ! Il y a 20 ans, quand il s’est mis à la retraite, il a commencé ce challenge personnel qui l’a conduit à créer cette nouvelle forme d’art qui passe par le logiciel a priori le moins fancy de Microsoft ! Pour en savoir plus c’est par ici.







Make meal prep hassle-free again with this space-saving cutting board!

One of the biggest lifestyle changes for me was meal prep, it eliminates the fuss of deciding what to cook every day and made grocery shopping so much easier. One of the best parts was I didn’t have to order out when I was at work and it made me realize how quickly “But it is just $12!” adds up when you practically do it every other day. Seems like everyone was riding this meal prep wave till we were hit with WFH and that sudden change the pandemic brought on derailed the most disciplined people. For me, I stopped meal prep because I was adjusting to working from home and doing chores at the same time. So I started snacking throughout the day instead of cooking a meal because who wants to clean after a perpetual Monday (that is what it feels like in quarantine)? Enter TidyBoard! It is not wearing a cape but it is here to make your life easier and get your good eating habits back on track!

TidyBoard was designed to encourage healthy eating and turn it into a sustainable lifestyle change instead of a trend (looking at you, juice cleanse!). It streamlines your prep with strategically placed strainers, catches, and containers on the end of the cutting board so there is more to eat and less to clean. It keeps food and scraps separate and allows you to strain hands-free. When you are done with the chopping and cutting, one swipe of your hand will clear it all. TidyBoard is constructed from bamboo which is antibacterial and durable enough to last for years making the wear and tear worth the effort. Bamboo also makes it lightweight and eco-friendly. “The TidyBoard was mindfully influenced by math and physics. Our board is engineered as a lever to stay steady even with a heavy load in the containers,” says the team.

The product is calculatingly made to optimize your counter space and the collapsible containers make it super easy to prep and store. It can hang off the edge of your sink which actually makes you use less of your countertop for prep and you don’t have to worry about losing precious produce or fresh pasta to your sink! The cutting board acts as a lever to help hold the weight of the catch – it can hold up to 9 lbs of food in its container while hanging off your counter (do you even lift?). The BPA-free Food Grade silicone containers are made collapsible to save 50% of drawer/cabinet space which makes it perfect for small kitchens or homes that don’t have a lot of storage. The large catch and containers have volumetric and measuring marks to aid you in your prep so that you are never short on a meal because of wrong calculations! The collapsible strainers are nestled into the end of the board for cleaning or straining hands-free. The kit includes snap-on lids so you can store them in the containers right after prep. The lids also have a vent which makes it easy to microwave so you can store and eat from the same container.

Gordon Ramsey will be very pleased with your kitchen work ethic because TidyBoard keeps it clean and clutter-free. Say goodbye to chaotic cooking and welcome spick and span prep…something Monica Geller would say and we would absolutely agree with her! So prep ingredients without any stress, strain pasta, store cuttings, soak fruits and veggies, compost scraps, and serve up a whole cheese platter too if you feel like! It is hard enough to sanitize everything all the time, work from home, do all chores, so the last thing you should have to worry about is your meals and cleaning up after you cook. Bon appetit!

Designer: TidyBoard

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Click Here to Buy Now: $79 $99 (20% off). Hurry, only 3/3620 left, under 48 hours to go! Raised over $568,325!

Through The Lens Of Photographer Elinor Carucci

C’est à Jérusalem que la photographe Elinor Carucci nait et grandit. Et c’est à New York qu’elle se révèle en tant que photographe. Inspirée par ses relations familiales, où les protagonistes féminins sont nombreux et jouent des rôles clés, elle conçoit des images à valeur universelles, tout restant très autobiographiques. Dans son livre Midlife, elle porte les témoignages, souvent invisibilisés, de femmes “à la moitié de leur vie”. 

Quand avez-vous débuté la photographie?

J’avais quinze ans et demi. À l’époque, je pratiquais déjà d’autres formes d’art ; je jouais du piano depuis l’âge de 5 ans et j’étudiais le théâtre dramatique. Mais la photographie a été mon premier amour. Tout a commencé en photographiant ma mère avec l’appareil de mon père. C’était ma première photo. Je l’ai toujours quelque part.

Puis j’ai continué à la photographier. Ce n’était pas une femme facile à gérer ; elle est très belle, glamour et elle pouvait être très exigeante envers moi en termes d’excellence. Et tout à coup, avec la photographie, j’ai trouvé un moyen d’y faire face. Puis j’ai photographié le reste de la famille.

 À l’âge de 17 ans, j’ai visité New York et c’est là où j’ai su que je voulais devenir photographe professionnelle. Grâce à mon appareil photo, je sens plus, je vois plus, je comprends mieux et je plonge bien plus efficacement dans le monde qui m’entoure.

Quelles sont les personnes que vous préférez photographier ?

Les gens dont je suis le plus proche. Mes parents, mais aussi mes enfants, mon mari et moi-même. Parfois, je suis ma personne préférée, mais pas toujours. Grâce à eux, je peux plonger profondément dans les tréfonds les plus personnels et intimes. Avec eux, je peux parler de choses universelles mais à travers les gens que je connais et aime le plus.

 Pourquoi les femmes ont-elles une place d’honneur dans votre travail?

J’ai été élevée par ma mère et ma grand-mère. Une grande partie de mon travail concerne notre essence en tant qu’humain, mais vu à travers les yeux d’une femme. 

C’est drôle quand parfois les gens regardent mon travail ou celui d’autres photographes qui traitent du thème de la maternité, ils pensent que c’est un thème limité. Alors que nous venons tous au monde grâce aux femmes et que l’amour d’une mère est un élément si important dans notre vie. En fait, c’est peut-être ça le sujet le plus important de mon travail… Comment cultivez-vous votre inspiration à chaque nouvelle série d’images ? 

L’inspiration peut venir des photographes que j’admire comme Nan Goldin: ses mots, son honnêteté et sa franchise. L’inspiration peut également provenir d’autres sources comme le stand-up. Par exemple, mon œuvre Mothers a pris vie après avoir regardé des sketchs de Louis C.K (même si ces jours-ci nous ne sommes pas supposés parler de lui).  Beaucoup de mes inspirations proviennent de travaux biographiques, directs et honnêtes qui nous font réfléchir d’une manière différente.

Pour Midlife, mon livre récent paru à l’automne, je me suis inspirée de la lecture de livres mais aussi des femmes à qui j’ai parlé, surtout celles qui sont au milieu de leur vie. En sommes, l’inspiration peut provenir de choses que vous avez vues dans le métro et de photographes que vous admirez. Elle peut aussi provenir d’émotions négatives, comme envier quelqu’un. Et surtout, l’inspiration vient de la vie. Nous avons été touchés par le Covid-19 et cela a également affecté mon travail. Soudain, les vies étranges que nous vivions tous dans le monde sont devenues une inspiration. 












Architects Declare refuses to "name and shame" following Foster + Partners airport plans

Architects Declare won't condem Foster + Partners over airport

Climate change network Architects Declare has stated that it will not denounce founding signatory Foster + Partners, which has come under fire for designing a new airport in Saudi Arabia.

Architects Declare said it will not criticise studios based on individual projects.

“We have a principle of not naming and shaming our colleagues in the industry,” the organisation said in a statement. “All practices that have signed the declaration have done so as a public statement that inevitably invites critique.”

“We hope that these interactions remain supportive and collaborative as much as possible but we also recognise that the scale and urgency of the challenge will undoubtedly result in difficult conversations and decisions for us all,” it continued.

“These discussions are opening up the debate”

Architects Declare was set up last year in response to reports from the United Nations (UN) about the impending climate crisis and threat of biodiversity loss.

Foster + Partners was one of the initial studios to sign up to the declaration in May 2019. The firm has received criticism in the UK national press for designing a terminal building and control tower for a new international airport that will serve the Amaala tourist resort on the coast of the Red Sea.

Architects Declare said that it was glad that a debate over what projects studios should take on was happening.

“There have been vociferous debates in the media and between signatories recently concerning projects which may or may not be considered to be in conflict with the declaration,” said Architects Declare.

“While we recognise that every project has a complex social, economic and ecological context beyond what is immediately evident, we are encouraged that these discussions are opening up the debate as to what is considered in keeping with the declaration and a severe emergency situation.”

Foster + Partners among first to sign declaration

Practices signed up to Architects Declare to publicly acknowledge the scale of the climate emergency and promise to “design buildings, cities and infrastructures as indivisible components of a larger, constantly regenerating and self-sustaining system”.

Alongside Foster + Partners, other founding signatories include Stirling Prize-winning architecture firms Zaha Hadid ArchitectsDavid Chipperfield Architects,  AL_ARogers Stirk Harbour + Partners, and Alison Brooks Architects.

As well as raising awareness about climate change, Architects Declare members pledge to lobby for government funding and to work with clients to find ways of making projects more sustainable. There are now 5,000 practices around the world that have signed up.

Airports “incompatible” with climate goals

In response to the news that Foster + Partners was designing the airport, environment awareness group Architects Climate Action Network (ACAN) said that the studio cannot claim to be prioritising sustainability and simultaneously building new airports.

“Expansion of aviation is simply incompatible with addressing the climate crisis,” an ACAN spokesperson told Dezeen.

“There is an urgent need now for us to hold each other to account, particularly on issues so flagrant as the building of new luxury leisure airports in the midst of a climate emergency.”

Practices must “live up to the pledges they have made”

ACAN told Dezeen that they are drafting an open letter to Foster + Partners asking them to drop the airport project.

“Foster + Partners are one of the UK’s largest and most influential practices, well regarded at home and abroad,” an ACAN spokesperson told Dezeen.

“Their actions and inactions will say a great deal about the role and agency of the architect in this climate emergency.”

“We don’t feel that the spotlight should be on Architects Declare as an entirely voluntary, unfunded initiative on responding to this issue,” it continued. “The onus should be on signatories to live up to the pledges they have made.”

The aviation sector is estimated to be responsible for 4.9 per cent of global warming and passenger numbers are predicted to double to 8.2 million a year by 2037.

Foster + Partners has declined to comment.

Main image by imagii from Pixabay.

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Petit Pli makes expandable and reusable face mask from recycled plastic bottles

Msk by Petit Pli

Beta(MSK) by Petit Pli is a washable fabric face mask for the coronavirus pandemic made from recycled plastic bottles with pleats that adjust around the wearer’s nose and chin.

The mask is the first item for adults made by Petit Pli, a “wearable technology company” that was the winner of Dezeen Awards wearable design of the year 2018 for its collection of expandable children’s clothes.

Msk by Petit Pli

Petit Pli used its patent-pending technology to create reusable face masks in response to reports that disposable personal protective equipment (PPE) has lead to a surge in plastic pollution during the pandemic.

“It didn’t come as a surprise to me to hear this week that humanity is at risk of having more masks than jellyfish in the Mediterranean,” Petit Pli founder Ryan Mario Yasin told Dezeen.

“I created Petit Pli with the ambition of reducing waste and plastic pollution generated by the wearable industry,” he added. “Petit Pli Beta(MSK) is my solution to reducing waste and inspiring humanity to embrace reusable masks to save them from living on our ocean floors for 450 years.”

Msk by Petit Pli

The same geometric pleats that Petit Pli used to make clothes that can expand as children grow has been used for the adult face masks.

Beta(MSK) fastens around the neck like a soft fabric collar. When the wearer wants to mask their mouth and nose, they simply tug on the top of the fabric to pull it up over their chin and nose in one quick movement.

Msk by Petit Pli

A pocket between the face and neck can be used to insert an extra disposable filter.

The mask is made from 100 per cent recycled polyester, a hardwearing fabric created using plastic from recycled bottles, and the pattern for Beta(MSK) is designed to waste as little fabric as possible. The mask can be machine washed at 30 degrees Celsius.

Msk by Petit Pli

Yasin used his background as an aeronautical engineer to design a system of permanent folds that can unpack to stretch and then return to shrink. Applied to children’s clothes, the pleats can make a single garment last a child from the age of six months through to 36 months.

With Beta(MSK), the pleats make the mask a comfortable accessory that can easily convert into a face covering. The mask is available in four colours – Lunar Blue, Neptune Blue, Mars Red and Aurora Green.

Msk by Petit Pli

Face masks do not prevent the wearer from catching coronavirus, but by catching coughs and sneezes they protect the people around them and slow down the rate of transmission.

From 24 July in the UK adults must wear a face cover such as a fabric mask in shops or be fined up to £100. Current guidelines for the country stipulate people must wear face coverings on public transport and in hospitals, and encourages wearing them in enclosed spaces where social distancing of over one metre is difficult.

Adidas designed and launched a branded mask called Face Cover in just a month, telling Dezeen it was “one of the most rapidly produced products we’ve ever made”.

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Yinka Ilori creates "joy and excitement" with colourful skate park in Lille

Colorama skate park within La Condition Publique in Lille, France, by Yinka Ilori 

London-based designer Yinka Ilori has applied his signature vibrant style to the Colorama skate park within the La Condition Publique cultural centre near Lille, France.

The indoor skate park was built in the latest stage of the development of La Condition Publique – a cultural institution set within an early 20th-century warehouse, which was renovated by architect Patrick Bouchain in 2004.

Colorama skate park within La Condition Publique in Lille, France, by Yinka Ilori 

Ilori used colour to transform the former exhibition hall, which is divided by concrete columns, to give the skate park a strong identity and to make it a bright, enjoyable space for skateboarding.

“The colour brings joy into the park but also gives the indoor skatepark its new identity,” Ilori told Dezeen.

“Some colours and motifs were inspired by the facade of La Condition Publique because it was important for me to bring some of these integral details that add to the identity of the building inside and in the skatepark.”

Colorama skate park within La Condition Publique in Lille, France, by Yinka Ilori 

Within the park, Ilori combined numerous bright colours with pastel hues. The brick walls have been painted bubblegum-pink or peach with graphic red, green and orange friezes, while the columns and obstacles are sunshine-yellow, green, red, fuchsia and blue.

“The colour pallet was determined by the experience I wanted the skateboarders to feel when using the space, which was joy and excitement,” Ilori explained.

“I wanted the skatepark to control of their imaginations and allow the colours in the skatepark to allow space their minds to create memories.”

Colorama skate park within La Condition Publique in Lille, France, by Yinka Ilori 

Ilori worked closely with skateboarder and Decathlon skateboarding product manager Jean-Philippe Rode to create the layout of the park, which contains two corner quarter pipes with banked ends, one central hybrid module and a volcano ramp.

The design and arrangement of the obstacles was shared with local skateboarders to determine the final form.

Colorama skate park within La Condition Publique in Lille, France, by Yinka Ilori 

“Rode shared our early concepts with some of the skateboarder community and we had regular feedback from them which was super insightful and helpful for the design development process,” explained Ilori.

“Skateboarding is an art form and understanding how skateboarders move and flow between spaces and obstacles was something I had to respect.”

Colorama skate park within La Condition Publique in Lille, France, by Yinka Ilori 

The skate park was built by staff from La Condition Publique in the building’s adjoining construction hall during May 2020, with Ilori supervising remotely due to the coronavirus lockdown.

As well as staff from the cultural centre, two classes of children from the nearby Saint Rémi secondary school also collaborated in the construction and painting.

Colorama skate park within La Condition Publique in Lille, France, by Yinka Ilori 

Ilori hopes that the colourful skate park will be attractive to amateurs as well as more experienced skateboarders, and help the cultural institute attract a wide range of users.

“It was important for me and La Condition Publique to design a skatepark that was inclusive and not intimidating but inviting for all ages and all levels of skateboarders,” he said.

“They really wanted to celebrate one of the different ways La Condition Publique, a cultural venue, can be used to bring people together and they felt that I could create this experience.”

Colorama skate park within La Condition Publique in Lille, France, by Yinka Ilori 

Furniture designer Ilori has applied his signature colourful aesthetic to a range of architecture, interior and public projects.

Last year he worked with architecture studio Pricegore to create the Colour Pavilion for the London Festival of Architecture and created a geometric-print adult playground for visitors of the Cannes Lions festival, while earlier this year he used joyful hues throughout London’s Mira Mikati store.

He also used boldly-coloured panels to revive a “forbidding” London railway bridge.

According to Ilori designing the skate park allowed him to further understand how the public utilises spaces.

“It was super fun and allowed me to collaborate and think differently about how people use public spaces. The sad news is I still can’t skate but practice makes perfect!”

Photography is by Julien Pitinome.

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Jupiter’s All-Encompassing Anti-Dandruff Hair Care Collection

A comprehensive and considered approach to a scalp condition over half of the population experiences

The current market of dandruff-battling shampoos and conditioners leaves little room for personalization, and very few offer full-spectrum treatment—oftentimes designed to fight flaky scalp but nothing more. Jupiter, a new brand founded by Robbie Salter and Ross Goodhart, uses an all-encompassing approach to their products: providing dandruff relief along with natural ingredients that maximize hydration and shine. Given an increase in stress lately, my flakes have been at an all-time high—so when Jupiter launched last month I was eager to hear more and try the collection.

Adopting Jupiter as a part of your daily routine begins with an online quiz. After selecting yourself from a spectrum of hair types (covering all bases including texture, structure, porosity), concerns, grooming habits, flake styles and frequencies, food preferences and beyond, you’re met with the brand’s recommendation: a tailored list of products for your specific needs and desires. The broadest result is the Whole Darn Set—a $112 kit comprising the Balancing Shampoo, Nourishing Conditioner, Restoring Serum, Soothing Elixir, Purifying Mask and Scalp Brush. But the suggestion isn’t a one-fits-all sweep. The subsequent breakdown offers advice on when and how to use the products.

Jupiter aims to be the most approachable anti-dandruff hair care company, and that includes offering insights and advice to its customers once only available from a dermatologist. “Some of the value that you get from a dermatologist is that they give you nuances like, ‘Hey, drink more water. Meditate to destress. Stop eating spicy foods. Rinse with a cold shower at the end,’” Salter says. He continues, saying that few of the big shampoo brands relay these messages. “None of the existing businesses do it because they don’t know who their customers are… They’re intermediated. With Jupiter, you’re going to receive emails from us saying, ‘Hey, here’s what you can do in addition to just shampooing and conditioning. These are all of the other things you should consider in your life—like drinking a ton of water, bringing these products with you when you travel, doing a cold scalp wash, eating foods that are higher in good saturated fat contents.”

“50% of the world is getting dandruff,” Salter tells CH. “And then 50% of 50%, a quarter, can’t use the most common product because it’s not safe for color-treatment. We decided to pivot away from making just any traditional dandruff shampoo to a clean shampoo, a clean series of products, a holistic treatment, that is color-safe, safe for keratin-treated hair, and safe for all hair types. It was really important that we were thinking through different communities and different types of textures of hair and then finally make it look good and smell good.”

Inside these products, formulas of simple ingredients (coconut oil and oatmeal), scientific components (Zinc Pyrithione, for example), and all-natural finishing touches (like fruit extracts and leaf oils) work to leave one’s hair and scalp feeling clean, but not stripped and nourished without build-up. Their products are color-safe, texture-specific, and intended for all genders. My flakes reduced within the first couple weeks of following the protocol recommended in my Jupiter quiz results. And thanks to their sophisticated branding and minimal packaging design there was zero assault to my bathroom aesthetic.

“We started with efficacy as the cornerstone of our business. If we weren’t actually effective, then there’s no reason to sell the product… We wanted to deal with the underlying cause. Because of that, we needed to include one of these over-the-counter ingredients,” Salter says. The Balancing Shampoo and the Restoring Serum both contain Zinc Pyrithione, the aforementioned FDA-regulated component known to fight dandruff and strengthen hair. “Our cosmetic products treat the symptoms. If (as a result of having oil-control issues) you are getting irritation of some kind, these ingredients target those issues,” he continues, referencing the Nourishing Conditioner, Soothing Elixir, and Purifying Mask.

“We chose Zinc Pyrithione after dermatological reports and publications stated it as the gentlest and most universally usable active ingredient. It’s the same active ingredient that Head and Shoulders uses actually, but the comparison really stops there. We removed a lot of the artificial or irritating ingredients that are commonly found in these mass market brands. These brands sit on shelves forever. They have preservatives in them. We removed sulfates, parabens, phthalates. We made it vegan and we made it dye-free. It was hugely important for us that we didn’t have what formulators refer to as a fragrance. Instead, we have a scent and the big difference is fragrance is a catchall so that a lot of these big companies can tuck in some of the more irritating ingredients that, because all they have to say on the back of the label is fragrance, they don’t have to say what’s actually in it. For us, our scents include bergamot, lavender and citrus oil—all from essential oils that also have properties that help with your symptoms.”

Jupiter’s list of beneficial additions doesn’t end there, though. The team also made sure their formulas were innovative and representative of developments in skin and hair research. “We include a handful of really innovative ingredients like Biotin, Vitamin B5, Vitamin E and probiotics. We did a tremendous amount of research to ensure that we had ingredients that could perform the same function as the cheaper, easier to throw in ingredients that some of the larger brands are using, and it’s the reason why we’re more expensive. We’re very comfortable being more expensive for that reason,” Salter says.

Above all else, Salter wants the brand to provide a customer-centric defense system against dandruff. Salter says Jupiter does the same for our universe. “Jupiter, as one of the largest planets, has actually blocked Earth from asteroids and comets, which means that we are able to exist as a civilization—because Jupiter’s protecting Earth from space flakes, effectively. It’s kind of funny how it all works out.”

Images courtesy of Jupiter

A small design detail on this umbrella makes it more paw-some than the others!

Designer He Yue observed that some people close their umbrellas and use it as a walking stick after it stops raining. He added a small detail on the stick that made the ‘Footprint’ umbrella instantly loveable. It’s not a revolutionary redesign but just taking into account human behavior and emotion to make you connect with daily objects some more. The rubber umbrella tip in the form of paws leaves a trail of pet footprints when used as a walking stick. The designer sees this as a poetic expression of “companionship” between items and people through design.

Designer: He Yue