This handheld UV-C sanitizer doubles as a wireless charger to keep your electronics charged and 99.9% germ-free

It’s a wireless charger, but it’s better than a wireless charger. Cell by Ampere works as a dock as well as a UV sterilization chamber for your belongings. It’s a weirdly relevant combination of features but believe you me, Cell does a great job of being multifunctional but still being sensible. Every feature and use-case is well thought out, making it just the most conveniently handy accessory to have on you. Here, let me explain.

It’s no secret that your glossy, shiny, expensive smartphone is one of the most germ-filled things currently in your pocket. It’s also no secret that your phone is one of the most useful gadgets you’ve got on your person, so that’s really a conflict of interest, isn’t it? Cell by Ampere comes with a collapsible design that houses 2 wireless charging coils on the top, and UV-C LEDs on the base. Place your phone on top, and it fast-charges without wires, however, collapse the silicon rim around the sides and the base becomes a UV chamber, allowing you to sterilize your phone, watch, earphones, keys, or any EDC in mere minutes. Designed to be handy, Cell can be used as a UV wand too, allowing you to sterilize larger areas (like your door-handles, keyboards, food delivery parcels) by just waving the UV light over them. One could argue that being germ-free is just as much of a benefit as a fully charged smartphone, and the Cell’s 2-in-1 nature helps cover both those areas.

Things get really interesting when you realize that there’s more to Cell’s functionality. Its foldable silicone design can be half-expanded at an angle too, allowing your charger to effectively become a dock that works in landscape as well as portrait mode. Designed to allow you to use your phone while it’s getting juiced, the wireless charging surface comes with an anti-friction layer that holds your phone securely in place, and stops charging if your phone loses alignment. A USB-C output on the side of the Cell lets you even further connect a secondary charger for your smartwatch, and the collapsible design makes this entire world of functionality just as slim and portable as your phone itself. Plus, the cherry on the cake? Cell’s own wire and adapter are made from anti-microbial materials too, so your belongings are always clean… but don’t take my word for it! Just ask the guys at Business Insider, Digital Trends, and CES who called the Cell the best smartphone accessory of 2020!

Designer: Grant Shi of Ampere

Click Here to Buy Now: $65 $99.99 (35% off). Hurry, less than 12 hours left! Raised over $100,000.

Cell – Expandable Wireless Charger that Cleans Your Phone

The Cell removes 99.9% of germs in 60 seconds with 4 UVC LEDs while powering your electronics with 2 powerful 15W wireless charging coils.

The average smartphone is 10X dirtier than a toilet seat.

Sanitize with UV Lights

Cell’s UV-C LED lights remove 99.9% of germs at the DNA level. Easily adjust the height based on what you’re cleaning.

Utilizes 4 powerful 273 nm LEDs and has a sanitizing area of 1L.

360° Sanitization Technology

Reflective surfaces and elevated platforms = 360° sterilization.

Award-winning Wireless Charger

Cell leverages their award-winning wireless charging technology — the same technology that Digital Trends and Business Insider dubbed the Best of 2020.

The designers have increased the size of our two coils to create a larger charging zone, allowing for easier placement of your device to wirelessly charge.

A second USB-C output port will wire-charge a second device. Works perfectly with their own MFi Apple Watch travel dongle.

Versatible Design. Compact & Portable.

You can use Cell in multiple ways thanks to the flexible silicone slides.

Horizontal for Netflix and Vertical for FaceTime Calls.

Click Here to Buy Now: $65 $99.99 (35% off). Hurry, less than 12 hours left! Raised over $100,000.

How to Turn Your USB Cables into Coiled Cables, Like on Old-School Telephones

John Park of Adafruit Industries picked up on a neat trick: How to turn a regular USB cable into a coiled cable, of the sort found on old-school telephones. Coiled cables have a neater appearance and render the overall cable length shorter (which you may or may not desire), and they also give the cables a bit of stretch memory, if you’re a tactility geek.

The materials required for this DIY project are simple. First you want to select a wood dowel of the appropriate diameter. Here Park shows how two different diameters yield two different coil sizes.

Then you zip-tie one end of the cable…

…wrap it around the dowel…

…zip-tie the other end…

…and hit it with a heat gun for two to five minutes.

Park recommends finishing it off by holding a can of compressed air upside down, to blow frozen gas over the cable to rapidly cool it.

Then it’s just a matter of unsticking the coils from one another, and you’ve got your finished product.

You can also add some colored heat-shrink tubing to the ends if you want to color-code your cables.

Here’s the tutorial in video form:

Studio Collective revitalises modernist LA tower for Hotel June

Hotel June by Proper Collective

Los Angles practice Studio Collective has renovated a mid-century building in the city designed by modernist architect Welton Becket in the 1960s to create a laid-back hotel.

Hotel June is a 250-room property in a white, 12-storey tower designed by Los Angeles architect Welton Becket in 1968.

Hotel June by Proper Collective

Becket built a number of modernist buildings in the city, including the rounded Capitol Records Building, Koreatown’s Equitable Life Building skyscraper and the Los Angeles Music Center’s Ahmanson Theater near Frank Gehry’s metallic Walt Disney Concert Hall.

Hotel June by Proper Collective

This building, which is in Los Angeles’ beachside community of Playa Del Rey on Lincoln Boulevard, was previously another hotel before it was overhauled by Studio Collective.

While the exterior was left intact, the interiors are refreshed with many built-in oak pieces, terrazzo floors and woven accents. Pink and green details add a pop of colour.

Hotel June by Proper Collective

The interiors have “a sense of the new and dynamic through coastal influences and a true California spirit” said the studio. The hotel features a pared-back feeling with natural materials and subtle use of colour.

Hotel June by Proper Collective

A lobby has cream terrazzo floors, a wood-clad ceiling and a bright painting on a wall designed by Brooklyn artist Alex Proba. Becket’s granddaughter, Alexandra Becket, also created wallpapers for other areas of the hotel.

Hotel rooms have white walls, woven carpeting and a mixture of modernist and more contemporary furniture pieces, including Hem sofas. Bright blue and grey are integrated into the suites for visual contrast.

Hotel June by Proper Collective

“Hotel June is at once airy and cosy, blending clean lines and warm natural woods, earthy finishes, and custom furnishings,” the studio said.

White oak closets, custom platform beds and wooden daybeds are intended to evoke mid‐century designs, like those by Charles and Ray Eames and relate to the building’s history.

Hotel June by Proper Collective

“Guestrooms and corridors play with colour-blocking geometries (that recall the work of local mid-century industrial designers Charles and Ray Eames),” Studio Collective said.

Bathrooms have black fixtures and showers are clad in small, square tiles in grey with dark grout.

Hotel June by Proper Collective

In the hotel’s restaurant and sitting area, glass walls are shaded by slatted oak wood screens to help filter natural sunlight. A white, curved sofa and a large woven light fixture decorate the lounge, while the dining area has dark terrazzo floors and wood furniture.

Hotel June by Proper Collective

Hotel June is complete with an outdoor swimming pool, patio, an outdoor bar and restaurant, a fire pit and indoor gym.

The property, which is called Hotel June to reflect new beginnings and California’s year-round summer sensibility, is the brainchild of Proper Hospitality co-founders Brian De Lowe and Brad Korzen.

Hotel June by Proper Collective

The Proper hotels in California, which are designed by Kelly Wearstler, include Santa Monica Proper with a similarly relaxed style and San Francisco Proper overflowing with colourful art and furniture.

Hotel June joins a number of hotels recently completed in Los Angeles, like Ace Hotel, the West Hollywood Edition Hotel by Ian Schrager and John Pawson, Arts District Firehouse Hotel and 1 Hotel West Hollywood.

Photography is by The Ingalls.

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Why Those Streaming Services Buttons Appear on TV Remote Controls

Buttons are everywhere and generally reliable, so we don’t think about them much. When I push the START button on my car, RETURN on my keyboard or “4” in the elevator, I know what I’m getting.

But as buttons have come to deliver more complicated services to us, it was just a matter of time before market competition would lead someone to sabotage a competitor’s button. So it’s gone with Walmart.

To explain, Walmart sells televisions made by Vizio, the second-largest manufacturer of smart TVs in America. Here are some remote controls that come with Vizio sets:

As you can see, like other manufacturers they’ve got buttons that bring you directly to certain streaming services. This makes it far easier (or in the case of my elderly parents, theoretically possible) to access a streaming service on one’s TV.

Manufacturers like Vizio don’t put the buttons there for user-friendliness; they put them there because they get paid to. “As the number of [streaming] services grows, remote controls have become a hotly contested piece of real estate,” explains The Information. “Aside from TV set manufacturers like Vizio, streaming device makers such as Roku have remote controls featuring buttons for services including Netflix, Hulu and Amazon. The hardware makers typically get paid to add the buttons, although payment terms vary widely.

“In some cases, the streaming services share subscription revenue with the hardware makers. In other cases, a TV maker will negotiate a flat rate, such as $1 per TV sold, according to two media executives who have done these deals.”

Now Walmart is using their clout to alter the design of Vizio’s next batch of remotes. The retailer has ordered the manufacturer to get rid of that Amazon button, since Walmart is preparing a competing streaming service, and already competes against Amazon in grocery delivery, which has nothing to do with remote controls.

Vizio doesn’t have to comply, of course; they only have to comply if they want to continue selling TVs through Walmart’s ubiquitous and profitable retail channels.

What’s unclear is where Vizio is with their Amazon deal, and if they can break out of it without getting into legal trouble. I don’t envy their lawyers; the pressure to comply with Walmart’s demands are the stuff that people get fired over.

Anyways, next time you see one of those streaming service buttons on your remote, just remember that it’s not there to make your life easier. It’s there to make someone else money.

Curved stools by J Byron-H are made from pastel concrete

Candy Colored Concrete Stools by J Byron-H

American architect J Byron-H has created a series of colourful stools by pigmenting glass-fibre reinforced concrete and setting it in curved shapes.

J Byron-H infused concrete reinforced by glass fibre, also known as GFRC, with various pigments to create the Concrete Stools in hues of blue, yellow, pink and purple.

He then placed the material, which he describes as “pigmented slurry”, into a flat rubber mould where it was left to dry slightly before being curved over woodwork to create the U-shaped seating.

Candy Colored Concrete Stools by J Byron-H

J Byron-H chose to use GFRC in order to create a juxtaposition between shape and weight, and the material. The reinforced material enabled the architect to create slim pieces that are more lightweight than concrete.

“Cast and finished by hand, the works use a pigment infused, glass-fibre reinforced concrete (GFRC) which appears deceptively monolithic,” he said. “They present a play of materiality by appearing at once smooth and rough, heavy and buoyant.”

In addition to this, the pigment is intended to give the concrete a more playful look than it is usually associated with.

Candy Colored Concrete Stools by J Byron-H

“The combination of a raw, permanent material with a lightweight colourful treatment and anthropomorphic scalloped form re-inserts a sense of playfulness and control into a material often associated with weight, ruins or architectural Brutalism,” he added.

Other furniture collections have similarly played with concrete, like Bower Studios’ Concrete Melt Chair, which has a pale concrete top draped over a metallic base, and a series of squashed-looking concrete benches by Thomas Musca and Duyi Han.

Concrete Stools, which J Byron-H completed in 2018, includes three different size seats: a 55-pound bench, a 40-pound high stool and a 34-pound low stool.

Each can be made in the limited range of colour, although the finishes vary on each because the pieces are handmade.

Candy Colored Concrete Stools by J Byron-H

J Byron-H, also know as Jerome Byron, is an architect who received his masters from Harvard’s Graduate School of Design in 2014, and then worked in offices of Francis Kéré, Barkow Leibinger and Tacklebox NY. He founded his studio in Los Angeles in 2017.

His other projects include creating the decluttered nail salon Colour Camp in Los Angeles with industrial-style surfaces and pops of blue.

Photography is by Samuel McGuire.

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Jorja Smith: By Any Means

From Roc Nation’s upcoming Reprise (a compilation album that will benefit social justice organizations) comes Jorja Smith’s “By Any Means,” which was co-written and produced by Ezrah Roberts-Grey. In a statement, Smith writes, “The inspiration behind ‘By Any Means’ really came from going to the Black Lives Matter protest and leaving thinking, what can I do to keep this conversation going? It’s not just a post on social media, it’s life.” This sentiment is perfectly reflected in the haunting ballad’s lyrics: “I can see your face, see the light in your eyes / I can see the change, feel the heat of the fire / If you can feel the pain then you know you’re alive / Both feet on the line / By any means I will fight.” No stranger to addressing social justice issues (her 2016 breakout “Blue Lights” is about police brutality), Smith has created an empowering, moody song that captures the energy of the current climate, while urging listeners not to let it burn out.

This flexible laptop could completely revolutionize the computer category

There’s nothing more disruptive than a product that challenges the presence of multiple markets. Meet the Paysage, a conceptual computing device that targets both laptop and desktop users with a unique hybrid design. Its design features a two-part construction – the main CPU, which sits within the keyboard-unit (like most laptops), and the screen, which rather than resting on the top of the keyboard, comes with a flexible construction that wraps around the top and the bottom, sandwiching the keyboard in between. The image above should fairly help illustrate what I mean.

This unique build is what sets the Paysage apart. Flip open half the screen and you’ve got yourself a standard laptop/netbook, equipped with a keyboard, trackpad, four USB-C ports, an Aux input, and its dedicated speakers. However, things get interesting when you realize that the entire keyboard unit detaches from the screen completely, leaving you with a much larger flexible display that you can open out and mount on a tabletop stand, giving you a desktop experience complete with a massive elevated screen and an external keyboard.

The Paysage was originally envisioned nearly a decade ago (and subsequently covered on YD too), and it’s only with recent advancements in flexible OLED displays that the Paysage seems more real. In its latest iteration, designer Kevin Depape details out the device further, with magnetic fixtures, connecting cables, and an overall design that seems like something Microsoft could pull off if they tried. A Surface DeskBook perhaps?!

Designer: Kevin Depape

This Autonomous Last-Mile Mobility Vehicle is a Travel Solution Fit for 2020

Persuasive Electric Vehicle (PEV) is the Professional Winner in the Transportation category of the 2020 Core77 Design Awards.

Given the dilemmas that this year is presenting us as the world faces a global pandemic, there’s one piece of technology that is gaining even more urgent relevance: autonomous vehicles. Despite a general reduction in long-distance travel, many of us still need to commute on short trips, whether it’s to work or to run necessary errands. There’s also a need to reduce cab drivers as well as food and package delivery workers’ risk of infection. An innovation much like DENSO’s Persuasive Electric Vehicle might be the perfect fit for the moment.

The PEV (Persuasive Electric Vehicle) is a tricycle-based, last-mile, mobility concept that is currently in the testing phase, but shows promise for its versatile uses in the real world. “Combining the agility of a bicycle, and the comfort of an electric vehicle, the PEV will be used for various transportation services, from manual pedal propulsion for pedestrian commutes, to fully motorized autonomous drive for carrier delivery services,” the DENSO team says of the vehicle.

Vehicle to Pedestrian Communication The PEV communicates with pedestrians in proximity using directed dricer eye movement, via full spectrum LED lights, projector and directional speakers
Remote Ride Hailing A ride is just a click away, via a smartphone app. The user can also customize comfort and ride settings before the PEV arrives

There are a number of uses in which a short-distance mobility concept is needed—DENSO’s first idea for the vehicle is autonomous delivery services, with the integration of built-in hot and cold storage for food. PEV’s business model would allow companies to purchase their own fleets to be used as they wish.

With luxe features such as spacious seating, heating and cooling, and quality ventilation, another use for PEV can be providing reliable transportation for individuals with short commutes as well as elderly and disabled customers. Surprising features of the vehicle include an ability to recognize the driver through a face recognition monitor as well as a ride-sharing platform allowing individuals to call for a PEV to their location using a smartphone app.

Face ID For security, the PEV uses facial recognition to confirm the user, and also access their individual driver profile
Follow Mode The PEV can safely follow the user if they would rather walk
Air Curtain DENSO’s HVAC paired to small turbo nozzles create an air curtain around the driver. This curtain will surround the driver to keep a stable environment as well as repel insects.
HVAC Seating The rear HVAC unit helps pump heating and cooling into the drivers seat back and bottom
HVAC Storage The HVAC in the rear allows users to keep their packages and optimal temperatures during travel

Autonomous vehicles are proving to be an overall more sensible solution for the future of driving not only for their ability to reduce risk of exposure during a global pandemic, but also their safety features for both occupants and pedestrians. “The PEV uses a humanistic interface for friendly vehicle-to-pedestrian communication that is designed to build trust,” DENSO says, and the advanced autonomous technology ensures a hyper-keen eye to traffic and pedestrians. Another important factor in what PEV can provide is curbing environmental damage, thanks to it being fully electric powered.

As vehicles such as PEV continue development, their many uses create a strong and compelling case for sweeping changes to how we view the future of transportation.

The Tallest Prefabricated Skycrapers in the World

Le studio d’architecture ADDP a conçu deux de gratte-ciel de 56 étages à Singapour qui seront construits en utilisant la construction volumétrique préfabriquée, ce qui en ferait les plus hauts bâtiments préfabriqués du monde.
Appelées Avenue South Residences, ces deux tours d’habitation seront construites dans un quartier résidentiel de Singapour.
« Le site se compose de deux immeubles de grande hauteur avec en toile de fond des appartements Art déco de quatre étages et une allée de grands arbres de pluie », a déclaré Markus Cheng Thuan Hann, partenaire associé d’ADDP Architects.





Pittsburgh’s 27-Part Drivable Art Exhibition

Sean Rothermel’s April in Paris of Appalachia art exhibition, which ends 31 July, spans 27 outdoor billboards around Pittsburgh and its surrounding metropolitan area. A billboard across the street from Rothermel’s apartment was both an eyesore and a source of inspiration through quarantine. “I struggled a bit early on in the pandemic and found that creative exploration was a helpful mechanism to cope with the stress,” Rothermel tells the Pittsburgh City Paper. He decided to place his art on the spaces typically reserved for advertisements in order to create “a way for people to connect even if that just means agreement on the fact that the artist is a little nuts.” Each piece is meant to be viewed in a specific order, and he made a helpful map to follow, which sets the course for a three-hour drive through the exhibition. Read and see more at the Pittsburgh City Paper.

Image by Jared Wickerham / Courtesy of Pittsburgh City Paper