"Less is not always more" say commenters

In this week’s comments update, readers are debating car makers rebranding with flat versions of their logos and sharing their views on other top stories.

Nissan, BMW and numerous other car manufacturers have reverted back to flat designs of their logos having rebranded with three-dimensional, chrome-effect logos in the 80s and 90s.

Thanks to advances in technology, logos are now designed primarily with screens in mind – simplified, two-dimensional logos replicate better on screens and in miniature as app icons.

“Cheap is the only word that can describe how cheap they look”

We rounded up seven examples of logos to demonstrate the change in style and readers are divided.

“Cheap, just cheap,” said Raulin Miami. “Cheap is the only word that can describe how cheap they look.”

“Less is not always more,” added Ken Steffes.

“The old logos were okay,” continued Zea Newland. “I fail to see the necessity for flat redesign as today’s digital graphics and displays are good enough to display complex graphics.”

Steve Layden disagreed though: “I love the flat logos. So much cleaner and more versatile. Just like the hood ornaments of a few decades back look a little ridiculous now, having a stamped piece of chrome is going to look outdated in a few years as well. The options are broad – laser etching, printed logos, glass, not to mention the digital formats. Bring on the change.”

What do you think of flat logos? Join the discussion ›

Mira by Studio Gang
Studio Gang completes twisting Mira tower in San Francisco

“Handsome interiors with fantastic views” says reader

Commenters are discussing Studio Gang’s 40-storey apartment complex in San Francisco after photos were revealed of the finished project.

“Handsome interiors with fantastic views,” said Felix Amiss. “They’ll be happy tenants.”

“Looks like early 2000s Frank Gehry got value-engineered by a developer,” said Jolene Ski. “That said, I like it.”

“It’s too short,” concluded Jacopo. “The dancing effect the studio was going for needed at least 30 storeys more to get an elegant result. It’s still an interesting idea but ultimately a slightly disappointing result. But that’s architecture! You win some you lose some.”

Is the Mira building to your taste? Join the discussion ›

US space force unveils logo
US Space Force unveils logo

“We’re doing flat logos now” say commenters

Readers have found humour in a new black and silver logo for the United States Space Force. It was designed after an earlier visual identity released by president Donald Trump proved controversial.

“Didn’t they get the memo from the car manufacturers?” joked JZ. “We’re doing flat logos now.”

Steve Hassler went on: “To dominate strange new worlds, to dominate new life and dominate new civilisations, to boldly go with the military industrial complex where no-one has gone before.”

“The logo has nothing to do with an American military branch of service,” replied Ken Steffes. “It looks more like it belongs on a 60s-era Pontiac.”

Do you think the Space Force logo it out of this world? Join the discussion ›

House of the Big Arch in the bushveld nature reserve, South Africa, by Frankie Pappas
Frankie Pappas threads skinny house through South African forest

Reader says they are “enchanted by this house”

Architecture collective Frankie Pappas has hidden a 3.3-metres-wide house within the Bushveld nature reserve in South Africa and commenters can’t get enough.

“I’m enchanted by this house!” said Benny. “It’s refreshing to see a residence that is built with such specificity and distinctness. Quite lovely.”

Zane Gray agreed: “Very inspirational. Shows how nature can be such a beautiful design element.”

“Nice project to discover on a quiet summer Sunday morning,” added Bras Cubas. “It unveils slowly, partially, photo by photo, space by space. This is great quality.”

Are you impressed by House of the Big Arch? Join the discussion ›

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Dezeen is the world’s most commented architecture and design magazine, receiving thousands of comments each month from readers. Keep up to date on the latest discussions on our comments page.

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Scott Thrift’s Trio of Tools for “Being in Time”

Three “clocks” that forgo seconds, minutes and hours for something more natural

Scott Thrift returns to Kickstarter to debut a new time-channeling tool, this one dedicated to the phases of the moon. This campaign does more than allow people to support the most recent addition to Thrift’s magical roster of machines; it grants access to all three. Since 2011 we’ve been enamored with and utilized the Brooklyn-based artist and designer’s original “The Present.” The hand on this colorful annual clock takes an entire year to complete one cycle, indicating the seasons as it moves. In 2016, Thrift launched the “Today” clock, inspired by the view of time on Earth through the window of an airplane. For the clock’s face, the artist utilized a blue gradient to convey day, night and the mystical time in between. The hand passes 360 degrees once every 24 hours.

As Thrift’s mission is to “advance time literacy” and to bring harmony to our relationship with time, the moon made for a next natural subject matter. Once again, Thrift forgoes seconds, minutes and hours and invites gradient and color (or lack thereof) to tell the story. While the moon waxes and wanes in the sky above, the hand on the clock  passes from a bright portion that represents the full moon down to a dark portion mimicking the night of a new moon. Thrift also affixes a 50% gray hand, allowing it to appear dark against the full moon and bright against the new moon. Altogether, it’s subtle and soothing. And one revolution translates, as expected, to one lunar cycle—a measure of time of great importance for centuries.

Support the Kickstarter now and receive one clock for a $149 pledge, two for $299 or three for $449—all with cork bodies. For glass and steel encasements, prices continue upward.

Images courtesy of Scott Thrift 

The palm-size PrintPods can print on materials your desktop printer doesn’t even dream of

The magic in the PrintPods lies in the fact that it’s smaller than a can of spray paint but holds technology within it that makes it much more versatile. Designed to print in a variety of permanent, skin-friendly, and even invisible inks, the PrintPods is a ridiculously small handheld printer that you can wave over objects to print directly onto them.

The PrintPods is a ridiculously small printer (it’s roughly the size of two AirPods cases stacked one above another) that lets you print over a variety of materials ranging from paper to cloth, metal, ceramic, and even wood. Fitted with a swappable cartridge system, the PrintPods can print in permanent ink, allowing you to customize objects, monogram your T-Shirts, or print out messages on paper with permanent, waterproof ink. The cartridge within the PrintPods can even be swapped out for other types of inks, including hypoallergenic, skin-friendly inks that can be directly used on your hands to create non-permanent tattoos or print logos of your favorite team during a game, as well as invisible ink cartridges that allow you to print messages out on objects that are only visible under a UV light. While that’s mostly a fun feature, the true value of the PrintPods is in being able to rapidly customize objects, allowing you to personalize products with your brand logo, or quickly leave contact details or business addresses on boxes with its permanent, waterproof, blot-proof ink… stuff that a regular printer wouldn’t be able to handle so easily.

The compact PrintPods printer runs in tandem with an app (supported on both iOS as well as Android). Its unique architecture allows you to print with the height of 1-inch in a single motion, allowing you to customize tee-shirts, laptops, notebooks, smartphone cases, and a wide variety of items with a single swipe that allows the printer to print in its permanent ink. The printer works based on the motion of your hands, and a tiny wheel on the base of the PrintPods helps guide your motion in a single direction, while also helping the gadget print as you move it along a line. The hand-held device prints equally well on rough, textured, as well as curved surfaces, and its internal battery lasts as many as 1000 prints before needing to be charged. Individual ink cartridges are designed to last too, averaging out at roughly 3500 prints per cartridge. For now, it seems that the PrintPods only handle printing on a single axis (you can’t print out large images in multiple lines/passes one below another), but that’s not really what the PrintPods was designed for. The handheld printer is perfect, however, for quickly customizing/personalizing items with logos, graphics, or single-line messages. Not to mention it’s the only portable printer we’ve seen that can also work with invisible ink!

Designer: EVEBOT Team

Click Here to Buy Now: $109 $200 (45% off). Hurry, only 5/540 left! Raised over $145,000.

PrintPods – Handheld Printer that Prints on all Surfaces

The PrintPods is a handheld printer with multiple ink options (non-removable, skin-friendly or invisible) that accurately prints on any material or surface.

Non-removable Ink

Create low-cost custom logos in small batches, glide easily over documents, products, or any object that requires durable, non-removable markings.

Skin-friendly Ink

Skin-friendly ink is 100% safe, non-corrosive, water-soluble, and non-irritating. Have fun with friends and print temporary tattoos or put your favorite design, team logo, or brand on your skin for events, parties, or family fun.

Invisible Ink

Create unique surprises and creative gifts. Using invisible ink, print your message or love note just for that special someone. Keep it a secret until viewed with UV light for a surprise.

Switch Ink Types in Seconds

PrintPods allows you to do it all with ultra quick-switch ink types.

Connects in Seconds

1 sec connect and print! Simple and fast.

User-friendly App

Intuitive and user-friendly app interface makes your printing much smoother and easier. Download PrintPods app, connect to Wi-Fi, upload image or DIY, click “print” and done. Compatible with IOS and Android.

Hundreds of In-app Patterns

PrintPods sparks all your desire for creative ideas with hundreds of unique in-app patterns.

Single Catridge = 3500 Continous Prints

With just one single cartridge, you can effortlessly continuously print over 3500 times.

Single Print = $0.01

Low cost performance, fewer choices… PrintPods could your best piggy bank with super powerful printing functions. Every single print just costs you $0.01.

Click Here to Buy Now: $109 $200 (45% off). Hurry, only 5/540 left! Raised over $145,000.

How to Make That Clever DIY Hands-Free Sanitizer Dispenser

The post that we did on the DIY hands-free sanitizer dispenser did a lot of traffic, and one educator wrote in asking if we had instructions for how to build it. “I teach at a K-5,” wrote reader Kirk Mosley. “Do you have instructions so I could make a few of these?”

Core77 Producer Allison Fonder tracked down a video showing its construction. (Warning, you may want to turn your speakers off.)

The Guggenheim Museum Bilbao’s Sustainable Banners

Shifting toward a more sustainable world requires radical change: structural reconfiguration of supply chains, pivoting from harsh chemicals and single-use plastics and beyond. The Guggenheim Museum Bilbao’s newest banner ad campaign for their upcoming exhibition, Olafur Eliasson: In Real Life, proves that these changes can also be remarkably subtle. All 250 of the banners act as air-purifiers capable of catching and cleaning volatile components. The printed materials are coated in Pureti Print, a clear elixir that “induces photocatalysis, a chemical reaction triggered by sunlight, using oxygen and water vapor to combat air pollutants like nitrogen and sulfur oxides, as well as bacteria and mold,” Condé Nast Traveler writes. Find out more about the process there.

Image courtesy of the Guggenheim Museum Bilbao

This Idea for a Line of Sustainable Homewares Could Help Reduce the Risk of Himalayan Forest Fires

Cheer Project: From Earth to Earth” is the Student Winner in the Social Impact category of the 2020 Core77 Design Awards competition.

The region of Himachal Pradesh, an Indian state in the Himalayas, is an idyllic landscape of mountains, snow, and pine trees. Gaurav MK Wali, a design student at the National Institute of Fashion Technology Kangra and resident of Himichal Pradesh developed an interest in the environmental impacts of the region, only to discover the beautiful pine trees and their needles coating the forest floor are fuel for a dangerous forest fire just waiting to erupt.

Wali’s research on the topic revealed that the material aspects of pine needles are a material dream and, in the case of forest fires, an environmental nightmare. The structure of pine needles makes the plant difficult to decompose, which means needles coat the forest floor in layers. These needles also have lignin present in them, a substance that proves to be an excellent fuel. On top of all this, Himichael Pradesh is a water scarce region, and the dense layerings of pine needles on the forest floor coated with a natural layer of water-resistant silicon makes it difficult for natural processes to deliver water to the earth underneath it.

Forest Fire Zones of Himachal Pradesh –

In the midst of his research, Wali discovered this is information the community was more or less aware of for centuries, and came upon the craft of pine needle coiling specifically used by local artisans to curb forest fires. This connection turned a light bulb on for Wali during his design process. “Unfortunately, this craft is at the brink of extinction due to declining demand and loss of relevance,” Wali says. “Having spent time with these artisans made me empathize with their problems and to think of ways to help them.”

The result of this research, Cheer Project, is a material exploration resulting in a 100% bio-based, compostable, recyclable, fire retardant, water repellent pine needle composite that causes no pollution or waste in the process. The entire process of production is designed to be practiced as a sustainable craft to generate income in the rural areas of Himachal, and to utilize an abundant and free material that simultaneously fights forest fires in the process.

The proposed model of operation is circular in nature. The locals procure raw material from pine forests. Needles are then processed in purpose-built machinery (shredder, in this case). It is further mixed with locally-sourced natural polymers to create a bio-composite material which could be used by artisans for making sustainable objects like containers, vases, frames, boxes, etc. Once linked to the market, the revenue generated from this model would help strengthen the rural economy, restore the pride of the artisans and generate a sense of ownership in the local communities.

Set of vases made with turmeric dyed fibres and a set of coasters

After plenty of material exploration involving toxic resins, Wali ultimately came across a material solution that allowed for the products to be entirely biodegradable. “I came across ‘Layie’, a natural glue made of wheat flour and corn starch. Upon mixing, layie enhances the earthy, Christmas-y smell of pine needles filling the room with a balsamic fragrance. It was exactly what I was looking for,” Wali notes of his material exploration phase. Initially interested in compression molding using an epoxy mixture, the designer ultimately landed on creating his products using terracotta and building techniques such as slab work, pinching and press moulding.

Finally, Cheer Project’s manufacturing methods were tested in an experimental workshop conducted in collaboration with the Development Commissioner, Handicrafts and Handlooms Export Corporation of India. The month-long workshop was conducted with twenty artisans who learnt about and practiced the newly developed techniques.

The novelty of a solution like Cheer Project lies in its multifaceted approach to change, a dedication not only to environmental impact, but also income generation in the local community. It’s a model one can only hope other companies aiming to make an impact in the world will be eager to emulate.

An Elegant, Efficient Design Solution to Help Save N95s for Hospitals

Americans are having a tough time putting on masks. It’s become a politically divisive accessory that symbolizes care to some, conspiracy to others. All this has distracted many devotees from a more scientific conversation that’s equally important: The quality of our masks matters, and our supply chain isn’t ready to support a safe reopening.

Sabrina Paseman and Megan Duong realized this—and started working on a technical solution to address it—when they were coordinating N95 collection for local hospitals in the San Francisco Bay Area. The two women had both recently left jobs at Apple, and started gathering masks full-time, collecting thousands, only to learn that covers about a day or two in a large hospital.

The problem, as they came to see it, is that even hospitals are facing shortages of N95 masks, but if the general public continues to wear less protective surgical masks or cloth masks, hospitals will keep being flooded with new cases.

So Paseman started prototyping a product intended for everyone outside hospital settings. The Essential Brace, live on Kickstarter now, is a reusable silicone band that slips over surgical masks to create a seal comparable to N95s. Paseman and Duong hope that, if more people use the Essential Brace and surgical masks, leaving N95s for hospitals, we can all get through the pandemic more safely and efficiently.

A family endeavor

The Duong family has three siblings. Megan’s sister is married to an ER doctor at one of the Bay Area’s hardest-hit hospitals. Megan’s brother is engaged to Paseman. So within a few weeks of shutdown, the family was all very invested in sourcing N95s.

“We were calling warehouses. We called every paint store. We called every hardware store. We just knew N95 masks were really, really hard to access,” says Duong. “And we started looking overseas, and it was just not a safe alternative, because it wasn’t properly vetted in terms of certification. We were acting as this middleman for hospitals, which are very red taped. It just was not a sustainable solution.”

Fix The Mask’s founders Sabrina Paseman and Megan Duong.

But Paseman, with her masters degree in mechanical engineering and years of experience designing and manufacturing Macs, was well-suited to prototype alternatives. Via her soon-to-be brother-in-law, she had the insight that hospitals had plenty of unused surgical masks, but N95s are favored because they fully seal around all edges.

“From an engineering standpoint, after looking into what an N95 mask is, it’s literally just a sealed filter that goes against your face,” Paseman says. “It’s a very, very basic engineering thing. And so my thought was, if there are other filters out there, why can’t we just seal them? And that is the concept we started with. During our brainstorm, [collaborator] Simon Lancaster kept acting out a seal that pressed around the nose, mouth, and chin, and we came up with the idea for the mask brace that night.”

Prototyping human-centered design in lockdown

Creating a new product in a global pandemic brought on unexpected challenges. For one thing, Paseman had limited supplies to work with—her first brace prototype was made of rubber bands.

She tested her next iterations mostly on her own face. “I have the smallest nose in the world,” she says, and this was clearly a problem for troubleshooting one of the most important product features—preventing the much maligned glasses fog. But she did her research, and found that the CDC released a dataset of 5,000 different face shapes averaged down into five common shapes. She got them 3D printed and started using them to test her prototypes. “Those are my friends that I use for prototyping,” she says, “I even named them.”

Paseman named her “friends” Louie, Lonnie, Mervin, and Samantha, inspired by the CDC’s names: “Large, Long Narrow, Medium, and Small”

“Finding a way to make the nose cushion work on a bunch of different faces, have it be comfortable and still mass-manufacturable, was really difficult,” Paseman says. “Most other solutions solve it with a metal band, which doesn’t work well, or a 3D printed contour, which isn’t mass producible, or physical foam cushion, which isn’t easily washable. Also, adding another piece makes it more complicated to produce. I knew I had to integrate it into a single piece.” The key innovation was splitting the nose cushion into individual elements, something she and her dad, Bill Paseman, brainstormed together.

The built-in silicon nose cushion seals masks tight—and prevents fogged up glasses.

Once that prototype was looking promising, she tested it on some family members with the PortaCount Pro, a system used to test N95 fit, and confirmed that it actually does work on various face shapes. Now, she’s excited that she’s connected with Loren Bast of Bainbridge Protects, a group that’s been offering free fit testing to people like dentists, teachers, and firefighters who don’t work in hospitals but are still certainly frontline workers. They’ve been testing the Essential Mask Brace alongside N95s and other solutions.

Easing the stressed supply chain

The beauty of this brace solution is that it makes the most efficient use of the melt-blown fabric found in both N95s and surgical masks.

“The issue with the global mask supply is the fact that there’s a shortage of melt-blown fabric, which is the center layer inside of these surgical masks as well as the center layer inside of an N95,” Paseman explains. “And that special fabric material is really hard to make, because it basically involves really, really high-pressure molten plastic being shot out into giant sheets. There can be lots of issues with clumping, non-uniformity of the material, or densities being off. And all of those things matter for how good the quality of the material is.”

“Right at the start of this pandemic, lots of people were trying to bring up melt-blown fabric lines”, she says, “and it’s really hard to do it properly. I think there are less than 10 manufacturers across the world that really know how to do it properly. And none of them want to share the secret because they’d lose all of their market capital.”

The way that N95s are cut makes them a less efficient use of this extremely limited resource, so, while they’re important to have available for ease of use in hospitals, the more people we can get wearing braced surgical masks, the more protection there is to go around. It significantly brings down the cost per wear, too.

Working around the establishment

Their solution is elegant, but not certified. Though Paseman has tested the product with a methodology similar to what official certification labs use—and found surgical masks with her braces to be as much as 10x more effective than generic cloth masks from Amazon—FDA-certified labs are too busy or too expensive to sign off on the product.

That’s part of why they’ve meticulously documented their process and aimed to serve the frontline workers who need protection and have basically no access to N95s now—dentists, hair stylists, grocery stockers, etc.

“We realized over time, working with hospitals, there’s a lot of red tape,” Duong says. “It’s a really bureaucratic system. I started thinking of our campaign kind of like the Andrew Yang campaign.

“He was an interesting candidate because he was an unconventional politician. Yang somehow managed to appeal to Elon Musk and all these intellectual influencers and managed to make quite a splash in a very short period of time. I was curious how he did it. So I reached out to his campaign team to ask how they approached this similar situation of having a solution but needing to convince people to listen to us,” Duong says.

“Their response was, ‘We did a bottom-up strategy, you need to convince everyone else. Eventually you’ll impact the healthcare system.’ We began observing hospitals and learned that the people who were being hit disproportionately hard from the pandemic were essential workers, communities of color, and underserved communities. It didn’t sit well with us. So we focused on getting PPE into the hands of the people that need it the most. The people who are also in a hazardous situation outside of a hospital setting.”

A pivot from Silicon Valley

“We always believed in creating a solution that’s for everyone,” Duong says. And she sees that as a significant difference from what she’s used to doing at tech companies like Apple.

“I talk to a lot of startups, and many times I hear about this brilliant solution they have built but lack clarity on their purpose or mission that drives their company and community forward. Defining your north star is so important ,” she says. “Because our mission is to make safe masks accessible to everyone, our journey began as a DIY and an open-source solution so that people could make a brace at home. By making our design open, we were able to get data, grow with communities who don’t have access to N95 masks, and get a lot of feedback to improve the design.”

“Other companies hide all of the back workings of how they made the secret sauce,” Paseman says. “But for us, our mission is so transparent. We basically have shown every step of the work that got us to this solution and made it available to anyone who wants to join our community. People can see that we’re not in this to make large swaths of money. We’re doing it because we all want to get out of this pandemic together. Everyone needs this protection in order for us to actually get back to life as normal.”

The Essential Mask Brace is live on Kickstarter through August 20, 2020.

The Winners of the 2020 iPhone Photography Awards

Créé en 2007, l’iPhone Photography Awards (IPPAWARDS) est né avec l’invention de l’iPhone. Cette année encore, des participants venant des quatre coins de la planète ont envoyé les clichés réalisés avec le smartphone d’Apple. Une énième preuve que ce moyen n’a désormais rien à envier aux caméra les plus performantes en termes de rendu artistique.

L’omniprésent produit d’Apple a en effet fait du chemin. Il est non seulement capable de s’adapter à la technologie de réalité augmentée, mais il a également été utilisé pour créer une publicité de cinq heures présentant une visite labyrinthique du musée russe de l’Ermitage, tournée en une seule prise.

Les lauréats des 2020 iPhone Photography Awards montrent que tout ce dont vous avez vraiment besoin est un smart phone et un oeil vif.

Avec un Grand Prix, un podium et trois lauréats pour les 18 catégories, ce sont 58 photographes qui sont distingués pour ces IPPAWARDS 2020.

1st Place, Photographer of the Year: Artyom Baryshau, No walls (2020). Shot on iPhone 6.

2nd Place, Photographer of the Year: Geli Zhao, Untitled (2020). Shot on iPhone XS Max.

3rd Place, Photographer of the Year: Saif Hussain, Sheikh of youth (2020). Shot on iPhone X.

1st Place, Landscape: Liu Dan, Untitled (2020). Shot on iPhone XS Max.

2nd Place – Landscape: Nico Brons, Duned (2020). Shot on iPhone 11Pro Max.

3rd Place – Landscape: Dominic Dähncke, The Cloud (2020). Shot on iPhone 8 Plus.

1st Place – Still Life: Joao Cabaco, The Wine Bottle and the Seven Chouriços (2020). Shot on iPhone XR.

Grand Prize Winner, Photographer of the Year: Dimpy Bhalotia, Flying Boys (2020). Shot on iPhone X.








Three Spacecraft Head to Mars

This summer, three unmanned spacecraft—the Perseverance (US), Tianwen-1 (China) and Hope Orbiter (United Arab Emirates)—are making the journey to Mars in order to explore. Helicopters, rovers, infrared spectrometers, cameras and other equipment aboard each craft will be controlled from Earth and all the data gathered will add to our ever-growing understanding of the red planet. The New York Times, via NASA, provides graphics for each mission, detailing the spacecraft components, landing gear, vehicles and research instruments—offering a little insight into what each space agency is looking for up there. Read more at The New York Times.

Image courtesy of Wikimages

Black House by V2 Arquitectos contrasts charred wood with concrete

Black House by V2 Arquitectos

Argentinian architecture firm V2 Arquitectos has stacked a charred wood volume on top of a concrete structure to form a residence outside of Buenos Aires.

Black House is a two-toned residence that comprises two levels located in the neighbourhood of City Bell in La Plata, a town south of Buenos Aires. The ground floor is formed by an exposed concrete shell that measures 13 metres by 13 metres, while the upper portion is clad with planks of charred wood.

Black House by V2 Arquitectos

V2 Arquitectos has outfitted the house with outdoor living spaces and concealed the windows on the facade with robust vegetation to bring the house “in contact with nature.” A rectangular opening cut into the top of the concrete roof creates a hole for the plants to grow through.

“The main premise of our clients was based on projecting spacious, flexible spaces in contact with nature,” the studio said.

Black House by V2 Arquitectos

On the front of the wood volume, a single window framed with concrete stands out against the dark material. Glass doors run along the rear to open out to deck space formed by the concrete roof of the lower level.

Black House by V2 Arquitectos

“The exposed concrete slab that is projected along the ground floor generates a spatial continuity towards the front and to the back, through semi-covered areas that are differentiated by the activity they have,” it added.

Black House by V2 Arquitectos

The living room, dining table and kitchen are all situated in a single room on the ground floor of the house.

In the open-plan space, pale wood is used to construct a wall of built-in shelving units to mount the television and store other electronic equipment. Black cabinets match the island base in the kitchen, which is topped with a wood counter that coincides with the dining table.

Black House by V2 Arquitectos

The open-plan space faces a wall of sliding glass doors that lead out to a covered outdoor seating and dining space overlooking the yard.

A staircase with a black frame, wood steps and no railing is situated alongside the front facing window. It leads to the upper level where the three bedrooms are located.

Black House by V2 Arquitectos

Each of the bedrooms has white walls, hardwood flooring and a set of sliding glass doors that open out to a terrace that spans the entire length of the structure.

Black House by V2 Arquitectos

Other projects in City Bell, Argentina include a house with foldable wooden blinds and concrete slabs and a residence with a suspended board-marked concrete box.

Photography is by Alejandro Peral.


Project credits:

Architect: Estudio V2 Arquitectos
Other participants: Rocío Real, Eugenia Arive

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