Graeme Nicholls Architects designs stadium-shaped housing block alongside Ibrox in Glasgow

Albion Housing by Graeme Nicholls Architects

Graeme Nicholls Architects has extrapolated the form of a former greyhound stadium for a proposed oval of red-brick housing by Ibrox football stadium in Glasgow, Scotland.

The Albion Housing scheme, which would contain 160 dual-aspect apartments, would consist of two four-storey, U-shaped blocks that face each other to create an oval.

Its form is directly informed by a greyhound track that used to occupy the site and local sporting connections as it would be built adjacent to Ibrox stadium, which is home of Glasgow Rangers football club.

Albion Housing by Graeme Nicholls Architects

“All of our projects use narrative as a key design driver – Form Follows Fiction we call it,” explained Graeme Nicholls Architects founder Graeme Nicholls.

“The historical and current association with sports on the site is something we are keen to express in our design for the new development,” he told Dezeen.

“Historical maps show that the site contained a greyhound track with a bowl footprint, which we thought would be interesting to express in any new development. This plan form also fits the unusual shape of the site really well.”

Albion Housing by Graeme Nicholls Architects

Albion Housing, which is currently in pre-planning consultation, would be arranged following the model of historic Glasgow Tenements, with two flats per storey accessed by a communal entrance on the ground floor.

Both the facades within the oval and exterior facades of the blocks are divided into bays reminiscent of early 20th-century stadiums. Each are articulated with an elongated arch with windows arranged inside them.

The red brick that would be used is a reference to the colour of the main stand at Ibrox and the surrounding red sandstone tenement housing blocks.

Albion Housing by Graeme Nicholls Architects

“The ambition for this site is to create a residential development that is both sympathetic to and celebratory of, the history of the Ibrox area in Glasgow,” said Nicholls.

“The historic housing in the neighbourhood is typified by tenemental style perimeter blocks built of red sandstone – quite monochromatic, and with only light decoration/articulation. So, we thought it would be good to do something that shared that DNA.”

Albion Housing by Graeme Nicholls Architects

Nicholls believes that if built this unique project is one that could only exist in this location.

“We wanted to make something appropriate, that could only really exist in this place,” he explained.

“I like to make ‘slow-cooked’ architecture. To drop a lot of ingredients in the pot, and let the flavour of the design emerge. We were certainly taking lots of varied ideas and bringing them together on this one.”

Albion Housing by Graeme Nicholls Architects

Although the scheme is extremely unusual, it has been compared to well-known buildings in Germany, Italy, France and the UK.

“It’s interesting to hear people’s reaction to the project,” said Nicholls. “It seems to remind them of a whole series of varied references, including many we hadn’t thought of ourselves.”

“We’ve had people say it reminds them of Bruno Taut’s Hufeisensiedlung project in Berlin, Ricardo Bofill’s Les Espaces d’Abraxas in Paris, St Andrews Gardens in Liverpool, and of course the Colosseum!”

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Here’s what Vespa scooters will look like in the future according to a concept designer

“What will a Vespa look like a hundred years from now?”

It isn’t the sort of question I usually ask myself, but now that Artem Smirnov’s posed the question, I’m forced to imagine what perhaps my favorite two-wheeler brand will look like a century from now. Smirnov’s answer to the question is to simply take Vespa’s attributes as a brand and carry them to the year 2120. In short, look for answers to questions like – What will classical Italian automotive design be in a hundred years? Hundred years since the debut of the Cybertruck, will there be any curvilinear vehicles? And if there are, will they look like the Vespas of today, or maybe a little more modern? Most importantly, will Vespas of the future look ‘cute’? And what exactly will the word ‘cute’ even mean in our technofuture world?

Smirnov’s iteration of the next-gen Vespa surely raises some eyebrows. It looks nothing like the Vespa we see on the road today, but in all fairness, cars today look nothing like they did in the 1920s, so it seems futile to really argue that the next-gen Vespa looks radically different. It, however, does capture a few elements that answer the questions I raised in my previous paragraph. The next-gen Vespa by Artem is clearly an e-scooter. Interestingly enough though, it comes in the format of an e-bike, but still retains that hollow leg-space that scooter designs are famous for – with a rear suspension capping it off. The seat, for the most part, is cantilever, resting directly on the suspension at the back, while the Vespa logo on the front plays a double role of branding as well as being the vehicle’s headlight. On the overall, the vehicle still retains curves in the right places. I could imagine a future where the next-gen Vespa sits in the status quo of ‘cute’, although my only gripe is the absence of that vibrant color palette! What do you think?

Designer: Artem Smirnov

An ex-Apple designer’s lifehack lets doctors turn surgical masks into secure N95 masks

A few months ago Sabrina Paseman was working as a mechanical engineer for Apple. It’s safe to say that this pandemic changed the course of her life, at least professionally. Teaming up with ex-Apple marketer Megan Duong, Paseman decided to bring her creative skills over to a domain that really needed it. Together, the duo formed Fix The Mask, a project that helps make surgical masks as effective as N95 masks. The idea for a DIY hack came to Paseman around the time when the country was facing a severe shortage of N95 masks, forcing doctors and nurses to wear readily available loosely-fitted surgical masks. Paseman first tried scouting her area for N95 masks, hoping to donate them to medical facilities, and when she couldn’t find any N95 masks available in her vicinity, she decided to create a life-saving lifehack to turn surgical masks into well-fitted N95 masks. The solution? A simple DIY seal that closes all air gaps around your nose and mouth so there’s no air leakage anywhere caused by a loosely fitted mask.

Paseman and Duong’s first iteration of the Fix The Mask solution involved the MacGyverian use of a handful of rubber bands that could be strung together to create a tight brace to secure the mask’s fit (video at the end of the article). A few iterations later, the two developed a more robust solution by cutting into rubber sheets to create a better, more effective harness. The harness design is available on the Fix The Mask website as a free resource, to allow health professionals and regular citizens to get the most out of their face-gear while remaining safe from the virus.

Designers: Sabrina Paseman & Megan Duong (Fix The Mask)

Residences by Armani Casa in Florida has amenities designed by Giorgio Armani

Residences by Armani Casa by Giorgio Armani and Cesar Pelli

Italian fashion designer Giorgio Armani worked with Argentine-American architect César Pelli to complete this residential skyscraper in Sunny Isles Beach, Florida.

Pelli Clarke Pelli, the firm founded by the Pelli who died last year aged 92, designed the Residences by Armani/Casa tower, and Armani’s interior design studio Armani/Casa oversaw the interiors, including amenities and residences.

Residences by Armani Casa by Giorgio Armani and Cesar Pelli

Developed by Related Group and Dezer Development, the condominium tower is located in Sunny Isles Beach, a city in northeast Miami-Dade County and about a 30-minute drive north of Miami. The Atlantic Ocean is to the east and views of the Intracoastal Waterway are to the west.

“This building is a love letter to South Florida from Giorgio Armani and César Pelli, and now stands as a landmark for design as striking as it is thoughtful,” said Jon Paul Perez, executive vice president at Related Group.

Residences by Armani Casa by Giorgio Armani and Cesar Pelli

Pelli Clarke Pelli’s design for the 649-foot (198-metre) glass tower makes the most of the water vistas. Placed at an angle to the ocean, it has a curved front and chamfered shorter edges that gradually extend outwards towards the top.

Each residential floor is wrapped by balconies so that the 260 apartments all have access to outdoor space with kitchens.

Residences by Armani Casa by Giorgio Armani and Cesar Pelli
Photograph by Federica Bottoli

Larger three and four-bedroom apartments “are designed to include ‘flow-thru’ terraces facing both east and west, allowing sunset and sunrise views,” according to Pelli Clarke Pelli.

The firm’s design also includes a raised outdoor pool deck and a series of cabanas that stagger down towards the ocean.

Residences by Armani Casa by Giorgio Armani and Cesar Pelli
Photograph by Federica Bottoli

Residents have access to a host of amenities, including a gym, a bar and restaurant, a “club-inspired game room” and a spa, all of which are designed by Armani/Casa.

While Armani is better known for his eponymous fashion design brand, his interiors studio has completed a number of projects such as the Armani Hotels in Dubai and Milan. Residences by Armani/Casa marks the first project in the US.

Residences by Armani Casa by Giorgio Armani and Cesar Pelli
Photograph by Federica Bottoli

Golden, bronze and green tones are used throughout the interiors, as shown by the decor of the curved entrance area.

In the restaurant, translucent curtains cover the floor-to-ceiling windows and glossy stone flooring contain green curves reminiscent of the tower’s shape. Wooden dining chairs with bronze-coloured legs have green leather lining to pick up this detail.

Residences by Armani Casa by Giorgio Armani and Cesar Pelli
Photograph by Federica Bottoli

Green-toned cabinetry provides storage in the temperature-controlled wine cellar and curves around a black table. The lounge has wooden flooring, plant-covered wallpaper, and cream sofa with cushions printed with Armani branding.

A children’s room, a movie theatre, private cigar room and are among the other facilities that occupy two floors of amenities.

Residences by Armani Casa by Giorgio Armani and Cesar Pelli
Photograph by Federica Bottoli

The residences are complete with kitchen cabinetry designed by Armani/Dada, a collaborative brand by Italian design group Molteni&C and Armani. Master bedrooms feature an Armani/Dada marble sink, and bathrooms are finished with a sink and tub designed by Armani/Roca – a collaboration between Roca Group and Armani. 

Residences by Armani Casa by Giorgio Armani and Cesar Pelli

Aside from these finishes, residences are left “designer ready” so they can be designed by owners. Furniture brand Artefacto has fitted out two turn-key homes in the property.

Residences by Armani Casa by Giorgio Armani and Cesar Pelli

In addition to this tower, the Miami-Dade County beachfront is peppered with residential high-rises designed by well-known firms.

Herzog & de Meuron’s Jade Signature skyscraper is just south of Residences by Armani/Casa in the Sunny Isles district, while Zaha HadidOMABIG and Renzo Piano and Herzog & de Meuron have all towers in Miami and Miami Beach.

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Celeste: I Can See The Change

Celeste’s expressive, velvety, soulful vocals take centerstage for “I Can See The Change,” a piano-led orchestral song about finding hope. The moving ballad (produced by Finneas O’Connell, aka FINNEAS, who is best known for his work with sister Billie Eilish) will appear on her eponymous debut studio album, which is set for release this summer.

A Look at The Just-Unveiled 2021 Acura TLX

Sporty and precise, this vehicle is the Japanese carmaker’s Type-S Concept come to life

Born in the late ’80s, when Japanese carmakers were considered infallible, Acura (Honda’s luxury vehicle division) has, like Honda itself, gone through fits and starts from a design perspective. The outgoing TLX tried to signal a balance between luxury and performance visually, but that left it stuck in the middle. Next spring, however, we’ll see the just-unveiled, American-designed 2021 TLX (based heavily on the Type-S Concept that Acura showed at Monterey Car Week last August) and it tilts Acura back toward its roots in performance. Here’s a virtual walk around, from stem to stern.

Acura Type S Concept

The 2021 TLX is a slightly lower car than the Type S Concept, as well as being significantly longer (by three inches) and wider (by 2.2 inches) too. The wheels have been pushed to the edges, with as little body overhang as possible. But where you see most of the stretch is in the extended hood that’s now increased nearly eight inches—measured from the dash to the front axle. Acura uses the Porsche Panamera and Audi A7 as guides, and the numbers aren’t far off from the dimensions of both. This puts the TLX in good visual company; though the Panamera is still controversial, both it and the A7 are arguably still being copied by various carmakers.

Acura 2021 TLX

But Acura isn’t ripping off any of its competitors. The design starts fresh, at the car’s double-diamond grille with deep sculpting, and the creases that sweep back on the hood that emphasize the car’s sporty bearing. The inboard hood creases slice from the bonnet back, meeting up with echoing strafes on the roof of the car, showing off length and sinew. Additionally, the outboard tendon line serves multiple visual functions, framing the engine bay, then bending over the front fender to meet a rearward fold on the metalwork as it pulls across the front doors. That unity stretches the eye, and makes it hard to pause on any single aspect of the vehicle. This all results in the 2021 TLX appearing fast because every line flies from nose to tail.

From the side, the car retains much of the Type S Concept’s design language where the shoulder line appears to twist in a knot at the intersection of front and rear doors. In fact, the production TLX shows off this effect more strongly and, like the widening of the split front grille translated from the Type S Concept, Acura’s designers really benefited from working with a longer, lower, wider chassis.

Acura 2021 TLX

One piece of the puzzle that would have been pleasing to preserve was the concept’s vertical rear door cutline. Visually, that had the effect of a picture frame, dividing the front and rear halves of the car, giving the concept a bit more balance than the production model. There are various reasons designers don’t win these arguments—ranging from safety to ease of entry.

We’re glad to see the Concept’s V-shaped tail lamps remain largely intact. These scallop into the body, echoing the wrap of the headlamps at the front. We do miss the nifty integration of the wing on the trunk deck of the Concept, because on the production car it looks like what it is: a distinct piece. (That said, a wing that’s integrated into the sheet metal would cost a fortune to repair in the event of an accident.)

Acura 2021 TLX

This car is bigger, but nearly all that length is given over to the hood, rather than the cabin. As EVs become more mainstream we’re seeing their design ethos sift into conventional cars. Short hood; more cabin space. That’s just the opposite of what Acura’s doing on the TLX.

Ultimately, the 2021 TLX proves to be a strong step forward for Acura, and a necessary one. While it looks more like the Acura of old—sporty, precise, and striking—it’s not nostalgic in its design. The resulting vehicle is evidence that thrilling cars can look great and be reliable all at once.

Images courtesy of Acura

This shape-shifting Yoga Mat can transform into different sorts of workout-equipment

The Levigato fitness mat’s unique design is proof that everything should be questioned and nothing should be taken for granted. Perhaps the only yoga mat that’s also designed to transform into other sorts of workout equipment, the Levigato hopes to alter what the humble exercise mat is capable of. Unlike mats that are just made from rubber, foam, or cloth, the Levigato fitness mat comes with a dual-sided surface and a stiff design that opens and closes like origami. Not only does this make folding the Levigato MUCH easier than rolling up those fabric mats, it also allows the Levigato to turn into a cuboid when folded, allowing you to use it as a support block, a pushup-bar, or a stand for your laptop while you exercise while watching fitness videos online. It’s sort of like the Swiss-army multitool of yoga mats.

The Levigato Fitness Mat comes with two distinct surfaces that suit the varying needs of exercise and of meditation/stretching. A brushed surface helps provide traction, preventing you from slipping while you’re doing yoga poses, while a cushioned surface on the reverse side helps you do more intense exercises that require shock-absorption, like running in place or burpees. The mat itself comes with folding lines that allow it to fold up like a partition, while inbuilt magnets allow it to easily close with a quick, satisfying snap, because the last thing you need after a grueling workout is to fumble with a yoga mat that keeps unrolling as you roll it up. Once folded, the Levigato turns into the perfect block for exercises like pushups, handstands, step-ups, and a variety of other exercises. You can dock more than one mat to increase its height, bringing levels of intensity to your workout too.

Made from non-porous materials, the Levigato is exceptionally easy to clean too, whether it’s under running water, or just a wipe-down with a damp towel after a sweaty exercise. The mats even resist bacterial growth and mildew, keeping them sanitized and fresh for longer, unlike foam or cloth mats that tend to absorb sweat, dirt, and humidity from the air. It’s a pretty impressive feature list for a product in a category that’s so often taken for granted. The yoga mat itself is such a plain and simple product, it didn’t even seem to me like something that could be redesigned or innovated upon, but Levigato’s ability to A. prove me wrong, and B. actually design a mat that’s functional, durable, and incredibly versatile, makes me believe in the power of creativity and the drive for innovation! I won’t be going back to my basic foam yoga mat any time soon…

Designer: Nicholas Christ

Click Here to Buy Now: $89 $149 ($50 off). Hurry, only 5/110 left!

Levigato – World’s Most Versatile Fitness Mat

The Levigato is a fitness mat that’s foldable, portable, stackable, and durable enough for all your workouts.

Folds & Unfolds in Seconds

The Levigato folds in a matter of seconds and is pulled together with embedded magnets.

Easy Transport & Storage

The Levigato Fitness Mat’s innovative construction not only looks sleek, it is easily transported and stacked.

The mat’s folding feature helps your home gym or studio stay organized and streamlined.

Material

Its textured finish on both sides gives you optimal shock absorption and friction finish for traction. With sweat dispersion channels, no towel is needed during your workout.

Stay Fresh

Unlike most other mats, the Levigato Fitness Mats are resistant to mold, mildew, bacteria and odor.

Easily keep your mat clean and fresh with a quick scrub using soap and water.

Embedded Magnets

Embedded magnets allow for easy folding, without any inconvenience or discomfort for you while using the mat.

Two Mats in One

Both sides of the Levigato Fitness Mat have unique features giving you the ultimate versatility in your workouts. The reverse side of the mat has excellent strength, durable cushioning, and resilient shock absorption.

Add Variety to your Workout

Catch a glimpse of how to take your workout to the next level with the Levigato Fitness Mat. Stack multiple mats to maximize your stretching, or use one mat folded up for extra padding for push-ups or handstands.

Specifications

Click Here to Buy Now: $89 $149 ($50 off). Hurry, only 5/110 left!

Adidas' reusable face mask features in today's Dezeen Weekly newsletter

Face Cover face mask by Adidas 

The latest edition of our Dezeen Weekly newsletter includes a reusable face mask made from a breathable recycled material, which sportswear company Adidas designed to be used by people wanting to reduce their risk of getting or spreading coronavirus.

Many readers have criticised the design for not being innovative enough, asking “is that the best Adidas could come up with?” Others defended the brand for mass producing the garment, which they believe “will become a key part of our wardrobe” as lockdowns ease.

Dezeen’s founder and editor-in-chief Marcus Fairs added to the discussion commenting that “since the pandemic began, the face mask has gone from being a barely noticed utilitarian device to a potential life-saver to a branded accessory in just a few months. I think it’s interesting and useful to report on this transformation.”

Walk-Street House by Ras-A Studio
Ras-A Studio builds Walk-Street House near the beach in California

Other stories in this week’s newsletter include a boxy house belonging to a photographer in Hermosa Beach, California, the colourful “New London Fabulous” design movement which is challenging minimalism and five reasons why you should enter Dezeen Awards.

Subscribe to Dezeen Weekly 

Dezeen Weekly is a curated newsletter that is sent every Thursday, containing highlights from Dezeen. Dezeen Weekly subscribers will also receive occasional updates about events, competition and breaking news.

Read the latest edition of Dezeen Weekly. You can also subscribe to Dezeen Daily, our daily bulletin that includes every story published in the preceding 24 hours.

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Gensler expands and remodels Colorado airport with cosy yet contemporary interiors

Vail airport by Gensler

Gensler has added a black metal volume to an airport servicing ski resorts in Vail, Colorado, containing lounges with fireplaces and pale wood ceilings.

The project was designed for Eagle County Regional Airport (EGE) in the town of Gypsum that services Vail, Beaver Creek and other towns.

Vail airport by Gensler

The international architecture firm and Colorado contractor Hensel Phelps designed a two-storey black metal addition for the existing airport, which was built in 1996 in a log cabin-style with exposed timber beam interiors and a green metal roof.

Designed as a collaborative design-build project, it was created to improve EGE’s operations and interior design. The airport now measures 65,000 square feet (6,038 square metres).

Vail airport by Gensler

“The airport needed improvements to address both operational needs and enhance user experience,” the team said.

“The concourse suffered from crowding, especially during the peak winter season when flights were often cancelled due to inclement weather.”

Vail airport by Gensler

The gabled addition is mostly open-plan with long glass walls that provide expansive views of the surrounding Rocky Mountains. Cross braces across the glazing inside support the metal construction.

The linear layout has seating and gates on one side and amenities tucked into the structural core. The form of the terminal responds to the function of the project and also takes cues barn buildings, according to the team.

“The design is inspired by the region’s agrarian nature using unassuming materials and a subdued natural palate,” it said.

Vail airport by Gensler

Several lounge areas, a bar, restaurant and bathrooms are housed in the addition. A concession area, which offers on-the-go snacks, food and drinks, is integrated into the existing terminal building.

The addition also includes six new airline gates with two loading gates outside on the ground level and four gates upstairs with new jet bridges for airside passenger arrival and departure.

Vail airport by Gensler

Interiors feature exposed black steel that frames the large windows with views to the airfield and out beyond, vaulted ceilings clad in strips of maple wood ceiling and polished concrete floors.

Many of the details are designed to make the airport fit in with its rugged surroundings, are durable and hand-crafted. The aim is to create a contemporary space that is more akin to a home than an airport.

Vail airport by Gensler

A sitting area on the first floor is arranged around a fireplace with cushioned seating, Last bar stools by Hem, leather chairs and plaid textiles.

“Two fireplaces, a bar area, and more comfortable seating create a lodge-like environment for guests,” the team added.

Wood benches were created using Douglas fir sourced sustainably from Knapp Ranch about a 30-minute drive away.

Vail airport by Gensler

The project also includes a central hall, departure and arrival passenger hold room areas, renovated offices and space for baggage handling equipment. The checkpoint area was also expanded and relocated for the US Transportation Security Administration (TSA).

The airport has only one runway and is considered one of the most extreme and dangerous airports in the world because of its mountainous terrain at such a high elevation and ever-changing weather conditions.

Vail airport by Gensler

Other airport designs are Zaha Hadid Architects’ Beijing Daxing International Airport, an airport in Israel’s Negev desert by Amir Mann-Ami Shinar Architects and Moshe Zur Architects, Morocco’s Guelmim Airport with perforated panes and Platov airport in Rostov-on-Don, Russia.

Photography is by David Lauer Photography.


Project credits:

Aviation director: David Reid
Project manager: Josh Miller
Lead designer: Adam Ambro

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Curtain table by Läufer & Keichel for Zeitraum

Curtain Table by Zeitraum

VDF products fair: Undulating legs characterise the solid wood Curtain table by Berlin-based studio Läufer & Keichel for furniture manufacturer Zeitraum.

The table’s thin, wavy legs are carved from solid wood to evoke the waves of curtain drapes and support a large wooden tabletop.

Manufactured by German wood-furniture brand Zeitraum, the Curtain table is available with either a rectangular or a semicircular tabletop.

Users can also choose between an ash, walnut or oak finish, and a table length of up to four metres with a continuous wood grain.

“The Curtain table resembles a fleeting snapshot of a moment in time: static in contrast to an organically flowing movement,” said Läufer and Keichel.

“Just like a sculpture, Curtain toys with our perception – the symbolism of the wave increases all the more as the material qualities of the solid wood fade into the background,” it continued.

“This harmonic symbiosis of form and material comes as a surprise, but also allows us to see the entire table as a self-restrained composition – rhythmically, the ‘curtains’ create an atmosphere of floating serenity and inner calm.”

Photography is by Nava Rapacchietta.

Product: Curtain table
Brand: Zeitraum
Designer: Läufer & Keichel

About VDF products fair: the VDF products fair offers an affordable launchpad for new products during Virtual Design Festival. For more details email vdf@dezeen.com.

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