Axia taps by Phoenix

Axia by Phoenix

VDF products fair: Australian bathroom accessories brand Phoenix has released its Axia collection of taps, which feature a minimalist design and thin cantilevered spouts.

The collection encompasses wall-mounted and freestanding basin mixer taps with integrated handles, as well as separate wall outlets and handles to adapt the collection for use in bathtubs and showers.

Axia’s defining feature is the long, angular spout of its taps, which was designed to appeal to architecture lovers.

In the wall-mounted tap, this is suspended horizontally from a flat metal fixture and diagonally offset against a round mixer dial.

The outer dial is rotated clockwise around the central, fixed face to increase water flow, while two fine, coloured lines on its surface indicate temperature.

For the freestanding mixer tap, the round handle is placed on top of the spout to create a simple, cylindrical body.

Two standalone dials can be used to regulate the shower and, in a bathtub set-up, the spout and dials are attached to the wall separately.

The tap cartridges are made from high-quality brass that comes with a lifetime replacement warranty, while the exterior is variously finished in chrome, matte, black or brushed nickel.

According to Phoenix’s senior designer Ban Liu, the collection was developed over the course of two years.

“Our challenge was how to achieve a 6.5-millimetre-high super lean outlet through a one-piece casting,” Liu explained.

“This results in a strong signature of machined-in detail with a precision control aesthetic.”

Among the collection’s accolades is a 2020 Red Dot Award, a Good Design Award and a 2020 iF Design Award.

Product: Axia
Brand: Phoenix
Contact address: sales@phoenixtapware.com.au

About VDF products fair: the VDF products fair offers an affordable launchpad for new products during Virtual Design Festival. For more details email vdf@dezeen.com.

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A24’s Midsommar gets a pair of psychedelic new posters

Eagle-eyed internet users might have spied the floral May Queen gown from Midsommar hit the auction block a couple of weeks ago, as well as its impressive final bid of $65k.

For those feeling disappointed they couldn’t snap up a piece of the film, A24 has released a pair of new screen-printed Midsommar posters – priced at a much more reasonable $50.

By Idea Oshima
By Yuko Higuchi

Anyone that was eying up the dress, with its 10,000 silk flowers, will appreciate Yuko Higuchi’s take, which features a set of psychedelic eyeball blooms as well as the startled upside-down face of main character Dani. Idea Oshima has taken a slightly different tack, with a gold-tinted design that focuses on the ritualistic aspects of the film.

The screen-printed posters are the latest in a line of A24 artist collaborations, which serve as a reminder of the film company’s marketing smarts. It’s an engaging way to revisit their back catalogue, sparking interest for anyone that hasn’t seen the film as well as appealing to die-hard fans.

The posters are available from the A24 shop, priced $50; shop.a24films.com

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Motto: “an upbeat ghost story” made from tiny video clips

Described as an “interactive novella”, Motto takes users on the search for a missing ghost named September. The format is simple, with text laid over short, user-generated video clips of everything from rivers and aquariums to people’s pets.

Watchers tap through the various parts of the story, which is designed to be experienced on smartphones and divided into several chapters, lasting around an hour in total. Along the way they respond to prompts to contribute their own clips to the narrative.

Motto asks users to film themselves wiggling their toes, turning on a light, and opening and closing a door, among other requests, turning the story into a kind of self-generated scavenger hunt. For those worried about privacy, rest assured that everyone’s faces are hidden. These clips are then incorporated into later parts of the story, alongside other people’s footage.

“I wanted to explore a different kind of participation,” the director told CR. “An interactivity with the real world. A contribution that creates meaning.”

The whole experience is strangely meditative, particularly when it comes to the sections that feature other countries and landscapes – although perhaps that’s just the lockdown talking. “The actual context of us being stuck at home makes the piece resonate even more,” says Morisset, who has worked on the project for three years.

The work is the latest from Morisset (who has previously created pioneering interactive films for Arcade Fire, as well as his own personal art projects) commissioned by the National Film Board of Canada, which has built a reputation for supporting digital and interactive projects alongside traditional film works.

It’s easy to progress through Motto and fulfil the tasks the interactive film sets, and there’s something quite pleasing about seeing those video clips fed back to you unexpectedly later on. Motto is clearly inspired by the addictive social media scroll, but it’s interesting to see what happens when the format is given narrative and form in this manner.

Credits:
Director: Vincent Morisset
Writer: Sean Michaels
Editor: Caroline Robert
Developed by AATOAA and produced by the National Film Board of Canada
motto.io; aatoaa.com

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Workout with these product designs to come out of this quarantine healthier than ever!

I truly believe there are 2 types of people in this world – the first one who workout diligently and let nothing stand in the way of their ritual. And then there’s the other type (guilty to say I am a part of this) who let everything be an excuse to not work out! Its time we approach our procrastination head-on and get working on getting fit since we have a pandemic to survive. The collection showcased here includes AI-assisted home gyms ( this personal trainer is not going anywhere), home-fitness and trainer that double up as a mirror when not in use (keep the world guessing about the secret behind our new fitter body) and even traditional gym equipment but revived to be modern so that it won’t clash with your existing interior. Now we truly have no excuse to procrastinate, do we?

Yves Behar’s Forme is the 2020 version of the magic mirror that will make you come out of this quarantine fitter than before. Get in Forme-ation! Forme is a 6 feet tall smart mirror that doubles up as a home fitness trainer and machine. “We wanted to make a fitness machine that’s fully integrated into the home without it being an eyesore,” says Béhar. While similar machines in the market are offering cardio or yoga, with Forme you also get weight lifting, aerobics, and functional training on top of the usual programs. When not in use, the machine’s arms slide back and it turns into an elegant mirror for your home. The instructors are thoroughly vetted and you can track your progress by syncing it with your smart devices. Forme takes care of our body and our mind – that should be our focus for these complex times.

Inspired by their namesake, the Matryoshka Dumbells additional weight can be added to these dumbells by nesting the weights together. Designed by 7 nepo, these innovative fitness free weights take inspiration from an unlikely, surprising source – matryoshka Russian nesting dolls! Like the doll-in-doll system, additional weight can be added by nesting the weights together. With a quick snap-in/snap-out mechanism, you can transition from light to heavy in seconds to accommodate your workout routine without interruption. When you’re finished lifting and want to squeeze in some cardio, the handles double as a jump rope by connecting an included cord.

The Tempo Studio is a gym-set that comes complete with a display and a motion-tracking camera that actively scans and monitors your exercise in 3D. With built-in exercise routines that are guided by expert trainers performing live exercise sessions, the Tempo is the equivalent of going on a Zoom video call with your gym trainer. Hop onto a personalized live session with a gym trainer of your choice and the trainer on the other side of the screen guides you through your workout.

Introducing the world’s most portable fitness device. Monkii bars 2 is a gym by Dan Vinson and David Hunt you can take anywhere! Paired with the app it’s more than just fitness equipment – it’s your own private gym, personal trainer, and adventure guide built into one. Simply set up in less than a minute by hanging the device from any support structure – like a tree, swing-set, basketball goal, or even the door at home or the hotel. Then get a full-body workout targeting your upper body, core, and legs through hundreds of exercises and workouts.

Designed as a product to let you work and work out at the same time, Brian Oak’s crazy hybrid of a desk-chair and treadmill – named Fitwork, keeps your legs active while you work. Whether you’re sitting in front of a laptop or standing in front of one, it’s the sedentary lifestyle that Fitwork tackles. The setup (which is sure to grab a few eyeballs) comes with an office chair attached to a treadmill underneath, and an elliptical in front. Coupled with an elevating desk, the Fitwork allows you to keep the lower half of your body active while you work, giving you cardio as well as keeping your spine engaged, whether you’re sitting or standing while working.

Habit Furniture is a coffee table/bench that inverts to turn into a workout bench so your fitness equipment does not utilize all your space. Created by Designer Glory Tam and Doctor Albert Au, Habit lets you see and remember your priority of working out with ease by staying in front of you. Whoever said home gyms are bulky!

Mental workout is as important as a physical workout. Wanting to design a seat that guides you into sitting cross-legged, Gao Fenglin’s Meditation Seat can only be sat on in a certain way, directing the user’s behavior and encouraging a seating position that keeps your back upright, and your legs folded inward. The cross-legged position finds itself dating thousands of years back in Oriental and Indian cultures. Used often for meditation as well as for eating, the posture is said to increase blood circulation and joint flexibility, while strengthening bones, and keeping your back upright. It also aids digestion.

Recognizing that most people don’t have the space for gym equipment in their home, or the money for a gym membership, or even the willpower to head to the gym every day, Josh Hume embarked on a journey to bring the gym to the household. The catch? It had to be the smallest, most exhaustive (and exhausting!) gym ever made. After multiple iterations, the FITT Cube was born. With its 450mm edge dimension, the FITT Cube occupies as much space as a footstool and comes with a mini-stepper (with its own seven-segment LCD display), a rotating seat, gripping handles, a plyometric platform, and even resistance bands. The FITT cube also comes with a user guide, exercise chart, and a nutrition guide to keep you on top of your fitness game. Arranged in their optimized formation, the FITT can be flipped over to any side and used to work out on, be it anything from stepping exercises, to twisting exercises, to push-ups or lifts, to even plyometric workouts… the FITT was designed to cater to all.

There’s probably a sizable overlap in the Venn Diagram that shows the intersection between Star Wars fans and Fitness Freaks. Onnit’s range of Star Wars-inspired exercise gear couldn’t be more ideal for that audience. Take for instance the kettlebells that come in rather realistic sculpted cast-iron, modeled using the heads of Darth Vader, The Imperial Stormtrooper, and Boba Fett. The idea behind using masked characters for the kettlebells not only makes for easier molding (imagine how annoyingly detailed a Chewbacca kettlebell would need to be), but also lends a certain gravitas and badass nature to the weights. The kettlebells also weigh in an increasing order of importance, with Boba Fett weighing in at 50 pounds, to the Stormtrooper being 60 pounds, and mister Vader weighing 70 pounds.

If you wish to monitor the effects of your workout, the Circular Smart Ring by Amaury Kosman retains an impressive amount of functionality in a ridiculously small form. It does so, mostly by shifting a lot of the load to your smartphone. The Circular Smart Ring connects to your phone via Bluetooth, giving you all your data in a neatly collated dashboard. During the day, the ring captures your activity, blood oxygen levels, energy levels, calorie burn count, among other metrics, while at night, the ring ambiently tracks your circadian rhythm and records your sleep quality, heart-rate variability, sleep disturbances, REM cycles, and sleep and wake times. Using pretty state-of-the-art data processing and machine-learning technology, the ring, its app, and the app’s assistant Kira help you collectively better understand your health and give you bespoke advice on how to improve it.

And if you plan to return to your old gym, wait till they install sanitizing methods like this award-winning self-sanitizing door handle design!

Students Sum Ming Wong and Kin Pong Li were inspired by the SARS outbreak in the 2000s and figured that a self-sanitizing door handle is more effective than the chemical-based cleaning processes we are using right now. The handle is made of a glass tube with aluminum caps at each end and the entire handle is covered in a powdered photocatalytic coating made from a mineral called titanium dioxide. The bacteria is decomposed through a chemical reaction that is activated by UV light reacting with the thin coating on the glass tube. Powered by an internal generator, the handle converts kinetic energy from the opening/closing motion of the door into light energy and that is how the UV light is always doing its job. This germ-killing product actually destroyed 99.8% of the microbes during lab tests and that is more than what Thanos did with his infinity stones.

We know it’s so much easier to be lazy when no one is watching you, but instead of watching the news and stress-eating our way to another illness, let’s utilize this opportunity to at least start working out! They say the first 21 days are the hardest – well, let’s get done with those difficult days so, by the time we step outside to workout, we will be in a better position than we are now!

Floating concrete houses proposed for areas at risk from rising sea levels

Modular Water Dwellings by Grimshaw Architects

British architecture studio Grimshaw and Dutch manufacturers Concrete Valley are developing Modular Water Dwellings that could be built in places at risk from climate change.

The floating houses would mitigate the risk of living in places that could be flooded as rising temperatures melting the ice caps. According to the Intergovernmental Panel on Climate Change, sea levels could rise as much as 1.1 metres by the year 2100.

Modular Water Dwellings by Grimshaw Architects

Concrete pontoons – floating structures filled with air – would support a lower deck with walls and columns with a concrete living pod on top.

Grimshaw and Concrete Valley also suggested their concept could be adopted in urban areas where land prices are to high to build affordable housing.

Modular Water Dwellings by Grimshaw Architects

Prefabricated in factories, the Modular Water Dwellings would be cheaper than normal houses with foundations and could be used to turn waterfronts into new city neighbourhoods.

“In facing the realities of global transformations, be they climate change, increased urbanisation or reduced resources, it is critical that architects and designers respond to these concerns in a variety of ways,” said associate principal at Grimshaw Jorrin ten Have.

“By addressing specific challenges confronting current and future populations, the Modular Water Dwellings offer an affordable, sustainable and efficient alternative for safe and desirable housing.”

Modular Water Dwellings by Grimshaw Architects

The modular element would make the houses easy to make in large numbers, and therefore cheaper to produce said the companies.

A concrete and glass frame would be able to last for decades, and different occupants could customise the standard frame as they saw fit.

The projecting upper deck would shade the lower one, and solar panels could be attached to the exterior to allow each Modular Water Dwelling to generate its own power. Now the concept has been developed, Grimshaw and Concrete Valley are working on prototypes.

Grimshaw was founded 1980 by Nicholas Grimshaw, an architect who had already experimented with affordable modular housing in his 1970 project Park Road Apartments – a tower for his housing co-operative to live in.

In California, a company called Dvele has made prefabricated houses with solar panels that can be lived in off-grid, and The D*Haus Company has developed a concept for pre-fabricated timber homes that could perch above rising sea levels on 3D-printed concrete stilts.

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Programming Highlights for We Are One: A Global Film Festival

Tribeca Enterprises + YouTube’s historic cinematic event of free feature films, shorts, animated movies and VR

For anyone who’s ever dreamed of a settling into a talk at Sundance or strolling the Croisette to a screening at Cannes, We Are One: A Global Film Festival presents 10 days of free programming curated by the likes of those marquee events, as well as the Venice, Toronto and Berlin Film Festivals, and even the beloved Annecy International Animated Film Festival. Altogether, 21 of the most distinguished festivals united to select more than 100 titles, representing 35 countries. Presented by Tribeca Enterprises (the Tribeca Film Festival‘s parent) and YouTube, the historic online event’s complete slate brings together 23 narrative and eight documentary features, along with 57 narrative and 15 documentary shorts, four festival-exclusive talks and more than a dozen VR pieces.

The festival YouTube page is divided by day and includes two handy functions: buttons to set reminders for the viewing of specific film premieres and a play-all tab. Of the 13 world premieres, 31 online premieres, and five international online premieres, several stand out. This includes talks pairing Francis Ford Coppola with Steven Soderbergh (via the Tribeca Film Festival) and Jane Campion with Tessa Thompson (via Sundance), and the Emmy-nominated 360-degree VR documentary, Traveling While Black (selected by We Are One themselves). Dreamworks Animation will reveal its first-ever short films, Bilby, Marooned and Bird Karma (selected by Annecy, which has a shorts program for families). And the winner of the Mumbai Film Festival’s Golden Gateway Award, Eeb Allay Ooo! will make its online premiere.

Also making an online premiere, courtesy of the Guadalajara Film Festival, the documentary 45 Days in Harvar follows 15 maximum-security inmates as they learn about paper production, clay modeling, and other art forms. In a single 74-minute take, Ice Cream and the Sound of Raindrops tells a unique coming-of-age tale in Japan, thanks to the Tokyo International Film Festival. From La Blogothèque, Sébastien Tellier on Paris’ rooftop will deliver nine minutes of acoustic serenading. From Ang Lee in dialogue with Kore-eda Hirokazu to a Thai teenager’s fantasy world born of 410 consecutive tweets, there’s much to be excited about.

“Together, we were able to curate a compelling slate of programming that succinctly reflects the subtle variations in style that make each festival so special,” says Tribeca Enterprises and Tribeca Film Festival co-founder and CEO, Jane Rosenthal. “We Are One: A Global Film Festival will offer audiences an opportunity to not only celebrate the art of film, but the unique qualities that make each story we watch so memorable.” All audience members will also have the opportunity to contribute any amount, through a donate button or link (found on every film program page), to COVID-19 relief efforts.

We Are One runs from 29 May through 7 June. Read more about their extensive programming on the official site.

Hero image courtesy of The Distance Between The Sky And Us

El Quincho guesthouse in Córdoba is designed for asado and family gatherings

El Quincho by Lalo Carrillo, CaSA and SY Arquitectos

Architect Lalo Carrillo worked with firms Colombo and Serboli Architecture and SY Arquitectos to design this guesthouse for his family in Córdoba, Argentina.

Carrillo worked with local firm SY Arquitectos and Barcelona practice Colombo and Serboli Architecture to design the 140-square- metre guesthouse for his family, who live in the neighbouring residence from the 1960s.

El Quincho by Lalo Carrillo, CaSA and SY Arquitectos

Called El Quincho, it comprises the guest suite, a kitchen and dining room, and an outdoor patio with a brick asador oven. It is designed to provide space for asado, a traditional social event in Argentinia that involves cooking meat over embers.

El Quincho by Lalo Carrillo, CaSA and SY Arquitectos

In this project, the team broke with tradition by placing the asador oven inside the kitchen.

“Often these items are placed outdoor, but the family final choice was to have it as part of the dining in order to have the cooking family member enjoying the same space as the rest, rather than work isolated,” they said.

El Quincho by Lalo Carrillo, CaSA and SY Arquitectos

Sliding glass doors run along the front of the kitchen and dining room so that activity can spill out onto the patio.

A slender white roof cantilevers over the patio and is punctured with a circular opening for an existing Cassia Fistula tree to grow.

El Quincho by Lalo Carrillo, CaSA and SY Arquitectos

The roof is intended as a reference to the form of the existing mid-century house. El Quincho also has exposed brickwork walls that draw on the white-painted brickwork of the main property as well as the asador oven.

“The approach to this addition and guesthouse is simple, with materials easy to find in the area, straightforward and with a distinct mid-century air to establish a dialogue with the existing house,” said Colombo and Serboli Architecture.

El Quincho by Lalo Carrillo, CaSA and SY Arquitectos

One corner of the patio has a cantilevered bench for the guests and residents to relax. “This cosy corner is thought to contemplate quietly the garden, drinking mate, the national drink,” said the studio.

A garden abuts the swimming pool of the main house, which is wrapped by white railings.

El Quincho by Lalo Carrillo, CaSA and SY Arquitectos

Large grey tiles covering the outdoor patio also run inside to the kitchen. The brick oven forms the centrepiece and is complemented by the warm tones of the cedar cabinetry and a wooden dining table.

“The big kitchen has everything for the preparation of the food, wide countertops and plenty of cabinets and storage space,” they said. “All the kitchen doors are in cedar solid wood, adding its very warm finish to the room.”

El Quincho by Lalo Carrillo, CaSA and SY Arquitectos

A courtyard where a range of plants grow separates the kitchen and dining room from the guest bedroom and bathroom at the rear.

Other recently completed guesthouses include a tiny wooden house in France, a micro structure in Seoul that has just one room and a property in Canada that draws on mid-century design.

Photography is by Ramiro Sosa.


Project credits:

Project team: Lalo Carrillo, Matteo Colombo, Andrea Serboli, Adán Yenerich, Rodrigo Schiavoni
Site direction: Gisela Filippi
Styling and art direction: SY Architectos and Eduardo Carrillo

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JONES: Giving It Up

East London-based JONES (aka Cherie Jones-Mattis) created a buoyant alt-pop song in “Giving it Up”—a tune that she says was a “chocolate addiction confessional turned audio diary entry about a story where I found love in a very unexpected person.” Her soft, soulful vocals carry the song, while production from Fyfe and Mike Spencer lends a bright and airy tone. The Nina Ljeti-directed video contrasts craggy cliffs and grey skies with Jones-Mattis dressed up in opulent gowns.

The solution to making flying safer and less scary post-COVID is to integrate safety with luxury

Seats on a business class ticket are dramatically safer than those in economy class. That isn’t because they were designed to be safer, it’s because they were designed around the idea of spacious luxury. James Lee’s butterfly seats explore that very idea to make flight seats safer. By isolating seats, creating partitions, and providing facilities that align with the concept of premium value addition, the Butterfly seats instantly offer a much more safe travel experience by creating dedicated spaces for passengers with lesser chances of spreading germs through interaction.

The seats come in pairs of two and are slightly offset, rather than being side by side. This immediately means you don’t have someone directly beside you, which decreases the chances of socialization. Seats even have adjustable partitions between them to separate passengers, and even have dedicated armrests so you’re never accidentally resting your arm on someone else’s place. Seats come with all the fittings needed to allow you to store your belongings and even work while flying. A dedicated laptop desk ensures you can work while flying, and there are even slots to store magazines and your own pair of in-flight headphones. For parents traveling with little children, the seats fold down to turn into a makeshift bed for youngsters, and if you’re traveling solo with nobody beside you, both the seats can be folded down and covered with a zigzag mattress so you can sleep comfortably – a feature that’s useful for people who are unwell on the journey or for red-eye flights.

It’s simple tactics like this that will help make flying safer and less fearful at the same time. With solutions like the Janus Seat, you end up creating a functioning solution, but run the risk of still dealing with an entrenched sense of fear in the passengers (besides, sitting in that middle seat becomes even less desirable). The Butterfly, however, retains the status quo, with seats that aren’t dramatically different and visors/partitions that don’t look like partitions. By masking the idea of safety using luxury as a design solution, the Butterfly makes traveling safe again while also allowing the experience to be a relaxing, valuable, and comfortable one!

The Butterfly Aircraft Seat is a winner of the A’ Design Award for the year 2020.

Designer: James Lee

Land Lines installation reimagines landscapes in hanging fabrics

Land Lines by Rachel Hayes

Oklahoma artist Rachel Hayes stitched together colourful fabrics to create abstract representations of natural landscapes that hang in a Los Angeles gallery.

Called Land Lines, the project comprises 12 panels that hang the full length of a 13-foot-high (3.9metre-high) gallery space in Lowell Ryan Projects.

Land Lines by Rachel Hayes

Hayes, who is based in Tulsa, Oklahoma, has stitched together rectangular cuts to create the geometric designs. They each comprise a mix of opaque and translucent fabrics in bold and bright colours.

The artist typically creates large-scale abstract, geometric textiles that she installs in a range of environments. Land Lines is intended to reference the forms and shapes of landscapes, which describes as influenced by a range of sources.

Land Lines by Rachel Hayes

“When I think about what landscape drawing means to me, I think of fields of tulips in Holland, beaches scattered with hundreds of wind breakers in New Jersey, lines of laundry running between buildings, textiles lying out to dry in India, rows of corn and wheat in the Midwest,” she said, “Smithson’s Spiral Jetty, the surrounded islands of Christo and Jean-Claude, and the sprayed paint from Katharina Grosse covering buildings and walls.”

“Knowing about, and seeing all these ways of creating markings on the land has always had an impact on my imagination,” she added.

Land Lines by Rachel Hayes

A mixture of polyester, nylon and cotton rectangular segments are arranged in horizontal and vertical orientations so that each panel is different.

One is made of a series of vertical shapes of similar sizes for example, while another has cuts that gradually decrease in size towards the centre.

Land Lines by Rachel Hayes

They form a contrast to the muted hues of the industrial-style gallery space, which has exposed piping and beams, white walls and grey flooring.  Each is suspended from delicate wires in rows offset from one another, inviting visitors to walk around them.

“Viewers will be encouraged to wander through the maze-like installation and experience shifting patterns of color and light as sheer sections frame the panels behind and around them,” said Lowell Ryan Projects.

Land Lines by Rachel Hayes

“Confronted with the scale of Hayes’ work, viewer’s perceptions of space are challenged, while the rhythm of pattern begs the viewer to slow down and contemplate the experience,” it added.

Land Lines is on show at Lowell Ryan Projects on 4851 W Adams Blvd, Los Angeles from 16 May to 27 June. It is available to view by appointment due to restrictions caused by the pandemic.

Land Lines by Rachel Hayes

Design studio Orange or Red similarity recently created a series of huge tapestries called Dashes that could be installed multifunctional spaces.

The project was showcased as part of Virtual Design Festival’s collaboration with Ventura Projects, in which it presented the work of 88 international designers, academies and brands.

Photography is by Ruben Diaz.

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