Daily coronavirus architecture and design briefing: 31 March

coronavirus design and architecture briefing

Daily coronavirus briefing: today’s architecture and design coronavirus briefing includes news on Dubai Expo 2020, how Covid-19 hospitals are built, Sam Jacob‘s design academy and an F1 team making a breathing aid.

How emergency coronavirus hospitals are built

Architects for Health chair Christopher Shaw explains how conference centres such as the ExCel in London are being converted into hospitals for coronavirus patients (via RIBAJ).

UN and WHO launch Global Call Out To Creatives to make informative coronavirus visuals

The United Nations and World Health Organisation have launched an open competition for creatives to create informative works that accurately communicate public health messages in a bid to “flatten the curve” of the coronavirus pandemic (via Dezeen).

Dubai Expo 2020 set to be delayed until 2021

The organisers of the Dubai Expo 2020, which was scheduled to begin on 20 October, want to delay the event until 2021 (via Bloomberg).

Sam Jacob launches weekly Desktop Design Academy

Dezeen columnist Sam Jacob has launched a weekly design challenge for those in isolation called the Desktop Design Academy. The first exercise, which is open to all, is to create a souvenir (via Sam Jacob).

SheltAir gridshell pods inflate in eight hours to isolate coronavirus patients

German architectural engineer Gregory Quinn has developed a domed bio-containment pod made from inflatable cushions that could help coronavirus patients isolate (via Dezeen).

National 3D Printing Society calls for printers to items for NHS

The National 3D Printing Society looking for architects and designers to donate their 3D printers to help create items for the National Health Service. The organisation has set up a database to coordinate manufacturing and distribution (via National 3D Printing Society).

Mercedes Formula One team create breathing aid in a week

Engineers from the Mercedes Formula One team and University College London (UCL), along with doctors at the UCL hospital, have made a Continuous Positive Airway Pressure (CPAP) breathing device, which can be used by coronavirus patients not in intensive care (via BBC).

Sick pay and self-isolation employment rights for architects

Architecture magazine Architects’ Journal has created a practical guide that explains architects employment rights during the coronavirus period of self-isolation (via Architects’ Journal).

Brooks Brothers making 150,000 masks a day

Brooks Brothers is the latest clothing company to begin mask production. It is set to make 150,000 masks a day in its factories in New York, Massachusetts and North Carolina (via National Review).

Apple launches coronavirus screening app

Apple has launched a new app that provides users with information about coronavirus. It also allows them to take a basic assessment, asking about relevant symptoms and recent travels, to find out whether they should seek medical care or not (via Hypebeast).

Virgin Orbit plans to mass-produce new medical breathing device

Richard Branson’s satellite launch company Virgin Orbit has developed a new breathing device to help medical workers treat patients with Covid-19, which the company is planning to mass-produce after FDA approval (via The Verge).

London Design Fair 2020 cancelled 

This year’s edition of the London Design Fair, which was set to take place 17-21 September, has been cancelled (via Art and Collections).

Keep up with developments by following Dezeen’s coverage of the coronavirus outbreak. For news of impacted events, check Dezeen Events Guide’s dedicated coronavirus page.

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The Parchment Works house extension built inside ruined stone walls

The Parchment Works by Will Gamble Architects

The ruins of a 17th-century parchment factory and old cattle shed form part of a residential extension by Will Gamble Architects in Northamptonshire, UK.

Named The Parchment Works, the extension introduces an open-plan kitchen, living and dining area to a listed Victorian house.

It was designed by Will Gamble Architects for a semi-retired couple who desired an open and unique counterpoint to the dwelling’s otherwise truncated interior.

The Parchment Works by Will Gamble Architects

The client’s brief for the studio asked that the home’s adjoining cattle shed was converted, but that the adjacent ruin – remnants of a factory built in the 1600s to produce parchment paper – was demolished.

However in recognition of the ruin’s historical significance, Will Gamble Architects instead proposed preserving and celebrating it by inserting the extension within its masonry walls.

The Parchment Works by Will Gamble Architects

“The ruin was built in the 1600s and is the oldest part of the house,” said the studio’s director Will Gamble.

“Despite falling into disrepair the ruin was a very important building within the community and further a field – it used to produce parchment paper and was rumoured to have made paper for members of the royal family,” he told Dezeen.

The Parchment Works by Will Gamble Architects

“It has real charm both historically and aesthetically,” Gamble continued. “It was very much part of the character of the building as a whole and therefore we felt strongly that it needed to be preserved and celebrated.”

“It ended up being the driving force behind the entire scheme and the change in approach was eventually well received by both the client, the planners and Historic England.”

The Parchment Works by Will Gamble Architects

The Parchment Works’ extension has a stepped form, measures a single-storey in height, and occupies one half of the ruins footprint.

This was designed by Will Gamble Architects to reduce the visual impact of the structure and ensure it is subordinate to the ruin.

The Parchment Works by Will Gamble Architects

“At first we looked at infilling the entire ruin but felt that the character and appearance of the ruin walls internally were just as if not more important than their exterior,” Gamble explained.

“We therefore infilled half of the ruin and left the remaining half untouched to expose the internal face of the walls.”

The Parchment Works by Will Gamble Architects

By filling in half of the ruin’s footprint in this way, Will Gamble Architects was able to incorporate a courtyard on the ground floor.

Meanwhile, its single-storey height enabled the studio to incorporate a roof terrace above that is accessible from the existing master bedroom on the first floor of the house.

The Parchment Works by Will Gamble Architects

The materiality of extension was dictated by the studio’s ambition to use as many materials found on site from factory’s outbuildings that once occupied it.

Salvaged local bricks form the walls of the extension, while stone slabs from the floor of the old parchment factory line the base of the courtyard.

Elsewhere, five-metre-long oak beams found on the site were also cut down to be create lintels for the extension’s doors and windows. This is paired with contemporary weathered steel and wood detailing.

The Parchment Works by Will Gamble Architects

Will Gamble Architects’ ambition to preserve the history of the site is also evident inside The Parchment Works, where timber joists from the cattle shed and the ruin’s masonry walls are visible throughout the extension.

“The concept behind the interiors was to go for an honest palette of materials that celebrated the architecture of the cattle shed and the ruin,” Gamble explained.

“We tried to preserve the character of the ruin and the cattle shed as much as possible by leaving most of what was already there uncovered.”

The Parchment Works by Will Gamble Architects

Elements of the new structure for the extension, including oversized timber joists and white-painted steels, are also exposed inside in an effort to “continue the concept of celebrating the bones of the building”.

These are teamed with a minimal backdrop of white-washed oak floorboards with a chunky concrete skirting, and walls with a textured sand and cement render finish.

The Parchment Works by Will Gamble Architects

According to Will Gamble Architects, the original Parchment Works was built on the site because of a natural spring that runs under the building. This water was used to clean the hides from which the parchment was made, by lowering them into a series of baths.

As part of the project, the studio opened up one of these underground baths to create a water feature. This also doubles as a dry well to dispose of surface runoff.

The Parchment Works by Will Gamble Architects

Other homes built from ruins featured on Dezeen include the Astley Castle in Warwickshire by Witherford Watson Mann, which won the RIBA Stirling Prize in 2013.

More recently, architecture studio Arquitectura-G transformed a crumbling stone structure in the medieval village of Palau-Sator, Spain into a contemporary family dwelling.

Photography is by Johan Dehlin.

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Kitchen appliances designed to help budding home cooks!

The unprecedented present situation has all of donning our Masterchef hats! Be it a craving, lack of food delivery or your favorite restaurant shutting down, we are currently in a crisis mode with many food lovers picking up the spatula for the first time ever to meet their food goals. Social Media has provided us with a lot of tutorials for easy cooking but none of them make the task of approaching a fiery stove and facing the reality of burning our fingers any easier. So what is a foodie to do? Worry not, we have brought to you a collection of kitchen appliances that will make cooking time a fun time, and more importantly, a safe session for the new and the experienced chef alike. So go ahead and don your hats and share your culinary treat with the rest of the world, virtually, of course!

Made from heat-resistant and food-safe plastic, the Egguins by Peleg Design is an innovative way to store, boil, or serve eggs. The hollow penguin shape allows you to slide eggs (both small and large) into it, completing it visually and making it look like a flock of Emperor Penguins ready to dash right into the water – the visual metaphor of connecting the egg, the bird, and the water is just perfect! The uniform placement of the eggs also ensures they are cooked evenly, perfect for every new cook. Whoever said cooking cannot be fun.

The Ordine by Adriano Design features two hob units that are mounted on a central power hub on the wall. Elevated neatly out of the way, the user must simply grab one or both hobs off the wall and set the desired temperature to activate. Save that precious counter space.

Pretend to knock out some blues solos while you’re chopping up your greens because Etsy seller Dave Stencil of CuttingBoredom created some really cool looking wooden chopping boards inspired by two of rock music’s most iconic guitars, the Fender Stratocaster and the Gibson Les Paul. Available in Cherry, Mahogany, and Walnut, these cutting boards come made to perfection with wooden inlays that make them look just like the real deal. Perfect for classic rock lovers and healthy culinary aficionados.

Cooking for the first time can be scary – all that playing with fire literally! The last thing you need is splatters and spills to clean up after. This is where the Frywall comes into play. Fix Frywall around your pan and it always stays on guard, protecting your stovetop even when you stir with a spoon or flip with a spatula. Yet it lets steam escape, so proteins sear without getting soggy. You get the freedom of an open pan, with a lot less mess. And just roll it and store it when not in use! Now experiment fearlessly in the kitchen!

The true pleasure of cooking comes when you can pay attention to every detail, creating that perfect bite of food. And who better than the Japanese to embody that attention to detail? Mimicking a waffle maker, the Mitsubishi Bread Oven looks like it’s come straight out of the ’80s with its retro-esque veneer brown look. Built with a sealed thermal-insulated structure, it can toast your bread without releasing any moisture, ensuring the bread is soft, fluffy and far from being dry. The metal box is equipped with two plates that can go up to temperatures as high as 500 degrees Fahrenheit. Mitsubishi designed the oven ensuring only one slice of bread could be cooked in one go, but slam-dunking it by guaranteeing that slice would be the best toast we ever have.

Unlike traditional 4-burner systems, the Cookacross by Zaviè Design Studio features a grid of multiple gas outlets with independent valves that shut on/off instantaneously. The smart system automatically detects the size of the pot or pan placed on the surface and turns on the individual gas outlets beneath it. This not only prevents waste but ensures the evenest heat distribution of any stovetop solution. Of course, users can also pull up the COOKACROSS app on their smartphone and reduce the number or the heating level with a simple swipe or touch.

Supporting you in your eating-clean-habit is the Mizzle by Gökhan Çetinkaya & Deniz İbanoğlu, a smart aeroponic kitchen appliance that helps you grow microgreens. This smart cultivator comes with three compartments, one for the germination process (a little dark and humid place), and two for the growth and harvesting process. What I like about the design is that it not only grows the greens for you efficiently but also makes the cultivation process engaging and exciting for the user. You can track the progress via an app on the mobile and also get alerts with regards to water levels in the tank. The app also helps you with recipes that make you use the microgreens. Added bonus – get fresh veggies for cooking without stepping out of your home. Social Distancing is achieved!

Now that you have chopped the onions, time to get rid of the smell. Molecules from the food you’re working with (sulfur, in the case of garlic) stick to our hands and don’t wash away with water. In fact on contact, water turns the sulfur into sulfuric acid, only increasing the stench instead of washing it away. Stainless Steel, like the one used to make the Rub-Away soap by Amco, pulls off the sulfur molecules from your hands, so a quick wash with a steel soap not only physically cleans your hands, it removes odors on a molecular level. And it never gets over!

The Kitchen Multi-Tool by Gentlemen’s Hardware is built so that you can take your culinary talents with you wherever you are. The size of any regular multi-tool, the Kitchen Multi-Tool comes jam-packed with 12 very specific, very handy day-to-day kitchen tools that will bring a certain flair and flavor to all your culinary experiments – in quarantine and outdoors!

There’s something simple and beautiful about this chopping board with a storage box designed by Dewel. It ticks all the boxes of good product design, solving problems without creating new ones. You slice your veggies or any other food that needs slicing and then either store the sliced bits in the container and use it to directly empty contents into your cooking vessel, or use the board for peeling and store all the leftovers and peels in the container, which then empties itself into the waste bin.

Coffeejack

COFFEEJACK comes from Ashley Hribar-Green & Matthew Aston Cain who have set out to shrink the coffee machine to a form factor so small, you might as well carry it around everywhere you go along with the rest of your belongings. The COFFEEJACK works with any coffee-grind, enabling you to have your favorite espresso anywhere you go. Just add your coffee grind to the lower chamber and COFFEEJACK’s in-built tamper will level the grounds and pack them tightly. Open out the pump and pour hot water into the upper chamber and you’re ready to go! The espresso maker’s manual pump matches the high-pressure output of most coffee machines, giving you an espresso that is as deliciously thick and even has that layer of flavor-packed crema on top, just like the one your barista makes with professional equipment. Who needs Starbucks anymore? Not just quarantine, this goes into our apocalypse survival kit!

Designed by Savin Dimov and Altino Alex, Bubble is a food tracker that monitors our food consumption, in an attempt to encourage a healthier lifestyle and to reduce food wastage. With people hoarding everything from toilet paper to groceries, it is imperative that we don’t waste all the food stored, because what a shame that would be! Bubble identifies and tracks all the items within. It directly sends updates to your smartphone, so you’re always aware of what’s in your kitchen! You can track which food products you consume the most, and what you consume the least. Bubble ensures all the storage data is at the tip of your fingers, so you can shop and live mindfully, without creating any unnecessary wastage of food.

Astrophysicist Tries to Invent Anti-COVID-19 Necklace, Winds Up in Hospital to Have Magnets Removed From Inside His Nose

An astrophysicist attempting to invent an anti-COVID-19 necklace had to go to the hospital to have magnets removed from his nose.

While recent news is filled with promising stories of medical inventions–James Dyson quickly designing a new ventilator from scratch, Italian engineers 3D printing hospital hacks, Ford and 3M designers MacGyver’ing respirator solutions–not everyone’s getting it right.

Dr. Daniel Reardon, an Australian astrophysicist, had the idea of a necklace that would warn you if you moved your hands too close to your face. The concept required the user to wear magnets on their wrists, which would trip a sensor in the necklace if brought too close, causing the necklace to buzz.

The first problem was that the necklace worked backwards. “”My invention had the opposite effect – it buzzed continuously until a magnet was put close,” Reardon told the BBC.

The second problem is that Reardon didn’t put the powerful neodymium magnets away. “After scrapping that idea, I was still a bit bored, playing with the magnets,” he told The Guardian. “I clipped them to my earlobes and then clipped them to my nostril and things went downhill pretty quickly when I clipped the magnets to my other nostril.”

Reardon said he placed two magnets inside his nostrils, and two on the outside. When he removed the magnets from the outside of his nose, the two inside stuck together. Unfortunately, the researcher then attempted to use his remaining magnets to remove them.

“After struggling for 20 minutes, I decided to Google the problem and found an article about an 11-year-old boy who had the same problem. The solution in that was more magnets. To put on the outside to offset the pull from the ones inside.

“As I was pulling downwards to try and remove the magnets, they clipped on to each other and I lost my grip. And those two magnets ended up in my left nostril while the other one was in my right. At this point I ran out of magnets.”

Reardon then turned to pliers–which made the problem worse, as they became magnetized. “Every time I brought the pliers close to my nose, my entire nose would shift towards the pliers and then the pliers would stick to the magnet. It was a little bit painful at this point.”

Reardon’s partner, who works at a hospital, brought him there. Doctors there (medical doctors) were able to remove three magnets–but a fourth fell down his throat. Luckily, Reardon was able to cough it up, and says “I am not going to play with the magnets any more.”

He must have a good sense of humor about the whole thing, as he’s the one who provided these photos to the news outlets.

SheltAir gridshell pods inflate in 8 hours to isolate coronavirus patients

SheltAir gridshells can be inflated in 8 hours to isolate coronavirus patients

German architectural engineer Gregory Quinn has developed SheltAir, domed bio-containment pods erected using inflatable cushions that could help coronavirus patients isolate.

SheltAir consists of a gridshell of plastic rods, which is assembled flat before being pushed up into its final, domed shape through a pneumatic formwork of inflatables.

This blow-up cushion is made of PVC-coated polyester. It stays in place once inflated, doubling as the building’s architectural envelope.

The envelope is heat-welded to an outer skin to create a completely sealed environment, which is crucial when it comes to isolating with a virus like Covid-19.

SheltAir gridshell can be inflated in 8 hours to isolate coronavirus patients
Previous prototypes of the pods did not include the outer skin necessary for creating a seal

“One of the problems that hospitals are facing is that staff and visitors are at risk of infections,” Quinn told Dezeen.

“So smaller units of containment make a lot of sense. To create negative pressure and filter out any particles or droplet you need a sealed environment,” he added.

“Some people have been proposing converting shipping containers into ICUs but sealing them is a real challenge, whereas the SheltAir comes pre-sealed.”

The design has been passed on to the World Bank to assess a potential roll-out in the fight against the coronavirus. Quinn is currently in talks with medical evacuation, or medivac, companies about getting the design into the field.

A key benefit SheltAir’s gridshell structure, which was popularised by German architect Frei Otto, is that its lattice skeleton is lightweight. It uses minimal material while remaining incredibly sturdy through its double-curved structure.

“It’s sort of like an egg shell which is very stiff given how light and thin it is,” Quinn explained.

“So in their end state, gridshells are incredibly efficient but the erection process has historically been abysmal. It can take days and weeks because you either have to lift it up with a crane or push it up with stilts or scaffolding, which is unstable and a logistical nightmare.”

SheltAir gridshell can be inflated in 8 hours to isolate coronavirus patients
This prototype was conceptualised as a disaster relief shelter under the Healthy Housing for the Displaced project

Quinn’s solution of introducing pneumatic cushions, which are often used to erect concrete shells, minimises erection time to eight hours – and in future prototypes he is hoping to cut this time by half.

The method for setting up the SheltAir is purposefully low-tech and low-skill.

It starts with a ground sheet that comes complete with drawn-on instructions and is laid out to serves as a template for the building.

The inflatable cushion doubles up as the architectural skin and is fixed to the grid with nylon rope

“The glass fibre-reinforced rods of the gridshell come collapsed in pre-assembled bundles, which are flipped open to form six large rod tiles and connected together on top of the ground sheet,” he said.

“Laser-cut steel plates are assembled along the perimeter of that sheet. Once the structure is inflated, the beam ends stick out of the edge of the cushion and need to be pulled down to their support points in the perimeter plates, sort of like with a tent.”

In-line connectors are used to connect the pre-assembled tiles on-site

The SheltAir was originally conceptualised as a rapid disaster relief shelter for refugees, as part of the Healthy Housing for the Displaced (HHftD) project from the University of Bath and Cambridge.

For this purpose, the grid structure offers more than 100 hanging points for lights, utensils and partitions to accommodate more than one family in the same space, while the addition of portholes allows for easy ventilation in hot climates.

The SheltAir can be adapted to different sizes and purposes, including being used as a multi-family refugee shelter

“The design is heavily influenced by Bedouin architecture, and it exploits those openings at the perimeter and the opening at the top to create a really effective nighttime purge cooling,” he explained.

“The idea of using soft petition curtains also played into this idea of keeping one volume of air that is always moving.”

Portholes allow for easy ventilation in hot climatesQuinn is working with charities with the aim of introducing SheltAirs into refugee camps in the coming months.

It’s really hard to innovate in terms shelter design and disaster relief response because when the crisis hits people just need to respond really quickly and go with the solution that’s most readily available,” he explained.

“That’s why the need for larger, communal spaces – for medical treatment and social or religious gathering – is never really catered to. But the coronavirus pandemic is a unique crisis because it’s happening everywhere. Each country is being affected at a different rate and at a different time, so it actually presents a really interesting opportunity for a more considered approach.”

Once it is fully inflated and slotted into the perimeter plates, the gridshell becomes a stable, load-bearing structure

The coronavirus has now infected more than half a million people around the world, with numbers continuing to climb.

In response, Italian firm Carlo Ratti Associati has unveiled plans for creating intensive care pods within shipping containers, while start-up Jupe has designed flat-packed, pop-up health care facilities.

Meanwhile the American Institute of Architects is working on a set of guidelines on how to safely and effectively convert existing buildings into temporary hospitals.

The post SheltAir gridshell pods inflate in 8 hours to isolate coronavirus patients appeared first on Dezeen.

Face Cream

Super-silky and lush, Nama Fiji’s face cream feels refreshing but rich upon application. The incredibly absorbent moisturizer leaves skin feeling smooth and hydrated, with no greasy or slimy residue. This is thanks in part to the use of 100% wild nama (also known as sea grapes), a seaweed native to Fiji’s Yasawa Island region. Nama is higher in ionic mineral salts than most seaweeds, making it extra hydrating. Its B vitamins combat rosacea and inflammation, and the omega fatty acids help to smooth skin. Since the ingredients are all-natural and all-vegan, the slight fragrance is subtly herbaceous.

Every Apple AirPods design flaw solved by these conceptual Samsung earbuds

As we adjust to this new normal, we are understanding the value of a good pair of earphones. Given that we are constantly on a video call with a co-worker/friend or isolating with roommates/family, earphones are a part of the heroes of our homes…of course, WiFi is the supreme leader of that list. Inspired by essential personal devices that help us during quarantine, designer Felipe Duarte has created Yinyang earbuds for Samsung that are going to make you want to switch from your AirPods because it solves the major issues we face – the one-size that doesn’t fit all, the case which is an added device to charge, the bulky aesthetic, portability without the case and a charging solution if you lose the case.

The Yinyang earbuds are influenced by the duality of the millennia-old cultural concept of yin and yang. The Chinese philosophical thought behind the yin and yang is the balance between two forces that oppose and complement each other at all times. These conceptual Samsung earbuds are designed to reflect that philosophy by striking a perfect balance between user experience and portability. Yinyang earbuds are created to be the smallest in the market to that it can fit everyone (a problem I personally go through with my first-gen AirPods). The compact size will be achieved by getting rid of the ear tips.

The conceptual technology of the Yingyang earbuds that make it one-of-its-kind lies in the inflatable hook which secures the earbuds in place. It also features wireless charging and magnets on the rear end of the gadget so they can be charged on the back of our NFC-enabled cell phone, thus eliminating the need for a charging case (if there was one, I would humbly request it not to resemble a floss box). You can also kinetically charge the earbuds by keeping yourself moving (we all could use some extra steps and exercise right now!) if your phone dies. The Yinyang earbuds can also be attached to the lapel of the jacket – that is how portable they are and with the sleek aesthetic, you are upping your accessory game with your tech.

Felipe, if you are reading this, please make this happen once we are all back out in the world, thank you.

Designer: Felipe Duarte

Mesh and paper-pulp partitions feature inside Nanjing's Shiwu store

Shiwu store by CATS

Mesh panels dipped in paper pulp, polycarbonate and OSB timber merge to form the textured interior of this lifestyle store in Nanjing, China, designed by architecture studio CATS.

Located along a narrow alleyway next to the city’s China Modern History Museum, the Shiwu store sells a selection of products handmade by Japanese craftsmen such as pottery and clothes.

According to Shanghai-based CATS, the area is largely known for its loud crowds, cheap souvenirs and fast food.  In contrast, the studio wanted to create a calming retail space that’s closed off from its busy surroundings.

Shiwu store by CATS

Customers enter the store through an arched wooden door, which they pull to open.

“The gesture of pulling distinguishes the shop from its touristic neighbours,” the studio said. “[The shop] reveals its internal quiet and relaxed atmosphere in an unanticipated manner.”

Shiwu store by CATS

Panels of expanded metal mesh wrap the peripheral walls of the store and, in places, extend into the space to serve as semi-transparent partitions.

Polycarbonate shelves and hooks for displaying products are hung from the mesh.

“We carefully selected a custom aperture dimension that best fits standardised hangers, so that there could be no limit in terms of where the objects or shelves could be fixed,” the studio explained.

Shiwu store by CATS

In an effort to soften the appearance of the store’s metal surfaces, the architects also dipped each mesh panel in paper pulp to create a slightly webbed effect across its openings.

“After going through many surveys and experiments, we discovered an ancient Chinese formula of paper pulp, which is very fibre-rich and adhesive,” said the studio.

“Before execution on-site, we tested the transparency of the pulp web in our studio. We then dipped and dried 20 sheets of metal mesh on the construction site by ourselves,” it continued.

“The appearance of these pulp webs is constantly oscillating, due to the unevenness of pulp attachment to the metal mesh. Depending on where the viewer is standing, these webs will look rigid or soft, blurred or transparent, closed or open.”

Shiwu store by CATS

Fixtures and fittings are laid out across the store’s rectangular floor plan at a 45-degree angle. A grid of beams made from oriented strand board (OSB) has been suspended overhead.

The 1.4 by 1.4-metre grid functions as a lighting rig, with LED strips embedded into the top of the beams. The lights shine upwards onto a reflective ceiling that’s clad with a sheet of one millimetre-thick galvanised steel.

“This system provides evenly distributed brightness that floods over the floor, improving visual comfort and diffusing unpleasant shadows,” explained the studio.

Shiwu store by CATS

The grid is also used to hang swathes of colourful fabric by Japanese artist Reiko Sudo, which can perform as soft partitions within the space.

Across the shop floor, objects are displayed on different-sized plinths and shelves crafted from OSB board with polycarbonate or glossy wood countertops.

An area dedicated to clothing is located at the rear of the store in an elevated, more private zone.

Shiwu store by CATS

CATS isn’t the only studio to make use of paper pulp. Back in 2017, Carmody Groarke sprayed the material across the basement walls of London’s Design Museum to produce a cave-like exhibition space for the Designs of the Year show.

Kengo Kuma Associates also threw paper pulp at mesh panels to create light-filtering screens inside Paris’ Archives Antoni Clavé.

Photography is by Dirk Weiblen.

The post Mesh and paper-pulp partitions feature inside Nanjing’s Shiwu store appeared first on Dezeen.

"I feel like a bit of a fake" says David Chipperfield in Dezeen's latest podcast

Dezeen’s Face to Face podcast series continues with an interview with British architect David Chipperfield, who describes growing up on a farm, struggling at school, how Zaha Hadid saved him from failing his architecture diploma – and why he still suffers from imposter syndrome.

Listen to the episode below or subscribe on Apple PodcastsSpotify and Google Podcasts to catch the whole series.

In the Face to Face series, Dezeen’s founder and editor-in-chief Marcus Fairs sits down with leading architects and designers to discuss their lives and careers.

British architect David Chipperfield features on the fourth episode of Dezeen’s new podcast Face to Face

Chipperfield is one of the world’s most celebrated architects, known for his calm, rational style that resists the wild experimentalism of many of his contemporaries. “I was brought up on a heavy diet of good old-fashioned modernism,” he said in the interview.

Childhood influences 

Chipperfield grew up in Devon and worked on his father’s farm before attending boarding school, where he discovered he was good at long-distance running and art, but not much else. “I was not very good at school,” he explained. “Fairly hopeless I would say. But I was good at art.”

His poor grades dashed his early hopes of becoming a vet, so he instead pursued architecture thanks to the encouragement of his art teacher. After graduating from Kingston School of Art in London, he attended the Architectural Association school, which was then a hotbed of radical ideas.

Chipperfield is behind projects such as the Hepworth Wakefield Museum in Yorkshire, England completed in 2011. Photo: Iwan Baan

Studying at the AA

Chipperfield studied at the AA at the same time as the late Zaha Hadid, who once stood up for him during a difficult review that could have resulted in him failing the course. “Zaha, until her dying days, reminded me that if it hadn’t been for her, I would have failed and that she got me my diploma,” he remembered during the interview.

Chipperfield went on to work for both Richard Rogers and Norman Foster for a number of years, despite not being partial to the high-tech architecture movement they helped pioneer.

“I wasn’t particularly interested in high-tech, funnily enough,” he said. “Although I had the opportunity to go to Paris and see the Centre Pompidou during construction with Richard and I thought that was just the sexiest building I’d ever seen,” he added.

Chipperfield completed the restoration of Berlin’s Neues Museum in 2009. Photo: Joerg von Buchhausen.

“I feel a bit of a fake”

After setting up his own office in the mid-eighties, his career took off when he designed a series of stores for fashion designer Issey Miyake in Japan.

His practice, David Chipperfield Architects, has since designed acclaimed projects all over the world, including the Neues Museum in Berlin, the Amorepacific headquarters in Seoul and The Hepworth Wakefield museum in England.

However, despite his success, Chipperfield said he feels like “a sham” compared to his contemporaries. “I have a sense of purpose maybe but I don’t have innate creative talents to the level of someone like Renzo [Piano] or maybe Frank Gehry or Álvaro Siza,” he said. “So in that sense, I feel a bit of a fake.”

However, he remains motivated “more than ever” to promote the role of the architect in society as possible solutions to issues such as the housing and climate crises. “Architects used to work for the common good and now we work for the market,” he said. “So I think that this crisis is forcing everybody to rethink things that we fundamentally believe.”

Read more Dezeen stories about David Chipperfield.

Produced by Dezeen’s in-house creative team Dezeen Studio, Face to Face episodes will be released every Tuesday for the next eight weeks. Future interviewees will include Roksanda Illinčić, Tom Dixon and Norman Foster.

The previous episode of Face to Face features industrial designer Hella Jongerius, who explains how she grew up on a tomato farm and discovered her creative ability when she took an evening course in carpentry.

The podcast features original music composed by Japanese designer and sound artist Yuri Suzuki.

Face to Face is sponsored by Twinmotion, the real-time architectural visualisation solution that can create immersive photo and video renders in seconds.

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Six singing sharks to be installed in London canal as fourth Antepavilion

SHARKS! by Jaimie Shorten wins Antepavilion 2020 competition

Architect Jaimie Shorten’s will install six singing shark sculptures leaping from a London canal as this year’s pavilion for the Architecture Foundation.

Titled SHARKS!, this year’s Antepavilion will consist of six model sharks containing audio equipment. Positioned to look like  they are leaping from the murky canal, the sharks will sing and give lectures on architecture and urbanism.

SHARKS! by Jaimie Shorten wins Antepavilion 2020 competition

Shorten’s winning design is a tongue-in-cheek comment on Hackney Council’s decision to serve enforcement notices against two of three previous Antepavilions, which references a well-known planning battle over a large shark embedded in the roof of a terrace near Oxford.

The annual Antepavilion competition held by the Architecture Foundation (AF) invites participants to design an experimental pavilion that demonstrates an “anti-authoritarian impulse”.

“This year’s Antepavilion contestants had to contend with two quite challenging requirements,” said AF director Ellis Woodman.

“First, the structure had to be located on pontoons in the canal and second it had to respond to the planning battle that the Antepavilion programme has provoked,” he told Dezeen.

SHARKS! by Jaimie Shorten wins Antepavilion 2020 competition

In 2017 PUP Architects built a sneaky rooftop micro home disguised as an air duct on top of a warehouse as the first Antepavilion.

Next year an inflatable performance venue called AirDraft was constructed on a barge by architects Thomas Randall-Page and Benedetta Rogers. Last year Maich Swift Architects built Potemkin Theatre, a wooden tower on another part of the warehouse roof.

The fourth Antepavilion will draws on the council’s reaction to these predecessors and the story of the Headington Shark – a fibreglass shark that appears to have crashed through the roof of a terraced house in Headington, Oxford.

Oxford’s city council tried to remove the shark sculpture, designed by sculptor John Buckley, because it had no planning permission. However, it was allowed to remain following a local campaign.

SHARKS! by Jaimie Shorten wins Antepavilion 2020 competition

“Russell Gray who owns Hoxton Docks and initiated the Antepavilion programme was also responsible for the installation of a World War II Russian tank on Mandela Way in Southwark which, much to Southwark Council’s annoyance, has now stood there for over twenty years,” said Woodman.

“So I think Jaimie’s proposal resonated strongly with him,” he added.

“Of course, the project is challenging to expectations of what a pavilion is but all the jury were impressed by the precision of the response to the physical and cultural context.”

SHARKS! by Jaimie Shorten wins Antepavilion 2020 competition

Each of the six sharks will be movable so that the pavilion can be arranged and rearranged.

Shorten initially planned for the sharks to be clustered in a tableaux reminiscent of artist Théodore Géricault’s 1819 oil painting The Raft of the Medusa, which depicts the survivors of a shipwreck menaced by sharks.

In light of the coronavirus pandemic sweeping the globe, Shorten suggested the sharks could be separated to demonstrate social distancing measures.

Sponsored by property developer Shiva, Antepavilion’s winning architect receives £25,000 to execute their design. The construction of the fourth Antepvalion could be delayed due to coronavirus, the AF has warned.

Fans of shark-related design can also enjoy photos of a $100,000-a-night hotel room decorated with Damien Hirst artworks of sharks preserved in tanks of formaldehyde.

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