BIG and Toyota reveal city of the future at base of Mount Fuji in Japan

BIG and Toyota reveal plans for city of the future under Mount Fuji in Japan

Danish architecture studio BIG is designing a “prototype city of the future” with wooden buildings and autonomous vehicles for Japanese car company Toyota near Mount Fuji in Japan.

Named Woven City, the first phase of development on the site of a former car-factory will be home to 2,000 people who will test the vehicles, robotics and smart homes in a “real-world environment”.

The design was revealed at the Consumer Electronics Show (CES) in Las Vegas with an animation created by London digital studio Squint/Opera.

BIG and Toyota reveal plans for city of the future under Mount Fuji in Japan

“Building a complete city from the ground up, even on a small scale like this, is a unique opportunity to develop future technologies, including a digital operating system for the infrastructure,” said Akio Toyoda, president of the Toyota Motor Corporation.

“With people, buildings and vehicles all connected and communicating with each other through data and sensors, we will be able to test connected AI technology, in both the virtual and physical realms, maximising its potential.”

BIG and Toyota reveal plans for city of the future under Mount Fuji in Japan

The 70-hectare development in the city of Susono will be designed by Danish architecture studio BIG – it will be the studio’s first project in Japan and is set to start on site in 2021.

The Woven City will be built around a network of streets that will cater for transportation at three different speeds.

Main streets will be used by autonomous vehicles including the Toyota e-Palette, smaller streets will be for other modes of personal transport including bicycles, scooters and Toyota’s i-Walk, and the third type of street will be fully pedestrianised.

BIG and Toyota reveal plans for city of the future under Mount Fuji in Japan

“Today the typical is mess – with everything and nothing happening everywhere,” said BIG founder Bjarke Ingels.

“With the Woven City we peel apart and then weave back together the three components of a typical road into a new urban fabric: a street optimised for automated vehicles, a promenade for micro-mobility, and a linear park for pedestrians.”

BIG and Toyota reveal plans for city of the future under Mount Fuji in Japan

Buildings throughout the development will be built from timber with solar panels placed on the roofs.

The blocks will be arranged in groups around central courtyards, which will be connected to each other by the streets and pedestrianised linear parks.

“The resulting pattern of porous 3X3 city blocks creates a multitude of different econiches for social life, culture and commerce,” said Ingles.

“In an age when technology – social media and online retail – is replacing and eliminating our traditional physical meeting places, we are increasingly more isolated than ever,” he continued.

“The Woven City is designed to allow technology to strengthen the public realm as a meeting place and to use connectivity to power human connectivity.”

BIG and Toyota reveal plans for city of the future under Mount Fuji in Japan

The development will contain research and development spaces for Toyota to develop robotic construction, 3D printing and mobility designs.

Alongside Toyota’s facilities there will be housing for employees, their families, scientists and retirees. The residential buildings will contain in-home robotics to “take care of basic needs and enhance daily life” and sensors connected to AI to check resident’s health.

The community will be powered by a combination of solar energy, geothermal energy and hydrogen fuel-cell technology.

BIG and Toyota reveal plans for city of the future under Mount Fuji in Japan

Ingels hopes that the development can be a prototype for how to redevelop existing cities.

“As a replicable framework, the Woven City can serve both as a prototype for future cities and as a retrofit to current cities,” he said.

“By simply ‘reprogramming’ existing streets, we can begin to reset the balance between people, mobility, and nature in cities as diverse as Tokyo or New York, Copenhagen or Barcelona.”

BIG is a Danish architecture studio that was founded by Ingels in 2005 and has offices in Copenhagen and New York. The studio is currently working with Heatherwick Studio to create a headquarters for Google in California and last year unveiled a design for floating villages that can withstand hurricanes.

Animation is by Squint/Opera.

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Controversial Cannabis Technology at CES 2020

Award-winning products that couldn’t appear at official CES events—let alone the main show floor

Mirroring CTA’s blunder at CES 2019—where they first awarded sex-tech company Lora DiCarlo with an Innovation Award in robotics for their pleasure device, Osé, then revoked it without sufficient reasoning—one cannabis company faced a similar fate at CES 2020.

Courtesy of KEEP Labs

KEEP, a biometric-login cannabis storage box received a 2020 Innovation Award as a home storage device—even though the CTA was wholly aware that it was designed to safeguard and sustain whole cannabis flower and all of its accessories. (There’s even a built-in rolling tray.) With an interior purposefully outfitted for prolonging freshness, there was no hiding what exactly the KEEP box did. But, after granting the award, the CTA informed KEEP that all marketing materials, show floor signs, and graphics had to be entirely cannabis-free.

Courtesy of KEEP Labs

The CTA’s demand also meant that KEEP couldn’t utter the words cannabis, marijuana, Mary Jane, pot, or weed on the floor or at any CES-sponsored events. As such, KEEP chose to bow out of presenting in an official capacity.

The CTA’s response drew instant criticism and rightful comparisons to the back-and-forth over Lora DiCarlo’s Osé device just 12 months prior.

Courtesy of PAX Vapor

Like KEEP, longtime industry innovator PAX Vapor was also forbidden from showcasing their products on the official CES floor. As such, their new cannabis vaporizer, the Era Pro ($70), occupied a booth at Monday evening’s Digital Experience event, a preview independently organized by Pepcom. There, they showed off the Era Pro’s new body, an intelligent and elegant evolution of the original Era model. A bonus: it now charges via USB-C, and the battery lasts roughly 10% longer.

The new Pax Era Pro also comes with an upgraded app, but currently only Android users have access to it. Apple recently banned all vaping apps from the App Store given the federal government’s crackdown on the category. Luckily, the new model’s most impressive innovation lies within the body of the physical device and its matching pods, and works whether the app is available or not: a chip-reader within the body of the vaporizer can read NFC chips on new Era Pro cannabis concentrate pods (marked by a red ring) and adjust the temperature and dosing, provide information on the strain’s producer and its THC contents, and more. Like the KEEP safe, the Era Pro proves discreet but design-forward through every detail.

Hero image courtesy of KEEP Labs

The 2020 Core77 Design Awards are Now Open for Entry!

This year not only marks the end of a crucial decade of design development, 2020 also happens to be the 10th anniversary of the Core77 Design Awards. We’ve spent the last decade celebrating the best innovations to hit the market, and we want to wrap up the best of the ten years in a big way—by celebrating your best work.

Core77 is excited to announce the opening of the 2020 Core77 Design Awards, recognizing excellence in all areas of design expertise for over 10 years. Since the awards’ inception in 2011, the program has welcomed nearly 10,000 entries from professionals and students in over 49 countries around the world. It stands as an annual opportunity to take a look back and celebrate some of the best design of this year. It’s a chance to be a part of a global conversation, get recognized by your peers, and pick up an award or two.

Good design lives in many subsects, and our 18 original categories aim to recognize these many facets of the design world. With distinctions for Professional and Student entries alike, the Core77 Design Awards has awarded over 250 individual design firms including IDEO, frog, Pentagram, and fuseproject, as well as countless students from around the globe.

2019 Home & Living Professional Winner “Wellness Kitchen” by GE Appliances

The judges

Each year, the program hand-picks a jury of international design talent to judge each category. This year’s lineup is no exception, including design all-stars like Pentagram Partner Eddie Opara, Smart Design Director of Design Stephanie Yung, MAST Principal Shady Shahid, and plenty more fantastic folks. These professionals are each asked to build their own judging teams that promise a wide swath of experience and perspective, ensuring a diverse point of view for each category.

2019 Strategy & Research Runner-Up “GAMMA: Space Exploration Lander” by NASA JPL & Autodesk

The winners

The best part of this process, however, is the announcement. Not just to finally satiate everyone’s anticipation for who the winners are, but to kick off a conversation on the current state and future of design in the years to come. After reviewing, jurors announce their decisions via a video where they describe, in their own words, the process, observations, and discussion that led them to their final choices. It sheds light on a process typically kept behind closed doors, and sparks a meaningful discourse in the weeks that follow.

2019 Visual Communication Student Winner “Flower Power Inc. Rebranding” by Dan Yang

What do you get for all this? Well beyond another line on your LinkedIn profile, you’ll get your work showcased across the Core77 blog and beyond, adoration by your peers, visibility by esteemed designers in your field, as well as a very swanky trophy designed by none other than New York studio Rich Brilliant Willing. Inspired by the kind of group effort that designers and their clients engage in every day, the trophy doubles as a mold, allowing you to, well, make more! As many as you like.

Sound up your alley?

The 2020 Core77 Design Awards are currently open for entry now. Meaning, right now! Early Bird pricing ends on January 31st, Regular Deadline ends March 7th, and the Final Deadline to enter is April 1st. That’s it. Winners will be announced this summer on June 11th.

Rejuvenating Hand Peel

Made by Susanne Kaufmann (from Austria’s Bregenz Forest), this rejuvenating hand peel is one of many energy-rich, all-natural potions from the extensive line of organic and sustainable products. Gently massage the serum onto hands and wait until the particles dissolve, then simply rinse in lukewarm water. Exfoliation, a boost in skin metabolism, and (thanks to plenty of essential oils) softer and smoother hands all result. Price is in Euros.

This real-life Tetris-style puzzle helps stimulate creativity in children

Designed as a much more modern and minimal take on jigsaw puzzles, the AniBlock Puzzle Challenger helps children learn problem-solving while also teaching them critical thinking as well as abstract visualization. Rather than put together shapes in a predefined pattern to create a picture, the AniBlock Puzzle Challenger uses the same block-shaped pieces to create new puzzles each time. The same blocks form new shapes when arranged differently, allowing kids to use the same tools in different ways. Unlike jigsaw puzzles that have a fixed single way of completing the puzzle, the AniBlocks have multiple solutions to the same problem, allowing children to explore new ways to complete the puzzle each time and approach a solution through multiple directions.

The AniBlock Puzzle Challenger helps capture the joy of Tetris and Minecraft with their abstract blockish architecture and introduces them to children. The block shape helps kids understand volumes better, and encourages them to develop critical thinking skills by looking at complex positive and negative forms using the pixel rather than simply fitting a triangular piece into a triangular hole, as most puzzles for kids do.

The AniBlock Puzzle Challenger comes with a set of twelve boards along with block pieces of different colors. The boards feature pixelated designs while the blocks nest right into the board, using a set of + shaped grooves. The blocks even nest one upon the other, letting you explore the third dimension too, for kids looking to explore more complex visualizations. An activity book helps keep children engaged and entertained by providing clues and allowing the kids to document their process… and while the AniBlock Puzzle Challenger is all about falling in love with blocks and puzzles without a screen, there’s even an iOS and Android app that allows kids to play with virtual Aniblocks on a screen with a variety of new puzzles!

Designer: In-Kyu Lee

Click Here to Buy Now: $19 $29 (34% off)

AniBlock Puzzle Challenger – Develops Creativity in Children

The AniBlock Puzzle Challenger is a new type of puzzle game with maps that features multiple solutions that help to develop critical thinking skills & brings out the creativity that is hidden in every child.

The AniBlock requires kids to figure out how to insert the puzzle piece to get it to fit with the other pieces in the proper pattern. It keeps them calm and focused.

3 Ways to Play with AniBlock

1. Solve the puzzle using various colors.

2. Solve the puzzle using one color.

3. Check the answers on the app and the booklet.

AniBlock Puzzle Challenger is made up of four packages, and each package is made up of two sets of colored blocks, one block board, and twelve patterns.

Each pattern has many different possible solutions, from dozens to hundreds when the colors of the blocks are taken into account. This makes the puzzle a great method to build your children’s creativity.

Features

Encourage curiosity with various patterns. AniBlock offers 48 puzzle patterns in total. Each of the patterns is made up of child-friendly and cute characters, scaled for a difficulty curve.

The scaled difficulty curve makes solving the challenges a good time, and keeps your little ones motivated to keep playing.

Diverse solutions boost creativity. Let’s take this Tulip pattern for example. There are nearly 1,000 possible solutions to this pattern. Explore the possibilities: your kids will have to exercise their creativity to the fullest to find the answers. They can even solve the puzzle without using all the blocks. The key is in the experimenting.

Kids won’t get bored. By combining an analog puzzle with a digital app, AniBlock Puzzle Challenger creates a continuous source of curiosity for children. The children will harness their curiosity as a drive to solve the puzzles.

AniBlock Puzzle Challenger represents the characters in the patterns as pixels. The children will be encouraged to imagine the final completed forms as they solve the puzzle.

Once the puzzle is completed, the kids will confirm the character, and challenge the puzzle once more in search of a different solution.

Click Here to Buy Now: $19 $29 (34% off)

Old House Converted into Beautiful Urban Art

Le street-artiste espagnol Okuda San Miguel, évoqué précédemment et à plusieurs reprises, a récemment transformé une maison abandonnée dans l’Arkansas en une fantastique oeuvre colorée. Le projet, intitulé « The Rainbow Embassy » a été organisé par Justkids, maison de création qui produit des projets artistiques à l’échelle internationale, et par The Unexpected, qui se charge de redonner du sens à la vie culturelle et urbaine à Fort Smith, dans l’Arkansas, notamment par la transformation des zones délabrées. Comme à son habitude, l’artiste a recouvert la vieille bâtisse de ses formes géométriques colorées, dont certaines représentent des animaux mythiques : de quoi attirer l’oeil des habitants.

Crédits photos : Justkids






 

Toyota’s City of the Future at the Base of Mount Fuji

Announced at CES 2020, Toyota has an ambitious plan for a newly redeveloped 175-acre site at the foot of Japan’s Mount Fuji. Ground will officially break next year on Woven City, a Bjarke Ingels Group-designed prototype town meant for piloting mobility services, in-home and public technologies, and connected innovations. Autonomous vehicles will be the only cars allowed in this pedestrian-centric city. Green space will takes on greater importance. And, walking will be encouraged through intuitive city planning. Buildings will be made from wood to reduce the project’s footprint, and energy will be sourced from solar panels and hydrogen fuel cells. The city, however, will be populated exclusively by Toyota employees. Read more at Forbes.

Toyota is Building a "Prototype City of the Future" Near Mt. Fuji

At CES, Toyota is revealing ambitious plans to create a “prototype city of the future” on a 175-acre site at the base of Mt. Fuji. Called the Woven City, the site will be designed by Bjarke Ingels and is envisioned as a “living laboratory” where residents and researchers can live with and test cutting-edge technologies in a real-world incubator.

The name of the city refers to three street types that will “weave together to form an organic grid pattern to help accelerate the testing of autonomy,” according to a press release. One will be exclusively for fast vehicles, one is for a mix of lower speed personal mobility vehicles and pedestrians, and the third will be a “park-like promenade for pedestrians only.” Only autonomous, zero-emission vehicles will be allowed. Toyota will deploy its e-Palettes for a range of uses: as delivery vehicles, for ride-sharing services, and as mobile offices or retail spaces.

The city will run on Toyota’s hydrogen fuel cell technology but rooftops will also be covered in photo-voltaic panels to provide supplemental solar power. Most buildings will be made of wood and residences will be fully equipped with in-home robotics and sensor-based AI. The company’s press release says it will “deploy connected technology with integrity and trust, securely and positively” but leaves out how those goals would be achieved.

The Japanese automaker plans to house 2,000 residents there full-time—mainly Toyota employees and their families to start—and anticipates the project will break ground in 2021.

Isay Weinfeld incorporates lush gardens into luxury apartment building in Manhattan

Jardim by Isay Weinfeld

Brazilian architect Isay Weinfeld has completed his first US project – an upscale residential building in Manhattan’s West Chelsea neighbourhood that features verdant courtyards and “a paparazzi-proof porte-cochère”.

Jardim by Isay Weinfeld

Named after the Portuguese word for garden, the Jardim development occupies a block-through parcel between 27th and 28th streets, and is just steps away from the High Line park.

The luxury housing project was designed by Isay Weinfeld, a leading contemporary architect in Brazil who started his practice in 1973. While Weinfeld has an extensive portfolio of residential and commercial projects in his native country, Jardim marks his first completed building in the United States.

Jardim by Isay Weinfeld

Encompassing 150,000 square feet (13,935 square metres), the complex consists of two, 11-storey towers that are arranged around a multi-level garden. Facades are composed of concrete, brick and a patchwork of glass.

One of the building’s distinctive elements is a street-level tunnel that runs along the east side of the property, providing access from both 27th and 28th streets. The private tunnel – which acts as the “paparazzi-proof porte-cochère” –connects to the building’s lobby.

Jardim by Isay Weinfeld

As residents approach the lobby, a latticed wall offers a glimpse of a lush, interior garden.

“Weinfeld has carefully choreographed movement and circulation throughout Jardim, creating a sense of mystery and drama along the way,” the team said.

A granite spiral staircase in the lobby leads up to the second level, where the architect incorporated additional greenery and intimate terraces. The gardens are adorned with trees, shrubs, ferns and grasses that provide “an ever-changing sequence of colour and fragrance”.

The complex contains a total of 36 apartments, along with two duplex penthouses. Amenities include a fitness centre, a massage room, a children’s playroom, and an indoor swimming pool illuminated by skylights.

Jardim by Isay Weinfeld

The apartments feature fluid layouts and a “luxurious palette of noble materials” such as wood and stone. A dressed-up model unit is infused with earth tones and soft textures, helping reinforce the architect’s intent to provide a tranquil setting for urban dwellers.

In the kitchens, Weinfeld incorporated terrazzo flooring, pale-oak cabinetry and stainless steel countertops. Bathrooms are adorned with limestone tilework and oak vanities with brass fixtures.

Jardim by Isay Weinfeld

Floor-to-ceiling glass ushers in daylight and provides generous views, along with facilitating a connection to the verdant gardens.

“Visually and experientially, the residences and gardens are one with each other, forging a uniquely intimate connection between architecture and the natural world,” the team said.

Jardim by Isay Weinfeld

Jardim joins a number of new residential buildings in the Chelsea neighbourhood, which has experienced a construction boom since the High Line opened in 2009. Other projects there include 520 West 28th Street by Zaha Hadid Architects, which opened in 2018, and The Eleventh, a pair of twisted towers by BIG that is expected to be completed this year.

Photography is by Evan Joseph.


Project credits:

Architecture: Isay Weinfeld LLC
Landscape architecture: Future Green
Developers: Centaur Properties LLC, Greyscale Development LLC
Construction management: Pizzarotti IBC LLC
Marketing and sales: Douglas Elliman Development Marketing
Branding and marketing design: Pandiscio CO

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UPenn's Integrated Product Design Program Offers A Language of Design

In the heart of the University of Pennsylvania’s campus, the Integrated Product Design Program (IPD), is the site of a growing culture for creative problem solving. Standing in the IPD studio you are surrounded by evidence of that culture, the desks and workspaces of students replete with products and prototypes. The IPD studio is immediately tantalizing to anyone with a mind for invention.

Everywhere there aren’t prototypes, there are students; engineers, designers, and entrepreneurs communicating and collaborating, through the shared language of human-centered design that the program provides them. Sarah Rottenberg, Executive Director of the IPD program, highlights this cross-disciplinary collaboration as a hallmark of their approach. In the interdisciplinary graduate program “students are always learning from the outside world to inform what is it is they are designing. They talk to people, observe people, put whatever it is that they’re making in people’s hands, hopefully letting people experience it.” Through the program’s approach to collaboration, user-research, and applied learning, IPD promises students a rare versatility and strong foundation for innovation.

Student project, “Jarvis” is a mixed reality headset for diagnosing ADHD in children. Project by Parker Murray, Varun Sanghvi and Michael Yates.

The idea for this unique design education was conceived by the collective imagination of Penn’s Wharton School of Business, Penn Engineering and the Stuart Weitzman School of Design. The interplay of the three disciplines provides education in creativity, technology and entrepreneurship.

The relationship IPD has with other university programs at Penn offers the added benefit of access to resources throughout the campus. In particular, the program’s close relationship with the Center for Healthcare Innovation at Penn, has given students the opportunity to attend surgeries and shadow staff, giving students access to, “complex spaces that are in dire need of better design”, says Rottenberg. The fruit of this relationship can be seen in the many medical projects and products students of the program have worked to produce.

Julia Lin, a second year IPD student works on a prototype.

The project, titled, “ONESCOPE,” is a laparoscope for hands-free visualization of the abdomen.

While the IPD studio has long been nestled comfortably in Penn Engineering, in the coming year the program will be moving to a new home in the soon to be completed Tangen Hall. The new hall will relocate the program’s studio to a more commercial area on the edge of the campus, and will encourage the program to flourish in space designed for entrepreneurship and innovation.

Rendering of the new Tangen Hall building

Tangen Hall will be outfitted with a number of entrepreneurial amenities including incubator spaces, maker spaces, and even a “pop-up” retail space reserved for student ventures. The new building will be an architectural embodiment of what IPD hopes to give its students – the ability and opportunity to talk to people, be they in the studio, the office, or on the street. “We want them to be everywhere”, says Rottenberg, who encourages versatility and diversity among her students. “I want them to be leading innovation at giant corporations, I want them to be starting small companies, and I want them to be working for the design consultancies that are helping companies get stuff done.”

This versatility is reflected in the IPD curriculum. Within the 2-year duration, the program allows students the freedom to pursue the learning they need, and allows them to influence the curriculum to effectively support their projects. While there is a focus on the creation of physical products, it is not uncommon to see projects ending up in any number of forms, a digital interface, a system, a physical product or even a pamphlet.

Regardless of the specific direction a student chooses to pursue, human-centered design is the program’s key to helping them understand what users need. User-research is a part of the education at IPD, ensuring that students learn how a product can exist in the market, who it serves, and what makes it worthy of investment.

One example where IPD’s product design program has proven itself is with Lia, the “first and only” flushable and biodegradable pregnancy test on the market. Lia, through it’s originality and user-conscious design has been awarded a number of design and product awards from the likes of Fast Company, Art Directors Club, Women’s Health, Tech Crunch Disrupt, and more. Lia was also exhibited at MoMA’s Broken Nature Exhibition in Milan this past summer.

Lia is a recent success story of the program, co-founded by the department director, Sarah Rottenberg, Lia, offers a more discreet, and ecologically-conscious pregnancy test.

Early sketches of Lia, from the program.

Lia is exemplary of product design in IPD because it is clearly aware of its users and the environment it exists in. It is a design that would not exist without questioning conventional norms and focusing seriously on the needs of the women who use pregnancy tests. Innovation comes about in IPD by having the will and tenacity to learn something you don’t know and to work with others that might be able to provide something that you can’t. At its core, IPD looks to provide graduates with understanding and an ability to communicate, not only with those you’re designing for, but also those you’re designing with.

The title image shows a rendering of the new Design and Making Lab in Tangen Hall .